Tide Recedes Quotes

We've searched our database for all the quotes and captions related to Tide Recedes. Here they are! All 100 of them:

Love blurs your vision; but after it recedes, you can see more clearly than ever. It's like the tide going out, revealing whatever's been thrown away and sunk: broken bottles, old gloves, rusting pop cans, nibbled fishbodies, bones. This is the kind of thing you see if you sit in the darkness with open eyes, not knowing the future.
Margaret Atwood (Cat’s Eye)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me when he said “I love you.” He was letting me know that I was the biggest wave he’d ever come across. And I brought so much with me that my impressions would always be there, even when the tide rolled out.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Love blurs your vision; but after it recedes, you can see more clearly than ever. It's like the tide going out, revealing whatever's been thrown away and sunk: broken bottles, old gloves, rusting pop cans, nibbled fishbodies, bones. This is the kind of thing you see if you sit in the darkness with open eyes, not knowing the future. The ruin you've made.
Margaret Atwood (Cat’s Eye)
What if the meaning of life on earth is not eternal progress toward some unspecified goal—the engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always—just to live and be with other people?
Sally Rooney (Beautiful World, Where Are You)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. Just keep swimming, swimming, swimming
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Other memories stick, no matter how much you wish they wouldn’t. They’re like a song you hate but can’t ever get completely out of your head, and this song becomes the background noise of your entire life, snippets of lyrics and lines of music floating up and then receding, a crazy kind of tide that never stops.
Sara Zarr (Sweethearts)
To love is not to possess, To own or imprison, Nor to lose one's self in another. Love is to join and separate, To walk alone and together, To find a laughing freedom That lonely isolation does not permit. It is finally to be able To be who we really are No longer clinging in childish dependency Nor docilely living separate lives in silence, It is to be perfectly one's self And perfectly joined in permanent commitment To another--and to one's inner self. Love only endures when it moves like waves, Receding and returning gently or passionately, Or moving lovingly like the tide In the moon's own predictable harmony, Because finally, despite a child's scars Or an adult's deepest wounds, They are openly free to be Who they really are--and always secretly were, In the very core of their being Where true and lasting love can alone abide.
James Kavanaugh (The Poetry of James Kavanaugh)
Love is like a tide. When it's in, everything looks beautiful and inviting. Only when love recedes can you see the debris beneath the surface - the old bottles, the rusty prams, the sewage pipes, the bloated cats and dogs weighted down to drown. The man I had once loved so passionately I now saw as weak, gutted like a fish.
Kathy Lette (To Love, Honour and Betray (Till Divorce Us Do Part))
I love you, Lily. Everything you are. I love you." I know those words get thrown around a lot, especially by teenagers. A lot of times prematurely and without much merit. But when he said them to me, I knew he wasn't saying it like he was in love with me. It wasn't that kind of "I love you." Imagine the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed on the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me wen he said "I love you." He was letting me know that I was the biggest wave he'd ever come across. And I brought so much with me that my impression would always be there, even when the tide rolled out.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me when he said “I love you.” He was letting me know that I was the biggest wave he’d ever come across. And I brought so much with me that my impressions would always be there, even when the tide rolled out.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
The darkness rolled and sucked like a tide, at arm’s length; and then, instead of drowning me, it receded.
Bridget Collins (The Binding)
His desire was as deep and boundless as the sea, but when the tide receded, the rocks of shame and guilt thrust up as sharp as ever. Sometimes the waves would cover them, but they remained beneath the waters, hard and black and slimy.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
I had this dream that my life was a rolling canvas. Everyday it rolled off the sheet, bleached white, into the beach of my life. Come sunup, I'd begin to paint it with my thoughts and actions. My breathing, my living, and my dying. Some days the pictures pleased me, maybe pleased others, pleased God himself, but some days, some months, even some years, they didn't, and I didn't ever want to look at them again. But the thing is this . . . every day, no matter what I'd painted the day before, I got a new canvas, washed white. 'Cause each night the tide rolled in, scrubbed it clean, and receded, taking it's stains with it. And my dreams . . . I just stood on the beach and watched all that stuff wash out to sea.- Nothing more than ripples in the water. No canvas is ever stained clean through. Not one.
Charles Martin (Chasing Fireflies)
The tide goes out imperceptibly. The boulders show and seem to rise up and the ocean recedes leaving little pools, leaving wet weed and moss and sponge, iridescence and brown and blue and China red. On the bottoms lie the incredible refuse of the sea, shells broken and chipped and bits of skeleton, claws, the whole sea bottom a fantastic cemetery on which the living scamper and scramble.
John Steinbeck (Cannery Row (Cannery Row, #1))
The sea has receded!’ cried Stephen. ‘I am amazed.’ ‘They tell me it does so twice a day in these parts,’ said Jack. ‘It is technically known as the tide.
Patrick O'Brian (The Letter of Marque (Aubrey/Maturin #12))
The terror-the terror, the terror-lingered, and there was something else. It came with the dream, every time, and didn't recede with it but stayed like something a tide had washed in. Something awful-a rank leviathan corpse left to rot on the shore of her mind. It was remorse. But god, that was too bloodless a word for it,. This feeling the dream left her with, it was knives of panic and horror resting bright atop a red and meaty wound-fester of guilt.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
She is reminded of Castor’s words, when they were little. When the tide recedes and leaves something on the sand, one mustn’t worry. Sooner or later the water will climb again and take it back.
