Ti Sayings And Quotes

I promise I'll never tell." "Don't promise that," he said in an ultraserious voice. "If they try to hurt you and the only way to protect yourself is to tell them what you know about me, then you tell them. Straight off, okay?" "No." "Promise me." "No!" "I will possess your heart." Heat flared along the back of my neck. "What did you say?" "My favorite song. 'I Will Possess Your Heart.'" "By Death Cab for Cutie?" He snorted. "No, the little known T.I. Hip-hop remix. Yes, Death Cab for Cutie." ... "Why? What's wrong with it?" "Nothing, but it doesn't seem to fit you. It's kind of a sad song." "No it's pure confident. It's not 'I want' or 'I need', none of that crap." He slipped his hand over mine. "It's 'I will.'" A nervous laugh bubbled up. "You will, huh?" His fingers brushed my cheek, then slid into my hair. "I will.

You have to be nicer to me," I said. Again he laughed. "What? I'm the King of nice. What are you talking about?" "You have to be nicer to me or... or..." "Or what?" he said. Still Lars, still charming and jokey, but with a thread of fear. It snaked in and pierced my numbness and almost broke my resolve. Almost, but not quite. "Or I have ti break up with you." I whispered What was there more to say? Nothing. So I hung up.

His heart cracked, and he fell in love. He wondered if she would marry him. “Tu sei pazzo,” she told him with a pleasant laugh. “Why am I crazy?” he asked. “Perché non posso sposare.” “Why can’t you get married?” “Because I am not a virgin,” she answered. “What has that got to do with it?” “Who will marry me? No one wants a girl who is not a virgin.” “I will. I’ll marry you.” “Ma non posso sposarti.” “Why can’t you marry me?” “Perché sei pazzo.” “Why am I crazy?” “Perché vuoi sposarmi.” Yossarian wrinkled his forehead with quizzical amusement. “You won’t marry me because I’m crazy, and you say I’m crazy because I want to marry you? Is that right?” “Si.” “Tu sei pazz’!” he told her loudly. “Perché?” she shouted back at him indignantly, her unavoidable round breasts rising and falling in a saucy huff beneath the pink chemise as she sat up in bed indignantly. “Why am I crazy?” “Because you won’t marry me.” “Stupido!” she shouted back at him, and smacked him loudly and flamboyantly on the chest with the back of her hand. “Non posso sposarti! Non capisci? Non posso sposarti.” “Oh, sure, I understand. And why can’t you marry me?” “Perché sei pazzo!” “And why am I crazy?” “Perché vuoi sposarmi.” “Because I want to marry you. Carina, ti amo,” he explained, and he drew her gently back down to the pillow. “Ti amo molto.” “Tu sei pazzo,” she murmured in reply, flattered. “Perché?” “Because you say you love me. How can you love a girl who is not a virgin?” “Because I can’t marry you.” She bolted right up again in a threatening rage. “Why can’t you marry me?” she demanded, ready to clout him again if he gave an uncomplimentary reply. “Just because I am not a virgin?” “No, no, darling. Because you’re crazy.

Mande mwen yon ti kou ankò ma di ou,’ she’d told Anthony once, when he’d first asked her what she thought of Hermes, if she thought they might succeed. He’d tried his best to parse Kreyòl with what he knew of French, then he’d given up. ‘What’s that mean?’ ‘I don’t know,’ said Victoire. ‘At least, we say it when we don’t know the answer, or don’t care to share the answer.’ ‘And what’s it literally mean?’ She’d winked at him. ‘Ask me a little later, and I’ll tell you.

Italians have a way of saying “I love you” that is particularly instructive: Ti voglio bene, they say. It means “I want your good”—I want what’s best for you.

Ai cũng có thể bị huyễn hoặc vì vàng son, ai cũng có thể mê say nhất thời những cái lông nheo giả uốn cong lên như đào chiếu bóng, những cái vú nhân tạo bằng cao su bơm, những cái điệu bộ nhân tạo đi vắt va vắt vẻo, những mái tóc "mượn" của các mỹ viện, những mùi thơm vương giả... Nhưng rồi có một lúc người xế bóng sẽ thấy rằng cái đẹp của quê hương ta là cái đẹp của cỏ biếc, xoan đào, hương thơm của ta là hương thơm của cau xanh, lúa vàng chứ đâu phải cái đẹp của con mắt xếch vẽ xanh, của tấm mini mời mọc "tí ti thôi nhé'', của đôi môi tô theo kiểu Mỹ trông như môi người chết trôi; mà cũng đâu có phải là hương thơm của dầu thơm "Santalia", "Kiss Me" hoà với hơi người tạo thành một mùi thú vật đang kì "con nước".

