Tile Work Quotes

Of all ridiculous things the most ridiculous seems to me, to be busy — to be a man who is brisk about his food and his work. Therefore, whenever I see a fly settling, in the decisive moment, on the nose of such a person of affairs; or if he is spattered with mud from a carriage which drives past him in still greater haste; or the drawbridge opens up before him; or a tile falls down and knocks him dead, then I laugh heartily.

But the floor retained an unparalleled measure of excellence with a decorative array of ceramic tiles precisely laid by an anonymous Muslim artisan with limitless patience, pride, or skill.  He left behind an ornate work of art in a short, squat, non-descript building near the most dangerous piece of real estate on the planet.  Silva often wondered how an architect so careless came to work with a craftsman so precise.  Looking at that floor, she often thought that if everyone applied just a fraction of his dedication to their own work, it might cancel out the hatred driving the destruction.

One day we took the children to see a goldsmith refine gold after the ancient manner of the East. He was sitting beside his little charcoal fire. ("He shall sit as a refiner"; the gold- or silversmith never leaves his crucible once it is on the fire.) In the red glow lay a common curved roof tile; another tile covered it like a lid. This was the crucible. In it was the medicine made of salt, tamarind fruit and burnt brick dust, and imbedded in it was the gold. The medicine does its appointed work on the gold, "then the fire eats it," and the goldsmith lifts the gold out with a pair of tongs, lets it cool, rubs it between his fingers, and if not satisfied puts it back again in fresh medicine. This time he blows the fire hotter than it was before, and each time he puts the gold into the crucible, the heat of the fire is increased; "it could not bear it so hot at first, but it can bear it now; what would have destroyed it then helps it now." "How do you know when the gold is purified?" we asked him, and he answered, "When I can see my face in it [the liquid gold in the crucible] then it is pure.

When you're betting for tiles in an archery contest, you shoot with skill. When you're betting for fancy belt buckles, you worry about your aim. And when you're betting for real gold, you're a nervous wreck. Your skill is the same in all three cases - but because one prize means more to you than another, you let outside considerations weigh on your mind. He who looks too hard at the outside gets clumsy on the inside.

The next morning, when I went in to the bathroom to brush my teeth, I noticed the index card over the sink. RIGHT FAUCET DRIPS EASILY, it said. TIGHTEN WITH WRENCH AFTER USING. And then there was an arrow, pointing down to where a small wrench was tied with bright red yarn to one of the pipes. This is crazy, I thought. But that wasn't all. In the shower, HOT WATER IS VERY HOT! USE WITH CARE was posted over the soap dish. And on the toilet: HANDLE LOOSE. DON'T YANK. (As if I had some desire to do that.) The overhead fan was clearly BROKEN, the tiles by the door were LOOSE so I had to WALK CAREFULLY. And I was informed, cryptically, that the light over the medicine cabinet works, BUT ONLY SOMETIMES.

V smiled, his eyes a little shiny as if he too were choked up. "Don't worry, I'm covered. So, I guess you're back, true?" "And ready to rock and roll." "Really." "For sure. I'm thinking about a future in contracting. Wanted to see how this bathroom was put together. Excellent tile work. You should check it." "How about I carry you back to bed?" "I want to look at the sink pipes next." Respect and affection clearly drove V's cool smirk. "At least let me help you up." "Nah, I can do it." With a groan, Butch gave the vertical move a shot, but then eased back down onto the tile. Turned out his head was a little overwhelming. But if they left him here long enough-a week, maybe ten days? "Come on, cop. Cry uncle here and let me help." Butch was suddenly too tired to front. As he went totally limp, he was aware of Marissa staring at him and thought, man, could he look any weaker? Shit, the only saving grace was there wasn't a cold breeze on his butt. Which suggested the hospital gown had stayed closed. Thank you, God.

At the top of the slope on the perimeter of the site, overlooking six lanes of motorway, is a diner frequented by lorry drivers who have either just unloaded or or are waiting to pick up their cargo. Anyone nursing a disappointment with domestic life would find relief in this tiled, brightly lit cafeteria with its smells of fries and petrol, for it has the reassuring feel of a place where everyone is just passing through--and which therefore has none of the close-knit or convivial atmosphere which could cast a humiliating light on one's own alienation. It suggests itself as an ideal location for Christmas lunch for those let down by their families.

If you make a war if there are guns to be aimed if there are bullets to be fired if there are men to be killed they will not be us. They will not be us the guys who grow wheat and turn it into food the guys who make clothes and paper and houses and tiles the guys who build dams and power plants and string the long moaning high tension wires the guys who crack crude oil down into a dozen different parts who make light globes and sewing machines and shovels and automobiles and airplanes and tanks and guns oh no it will not be us who die. It will be you. It will be you—you who urge us on to battle you who incite us against ourselves you who would have one cobbler kill another cobbler you who would have one man who works kill another man who works you who would have one human being who wants only to live kill another human being who wants only to live. Remember this. Remember this well you people who plan for war. Remember this you patriots you fierce ones you spawners of hate you inventors of slogans. Remember this as you have never remembered anything else in your lives.

Life lies behind us as the quarry from whence we get tiles and copestones for the masonry of to-day. This is the way to learn grammar. Colleges and books only copy the language which the field and the work-yard made.

It was time to let go. That day on the Shadow Fold, Mal had saved my life, and I had saved his. Maybe that was meant to be the end of us. The thought filled me with grief, grief for the dreams we’d shared, for the love I’d felt, for the hopeful girl I would never be again. That grief flooded through me, dissolving a knot that I hadn’t even known was there. I closed my eyes, feeling tears slide down my cheeks, and I reached out to the thing within me that I’d kept hidden for so long. I’m sorry, I whispered to it. I’m sorry I left you so long in the dark. I’m sorry, but I’m ready now. I called and the light answered. I felt it rushing toward me from every direction, skimming over the lake, skittering over the golden domes of the Little Palace, under the door and through the walls of Baghra’s cottage. I felt it everywhere. I opened my hands and the light bloomed right through me, filling the room, illuminating the stone walls, the old tile oven, and every angle of Baghra’s strange face. It surrounded me, blazing with heat, more powerful and more pure than ever before because it was all mine. I wanted to laugh, to sing, to shout. At last, there was something that belonged wholly and completely to me. “Good,” said Baghra, squinting in the sunlight. “Now we work.

In Floral Heights and the other prosperous sections of Zenith, especially in the “young married set,” there were many women who had nothing to do. Though they had few servants, yet with gas stoves, electric ranges and dish-washers and vacuum cleaners, and tiled kitchen walls, their houses were so convenient that they had little housework, and much of their food came from bakeries and delicatessens. They had but two, one, or no children; and despite the myth that the Great War had made work respectable, their husbands objected to their “wasting time and getting a lot of crank ideas” in unpaid social work, and still more to their causing a rumor, by earning money, that they were not adequately supported. They worked perhaps two hours a day, and the rest of the time they ate chocolates, went to the motion-pictures, went window-shopping, went in gossiping twos and threes to card-parties, read magazines, thought timorously of the lovers who never appeared, and accumulated a splendid restlessness which they got rid of by nagging their husbands. The husbands nagged back.

...She worked briskly and efficiently, taking her brush and pan from the drawing-room to the top of the stairs and making her way back down, a step at a time; after that she filled a bucket with water, fetched her kneeling-mat, and began to wash the hall floor. Vinegar was all she used. Soap left streaks on the black tiles. The first, wet rub was important for loosening the dirt, but it was the second bit that really counted, passing the wrung cloth over the floor in one supple, unbroken movement... There! How pleasing each glossy tile was. The gloss would fade in about five minutes as the surface dried; but everything faded. The vital thing was to make the most of the moments of brightness. There was no point dwelling on the scuffs.

Sicarius padded toward the exit, his soft black boots silent on the tile floor. He paused in the doorway and glanced at the backs of the two older men. The emperor emitted a nervous chuckle. “You trained him too well, Hollow. The man bothers me.” “He is loyal.” “I know. You did a good job. I ought to give you Sespian to work with. The boy is disappointing.” “He does seem soft,” Hollowcrest said. “Did you hear that scream? I would’ve been fascinated by severed heads at that age.” “You’re fascinated with them now, Sire.” “True enough.” They shared a laugh and headed for the door. Sicarius slipped away before they noticed him.

The problems that I saw at the tile warehouse run far deeper than macroeconomic trends and policy. Too many young men immune to hard work. Good jobs impossible to fill for any length of time. And a young man with every reason to work—a wife-to-be to support and a baby on the way—carelessly tossing aside a good job with excellent health insurance. More troublingly, when it was all over, he thought something had been done to him.

