Tiles Advertisement Quotes

We've searched our database for all the quotes and captions related to Tiles Advertisement. Here they are! All 4 of them:

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She felt the cold blast from the sterile air conditioning on her bare arms and thighs, as she ambled down the center of the shopping complex's ground floor. The scene was a swirl of candy bright lights--the Victoria's Secret fuchsia signboard, signboards which lured one to purchase "confidence," or "sexual appeal," or whatever it was that was being advertised--the fluorescent lights in each store, contrasting with the shiny, black-tiled walls and eye-catching speckled marble tiles on the ground. One could lick the floor--the tiles were spotless, clean like the fake air she was breathing in, like the atoms and cells in her that were decaying in stale neglect.
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Jess C. Scott (Jack in the Box (sexual astrology, factual fiction))
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Sometimes I want to go back to the old flip phone. One of those old-people ones that they advertise on TV with the giant buttons like floor tiles.
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Jerry Seinfeld (Is This Anything?)
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The serviced apartment was advertised as a luxury penthouse, but the reality was very different; it looked like the set of a bad eighties TV show. White leather couches and lime-green linoleum tiles may have been fashionable thirty years ago, but now they were about as stylish as disco. For five hundred US a week, the place was a dump, but Bishop didn’t care. The apartment had the one redeeming feature the team needed: From the full-length balcony it offered a 270-degree panorama of downtown Kiev and perfect views of the Dostiger residence. Discreetly positioned
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Jack Silkstone (PRIMAL Unleashed (PRIMAL #2))
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Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei." "What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated. "Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world." The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles. Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids. Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.
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Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))