And Ken said I can't marry you." Jack felt his heart jump in his chest. He glanced at his sleeping brother. "Did he say why?" "Yes." She kept her voice sober. "He said you have to ask me properly." Relief made him weak. His pulse beat at his temples, throbbed in his neck. For one moment his fingers closed in her hair in a tight fist. "Properly? If I ask, you might say no, so I'm thinking we'll just start off right and I'll tell you and we'll get the thing done." "Get the thing done?" Briony echoed. Ken snorted aloud. "Jack, I'll take over watch and you get some sleep. I think you fried your brain up there on the roof." "Pipe down over there." Jack said. "You're already stirring up trouble." "Get the thing done?" Briony repeated slowly. "The thing being what exactly?" "The ceremony. The paperwork. Whatever the hell it takes to make it legal." Briony sat up and glared at him. "Take your 'it' and shove it, Jack." "There's no need ti be getting upset, Briony. We can't exactly go around with a bunch of kids and not do whatever the hell it is one does to make it legal." "Whatever the hell it takes to make what legal?" He shrugged. "How the hell would I know? I've never done this before. Sleeping together I guess." "So you are going to marry me so it's legal to sleep with me?" "This isn't coming out right." "You think?" "Don't get upset, baby,. I don't understand why you're getting upset.

Say what you will about the wisdom of ancient Master Yoda, or the deadly skill of grim Mace Windu, the courage of Ki-Adi-Mundi, or the subtle wiles of Shaak Ti; the greatness of all these Jedi is unquestioned, but it pales next to the legend that has grown around Kenobi and Skywalker. They stand alone.

After a while he says, “Do you believe in ghosts?” “No,” I say. “Why not?” “Because they are un-sci-en-ti-fic.” The way I say this makes John smile. “They contain no matter,” I continue, “and have no energy and therefore, according to the laws of science, do not exist except in people’s minds.” The whiskey, the fatigue and the wind in the trees start mixing in my mind. “Of course,” I add, “the laws of science contain no matter and have no energy either and therefore do not exist except in people’s minds. It’s best to be completely scientific about the whole thing and refuse to believe in either ghosts or the laws of science. That way you’re safe. That doesn’t leave you very much to believe in, but that’s scientific too.

Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.

There are many things from which I might have derived good, by which I have not profited, I dare say, 'Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round -- apart from the veneration due to its sacred name and origin, if anything belonging ti it can be apart from that -- as a good time; a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys.

For one second I thought I saw it and I reached down and snatched up a little flesh-colored round thing, but ti was just a used round Band-Aid. My mother slapped it out o fmy hand and that was the first moment I realized she was mad at me too. And suddenly it was as if my heart was as uncontrollable as my legs. All this time I thought she was on my side, because I wa son her side. But maybe she had given up on me too. So I didn't say anything more because I was scared she was going to be against me like everyone else.

I went to a foot specialist recently and she said: "You've broken a bone, it's healed funny." "What can you do?" "Not much." She strapped me up though and that's the reason my foot is hurting, because the strapping gave me cramp. When I'm about to die I'm going to head ti a swamp so I topple in when the time comes. In 50,000 years when they dig me up, pretty well preserved, the scientists will have to work out what sort of life I led from my bone structure, teeth and whatnot. Maybe I'll be clutching a Felt record or something to give them a clue. They'll look at my foot and say: "This man broke a bone and it's healed funny." And they'll look at the Felt record, analysing the grooves with a Groove Analyser and they'll say: "He was obviously in an indie band and one day the pressure got too much, and he booted a wall." And they wouldn't be far from the truth, those crazy scientists.

No mueras por mí, ni por nadie. Vive solo por ti. Eso sí que es más romántico.

Who will marry me? No one wants a girl who is not a virgin." "I will. I'll marry you." "Ma non posso sposarti." "And why can't you marry me?" "Perché sei pazzo!" "And why am I crazy?" "Perché vuoi sposarmi." "Because I want to marry you. Carina, ti amo," he explained, and he drew her gently back down to the pillow. "Te amo molto." "Tu sei pazzo," she murmured in reply, flattered. "Perché?" "Because you say you love me. How can you love a girl who is not a virgin?" "Because I can't marry you." She bolted right up again in a threatening rage. "Why can't you marry me?" she demanded, ready to clout him again if he gave an uncomplimentary reply. "Just because I am not a virgin?" "No, no darling. Because you're crazy.

He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.

No sabes cuánto has estado corriendo, lo mucho que has estado trabajando y lo agotada que estás, hasta que alguien se para detrás de ti y te dice: «Tranquila, ahora puedes caerte. Yo te sostengo». Así que me caí. Y Harry me sostuvo. You don't realize for how long you've been running, how hard you've been working and how broken you really are, until someone stands behind you and says: "Don't worry, you can rest. I've got you." And so I fell. And Harry caught me.