It’s your business if you wanna pretend you’re not queer.” Wrong. Thing. To. Say. His growl echoes on the tiled walls and he makes a move to charge forward only to stop himself feet away from me. Nostrils flared; lips curled back. Delicious anger staring at me. I’m a sick cub for finding him sexy. “You know nothing, Fierro. Keep your fucking mouth shut or I’ll do it for you, got it?” I smile and he’s further pissed off as I watch his eyes crinkle. Pity he’s a jerk, he really is hot. “Whatever you say. Try not to remember how I taste later, yeah?” It’s me who leaves first, brushing by his shoulder and he hisses another curse. His threats today don’t work on me, they never do. He’s like a posturing animal trying to exert his dominance. I never guessed he’d succeed with his tongue in my mouth. Stranger things have happened, but never did I think I’d end up making out with my tormentor.

Every inch of the interior space, high and low, glittered with arrangements of star-like patterns, all interwoven into a series of larger geometric shapes. The soaring domed ceilings glimmered from high above, a mirage of infinity that seemed to reach the heavens. Two large windows were thrown open to grant entrée to the sun: sharp shafts of light penetrated the room, further illuminating constellation after constellation of shattered glow. Even the floors were covered in mirrored tiles, though the delicate work was protected by a series of rich, intricately woven rugs.

My brain is made up of different rooms. Each room is for doing a different thing. For example, I have an Eyes Room for seeing things and an Ears Room for hearing things. I have a Hands Room, a Memory Room (it’s like my father’s office, full of drawers and folders and boxes with papers), a New Things Room, a Numbers Room (my favorite), and a Horror Room (I wish this room would be broken, but it works just fine). The rooms don’t touch each other. There are long, looping hallways in between each room. If I’m thinking about something that happened yesterday (like when I knocked over the white coffee mug), I’m in my Memory Room. But if I want to watch a Barney video on the TV, I have to leave the Memory Room and go into Eyes and sometimes Ears. Sometimes when I’m in the hallways traveling to a different room, I get lost and confused and caught In Between and feel like I’m nowhere. This is when my brain feels like maybe it’s a little bit broken, but I know I just have to find my way into one of the rooms and shut the door. But if too much is happening at once, I can get into trouble. If I’m counting the square tiles on the kitchen floor (180), I’m in my Numbers Room, but if my mother starts talking to me, I have to go into my Ears Room to hear her. But I want to stay in Numbers because I’m counting, and I like to count, but my mother keeps talking, and her sound is getting louder, and I feel pressure to leave Numbers and go inside my Ears Room. So I go into the hallway, but then she grabs my hand, and this surprises me and forces me into Hands, which isn’t where I wanted to go, and she’s talking to me but I can’t hear what she’s saying because I’m in my Hands Room and not in Ears. If she lets go of my hand, I can go into Ears. She’s saying, Look at me. But if I look at her, I have to leave Ears and go into Eyes, and then I won’t be able to hear what she’s saying. So I don’t know what to do, and I’m wandering the halls, and I can’t make a decision on where to go, and I’m In Between, and that’s when I get into trouble.

say something, but his mouth flapped open and shut without a sound except for the exhalation of his last lungful of air. He tried to gulp air down like a landed fish, and this did not work. Then his eyes went up to Ramius, wide in shock—there was no pain, and no emotion but surprise. The captain laid him gently on the tile deck. Ramius saw the face flash with recognition, then darken. He reached down to take Putin’s pulse. It was nearly two minutes before the heart stopped completely. When Ramius was sure that his political officer was dead, he took the teapot from the table and poured two cups’ worth on the deck, careful to drip some on the man’s shoes. Next he lifted the body to the wardroom table and threw open the

The sun still beats down warmly over the Sienese countryside in September, and the stubble left by harvest covers the fields with a sort of animal fur. It is one of the most beautiful countrysides in the world: God has drawn the curve of its hills with an exquisite freedom, and has given it a rich and varied vegetation among which the cypresses stand out like lords. Man has worked this earth to advantage and has spread his dwellings over it; but from the most princely villa to the humbles cottage they all have a similar grace and harmony with their ochre walls and curved tiles. The road is never monotonous; it winds and rises, only to descend into another valley between terraced fields and age-old olive groves. Both God and man have shown their genius at Siena.

Wylan cleared his throat and the sound bounced around the blue-tiled room like a spring colt let loose in a corral. Genya’s face was bemused. Zoya crossed her arms. “Well?” “Ma’am…” Wylan attempted. “Miss Genya—” Genya smiled, her scars tugging at the corner of her mouth. “Oh, he is sweet.” “You always take to the strays,” said Zoya sourly. “You’re the boy Nina tailored to look like Kuwei,” Genya said. “And you want me to try to undo her work?” “Yes,” Wylan said, that one word imbued with a whole world of hope. “But I don’t have anything to bargain with.” Genya rolled her single amber eye. “Why are the Kerch so focused on money?” “Says the woman with a bankrupt country,” murmured Jesper. “What was that?” snapped Zoya. “Nothing,” said Jesper. “Just saying Kerch is a morally bankrupt country.

No picture of a medieval library can be complete unless it be remembered that in many cases beauty was no less an object than utility. The bookcases were fine specimens of carpentry-work, carved and decorated; the pavement was of encaustic tiles worked in patterns; the walls were decorated with plaster-work in relief; the windows were filled with stained glass; and the roof-timbers were ornamented with the coat-armour of benefactors.

But this book is about something else: what goes on in the lives of real people when the industrial economy goes south. It’s about reacting to bad circumstances in the worst way possible. It’s about a culture that increasingly encourages social decay instead of counteracting it. The problems that I saw at the tile warehouse run far deeper than macroeconomic trends and policy. too many young men immune to hard work. Good jobs impossible to fill for any length of time. And a young man [one of Vance’s co-workers] with every reason to work — a wife-to-be to support and a baby on the way — carelessly tossing aside a good job with excellent health insurance. More troublingly, when it was all over, he thought something had been done to him. There is a lack of agency here — a feeling that you have little control over your life and a willingness to blame everyone but yourself. This is distinct from the larger economic landscape of modern America.

And, moreover, you need not for a moment to insinuate that the virtues have taken refuge in cottages and wholly abandoned slated houses. Let me tell you, I particularly abominate that sort of trash, because I know so well that human nature is human nature everywhere, whether under tile or thatch, and that in every specimen of human nature that breathes, vice and virtue are ever found blended, in smaller or greater proportions, and that the proportion is not determined by station. I have seen villains who were rich, and I have seen villains who were poor, and I have seen villains who were neither rich nor poor,

What people thought of the castle was one of the few things about the kingdom Snow could control, and she took pride in the work... even on days when her back began to ache from scrubbing tiles or her hands grew callused from all the pruning she did in the garden. She tried to break up her day between indoor and outdoor activities when the weather allowed it. Today was a fine day, so she hoped to get out to the garden as soon as possible. She wanted to gather flowers to make bouquets for the castle vases. There wouldn't be many who had the opportunity to see the flowers, but at least the servants' day would be brightened.

It was a remarkable undertaking. The United States and its agents used explosives, arson, short-circuiting, and other methods to damage power stations, shipyards, canals, docks, public buildings, gas stations, public transportation, bridges, and so on; they derailed freight trains, seriously injuring workers; burned twelve cars of a freight train and destroyed air pressure hoses of others; used acids to damage vital factory machinery; put sand in the turbine of a factory, bringing it to a standstill; set fire to a tile-producing factory; promoted work slowdowns in factories; killed by poisoning 7,000 cows of a co-operative dairy;

It bugged him. He stepped back, stepped back some more so he saw the building proper and realized he had been here before. Back in the ’70s. The restaurant had been a community center or the like, legal aid, a view of the desks so you can see that everybody looks like you. Help you fill out the application for food stamps and other government programs, break down the discouraging bureaucratese, probably run by some former Panthers. He was still working for Horizon so it had to be the ’70s. Top floor, middle of summer, and the elevator was out. Humping up all that white-and-black hexagon tile, the steps worn from so many feet that they seemed to smile, a dozen smiles every floor.

