Tight End Quotes

We've searched our database for all the quotes and captions related to Tight End. Here they are! All 200 of them:

Eventually I realize that I am holding on to him just as tightly as he holds on to me. And here we are: two small dying things, as the world ends around us like falling autumn leaves.
Lauren DeStefano (Wither (The Chemical Garden, #1))
Sometimes we love with nothing more than hope. Sometimes we cry with everything except tears. In the end that’s all there is: love and its duty, sorrow and its truth. In the end that’s all we have - to hold on tight until the dawn
Gregory David Roberts (Shantaram)
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..." "No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..." "Everyone except us! And you and I could live here forever and just love each other." "I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..." "I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..." They lay side by side, hand in hand, looking at the sky.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
Crete, May 1941. It was nearly five o’clock when the three soldiers reached the end of the olive grove. The dust-filled air shimmered in the late-afternoon heat. Their bodies ached, their uniforms were caked with dirt and sweat and they were hungry, thirsty and exhausted. The sensible thing now would be to lay up where they were for a few hours’ rest, then finish the journey under cover of darkness. But there was a tight deadline to meet. The evacuation vessel was scheduled to leave at midnight and they had been warned the captain wouldn’t wait for stragglers.
Mark Ellis (The French Spy)
Hearts set about finding other hearts the moment they are born, and between them, they weave nets so frightfully strong and tight that you end up bound forever in hopeless knots, even to the shadow of a beast you knew and loved long ago.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
I stared at the nose I'd seen bleeding only hours before, the violet eyes that had been so filled with pain. "Why?" I asked. He knew what I meant, and shrugged. "Because when the legends get written, I didn't want to be remembered for standing on the sidelines. I want my future offspring to know that I was there, and that I fought against her at the end, even if I couldn't do anything useful." I blinked, this time not at the brightness of the sun. "Because," he went on, his eyes locked with mine, "I didn't want you to fight alone. Or die alone." And for a moment, I remembered that faerie who had died in our foyer, and how I'd told Tamlin the same thing. "Thank you," I said, my throat tight. Rhys flashed a grin that didn't quite reach his eyes. " I doubt you'll be saying that when I take you to the Night Court.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Maybe it would be better to forget him. She hadn’t wanted the forgetting before, but she wanted it now. She wanted the pain to end. She wanted to forget his dimpled smile, his brilliant blue eyes, the way he called her Little Fox. And suddenly, her chest was tight at the thought she might never hear that nickname again. And she didn’t want to forget. She didn’t want to forget at all. She didn’t want the memories erased or rewritten; she wanted more of them.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.
Charles Frazier (Cold Mountain)
And I put my hand on her arm to stop her rowing. Aaron’s Noise roars up in red and black. The current takes us on. “I’m sorry!” I cry as the river takes us away, my words ragged things torn from me, my chest pulled so tight I can’t barely breathe. “I’m sorry, Manchee!” “Todd?” he barks, confused and scared and watching me leave him behind. “Todd?” “Manchee!” I scream. Aaron brings his free hand towards my dog. “MANCHEE!” “Todd?” And Aaron wrenches his arms and there’s a CRACK and a scream and a cut-off yelp that tears my heart in two forever and forever. And the pain is too much it’s too much it’s too much and my hands are on my head and I’m rearing back and my mouth is open in a never-ending wordless wail of all the blackness that’s inside of me.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
BLUE SWEATER Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of my heart beating... Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of your heart beating. It was the first day of October. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. You promised to love me forever that night... and boy did you ever! It was the first day of December this time. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. I told you I was three weeks late You said it was fate. You promised to love me forever that night... and boy did you ever! It was the first day of May. I was wearing my blue sweater, although this time the double stitched hem was worn and the strength of each thread tested as they were pulled tight against my growing belly. You know the one. The same one I bought at Dillard’s? The one with holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. The SAME sweater you RIPPED off of my body as you shoved me to the floor, calling me a whore , telling me you didn't love me anymore. Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of my heart beating. Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of your heart beating. (There is a long silence as she clasps her hands to her stomach, tears streaming down her face) Do you hear that? Of course you don't. That's the silence of my womb. Because you RIPPED OFF MY SWEATER!
Colleen Hoover (Slammed (Slammed, #1))
Hey, Mikey? You get her hurt and I'll end you.' 'You let anything happen to Eve and I'll do the same,' Michael said. He'd just finished kissing Eve, too. 'While you're at it, don't get yourself killed, either, bro.' 'Ditto. And don't kiss me.' Claire cocked her head at him, exasperated. 'Seriously, Shane? Ditto? That's the best you can do?' Shane and Michael exchanged identical looks and shrugs. Guys. 'Let me show you idiots how it's done,' Eve said, and hugged Claire fiercely. She kissed her on the cheek. 'I love you, CB. Please take care of yourself, okay?' 'I love you, too,' Claire said, and suddenly her throat felt tight and her eyes burned with tears. 'I really do.' Shane and Michael watched them with identical expressions of blank bemusement, and finally Shane said, 'So basically, it's what I said. Ditto.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Once upon a time there were two sisters. One of them was really, really strong, and one of them wasn't.' You looked at me. 'Your turn.' I rolled my eyes. 'The strong sister went outside into the rain and realized the reason she was strong was because she was made out of iron, but it was raining and she rusted. The end.' No, because the sister who wasn't strong went outside into the rain when it was raining, and hugged her really tight until the sun came out again.
Jodi Picoult (Handle with Care)
This life is a virtual simulation game where you can win or lose, you can continue playing for the rest of your life or join the club. You decide! You only have to respect one rule because your stay in the human farm will depend on that, continue playing until the end no matter how many times you are brought into this reality, so stay awake with your eyes wide open and your mouth tight shut." Welcome to the game of life, welcome to the matrix.
Marcos Orowitz (TALENT FOR HORROR 2: Special- Madame Jeanne Weber's shoes (Talent for Horror Series Book Revelation 2022))
I don't know what's going on with you,' the man says from across the counter, 'but I'm not taking your money.' He blows into a straw and pinches both ends shut. I shake my head and reach back for my wallet. 'No, I'll pay.' He winds the straw tighter and tighter. 'I'm serious. It was only a milkshake. And like I said, I don't know what's going on, and I don't know how I can help, but something's clearly gone wrong in your life, so I want you to keep your money.' His eyes search mine, and I know he means it. I don't know what to say. Even if the words would come, my throat is so tight it won't let them escape.
Jay Asher (Thirteen Reasons Why)
He let her get almost all the way there, just staring, before he stumbled towards her. They ended in a rush and then fell to the ground together,arms locked around each other, each holding on as tightly as possible. Niether of them said a word.
L.J. Smith (Dark Reunion (The Vampire Diaries #4))
When did my house turn into a hangout for every grossly overpaid, terminally pampered professional football player in northern Illinois?" "We like it here," Jason said. "It reminds us of home." "Plus, no women around." Leandro Collins, the Bears' first-string tight end emerged from the office munching on a bag of chips. "There's times when you need a rest from the ladies." Annabelle shot out her arm and smacked him in the side of the head. "Don't forget who you're talking to." Leandro had a short fuse, and he'd been known to take out a ref here and there when he didn't like a call, but the tight end merely rubbed the side of his head and grimaced. "Just like my mama." "Mine, too," Tremaine said with happy nod. Annabelle spun on Heath. "Their mother! I'm thirty-one years old, and I remind them of their mothers." "You act like my mother," Sean pointed out, unwisely as it transpired, because he got a swat in the head next.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
He had come for her. She held his gaze as she grabbed her own dagger and cut her palm, right over the scar she’d given herself at Nehemia’s grave. And though she knew he could read the words on her face, she said, “To what ever end?” He nodded, and she joined hands with him, blood to blood and soul to soul, his other arm coming around to grip her tightly. Their hands clasped between them, he whispered into her ear, “I claim you, too, Aelin Galathynius.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
If I hadn’t already flown with him, I’d be scared. I’m above the water with nothing but his arms between me and an icy plunge. But his arms are wrapped tightly around me and his chest is warm. I lean my head against his muscular shoulder and close my eyes. He rubs his cheek against my hair
Susan Ee (World After (Penryn & the End of Days, #2))
So much held in a heart in a lifetime. So much held in a heart in a day, an hour, a moment. We are utterly open with no one, in the end -- not mother and father, not wife or husband, not lover, not child, not friend. We open windows to each but we live alone in the house of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart. When young we think there will come one person who will savor and sustain us always; when we are older we know this is the dream of a child, that all hearts finally are bruised and scarred, scored and torn, repaired by time and will, patched by force of character, yet fragile and rickety forevermore, no matter how ferocious the defense and how many bricks you bring to the wall. You can brick up your heart as stout and tight and hard and cold and impregnable as you possibly can and down it comes in an instant, felled by a woman's second glance, a child's apple breath, the shatter of glass in the road, the words 'I have something to tell you,' a cat with a broken spine dragging itself into the forest to die, the brush of your mother's papery ancient hand in a thicket of your hair, the memory of your father's voice early in the morning echoing from the kitchen where he is making pancakes for his children.
Brian Doyle (One Long River of Song: Notes on Wonder)
What you did for me, Chaol,” she tried again. “Not even with Cain, but when you—” “I have to go,” he interrupted, and half turned away. “Chaol,” she said, grabbing his hand and whirling him to face her. She only saw the haunted gleam in his eyes before she threw her arms around his neck and held him tightly. He straightened, but she crushed her body into his, even though it still aggravated her wounds to do so. Then, after a moment, his arms wrapped around her, keeping her close to him, so close that as she shut her eyes and breathed him in, she couldn’t tell where he ended and she began. His breath was warm on her neck as he bent his head, resting his cheek against her hair. Her heart beat so quickly, and yet she felt utterly calm—as if she could have stayed there forever and not minded, stayed there forever and let the world fall apart around them. She pictured his fingers, pushing against that line of chalk, reaching for her despite the barrier between them.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Scarlett.” His fingers come up to my chin. Grab it gently, but tight. “The only time wasted is time we are apart.
Ali Hazelwood (Deep End)
Living men are bound by time... Thus, their lives have an urgency. This gives them ambition. Makes them choose those things that are most important, cling more tightly to that which they hold dear. Their lives have seasons, and rites of passage, and consequences. And ultimately, an end. But what of a life with no urgency? What then of ambition? What then of love?
Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter (Abraham Lincoln: Vampire Hunter, #1))
We didn't say good bye. But we knew it would be the end if we were apart. There was no reason to call or write letters. As it would have been meaningless, if we couldn't hold each other tight.
Ai Yazawa (Nana, Vol. 1)
And I know I’ve lost. Everything is lost. Everything is over. “As the newly appointed President of this fair planet of ours,” the Mayor says, holding out his hands as if to show me the world for the first time,” let me be the very first to welcome you to its new capital city.” “Todd?” Viola whispers, her eyes closed. I hold her tightly to me. “I’m sorry,” I whisper to her. “I’m so sorry.” We’ve run right into a trap. We’ve run right off the end of the world. “Welcome,” says the Mayor,” to the New Prentisstown.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
The proper ending for any story about people it seems to me, since life is now a polymer in which the Earth is wrapped so tightly, should be the same abbreviation, which I now write large because I feel like it, which is this one: ETC.
Kurt Vonnegut Jr. (Breakfast of Champions)
She's Awakening,' Aiden said, voice tight. 'But the blood...' I heard Marcus move closer. 'Why is she bleeding?' I eased onto my side. 'I'm being tattooed by a giant, mother fu-' Another strangled scream cut of my words as a different type of pain settled in, moving under my skin. It was like lighting racing through my veins, frying every nerve ending. 'This is... wow,' Deacon said, and I pried my eyes open. There was a whole audience by the door. 'Get them out of here!' I screamed, jackknifing on the floor. 'Gods, this sucks!' 'Whoa,' I heard Deacon murmur. 'This is like watching a chick give birth or something.' 'Oh my gods, I'm going to kill him.' I could feel the beads of blood breaking out under my jeans. 'I'm going to punch him-' 'Everyone leave,' Aiden ground out. 'This isn't a godsdamn show.' 'And I think he's like the father,' Luke said. Aiden rose to his feet. 'Get. Out.
Jennifer L. Armentrout (Deity (Covenant, #3))
Have you ever looked at the bud of a magnolia flower? It’s a tight little pod that stays closed up for a long time on the end of its branch until one day, out of nowhere, it finally bursts open into this gigantic, gorgeous, fragrant flower that’s ten times bigger than the bud itself. It’s impossible to imagine that such a big beautiful thing could pop out of that tiny little bud. But it does.
Joanna Gaines (The Magnolia Story)
No connection can ever be broken if love holds tight at both ends.
Shannon L. Alder
She wanted the pain to end. She wanted to forget his dimpled smile, his brilliant blue eyes, the way he called her Little Fox. And suddenly, her chest was tight at the thought she might never heard that nickname again. And she didn't want to forget. She didn't want to forget at all. She didn't want the memories erased or rewritten; she wanted more of them.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. “Hold tight,” I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami (Sleep)
i felt emotions overtake me, turning my limbs into water. i felt as if kian had wrapped his whole being around me, so tightly, hugging me tightly with the ends of his soul. i could feel my heart beating quicker, my breath growing shorter as i signed.
Kailin Gow (Silver Frost (Frost, #3))
Through her tears Clary could see them clinging to each other; there was a tenderness even in the curve of Magnus’s fingers around Alec’s shoulder as he bent to kiss him. It was a kiss of desperation and clutching more than passion; Magnus held on tightly enough for his fingers to bite into Alec’s arms, but in the end he stepped away, and turned towards his father.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I think we’re always looking for new pieces,” Viola says quietly. What? She continues, “I was looking for Lawrence, then for something to replace Lawrence, then for Aaron… maybe that’s the real truth about being broken. We’re always whole, we’re just looking to add on to ourselves, to be more whole. And then when a piece leaves, it’s broken away. But we aren’t left any less whole than we were to begin with…” “But feeling broken—” I begin, the words tight in my throat. I’m grateful that Viola cuts me off. “Is horrible. Painful,” she finishes. “But then, when you aren’t expecting it, new pieces appear and suddenly…they’re attached.” Her eyes rise to meet mine. “And you end up more whole than you were before.
Jackson Pearce (As You Wish (Genies, #1))
I feel like a lot of women—and this is definitely true of me—can be as strong as they want to be, can play this powerful role, but at the end of the day, after we’ve done our work and made our money and taken care of everyone else, we want someone to hold us tight and tell us everything’s going to be okay.
Britney Spears (The Woman in Me)
You’d think they’d come up with a better headline. How did they miss a pun about being a gay tight end?” “At least he isn’t a wide receiver.
Eden Finley (Fake Out (Fake Boyfriend, #1))
The song ended, but I kept my arms wrapped tight around her, not letting her move an inch. If she was having some internal battle again, she could do so in my arms. “Watcha doing, wifey?” I joked, secretly enjoying the sound of that.
Karina Halle (The Dex-Files (Experiment in Terror, #5.6))
The only reason anything matters is because it ends,' he says. 'I wouldn't hold you so tightly now if I thought we could be here forever.