What happened?" he asks,voice laced with concern. "I..." I merged with a cockroach-caught a ride next to your twin's Calvin Klein underwear label-and after I watched him play with a demon coyote and snack on bloodied bits that could've been either animal or human, he fed glowing, white orbs to the walking dead-then crushed me under the hell of his boot... "I'm not sure," I say,willing my head to feel better,to stop spinning, and a moment later it does. "I guess I passed out,or something..." I cringe,hating the lie but knowing there's no way I could ever present him the truth. I start to stand,pretending not to notice when he offers a hand. "I need to call my ride." I fumble for my phone, reluctant to bother Paloma and Chay at this hour,but they're pretty much my only real option. "Don't be silly.I'll drive you." Dace follows me out of the stall,watching as I call Paloma's number,then Chay's-face scrunching in confusion when they both fail to answer.It doesn't make any sense. "Daire-why won't you let me help you?" he says.My name on his lips sounding just like ti did in the dream. Our eyes meeting in the mirror,mine astonished, his chagrined,when he adds, "Yeah,I asked around.Uncovered your real name. So shoot me." And when he smiles,when he smiles and runs a nervous hand through his glossy,dark hair-well,I'm tempted to shake my head and refuse him again. Maybe he goes by the name of Whitefeather, but technically,he's still a Richter.A good Richter-a kind Richter-still,I need to do what I can to avoid him.To ignore that irresistible stream of kindness and warmth that swarms all around him. Need to cleanse myself of those dreams once and for all.We are not bound.Nor are we fated.I'm a Seeker-he's the spawn of a Richter-and my only destiny is to stop his brother from...whatever it is that he's doing. But,more immediately,I need to get home.And there's no denying I could do a lot worse than catching a ride with gorgeous Dace Whitefeather.

Yale tried to say some­thing, but didn’t know how to be­gin. It had to do with a walk he once took with Nico and Richard around the Lin­coln Park la­goon, the two of them shar­ing Richard’s Le­ica. It struck Yale that day how they both had a way of in­ter­act­ing with the world that was si­mul­ta­ne­ously self­ish and gen­er­ous—grab­bing at beauty and re­flect­ing beauty back. The benches and fire hy­drants and man­hole cov­ers Nico and Richard stopped to pho­to­graph were made more beau­ti­ful by their notic­ing. They were left more beau­ti­ful, once they walked away. By the end of the day, Yale found him­self see­ing things in frames, saw the way the light hit fence posts, wanted to lap up the rip­ples of sun on a record store win­dow. He said, “I get it, I do.

What the fuck is wrong with Westerns? Westerns are the shit.” “Oh yeah, tell me, why are westerns THE SHIT?” Ti said, air quoting around THE SHIT. “Because back in the old west, the men were real men. They took charge of the situation. They handled their business by earning respect and gunning down anyone who stood in their way. Cowboys were the first guys to have the balls to be lawless and say fuck-all to society.

