Til It's Gone Quotes

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Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that – everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.
Virginia Woolf
I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that — everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been.
Virginia Woolf
Tis a far cry from home for a poor lonely thing, O'er the deeps and wild waters of seas, Where you can't hear your dear mother's voice softly sing Like a breeze gently stirring the trees. Come home, little one, wander back here someday, I'll watch for you, each evening and morn, Through all the long season 'til I'm old and grey As the frost on the hedges at dawn. There's a lantern that shines in my window at night, I have long kept it burning for you, It glows through the dark, like a clear guiding light, And I know someday you'll see it, too. So hasten back, little one, or I will soon be gone, No more to see your dear face, But I know that I'll feel your tears fall one by one, On the flowers o'er my resting place.
Brian Jacques (Triss (Redwall, #15))
She said to me, over the phone She wanted to see other people I thought, Well then, look around. They're everywhere Said that she was confused... I thought, Darling, join the club 24 years old, Mid-life crisis Nowadays hits you when you're young I hung up, She called back, I hung up again The process had already started At least it happened quick I swear, I died inside that night My friend, he called I didn't mention a thing The last thing he said was, Be sound Sound... I contemplated an awful thing, I hate to admit I just thought those would be such appropriate last words But I'm still here And small So small.. How could this struggle seem so big? So big... While the palms in the breeze still blow green And the waves in the sea still absolute blue But the horror Every single thing I see is a reminder of her Never thought I'd curse the day I met her And since she's gone and wouldn't hear Who would care? What good would that do? But I'm still here So I imagine in a month...or 12 I'll be somewhere having a drink Laughing at a stupid joke Or just another stupid thing And I can see myself stopping short Drifting out of the present Sucked by the undertow and pulled out deep And there I am, standing Wet grass and white headstones all in rows And in the distance there's one, off on its own So I stop, kneel My new home... And I picture a sober awakening, a re-entry into this little bar scene Sip my drink til the ice hits my lip Order another round And that's it for now Sorry Never been too good at happy endings...
Eddie Vedder
If I got a problem, a problems got a problem til it's gone
Russell Tyrone Jones ODB
If you ever reed this Miss Kinnian dont be sorry for me. Im glad I got a second chanse in life like you said to be smart because I lerned alot of things that I never even new were in this werld and Im grateful I saw it all even for a littel bit. And Im glad I found out all about my family and me. It was like I never had a family til I remembird about them and saw them and now I know I had a family and I was a person just like evryone. I dont no why Im dumb agen or what I did rong. Mabye its because I dint try hard enuf or just some body put the evel eye on me. But if I try and practis very hard mabye Ill get a littel smarter and no what all the words are. I remembir a littel bit how nice I had a feeling with the blue book that I red with the toren cover. And when I close my eyes I think about the man who tored the book and he looks like me only he looks different and he talks different but I dont think its me because its like I see him from the window. Anyway thats why Im gone to keep trying to get smart so I can have that feeling agen. Its good to no things and be smart and I wish I new evrything in the hole world. I wish I could be smart agen rite now. If I could I would sit down and reed all the time. Anyway I bet Im the frist dumb persen in the world who found out some thing inportent for sience. I did somthing but I dont remembir what. So i gess its like I did it for all the dumb pepul like me in Warren and all over the world. Goodby Miss Kinnian and dr Strauss and evrybody... P.S. please tel prof Nemur not to be such a grouch when pepul laff at him and he would have more frends. Its easy to have frends if you let pepul laff at you. Im going to have lots of frends where I go. P.S. please if you get a chanse put some flowrs on Algernons grave in the bak yard.
Daniel Keyes (Flowers for Algernon)
As the ample Hedda, who disguised her ampleness behind a billow of yellow summer dress, told it, her life up ’til she hoisted this very bloody mary in her hand was a convoluted tale of bubbly love gone flat, fine talents unnoticed and similarly woeful bullshit.
Daniel Woodrell (The Bayou Trilogy: Under the Bright Lights, Muscle for the Wing, and The Ones You Do)
Music is reflection of self We just explain it, and then we get our checks in the mail It's fucked up, ain't it? How we can come from practically nothin To bein able to have any f*ckin thing that we wanted That's why we sing for these kids who don't have a thing Except for a dream and a f*ckin rap magazine Who post pin-up pictures on they walls all day long Idolize they favorite rappers and know all they songs Or for anyone who's ever been through shit in they lives So they sit and they cry, at night, wishin they'd die Til they throw on a rap record and they sit and they vibe We're nothin to you, but we're the f*ckin sh*t in they eyes That's why we seize the moment Try to freeze it and own it, squeeze it and hold it Cause we consider these minutes golden And maybe they'll admit it when we're gone Just let our spirits live on Through our lyrics that you hear in our songs, and we can…
Eminem
Now? Why now? Why am I missing her now, Frankie? Why not then? When she was there? Why am I afraid that I'm gonna' lose her when she's already gone. And this fear--this fear swarms through me--floods my whole body 'til there's nothing left. Nothing left of me. And then it turns--it turns to a fear for my whole life. Like my whole life is lost from losing her. Gone. That I'll die like this. Lost. Just lost.