Costanza Casati (Clytemnestra)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had one been there, long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
This level reach of blue is not my sea; Here are sweet waters, pretty in the sun, Whose quiet ripples meet obediently A marked and measured line, one after one. This is no sea of mine. that humbly laves Untroubled sands, spread glittering and warm. I have a need of wilder, crueler waves; They sicken of the calm, who knew the storm. So let a love beat over me again, Loosing its million desperate breakers wide; Sudden and terrible to rise and wane; Roaring the heavens apart; a reckless tide That casts upon the heart, as it recedes, Splinters and spars and dripping, salty weeds.
Dorothy Parker (The Portable Dorothy Parker)
All emotion receded, pulled out like low tide, leaving my brain an empty ocean bottom
Laura Wiess
As if I didn't have enough to worry about. My kingdom is threatened by war, extinction, or both, and the only way to solve it is to give up the only thing I've ever really wanted. Then Toraf pulls something like this. Betrays me and my sister. Galen cant imagine how things could get worse. So he's not expecting it when Emma giggles. He turns on her. "What could be funny?" She laughs so hard she has to lean into him for support. He stiffens against the urge to wrap his arms around her. Wiping tears from her eyes, she says, "He kissed me!" The confession makes her crack up all over again. "And you think that's funny?" "You don't understand, Galen," she says, the beginnings of hiccups robbing her of breath. "Obviously." "Don't you see? It worked!" "All I saw was Toraf, my sister's mate, my best friend, kissing my...my..." "Your what?" "Student." Obsession. "Your student. Wow." Emma shakes her head then hiccups. "Well, I know you're mad about what he did to Rayna, but he did it to make her jealous." Galen tries to let that sink in, but it stays on the surface like a bobber. "You're saying he kissed you to make Rayna jealous?" She nods, laugher bubbling up again. "And it worked! Did you see her face?" "You're saying he set Rayna up." Instead of me? Galen shakes his head. "Where would he get an idea like that?" "I told him to do it." Galen's fists ball against his will. "You told him to kiss you?" "No! Sort of. Not really though." "Emma-" "I told him to play hard to get. You know, act uninterested. He came up with kissing me all on his own. I'm so proud of him!" She thinks Toraf is a genius for kissing her. Great. "Did...did you like it?" "I just told you I did, Galen." "Not his plan. The kiss." The delight leaves her face like a receding tide. "That's none of your business, Highness." He runs a hand through his hair to keep from shaking her. And kissing her. "Triton's trident, Emma. Did you like it or not?" Taking several steps back, she throws her hands on her hips. "Do you remember Mr. Pinter, Galen? World history?" "What does that have to do with anything?" "Tomorrow is Monday. When I walk into Mr. Pinter's class, he won't ask me how I liked Toraf's kiss. In fact, he won't care what I did for the entire weekend. Because I'm his student. Just like I'm your student, remember?" Her hair whips to the side as she turns and walks away with that intoxicating saunter of hers. She picks up her towel and steps into her flip-flops before heading up the hill to the house. "Emma, wait." "I'm tired of waiting, Galen. Good night.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
One thing I've learned is you can't rush recovery. Whether you're talking about the head or the heart, healing takes time. Grief recedes like the tide, leaving memories that make you smile or laugh. Life is for the living, after all, and you can only walk around in a daze for so long.
Will Chesney (No Ordinary Dog: My Partner from the SEAL Teams to the Bin Laden Raid)
The tide of hope approaches us and recedes from us as we stand on the mortal shore - some of us wait for it to arrive, some chase after it, but we all vanish into the sunset and our footprints in the sand fade in time. The feet of infants replace ours, and the dance of the tide commences anew.
Stewart Stafford
As the tide of life recedes, and the crest of foam scatters to the wind, all that's left on the sand are dying bubbles of dreams and wishes...
Vijay Fafat (The Ninth Pawn of White - A Book of Unwritten Verses)
What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always – just to live and be with other people?
Sally Rooney (Beautiful World, Where Are You)
She’s like the tide, she is. Sometimes she will rage and sometimes she will recede, but she will always return, stronger and more unwavering than ever.
Giselle Beaumont (On the Edge of Daylight)
That feeling stayed with me for months. In fact, I had grown so accustomed to that floating feeling that I started to panic at the prospect of losing it. So I began to ask friends, theologians, historians, pastors I knew, nuns I liked, *What am I going to do when it's gone?* And they knew exactly what I meant because they had either felt it themselves or read about it in great works of Christian theology. St. Augustine called it "the sweetness." Thomas Aquinas called it something mystical like "the prophetic light." But all said yes, it will go. The feelings will go. The sense of God's presence will go. There will be no lasting proof that God exists. There will be no formula for how to get it back. But they offered me this small bit of certainty, and I clung to it. When the feelings recede like the tides, they said, they will leave an imprint. I would somehow be marked by the presence of an unbidden God.
Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
The church’s entrance was strewn with the dark immobile forms of men in bulky overcoats, asleep on cardboard boxes. They might have been dark whales, caught unaware by a tide that suddenly receded, leaving them stranded on the steps.
Marisha Pessl (Night Film)
A man must preserve himself for his work and must be thoroughly acquainted with the road to it. A man, dear, is like the pilot on a ship. In youth, as at high tide, go straight! A way is open to you everywhere. But you must know when it is time to steer. The waters recede — here you see a sandbank, there, a rock; it is necessary to know all this and to slip off in time, in order to reach the harbour safe and sound.
Maxim Gorky (The Works of Maxim Gorky)
The war had been a tide that had receded and now here it was lapping around her ankles again.
Kate Atkinson (Transcription)
like every major shift in history, there will be those who find it difficult to deal with the changes," Winkler observed. "It's like a rising tide. The water comes in and then recedes. Floods in again and recedes. But each time, it rises a little higher. We have to keep our eyes on the place that marks our highest goal and refuse to let the receding waves drag us away from it.