We did every part of this renovation together with our bare hands. Chip restored all of the wood floors, all the tile work--everything. I was learning as we went, but I definitely did my part. That house was gorgeous. Jo did an awesome job helping fix it up, and her ideas were great. There was a moment in the kitchen when I smarted off, though. I don’t even remember what I said, to be honest, but Jo got real mad and started yelling. She was carrying this five-gallon bucket of primer. She slammed it down on the ground to make a point, and it splashed right back up in her face. It was dripping off her eyelashes and her nose. Whenever something like that happened in my family, we’d all just laugh, you know? So I laughed, even though she was mad at me, and that made her even angrier. She started yelling again with the primer dripping all over, and I just had this moment where I looked at her and everything seemed to be going in slow motion and I thought, I love this woman. She is tough! Oh, this is gonna work. That was our first real “fight,” and even now we both agree it was our biggest. Chip had smarted off about something, so my blood was already boiling, but when I slammed that bucket down, Chip says I became a ninja--the kind you don’t want to mess with. Yet he still laughed, against his better judgment. We joke about it now, like, “Well, I’m mad, but I’m not primer-in-the-face mad.

And, caught in a Communist trap, the moral courage of some leaders grew less. The pressure on Tokyo to hold down the loss never ceased. In Korea, on tile ground, it intensified. It was no longer possible to permit juniors any latitude, or any possibility for error. What Boatner foresaw happened. Soon battalion commanders led platoons, and general officers directed company actions, for the loss of one patrol could ruin the career of a colonel. In one way, it was an efficient system. It worked, for the lines were stable, and no senior officer had enough to do. But the damage done to the Army command structure would be long in healing. If a new war came someday, there would be colonels and generals—who had been lieutenants and captains in Korea—who had their basic lessons still to learn.

Later that day, Kestrel sat with Arin in the music room. She played her tiles: a pair of wolves and three mice. Arin turned his over with a resigned sigh. He didn’t have a bad set, but it wasn’t good enough, and beneath his usual level of skill. He stiffened in his chair as if physically bracing himself for her question. Kestrel studied his tiles. She was certain he could have done better than a pair of wasps. She thought of the tiles he had shown earlier in the game, and the careless way in which he had discarded others. If she didn’t know how little he liked to lose against her, she would have suspected him of throwing the game. She said, “You seem distracted.” “Is that your question? Are you asking me why I am distracted?” “So you admit that you are distracted.” “You are a fiend,” he said, echoing Ronan’s words during the match at Faris’s garden party. Then, apparently annoyed at his own words, he said, “Ask your question.” She could have pressed the issue, but his distraction was a less interesting mystery compared to one growing in her mind. She didn’t think Arin was who he appeared to be. He had the body of someone born into hard work, yet he knew how to play a Valorian game, and play it well. He spoke her language like someone who had studied it carefully. He knew--or pretended to know--the habits of a Herrani lady and the order of her rooms. He had been relaxed and adept around her stallion, and while that might not mean anything--he had not ridden Javelin--Kestrel knew that horsemanship among the Herrani before the war had been a mark of high class. Kestrel though that Arin was someone who had fallen far.

I don't believe the sickest people that I meet throughout my day at work are in the business of having outlandish desires, either. I don't think they are staring at the square-tiled ceiling of the intensive-care unit and dreaming of being an astronaut or an explorer. I don't think they're holding the hand of their wife and thinking, "I hope we win the lottery and become rich." Perhaps I am wrong, but I think they are, for the most part, simply hoping they will get to be a part of life again. They are hoping for all the things we take for granted every day: the ability to breathe by yourself, to get out of bed, to sit on a toilet or lie in a bath. To swallow your food and choose what you want for breakfast. To walk out into the world and appreciate all its beauty, or complain about the weather - but to have that choice.

Mom reeled away from the chair as if she’d been slapped. Deacon was up in a flash, letting the sword clank to the tiles as he clung to her skirt. Aristodeus raised his palms, and for a moment he looked genuinely sorry. “They will accept him, Gralia, but not until he’s turned thirteen, and not unless he’s proficient with a blade and fluent in Aeternam.” Mom’s breaths came in great heaves. She shut her eyes for a few seconds, her lips working silently over a prayer. She planted a kiss on Deacon’s head and sighed. “Six years, then.” Aristodeus nodded. “Six more years. He’ll be well on his way to manhood by then, Gralia, and I’m sure the last thing you and Jarl will want is a teenager on your hands.” Mom blinked back tears, and she shuddered as she drew in another breath. Deacon knew what she was doing: offering it all up to Nous in reparation for her sins and those of the whole world. Aristodeus stooped to pick up the sword and hand it back to Deacon.

I might have said you'll pay for the wild & reckless hour, pay in the currency of sweat and shiver, the future squandered, the course of years reconfigured, relinquishment so complete it's more utter than any falling in love. Falling instead in flames, burning tiles spiraling to litter the courtyards of countless places that will never be yours, the fingerprints, tossed gloves & glittering costumes, flared cornices & parapets, shattering panes, smoked out or streaked with embers, the tinder of spools, such a savage conflagration, stupid edge-game, the way junkies tempt death, over & over again, toy with it. I might have told you that. Everything you ever meant to be, pfft, out the window in sulphured matchlight, slow tinder & strike, possession purely ardent as worship & the scream working its way out of your bones, demolition of wall & strut within until you’re stark animal need. That is love, isn’t it? Everything you meant to be falls away so you dwell within a perfect singularity, a kind of saint.

Ben stands just behind me, and we begin to wedge out a fresh piece of clay. I try my best to concentrate, to ignore the fact that my heart is beating at five times its normal speed. I watch his arms as he kneads the clay—almost a little too hard—and as the muscles in his forearms flex. “That’s good,” I say, in an effort to stay focused. I dip a sponge into a bowl of water and squeeze the droplets down over his hands to keep things moist. After several minutes, Ben lets me take the lead. I place my palms over the clay mound and close my eyes. Meanwhile, Ben’s chest grazes my shoulders, and his clay-soaked fingers stroke the length of my arms. “You’re doing great,” he whispers in my ear. We continue to sculpt for another hour, working the mound down into a flattened surface—until we have a total of four tiles. And until I can no longer hold myself back. I turn around to face him. “Camelia?” He squints slightly. I bite my lip, wishing that he could read my mind, and that he would kiss me until my lips ache. “What are you thinking?” I ask, slipping my hand inside the waistband of his jeans and pulling him closer.

She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.

So, you want to improve your home like you have some knowledge and respect for the endeavor, yes? Very well. First, you need to know the basics associated with it to showcase what type of knowledge you actually have about it. If that is not enough, try reviewing the article listed below to assist you. Home improvement is often a daunting task. This is because of the time and the amounts of money required. However, it doesn't have to be so bad. If you have several projects in your house, divide them up into several smaller DIY projects. For example you may want to redo the entire living room. Start simple, by just replacing the carpet, and before you know it, your living room will be like new. One great way to make the inside of your home sparkle is to put new molding in. New molding helps create a fresh sense in your living space. You can purchase special molding with beautiful carvings on them to add a unique touch of elegance and style to your home. When it comes to home improvement, consider replacing your windows and doors. This not only has a chance of greatly improving the value of the home, but may also severely decrease the amount of money required to keep your house warm and dry. You can also add extra security with new doors and windows. Change your shower curtain once a month. Showering produces excessive humidity in a bathroom that in turn causes shower curtains to develop mold and mildew. To keep your space fresh and healthy, replace your curtains. Don't buy expensive plastic curtains with hard to find designs, and you won't feel bad about replacing it. Sprucing up your walls with art is a great improvement idea, but it doesn't have to be a painting. You can use practically anything for artwork. For instance, a three-dimensional tile works great if you contrast the colors. You can even buy some canvas and a frame and paint colored squares. Anything colorful can work as art. If you are renovating your kitchen but need to spend less money, consider using laminate flooring and countertops. These synthetic options are generally much less expensive than wood, tile, or stone. They are also easier to care for. Many of these products are designed to closely mimic the natural products, so that the difference is only visible on close inspection. New wallpaper can transform a room. Before you add wallpaper, you need to find out what type of wall is under the existing wallpaper. Usually walls are either drywall or plaster smoothed over lath. You can figure out what kind of wall you are dealing with by feeling the wall, plaster is harder, smoother, and colder than drywall. You can also try tapping the wall, drywall sounds hollow while plaster does not. Ah, you have read the aforementioned article, or you wouldn't be down here reading through the conclusion. Well done! That article should have provided you with a proper foundation of what it takes to properly and safely improve your home. If any questions still remain, try reviewing the article again.