Ava Reid (A Study in Drowning (A Study in Drowning, #1))
what love looks like what does love look like the therapist asks one week after the breakup and i’m not sure how to answer her question except for the fact that i thought love looked so much like you that’s when it hit me and i realized how naive i had been to place an idea so beautiful on the image of a person as if anybody on this entire earth could encompass all love represented as if this emotion seven billion people tremble for would look like a five foot eleven medium-sized brown-skinned guy who likes eating frozen pizza for breakfast what does love look like the therapist asks again this time interrupting my thoughts midsentence and at this point i’m about to get up and walk right out the door except i paid too much money for this hour so instead i take a piercing look at her the way you look at someone when you’re about to hand it to them lips pursed tightly preparing to launch into conversation eyes digging deeply into theirs searching for all the weak spots they have hidden somewhere hair being tucked behind the ears as if you have to physically prepare for a conversation on the philosophies or rather disappointments of what love looks like well i tell her i don’t think love is him anymore if love was him he would be here wouldn’t he if he was the one for me wouldn’t he be the one sitting across from me if love was him it would have been simple i don’t think love is him anymore i repeat i think love never was i think i just wanted something was ready to give myself to something i believed was bigger than myself and when i saw someone who probably fit the part i made it very much my intention to make him my counterpart and i lost myself to him he took and he took wrapped me in the word special until i was so convinced he had eyes only to see me hands only to feel me a body only to be with me oh how he emptied me how does that make you feel interrupts the therapist well i said it kind of makes me feel like shit maybe we’re looking at it wrong we think it’s something to search for out there something meant to crash into us on our way out of an elevator or slip into our chair at a cafe somewhere appear at the end of an aisle at the bookstore looking the right amount of sexy and intellectual but i think love starts here everything else is just desire and projection of all our wants needs and fantasies but those externalities could never work out if we didn’t turn inward and learn how to love ourselves in order to love other people love does not look like a person love is our actions love is giving all we can even if it’s just the bigger slice of cake love is understanding we have the power to hurt one another but we are going to do everything in our power to make sure we don’t love is figuring out all the kind sweetness we deserve and when someone shows up saying they will provide it as you do but their actions seem to break you rather than build you love is knowing who to choose
Rupi Kaur (The Sun and Her Flowers)
We are created for precisely this sort of suffering. In the end, it is all we are, these limpid tide pools of self-consciousness between crashing waves of pain. We are destined and designed to bear our pain with us, hugging it tight to our bellies like the young Spartan thief hiding a wolf cub so it can eat away our insides. What other creature in God's wide domain would carry the memory of you, Fanny, dust these nine hundred years, and allow it to eat away at him even as consumption does the same work with its effortless efficiency? Words assail me. The thought of books makes me ache. Poetry echoes in my mind, and if I had the ability to banish it, I would do so at once.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
Packy watched her walk away, her perfect heart-shaped rear end testing the confines of her tight black dress. There was a God. Packy was now certain of it. How else could such heart-stopping beauty be accounted for? Such a thing could not be the product of a random universe. A flower, maybe. A rainbow, perhaps. But not Venus Versailles.
Quentin R. Bufogle (Wish You Were Here: Stories and Essays Inspired by Fabulous Las Vegas Postcards)
Despite my dad's assurances I was strangely nervous my stomach tight ever since we'd hung up. Maybe Deb had picked up on this and it was why she'd pretty much talked nonstop since I'd approached her and asked for a ride. I'd barely had time to explain the situation before she had launched into a dozen stories to illustrate the point that Things Happened But People Were Okay in the End.
Sarah Dessen (What Happened to Goodbye)
Do you see the mark on his neck?” I asked her. She nodded tightly. “The raven.” “Do you know what that means?” “Yes.” “Then you know I would do anything for him.” “Would you?” she asked. “Why now? Why after all this time?” “Because if this is the end,” I said as honestly as I could, “he needed to know that I never stopped loving him.
T.J. Klune (Ravensong (Green Creek, #2))
So the boy…the boy must die?” asked Snape quite calmly. “And Voldemort himself must do it, Severus. That is essential.” Another long silence. Then Snape said, “I thought…all these years…that we were protecting him for her. For Lily.” “We have protected him because it has been essential to teach him, to raise him, to let him try his strength,” said Dumbledore, his eyes still tight shut. “Meanwhile, the connection between them grows ever stronger, a parasitic growth: Sometimes I have thought he suspects it himself. If I know him, he will have arranged matters so that when he does set out to meet his death, it will truly mean the end of Voldemort.” Dumbledore opened his eyes. Snape looked horrified. “You have kept him alive so that he can die at the right moment?” “Don’t be shocked, Severus. How many men and women have you watched die?” “Lately, only those whom I could not save,” said Snape. He stood up. “You have used me.” “Meaning?” “I have spied for you and lied for you, put myself in mortal danger for you. Everything was supposed to be to keep Lily Potter’s son safe. Now you tell me you have been raising him like a pig for slaughter--” “But this is touching, Severus,” said Dumbledore seriously. “Have you grown to care for the boy, after all?” “For him?” shouted Snape. “Expecto Patronum!” From the tip of his wand burst the silver doe: She landed on the office floor, bounded once across the office, and soared out of the window. Dumbledore watched her fly away, and as her silvery glow faded he turned back to Snape, and his eyes were full of tears. “After all this time?” “Always,” said Snape.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I have never cared for Castles or a Crown that grips too tight, Let the night sky be my starry roof and the moon my only light, My Heart was born a Hero, my storm-bound sword won't rest, I left the Harbour long ago on a Never-ending Quest, I am off to the horizon, where the wild wind blows the foam, Come get lost with me, love, and the sea shall be our home!
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
I want a first chapter, and a second and a third—those long chapters, you know, the ones you have to take a break from halfway through. I want all of it, not just the end.” He looked down at my hands, and took them in his, and squeezed them tightly. “And I want it with you.
Ashley Poston (A Novel Love Story)
I'd tempered my expectations, packed them tight into bricks. built a fortress to protect me. But keeping every glimmer of hope out has isolated me too, and I want to be seen. I want to be loved. I want to live with the hope that things can get better, even if, in the end, they don't.
Emily Henry (Funny Story)
You promised to be on your best behavior,” I reminded him, breathless. “You kissed me,” he growled. His voice had gone very deep. “Well, but you started it by kissing my neck.” “True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same. “Why did you stop?” he asked. “Because you were moving on to other things.” He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.” I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again. “But I can see you still want me.” I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him. “Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—” “Stop it!” “Sorry, was I saying that out loud?” “I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!” “Yes, how very decent of you.” He hadn't moved from his languid position on my bed. I leaned forward, grabbing a pillow and throwing it at him. “Pillow fight?” He raised an eyebrow. “Get off my bed. Please. I'm ready to go to sleep.
Wendy Higgins (Sweet Evil (Sweet, #1))
I have never really understood exactly what a ‘liberal’ is, since I have heard ‘liberals’ express every conceivable opinion on every conceivable subject. As far as I can tell, you have the extreme right, who are fascist racist capitalist dogs like Ronald Reagan, who come right out and let you know where they’re coming from. And on the opposite end, you have the left, who are supposed to be committed to justice, equality, and human rights. And somewhere between those two points is the liberal. As far as I’m concerned, ‘liberal’ is the most meaningless word in the dictionary. History has shown me that as long as some white middle-class people can live high on the hog, take vacations to Europe, send their children to private schools, and reap the benefits of their white skin privilege, then they are ‘liberal’. But when times get hard and money gets tight, they pull off that liberal mask and you think you’re talking to Adolf Hitler. They feel sorry for the so-called underprivileged just as long as they can maintain their own privileges.
Assata Shakur
Books in towering stacks lean against the fireplace and on small end tables, and crowd the bookshelves so tightly I fear the entire structure will burst in an explosion of paper and dust. They're the large books too, great archaic things that look so old, so fragile, that I worry I might disintegrate them just by breathing too hard.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
First she said we were to keep clear of the Sirens, who sit and sing most beautifully in a field of flowers; but she said I might hear them myself so long as no one else did. Therefore, take me and bind me to the crosspiece half way up the mast; bind me as I stand upright, with a bond so fast that I cannot possibly break away, and lash the rope's ends to the mast itself. If I beg and pray you to set me free, then bind me more tightly still.
Homer (The Odyssey)
[Stephanie] "This won't be so bad," I said to her, making an effort at convincing myself. "How about your blanket? We could wrap him up in the blanket. Then we could pick him up without actually touching him." "I suppose that'd be all right," Lula said. "We could give it a try" I spread the blanket on the ground beside Elliot Harp, took a deep breath, hooked my fingers around his belt and rolled him onto the blanket. I jumped back, squeezed my eyes closed tight and exhaled. No matter how much violent death I saw, I would never get used to it. "I'm gonna definitely have the runs," Lula said. "I can feel it coming on." "Forget about the runs and help me with this body!" Lula grabbed hold of the head end of the blanket, and I grabbed hold of the foot end. Harp had full rigor and wouldn't bend, so we put him in the trunk headfirst with his legs sticking out. We carefully closed the lid on Harp's knees and secured the lid with a piece of rope Lula had in her trunk. "Hold on," Lula said, pulling a red flowered scarf from her coat pocket, tying the scarf on Harp's foot like a flag. "Don't want to get a ticket. I hear the police are real picky about having things sticking out of your trunk." Especially dead guys.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
This fantasy that it is possible to fish sustainably, legally, and using workers with contracts, making a living wage, and still deliver a five-ounce can of skipjack tuna for $2.50 that ends up on the grocery shelf only days after the fish was pulled from the water thousands of mi,es away. Prices that low and efficiencies that tight come with hidden costs, and it is the manning agencies that help in the hiding.
Ian Urbina (The Outlaw Ocean: Journeys Across the Last Untamed Frontier)
You’re safe now,” Rider said. “I here. You’re safe, Mouse. And I know you might not believe it, but I’m going to keep you safe forever.” He swallowed and swiped at his lip. “That’s a promise.” Forever. He’s promised he’d be there for me forever. But I was of the mind that there were two types of forever. The good kind. The bad kind. I’d learned early on that the good kind of forever was,well, it was a lie. That kind of forever literally and figuratively ended in flames, because no matter how tightly you tried to hold on, that kind of forever slipped between the fingers. The bad kind of forever lingered like a shadow or ghost. No matter what. It stayed, always in the background.
Jennifer L. Armentrout (The Problem with Forever)
But this, all this, isn't the story I'm trying to tell. This is all past. This is the part of your life where it gets taken over by other people's stories and there's nothing you can do about it except hold on tight and hope you're still alive at the end to take up your own story again. So that's what we did. Me, Mel, and Meredith all moved on, and we're the stories we're living now. Aren't we?
Patrick Ness (The Rest of Us Just Live Here)
What was she thinking?” muttered Alexander, closing his eyes and imagining his Tania. “She was determined. It was like some kind of a personal crusade with her,” Ina said. “She gave the doctor a liter of blood for you—” “Where did she get it from?” “Herself, of course.” Ina smiled. “Lucky for you, Major, our Nurse Metanova is a universal donor.” Of course she is, thought Alexander, keeping his eyes tightly shut. Ina continued. “The doctor told her she couldn’t give any more, and she said a liter wasn’t enough, and he said, ‘Yes, but you don’t have more to give,’ and she said, ‘I’ll make more,’ and he said, ‘No,’ and she said, ‘Yes,’ and in four hours, she gave him another half-liter of blood.” Alexander lay on his stomach and listened intently while Ina wrapped fresh gauze on his wound. He was barely breathing. “The doctor told her, ‘Tania, you’re wasting your time. Look at his burn. It’s going to get infected.’ There wasn’t enough penicillin to give to you, especially since your blood count was so low.” Alexander heard Ina chuckle in disbelief. “So I’m making my rounds late that night, and who do I find next to your bed? Tatiana. She’s sitting with a syringe in her arm, hooked up to a catheter, and I watch her, and I swear to God, you won’t believe it when I tell you, Major, but I see that the catheter is attached to the entry drip in your IV.” Ina’s eyes bulged. “I watch her draining blood from the radial artery in her arm into your IV. I ran in and said, ‘Are you crazy? Are you out of your mind? You’re siphoning blood from yourself into him?’ She said to me in her calm, I-won’t-stand-for-any-argument voice, ‘Ina, if I don’t, he will die.’ I yelled at her. I said, ‘There are thirty soldiers in the critical wing who need sutures and bandages and their wounds cleaned. Why don’t you take care of them and let God take care of the dead?’ And she said, ‘He’s not dead. He is still alive, and while he is alive, he is mine.’ Can you believe it, Major? But that’s what she said. ‘Oh, for God’s sake,’ I said to her. ‘Fine, die yourself. I don’t care.’ But the next morning I went to complain to Dr. Sayers that she wasn’t following procedure, told him what she had done, and he ran to yell at her.” Ina lowered her voice to a sibilant, incredulous whisper. “We found her unconscious on the floor by your bed. She was in a dead faint, but you had taken a turn for the better. All your vital signs were up. And Tatiana got up from the floor, white as death itself, and said to the doctor coldly, ‘Maybe now you can give him the penicillin he needs?’ I could see the doctor was stunned. But he did. Gave you penicillin and more plasma and extra morphine. Then he operated on you, to get bits of the shell fragment out of you, and saved your kidney. And stitched you. And all that time she never left his side, or yours. He told her your bandages needed to be changed every three hours to help with drainage, to prevent infection. We had only two nurses in the terminal wing, me and her. I had to take care of all the other patients, while all she did was take care of you. For fifteen days and nights she unwrapped you and cleaned you and changed your dressings. Every three hours. She was a ghost by the end. But you made it. That’s when we moved you to critical care. I said to her, ‘Tania, this man ought to marry you for what you did for him,’ and she said, ‘You think so?’ ” Ina tutted again. Paused. “Are you all right, Major? Why are you crying?
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
that’s how I’ve come to picture Mom at the end: reaching as hard as her little body would stretch, trying to touch the blue sky, reaching for some peace. And getting it. If the grown-up version of me could have one chance at walking backwards into this story, part of me wishes I could sit down on the back pew with that pissed-off kid in his overly tight church clothes and Darkhawk attitude, and tell him: You think you’re giant but you are such a small speck in the screwed-up world. This is not about you.
Barbara Kingsolver (Demon Copperhead)
Hope is secular. And life is fragile. And sometimes we hold on too tight, even though we know it’ll break.
Chris Whitaker (We Begin at the End)
Kivrin reached out for Dunworthy's hand and clasped it tightly in her own. "I knew you'd come," she said, and the net opened.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
The next day, I am almost afraid. Love? It was more like dragonflies in the sun, 100 degrees at noon, the ends of their abdomens stuck together. I close my eyes when I remember. I hardly knew myself, like something twisting and twisting out of a chrysalis, enormous, without language, all head, all shut eyes, and the humming like madness, the way they writhe away, and do not leave, back, back, away, back. Did I know you? No kiss, no tenderness—more like killing, death-grip holding to life, genitals like violent hands clasped tight barely moving, more like being closed in a great jaw and eaten, and the screaming. I groan to remember it, and when we started to die, then I refuse to remember, the way a drunkard forgets. After, you held my hands extremely hard as my body moved in shudders like the ferry when its axle is loosed past engagement, you kept me sealed exactly against you, our hairlines wet as the arc of a gateway after a cloudburst, you secured me in your arms till I slept - clasped, fragrant, buoyant, that was the morning after love.
Sharon Olds
Our economic order is tightly woven around the exploitation of animals, and while it may seem easy to dismiss concern about animals as the soft-headed mental masturbation of people who really don't understand oppression and the depths of actual human misery, I hope to get you to think differently about suffering and pain, to convince you that animals matter, and to argue that anyone serious about ending domination and hierarchy needs to think critically about bringing animals into consideration.
Bob Torres (Making A Killing: The Political Economy of Animal Rights)
When you are not being honest in a relationship – to another person or to yourself – it is a little like screwing on the top of a jam jar when the ridges are out of line. An onlooker might think you are screwing it on just fine, but you can feel a stiffness developing that warns you it’s not on properly, and you know then that, however hard you try to keep turning it, the lid will never tightly seal.