Connie Suttle (Bumble (Legend of the Ir'Indicti #1))
As bad as the dream was - and it was bad - the aftermath was worse, because she was conscious but still powerless. The terror - the terror, the terror - lingered, and there was something else. It came with the dream, every time, and did't recede with it but stayed like something a tide had washed in. Something awful - a rank leviathan corpse left to rot on the shore of her mind. It was remorse. But god, that was too bloodless a word for it. This feeling the dream left her with, it was knives of panic and horror resting bright atop a red and meaty wound-fester of guilt.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
I run to the water's edge and the cold ocean licks my toes. Without touching my face I can feel that it's wet with fog and tears and sweat. I stand there, on the cusp of the ocean and listen to its loud inhale. And then it recedes and takes everything from my childhood with it the porcelain dolls, the tap-dancing shoes, the concert ticket stubs, the tiny trophies, and the long, long swing.
Vendela Vida (We Run the Tides)
I was like a sea pulled by two moons. This must mean a boiling of the waters, tides that rushed up and carried away structures meant for living in, and then receded till earth that should be covered lay naked.
Rebecca West (The Saga of the Century Trilogy: The Fountain Overflows, This Real Night, and Cousin Rosamund)
dew. Their feet scuffed the dark sidewalks. Raymond had two moods now. Despair came with no warning, rogue waves of helplessness that sucked him out on a rippling tide. When it receded, he was left with a dry and
Edward W. Robertson (Breakers (Breakers, #1))
For only when we can outwait the dark will the sharpness of experience recede like a tide to reveal what has survived beneath it all. Often what seems tragic, if looked at long enough, reveals itself as part of a larger transformation.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
What if the meaning of life on earth is not eternal progress toward some unspecified goal [...] ? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same as always - just to live and be with other people?
Sally Rooney (Beautiful World, Where Are You)
Now, however, Cooper’s romanticism was a receding memory, a newly muscular America replacing it with a post–Civil War vision of Manifest Destiny. The old attitudes were reconfigured with cruel clarity, particularly among westerners. Even whites who had once considered Indians the equivalent of wayward children—naifs like Thomas Gainsborough’s English rustics, to be “civilized” with Bibles and plows—were beginning to view them as a subhuman race to be exterminated or swept onto reservations by the tide of progress.
Bob Drury (The Heart of Everything That Is: The Untold Story of Red Cloud, An American Legend)
The sun has disappeared, and the light there still is, is left in the atmosphere enclosed by the gloomy mist as pools are left by the receding tide. Through the sand the water slips, and through the mist the light glides away. (Haunts of the Lapwing: I. Winter)
Richard Jefferies (Jefferies' England: Nature Essays by Richard Jefferies)
I don't trust memory, anyway. Why should I? Memories, however undependable, ought to be the stuff on the sand when the tides of experience recedes. As long as they're part of that process, there's something valid about them, something that ties them to real life.
Emma Bull (Bone Dance)
It's reasonable to try for success. Paradoxically, it's also sane to admit defeat. This excels the coming of the end. And when that tide has crested and broken, it recedes from the shore to leave behind something of principle significance. An artefact borne from the lunatic fight. The human struggle. And I can see myself, not too far into the future, with my hair whipping about in the fray of coastal spray, arching low to pick up that wriggling, billion-limbed nautilus, to hold it to my winter-cold ear, to hear what I could hear.
Kirk Marshall (A Solution to Economic Depression in Little Tokyo, 1953)
Our rich and complex international networks of production and distribution have come to an end before, but here we are, you and I, and here is humanity. What if the meaning of life on earth is not eternal progress toward some unspecified goal - the engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always - just to live and be with other people?
Sally Rooney (Beautiful World, Where Are You)
I'd finally reached the end of myself, all my self-reliance and denial and pride unraveling into nothingness, leaving only a blank Alison-shaped space behind. It was finished. I was done. But just as I felt myself dissolving on the tide of my own self-condemnation, the dark waves receded, and I floated into a celestial calm. I saw the whole universe laid out before me, a vast shining machine of indescribable beauty and complexity. Its design was too intricate for me to understand, and I knew I could never begin to grasp more than the smallest idea of its purpose. But I sensed that every part of it, from quark to quasar, was unique and - in some mysterious way - significant. I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a peircing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase - nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it. I realized then that even though I was a tiny speck in an infinite cosmos, a blip on the timeline of eternity, I was not without purpose. And as long as I had a part in the music of the spheres, even if it was only a single grace note, I was not worthless. Nor was I alone. God help me, I prayed as I gathered up my raw and weary sense, flung them into the wormhole - And at last, found what I'd been looking for.
R.J. Anderson (Ultraviolet (Ultraviolet, #1))
What if the meaning of life on earth is not eternal progress toward some unspecified goal - the engineering and production of more and more powerful technologies, the development of more complex and abstruse cultural forms? What if things just rise and recede naturally, like tides, while the meaning of life remains the same always - just to live and be with other people?
Sally Rooney (Conversations with Friends)
It takes a lot of time, focus and energy to realize the enormity of being the ocean with your very own tide every month. However, by honoring the demands of bleeding, our blood gives something in return. The crazed bitch from irritation hell recedes. In her place arises a side of ourselves with whom we may not—at first—be comfortable. She is a vulnerable, highly perceptive genius who can ponder a given issue and take her world by storm. When we’re quiet and bleeding, we stumble upon the solutions to dilemmas that’ve been bugging us all month. Inspiration hits and moments of epiphany rumba ‘across de tundra of our senses. In this mode of existence one does not feel antipathy towards a bodily ritual so profoundly and routinely reinforces our cuntpower.