In his book, Nothing Ever Dies: Vietnam and the Memory of War, Viet Thanh Nguyen writes that immigrant communities like San Jose or Little Saigon in Orange County are examples of purposeful forgetting through the promise of capitalism: “The more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.” One literal example of this lies in the very existence of San Francisco’s Chinatown. Chinese immigrants in California had battled severe anti-Chinese sentiment in the late 1800s. In 1871, eighteen Chinese immigrants were murdered and lynched in Los Angeles. In 1877, an “anti-Coolie” mob burned and ransacked San Francisco’s Chinatown, and murdered four Chinese men. SF’s Chinatown was dealt its final blow during the 1906 earthquake, when San Francisco fire departments dedicated their resources to wealthier areas and dynamited Chinatown in order to stop the fire’s spread. When it came time to rebuild, a local businessman named Look Tin Eli hired T. Paterson Ross, a Scottish architect who had never been to China, to rebuild the neighborhood. Ross drew inspiration from centuries-old photographs of China and ancient religious motifs. Fancy restaurants were built with elaborate teak furniture and ivory carvings, complete with burlesque shows with beautiful Asian women that were later depicted in the musical Flower Drum Song. The idea was to create an exoticized “Oriental Disneyland” which would draw in tourists, elevating the image of Chinese people in America. It worked. Celebrities like Humphrey Bogart, Lauren Bacall, Ronald Reagan and Bing Crosby started frequenting Chinatown’s restaurants and nightclubs. People went from seeing Chinese people as coolies who stole jobs to fetishizing them as alluring, mysterious foreigners. We paid a price for this safety, though—somewhere along the way, Chinese Americans’ self-identity was colored by this fetishized view. San Francisco’s Chinatown was the only image of China I had growing up. I was surprised to learn, in my early twenties, that roofs in China were not, in fact, covered with thick green tiles and dragons. I felt betrayed—as if I was tricked into forgetting myself. Which is why Do asks his students to collect family histories from their parents, in an effort to remember. His methodology is a clever one. “I encourage them and say, look, if you tell your parents that this is an academic project, you have to do it or you’re going to fail my class—then they’re more likely to cooperate. But simultaneously, also know that there are certain things they won’t talk about. But nevertheless, you can fill in the gaps.” He’ll even teach his students to ask distanced questions such as “How many people were on your boat when you left Vietnam? How many made it?” If there were one hundred and fifty at the beginning of the journey and fifty at the end, students may never fully know the specifics of their parents’ trauma but they can infer shadows of the grief they must hold.

When we first started dating, my talent in the kitchen was a turn-on. The prospect of me in the kitchen, wearing a skimpy apron and holding a whisk in my hand- he thought that was sexy. And, as someone with little insight into how to work her own sex appeal, I pounced on the opportunity to make him want and need me. I spent four days preparing my first home-cooked meal for him, a dinner of wilted escarole salad with hot bacon dressing, osso bucco with risotto Milanese and gremolata, and a white-chocolate toasted-almond semifreddo for dessert. At the time, I lived with three other people in a Columbia Heights town house, so I told all of my housemates to make themselves scarce that Saturday night. When Adam showed up at my door, as the rich smell of braised veal shanks wafted through the house, I greeted him holding a platter of prosciutto-wrapped figs, wearing nothing but a slinky red apron. He grabbed me by the waist and pushed me into the kitchen, slowly untying the apron strings resting on my rounded hips, and moments later we were making love on the tiled kitchen floor. Admittedly, I worried the whole time about when I should start the risotto and whether he'd even want osso bucco once we were finished, but it was the first time I'd seduced someone like that, and it was lovely. Adam raved about that meal- the rich osso bucco, the zesty gremolata, the sweet-and-salty semifreddo- and that's when I knew cooking was my love language, my way of expressing passion and desire and overcoming all of my insecurities. I learned that I may not be comfortable strutting through a room in a tight-fitting dress, but I can cook one hell of a brisket, and I can do it in the comfort of my own home, wearing an apron and nothing else. Adam loved my food, and he loved watching me work in the kitchen even more, the way my cheeks would flush from the heat of the stove and my hair would twist into delicate red curls along my hairline. As the weeks went by, I continued to seduce him with pork ragu and roasted chicken, creamed spinach and carrot sformato, cannolis and brownies and chocolate-hazelnut cake.

As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage. “Where were you?” “Just out.” “Out where?” “Down the street.” Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park. “Frank, could you rinse the milk bottles before you put them on the stoop?” “Sorry. I’ll do it now.” “Too late. I’ve done it already. You know, I can’t do everything.” “Nobody can.” “But you can do something, can’t you?” “Lily, please. I’ll do anything you want.” “What I want? This place is ours.” The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.” The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.

So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.

Despite the mosque’s perfection as a whole, it contained many deliberate mistakes in the symmetry of the tile work in order to symbolize the craftsman’s humility and his insignificance when compared to Allah.

Creating and Enjoying Then God looked over all he had made, and he saw that it was very good! GENESIS 1:31 NLT Mary had been working diligently on tiling her bathroom. It was a big project for her and required a lot of planning and thought to design it just right. There was the mortarboard that had to replace the old, moldy drywall, and the plumber had to frame in the tub for her. She measured, sawed, carried heavy boards, nailed, cut, glued, and grouted. Every night after work she labored carefully and fell into bed exhausted for nearly three weeks straight. Finally it was done, and she loved it! She adorned it with new curtains and a few fresh towels. She found herself going in the bathroom just to be in that room, she was so pleased. A few days later she found her son standing in the bathroom. “I like to come in here and just look at it, Mom; it’s so nice. I can’t imagine how good you must feel!” Mary thought about it and smiled. “God made us like Him. You know, how He stood back and enjoyed His creation after He made it.” Lord God, thank You for allowing us to be creative and enjoy the work of our hands. Most of all, thank You for making us and watching over us every day because You love what You’ve made! Amen.

From Rotting [God will] bestow on them a crown of beauty instead of ashes, the oil of joy instead of mourning, and a garment of praise instead of a spirit of despair. They will be called oaks of righteousness, a planting of the LORD for the display of his splendor. ISAIAH 61:3 NIV Sometime in August, after weeks of busy work schedules by day (and sometimes night) and a bathroom tiling project by night (and into the wee morning hours), Mary walked down her front porch steps and took a deep breath. When she looked around, she was shocked to realize how neglected her landscaping was. There were massive broad-leaf weeds taking over the ground. A closer look revealed that the “weeds” were actually pumpkin plants that last year’s rotting pumpkin display had inadvertently provided. She thought about ripping out the vines, since there wasn’t much growing on them yet, but she decided to let what was alive and well continue to grow. Before long, three large, bright orange volunteer pumpkins had pushed past red (now barely visible) mums. Mary started thinking how many things volunteer themselves right into her life—and end up being beautiful additions to her days. God, thank You for taking the rotten things of life and turning them into bountiful blessings. Amen.

David was saved by grace through faith apart from any good works as tile meritorious cause, as truly as we are; but he was also called to be holy in all manner of conversation or behavior, as we are. Grace does not set aside the requirements of Divine holiness, instead, it reigns "through righteousness" (Rom. 5:21). And when one who has been saved by grace fails to deny "ungodliness and worldly lusts" (Titus 2: 12), then the chastening rod of God falls upon him, that he may be a "partaker of His holiness" (Heb. 12:10). And this, be it noted, is not only a part of the Father’s dealings with His children, but it is also a part of his ways with His subjects as the Moral Ruler of this world.

Here is the correct order for performing renovations. 1.       Remove any flooring to be replaced 2.       Ceiling repair and ceiling painting 3.       Strip wallpaper, repair walls, paint walls 4.       Paint and replace trim, including crown molding 5.       Cabinet and countertop work 6.       Install tile or quality wood laminate flooring (this may shorten the space for the appliances that go under the counter like dishwashers, so be careful with measurements pre-floor installation) 7.       Install new appliances 8.       Install base molding and baseboards in rooms with tile, vinyl, or quality wood laminate flooring 9.       Install carpet (scratch that, NEVER put carpet in a rental) 10.   Tidy up the landscaping

It struck me, as I looked at her coloured sheet, that the bond between a mother and child works a bit like the Penrose tiles: a pattern of different, unbreakable interactions between two distinct but related shapes that stretches to infinity. No forced separation – not even death – can destroy it, because it operates according to a logic that exists independent of geography, or time.

