Tick Tick... Boom Quotes

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And this note was a jittery time bomb, ticking beneath my normal life, in my pocket all day firecely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now. I can’t stop thinking about you.
Daniel Handler (Why We Broke Up)
The tick-tick-booms are softer now. I can barely hear them, and I think if I play loud enough, I can drown them out completely.
Jonathan Larson
It is a strange thing that the human species can only go three days without water and three weeks without food, before the body dies. Yet, so many people can go years hanging onto pain and feeling emotionally dead inside. I suppose if it was the other way around more people would go to school to be morticians because of the booming business, or pastors would have to hand out Valium with the sacrament, just to keep the census high.
Shannon L. Alder
What does it take To wake up a generation?
Jonathan Larson (tick, tick ... BOOM!)
Had I not been grinding my teeth so loudly, I might have heard the subtle tick, tick, tick. I definitely heard the boom.
Hailey Edwards (Change of Heart (The Potentate of Atlanta, #3))
Most interesting,” said Summerlee, bending over my shin. “An enormous blood-tick, as yet, I believe, unclassified.” “The first-fruits of our labors,” said Challenger in his booming, pedantic fashion. “We cannot do less than call it Ixodes Maloni. The very small inconvenience of being bitten, my young friend, cannot, I am sure, weigh with you as against the glorious privilege of having your name inscribed in the deathless roll of zoology. Unhappily you have crushed this fine specimen at the moment of satiation.
Arthur Conan Doyle (The Lost World)
This note was a jittery bomb ticking beneath my normal life, in my pocket all day fiercely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and f--- you. Even now.
Daniel Handler (Why We Broke Up)
Louder than words Why do we play with fire? Why do we run our finger through the flame? Why do we leave our hand on the stove Although we know we're in for some pain? Oh, why do we refuse to hang a light When the streets are dangerous? Why does it take an accident Before the truth gets through to us? Cages or wings Which do you prefer? Ask the birds Fear or love, baby? Don't say the answer Actions speak louder than words Why should we try to be our best When we can just get by and still gain? Why do we nod our heads Although we know The boss is wrong as rain? Why should we blaze a trail When the well worn path Seems safe and so inviting? How as we travel, can we See the dismay And keep from fighting? Cages or wings? Which do you prefer? Ask the birds Fear or love, baby? Don't say the answer Actions speak louder than words What does it take To wake up a generation? How can you make someone Take off and fly? If we don't wake up And shake up the nation We'll eat the dust of the world Wondering why, why Why do we stay with lovers Who we know, down deep Just aren't right? Why would we rather Put ourselves through Hell Than sleep alone at night? Why do we follow leaders who never lead? Why does it take catastrophe to start a revolution? If we're so free, tell me why? Someone tell me why So many people bleed? Cages or wings? Which do you prefer? Ask the birds Fear or love, baby? Don't say the answer Actions speak louder than Louder than, louder than Louder than, louder than Cages or wings? Which do you prefer? Ask the birds Fear or love baby? Don't say the answer Actions speak louder Louder than, louder than, ooh They speak louder Louder than, louder than, ooh Actions speak louder than
Jonathan Larson (tick, tick ... BOOM!)
It is raining.  The clock ticks.  I am leaning on my elbow.  The wind blows through the cracks.  The door rattles in its frame.  My arm is tired of staying in one position.  There is a pressure on the wrist.  My temple burns on one side.  I wonder what will happen next.  Someone laughs.  If he had heard the rain, the clock, and the door, he would have kept silent.  Had I been laughing, I would not have heard these things. Gaze into a cat's eye or a gorilla's.  You will notice a peculiar thing that will make you shudder.  sometimes cats claw at human eyes.  Some- times gorillas enrage. Telepathy and death are wound inextricably together.  To see why this is so, you must understand consciousness.  When, late at night in your bed, you hear a distant automobile, you and the driver are parts of yourself.  When you speak, you are alone and the listener is both you and himself.  Two men, one on the mountain and the other in the village, cannot communicate.  Each is looking into a mirror.  Wave, and *he* waves - shout, and *he* replies.  All of us see the same moon and feel the same heartbeat, but we can never admit it.  One says the moon is a pale disc, another that it is a satellite of the Earth, a third that it is a silver world.  My heart thumps, yours clatters, and his booms.  Consciousness is distortion. But much telepathy passes unnoticed.  Dogs in the night, a dream of Mabel, Dr. Rhines' dice games - these are self-conscious tricks that mean nothing.  What of the more obvious examples?  You know when another is lying.  You know who is going down the stair.  You know emotion without seeing it.  You know the intelligence of others.  Some sign gives them away.  It is coincidence?  Guessing games again?   Then think of what you could not possibly know, what no one could tell you.  Is there any doubt you do not know that fellow on the gibbet or the thought of that girl on the stake?  Watch someone die and you may read his mind at ease. You need not got so far.  We human beings understand one another better than we think.  Argue, deny, shout, denounce, destroy.  Nothing alters truth.  You, reader, see my flaws and concentrate on them.  You wonder why I choose this word and not that. My arguments are weak and you can drum up stronger ones against them.  But we are eye to eye for all of that.