Inga Muscio (Cunt: A Declaration of Independence)
What if the meaning of life on earth is not eternal progress toward some unspecified goal - the engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always -- just to live and be with other people?
Sally Rooney (Beautiful World, Where Are You)
The ship slipped her lines and a tug nudged her into mid-river, where she stalled briefly, waiting to see that everything that lay before her on the course below was clear. Then Hamburg, and Europe, and all her empires, all I had ever known--the only ground that up until then had fed me, the only well from which I had drunk--receded in slow swaths of wash and sky as we surrendered to the outgoing tide on the Elbe.
Andrew Krivak (The Sojourn)
But the happiness of the summer began to drain out of him as when the tide changes on the flats and the ebb begins in the channel that opens out to sea. He watched the sea and the line of beach and he noticed that the tide had changed and the shore birds were working busily well down the slope of new wet sand. The breakers were diminishing as they receded. He looked a long way up along the shore and then went into the house.
Ernest Hemingway (Islands in the Stream)
They had done the hard, immediate work of shock and grief so deep they drowned and the awful, unfair work of insurance paperwork and canceling mail and credit cards and magazine subscriptions. Then they had done the work of grief as tide, receding until the ground seemed almost dry, then rushing back in, foamy and cold. Now they were in the forever part, the endless low-level blue that had become a presence more than an absence. It was the ocean they swam in or the ocean that sloshed
Ramona Ausubel (The Last Animal)
In a sense Provincetown is a beach. If you stand on the shore watching the tide recede, you are merely that much closer to the water and that much more available to weather than you would be in the middle of town. All along the bay side, the entire length of town, the beach slopes gently, bearded with kelp and dry sea grass. Because Provincetown stands low on the continental shelf, it is profoundly affected by tides, which can exceed a twelve-foot drop at the syzygy of sun, moon, and earth. Interludes of beach that are more than a hundred yards wide at low tide vanish entirely when the tide is high. The water of the bay is utterly calm in most weathers and warmer than that of the ocean beaches, but this being the North Atlantic, no water anywhere is ever what you could rightfully call warm, not even in August. Except in extreme weather the bay beach is entirely domesticated, the backyard of the town, never empty but never crowded, either; there is no surf there, and the water that laps docilely up against the shore is always full of boats. The bay beach is especially good for dogs
Michael Cunningham (Land's End: A Walk in Provincetown)
The Joachitic speculation comprises a complex of four symbols which have remained characteristic of the political mass movements of modern times. The first of these symbols is that of the Third Realm—that is, the conception of a third world-historical phase that is at the same time the last, the age of fulfillment. The second symbol Joachim developed is that of the leader, the dux, who appears at the beginning of a new era and through his appearance establishes that era. God is understood by the secularist sectarians as a projection of the substance of the human soul into the illusionary spaciousness of the “beyond.” Through psychological analysis, this illusion can be dispelled and “God” brought back from his beyond into the human soul from which he sprung. By dispelling the illusion, the divine substance is reincorporated in man, and man becomes superman. The act of taking God back into man, just as among the older sectarians, has the result of creating a human type who experiences himself as existing outside of institutional bonds and obligations. The third of Joachim’s symbols is that of the prophet. With the creation of the symbol of the precursor, a new type emerges in Western history: the intellectual who knows the formula for salvation from the misfortunes of the world and can predict how world history will take its course in the future. In the further course of Western history, the Christian tide recedes, and the prophet, the precursor of the leader, becomes the secularist intellectual who thinks he knows the meaning of history (understood as world-immanent) and can predict the future. In political practice, the figure of the intellectual who projects the image of future history and makes predictions cannot always be clearly separated from that of the leader. The fourth of the Joachitic symbols is the community of spiritually autonomous persons. In this free community of autonomous persons without institutional organization can be seen the same symbolism found in modern mass movements, which imagine the Final Realm as a free community of men after the extinction of the state and other institutions. The symbolism is most clearly recognizable in communism, but the idea of democracy also thrives not inconsiderably on the symbolism of a community of autonomous men.
Eric Voegelin (Science, Politics & Gnosticism)
As years slip by, life's changes leave a scar, Friends fade away, like distant, fading stars. Strangers draw near, but ghosts of the past persist, Invest in hope, as dreams slip through your fist. Discovering fragments lost, a bittersweet quest, Closer to the 'you,' though tears fill your chest. You've every right to outgrow, but it still stings, No need to apologize for the loss to me it brings. In the twilight years, we navigate the pain, The road now different, forever changed terrain. Embrace the shifts, for melancholy does reside, In life's somber, ever-turning, receding tide.
Saurabh T
I could not answer. We stood looking at each other, and suddenly the world seemed to recede like the slow wash of the outgoing tide, leaving behind a vast and breathless silence. The rushing sough of water faded away, there was no bird call, no faint rustle of wind in the trees; and I remembered the strange moment I first saw him on the moor above the sea, when I had known that same rapt silence and quietude.Then he put out his hand and pushed back a wayward lock of hair on my forehead. I did not move, for all will to move had left me at his touch, and he held my chin and and lifted my face to his. “Don’t be frightened,” he said quietly. “If I am afraid,” I answered, low, “I have reason enough.” “Are you sure?” No, I was sure of nothing, except that for the space of a single afternoon I had been happier than I had ever been before.