Natasha Lunn (Conversations on Love: Lovers, Strangers, Parents, Friends, Endings, Beginnings)
No one in my family, not one of my friends or classmates realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. 'Hold tight,' I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami (Sleep)
Years on end, and swords on end - where will it end, if our ears unbend - what shall I spend on a wrinkled friend in a pair of tights like a bunch of lights?
Mervyn Peake (Titus Groan (Gormenghast, #1))
Ideas aren’t helping you anymore, Sera. Concepts have run their course. Paradigms pop. Theories leak. Techniques are only top-offs. Beliefs brush away. Books close. Workshops end. What truly transforms is this Closeness with Me. You gotta hug Me so tight that nothing comes between Us.
Sera Beak (Red Hot and Holy: A Heretic's Love Story)
I don’t want to get to the end of my life and look back and realize that the best thing about me was I was organized. That I executed well, that I ran a tight ship, that I never missed a detail
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
The proper ending for any story about people it seems to me, since life is now a polymer in which the Earth is wrapped so tightly, should be that same abbreviation, which I now write large because I feel like it, which is this one: ETC. And it is in order to acknowledge the continuity of this polymer that I begin so many sentences with 'And' and 'So' and end so many paragraphs with '...and so on.' And so on. 'It's all like an ocean!' cried Dostoevski. I say it's all like cellophane.
Kurt Vonnegut Jr. (Breakfast of Champions)
You know, I never realized the end of the world would be kept to such a tight, regimented TV Guide schedule.
Paul Tremblay (The Cabin at the End of the World)
Aurora sagged. "Why is it," she asked, "that every time I'm with you two we end up stealing something big?" "We always return it," Donegan said, a little defensively. "Maybe not always in one piece or necessarily to the right person but return it we do, and so it is not stealing, it is merely borrowing." Gracious looked at him. "It's a little bit stealing." "Anyone who leaves a private jet just lying around deserves to have it stolen." "It wasn't lying around," said Gracious. "It was locked up tight. It took us an hour to dismantle the security system and get inside." Donegan looked at him. "You're not helping.
Derek Landy (The Maleficent Seven (Skulduggery Pleasant, #7.5))
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
There is the image of the man who imagines himself to be a prisoner in a cell. He stands at one end of this small, dark, barren room, on his toes, with arms stretched upward, hands grasping for support onto a small, barred window, the room's only apparent source of light. If he holds on tight, straining toward the window, turning his head just so, he can see a bit of bright sunlight barely visible between the uppermost bars. This light is his only hope. He will not risk losing it. And so he continues to staring toward that bit of light, holding tightly to the bars. So committed is his effort not to lose sight of that glimmer of life-giving light, that it never occurs to him to let go and explore the darkness of the rest of the cell. So it is that he never discovers that the door at the other end of the cell is open, that he is free. He has always been free to walk out into the brightness of the day, if only he would let go. (192)
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
In the end, it is all we are, these limpid tide pools of self-consciousness between crashing waves of pain. We are destined and designed to bear our pain with us, hugging it tight to our bellies like the young Spartan thief hiding a wolf cub so it can eat away our insides.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
Take the Cup, Sophia Collins,"she said, and the room was breathlessly silent. The Council chamber was not full, but the row Tessa sat at the end was:Gideon and Gabriel, Cecily and Henry, and her and Will, all leaning forward eagerly, waiting for Sophie to Ascend. At each end of the dais stood a Silent Brother, their heads bent, their parchment robes looking as if they had been carved out of marble. Charlotte lowered the Cup, and held it out to Sophie, who took it carefully. "Do you swear, Sophia Collins, to forsake the mundane world and follow the path of the Shadowhunter? Will you take into yourself the blood of the Angel Raziel and honor that blood? Do you swear to serve the Clave, to follow the Law as set forth by the Covernant, and to obey the word of the Council? Will you defend that which is human and mortal, knowing that for your service there will be no recompense and no thanks but honor?"I swear,"said Sophie, her voice very steady. "Can you be a shield for the weak, a light in the dark, a truth among falsehoods, a tower in the flood, an eye to see when all others are blind?" I can." "And when you are dead, will you give up your body to the Nephilim to be burned, that your ashes may be used to build the City of Bones?" "I will." "The drink,"said Charlotte. Tessa heard Gideon draw in his breath. This was the dangerous part of the ritual. This was the part that would kill the untrained and unworthy. Sophie bent her dark head and set the Cup to her lips. Tessa sat forward, her chest tight with aprehension. She felt Will's hand slide over hers, a warm, comforting weight. Sophie's throat moved as she swallowed. The circle that surrounded her and Charlotte flared up once with a cold, blue-white light, obscuring them both. When it faded, Tessa was left blinking stars from her eyes as the light dwindled. She blinked hastily, and saw Sophie hold up the Cup. there was a glow about the Cup she held as she handed it back to Charlotte, who smiled broadly. "You are Nehilim now,"she said. "I name you Sophia Shadowhunter, of the blood of Jonathan Shadowhunter, child of the Nehilim. Arise, Sophia.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love
Lana Del Rey
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
No matter how dark the night. Or how bitter the storm, light always finds a way through the densest clouds to shine again. Remember that, and hold it tight to your chest, whenever you feel defeated. Whenever you want to give up. Lift one fist and one finger to the sky, and defy them all to the bitter end!
Sherrilyn Kenyon (Intensity (Chronicles of Nick, #8))
There is power in words. There are words that bid us laugh and make us weep. Words to begin with and words to end by. Words that seize the hearts in our chests and squeeze them tight, that set the skin on our bones to tingling. Words so beautiful they shape us, forever change us, live inside us for as long as we have breath to speak them. There are forgotten words. Killing words. Great and frightening and terrible words. There are True words. And then there are pictures.
Jay Kristoff (Kinslayer (The Lotus Wars, #2))
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain. The cord snapped. For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense. Jem was dead.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I have never cared for castles or a crown that grips too tight, Let the night sky be my starry roof and the moon my only light, My heart was born a Hero, My storm-bound sword won't rest, I left this harbour long ago on a never-ending quest. I am off to the horizon, Where the wild wind blows the foam, Come get lost with me, love, And the sea shall be our home.
Cressida Cowell (How to Break a Dragon's Heart (How to Train Your Dragon, #8))
He was not concerned with whether these acts were right or wrong; they simply appealed to him as possible avenues of escape. He felt that some day there would be a black man who would whip the black people into a tight band and together they would act and end fear
Richard Wright (Native Son)
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
But after it's all said and done, don't you want to grow old with your best friend? At the end of the day, that's who you want to share your life and laughter with. Someone who will be there in hard times to hold you tight. Someone who will fight for your honor and support your decisions. Someone who will encourage your dreams and help you to fulfill them.
Dannika Dark (Six Months (Seven, #2; Mageriverse, #8))
Feyre," he said--softly enough that I faced him again. "Why?" He tilted his head to the side. "You dislike our kind on a good day. And after Andras . . ." Even in the darkened hallway, his usual bright eyes were shadowed. "So why?" I took a step closer to him, my blood-covered feet sticking to the rug. I glanced down the stairs to where I could still see the prone form of the faerie and the stumps of his wings. "Because I wouldn't want to die alone," I said, and my voice wobbled as I looked at Tamlin again, forcing myself to meet his stare. "Because I'd want someone to hold my hand until the end, and awhile after that. That's something everyone deserves, human or faerie." I swallowed hard, my throat painfully tight. "I regret what I did to Andras," I said, the words so strangled they were no more than a whisper. "I regret that there was . . . such hate in my heart. I wish I could undo it--and . . . I'm sorry. So very sorry.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!). Yet you haven’t any friends. The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities. Nevertheless, some free time remains. What’s to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering. And yet you haven’t always wanted to die. You have had a life. There have been moments when you were having a life. Of course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela. More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world! You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
Michel Houellebecq (Whatever)
Which is your bad shoulder?" His brows knit together. "The left," he said carefully. She slugged him in the right. He staggered. Steadied himself. Grinned. "Is that like some weird Wyoming mating ritual thing I should know about?" "Damn you," she cried, flying into his arms. Finally. "Damn you, damn you, damn you!" He wrapped his arms around her, held her tight. "I'm sorry. I'm sorry I was such a coward.
Cindy Gerard (Show No Mercy (Black Ops Inc., #1))
We took the path that led others nowhere and only we saw the light at the end of the tunnel. They warned us about the monsters we would encounter, the odds that we would meet. And they laughed when we got the scars while fighting the dragons on our way. When we came back out of the tunnel, holding the sword that they always craved for tightly in our hand. Bleeding and the sun shining on our face. We became the tales they wanted to be. We became the reflections of what they always wanted to see themselves through. We became the warriors they had always imagined of.
Akshay Vasu
He didn't want to think about this, didn't want to feel this, so he thought about the Foxes instead. He clung tight to the memory of their unhesitating friendship and their smiles. He pretended the heartbeat pounding a sick pace in his temples was an Exy ball ricocheting off the court walls. He thought of Wymack holding him up in December and Andrew pushing him down against the bedroom floor. The memories made him weak with grief and loss, but they made him stronger, too. He'd come to the Foxhole Court every inch a lie, but his friends made him into someone real. He'd hit the end of his rope before he wanted to and he hadn't accomplished everything he'd hoped to this year, but he'd done more with his life than he'd ever thought possible. That had to be enough. He traced the outline of a key into his bloody, burnt palm with a shaky finger, closed his eyes, and wished Neil Josten goodbye.
Nora Sakavic (The King's Men (All for the Game, #3))
He pulled me upright, my back against his hot, hard chest. Brushing aside my hair, he started a long trail of ticklish kisses that followed the curve of my spine and ended on my left buttock. Without warning, his massive paw smacked my plump cheek. "Sergei!" I gasped and tried to slide away from him but he held tight. "This ass of yours has been tempting me for months. The least you deserve is that single spanking.
Roxie Rivera (Sergei (Her Russian Protector, #5))
If the ties that bind ever do come loose If forever ever ends for you If that ring gets a little too tight You might as well read me my last rights.
The Band Perry
But Aomame could never smile easily, or casually, in front of people. When she forced it, she ended up with a tight sneer, which made others even more tense and uncomfortable. Tamaki was different: she had a natural, cheerful smile. People meeting her for the first time immediately felt friendly toward her. In the end, though, disappointment and despair drove Tamaki to take her own life, leaving Aomame – who couldn’t manage a decent smile – behind.
Haruki Murakami (1Q84 (1Q84, #3))
He stood naked at the edge of a cliff. THe lake lay far below him. A frozen explosion of granite burst in flight to the sky over motionless water. The water seemed immovable, the stone- flowing. The stone had the stillness of one last movement when thrust meets thrust and the currents are held in a pause more dynamic than motion. THe stone glowed wet with sunrays. The lake below was only a thin steel ring that cut the rocks in half. The rocks went on into the depth, unchanged. They began and ended in the sky so that the world seemed suspended in space, an island floating on on nothing, anchored to the feet of the man on the cliff. His body leaned back against the sky. It was a body of long straight lines and angles each curve broken into planes. He stood rigid his hands hanging at his sides, palms out. He felt his shoulder blades drawn tight together. The curve of his neck, and the weight of the blood in his hands. He felt the wind behind him in the hollow of his spine. The wind waved his hair against the sky. His hair was neither blonde nor red, but the exact color or ripe orange rind... He stepped to the edge, raised his arms, and dived down into the sky below.
Ayn Rand (The Fountainhead)
I’d tempered my expectations, packed them tight into bricks, built a fortress to protect me. But keeping every glimmer of hope out has isolated me too, and I want to be seen. I want to be loved. I want to live with the hope that things can get better, even if, in the end, they don’t.
Emily Henry (Funny Story)
There were two ways of forgetting. For many years, he had envisioned (unimaginatively) a vault, and at the end of the day, he would gather the images and sequences and words that he didn’t want to think about again and open the heavy steel door only enough to hurry them inside, closing it quickly and tightly. But this method wasn’t effective: the memories seeped out anyway. The important thing, he came to realize, was to eliminate them, not just to store them. So he had invented some solutions. For small memories—little slights, insults—you relived them again and again until they were neutralized, until they became near meaningless with repetition, or until you could believe that they were something that had happened to someone else and you had just heard about it. For larger memories, you held the scene in your head like a film strip, and then you began to erase it, frame by frame. Neither method was easy: you couldn’t stop in the middle of your erasing and examine what you were looking at, for example; you couldn’t start scrolling through parts of it and hope you wouldn’t get ensnared in the details of what had happened, because you of course would. You had to work at it every night, until it was completely gone. Though they never disappeared completely, of course.
Hanya Yanagihara (A Little Life)
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" " There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
We are created for precisely this sort of suffering. In the end, it is all we are, these limpid tide pools of self-consciousness between crashing waves of pain. We are destined and designed to bear our pain with us, hugging it tight to our bellies like the young Spartan thief hiding a wolf cub so it can eat away our insides. What other creature in God’s wide domain would carry the memory
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
The plain old Sam Vimes had fought back. He got rid of most of the plumes and the stupid tights, and ended up with a dress uniform that at least looked as though its owner was male. But the helmet had gold decoration, and the bespoke armourers had made a new, gleaming breastplate with useless gold ornamentation on it. Sam Vimes felt like a class traitor every time he wore it. He hated being thought of as one of those people that wore stupid ornamental armour. It was gilt by association.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
I can't help it either, the laughing: solemn gatherings, slow ballads, pompous orations, any person or occasion that assumes I'll offer my unreserved respect: I tend to find them all hysterical in the end. Especially if someone similar is there to set me off. They don't have to do much: I recognize what it looks like when somebody's composure starts to strip itself away. They'll maybe cross their arms with that twitchy, shaky, tension, or they'll grab down little wheezes of embarrassed air, or they'll simply hood their faces under their palm, trying to hide how fast they're slipping, how fast *we're* slipping, because I'll be weakening with them by then, I'll be just as lost, pulled equally tight against the moment when we both stop caring and let it disgrace us -- when we laugh.
A.L. Kennedy (Indelible Acts)
And I’m not sure why I wasted all that time and energy, because when I think about family—that thing I’d always longed for—it’s never been a Norman Rockwell painting that I picture. It’s me and Mom, on the couch, eating microwaved corn dogs while Dial M for Murder plays on TV. It’s running out from the library at night to her car, a greasy box of Little Caesars pizza in the passenger seat, her joking, I thought we’d do Italian. It’s being pulled away from watching the frost melt on the living room window to make stovetop hot cocoa from a packet, and that last tight hug at the end of the airport security line, and packing up cardboard boxes, knowing I’ll always have what I need, no matter how much I leave behind.
Emily Henry (Funny Story)
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
Anne of Green Gables was cuddled up next to Huckleberry Finn; The Hunchback of Notre Dame was wedged tightly between Heidi and Little Women; and Nicholas Nickleby leaned in a familiar way against A Girl of the Limberlost. None of the books were in alphabetical order, which made it necessary to cock my head sideways to read each one of the spines. By the end of the third shelf I had begun to realize why librarians are sometimes able to achieve such pinnacles of crankiness: It’s because they’re in agony. If only publishers could be persuaded, I thought, to stamp all book titles horizontally instead of vertically, a great deal of unpleasantness could be avoided all round.