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There’s no doubt that a main obstacle to my progress is my physical condition. With such a body nothing can be achieved. I will have to get used to its perpetual failure. From the last few wildly dreamed-through but barely even snatchily slept-through nights I was so incoherent this morning, felt nothing but my forehead, saw a halfway bearable condition only far beyond the present one and in sheer readiness for death at one point would have liked to curl up with the documents in my hand on the cement tiles of the corridor. My body is too long for its weakness, it has not the least fat to generate a blessed warmth, to preserve inner fire, no fat on which the spirit might at some point nourish itself beyond its daily need without damage to the whole. How is the weak heart, which recently has often stabbed me, supposed to push the blood down the whole length of these legs. To the knee would be enough work, but then it is washed with only decrepit strength into the cold lower legs. But now it is already needed again up above, one waits for it while it dissipates down below. Due to the length of the body everything is pulled apart. What can it accomplish then, when perhaps even if it were compressed, it wouldn’t have enough strength for what I want to achieve.

No such suspension of disbelief was needed on the morning of 13 September 1645. If I had been looking south from my house, I would have seen an awesome sight. During the civil war fought all over Britain and Ireland, the Scottish army led by General David Leslie surprised the Royalists and the Marquis of Montrose at Philiphaugh, west of Selkirk. In the early morning mist, he sent about 2,000 cavalry troopers through our little valley, perhaps keeping to the metalled surface of the old road leading to Oakwood Fort. They moved quietly around Howden Hill and, while Leslie led the rest of his army in a frontal assault, the cavalry attacked the rear of the Royalists and scattered them. Philiphaugh was a savage, sadistic rout with much unnecessary slaughter excused by fundamentalist piety. The greater part of the landscape of the valley was much altered after 1645. The fields, the thorn hedges, the shelterbelts of hardwoods, the steadings, the big houses and their policies are not old. After the middle of the 18th century, the pace of agricultural improvement quickened and shaped much of the countryside we see now and believe to be traditional. One of the most important catalysts was drainage and below where I sit in the evening stretches the 35-acre Tile Field. It is billiard-table flat because it was scraped for clay and at the western end stood a tile works. Its kilns were fired by the trees of the Hartwood and the clay puddled in a pond formed by the Common Burn and the Hartwoodburn.

You're efficient when you do something with minimum waste. & you're effective when you're doing the right something." "...the degree of freedom required to effect change. Slack is the natural enemy of efficiency & vise versa." "...slack represents operational capacity sacrificed in the interest of long term health." "Imagine one of those puzzle games consisting of 8 numbered tiles in a box, with one empty space, so you can slide them around one at a time. The objective is to shuffle the tiles into numerical order. That empty space is the equivalent of slack. If you remove it, the game is technically more efficient, but something is lost. Without the open space, there is no further possibility of moving tiles at all. The layout is optimal as it is, but if time proves otherwise, there is no way to change it." "Having a little bit of wiggle room allows us to respond to changing circumstances, to experiment, & to do things that might not work." → time, money, people on job, or even expectations → Not having slack is taxing. Scarcity weighs on our minds and uses up energy that could go toward doing the task at hand better. It amplifies the impact of failures & unintended consequences. → Slack allows us to handle the inevitable shocks & surprise of life. → Slack is the time when reinvention happens. It is time when you are not 100% busy doing the operational business of your firm. Slack is the time when you are 0% busy. Slack at all levels is necessary to make the organization work effectively & to grow. It is the lubricant of change. Good companies excel in creative use of slack. & bad ones only obsess about removing it. → Only when we are 0% busy can we step back & look at the bigger picture of what we're doing. Slack allows room for that...to think ahead. → We are more productive when we don't try to be productive all the time. → Being comfortable with sometimes being 0% busy means we think about whether we're doing the right thing → Effectiveness → "The secret to top performance is to always be a little underemployed; you waste years by not being able to waste hours. Those seemingly wasted hours are necessary to figure out if you're headed in the right direction.

Chapter Eight Jack shifted his gaze between the packet and Fabien’s pale face, then slowly got to his feet. Go to the police, that was what they should do. Let them deal with it. But what kind of trouble would that land Fabien in? “I’ll sort it.” Jack made his way up to the chimney, stuffed the packet into the black bin liner he found up there, and wedged it between the pots. That would buy them some time to think about how to help Fabien. He returned to the others. Fabien was still looking green and shaky, but was on his feet and putting on his hat. “I’ll help you get down to the street,” said Beth. “It’s okay. I’ll go back through the attic. Grandad will be wondering where I am.” The boy hobbled up the incline, back the way he’d come, and they heard him stagger down the other side. Jack banged his fist against the chimney wall, sending loose cement dust showering onto the tiles. “I wish he’d told me what was going on. I could have helped. I wondered why he wanted me to teach him shadow jumping.” “He’s scared,” said Beth. “Don’t be too hard on him. Kai’s got him where he wants him. It’s Kai you should be angry with, not Fabien.” “Who’s Kai working for?” Jack let out a worried breath. “I mean, he might be a thug, but he’s not got a lot of brains, has he?” Beth pressed her lips together in thought. “You’re right. He can’t be doing this alone.” Jack’s encounter with Kai from a few months ago was inked on his memory like a tattoo. He touched his ribs as if the bruising was still there, but of course the physical injuries were gone. Not so for Fabien, Jack thought, remembering the livid mark blooming on the

My inspiration comes from many sources. Clearly, Mother Nature has always occupied an important position in this regard, which is tied up to my early experiences in Mexico. In addition, the patterns used in Mexican arts and crafts—ceramics, textiles, tiles, masks, etc.—also have been present in the development of my mental and artistic imaginary from the very beginning. Other elements that I can mention are indigenous myths and legends, the expressions of other artists from various cultures, iconic historical figures, and the works of poets and other writers, some of whom are my friends. Obviously, my surroundings are also a big source of inspiration, as my series of paintings on the Pacific Northwest clearly show. (Interview in Artophilia)

groan and tug the button of his jeans open. He lifts his hips so I can work his pants down, pulling them all the way off, along with his underwear and tossing them on the bathroom floor—which happens to be beautifully tiled, if I do say so myself.

It is a huge slab of dark stone, square and rough, like the rocks at the bottom of the chasm. A large crack runs through the middle of it, and there are streaks of lighter rock near the edges. Suspended above the slab is a glass tank of the same dimensions, full of water. A light placed above the center of the tank shines through the water, refracting as it ripples. I hear a faint noise, a drop of water hitting the stone. It comes from a small tube running through the center of the tank. At first I think the tank is just leaking, but another drop falls, then a third, and a fourth, at the same interval. A few drops collect, and then disappear down a narrow channel in the stone. They must be intentional. “Hello.” Zoe stands on the other side of the sculpture. “I’m sorry, I was about to go to the dormitory for you, then saw you heading this way and wondered if you were lost.” “No, I’m not lost,” I say. “This is where I meant to go.” “Ah.” She stands beside me and crosses her arms. She is about as tall as I am, but she stands straighter, so she seems taller. “Yeah, it’s pretty weird, right?” As she talks I watch the freckles on her cheeks, dappled like sunlight through dense leaves. “Does it mean something?” “It’s the symbol of the Bureau of Genetic Welfare,” she says. “The slab of stone is the problem we’re facing. The tank of water is our potential for changing that problem. And the drop of water is what we’re actually able to do, at any given time.” I can’t help it—I laugh. “Not very encouraging, is it?” She smiles. “That’s one way of looking at it. I prefer to look at it another way—which is that if they are persistent enough, even tiny drops of water, over time, can change the rock forever. And it will never change back.” She points to the center of the slab, where there is a small impression, like a shallow bowl carved into the stone. “That, for example, wasn’t there when they installed this thing.” I nod, and watch the next drop fall. Even though I’m wary of the Bureau and everyone in it, I can feel the quiet hope of the sculpture working its way through me. It’s a practical symbol, communicating the patient attitude that has allowed the people here to stay for so long, watching and waiting. But I have to ask. “Wouldn’t it be more effective to unleash the whole tank at once?” I imagine the wave of water colliding with the rock and spilling over the tile floor, collecting around my shoes. Doing a little at once can fix something, eventually, but I feel like when you believe that something is truly a problem, you throw everything you have at it, because you just can’t help yourself.