Jan Cox Speas (My Lord Monleigh)
No direct evidence yet documents Earth’s tidal cycles more than a billion years ago, but we can be confident that 4.5 billion years ago things were a lot wilder. Not only did Earth have five-hour days, but the nearby Moon was much, much faster in its close orbit, as well. The Moon took only eighty-four hours—three and a half modern days—to go around Earth. With Earth spinning so fast and the Moon orbiting so fast, the familiar cycle of new Moon, waxing Moon, full Moon, and waning Moon played out in frenetic fast-forward: every few five-hour days saw a new lunar phase. Lots of consequences follow from this truth, some less benign than others. With such a big lunar obstruction in the sky and such rapid orbital motions, eclipses would have been frequent events. A total solar eclipse would have occurred every eighty-four hours at virtually every new Moon, when the Moon was positioned between Earth and the Sun. For some few minutes, sunlight would have been completely blocked, while the stars and planets suddenly popped out against a black sky, and the Moon’s fiery volcanoes and magma oceans stood out starkly red against the black lunar disk. Total lunar eclipses occurred regularly as well, almost every forty-two hours later, like clockwork. During every full Moon, when Earth lies right between the Sun and the Moon, Earth’s big shadow would have completely obscured the giant face of the bright shining Moon. Once again the stars and planets would have suddenly popped out against a black sky, as the Moon’s volcanoes put on their ruddy show. Monster tides were a far more violent consequence of the Moon’s initial proximity. Had both Earth and the Moon been perfectly rigid solid bodies, they would appear today much as they did 4.5 billion years ago: 15,000 miles apart with rapid rotational and orbital motions and frequent eclipses. But Earth and the Moon are not rigid. Their rocks can flex and bend; especially when molten, they swell and recede with the tides. The young Moon, at a distance of 15,000 miles, exerted tremendous tidal forces on Earth’s rocks, even as Earth exerted an equal and opposite gravitational force on the largely molten lunar landscape. It’s difficult to imagine the immense magma tides that resulted. Every few hours Earth’s largely molten rocky surface may have bulged a mile or more outward toward the Moon, generating tremendous internal friction, adding more heat and thus keeping the surface molten far longer than on an isolated planet. And Earth’s gravity returned the favor, bulging the Earth-facing side of the Moon outward, deforming our satellite out of perfect roundness.
Robert M. Hazen (The Story of Earth: The First 4.5 Billion Years, from Stardust to Living Planet)
I gave it up and walked down to the Sphynx. After years of waiting, it was before me at last. The great face was so sad, so earnest, so longing, so patient. There was a dignity not of earth in its mien, and in its countenance a benignity such as never any thing human wore. It was stone, but it seemed sentient. If ever image of stone thought, it was thinking. It was looking toward the verge of the landscape, yet looking at nothing—nothing but distance and vacancy. It was looking over and beyond every thing of the present, and far into the past. It was gazing out over the ocean of Time—over lines of century-waves which, further and further receding, closed nearer and nearer together, and blended at last into one unbroken tide, away toward the horizon of remote antiquity. It was thinking of the wars of departed ages; of the empires it had seen created and destroyed; of the nations whose birth it had witnessed, whose progress it had watched, whose annihilation it had noted; of the joy and sorrow, the life and death, the grandeur and decay, of five thousand slow revolving years. It was the type of an attribute of man—of a faculty of his heart and brain. It was MEMORY—RETROSPECTION—wrought into visible, tangible form. All who know what pathos there is in memories of days that are accomplished and faces that have vanished—albeit only a trifling score of years gone by—will have some appreciation of the pathos that dwells in these grave eyes that look so steadfastly back upon the things they knew before History was born—before Tradition had being—things that were, and forms that moved, in a vague era which even Poetry and Romance scarce know of—and passed one by one away and left the stony dreamer solitary in the midst of a strange new age, and uncomprehended scenes.
Mark Twain (The Innocents Abroad)
For every one member of the elite, thousands more were illiterate and impoverished subsistence farmers. After the ‘collapse of civilisation’, many of them moved elsewhere, and some may have died, but for the most part their lives probably did not change much. They went on growing crops. Those people were your ancestors and mine—not the palace-dwellers, but the peasants. Our rich and complex international networks of production and distribution have come to an end before, but here we are, you and I, and here is humanity. What if the meaning of life on earth is not eternal progress toward some unspecified goal—the engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always—just to live and be with other people?
Sally Rooney (Beautiful World, Where Are You)
She did not answer. Or, rather, she answered by sliding long fingers across Kassad’s chest, ripping away the leather thongs which bound the rough vest. Her hands found his shirt. It was soaked with blood and ripped halfway down the front. The woman ripped it open the rest of the way. She moved against him now, her fingers and lips on his chest, hips already beginning to move. Her right hand found the cords to his trouser front, ripped them free. Kassad helped her pull off the rest of his clothes, removed hers with three fluid movements. She wore nothing under her shirt and coarse-cloth trousers. Kassad’s hand slid between her thighs, behind her, cupped her moving buttocks, pulled her closer, and slid to the moist roughness in front. She opened to him, her mouth closing on his. Somehow, with all of their motion and disrobing, their skin never lost contact. Kassad felt his own excitement rubbing against the cusp of her belly. She rolled above him then, her thighs astride his hips, her gaze still locked with his. Kassad had never been so excited. He gasped as her right hand went behind her, found him, guided him into her. When he opened his eyes again she was moving slowly, her head back, eyes closed. Kassad’s hands moved up her sides to cup her perfect breasts. Nipples hardened against his palms. They made love then. Kassad, at twenty-three standard years, had been in love once and had enjoyed sex many times. He thought he knew the way and the why of it. There was nothing in his experience to that moment which he could not have described with a phrase and a laugh to his squadmates in the hold of a troop transport With the calm, sure cynicism of a twenty-three-year-old veteran he was sure that he would never experience anything that could not be so described, so dismissed. He was wrong. He could never adequately share the sense of the next few minutes with anyone else. He would never try. They made love in a sudden shaft of late October light with a carpet of leaves and clothes beneath them and a film of blood and sweat oiling the sweet friction between them. Her green eyes stared down at Kassad, widening slightly when he began moving quickly, closing at the same second he closed his. They moved together then in the sudden tide of sensation as old and inevitable as the movement of worlds: pulses racing, flesh quickening with its own moist purposes, a further, final rising together, the world receding to nothing at all—and then, still joined by touch and heartbeat and the fading thrill of passion, allowing consciousness to slide back to separate flesh while the world flowed in through forgotten senses. They lay next to each other.