Alan Bradley (As Chimney Sweepers Come to Dust (Flavia de Luce, #7))
He kissed her lightly on the nose, and she laughed. Blue eyed her with faux seriousness. "How was that? Any weakness?" "No. But I don't think there would have been anyway." "Well, then, how about this?" His lips brushed hers, his mouth teasing her lower lip, and her eyes closed and she shivered as his fingers caught her hair. And then suddenly, there wasn't any space between them. The sensation of drowning was there, but it wasn't like her strength was leaving her. It was like she wanted to be part of him. Like she didn't know or care where she ended and he began. When they drew apart, she whispered, "No weakness." "Really?" he said. "'Cause I'm feeling a little weak." She felt him smile against her mouth. And they both laughed, shook with it. Their faces were too close, noses and cheeks pressed awkwardly together, but neither one of them moved. She tightened her arms around him, and he held her just as tightly. His breath murmured against her cheek. "You're safe with me, Mira. And I'm safe with you.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled. If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know. Her father would choose the water for Kestrel if he knew. Yet she couldn't. In the end, it wasn't cunning that kept her from jumping, or determination. It was a glassy fear. She didn't want to die. Arin was right. She played a game until its end.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I lost my voice and my best friend too On swift, fierce winds and wings of blue, The cold rain fell where beams had shone, So I wrapped up tight and safe. Alone. But I missed my friend, I missed my voice, And my heart still whispered of another choice To break out of my binding, safe, and warm, And see what the world looked like after the storm. So I struggled free and was greeted by Colorful brushstrokes across the sky, The melody of the summer breeze And blue wings like mine in hazel trees. On the soft, sweet air of the mountain glade, We gathered together in cool, green shade, And told our stories, beginnings to ends, And found our song in the hearts of new friends.
Elaine Vickers (Like Magic: A Sweet Story of Three Diverse Girls, Libraries, and Friendship for Children (Ages 8-12))
I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now. I'm so afraid, I whimpered. Before Mel could respond, a heavy hand dropped on my shoulder from the darkness. "Going somewhere?" I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal. "Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you." "What are you doing here?" I demanded, still breathless. "Following you. I've been following you all night." "Well, stop it now." There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily. "You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit. "Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make." "I know. I'm on your side." It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away... "Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies. "I should come with you." "You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much." Another pause; his hand didn't loosen. "Wanda, I would come to be with you." The tears spilled over. I was grateful for the darkness. "It wouldn't feel that way," I whispered. "So there's no point.
Stephenie Meyer (The Host (The Host, #1))
You know, hon, after Stephie died, we never really talked about her." she says, her hands tight around the cart handle. "There's a lot of pain there. Still. I guess we feel like we failed her. Like maybe if we were home instead of away at college, we could've done something to fix her. Something my patents and the doctors and her boyfriend missed. Sometimes I think I don't have the right to talk about her. Like at the end, I don't know her well enough to say anything. So much of her life became secret. She spent all of her time with her boyfriend, and when she was home, her nose was buried in her diary. I swear that diary was her best friend, even more than Megan." "Did you ever read it?" I ask. "No." "Not even after she died?" Aunt Rachel shakes her head, removing an eggplant from the middle row and pressing her fingers against its flesh. "To this day, I don't know if I would've, either. We never found it, Delilah. It's like she just…took it with her.
Sarah Ockler (Fixing Delilah)
That beast inside you, the one you think is tethered tightly to the post, the one you’ve tamed with art, love, prayer, meditation: it’s barely muzzled. The knot is weak. The post is brittle. All it takes is two words and a siren to cut it loose.
Adrian J. Walker (The End of the World Running Club)
Maybe she was right to burn my things, little wing. I love you once, and I love you still, but not all migrations end with a return home. Even memory begins to cut if you hold on to it too tight. I don't know anymore if I believe in angels and signs. Perhaps we are the miraculous creatures my mother was looking for.
Zeyn Joukhadar (The Thirty Names of Night)
In the end, he made up his mind. Gritting his teeth, he whispered a simple phrase. “…I apologize in advance.” His voice was practically shaking as he said it. He clapped his hands together in silent prayer and then bent down. With his eyes shut tight, he pressed his lips against Hua Cheng’s. Hua Cheng’s eyes snapped open.
Mò Xiāng Tóng Xiù (Heaven Official's Blessing: Tian Guan Ci Fu (Novel) Vol. 4)
Let's meet again, Yoo Joonghyuk." The power of the demon king disappeared and at the same time, strength drained from me. [The main scenario has ended.] [Seoul Dome has been freed.] A small black hole appeared in the air behind me. My body was slowly being sucked into it. My legs, my torso, my arms...they turned into powder and were slowly being sucked in. "Kim Dokja! No! Kim Dokja!" At the last moment, he tightly held me by the neck. However, it was already too late.
singNsong (전지적 독자 시점 1 [Jeonjijeog Dogja Sijeom 1])
We might have had to go our separate ways, but we are inevitable. "Dani," he murmurs, his hands rubbing my back. "You're here." "Don't ever let me go." I grip the back of his shirt tightly in my fist, scared if I release him this will all end up being a dream. "Never again.
Micalea Smeltzer (Sweet Dandelion)
Whatever he did, whatever happened that you ended up harmed, you are under no obligation to share it with me,” he called out, and when she turned around, he looked uncomfortable, like his clothes were too tight. “But if there is ever a time when you decide you do not want him existing in the same world as you are, I hope you know, I will enjoy destroying him.
Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
As we stepped forth side by side into the darkness, toward the waiting car, I thought of what a strange world it was, where life was lived pressed so tightly cheek to cheek with death: with so little space between, that they might well be one and the same thing. But in the end, when you stop to think about it, we are, after all, no more than mere particles of dust, drifting alone together through eternity, and so it is pleasant to think that we have—in this way or that, for better or for worse—reached out and touched one another. That, in the end, is what chemistry is all about, isn't it?
Alan Bradley (The Golden Tresses of the Dead (Flavia de Luce, #10))
Then there was the smell of heather crushed and the roughness of the bent stalks under her head and the sun bright on her closed eyes and all his life he would remember the curve of her throat with her head pushed back into the heather roots and her lips that moved smally and by themselves and the fluttering of the lashes on the eyes tight closed against the sun and against everything, and for her everything was red, orange gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color. For him it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.
Ernest Hemingway (For Whom the Bell Tolls)
There has to be blame and there has to be reasons and there has to be answers and if nobody can adequately accept the blame and give a sufficient reason and provide an answer, the love, no matter how strong it is, the family, no matter how tight it is, the life, no matter how good it is, will always buckle, then snap, then drown completely under the pressure of itself, the reality of the mistrust, and the weight of its own history, because if there are no answers, the blame and the guilt become stronger than the love and those two things together become a force that no amount of love can ever break down and overcome.
Jason Myers (Dead End)
There was a point in Natalie, only dimly realised by herself and probably entirely a function of her age, where obedience ended and control began; after this point was reached and passed, Natalie became a solitary functioning individual capable of ascertaining her own believable possibilities. Sometimes, with a vast aching heartbreak, the great, badly contained intentions of creation, the poignant searching longings of adolescence overwhelmed her, and shocked by her own capacity for creation, she held herself tight and unyielding, crying out silently something that might only be phrased as, "Let me take, let me create.
Shirley Jackson (Hangsaman)
In these days of physical fitness, hair dye, and plastic surgery, you can live much of your life without feeling or even looking old. But then one day, your knee goes, or your shoulder, or your back, or your hip. Your hot flashes come to an end; things droop. Spots appear. Your cleavage looks like a peach pit. If your elbows faced forward, you would kill yourself. You’re two inches shorter than you used to be. You’re ten pounds fatter and you cannot lose a pound of it to save your soul. Your hands don’t work as well as they once did and you can’t open bottles, jars, wrappers, and especially those gadgets that are encased tightly in what seems to be molded Mylar. If you were stranded on a desert island and your food were sealed in plastic packaging, you would starve to death. You take so many pills in the morning you don’t have room for breakfast. You lose close friends and discover one of the worst truths of old age: they’re irreplaceable. People who run four miles a day and eat only nuts and berries drop dead. People who drink a quart of whiskey and smoke two packs of cigarettes a day drop dead. You are suddenly in a lottery, the ultimate game of chance, and someday your luck will run out. Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God.
Nora Ephron (I Remember Nothing)
the International Monetary Fund basically acted as the world’s debt enforcers—“You might say, the high-finance equivalent of the guys who come to break your legs.” I launched into historical background, explaining how, during the ’70s oil crisis, OPEC countries ended up pouring so much of their newfound riches into Western banks that the banks couldn’t figure out where to invest the money; how Citibank and Chase therefore began sending agents around the world trying to convince Third World dictators and politicians to take out loans (at the time, this was called “go-go banking”); how they started out at extremely low rates of interest that almost immediately skyrocketed to 20 percent or so due to tight U.S. money policies in the early ’80s; how, during the ’80s and ’90s, this led to the Third World debt crisis; how the IMF then stepped in to insist that, in order to obtain refinancing, poor countries would be obliged to abandon price supports on
David Graeber (Debt: The First 5,000 Years)
The Divine does not live in fear, and the godly lives in each of us. This is one journey, and beyond this there is another. There is no veil between this world and that one. They are the same world, the one before, this one, the one that comes next, a string of pearls, ends tied so tightly you cannot feel the knot that binds.
Elizabeth Acevedo (Family Lore)
The muscles in his arms and back trembled as he pushed in as deep as he could go, until all of him was buried inside her. His head sagged and a deep, primitive snarl ripped free. Sparks of light exploded behind her tightly closed lids. His hands burrowed into her hair, holding her head still while he kissed her hard and deep and wild. Then he began to move. Hard, steady strokes that ignited every nerve ending in her body.
Kaylea Cross (Deadly Descent (Bagram Special Ops, #1))
She hugged me tight, and I hugged her back. I was going to miss her—I knew it. But somehow, I had the feeling that we were going to be okay. I didn’t know what would happen with us. Maybe we’d find a way to attend the same college and be roommates and have the most amazingly decorated dorm room ever. Maybe we’d end up being pen pals, sending lists back and forth. Or we’d just stick to talking twice a week, or we’d video chat, or else just spend all our money traveling to hang out with each other on weekends. I somehow knew that the particulars didn’t matter. She was my heart, she was half of me, and nothing, certainly not a few measly hundred miles, was ever going to change that.
Morgan Matson (Since You've Been Gone)
At the far end of the library, a number of men had gathered into a tight, jostling ring around a very pretty, very young woman who was talking at what must have been the top of her lungs. Joe could not really understand what she was telling them, but it appeared to be a story that reflected poorly on her own judgment - she was blushing and grinning at the same time - and it unquestionably ended with the word "fuck." She tugged on the word, drawing it out to several times its usual length. She wound it all the way around her in two or three big loops and reveled in it as if it were a luxuriant shawl.
Michael Chabon
Judd’s fists were so tight, he was in danger of fracturing his own bones. He understood why Brenna had needed to talk to Dorian. He even understood that the leopard saw Brenna as a young sister, not a potential lover. None of that made any difference. Judd wanted to be the one she turned to when in need. Ice picks of pain shoved through his skull, dissonance so vicious it nearly shut down his consciousness. The countdown was getting inexorably closer to the end. Uncurling his fingers with sheer force of will, he watched the blood rush back in. Last night had made it clear that he’d already crossed too many lines, broken too many rules. Soon, it would be too late to draw back. “Thank you, Dorian.” No, he would not pull back. Brenna was his. His to pleasure. And his to comfort...
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
His heart and mine added a rhythm all their own. We turned and turned, and with every turning we breathed a little more quickly and held on a little more tightly, and when we came back to the place we started, we stopped dancing and stood with our arms around each other, holding on as if we would never let go, not if the sky fell and the whole world came to an end.
Juliet Marillier (Wildwood Dancing (Wildwood, #1))
I’ve missed this ass.” His breath tickles the nape of my neck, and then his tongue comes out for a taste, swirling over my feverish skin. “You don’t know how many times I jerked when we were on the road. How many times I got myself off to the thought of sliding my cock into this tight ass.” He rubs my opening with the tip of his finger, and the sensitive nerve endings there roar to life. My dick leaks in my hand. Shit. I’m still close. Too close. I squeeze my cockhead hard enough to bring a sting of pain, trying to curb the release that’s threatening to spill over.
Sarina Bowen (Us (Him, #2))
The past was like a handful of sand you thought you were squeezing tightly, but which had already run out through the cracks between your fingers. Memory was a river that had run dry long ago, leaving only scattered gravel in a lifeless riverbed. He had lived life always looking out for the next thing, and whenever he had gained, he had also lost, leaving him with little in the end.
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
We get to the end of the block of shops. Here the street opens into a grand plaza. Right in the center of it is a sculpture of a winged couple holding each other in a tight embrace. Only this sculpture floats several feet in the air. I pause in front of it. “Who are they?” I ask, staring at the couple. The woman seems to be made of the same dark stone my beads are, her skin drawing in the light. The man she embraces is made of some shimmering sandstone, his skin seeming to glow from within. “The Lovers,” Des replies. “Two of our ancient gods.” He points to the man. “He’s Fierion, God of Light, and she’s Nyxos, Goddess of Darkness.” Nyxos … why does that name sound familiar? “In the myths,” Des continues, “Fierion was married to Gaya, Goddess of Nature, but his true love was Nyxos, the woman he was forbidden from ever being with. Their love for each other is what causes day to chase night and night to chase day. “Here in the Land of Dreams they’re finally allowed to be with each other.
Laura Thalassa (A Strange Hymn (The Bargainer, #2))
Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" "There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Clouds And Waves Mother, the folk who live up in the clouds call out to me- "We play from the time we wake till the day ends. We play with the golden dawn, we play with the silver moon." I ask, "But how am I to get up to you ?" They answer, "Come to the edge of the earth, lift up your hands to the sky, and you will be taken up into the clouds." "My mother is waiting for me at home, "I say, "How can I leave her and come?" Then they smile and float away. But I know a nicer game than that, mother. I shall be the cloud and you the moon. I shall cover you with both my hands, and our house-top will be the blue sky. The folk who live in the waves call out to me- "We sing from morning till night; on and on we travel and know not where we pass." I ask, "But how am I to join you?" They tell me, "Come to the edge of the shore and stand with your eyes tight shut, and you will be carried out upon the waves." I say, "My mother always wants me at home in the everything- how can I leave her and go?" They smile, dance and pass by. But I know a better game than that. I will be the waves and you will be a strange shore. I shall roll on and on and on, and break upon your lap with laughter. And no one in the world will know where we both are.
Rabindranath Tagore
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
You can complain about every dropped sock, every dirty dish left behind, every piece of dirt tracked through the house, or you can deal with it and spend that time you would’ve spent complaining giving him a kiss.  Or maybe a tight hug.  Or even jotting down a little note for him to find.  So here’s the truth—marriage sucks because one day it will end.  It’s inevitable.  The beginning is usually a fairy tale; the end hurts more than you could ever comprehend.  It’s what you do with the middle that’s the most important.  Make the most of it.  Now I’m going to walk up front to give Stanley a kiss before I get on the phone with the water company.”  Click.
Rhonda R. Dennis (Yours Always)
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
...that's the business model. How quickly can they be made to grow, how tightly can they be packed, how much or little can they eat, how sick can they get without dying. This isn't animal experimentation, where you can imagine some proportionate good at the other end of the suffering. This is what we feel like eating... Why doesn't a horny person have as strong a claim to raping an animal as a hungry one does to killing and eating it? It's easy to dismiss that question but hard to respond to it... How riveting wold the sound of a tortured animal need to be to make you want to hear it that badly?