If I pay you fifty bucks to keep not doing anything, would you?” “That would be wrong.” And way too tempting. “Hey, I’ve known Shane a long time and I’ve only seen him get worked up a few times.” Isaac stared at the tile, some of the humor leeching out of his face. “What’s wrong?” she asked keeping her voice quiet. “There was a...an accident a few weeks ago. Shane blames himself, and

My grandmother swaddled her baby, as they did two thousand years ago, and let him swing on a tree branch so she could do backbreaking work for fifteen cents a day. Lizzie talked about working, herself, too, starting when she was eight or nine years old, long before the era of child labor laws, at the Milford Shoe Company. “My first day, they put me at a sewing machine and give me two pieces a leathuh. They told me how to stitch the pieces togethuh—paht of a man’s shoe. Each time I did that, they told me, drop it inna drawa. I thought, this is easy. Zip, zip, zip, one afta anuthuh. End of the day comes, my drawa is full. Lady next to me, olda woman—she didn’t have so many done. The boss fired her right then. They gave me her job afta that.” From that day on, my aunt worked in factories all her life. Like my mother, she was heavy set but solid, as sturdy and muscled as the men who worked beside her, first at Milford Shoe and later at William Lapworth & Sons, a manufacturer of elastic fabrics, whose British-born owner berated her whenever a needle broke on her sewing machine. Later she worked at Archer Rubber, where a chemical spray left a small scar on her cheek. Her final employer was the Stylon Tile Company, known for making pink and black bathroom tiles, which were hard to handle without cutting her hands. She always called her place of work “the shop.” She was “working down at the shop.” Before I left her house, she always gave me something to take with me, like a bag of her hand-made swiss-chard ravioli, or if it was close to Christmas, a plate of her own Italian cookies. My favorites were the ceci, little fried cookies that looked like ravioli but were stuffed with sweet chestnut and honey filling, or the ones that looked like bowties, called cenci, dusted with powdered sugar. No matter how busy she was, she never let anyone leave her house hungry or empty-handed. Once I accompanied Lizzie to the Sacred Heart Cemetery to help her with all the flower baskets she wanted to lay on the gravestones of lost family members. There’s something about Italians and cemeteries. I was never attracted to cemeteries, never finding any comfort in visiting the dead, but for most of my family, it was like attending a family reunion. Seeing Lizzie moving

She is a “T-shaped person,” she said, one who has breadth, compared to an “I-shaped person,” who only goes deep, an analog to Dyson’s birds and frogs. “T-people like myself can happily go to the I-people with questions to create the trunk for the T,” she told me. “My inclination is to attack a problem by building a narrative. I figure out the fundamental questions to ask, and if you ask those questions of the people who actually do know their stuff, you are still exactly where you would be if you had all this other knowledge inherently. It’s mosaic building. I just keep putting those tiles together. Imagine me in a network where I didn’t have the ability to access all these people. That really wouldn’t work well.

Ulay’s Polaroids of that period often showed him piercing his own flesh in various bloody ways. In one work, he tattooed one of his aphorisms on his arm: ULTIMA RATIO (meaning final argument or last resort, referring to force). Then he cut a square hunk of flesh containing the tattoo out of his arm, slicing so deeply that the muscle and tendon were visible. He framed and preserved the tattooed flesh in formaldehyde. For another image, he held a bloodstained paper towel over a self-inflicted razor wound in his belly. A series of shots showed him slicing his fingertips with a box cutter and painting the white tiles of a bathroom with his own blood. (...)somebody gave Ulay a Newton’s cradle. He was fascinated by the back-and-forth swinging of the shiny metal balls, the little clack they made when they collided, the perfect transfer of energy. “What if we did that?” he said. I immediately understood what he was talking about: a performance where the two of us would collide and bounce off each other. We were naked, standing twenty meters apart. We were in a warehouse on the island of Giudecca, just across the lagoon from Venice. A couple hundred people were watching. Slowly at first, Ulay and I began to run toward each other. The first time, we just brushed past each other as we met; on each successive run, though, we moved faster and faster and made harder contact—until finally Ulay was crashing into me. Once or twice he knocked me over. We had placed microphones near the collision point, to pick up the sounds of flesh slapping flesh. (...) then [Ulay] took out a heavy needle, the kind used to sew leather, attached to some thick white thread, and he sewed his lips shut. This didn’t happen quickly. First he had to penetrate the skin below his lower lip—not easy—and then the skin above his upper lip. Also not easy. Then he pulled the thread tight and tied a knot. And then he and I changed places: Ulay sat down among the audience, and I sat in the chair he had just occupied. “Now,” I told our friends, “you will ask me questions and I will answer as Ulay.

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She smiled, thinking of the way she’d proudly wear her kid-sized toolbelt, following him around. She had to wonder if he was still out there somewhere, tiling bathrooms himself. If he missed having her as his little helper. He’d always loved his job and the houses he worked on, so much.

(1) The Mindset of Strategy and Positioning (心持ちの事　付　座之次第) ◎ With regards to mindset as you engage in a contest, be calmer than normal and try to see into your opponent’s mind. The enemy whose voice becomes higher in pitch, eyes widen, face reddens, muscles bulge and face grimaces is basically incompetent and will [clumsily] hit through to the ground. When faced with a [second-rate] adversary such as this, maintain serenity of mind and observe his face dispassionately so as not to provoke him. Then, taking hold of your sword, smile and assume a position lower than the upper stance (jōdan). Coolly evade his blow as he tries to attack you. When the enemy appears somewhat perturbed by your unusual attitude, this is the time to strike. Also, if your opponent is quiet, eyes narrowed, body at ease, and he is holding his sword in a relaxed manner as if his fingers are floating on the hilt, assume that he is an expert. Do not saunter carelessly into his range. You must seize the initiative and assail him skillfully, driving him back and striking in quick succession. If you are nonchalant with such a competent opponent, he will force you back. It is crucial to ascertain how capable your enemy is. In terms of where you should position yourself, the same conditions apply in both spacious or cramped locations. Step in so that walls will not impede your sword swings from either side. Take an approximate stance with the long sword and nimbly close in on your foe. If your sword should collide with some barrier, the enemy will become emboldened and will hem you in. If your sword looks as if it might scrape the ceiling, determine the actual height with the tip and be mindful thereafter. You can employ either sword for this, as long as it is the one that cannot be used [in attack while you do this]. Keep the light behind you. With your usual training, be prepared to freely apply any kind of technique with a relaxed mind, but always execute with urgency. It is important to adapt according to the circumstances. (2) About Gaze (目付之事) ◎ Direct your eyes on the enemy’s face. Do not focus on anything else. Since the mind is projected in [facial] expressions, there is no place more revealing than the face to fix one’s gaze. The way of observing the enemy’s face is the same as looking through the mist at trees and rocks on an island two and a half miles [4 km] in the distance. It is the same as peering at [and identifying] birds perched atop a shanty 100 yards [91 meters] away through the falling sleet. It is also akin to beholding a decorative wooden board used to cover the ridge and purlin ends of a roof gable or the tiles on a hut. Calmly focus your gaze [to take everything in].

Architects don’t worry about which tiles go in the shower or which brand of dishwasher to install in the kitchen until after the floor plan is finalized. They know it’s better to decide these details later.

divorced. Father of the dreadful but very loveable Zoe. Literary agent at the Taylor Literary Agency.’ Maeve returned his smile and shook his hand. ‘Nice to meet you, Stephen. I’m Maeve McKenna from Dublin. Single, but still hopeful. Haven’t found that significant other. But maybe I’m getting too old and picky.’ ‘You don’t look old to me.’ ‘Right now I feel about sixty. Work, work, work, you know?’ She grimaced as her phone rang, and checked the caller ID. ‘Got to take this, sorry. Bathroom tiles gone wrong.’ ‘How about that bite to eat later? I hate eating alone. I’ll come back around seven, if you’re free then?

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Sometimes in life, you can’t be one hundred percent sure…” She gives me a hard, meaningful look. Something tells me she isn’t talking about floor tiles anymore. “Sometimes, you have to take a risk. Even when you aren’t ready. When you aren’t sure.” “Uh…yeah.” I turn my attention back to the work in front of me. Eventually, she sighs in frustration and spins on her heel but then she pauses again. She just can’t control herself. “You do realize that that was a metaphor, right?” I laugh deep in my throat. “Yes, Sophia. I get the deeper meaning.” She’s telling me to take a risk on Reese even though I have no idea what the hell I’m doing. She looks pleased with herself and smiles wide. “There’s more cupcakes in the kitchen if you want.” Her heels click loudly as she disappears back down the hall.