E.E. Rehmus
The Ticking Spiral by Stewart Stafford Man - the only creature that knows it dies, Creates structures to measure its demise. To poke and prod with hows and whys; Hours, seconds, melted candles of surprise. From booming birth; to bankrupt death, From nascent looks; to the last breath, The torch is passed to generations yet. To carry forth in a cycle reset. The ticking clock of heartbeats ends, As we say goodbye to family and friends, To return to wherever we first transcend, Time's ever-flowing river never bends. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
Listening to the empty house, hearing the old voices upstairs and her mother calling them to dinner, their feet booming on the stairs, the fire in the stove ticking as though it spoke to time like some deranged clock, as though the log in the stove were spitting out the time stored in its wood, thinking, time is at once addition and subtraction, time adds one day to the next and always takes away from what’s left, the slow sleeping breath before her.
Paul Lynch (Prophet Song)
I saw him kissing you.” The blood drained from her face and settled at her feet. The dark barn began to spin. “What?” she breathed. “I saw you at the rally. I saw you running from him.” Bile crept up her throat. Samuel continued. “I tried to get to you, but Watson was there first. I followed you . . . I saw everything.” A pitiful hurt knit his face. Oh, Dear Lord, what have I done. He came closer to her and stroked her arms. “I know you love me, Eliza. We’re meant for one another. I can only assume he’s forced himself upon you and that’s the reason you refuse me, but I don’t want you to worry. When you and I—” “You’re wrong Samuel! He’s done nothing but help and protect me.” He continued his gentleness, tracing her face with his eyes and stroking her arms. “I heard you’d been hurt—stabbed. Is that true? Did he do it because you tried to escape him?” Eliza’s nerves pricked. How much did he know? How long had he been watching them? “No . . . yes . . . no!” The words wouldn’t come quick enough. “I was hurt, very badly, but it wasn’t Thomas who did it. It was the sailors, we saw them . . .” She shook her head and waved her hands in front of her. “It’s too long to explain, but Thomas rescued me. Samuel, he saved my life!” Samuel’s eyes brimmed with emotion. “And for that, I will always be grateful.” His arms encircled her and he brushed his nose against her ear, his lips tracing along her jaw. An icy chill wriggled over her spine as she tried to push away. “Stop, Samuel! Don’t!” He stilled, then stepped away and dropped his lifeless hands at his sides. His features went slack and the muscles in his face ticked. “I care for you Samuel.” Eliza straightened, pulling the shawl back around her shoulders. “But I do not love you. I’m sorry. I don’t believe I ever really did. And how could I marry you now, knowing what you’ve done?” She lifted her chin and straightened her posture. “I love Thomas. We’re to be married.” His face twisted and flooded with red as he stepped forward. Eliza recoiled as his shoulders heaved from his heavy breathing “No. Never! You’re mine, Eliza!” His voice boomed as he spoke through his clenched teeth. He took a step closer reaching his hands toward her, a wicked desperation spinning in his gaze. “I know you are frightened to make such choices in your life. You could never come to a decision this easily. He’s forcing you to do these things. You don’t have to marry him, Eliza. You’re acting so different from the woman I know and love, and it pains me to see it. I will take you away and help you think clearly again.” “I am thinking clearly!” Eliza leaned into her words and clenched her fists, holding her arms rigid at her sides. “Samuel, I love Thomas and I am staying with him. I will be his wife! I’ll not go anywhere with you!” Samuel’s face turned to stone. “Yes. You. Will.” Eliza
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Something’s happened to you, my love. That odious man has treated you wrongly, I have no doubt, and filled your mind with his vile rhetoric. I’m so sorry, Eliza. You must get away from here and back to your home where you can recover and begin to think properly again. I’m ready to take you away this instant.” Eliza shook her head and tried to answer but he stopped her with his finger on her lips. His eyes narrowed and his wounded tone carried fire. “I saw him kissing you.” The blood drained from her face and settled at her feet. The dark barn began to spin. “What?” she breathed. “I saw you at the rally. I saw you running from him.” Bile crept up her throat. Samuel continued. “I tried to get to you, but Watson was there first. I followed you . . . I saw everything.” A pitiful hurt knit his face. Oh, Dear Lord, what have I done. He came closer to her and stroked her arms. “I know you love me, Eliza. We’re meant for one another. I can only assume he’s forced himself upon you and that’s the reason you refuse me, but I don’t want you to worry. When you and I—” “You’re wrong Samuel! He’s done nothing but help and protect me.” He continued his gentleness, tracing her face with his eyes and stroking her arms. “I heard you’d been hurt—stabbed. Is that true? Did he do it because you tried to escape him?” Eliza’s nerves pricked. How much did he know? How long had he been watching them? “No . . . yes . . . no!” The words wouldn’t come quick enough. “I was hurt, very badly, but it wasn’t Thomas who did it. It was the sailors, we saw them . . .” She shook her head and waved her hands in front of her. “It’s too long to explain, but