Jonathan Safran Foer (Eating Animals)
Pa was on top of the walls, stretching the canvas wagon-top over the skeleton roof of saplings. The canvas billowed in the wind, Pa’s beard blew wildly and his hair stood up from his head as if it were trying to pull itself out. He held on to the canvas and fought it. Once it jerked so hard that Laura thought he must let go or sail into the air like a bird. But he held tight to the wall with his legs, and tight to the canvas with his hands, and he tied it down. “There!” he said to it. “Stay where you are, and be--” “Charles!” Ma said. She stood with her arms full of quilts and looked up at him reprovingly. “--and be good,” Pa said to the canvas. “Why, Caroline, what did you think I was going to say?” “Oh, Charles!” Ma said. “You scalawag!” Pa came right down the corner of the house. The ends of the logs stuck out, and he used them for a ladder. He ran his hand through his hair so that it stood up even more wildly, and Ma burst out laughing. Then he hugged her, quilts and all.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
MR. BONES KNEW THAT WILLY WASN'T LONG FOR THIS WORLD. The cough had been inside him for over six months, and by now there wasn't a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer. All that was bad enough, but in the past two weeks a new tonality had crept into the bronchial music - something tight and flinty and percussive - and the attacks came now so often as to be almost constant. Every time one of them started, Mr. Bones half expected Willy's body to explode from the rockets of pressure bursting agaisnt his rib cage. He figured that blood would be the next step and when that fatal moment finally occurred on Saturday afternoon, it was as if all the angels in heaven had opened their mouths and started to sing. Mr. Bones saw it happen with his own eyes, standing by the edge of the road between Washington and Baltimore as Willy hawked up a few miserable clots of red matter into his handkerchief, and right then and there he knew that every ounce of hope was gone. The smell of death had settled upon Willy G. Christmas, and as surely as the sun was a lamp in the clouds that went off and on everyday, the end was drawing near. What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy's presence. Habits die hard, and no doubt there's some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Substract Willy from the world, and the odds were that the world itself would cease to exist.
Paul Auster (Timbuktu)
By its very nature, though, love is tragic. You can’t protect it. No matter how tightly you hold on to the one you love, they leave you or you leave them. That’s what life is, loving and letting go. I am so grateful to those two young lovers of sixty years ago. I am so grateful to have tasted love. But all love ends tragically. Because, tragically, love always ends. What a heartbreaking and wondrous conundrum! Whether you have it just a few weeks, or years, or your entire life—always, it ends.
Jon Cohen (Harry's Trees)
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.” Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!” I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head. He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit. The hilt vibrated in the wood of the ornate mantel next to his head. “So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.” I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest. He laughed, dark eyes glittering with exhilaration. I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give. He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest. Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck. “Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply. I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again. “Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!” His hands were suddenly cruelly tight on my waist. “There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?” Dreamfever
Karen Marie Moning
The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’ Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand. ‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
Life has an uncanny way of tying up a host of loose ends. Not in the neat, all-creases-matching, hospital corner-to-corner kind of way, but in a cloudy, murky, uncertain mish-mash collection of what ifs, could haves, and a bus load of should haves kind of way. But what happens when all the magnificent stars in the heavens and all the resolute planets in the galaxy agree to simultaneously align? What happens when the glorious birds of prey in the sky and the steadfast worker ants of the ground all decide to ally? And more intriguingly, what happens when the settling of old hurts and scores becomes so alluring, so certain, with the whispered promise of everlasting, as to lure with it a collection of hardly surviving, barely functioning, scattered, and damaged souls together once again? As one door finally seemed to close tightly shut, two others flung wide open, and the darkness of life’s most protected secrets and haunts invited the crippling unknown to bask once again in the glaring, naked light.
Sahar Abdulaziz (As One Door Closes)
lower her to my side and pull her against me so that her head is resting on my jacket. Her breath tastes like starburst and it makes me want to keep kissing her until I can identify every single flavor. Her hand touches my arm and she gives it a tight squeeze just as my tongue slips inside her mouth. That would be strawberry on the tip of her tongue. She keeps her hand on my arm, periodically moving it to the back of my head, then returning it to my arm. I keep my hand on her waist, never once moving it to touch any other part of her. The only thing we explore is each other’s mouths. We kiss without making another sound. We kiss until the alarm sounds off on my phone. Despite the noise, neither of us stops kissing. We don’t even hesitate. We kiss for another solid minute until the bell rings in the hallway outside and suddenly lockers are slamming shut and people are talking and everything about our moment is stolen from us by all the inconvenient external factors of school. I still my lips against hers, then slowly pull back. “I have to get to class,” she whispers. I nod, even though she can’t see me. “Me, too,” I reply. She begins to scoot out from beneath me. When I roll onto my back, I feel her move closer to me. Her mouth briefly meets mine one more time, then she pulls away and stands up. The second she opens the door, the light from the hallway pours in and I squeeze my eyes shut, throwing my arm over my face. I hear the door shut behind her and by the time I adjust to the brightness, the light is gone again. I sigh heavily. I also remain on the floor until my physical reaction to her subsides. I don’t know who the hell she was or why the hell she ended up here, but I hope to God she comes back. I need a whole hell of a lot more of that. • • • She didn’t come back the next day. Or the day after that. In fact, today marks exactly a week since she literally fell into my arms, and I’ve convinced myself that maybe that whole day was a dream. I did stay up most of the night before watching zombie movies with Chunk, but even though I was going on two hours of sleep, I don’t know that I would have been able to imagine that. My fantasies aren’t that fun. Whether she comes back or not, I still don’t have a fifth period and until someone calls me out on it, I’ll keep hiding out in here. I actually slept way too much last night, so I’m not tired. I pull my phone out to text Holder when the door to the closet begins to open. “Are you in here, kid?” I hear her whisper. My heart immediately picks up pace and I can’t tell if it’s that she came back or if it’s because the
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
His lips fell back against mine and in the blink of an eye, our bathing suits were shed. He fisted my hair and tilted my head off to the side, nibbling down my neck as he sucked marks against my skin. I felt my pussy heating for him. I felt my toes curling as he kissed down the valley of my breasts. He cupped them forcefully, massaging and tweaking my puckered peaks as I moaned and squealed and whimpered. “Teo,” I whispered. He growled. “Already so wet for me.” He slid two fingers inside of my body and my back arched dangerously. He crooked them against that pebbled spot as his thumb slid against my clit, and already I felt my ending approaching. I fisted the bed sheets as he pumped his dexterous fingers, tickling that sweet spot that made my eyes widen and my jaw unhinge with silent pleasure. An unearthly drone bubbled up the back of my throat as my orgasm crashed over me. But, nothing felt even remotely wonderful compared to the feeling of his cock sliding between my legs. “Holy fuck,” he growled. He pinned my wrists above my head and pounded against my body. My tits jumped for his viewing pleasure as he planted his knees into the mattress. My legs locked around him as I opened myself up for his assault. His thick dick, sliding against my walls as they clamped around him. My body, puckering at every movement and every sound he graced me with. All I knew was pleasure. All I understood was his presence. And the only name that came to mind as my second orgasm approached was his name. “Teo! Holy shit!” I exclaimed. He grunted. “Come for me. Squeeze that tight little pussy ar—ound—oh, shit.” He slowed his movements long enough to work me through an ecstasy that crashed so hard against my body that my vision tunneled. My body shook and tensed. Contracted and released. Then finally, my back collapsed to the bed. I felt physically spent until Teo’s dick slid from between my legs. And automatically, I missed him.
Callie Vincent (Monster (Sold to the Don, #1))
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
Gonzalo Guma (Equinoccio. Susurros del destino)
Our dress affects not only our thoughts and actions but also the thoughts and actions of others. Accordingly, Paul the Apostle counseled “women [to] adorn themselves in modest apparel” (1 Timothy 2:9). The dress of a woman has a powerful impact upon the minds and passions of men. If it is too low or too high or too tight, it may prompt improper thoughts, even in the mind of a young man who is striving to be pure. Men and women can look sharp and be fashionable, yet they can also be modest. Women particularly can dress modestly and in the process contribute to their own self-respect and to the moral purity of men. In the end, most women get the type of man they dress for. [Ensign, Mar. 2014, 47-48]
Tad R. Callister
Back in 'my day' – though I didn't claim ownership of it at the time, this is what used to happen: you met a girl, you were attracted to her, you tried to ingratiate yourself, you would invite her to a couple of social events – for instance the pub – and then ask her out on her own, then again, and after a goodnight kiss of variable heat, you were somehow, officially, 'going out' with her. Only when you were semi-publicly committed did you discover what her sexual policy might be. And sometimes this meant her body would be as tightly guarded as a fisheries exclusion zone.
Julian Barnes (The Sense of an Ending)
Money was the blood of civilized society, its currents running through everything and everyone. Where money was insufficient, things withered. People starved, sickened and died, constructions eroded, even ideas perished. Where funds were plentiful, the same things blossomed with new life. And money was, in the end, little more than the product of collective imagination. A slip of paper or a coin had no value beyond that of the material it was fashioned of. It only took on a life of its own when people as a whole collectively agreed that certain papers and coins were worth something. Only then did people bleed and die for it. For a fantasy, a faith given form in hard, concrete numbers. Then again, much of society was built on a series of shared delusions. Clothing was little more than scraps of particular materials with particular geometries, but people clung to the idea of fashion. Style. Good and bad fashion was another belief system, one which all members of a culture were indoctrinated into. Breaking certain conventions didn’t only challenge the aesthetic sensibilities of others, but it challenged their sense of self. It reminded them, subconsciously, of the very pretendings they clung to. Only those with power could stand against society’s tides, flaunt the collective’s ‘safe’ aesthetic. When one had enough power, others couldn’t rise against them and safely say something calculated to reduce their own dissonance and remind the offending party of the unspoken rules. When one had enough power to take a life with a twitch of a finger, a thought, they earned the right to wear skin-tight clothing and call themselves Hero, or Legend. To wear a mask and name themselves something inane like ‘the Cockatoo’ and still take themselves seriously.
Wildbow (Worm (Parahumans, #1))
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
Dennis Lehane
Every time I glanced at Ren, I saw that he was watching me. When we finally reached the end of the tunnel and saw the stone steps that led to the surface, Ren stopped. “Kelsey, I have one final request of you before we head up.” “And what would that be? Want to talk about tiger senses or monkey bites in strange places maybe?” “No. I want you to kiss me.” I sputtered, “What? Kiss you? What for? Don’t you think you got to kiss me enough on this trip?” “Humor me, Kells. This is the end of the line for me. We’re leaving the place where I get to be a man all the time, and I have only my tiger’s life to look forward to. So, yes, I want you to kiss me one more time.” I hesitated. “Well, if this works, you can go around kissing all the girls you want to. So why bother with me right now?” He ran a hand through his hair in frustration. “Because! I don’t want to run around kissing all the other girls! I want to kiss you!” “Fine! If it will shut you up!” I leaned over and pecked him on the cheek. “There!” “No. Not good enough. On the lips, my prema.” I leaned over and pecked him on the lips. “There. Can we go now?” I marched up the first two steps, and he slipped his hand under my elbow and spun me around, twisting me so that I fell forward into his arms. He caught me tightly around the waist. His smirk suddenly turned into a sober expression. “A kiss. A real one. One that I’ll remember.” I was about to say something brilliantly sarcastic, probably about him not having permission, when he captured my mouth with his. I was determined to remain stiff and unaffected, but he was extremely patient. He nibbled on the corners of my mouth and pressed soft, slow kisses against my unyielding lips. It was so hard not to respond to him. I made a valiant struggle, but sometimes the body betrays the mind. He slowly, methodically swept aside my resistance. And, feeling he was winning, he pressed ahead and began seducing me even more skillfully. He held me tightly against his body and ran a hand up to my neck where he began to massage it gently, teasing my flesh with his fingertips. I felt the little love plant inside me stretch, swell, and unfurl its leaves, like he was pouring Love Potion # 9 over the thing. I gave up at that point and decided what the heck. I could always use a rototiller on it. And I rationalized that when he breaks my heart, at least I will have been thoroughly kissed. If nothing else, I’ll have a really good memory to look back on in my multi-cat spinsterhood. Or multi-dog. I think I will have had my fill of cats. I groaned softly. Yep. Dogs for sure.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
But I don't know, in the end, what deserts, chasms, achievements, virtues, and beauties have to do with love. We can love for so many different, and paradoxical, qualities in the object of our love--for strength or for weakness, for beauty or for ugliness, for gaiety or for sadness, for sweetness or for bitterness, for goodness or for wickedness, for need or for impervious independence. Then, if we wonder from what secret springs in ourselves gushes our love, our poor brain goes giddy from speculation, and we wonder what is all meaning and worth. Is it our own need that makes us lean toward and wish to succor need, or is it our strength? What way would our strength, if we had it, incline our heart? Do we give love in order to receive love, and even in the transport or endearment carry the usurer's tight-lipped and secret calculation, unacknowledged even by ourselves? Or do we give with an arrogance after all, a passion for self-definition? Or do we simply want a hand, any hand, a human object, to clutch in the dark on the blanket, and fear lies behind everything? Do we want happiness, or is it pain, pain as the index of reality, that we, in the chamber of our heart, want? Oh, if I knew the answer, perhaps then I could feel free.
Robert Penn Warren (Band of Angels)
WHAT did it cost the soul to lie? At every step, with every breath, with every Soviet Information Bureau report, with every casualty list and every monthly ration card? From the moment Tatiana woke up until she fell into a bleary sleep, she lied. She wished Alexander would stop coming around. Lies. She wished he would end it with Dasha. Alas. More lies. No more trips to St. Isaac’s. That was good news. Lies. No more tram rides, no more canals, no more Summer Garden, no more Luga, no more lips or eyes or palpitating breath. Good. Good. Good. More lies. He was cold. He had an uncanny ability to act as if there were nothing behind his smiling face, or his steady hands, or his burned-down cigarette. Not a twitch showed on his face for Tatiana. That was good. Lies. Curfew was imposed on Leningrad at the beginning of September. Rations were reduced again. Alexander stopped coming every day. That was good. More lies. When Alexander came, he was extremely affectionate with Dasha, in front of Tatiana and in front of Dimitri. That was good. Lies. Tatiana put on her own brave face and turned it away and smiled at Dimitri and clenched her heart in a tight fist. She could do it, too. More lies. Pouring tea. Such a simple matter, yet fraught with deceit. Pouring tea, for someone else before him. Her hands trembled with the effort. Tatiana wished she could get out from the spell that was Leningrad at the beginning of September, get out from the circle of misery and love that besieged her. She loved Alexander. Ah, finally. Something true to hold on to.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
This time she is the one who leans forward. She is on her knees in front of him, grasping his shirt collar, pulling him close to her. He is clearly as startled by this as she herself is, but he allows himself to be drawn in. Their mouths meet, she moves even closer still until she is sitting on his lap takes his hands from her waist and puts them on her breasts, does everything but devour him, desperate to see if she can have something beyond her bondage with the razor. Pictures of the accident start writhing beneath her closed lids, competing for attention with the image she holds of his face. A tidal wave of emotion threatens to engulf her. She is suddenly back in the basement with the bookcases. "I can't." Willow pushes him away. "I can't" Willow claps her hands over her ears in a vain attempt to drown out the dreadful sounds of the accident. She jumps up, wheels away from him, fumbles in her pocket for the razor that she always keeps there. But just as she's preparing to slice, to save herself, to end the nightmare visions, Guy's hand clamps down on hers He pulls her down on the floor again roughly. "No." He's shaking his head. "Not here. Not now. Not with me around." "I have to." Willow is gasping. "Just let me do it!" "All right then, you can cut yourself, but not like this, not like some concerned animal. You have to do it in front of me." Willow doesn't flinch as she presses the blade into her flesh. She stares at Guy, aware that although she is fully clothed, she is completely bare before him. It hurts. It hurts badly, and within seconds the pain is swirling through her like an opiate, completely crowding out everything else. "Oh my god. Oh my god!" Now Guy is the one who is clapping a hand over his mouth. "Stop it! I can't watch!" He grabs the razor and flings it around the room, grabs her arm and stares at the blood, grabs her and crushes her close. Willow is so close that once again she's sitting in his lap. She's so close that they might as well be sharing the same breath. "You won't let yourself feel anything but pain?" He holds her more tightly than she would have thought possible. She watches with half closed lids as he wipes the blood on her arm with his shirttail. Now that she's numbed herself, she'd like nothing more than to stay there with him, like this, forever. She just stays there like that, for as long as she possibly can.