Dan Simmons (The Hyperion Cantos 4-Book Bundle: Hyperion, The Fall of Hyperion, Endymion, The Rise of Endymion)
Arab expansions under the impulse of the Mohammedan religion finally tore away all the eastern and southern coasts of the Mediterranean Sea, while from an Arabized Spain they threatened western Europe. With the White Man’s world thus rapidly receding in the south, a series of pure Mongol invasions from central Asia, sweeping north of the Caspian and Black Seas, burst upon central Europe.
T. Lothrop Stoddard (The Rising Tide of Color Against White World-Supremacy)
There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shores. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, and long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
listening, and nobody’s leg was bouncing around. Not even Sketch’s. Unc continued, “When I was in prison, I had this dream that my life was a rolling canvas. Every day it rolled off the sheet, bleached white, onto the beach of my life. Come sunup, I’d begin to paint it with my thoughts and actions. My breathing, my living, and my dying. Some days the pictures pleased me, maybe even pleased others, pleased God himself, but some days, some months, even some years, they didn’t, and I didn’t ever want to look at them again. But the thing is this . . . every day, no matter what I’d painted the day before, I got a new canvas, washed white. ’Cause each night the tide rolled in, scrubbed it clean, and receded, taking the stains with it. And in my dreams . . . I just stood on the beach and watched all that stuff wash out to sea.
Charles Martin (Chasing Fireflies)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recede.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
obituary. Another casualty of her tour in Beirut. Analise’s depression came in waves, but like the tide, it also receded. No good came from dwelling on what had happened. She felt responsible for Aldrich’s death, although she knew that she was blameless, but the inner workings of guilt didn’t assuage her pain. She admired his faith; his noble, hopeless idealism; and she had no problem reconciling that to do good required the diligent exercise of evil. The number of men she’d killed, or had a hand in killing, had doubled. She had done what was required.
Paul Vidich (Beirut Station: Two Lives of a Spy)
wasn’t that kind of “I love you.” Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Creativity is like the tides of the ocean, surging at times and receding at others—ride the waves when they come, and take time to reflect during the lows
Lucas D. Shallua
But the gloriously discontent didn’t often end up swashbuckling US presidents like Roosevelt. Often, they ended up in tide pools, left to dry up and die when the tide receded. Evolution was not a progress upward. It could just as soon lead down. Down to the deep like the luminous fish. He thought of the sea creatures, like the periwinkle snail, as previous to him, but just as he had wriggled free of his scales and learned to stand on land, even to climb mountains and fly in airplanes, so the deep-sea fish had strived downward, had become softer in order to go deeper, had learned to withstand cold and heat and pressure that would destroy him. When he sat to write all this in his notebook, Beebe thought of Lucifer, that angel of light who had refused to bow down. Cursed, perhaps, but certainly easier to relate to than the other angels, mere wisps of transcendence.He could understand Lucifer, he wrote, as a ‘monophyletic, mammalian combination of artiodactyl, chiropeterian and human.
Brad Fox, The Bathysphere Book
He managed the ten feet to the water a few inches at a time. He grabbed the gunnel amidships and lifted with his legs; taking a step forward and starting the bow around so it faced the harbor. Three more times got the boat turned around. That was the easy part. It’s not just that he was weak. The dory was too. If he pulled too hard, or in the wrong place, it would break; just as he might bust a gut, or worse. A patient dance ensued. Today the tide was coming in. It was worse when it was going out. Then the water receded almost at the same pace as his advance. A heartbreaking race if anyone was watching. No one ever did.
Antonio Dias
The tide surged, carving a crescent in the sand. Water collapsed against my knees, tearing the beach out from under my legs. But when the wave receded, the foam clung to something dark. Something long and still. I saw his face, lashes tangled over blue lids, his lips parted against the sand. The breeze rippled off his clothes, ocean peeling from his face and dripping onto my hands. I was steeled there, not sure if he was real, until I saw his eyes, a flash of his dark pupils. My
Laekan Zea Kemp (The Girl In Between (The Girl in Between, #1))
The beach was one of my favorite places to go to. It was a good place to come and think. When the tide recedes the waves go with it. The dark sea waters are like pulsing, vibrating shadows. The sand is its friend. Whenever I felt lonely I remembered those days.
Abigail George (Winter in Johannesburg)
The towns were like scattered puddles, left behind by a receding tide, still holding some precious drops of electricity, but drying out in a desert of rations, quotas, controls, and power-conservation rules.
Ayn Rand
Families were bound by the oyaku-shinju (parent-child death pact). The were obligated to take their own lives and those of their kin by any means at hand. Cyanide capsules were given out until there were no more. Soldiers offered to shoot civilians in turn and did not always wait to be invited. In a crowded cave, one grenade might do the work of twenty bullets. Sword-wielding officers beheaded dozens of willing victims. There were reports of children forming into a circle and tossing a live hand-grenade, one to another, until it exploded and killed them all. In cave filled with Japanese soldiers and civilians, Yamauchi recalled, a sergeant ordered mothers to keep their infants quiet, and when they were unable to do so, he told them "Kill them yourself or I'll order my men to do it." Several mothers obeyed. As the Japanese perimeter receded toward the island's northern terminus at Marpi Point, civilians who had thus far resisted the suicide order were forced back to the edge of a cliff that dropped several hundred feet onto a rocky shore. In a harrowing finale, many thousands of Japanese men, women and children took that fateful last step.