Thomas rescued me. Samuel, he saved my life!” Samuel’s eyes brimmed with emotion. “And for that, I will always be grateful.” His arms encircled her and he brushed his nose against her ear, his lips tracing along her jaw. An icy chill wriggled over her spine as she tried to push away. “Stop, Samuel! Don’t!” He stilled, then stepped away and dropped his lifeless hands at his sides. His features went slack and the muscles in his face ticked. “I care for you Samuel.” Eliza straightened, pulling the shawl back around her shoulders. “But I do not love you. I’m sorry. I don’t believe I ever really did. And how could I marry you now, knowing what you’ve done?” She lifted her chin and straightened her posture. “I love Thomas. We’re to be married.” His face twisted and flooded with red as he stepped forward. Eliza recoiled as his shoulders heaved from his heavy breathing “No. Never! You’re mine, Eliza!” His voice boomed as he spoke through his clenched teeth. He took a step closer reaching his hands toward her, a wicked desperation spinning in his gaze. “I know you are frightened to make such choices in your life. You could never come to a decision this easily. He’s forcing you to do these things. You don’t have to marry him, Eliza. You’re acting so different from the woman I know and love, and it pains me to see it. I will take you away and help you think clearly again.” “I am thinking clearly!” Eliza leaned into her words and clenched her fists, holding her arms rigid at her sides. “Samuel, I love Thomas and I am staying with him. I will be his wife! I’ll not go anywhere with you!” Samuel’s face turned to stone. “Yes. You. Will.” Eliza
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
To be attracted to another man in a violent place seems akin to a ticking bomb, logging, strip-mining, fracking. The American West is the playground for the country’s obsession with exploitation and destruction, with most extractive economies near Native American reservations. There are increased rates of birth defects. Higher rates of cancer. Violent people who mimic the violence done to the land. BOOM. And where there’s danger, there’s room for trespassing. And where there’s trespassing, there’s room for mischief.
Taylor Brorby (Boys and Oil: Growing Up Gay in a Fractured Land)
I think I put my hand over her mouth . . .’ ‘Don’t say that. Don’t even think that. You wouldn’t have done that.’ They sit very still in this room full of blood and sorrow – girls whose pulses burst in their veins and boom inside their ears. Their heads. Somewhere a clock ticks. A bird calls . . . Three girls. One dead.
Teresa Driscoll (The Promise)
perfect as a freshly tucked-in sheet. Only for a moment. Two geese floating by the near shore of the lake took frantic, honking flight as a large projectile landed in the water beside them with a tremendous, booming slap.
James Patterson (Tick Tock (Michael Bennett, #4))
Listening to the empty house, hearing the old voices upstairs and her mother calling them to dinner, their feet booming on the stairs, the fire in the stove ticking as though it spoke to time like some deranged clock, as though the log in the stove were spitting out the time stored in its wood, thinking, time is at once addition and subtraction, time adds one day to the next and always takes away from what’s left, the slow sleeping breath before her. It is the body that breathes the mind, this is what she thinks, it is the heart that beats the man until the man is beaten and she finds herself reaching out for his hand, whispering, I never wanted you to be anybody else.
Paul Lynch (Prophet Song)
They sit very still in this room full of blood and sorrow – girls whose pulses burst in their veins and boom inside their ears. Their heads. Somewhere a clock ticks. A bird calls . . .
Teresa Driscoll (The Promise)
Um, boss?” Luc looked over his shoulder. “Hm?” He followed the tilt of Zorun’s four horns to the middle of the lobby, where a tiny figure stood all alone, looking at everything and everyone with bewilderment. [...] Luc walked over slowly, a frown on his face as he stared down at the young man. “Why are you still standing there?” [...] “Name?” Luc asked, trying to get something out of the man. The human shook himself out of his stupor and held out his hand to Luc. “Oren.” “Okay, Oren, hi. I’m Luc,” he said, indulging in the silly little human display of politeness and reaching out a clawed hand to engulf Oren’s with it. His skin was warm to the touch, his palm tiny and fragile in Luc’s hold. “Why aren’t you with your group?” Oren kept the grip on Luc’s hand firm, looking around at the clusters of people huddled together, waiting to be led to their rooms. “I… I don’t have one?” He looked up at Luc, clearly confused. “I don’t think I missed any of them. Adulterers, thieves, traitors…” He ticked off the groups, looking at each one as he did, his memory clearly impeccable. He got to the final group then looked up again. “I’m not any of those things.” Luc boomed with laughter, letting go of his hand and finally breaking the contact between them. “Ah,” he said. “We haven’t had one of you in a while. Everyone, we have an innocent soul on our hands!” His words halted the slow shuffle of people and prompted a cacophony of laughter and slurs thrown Oren’s way as his demons mocked his delusion of being an innocent in Hell. “Thank you for the laugh. You can shack up with the liars,” Luc said, grabbing a yellow sticky note and pressing it to Oren’s chest. [...]
A.M. Rose (Hellfire & Bowties)
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