Julia Hoban
they dance so fast, good and evil, these two polar opposites. So tightly and furiously. You can’t dance with just one of these partners. If you cut into their dance, you end up with both, as a threesome. And if you fear cutting into the dance and taking a spin with good and evil, you end up dancing with the cross-eyed, ugly chaperone. Even the deepest, most wondrous love can sometimes bring you to that dismal dance, and then every single tune is a tango. A bad tango composed by an angry, drunken Argentine just for you and your loved one. A tango that never ends. But back to those Cuban parties: no dancing there. None at all. Furious
Carlos Eire (Waiting for Snow in Havana: Confessions of a Cuban Boy)
Tell me what to do." His warm breath tickled my ear. "Relax." "Please, Noah, I don't want to do this wrong. Tell me how to make you feel good." He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength. His chocolate-brown eyes softened. "Being with you feels good. Touching you-"he tucked a curl behind my ear"-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right." His hand framed my face and his tone was edget with husky authority. "I want you, but only if you want me." I kissed him back, allowing my arms to wrap around him. His fingers gently massaged my neck, releasing the tension, erasing my unease. The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended. Noah felt strong and warm and muscular and safe and he smelled, oh, God, delicious. I couldn't stop kissing him if my life depend it upon it: his lips, his neck, his chest, and Noah seemed as hungry as me. We rolled and we touched and we shed unwanted clothes. I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy. And i waited. I waited for that moment of pausing for protection and the burning pain my friends described, but Noah never stopped and the pain never came, not even when i whispered his name and praise God several times in a row. Both of us gasped for air while kissing each other softly and i struggled to comprehend i was still a virgin. He shifted off of me and tugged me close to him. My entire body became lazily warm, happy and sated. I listened to his heartbeat and closed my eyes, enjoying the relaxing pull of his hand in my hair. "Noah," i whispered. "I thought..." we were going to make love. He tipped my chin, forcing me to look at him. "We have forever to work up to that, Echo. Let's enjoy every step of the way." My mind drifted this way and that. Mostly between focusing on his heart, his touch and the sweetest word i had ever heard: forever. One clear thought forced my eyes open. "You 're putting me to sleep." "So?" he asked a little too innocently. I swallowed. "I'll have nightmares." "Then we 'll have an excuse to do this again.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
He thrust his hand in the air and summoned his sword of pure white flame. The gods and goddesses cowered. Throwing his head back and laughing, Surt grew to his full giant size. “You minor, forgotten, pathetic deities! So easy to bend to my will. Not one of you would dare to defy me!” I chose that moment to shape-shift into a bee, buzz up Surt’s teeny-tiny nose, and jab him with my stinger. With a howl of pain, Surt dropped his sword and shrank to his previous size. I changed into my true form. “I dare.” I whipped one end of my golden garrote around his neck and yanked it tight. Then I snatched up his flame sword and with one upward flick, sliced off his pubescent nose. “Jack and Magnus send their regards.” Surt lunged for me. I transformed into a bighorn sheep and head-butted him right where his nose used to be. Then I changed back to human, tightened the garrote until his eyes bulged, and threatened him with his own sword. “Come at me again,” I warned, “and you’ll regret it.” I surveyed the stunned deities. “If one einherji can do this, imagine what all of us can do. And will do, come Ragnarok. We are not destined to win, but we will fight with honor. We would welcome you on our side of the fight. But, if you must side with him”—I gave the garrote a vicious tug and was rewarded with a gurgle from Surt—“know this: I will personally hunt you down on the Last Battlefield of Vigridr and see that you are sent straight to Ginnungagap. The choice is yours.” The deities vanished.
Rick Riordan (9 From the Nine Worlds)
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for — Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand. “Don’t kill me!” “That was not my intention.” Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand. “Well, Severus? What message does Lord Voldemort have for me?” “No — no message — I’m here on my own account!” Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him. “I — I come with a warning — no, a request — please —” Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other. “What request could a Death Eater make of me?” “The — the prophecy… the prediction… Trelawney…” “Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?” “Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!” “The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —” “You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —” “If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?” “I have — I have asked him —” “You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?” Snape said nothing, but merely looked up at Dumbledore. “Hide them all, then,” he croaked. “Keep her — them — safe. Please.” “And what will you give me in return, Severus?” “In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
He turns to me, serious, grabs my wrist tight. “What am I now? A Catholic priest you got to confess all of your sins to? If you start down that road, I got to reciprocate, and I ain’t so sure you can handle that. You want to know where this conversation will lead, my friend? A dead end, that’s where. “Listen to me good, Barry. I have known you since 1947 when we was nippers. That’s sixty-four years, yuh hear? You and me has finally got a future to look forward to together, so let we not go digging up our past misdemeanors, right? Just sit back comfy and easy and listen to the one and only Miss Shirley Bassey and let we just enjoy the vibes, man, enjoy the vibes.
Bernardine Evaristo (Mr Loverman)
Carroll was eleven years old when he saw The Haunting in The Oregon Theater. He had gone with his cousins, but when the lights went down, his companions were swallowed by the dark and Carroll found himself essentially alone, shut tight into his own suffocating cabinet of shadows. At times, it required all his will not to hide his eyes, yet his insides churned with a nervous-sick frisson of pleasure. When the lights finally came up, his nerve endings were ringing, as if he had for a moment grabbed a copper wire with live current in it. It was a sensation for which he had developed a compulsion. Later, when he was a professional and it was his business, his feelings were more muted - not gone, but experienced distantly, more like the memory of an emotion than the thing itself. More recently, even the memory had fled, and in its place was a deadening amnesia, a numb disinterest when he looked at the piles of magazines on his coffee table. Or no - he was overcome with dread, but the wrong kind of dread. ("Best New Horror")
Joe Hill (20th Century Ghosts)
I’m thinking about this—about him—way too hard. I shut the sketch pad too forcefully and place it back where I found it. It causes something that was at the very end of the notebook to slip out. A portrait. My heart halts as I scramble to lift it up, expecting—no, sure— that I’ll find Serena’s smiling face on it. The pouty lips, upturned eyes, narrow nose, and pointed chin; they’re all so familiar to me that I think it must be her, because who else’s face would I know so well? It can only be Serena’s, or . . . Mine. Lowe Moreland has drawn my face, and then stuffed it at the bottom of his bottom drawer. I’m not sure when he observed it long enough to pluck this level of detail out of me, the serious, detached air, the tight-lipped expression, the wispy hair curling around the cusp of an ear. Here’s what I do know: there is something sharp about the drawing. Something searing and intense and expansive that’s simply not there in the other sketches. Force, and power, and lots of feelings were involved in the making of this portrait. Lots.
Ali Hazelwood (Bride (Bride, #1))
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
Prime numbers are divisible only by 1 and by themselves. They hold their place in the infinite series of natural numbers, squashed, like all numbers, between two others, but one step further than the rest. They are suspicious, solitary numbers, which is why Mattia thought they were wonderful. Sometimes he thought that they had ended up in that sequence by mistake, that they'd been trapped, like pearls strung on a necklace. Other times he suspected that they too would have preferred to be like all the others, just ordinary numbers, but for some reason they couldn't do it. This second thought struck him mostly at night, in the chaotic interweaving of images that comes before sleep, when the mind is too weak to tell itself lies. In his first year at university, Mattia had learned that, among prime numbers, there are some that are even more special. Mathematicians call them twin primes: pairs of prime numbers that are close to each other, almost neighbors, but between them there is always an even number that prevents them from truly touching. Numbers like 11 and 13, like 17 and 19, 41 and 43. If you have the patience to go on counting, you discover that these pairs gradually become rarer. You encounter increasingly isolated primes, lost in that silent, measured space made only of ciphers, and you develop a distressing presentiment that the pairs encountered up until that point were accidental, that solitude is the true destiny. Then, just when you're about to surrender, when you no longer have the desire to go on counting, you come across another pair of twins, clutching each other tightly. There is a common conviction among mathematicians that however far you go, there will always be another two, even if no one can say where exactly, until they are discovered.
Paolo Giordano (The Solitude of Prime Numbers)
It’s nice to have space at the end of the night to be alone with my thoughts. Somewhere to hang the happy face I force myself to wear even when I’m having a shitty day. I’m grateful. I’m exhausted, overworked, and stressed out, but I’m grateful. I force myself to say it, out loud. I’m grateful. I take a few moments to feel it. Recognize it. I force myself to smile, to unclench the tightness in my face that would otherwise default too easily to anger. I whisper a quick thank-you to the unknown, to the air, to the lonely ghosts eavesdropping on my private conversations with no one. I have a roof over my head and clothes on my back and food waiting for me every morning.I have friends. A makeshift family. I’m lonely but I’m not alone.
Tahereh Mafi (Shadow Me (Shatter Me, #4.5))
She’s wrapped so tightly around me, I never want it to end. The sweet sounds she’s making are almost as good as the clench of her pussy on my cock. Then she sucks on my tongue, and my nuts tighten up faster than a slapshot. “Oh shit,” I say between groans. “I’m gonna come, Jessie. Like…super fast. Like…oh fuck…like now.” My eyes pop open to see her beautiful features taut with ecstasy, and it’s over like rover. I shoot so hard that my whole body shakes with the force. She moans, long and low, and we tremble together, our mouths locked as tightly as our bodies.
Sarina Bowen (Good Boy (WAGs, #1))
So where—?" asked Robin. "I'm taking you to the Ritz for champagne," said Strike. "Are you serious?" "Yeah. It's why I'm wearing you a suit." For a moment Robin simply looked at him, then she reached up and hugged him tightly. Surrounded by banked flowers, both remembered the hug they'd shared at the top of the stairs on her wedding day, but this time, Robin turned her face and kissed Strike deliberately on the cheek, lips to stubble. "Thanks, Strike. This really means a lot." And that, thought her partner, as the two of them headed away toward the Ritz in the golden glow of the early evening, really was well worth sixty quid and a bit of an effort . . . Out of his subconscious rose the names Mazankov and Krupov, and it was a second or two before he remembered where he'd heard them, why they sounded Cornish, and why he thought of them now. The corners of his mouth twitched, but as Robin didn't see him smiling, he felt no compulsion to explain.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
I remember the first time I heard your voice. I can still remember telling you how soothing I found it, how much it calmed me. It still does, even though we’re strangers. You’re silent, but your words are still very much alive in me. You are my home, even though the door is locked and the lights are off. It’s not a choice as much as it is a beautiful nagging that’s nearly impossible to ignore. But I’m locked out, left to wander, and I’ve found myself here. I know I left in a childish fit, and you locked the iron gate so tightly; you had to. So I was left out in the darkness, just me and the shadows that haunted me, the ones that led me away from you to begin with. You left me outside to face them. You wouldn’t let me lean on you to deal with them anymore. You are my home because you are the place I choose to return to over and over again. The place that, even when painful, means the most. You are my home because you have made me who I am, whether or not you realized what you were doing. You are my home because you showed me the best kind of love there is. You showed me real, genuine, love-you-so-much-it-hurts-and-changes-me-at-my-core love. It was a blissful combination of finally feeling alive mixed with the most painfully difficult challenge I never thought I’d have to deal with. I didn’t know I could ever feel so strongly that I’d end up there. And yet, I still believe, that although that love may have been all of those challenging things, it was still unconditional, undeniable, and above all, beautiful. Miraculous. And that’s what keeps me at your door.
Brianna Wiest (The Truth About Everything)
Guy goes to the doc, and he says, ‘Doc, you gotta help me. I got this terrible headache. It feels like somebody is pounding a nail through my forehead. Like I got a big pair of pliers squeezing behind my ears. It’s tension from my job. I can’t stop working right now, but the headache’s killing me. You gotta help.’ So the doc says, ‘You know, I do have a cure. Exactly the same thing happened to me—I was working too much, and I got exactly the same headache. Then one night I was performing oral sex on my wife, and her legs were squeezing my head really tight, really hard, and the pressure must have done something, because the headache was a lot better. So I did this every night for two weeks, and at the end of two weeks, the headache was gone.’ And the guy says, ‘I’m desperate, Doc, I’ll try anything.’ The doc said, ‘Well, then, I’ll see you in two weeks.’ So the guy goes away, and two weeks later he comes back for his appointment and he’s the most cheerful guy in the world. And he says, ‘Doc, you’re a miracle worker. I did just what you told me, and the headache’s gone. Vanished. I feel great. I think it’s got to be the pressure, and—by the way, you’ve got a beautiful home.
John Sandford (Easy Prey (Lucas Davenport, #11))
I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante. Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back. I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.” “Am I hurting you?” “No, but I’m not a puppet to be dragged around.” He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.” “Fine.” He grinned. “Fine.” I hissed back. “Fine!” We walked to the elevator, and he pushed the button to my floor. “My room is on the same floor,” Ren edxplained. I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.” Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.” “I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?” He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting. I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me. I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me. So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away. He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.” I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more. With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Tradition? Kadash, did I ever tell you about my first sword trainer? Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough. He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it. I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas. I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master. I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice? The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!' I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.