Sam Shepard (A Lie of the Mind)
That's why we sing for these kids who don't have a thing, except for a dream and a fuckin rap magazine; Who post pin-up pictures on they walls all day long, idolize they favorite rappers and know all they songs; Or for anyone who's ever been through shit in they lives, so they sit and they cry, at night, wishin they'd die; Til they throw on a rap record and they sit and they vibe; We're nothin to you, but we're the fuckin shit in they eyes; That's why we seize the moment; Try to freeze it and own it, squeeze it and hold it, cause we consider these minutes golden; And maybe they'll admit it when we're gone; Just let our spirits live on, through our lyrics that you hear in our songs... [Sing for the Moment]
Eminem
By the time I got down there, Bird was standing to the left of the backstop, near the warm-up area, smiling at Brandon. It was obvious he was trying not to get caught smiling at her, that he was supposed to focus on the game. I scooted over until I was standing behind the dugout. Jason was still messing with his gloves. I was surprised the Velcro still worked, that it hadn’t worn down until all the tiny sticky teeth were gone. “Hey, Jason,” I said. “Awesome no-hitter.” I was vaguely aware of someone gasping and someone else moaning, as Jason came up off the bench fast, spun around, and stared at me like I’d morphed into something from The X-Files. The guy who’d gasped, Chase, put one knee on the bench, so he could talk to me in a low voice and still be heard. “You’d better go.” “Why? What did I do?” “You never talk to the pitcher when…” He shook his head. “You just never talk to the pitcher when--” “I just wanted to congratulate him on a good game--” “It’s not over ’til it’s over,” Chase said. “You jinxed me,” Jason said, crouching down in the corner, pressing his palms against his forehead, like he’d been struck with a migraine headache.
Rachel Hawthorne (The Boyfriend League)
Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]
G-Unit
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Moon Fishing" When the moon was full they came to the water. some with pitchforks, some with rakes, some with sieves and ladles, and one with a silver cup. And they fished til a traveler passed them and said, "Fools, to catch the moon you must let your women spread their hair on the water — even the wily moon will leap to that bobbing net of shimmering threads, gasp and flop till its silver scales lie black and still at your feet.” And they fished with the hair of their women till a traveler passed them and said, "Fools, do you think the moon is caught lightly, with glitter and silk threads? You must cut out your hearts and bait your hooks with those dark animals; what matter you lose your hearts to reel in your dream?” And they fished with their tight, hot hearts till a traveler passed them and said, "Fools, what good is the moon to a heartless man? Put back your hearts and get on your knees and drink as you never have, until your throats are coated with silver and your voices ring like bells.” And they fished with their lips and tongues until the water was gone and the moon had slipped away in the soft, bottomless mud.
Lisel Mueller (Alive Together)
He’d hoarded it, not spending a penny. Because what need had he had for money when he’d had her? She’d been a miracle, a marvel, a gift to him from the gods. And he had worshipped her. They had lived in a small cottage by the sea, on an island in Scotland where the sheep had outnumbered the people several times over. They had eaten what could be gotten from the land and sea, worn what could be gotten from the sheep, and burned driftwood in their hearth. He’d buried that money and not dug it up until after she’d been gone. When the idea of living in a now-empty cottage by the sea had been unbearable because no matter how many times the tide had washed them away, he would still see her bloodstains on the sand.
Eliza MacArthur (‘Til All the Seas Run Dry (Elements of Pining, #2))
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ’til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Ain’t nobody ever gone answer you cries. You can fill a well with tears, and all you gonna get is drowned. You sit there long enough and the crazy man find you. You weep too long, your heart ache so, the flesh slip off your bones and your soul got to find a new home. You wait on answers ’til the scaredy-cat curl up in your belly and use your liver for a pin cushion. And that’s just how you die. Ascared and waiting. And death find your ghost wailing for help. In this life, if someone promise you aid, they a lie. If someone offer they hand, check five time ten to see where they hide the bill. You ain’t nobody but alone. And God come to those with the fight to find It. Ain’t nothing easy. Not for the likes of you.