We only have five minutes before dessert's ready," she protests. "I can do a lot to you in five minutes, sweetheart." "Then what are you waiting for, boyfriend?" He moves with purpose, hooking his hands around her thighs so that he can lift her up and lay her down on the kitchen table. The dishes have already been cleared, save for a pair of forks that clink together with the sudden movement. His skillful hands make quick work of the front of her jeans, tugging them off hurriedly before kneeling on the kitchen tile between her thighs. They've already eaten dinner, but he's ravenous. With the time now sitting at four minutes and thirty seconds, he wastes no more time and dips down to enjoy his meal. The sounds she makes. Alexander's so hard, it's almost painful. He teases her with his tongue, his fingers; makes his business her pleasure. Eden reaches her peak just as the timer on the oven beeps. Alexander can't help but smirk at himself. He always knew he worked well under pressure. "Mmph, thank you for that," Eden mumbles. "Sit tight. I'll go get dessert." "I've already had dessert." She rolls her eyes. "Cheesy." Alexander reclaims his seat just as Eden returns with a piping hot baking dish. It's a layer of molten chocolate topped with a gooey marshmallow layer and a buttery graham cracker crust. She also retrieves a tub of vanilla bean ice cream from the fridge and a can of whipped cream... Which she immediately sprays all over his chest. He's momentarily shocked by the cold, but then Eden gets on her knees with that mischievous glint in her eye that he adores so much. "Food needs to cool," she reasons. "We've got time to kill.

Anna shouted, “Help me! I’m naked and covered in honey!” Wolf slid across the kitchen tile, heading for the basement stairs like Hermes in a footrace. “Hold tight, honeybun! Here I come!” Joe Singer charged behind him with the lantern. Wolf was not going to see Anna in her honey, even if he had to shoot him. This was not police work. This was personal. He hurled himself at Wolf. “She’s my girl!” “Not anymore!

Has Orc shown up here?” But neither Caine nor Diana answered. Both were staring at Drake, who sauntered toward them, all his cockiness restored, no longer the ragged scarecrow who had wept when he saw the melted stump of his hand lying on the tile floor. “Drake,” Caine said. “We thought you were dead.” “I’m back,” Drake said. “And better than ever.” The red tentacle unwrapped itself from around his waist, like a python releasing its victim. “Like it, Diana?” Drake asked. The arm, that impossible bloodred snake, coiled above Drake’s head, swirled, writhed. And then, so fast that the human eye could barely register the movement, it snapped like a bullwhip. The sound was a loud crack. A mini–sonic boom. Diana cried out in pain. Stunned, she stared at the cut in her blouse and the trickle of red from her shoulder. “Sorry,” Drake said with no attempt at sincerity. “I’m still working on my aim.” “Drake,” Caine said and, despite the blood, despite Diana’s wound, he grinned. “Welcome back.” “I brought some help,” Drake said. He extended his left hand, and Caine shook it awkwardly with his right. “So. When do we go take down Sam Temple?

A few times a week Fernando would go out, when he wasn’t working at the library, to clean people’s houses. A good way to make some extra money, he explained. I spend three hours cleaning someone’s house and I take home seventy dollars. Tax-free. And no one bothers me. I’m my own boss and the whole thing is between me and the carpet, me and the windows, me and the bathroom sinks and toilets and tiles. Not bad.

Of all ridiculous things, it seems to me what is most ridiculous is to be busy in this world, to be a man who hastens to his food and hastens to his work. That is why, when at some critical moment I see a fly land on the nose of one of these businessmen, or he gets soaked by some carriage driving by in even greater haste than his own, or he has to wait while the river bridge goes up in front of him, or a tile falls from the roof and kills him, I laugh heartily. Who, after all, could fail to laugh? What is it, actually, that they achieve, these furiously busy people? Is there any difference between them and the woman who, in her confusion when a fire broke out in the house, salvaged the fire-tongs? Do they really salvage anything more from the great conflagration of life? (Either/Or, 1843) Kierkegaard

Jackson shrugged off Gentry’s hand. “You want to worry about drugs in your parish, Agent Broussard, why don’t you check my sister’s bag? Or is it okay for your agents to be racing around with guns while they’re buzzing on painkillers? Is it okay for her to work four months after she tried to slit her wrists with a f**king utility knife?” A chill washed across Jena’s shoulders. Who was this person? The brother she’d known her whole life would never try to throw her under the squad car. “We aren’t talking about your sister, who, by the way, is a skilled law-enforcement agent who took two bullets in the line of duty a few months ago, son.” Gentry’s voice was low, but serious. “We’re talking about you, an unemployed twenty four year old who had almost an ounce of an illegal synthetic drug stashed in his bedroom, not to mention what’s probably still in your system. All we’d need is one simple blood test.” Gentry paused. “We’re talking about jail time, Jackson. Do you understand what kind of trouble you could be in?” Time seemed to stretch into slow motion. Jackson turned like an enraged devil, tightened his fingers around Gentry’s throat, and squeezed. He moved so fast that Gentry wasn’t able to get his hands up to protect himself and was left trying to breathe and pry Jacks’s hands off at the same time. Jackson wasn’t nearly as strong as Gentry, so it had to be the drugs. Jena had heard stories of users having almost superhuman strength. She ran toward them, but Adam got there first. He kicked Jacks’s legs out from beneath him and, by the time her brother hit the floor, Meizel was kneeling on his back, one hand pressing his head against the tile. The handcuffs clicked shut with a loud scrape of metal, and Meizel jerked Jacks to his feet. It was over in a matter of seconds. All four of them stood still for a moment. Until Jacks, his chin bleeding from hitting the floor, began spewing more accusations at Jena, laced with a liberal dose of f-bombs. Then life sped up again. Meizel held one of Jacks’s arms while Gentry held the other. The deputy had started his Miranda by the time they’d gotten Jacks out the front door, shoving him toward the patrol car none too gently.

Lex, Bone could have been just some idiot kid with no respect for library property, with nothing to distinguish him or garner any mention in a book. It’s probably not even his real name.” Lex frowned. “That’s true.” “Plus, what makes him a bandit? And why is he sick?” He shook his head. “It’s like he wrote the signature using Mad Libs. He may as well have signed it Spleen, the toasty orange tugboat.” “You’re right,” Lex said, slowly putting something together. “It doesn’t make any sense!” “You say that like it’s a good thing.” “It is!” Goosebumps rippled up her arms as she grabbed a nearby pen and scrap of paper. “It’s a code!” “Or that. Sure.” Lex’s hands were a blur as she wrote. “A simple substitution cipher? One letter for another? Or maybe it needs a keyword. Maybe Bone is the keyword. Is Bone the keyword?” Driggs raised an eyebrow as she scribbled. “This is an interesting side of you I’ve never seen.” “My mom’s a teacher,” she said, staring at the paper without blinking. “Instead of cartoons and video games we got work sheets and word puzzles.” “I see.” He reached in. “Maybe—” “Don’t touch!” “Wow. Okay.” He backed away, stifling a snicker. “I just think you’re overthinking this.” She looked peeved. “Oh, am I, Sherlock?” She offered him the paper. “What do you think it is, just a simple anag—” Her eyes went wide. Next thing Driggs knew, Lex was rummaging around in the closet. “Are you looking for your sanity?” he called after her. “Because I do believe it showed itself out a while ago.” She emerged with a Scrabble box in hand. “Silence,” she said, dumping the tiles on the table. “Let me think.

our interviews suggest that many rural men migrate to the city precisely to prepare for marriage. Married men who do not already work in the city rarely migrate there (it is different for those who live in towns surrounding cities).     After the death of my parents and oldest brother, I took care of the siblings. In 1997, I came to Bujumbura to do different jobs and then I managed to buy my own bike and I started doing taxi-vélo. I have done this job since 2002 and it allows me to have everything I need. I managed to build a house and I married because of my work. I also managed to buy three goats and five parcels of land to cultivate. I think that with God’s help I will manage the development I wished for when I came to the city. (Twenty-six-year-old migrant, Musaga)     I am saving some money to buy a couple of cows. After that, I will seek a wife. I am busy building a house with a tile roof in my colline to prepare my marriage. (Twenty-year-old male migrant, Musaga)

To treat things with respect and intrigue, we don’t need to understand their motivations and inner lives—whatever knowing the inner life of a tangelo or a floor tile would mean.4 We just need to pay enough attention to discover what they do and how they work—to discover what they obviously and truly are—and then to make use of them in gratifyingly novel ways. And

The pastry kitchen is colder than I had imagined but smells delicious, as sweet and crisp as the bite of an apple. The walls are covered in white tiles, and almost everything is made of stainless steel. There are quite a few Chinese chefs in the kitchen, busy at work. They don't look rushed at all, carefully executing their tasks. One chef is releasing praline balls from their molds and then dipping them in a bowl of melted chocolate. It looks like a silken soup, and my mouth waters. He drops each ball in with a large fork and slowly stirs it around. When it comes up again, it has the satin sheen of the warm chocolate. He rolls it, the fork providing a cradle against a marble bench top until it is cool. The fork leaves no crease or mark on the finished product, a perfect sphere. There is such slow art to it; I feel hypnotized.