Ian W. Toll (The Conquering Tide: War in the Pacific Islands, 1942–1944 (The Pacific War Trilogy, 2))
However, before long, you find it has always happened that the low tide returns. The ocean of grace seemed to recede; the Church was driven back by either persecution or internal decay. Instead of winning against the wickedness of the world, the wickedness of the world overcame her. Where righteousness flowed like the waves of the sea, there was the black mud and muck of the filthiness of mankind. The Church was in mourning. She was like the Israelites in captivity when they sat down and wept by the rivers of Babylon as they remembered their former glory and wept over their present emptiness. It has always been this way for the Church. She advances, retreats, stands still for a while, and then moves forward once more, only to fall back again. The entire history of the Church has been a story of marches forward and then quick retreats.
Charles Haddon Spurgeon (Peace and Purpose in Trial and Suffering)
stand there, on the cusp of the ocean and listen to its loud inhale. And then it recedes and takes everything from my childhood with it—the porcelain dolls, the tap-dancing shoes, the concert ticket stubs, the tiny trophies, and the long, long swing.
Vendela Vida (We Run the Tides)
Ka pao te tōrea,” he says. It’s his motto, of a sort, at his business club; it means ‘as the tide recedes, the oystercatcher strikes.’ We might say ‘strike while the iron is hot.
Serenity Woods (The Auckland Billionaires (A Boss in a Billion #1-3))
you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
You could be so intimate, so familiar with someone’s skin and flesh and spirit, only to wake up one day and find that it had receded from you, suddenly, like a tide rushing back out into the sea, leaving you with dissolving foam and a damp heart.
Akwaeke Emezi (Little Rot)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more on an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Anger is like the ocean. It crashes, and crashes, and crashes, until by the time the tide recedes, all that is nothing.
Zane Morton-Carr
The books have somehow shrunken back into the shelves. Into themselves, like old people hunched into jackets that are too big for them, sleeves that are too long. They seem to be singing. All through the house, the books are murmuring, turning over in sleep like pebbles on the shoreline as the tide recedes. But when I reach the stone-flagged hall and stand for a moment, listening, everything falls silent. I hear the comforting, inhabited, friendly silence of a house full of books.4
Susan Hill. Howards End is on the Landing
When I was in prison, I had this dream that my life was a rolling canvas. Every day it rolled off the sheet, bleached white, onto the beach of my life. Come sunup, I’d begin to paint it with my thoughts and actions. My breathing, my living, and my dying. Some days the pictures pleased me, maybe even pleased others, pleased God himself, but some days, some months, even some years, they didn’t, and I didn’t ever want to look at them again. But the thing is this . . . every day, no matter what I’d painted the day before, I got a new canvas, washed white. ’Cause each night the tide rolled in, scrubbed it clean, and receded, taking the stains with it. And in my dreams . . . I just stood on the beach and watched all that stuff wash out to sea.
Charles Martin (Chasing Fireflies)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are mush bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
the Cold War thaw brought a rising tide: a series of waves that swept in and receded, slowly and unevenly bringing new political waterlines
Alex de Waal (AIDS and Power: Why There Is No Political Crisis – Yet (African Arguments))
As years slip by, life's changes leave a scar, Friends fade away, like distant, fading stars. Strangers draw near, but ghosts of the past persist, Invest in hope, as dreams slip through your fist. Discovering fragments lost, a bittersweet quest, Closer to the 'you,' though tears fill your chest. You've every right to outgrow, but it still stings, No need to apologize for the loss it brings. In the twilight years, we navigate the pain, The road now different, forever changed terrain. Embrace the shifts, for melancholy does reside, In life's somber, ever-turning, receding tide.
Saurabh T.
the historical tide of faith ebbs and flows. Currently in the industrialized nations it seems to have receded, depositing its driftwood of nihilism and violence on the shore, leaving us devoid of a vision of the sacred that we need in order to create a hopeful society. We suffer from a spiritual autoimmune disease. Lacking antibodies of faith to keep us from despair, we attack ourselves. We are trapped in a life in which little attention is paid to the encompassing mystery of Being traditionally known by the Ten Thousand Names of God.
Sam Keen (In the Absence of God: Dwelling in the Presence of the Sacred)
As years slip by, life's changes leave a scar, Friends fade away, like distant, fading stars. Strangers draw near, but ghosts of the past persist, Invest in hope, as dreams slip through your fist. Discovering fragments lost, a bittersweet quest, Closer to the 'you,' though tears fill your chest. You've every right to outgrow, but it still stings, No need to apologize for the loss it brings. In the twilight years, we navigate the pain, The road now different, forever changed terrain. Embrace the shifts, for melancholy does reside, In life's somber, ever-turning, receding tide.
Saurabh T
Grief and loss will move in you like the tide, in and out, taking you down at your knees and threatening that you could drown. When that tide finally recedes, similarly as the tide that gifts seashells to the shore, your grief will have left tiny gems at your feet -- gems you have not yet imagined for yourself.
Maggie Mer McDanal
It wasn’t that kind of “I love you.” Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me when he said “I love you.
Colleen Hoover (It Starts with Us (It Ends with Us #2))
The tide of change rose and then receded, but it left behind an altered landscape.