Brandon Sanderson (Oathbringer (1 of 6) [Dramatized Adaptation] (Stormlight Archive #3))
Damen said, ‘You haven’t told him.’ ‘You don’t even deny it?’ said Jord. A harsh laugh, when Damen was silent. ‘You hated us so much, all this time? It wasn’t enough to invade, to take our land? You had to play this—sick game as well?’ Damen said, ‘If you tell him, I can’t serve him.’ ‘Tell him?’ said Jord. ‘Tell him the man he trusts has lied, and lied again, has deceived him into the worst humiliation?’ ‘I wouldn’t hurt him,’ said Damen, and heard the words drop like lead. ‘You killed his brother, then got him under you in bed.’ Put like that, it was monstrous. It’s not that way between us, he ought to have said, and didn’t, couldn’t. He felt hot, then cold. He thought of Laurent’s delicate, needling talk that froze into icy rebuff if Damen pushed at it, but if he didn’t—if he matched himself to its subtle pulses and undercurrents—continued, sweetly deepening, until he could only wonder if he knew, if they both knew, what they were doing. ‘I’m going to leave,’ he said. ‘I was always going to leave. I stayed only because—’ ‘That’s right, you’ll leave. I won’t allow you to wreck us. You’ll command us to Ravenel, you’ll say nothing to him, and when the fort is won, you’ll get on a horse and go. He’ll mourn your loss, and never know.’ It was what he had planned. It was what, from the beginning, he had planned. In his chest, the beats of his heart were like sword thrusts. ‘In the morning,’ said Damen. ‘I’ll give him the fort, and leave him in the morning. It’s what I promised.’ ‘You’re gone by the time the sun hits the middle of the sky, or I tell him,’ said Jord. ‘And what he did to you in the palace will seem like a lover’s kiss compared with what will happen to you then.’ Jord was loyal. Damen had always liked that about him, the steadfast nature that reminded him of home. Strewn around them was the end of the battle, victory marked by silence and churned grass. ‘He’ll know,’ Damen heard himself say. ‘When word of my return to Akielos reaches him. He’ll know. I wish you would tell him then that I—’ ‘You fill me with horror,’ said Jord. His hands were tight on his knife. Both his hands, now. ‘Captain,
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
Finally, as the sky began to grow light in the morning, I’d feel that I might be drifting off. But that wasn’t sleep. My fingertips were just barely brushing against the outermost edge of sleep. And all the while, my mind was awake. I would feel a hint of drowsiness, but my mind was there, in its own room, on the other side of a transparent wall, watching me. My physical self was drifting through the feeble morning light, and all the while it could feel my mind staring, breathing, close beside it. I was both a body on the verge of sleep and a mind determined to stay awake. The incomplete drowsiness would continue on and off all day. My head was always foggy. I couldn’t get an accurate fix on the things around me—their distance or mass or texture. The drowsiness would overtake me at regular, wavelike intervals: on the subway, in the classroom, at the dinner table. My mind would slip away from my body. The world would sway soundlessly. I would drop things. My pencil or my purse or my fork would clatter to the floor. All I wanted was to throw myself down and sleep. But I couldn’t. The wakefulness was always there beside me. I could feel its chilling shadow. It was the shadow of myself. Weird, I would think as the drowsiness overtook me, I’m in my own shadow. I would walk and eat and talk to people inside my drowsiness. And the strangest thing was that no one noticed. I lost fifteen pounds that month, and no one noticed. No one in my family, not one of my friends or classmates, realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think that my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. Hold tight, I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami
What do they think has happened, the old fools, To make them like this ? Do they somehow suppose It's more grown-up when your mouth hangs open and drools And you keep on pissing yourself, and can't remember Who called this morning ? Or that, if they only chose, They could alter things back to when they danced all night, Or went to their wedding, or sloped arms some September ? Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight, Or sat through days of thin continuous dreaming Watching light move ? If they don't (and they can't), it's strange: Why aren't they screaming ? At death, you break up: the bits that were you Start speeding away from each other for ever With no one to see. It's only oblivion, true: We had it before, but then it was going to end, And was all the time merging with a unique endeavour To bring to bloom the million-petalled flower Of being here. Next time you can't pretend There'll be anything else. And these are the first signs: Not knowing how, not hearing who, the power Of choosing gone. Their looks show that they're for it: Ash hair, toad hands, prune face dried into lines- How can they ignore it ? Perhaps being old is having lighted rooms Inside your head, and people in them, acting. People you know, yet can't quite name; each looms Like a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extracting A known book from the shelves; or sometimes only The rooms themselves, chairs and a fire burning, The blown bush at the window, or the sun' s Faint friendliness on the wall some lonely Rain-ceased midsummer evening. That is where they live: Not here and now, but where all happened once. This is why they give An air of baffled absence, trying to be there Yet being here. For the rooms grow farther, leaving Incompetent cold, the constant wear and tear Of taken breath, and them crouching below Extinction' s alp, the old fools, never perceiving How near it is. This must be what keeps them quiet. The peak that stays in view wherever we go For them is rising ground. Can they never tell What is dragging them back, and how it will end ? Not at night? Not when the strangers come ? Never, throughout The whole hideous inverted childhood? Well, We shall find out.
Philip Larkin
At his leisure, the lieutenant allowed the unforgettable spectacle to engrave itself upon his mind. With one hand he fondled the hair, with the other he softly stroked the magnificent face, implanting kisses here and there where his eyes lingered. The quiet coldness of the high, tapering forehead, the closed eyes with their long lashes beneath faintly etched brows, the set of the finely shaped nose, the gleam of teeth glimpsed between full, regular lips, the soft cheeks and the small, wise chin… Wherever the lieutenant's eyes moved his lips faithfully followed. The high, swelling breasts, surmounted by nipples like the buds of a wild cherry, hardened as the lieutenant's lips closed about them. The arms flowed smoothly downward from each side of the breast, tapering toward the wrists, yet losing nothing of their roundness or symmetry…The natural hollow curving between the bosom and the stomach carried in its lines a suggestion not only of softness but of resilient strength, and while it gave forewarning to the rich curves spreading outward from here to the hips it had, in itself, an appearance only of restraint and proper discipline. The whiteness and richness of the stomach and hips was like milk brimming in a great bowl, and the sharply shadowed dip of the navel could have been the fresh impress of a raindrop, fallen there that very moment. Where the shadows gathered more thickly, hair clustered, gentle and sensitive, and as the agitation mounted in the now no longer passive body there hung over this region a scent like the smoldering of fragrant blossoms, growing steadily more pervasive… Passionately they held their faces close, rubbing cheek against cheek…Their breasts, moist with sweat, were tightly joined, and every inch of the young and beautiful bodies had become so much one with the other that it seemed impossible there should ever again be a separation…From the heights they plunged into the abyss, and from the abyss they took wing and soared once more to dizzying heights…As one cycle ended, almost immediately a new wave of passion would be generated, and together -with no trace of fatigue- they would climb again in a single breathless movement to the very summit.
Yukio Mishima (Patriotism)
James was exactly the same height as Harry. He was wearing the clothes in which he had died, and his hair was untidy and ruffled, and his glasses were a little lopsided, like Mr. Weasley’s. Sirius was tall and handsome, and younger by far than Harry had seen him in life. He loped with an easy grace, his hands in his pockets and a grin on his face. Lupin was younger too, and much less shabby, and his hair was thicker and darker. He looked happy to be back in this familiar place, scene of so many adolescent wanderings. Lily’s smile was widest of all. She pushed her long hair back as she drew close to him, and her green eyes, so like his, searched his face hungrily, as though she would never be able to look at him enough. “You’ve been so brave.” He could not speak. His eyes feasted on her, and he thought that he would like to stand and look at her forever, and that would be enough. “You are nearly there,” said James. “Very close. We are…so proud of you.” “Does it hurt?” The childish question had fallen from Harry’s lips before he could stop it. “Dying? Not at all,” said Sirius. “Quicker and easier than falling asleep.” “And he will want it to be quick. He wants it over,” said Lupin. “I didn’t want you to die,” Harry said. These words came without his volition. “Any of you. I’m sorry--” He addressed Lupin more than any of them, beseeching him. “--right after you’d had your son…Remus, I’m sorry--” “I am sorry too,” said Lupin. “Sorry I will never know him…but he will know why I died and I hope he will understand. I was trying to make a world in which he could live a happier life.” A chilly breeze that seemed to emanate from the heart of the forest lifted the hair at Harry’s brow. He knew that they would not tell him to go, that it would have to be his decision. “You’ll stay with me?” “Until the very end,” said James. “They won’t be able to see you?” asked Harry. “We are part of you,” said Sirius. “Invisible to anyone else.” Harry looked at his mother. “Stay close to me,” he said quietly. And he set off. The dementors’ chill did not overcome him; he passed through it with his companions, and they acted like Patronuses to him, and together they marched through the old trees that grew closely together, their branches tangled, their roots gnarled and twisted underfoot. Harry clutched the Cloak tightly around him in the darkness, traveling deeper and deeper into the forest, with no idea where exactly Voldemort was, but sure that he would find him. Beside him, making scarcely a sound, walked James, Sirius, Lupin, and Lily, and their presence was his courage, and the reason he was able to keep putting one foot in front of the other.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I never knew it happened like that." I snap my gaze to her. "What?" "You know. Romeo and Juliet stuff. Love at first sight and all that." "It's not like that," I say quickly. "You could have fooled me." We're up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will's there, fighting laughter. "Nice," he says. "Glad I'm downcourt of you." I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you." His smile slips then, and he's looking at me with that strange intensity again. Only I understand. I know why. He must remember...must recognize me on some level even though he can't understand it. "You want to go out?" he asks suddenly. I blink. "As in a date?" "Yes. That's what a guy usually means when he asks that question." Whistles blow. The guys and girls head in opposite directions. "Half-court scrimmage," Will mutters, looking unhappy as he watches the coaches toss out jerseys. "We'll talk later in study hall. Okay?" I nod, my chest uncomfortably tight, breath hard to catch. Seventh period. A few hours to decide whether to date a hunter. The choice should be easy, obvious, but already my head aches. I doubt anything will ever be easy for me again.
Sophie Jordan (Firelight (Firelight, #1))
Speaking of body decorations, I luuhhhvv your belly piercing!” Heeb said, looking at the gold ring in the center of her slim, tan waist. Despite the artic cold, Angelina had opted for a skin tight, black tube top that ended just above her belly, on the assumption that a warm cab, a winter coat, and a short wait to get into the club was an adequate frosty weather strategy. Heeb was still reverently staring at her belly when Angelina finally caught her breath from laughing. “Do you really like it? You’re just saying that so that you can check out my belly!” “And what’s so bad about that? I mean, didn’t you get that belly piercing so that people would check out your belly?” “No. I just thought it would look cool…Do you have any piercings?” “Actually, I do,” Heeb replied. “Where?” “My appendix.” “Huh?” “I wanted to be the first guy with a pierced organ. And the appendix is a totally useless organ anyway, so I figured why the hell not?” “That’s pretty original,” she replied, amused. “Oh yeah. I’ve outdone every piercing fanatic out there. The only problem is when I have to go through metal detectors at the airport.” Angelina burst into laughs again, and then managed to say, “Don’t you have to take it out occasionally for a cleaning?” “Nah. I figure I’ll just get it removed when my appendix bursts. It’ll be a two for one operation, if you know what I mean.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
A.E. Via
They sat for a time listening to the music and then Bond turned to Vesper: ‘It’s wonderful sitting here with you and knowing the job’s finished. It’s a lovely end to the day – the prize-giving.’ He expected her to smile. She said: ‘Yes, isn’t it,’ in a rather brittle voice. She seemed to be listening carefully to the music. One elbow rested on the table and her hand supported her chin, but on the back of her hand and not on the palm, and Bond noticed that her knuckles showed white as if her fist was tightly clenched. Between the thumb and first two fingers of her right hand she held one of Bond’s cigarettes, as an artist holds a crayon, and though she smoked with composure, she tapped the cigarette occasionally into an ashtray when the cigarette had no ash. Bond noticed these small things because he felt intensely aware of her and because he wanted to draw her into his own feeling of warmth and relaxed sensuality. But he accepted her reserve. He thought it came from a desire to protect herself from him, or else it was her reaction to his coolness to her earlier in the evening, his deliberate coolness, which he knew had been taken as a rebuff.
Ian Fleming (Casino Royale (James Bond, #1))
I don’t get it.” He sighed, standing up and throwing his dinner into the trash can. As he turned back to me, I saw total confusion in his eyes. “When I was thirteen, my dad bought my mom a new car. She came home from the grocery store one day, and bam—there it was. Red bow and everything. And she said all the same things you’re saying. It’s too much, you shouldn’t have done this—everything. And my dad kissed her, handed her the keys, and said, ‘Let’s go for a drive.’ And that was it. She gave in.” He leaned against a sawhorse, dragging his hands through his hair. “You know why? Because she knew how much it meant to him. Everything he did was to make her happy.” His voice deepened toward the end, sounding rough and a little choppy. His blue eyes were huge, and I could see his jaw clenching. He cleared his throat. Twice. Then he swallowed hard. Shit. “So keep the car, don’t keep the car, whatever. I just wanted to do something nice for you, because I could.” His voice wobbled a bit, and I couldn’t take it anymore. I was in front of him, pulling him close and wrapping his strong arms around me. I held him tight. A minute later, I felt him hang on. Sweet boy.
Alice Clayton (Rusty Nailed (Cocktail, #2))
I was wondering where the real party was." I jumped, sending my pencil in a sharp line across the page. Alex was standing two feet away, one booted foot on my step, hands thrust into the pockets of what looked too much like Emo pants: black and tight. "Sorry," he said. "I didn't mean to surprise you." "You didn't surprise me," I gasped, left hand plastered to my chest. "You scared the crap out of me. Who raised you? Wolves?" He actually grinned. "You've met my parents. What do you think?" I wasn't going to touch that one. I just shrugged. "Why aren't you inside?" he asked after a few seconds. "It was too hot," I lied, closing my sketchbook as casually as I could. "Oppressive.Why aren't you?" "It was too...God, I don't know. Oppressive's a good word. Some fresh air seemed like a good idea." I looked past him, relieved not to see anyone else there. "All by yourself? That's...bold." His brows wen up. For a second, I thought he was going to turn around and leave. Instead,he took his hands out of his pockets and pointed at my step. "Big words for a small person. Can I sit down?" I swallowed. "Sure." He did, ending up with his elbows resting on his thighs and his right knee not quite touching mine. The silence went on just long enough to make in uncomfortable. But I wasn't going to help him with his small talk. I'm not very good at it in the best of circumstances. Sitting almost thigh to thigh with a guy who turned me into a mental pretzel was nowhere near a good circumstance.
Melissa Jensen (The Fine Art of Truth or Dare)
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi." Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail? A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper." Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions." "I'm not sure what you mean by that." "Sure you do." "If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it." I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time." "What does that mean? Hard to get?" "It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention." He nods. "Exactly. That's exactly what she's doing." Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get." "Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games." The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly. "Find out?" "If all she wants is games." "How?" "You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'" "I've never heard that." "Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you." He shakes his head. "I don't think I can do that." "You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know." "I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice. "You've got to be ready to deal with it, no matter what." Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return. I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
He closed the distance between them, slipped an arm around her waist beneath the blanket. His fingers traced her jaw, slid into the hair at her nape. “You are a fascinating woman, Paige. No wonder Russell chose you for this task. Or did you volunteer?” With a tug, she was flush against him. The blanket fell away as she let it go to press her hands against his chest. Paige closed her eyes. His naked chest. His skin was hot beneath her hands, silky and hard, and she wanted to pet him like a cat. How could she possibly find him sexy at a time like this? “Let me go,” she breathed. “Before you’ve done what you came to do?” “I didn’t come here to do anything.” “What did Russell offer you?” “I don’t know what you’re talking about!” “Were you supposed to seduce me? Supposed to leave me sated and exhausted in bed while you went through my papers?” His head dipped toward her. “Because I have to say, Paige, that I am very disappointed in your technique thus far. But I find I am quite willing to allow you to complete your mission. She knew she should pull away when his lips touched hers, but it was physically impossible. Not because he held her too tightly, but because her body was zinging with sparks that she didn’t want to end…
Lynn Raye Harris (Prince Voronov's Virgin)
A near half hour passed as Salvatore weaved his way through the winding tunnel, his steps slowing as he tilted back his head to sniff the air. The scent of cur was still strong, but he was beginning to pick up the distant scent of other curs, and…pure-blood. Female pureblood. Coming to a sharp halt, Salvatore savored the rich vanilla aroma that filled his senses. He loved the smell of women. Hell, he loved women. But this was different. It was intoxicating. “Cristo,” he breathed, his blood racing, an odd tightness coiling through his body, slowly draining his strength. Almost as if… No. It wasn’t possible. There hadn’t been a true Were mating for centuries. “Curs,” Levet said, moving to his side. “And a female pureblood.” “Si,” Salvatore muttered, distracted. “You think it’s a trap?” Salvatore swallowed a grim laugh. Hell, he hoped it was a trap. The alternative was enough to send any intelligent Were howling into the night. “There’s only one way to find out.” He moved forward, sensing the end of the tunnel just yards in front of him. “Salvatore?” Levet tugged on his pants. Salvatore shook him off. “What?” “You smell funny. Mon Dieu, are you…” With blinding speed, Salvatore grasped the gargoyle by one stunted horn and yanked him off his feet to glare into his ugly face. Until that moment, he hadn’t noticed the musky scent that clung to his skin. Merda. “One more word and you lose that tongue,” he snarled. “But…” “Do not screw with me.” “I do not intend to screw with anyone.” The gargoyle curled his lips in a mocking smile. “I am not the one in heat.