Architects are 'dismissive' of the people who turn their designs into building. And indecisive clients who have read too many design magazines all end up wanting bathrooms that look like 'variations of tiled rooms in an abattoir'.

There is traditional mosaic work and glazed tiles in geometric designs, but there is also a smattering of Western consumer goods: ‘several fine European pier glasses with very handsome hangings’ in the royal apartments, for instance, and ‘in each room is a fine gilt branch for wax candles’.60 This is not a straightforward act of emulation of Western tastes, however. In Islamic tradition, light possesses a divine quality as the visible manifestation of God’s presence and reason. As he consistently tries to do, Sidi Muhammad has borrowed from the West with

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We’ve won a great victory against tyranny,” he called. “We’ve won the chance to forge a Union that’s the envy of the world.” And he set himself so he could strike his crutch on the tiles with an echoing bang. “But we have to build bridges. We have to bring good men in. Like my old friends from Angland. Discord won’t help us. We need equality. We need loyalty. We need unity!” He hobbled to his seat with the applause ringing in his ears and dropped down wincing, shaking his leg to loosen it on his sore stump. Glaward looked more dumbfounded than ever. “You didn’t… say anything.” Perhaps he was faithful and diligent, like Savine said, but Leo had forgotten how slow he could be. “Only an idiot stands in front of this rabble to say something,” muttered Leo, wiping the fresh sheen of sweat from his forehead. “You shuffle a few of the right words together and make sure you look ’em in the eye.” He flashed the humble smile he’d been working on.

Adam: Adam was a young man whose anxiety turned into a monster. Where Shelly had a very mild case of social anxiety, Adam’s case could only be called severe. Over a period of several years, his underlying social fears developed into a full-blown school phobia. A quiet, unassuming person, Adam had never stood out in the classroom. Through elementary school and on into high school, he neither excelled nor failed his subjects. By no means a discipline problem, the “shy” Adam kept to himself and seldom talked in class, whether to answer a teacher’s question or chat with his buddies. In fact, he really had no friends, and the only peers he socialized with were his cousins, whom he saw at weekly family gatherings. Though he watched the other kids working together on projects or playing sports together, Adam never approached them to join in. Maybe they wouldn’t let him, he thought. Maybe he wasn’t good enough. Being rejected was not a chance he was willing to take. Adam never tried hard in school either. If he didn’t understand something, he kept quiet, fearful that raising his hand would bring ridicule. When he did poorly on an exam or paper, it only confirmed to him what he was sure was true: He didn’t measure up. He became so apprehensive about his tests that he began to feel physically ill at the thought of each approaching reminder of his inadequacy. Even though he had studied hard for a math test, for example, he could barely bring himself to get out of bed on the morning it was to take place. His parents, who thought of their child as a reserved but obedient boy who would eventually grow out of this awkward adolescent stage, did not pressure him. Adam was defensive and withdrawn, overwrought by the looming possibility that he would fail. For the two class periods preceding the math test, Adam’s mind was awash with geometry theorems, and his stomach churning. As waves of nausea washed over him, he began to salivate and swallowed hard. His eyes burned and he closed them, wishing he could block the test from his mind. When his head started to feel heavy and he became short of breath, he asked for a hall pass and headed for the bathroom. Alone, he let his anxiety overtake him as he stared into the mirror, letting the cool water flow from the faucet and onto his sweaty palms. He would feel better, he thought, if he could just throw up. But even when he forced his finger down his throat, there was no relief. His dry heaves made him feel even weaker. He slumped to the cold tile and began to cry. Adam never went back to math class that day; instead, he got a pass from the nurse and went straight home. Of course, the pressure Adam was feeling was not just related to the math test. The roots of his anxiety went much deeper. Still, the physical symptoms of anxiety became so debilitating that he eventually quit going to school altogether. Naturally, his parents were extremely concerned but also uncertain what to do. It took almost a year before Adam was sufficiently in control of his symptoms to return to school.

We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.

The transfer paradox We do not support this conclusion however. Highly structured methods may indeed have a positive effect on the acquisition curb and performance on retention tests, but not on problem-solving and transfer of learning. Instead, we believe that if One aims at transfer of learning and the ability to show performance that goes beyond given learning objectives, it is necessary to use Germane load inducing methods. This phenomenon in which the message that work best for reaching specific objectives are not the methods that work best for reaching transfer of learning, has been described as the “transfer paradox”. One group learned with pipe pieces of different sizes, with a focus on routine building because the pieces are easily seen as fractions of a whole; the other group learned with tile pieces of equal size is, with a focus on interpretation because the pieces should be interpreted as parts of a whole rather than just units. For subsequent problem-solving the new materials ( beans,bars,etc.) , It was found that the interpretation group was better able to use the novel materials, she’ll better progress, and eventually became more efficient than the routine building group. From instructional control of cognitive load in the design of complex learning environments

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The answer was a big NO! In zero gravity, as soon as we touched a tile, we found ourselves being pushed away. Without a suitably positioned restraint system, we could not work to fix the damage. We would have damaged more tiles than we fixed. I asked that we not haul the MMU on the STS-1 mission, because it could not have helped us do tile repairs.

Try Evan,” he suggests. “Apart from numbers and heaven, which gets old very quickly, there’s practically nothing.” “Numbers? Oh! Eleven…seven…” I furrow my brow. “Devon,” Kelly calls over. “That’s a county in England.” “Leaven,” I add. “You do it to bread.” Evan’s expression is comical, his blue eyes stretched as wide as they’ll go as he plucks a string and, in a singsong nursery-rhyme voice, intones: “From the age of seven to eleven Before he tragically went to heaven Evan leavened bread in Devon.” He throws his hands wide. “See? Not much to work with.” “At least you don’t have rude stuff that rhymes with you,” Kelly says gloomily. “They called me Smelly Jelly Belly at school for years.” “And Kendra isn’t that great either. It sort of sounds like bend-ya,” Kendra adds. I can’t help smiling that Kendra and Kelly are competitive in everything, even down to whose name rhymes with worse stuff. “Kendra,” Evan sings, playing a chord, “I would never bend ya, or lend ya or send ya… Oh, the words I can engender thinking about Kendra…” “‘Engender’!” Kelly exclaims. “That’s really good!” I pull myself out of the pool and walk over to a lounger, picking up a towel and wrapping it around myself; I sit on one side of Evan, Kelly on the other. Even cool-as-a-cucumber Kendra has sat up to watch Evan playing his guitar. “What about Paige?” I ask, looking over at his sister, the only one uninterested in her brother’s talent. She’s got a moisturizing pack on her hair--her head is wrapped in the special leopard-skin towel she uses when she’s doing a hair treatment--pink headphones on her ears, and a magazine in her hands as she reclines on her lounger. “Paige goes into a rage when you tell her she’s not yet legal drinking age--” Evan sings immediately, and Paige, who must have been listening after all, promptly throws her magazine at his head. He ducks easily, and it flies past and lands on the tiles.

So this is Paris, where my great-grandparents came from...the place that gave me my roots...and new friends! My house has a thousand rooms...one for every place we've passed through! My ceiling is sometimes a dome of stars...other times a fiery sunset...and still other times...the wild dance of storm clouds... My time is that of the seasons... My family speaks all languages... But we don't have to open our mouths to understand each other. One look is enough... We work together to create something that none of us alone would be able to. We mix our diversities with passion and what comes out is infinitely better than what is mine or yours... Grandad Tenzin would say it's alchemy. While it's true that I don't have a tiled roof, brick walls or a fixed address to write on an envelope...if you think about it I have much, much more... Swimming pool with a view... Gymnastics and acrobatic lessons every day... Ethnic cuisines and nightly entertainment... And day after day I can enjoy everything...without possessing anything! I read somewhere --WHERE YOUR TREASURE LIES, THERE YOUR HEART WILL BE. Well my heart lies with this big family of travelers... They are my treasure! That's why I can feel at home anywhere, though I have no home anywhere... Deep down, wanderers are like flowing rivers.. which, with their twists and turns, are always looking for their own way to reach the sea... If you think about it, isn't the same true of everyone? We may go along our separate ways , but our hearts must beat the world over!

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