Eric Foner (Reconstruction: America's Unfinished Revolution, 1863-1877)
In a crowded cave, one grenade might do the work of twenty bullets. Sword-wielding officers beheaded dozens of willing victims. There were reports of children forming into a circle and tossing a live hand grenade, one to another, until it exploded and killed them all. In a cave filled with Japanese soldiers and civilians, Yamauchi recalled, a sergeant ordered mothers to keep their infants quiet, and when they were unable to do so, he told them, “Kill them yourself or I’ll order my men to do it.” Several mothers obeyed.94 As the Japanese perimeter receded toward the island’s northern terminus at Marpi Point, civilians who had thus far resisted the suicide order were forced back to the edge of a cliff that dropped several hundred feet onto a rocky shore. In a harrowing finale, many thousands of Japanese men, women, and children took that fateful last step. The self-destructive paroxysm could not be explained by deference to orders, or by obeisance to the death cult of imperial bushido. Suicide, the Japanese of Saipan earnestly believed, was the sole alternative to a fate worse than death. The Americans were not human beings—they were something akin to demons or beasts. They were the “hairy ones,” or the “Anglo-American Demons.” They would rape the women and girls. They would crush captured civilians under the treads of their tanks. The marines were especially dreaded. According to a story circulated widely among the Japanese of Saipan, all Marine Corps recruits were compelled to murder their own parents before being inducted into service. It was said that Japanese soldiers taken prisoner would suffer hideous tortures—their ears, noses, and limbs would be cut off; they would be blinded and castrated; they would be cooked and fed to dogs. Truths and half-truths were shrewdly wedded to the more outrageous and far-fetched claims. Japanese newspapers reproduced photographs of Japanese skulls mounted on American tanks. A cartoon appearing in an American servicemen’s magazine, later reproduced and translated in the Japanese press, had suggested that marine enlistees would receive a “Japanese hunting license,” promising “open season” on the enemy, complete with “free ammunition and equipment—with pay!”95 Other cartoons, also reproduced in Japan, characterized the Japanese as monkeys, rats, cockroaches, or lice. John Dower’s study War Without Mercy explored the means by which both American and Japanese propaganda tended to dehumanize the enemy. Among the Japanese, who could not read or hear any dissenting views, the excesses of American wartime rhetoric and imagery lent credibility to the implication that a quick suicide was the path of least suffering. Saipan was the first Pacific battlefield in which Americans had encountered a large civilian population. No one had known what to expect. Would women and children take up weapons and hurl themselves at the Americans?
Ian W. Toll (The Conquering Tide: War in the Pacific Islands, 1942–1944)
Imagine all the people you meet in your life. There are so many. They come in like waves, trickling in and out with the tide. Some waves are much bigger and make more of an impact than others. Sometimes the waves bring with them things from deep in the bottom of the sea and they leave those things tossed onto the shore. Imprints against the grains of sand that prove the waves had once been there, long after the tide recedes. That was what Atlas was telling me when he said “I love you.” He was letting me know that I was the biggest wave he’d ever come across.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Westeros is torn and bleeding, and I do not doubt that even now my sweet sister is binding up the wounds … with salt. Cersei is as gentle as King Maegor, as selfless as Aegon the Unworthy, as wise as Mad Aerys. She never forgets a slight, real or imagined. She takes caution for cowardice and dissent for defiance. And she is greedy. Greedy for power, for honor, for love. Tommen’s rule is bolstered by all of the alliances that my lord father built so carefully, but soon enough she will destroy them, every one. Land and raise your banners, and men will flock to your cause. Lords great and small, and smallfolk too. But do not wait too long, my prince. The moment will not last. The tide that lifts you now will soon recede. Be certain you reach Westeros before my sister falls and someone more competent takes her place.
George R.R. Martin
And through the years I notice Subtle changes all around me. The people come and go like the ebb and flow of the tides. Those who remain seem physically changed. Their skin becomes pale and sallow, almost transparent. Their hairline recedes and begins to thin, their jaw slackens as their bellies spread From the endless sitting in chairs for meetings about stuff that five years from now will only be a distant memory.
Endreketta H.
And through the years I notice Subtle changes all around me. The people come and go like the ebb and flow of the tides. Those who remain seem physically changed. Their skin becomes pale and sallow, almost transparent. Their hairline recedes and begins to thin, their jaw slackens as their bellies spread From the endless sitting in chairs for meetings about subjects that five years from now will only be a distant memory.
Endreketta H.
every day, no matter what I’d painted the day before, I got a new canvas, washed white. ’Cause each night the tide rolled in, scrubbed it clean, and receded, taking the stains with it.
Charles Martin (Chasing Fireflies)
As I sat through the summer days, listening and watching, I saw what an illusion this security of the dune seemed; even on a windless day at ebb tide, the dune was receding through the accumulation of thousands of tiny losses. The sand on the seaward edge of the dune banked at a sharp angle, running to the beach on one sweep from just below the dune’s peak. Sitting close, I heard this face whisper, a sibilant hesitation, only audible when the seethe of distant wavelets quieted for a few moments. The sound came from liquefied sand, patches of the slope that suddenly lost their grip and turned, in a instant, to fluid from granular solid. The sand hissed as it raced down the slope in narrow chutes. As the flows hit the beach, the sand huffed as it fanned. The slope looked uniform and solid, but gravity spoke otherwise and unlocked one cluster of grains then another. A beetle struggling up the slope unleashed dozens of slippages and a dangling blade of dune grass incised an arc below which the sand was all fallen away. In one afternoon, along a two meter stretch of beach front, the North American continent lost a bucketful of land to the action of beetle feet, grass blades and the fickle grip of sand grains. It took one year for storms and beetle feet to remove the dune. The sabal palm now stood at the top of the beach, still firmly planted among its companions, with just a few of its easternmost roots exposed.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)