Cynthia Bond (Ruby)
Not a day has gone by for me that I haven't been waiting for you. That I haven't dreamed of a faceless you. That I haven't imagined what you would feel like under my palms. Waiting was never the problem, it was doubting. I began to doubt that you were real, that you were actually coming to me. But I should never have doubted you. I'm amazed when I look at your face to see the love I feel for you smiling back at me. I would do anything you asked of me to keep that smile there. You are all there is, my world... I'm honored just to be in your presence, let alone have your heart. I adore the way you look at my world. The love you have for my family. How you can be so completely innocent and so achingly sexy all at the same time. How you're always selfless, and there, and full of love even after everything you've been through. Baby, I've said it a million times and I'll continue to say it 'til my last breath… You're amazing. Tomorrow you'll be mine in every way, every sense, every second, but I know that no matter how tight I hold you, it'll never be close enough. No matter how long or hard or passionately I kiss your lips, it'll never be sating. You're my soul-mate, my reason to keep pulling air into my lungs, my gorgeous significant that fits in my arms and my life perfectly, my whole life, my love, my partner in crime, my very heart, my amazing girl. Marry me. Take the beating heart in my chest and do with it what you wish. It's been yours since the day you saved my life. You've been saving it ever since. I love you, baby, more than will ever be understandable, but I dare you to try. Every tomorrow is all that matters, my love. The
Shelly Crane (Independence (Significance, #4))
Stay Alive" There's a rhythm in rush these days Where the lights don't move and the colors don't fade Leaves you empty with nothing but dreams In a world gone shallow In a world gone lean Sometimes there's things a man cannot know Gears won't turn and the leaves won't grow There's no place to run and no gasoline Engine won't turn And the train won't leave Engines won't turn and the train won't leave I will stay with you tonight Hold you close 'til the morning light In the morning watch a new day rise We'll do whatever just to stay alive We'll do whatever just to stay alive Well the way I feel is the way I write It isn't like the thoughts of the man who lies There is a truth and it's on our side Dawn is coming Open your eyes Look into the sun as the new days rise And I will wait for you tonight You're here forever and you're by my side I've been waiting all my life To feel your heart as it's keeping time We'll do whatever just to stay alive Dawn is coming Open your eyes Dawn is coming Open your eyes Dawn is coming Open your eyes Dawn is coming Open your eyes Look into the sun as the new days rise There's a rhythm in rush these days Where the lights don't move and the colors don't fade Leaves you empty with nothing but dreams In a world gone shallow In a world gone lean But there is a truth and it's on our side Dawn is coming open your eyes Look into the sun as a new days rise
Jose Gonzalez
Summer Rain" Whispering our goodbyes Waiting for a train I was dancing with my baby In the summer rain I can hear him saying Nothing will change Come dancing with me baby In the summer rain I remember the rain on our skin And his kisses hotter than the Santa Ana winds Whispering our goodbyes Waiting for a train I was dancing with my baby In the summer rain I remember laughing til we almost cried (There at station that night) I remember looking in his eyes Oh my love, it's you and that I dream of Oh my love, since that day Somewhere in my heart I'm always Dancing with you in the summer rain Doesn't matter what I do now Doesn't matter what I say Somewhere in my heart I'm always Dancing with you in the summer rain I can hear the whistle Military train I was dancing with my baby In the summer rain I can here him singing Ooh "Love Is Strange" Come dance with me baby In the summer rain I remember the rain pouring down And we poured our hearts out As the train pulled out I can see my baby Waving from the train It was last time that I saw him In the summer rain Every time I see the lightening Every time I hear the thunder Every time I close the window When this happens in the summer Oh the night is so inviting I can feel that you are so close I can feel you when the wind blows Blows right through my heart Every night and every day now Though I know you've gone away Somewhere in my heart I'm always Dancing with you in the summer rain
Belinda Carlisle
Ain't nobody ever gone answer your cries. You can fill a well with tears, and all you gonna get is drowned. You sit there long enough and the crazy man find you. You weep too long, your heart ache so, the flesh slip off you bones and your soul got to find a new home. You wait on answers 'til the scaredy-cat curl up in your belly and use your liver for a pin cushion. And that's just how you die. Ascared and waiting. And death find your ghost wailing for help. In the life, if someone promise you aid, they a lie. If someone offer they hand, check five time ten to see where they hide the bill. You ain't nobody but alone. And God come to those with the fight to find It. Ain't nothing easy. Not for the likes of you.