Alexandra Ivy (Beyond the Darkness (Guardians of Eternity, #6))
I don't force women to my bed, Danica." I shivered. Something about going back to the use of my full name had my skin tight, my breath bated at the sight of his feral grin. "They come willingly, and begging." "And is that something you want?" I was playing a dangerous game, egging on an actual dragon. A lesser shifter would have pounced on the teasing, the taunting between us, long ago. Not Ryker; he had all the time and patience in the world to play the games I'd been playing with him. "I can unveil the mark tonight if you want, but we both know it's already there between us. Everything after that can come as slowly as you need it to; in the end I already know you'll find your way to me as it was intended. I offer you my everything, Dani. My wings, my strength, my soul." He leaned down, his lips pulled into an amused curve as he rumbled in my ear. "My cock, if you think you're ready to cross that line and have me fuck you until you forget your own name.
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer. Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.
Christine Feehan (Samurai Game (GhostWalkers, #10))
Finally, as the sky began to grow light in the morning, I’d feel that I might be drifting off. But that wasn’t sleep. My fingertips were just barely brushing against the outermost edge of sleep. And all the while, my mind was awake. I would feel a hint of drowsiness, but my mind was there, in its own room, on the other side of a transparent wall, watching me. My physical self was drifting through the feeble morning light, and all the while it could feel my mind staring, breathing, close beside it. I was both a body on the verge of sleep and a mind determined to stay awake. The incomplete drowsiness would continue on and off all day. My head was always foggy. I couldn’t get an accurate fix on the things around me—their distance or mass or texture. The drowsiness would overtake me at regular, wavelike intervals: on the subway, in the classroom, at the diner table. My mind would slip away from my body. The world would sway soundlessly. I would drop things. My pencil or my purse or my fork would clatter to the floor. All I wanted was to throw myself down and sleep. But I couldn’t. The wakefulness was always there beside me. I could feel its chilling shadow. It was the shadow of myself. Weird, I would think as the drowsiness overtook me, I’m in my own shadow. I would walk and eat and talk to people inside my drowsiness. And the strangest thing was that no one noticed. I lost fifteen pounds that month, and no one noticed. No one in my family, not one of my friends or classmates, realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think that my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. Hold tight, I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami (The Elephant Vanishes)
Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.
Christine Feehan (Samurai Game (GhostWalkers, #10))
The way of life is towards fulfillment, however, wherever it may lead. To restore a human being to the current of life means not only to impart self-confidence but also an abiding faith in the processes of life. A man who has confidence in himself must have confidence in others, confidence in the fitness and Tightness of the universe. When a man is thus anchored he ceases to worry about the fitness of things, about the behavior of his fellow-men, about right and wrong and justice and injustice. If his roots are in the current of life he will float on the surface like a lotus and he will blossom and give forth fruit. He will draw his nourishment from above and below; he will send his roots down deeper and deeper, fearing neither the depths nor the heights. The life that’s is in him will manifest itself in growth, and growth is an endless eternal process. He will not be afraid of withering, because decay and death are part of growth. As a seed he began and as a seed he will return. Beginnings and endings are only partial steps in the eternal process. The process is everything … the way … the Tao. The way of life! A grand expression. Like saying Truth. There is nothing beyond it … it is all. And so the analyst says Adapt yourself! He does not mean, as some wish to think—adapt yourself to this rotten state of affairs! He means: adapt yourself to life! Become an adept! That is the highest adjustment—to make oneself an adept.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
There were two ways of forgetting. For many years, he had envisioned (unimaginatively) a vault, and at the end of the day, he would gather the images and sequences and words that he didn’t want to think about again and open the heavy steel door only enough to hurry them inside, closing it quickly and tightly. But this method wasn’t effective: the memories seeped out anyway. The important thing, he came to realize, was to eliminate them, not just to store them. So he had invented some solutions. For small memories—little slights, insults—you relived them again and again until they were neutralized, until they became near meaningless with repetition, or until you could believe that they were something that had happened to someone else and you had just heard about it. For larger memories, you held the scene in your head like a film strip, and then you began to erase it, frame by frame. Neither method was easy: you couldn’t stop in the middle of your erasing and examine what you were looking at, for example; you couldn’t start scrolling through parts of it and hope you wouldn’t get ensnared in the details of what had happened, because you of course would. You had to work at it every night, until it was completely gone. Though they never disappeared completely, of course. But they were at least more distant—they weren’t things that followed you, wraithlike, tugging at you for attention, jumping in front of you when you ignored them, demanding so much of your time and effort that it became impossible to think of anything else. In fallow periods—the moments before you fell asleep; the minutes before you were landing after an overnight flight, when you weren’t awake enough to do work and weren’t tired enough to sleep—they would reassert themselves, and so it was best to imagine, then, a screen of white, huge and light-lit and still, and hold it in your mind like a shield.
Hanya Yanagihara (A Little Life)
It should be illegal for a woman to look as good as you do.” “Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.” “I love it. I love you.” He dug in his pocket. “When I left today, it was for this.” Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped. “I wanted it to be a surprise.” There were no words. Her eyes suddenly burned and her throat went tight. Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right. “Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.” Sounding like a choked frog, Priss said, “All the things I never got to do growing up.” “But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.” “No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.” Both still very attentive, Matt and Chris snickered. Trace just smiled at her. Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.” “Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.” “You felt me up,” Priss reminded him. “But that was a first for me, too.” “I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles. At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness. At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.
H.P. Lovecraft
To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.
Nikolai Gogol (Dead Souls)
Before he could say my name, I closed the space between us. Quickly, my lips moved against his. The mental and emotional emptiness took over instantly, but physically, I was more alert than ever. Wesley’s surprise didn’t last as long as it had before, and his hands were on me in seconds. My fingers tangled in his soft hair, and Wesley’s tongue darted into my mouth and became a new weapon in our war. Once again, my body took complete control of everything. Nothing existed at the corners of my mind; no irritating thoughts harassed me. Even the sounds of Wesley’s stereo, which had been playing some piano rock I didn’t recognize, faded away as my sense of touch heightened. I was fully conscious of Wesley’s hand as it slid up my torso and moved to cup my breast. With an effort, I pushed him away from me. His eyes were wide as he leaned back. “Please don’t slap me again,” he said. “Shut up.” I could have stopped there. I could have stood up and left the room. I could have let that kiss be the end of it. But I didn’t. The mind-numbing sensation I got from kissing him was so euphoric-such a high-that I couldn’t stand to give it up that fast. I might have hated Wesley Rush, but he held the key to my escape, and at that moment I wanted him… I needed him. Without speaking, without hesitating, I pulled my T-shirt over my head and threw it onto Wesley’s bedroom floor. He didn’t have a chance to say anything before I put my hands on his shoulders and shoved him onto his back. A second later, I was straddling him and we were kissing again. His fingers undid the clasp on my bra, and it joined my shirt on the floor. I didn’t care. I didn’t feel self-conscious or shy. I mean, he already knew I was the Duff, and it wasn’t like I had to impress him. I unbuttoned his shirt as he pulled the alligator clip from my hair and let the auburn waves fall around us. Casey had been right. Wesley had a great body. The skin pulled tight over his sculpted chest, and my hands drifted down his muscular arms with amazement. His lips moved to my neck, giving me a moment to breathe. I could only smell his cologne this close to him. As his mouth traveled down my shoulder, a thought pushed through the exhilaration. I wondered why he hadn’t shoved me-Duffy-away in disgust. Then again, I realized, Wesley wasn’t known for rejecting girls. And I was the one who should have been disgusted. But his mouth pressed into mine again, and that tiny, fleeting thought died. Acting on instinct, I pulled on Wesley’s lower lip with my teeth, and he moaned quietly. His hands moved over my ribs, sending chills up my spine. Bliss. Pure, unadulterated bliss. Only once, as Wesley flipped me onto my back, did I seriously consider stopping. He looked down at me, and his skilled hand grasped the zipper on my jeans. My dormant brain stirred, and I asked myself if things had gone too far. I thought about pushing him away, ending it right where we were. But why would I stop now? What did I stand to lose? Yet what could I possibly gain? How would I feel about this in an hour… or sooner? Before I could come up with any answers, Wesley had my jeans and underwear off. He pulled a condom from his pocket (okay, now that I’m thinking about it, who keeps condoms in their pockets? Wallet, yes, but pocket? Pretty presumptuous, don’t you think?), and then his pants were on the floor, too. All of a sudden, we were having sex, and my thoughts were muted again.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
Then he spoke to me mockingly, 'And so you, like the others, would play your brains against mine. You would help these men to hunt me and frustrate me in my design! You know now, and they know in part already, and will know in full before long, what it is to cross my path. They should have kept their energies for use closer to home. Whilst they played wits against me, against me who commanded nations, and intrigued for them, and fought for them, hundreds of years before they were born, I was countermining them. And you, their best beloved one, are now to me, flesh of my flesh, blood of my blood, kin of my kin, my bountiful wine-press for a while, and shall be later on my companion and my helper. You shall be avenged in turn, for not one of them but shall minister to your needs. But as yet you are to be punished for what you have done. You have aided in thwarting me. Now you shall come to my call. When my brain says "Come!" to you, you shall cross land or sea to do my bidding. And to that end this!' "With that he pulled open his shirt, and with his long sharp nails opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight, and with the other seized my neck and pressed my mouth to the wound, so that I must either suffocate or swallow some to the… Oh, my God! My God! What have I done? What have I done to deserve such a fate, I who have tried to walk in meekness and righteousness all my days. God pity me! Look down on a poor soul in worse than mortal peril. And in mercy pity those to whom she is dear!" Then she began to rub her lips as though to cleanse them from pollution.
Bram Stoker (Dracula)
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled. If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know. Her father would choose the water for Kestrel if he knew. Yet she couldn’t. In the end, it wasn’t cunning that kept her from jumping, or determination. It was a glassy fear. She didn’t want to die. Arin was right. She played a game until its end. Suddenly, Kestrel heard his voice. She opened her eyes. He was shouting. He was shouting her name. He was barreling past people, driving a path between the mainmast and the railing alongside the launch. Kestrel saw the horror in him mirror what she had felt when facing the water. Kestrel gathered the strength in her legs and jumped onto the deck. Her feet hit the planks, the force of movement toppling her. But she had learned from fighting Rax how to protect her hands. She tucked them to her, pressed the hard knots of her bonds against her chest, fell shoulder first, and rolled. Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.” His hands cradled her face. “Don’t touch me,” she said. Arin’s hands fell. “Gods,” he said hoarsely. “Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.” Arin shook his head. “It’s harder to live.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Roosevelt fought hard for the United States to host the opening session [of the United Nations]; it seemed a magnanimous gesture to most of the delegates. But the real reason was to better enable the United States to eavesdrop on its guests. Coded messages between the foreign delegations and their distant capitals passed through U.S. telegraph lines in San Francisco. With wartime censorship laws still in effect, Western Union and the other commercial telegraph companies were required to pass on both coded and uncoded telegrams to U.S. Army codebreakers. Once the signals were captured, a specially designed time-delay device activated to allow recorders to be switched on. Devices were also developed to divert a single signal to several receivers. The intercepts were then forwarded to Arlington Hall, headquarters of the Army codebreakers, over forty-six special secure teletype lines. By the summer of 1945 the average number of daily messages had grown to 289,802, from only 46,865 in February 1943. The same soldiers who only a few weeks earlier had been deciphering German battle plans were now unraveling the codes and ciphers wound tightly around Argentine negotiating points. During the San Francisco Conference, for example, American codebreakers were reading messages sent to and from the French delegation, which was using the Hagelin M-209, a complex six-wheel cipher machine broken by the Army Security Agency during the war. The decrypts revealed how desperate France had become to maintain its image as a major world power after the war. On April 29, for example, Fouques Duparc, the secretary general of the French delegation, complained in an encrypted note to General Charles de Gaulle in Paris that France was not chosen to be one of the "inviting powers" to the conference. "Our inclusion among the sponsoring powers," he wrote, "would have signified, in the eyes of all, our return to our traditional place in the world." In charge of the San Francisco eavesdropping and codebreaking operation was Lieutenant Colonel Frank B. Rowlett, the protégé of William F. Friedman. Rowlett was relieved when the conference finally ended, and he considered it a great success. "Pressure of work due to the San Francisco Conference has at last abated," he wrote, "and the 24-hour day has been shortened. The feeling in the Branch is that the success of the Conference may owe a great deal to its contribution." The San Francisco Conference served as an important demonstration of the usefulness of peacetime signals intelligence. Impressive was not just the volume of messages intercepted but also the wide range of countries whose secrets could be read. Messages from Colombia provided details on quiet disagreements between Russia and its satellite nations as well as on "Russia's prejudice toward the Latin American countries." Spanish decrypts indicated that their diplomats in San Francisco were warned to oppose a number of Russian moves: "Red maneuver . . . must be stopped at once," said one. A Czechoslovakian message indicated that nation's opposition to the admission of Argentina to the UN. From the very moment of its birth, the United Nations was a microcosm of East-West spying. Just as with the founding conference, the United States pushed hard to locate the organization on American soil, largely to accommodate the eavesdroppers and codebreakers of NSA and its predecessors.
James Bamford (Body of Secrets: Anatomy of the Ultra-Secret National Security Agency from the Cold War Through the Dawn of a New Century)
Rhys kept starting at the table as he said, 'I didn't know. That you were with Tamlin. That you were staying at the Spring Court. Amarantha sent me that day after the Summer Solstice because I'd been so successful on Calanmai. I was prepared to mock him, maybe pick a fight. But then I got into that room, and the scent was familiar, but hidden... And then I saw the plate, and felt the glamour, and... There you were. Living in my second-most enemy's house. Dining with him. Reeking of his scent. Looking at him like... Like you loved him.' The whites of his knuckles showed. 'And I decided that I had to scare Tamlin. I had to scare you, and Lucien, but mostly Tamlin. Because I saw how he looked at you, too. So what I did that day...' His lips were pale, tight. 'I broke into your mind and held it enough that you felt it, that it terrified you, hurt you. I made Tamlin beg- as Amarantha had made me beg, to show him how powerless he was to save you. And I prayed my performance was enough to get him to send you away. Back to the human realm, away from Amarantha. Because she was going to find you. If you broke that curse, she was going to find you and kill you. 'But I was so selfish- I was so stupidly selfish that I couldn't walk away without knowing your name. And you were looking at me like I was a monster, so I told myself it didn't matter, anyway. But you lied when I asked. I knew you did. I had your mind in my hands, and you had the defiance and foresight to lie to my face. So I walked away from you again. I vomited my guts up as soon as I left.' My lips wobbled, and I pressed them together. 'I checked back once. To ensure you were gone. I went with them the day they sacked the manor- to make my performance complete. I told Amarantha the name of that girl, thinking you'd invented it. I had no idea... I had no idea she'd sent her cronies to retrieve Clare. But if I admitted my lie...' He swallowed hard. 'I broke into Clare's head when they brought her Under the Mountain. I took away her pain, and told her to scream when expected to. So they... they did those things to her, and I tried to make it right, but... After a week, I couldn't let them do it. Hurt her like that anymore. So while they tortured her, I slipped into her mind again and ended it. She didn't feel any pain. She felt none of what they did to her, even at the end. But... But I still see her. And my men. And the others that I killed for Amarantha.' Two tears slid down his cheeks, swift and cold. He didn't wipe them away as he said, 'I thought it was done after that. With Clare's death. Amarantha believed you were dead. So you were safe, and far away, and my people were safe, and Tamlin had lost, so... It was done. We were done. But then... I was in the back of the throne room that day the Attor brought you in. And I have never known such horror, Feyre, as I did when I watched you make that bargain. Irrational, stupid terror- I didn't know you. I didn't even know your name. But I thought of those painter's hands, the flowers I'd seen you create. And how she'd delight in breaking your fingers apart. I had to stand and watch as the Attor and its cronies beat you. I had to watch the disgust and hatred on your face as you looked at me, watched me threaten to shatter Lucien's mind. And then- then I learned your name. Hearing you say it... it was like an answer to a question I'd been asking for five hundred years.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))