Cynthia Bond (Ruby)
Real Quick [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]
Drake
You're No Good" (feat. Santigold, Vybz Kartel, Danielle Haim & Yasmin) [Intro] You’re no good for me But the way you movin at me, oh it might be You want a Jamaican one [Verse] She say she love me and I’m nice Nothing after he return, nothing at the night She say it’s loving, make this down No time at all, she don’t wanna line She touch me, it all become nice She love me, for the rest of her life D drop it down, round kiss on mi spine Touch and make a sweet song, on top of all things My uh uh uh uh uh My ee ee ee ee ee My uh uh uh uh uh (my baby) My ee ee ee ee ee [Chorus] My aa aa aa aa me My melodea My L L L LSD I know you’ll come back around My aa aa aa aa me My melodea My L L L LSD You want a Jamaican one I know you’ll come back around [Verse] If I had you back I’ll never let you go another way Not for the life of me How could you imagine that? Well my mistake that send you on your way Well nothing I can say To you like drops of water Don’t ask me what went wrong Can’t turn back the damage I’ve done Can’t take em back after I’m gone A fool to keep on trying Can’t make me walk away ‘Cause baby I’m back and as I’m getting strung that you’ll be back one day [Chorus] [Verse] Girl you think you love me baby And you know so mi love is for my lady Deserve no faith to deserve no Slim Shady Go Shawty, it’s yo birthday No if and no maybe Take and attack it, you’re the thing, ordinary Me as boyfriend, girl come on and come save me Me and you’re tinking me, com e with me Surely inside the long shorty Til it wind, pan the flow and wind, pan the flow And if you want to get girls that do me Come here, lick it more, lick it more Mean everything, as I me love you So no one kill how I ever want Any time, get chug upon the doorway Man rest assured, pan the girl next door Oh yes I did did My uh uh uh uh uh My melodea My ee ee ee ee ee I know you’ll come back around My uh uh uh uh uh My melodea My ee ee ee ee ee I know you’ll come back around now You’re no good for me But the way you movin at me, oh it might be No one ever made me feel so sweet Now you got me begging on my knees Baby get it for me It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely [x2] It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely [Chorus x2] My aa aa aa aa me
Major Lazer
Scribbled and scratching, Half finished pages at dawn People that live here are wondering Where all their strength's gone. Moments of splendor Wind up like ashes in rain, One look you're smiling, Another your face is in pain. I wake up at night With the sweat on my head. A look in your eyes That will haunt me til dead. I just can't seem to shake it, Something about what you said: How love's like an orphan, A motherless child gone unfed. So we laugh with the joker Hold back the tears til they're gone. Drink and be merry They'll find us all dead men at dawn. We're so far away From wherever we came That sometimes I wonder We'll see it again. It's true what they say... You can't always go home, You can't always be warm inside. That, in love, we're like orphans, Strangers in paradise.
Terry Moore (Strangers in Paradise, Volume 2: I Dream of You)
You don’t know what you’ve got ’til it’s gone. That’s my motto.
Emma Heatherington (This Christmas)
Took up all the trees put them in a tree museum Charged the people a dollar and a half just to see them You don’t know what you’ve got til it’s gone. Took paradise and put up a parking lot.
Joni Mitchell
Don't it always seem to go, that you don't know what you got til it's gone. The day Paradise put up a parking lot!
Joni Mitchell
The girl you think is the perfect girl for you is never the perfect girl for you. One of these days, a girl is going to come along, and you won’t even see her comin.’ And she’ll rock your world.” Fisher said this like it was a done deal. “Oh yeah?” Finn already wanted to leave. But he wouldn’t. He would stick around until Fish was ready to go. And who knew when that would be. “Yeah! And I guarantee she won’t be your type. And you’re going to strategize, and think, and make lists. And it’s not gonna add up.” “That’s not your own theory, Fish. It’s chemistry. Opposites attract.” “Yeah. But it’s more than that. You can have opposites that don’t attract. It has to be just the right kind of opposite. And you won’t know what you’ve got . . .” “Til it’s gone?
Amy Harmon (Infinity + One)
It ought to be pretty plain now what sort of God I believe in. It is God, the All-Conditioner. It is the God who created all things, Who by His providence conditioned my youth, making me believe in Him, and who in my later life by His grace still makes me want to believe in Him. It is the God who also controlled your youth and so far has apparently not given you His grace that you might believe in Him. You may reply to this: 'Then what's the use of arguing and reasoning with me?' Well, there is a great deal of use in it. You see, if you are really a creature of God, you are always accessible to Him. When Lazarus was in the tomb he was still accessible to Christ who called him back to life. It is this on which true preachers depend. The prodigal thought he had clean escaped from the father's influence. In reality the father controlled the 'far country' to which the prodigal had gone. So it is in reasoning. True reasoning about God is such as stands upon God as upon the emplacement that alone gives meaning to any sort of human argument. And such reasoning, we have a right to expect, will be used of God to break down the one-horse chaise of human autonomy.
Cornelius Van Til (What I Believe and Why I Believe What I Believe)