She was the first close friend who I felt like I’d re­ally cho­sen. We weren’t in each other’s lives be­cause of any obli­ga­tion to the past or con­ve­nience of the present. We had no shared his­tory and we had no rea­son to spend all our time to­ gether. But we did. Our friend­ship in­ten­si­fied as all our friends had chil­dren – she, like me, was un­con­vinced about hav­ing kids. And she, like me, found her­self in a re­la­tion­ship in her early thir­ties where they weren’t specif­i­cally work­ing to­wards start­ing a fam­ily. By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Ev­ery time there was an­other preg­nancy an­nounce­ment from a friend, I’d just text the words ‘And an­other one!’ and she’d know what I meant. She be­came the per­son I spent most of my free time with other than Andy, be­cause she was the only friend who had any free time. She could meet me for a drink with­out plan­ning it a month in ad­vance. Our friend­ship made me feel lib­er­ated as well as safe. I looked at her life choices with no sym­pa­thy or con­cern for her. If I could ad­mire her de­ci­sion to re­main child-free, I felt en­cour­aged to ad­mire my own. She made me feel nor­mal. As long as I had our friend­ship, I wasn’t alone and I had rea­son to be­lieve I was on the right track. We ar­ranged to meet for din­ner in Soho af­ter work on a Fri­day. The waiter took our drinks or­der and I asked for our usual – two Dirty Vodka Mar­ti­nis. ‘Er, not for me,’ she said. ‘A sparkling wa­ter, thank you.’ I was ready to make a joke about her un­char­ac­ter­is­tic ab­sti­nence, which she sensed, so as soon as the waiter left she said: ‘I’m preg­nant.’ I didn’t know what to say. I can’t imag­ine the ex­pres­sion on my face was par­tic­u­larly en­thu­si­as­tic, but I couldn’t help it – I was shocked and felt an un­war­ranted but in­tense sense of be­trayal. In a de­layed re­ac­tion, I stood up and went to her side of the ta­ble to hug her, un­able to find words of con­grat­u­la­tions. I asked what had made her change her mind and she spoke in va­garies about it ‘just be­ing the right time’ and wouldn’t elab­o­rate any fur­ther and give me an an­swer. And I needed an an­swer. I needed an an­swer more than any­thing that night. I needed to know whether she’d had a re­al­iza­tion that I hadn’t and, if so, I wanted to know how to get it. When I woke up the next day, I re­al­ized the feel­ing I was ex­pe­ri­enc­ing was not anger or jeal­ousy or bit­ter­ness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t re­ally gone, they were still my friends and I still loved them. But huge parts of them had dis­ap­peared and there was noth­ing they could do to change that. Un­less I joined them in their spa­ces, on their sched­ules, with their fam­i­lies, I would barely see them. And I started dream­ing of an­other life, one com­pletely re­moved from all of it. No more chil­dren’s birth­day par­ties, no more chris­ten­ings, no more bar­be­cues in the sub­urbs. A life I hadn’t ever se­ri­ously con­tem­plated be­fore. I started dream­ing of what it would be like to start all over again. Be­cause as long as I was here in the only Lon­don I knew – mid­dle-class Lon­don, cor­po­rate Lon­don, mid-thir­ties Lon­don, mar­ried Lon­don – I was in their world. And I knew there was a whole other world out there.

ISAIAH 45 Thus says the LORD to  p his anointed, to Cyrus,  q whose right hand I have grasped, to subdue nations before him and  r to loose the belts of kings, to open doors before him that gates may not be closed: 2 “I will go before you and s level the exalted places, [1]  t I will break in pieces the doors of bronze and cut through the bars of iron, 3  u I will give you the treasures of darkness and the hoards in secret places, that you may know that it is I, the LORD, the God of Israel,  v who call you by your name.

I’m sorry,” I say and the words start spilling out. “I’m sorry. I should have just talked to you and then you wouldn’t have felt guilty and then you wouldn’t have gotten into this accident. It’s my fault. I’m so sorry.” I’m still holding his hand and he’s looking at me with his beautiful blue eyes. “You’re sorry?” he asks in confusion. “You’re sorry? For what? It’s not your fault. None of this is your fault.” “I was being a baby,” I tell him. “I didn’t know what to say to you and I was trying to be strong but I was so upset that you were kissing Elena.” “Elena kissed me,” he answers. “I just want to clarify that. And she kissed me because I had just told her that I can’t see her anymore. Because I want to be with someone else.” “Someone else?” My voice is small in the large hospital suite and all of a sudden my heart is numb again. This time, it is numb because it is waiting hopefully for words that I am desperately wanting to hear. “Yes,” he nods. “Someone else.” My heart is still waiting. There is a pause. Then another pause. He doesn’t say anything so I do. “Is it anyone I know?” I look down and he looks up and our eyes lock. “I should hope so since it is you,” he says. My heart stops. And then starts again. And then I bend down and kiss Dante Gili-bear-ti as softly and gently as I can. “You want to be with me?” I ask this as I pull away and look at him. He smells like iodine and rubbing alcohol and bleached hospital sheets. It’s a foreign, unfamiliar smell. And I don’t like it. But his hand is strong and he squeezes mine. He nods. “Ever since you ran into me in the airport.” “You ran into me,” I answer. He rolls his eyes and I kiss him again.

We can't all be happy, we can't all be rich, we can't all be lucky - and it would be so much less fun if we were. Isn't it so, Mr Blank? There must be the dark background ti show up the bright colours. Some must cry so that the others may be able to laugh the more heartily. Sacrifices are necessary.. Let's say that you have this mystical right to cut my legs off. But the right to ridicule me afterwards because I am a cripple - no, that I think you haven't got. And that's the right you hold most dearly, isn't it? You must be able to despise the people you exploit.

As I sorted through my confusion, I started to get mad. More and more, this had turned into one grotesque comedy of mishaps, and I didn't think it was funny. How much did the rat know? And while we're at it, hot much did the man in the black suit know? Here I was, smack in the center of everything without a clue. At every turn, I'd been off base, way off the mark. Of course, you can say the same about my whole life. In that sense, I suppose I had no one to blame. All the same, what gave them the right ti treat me like this? I'd been used, I'd been beaten, I'd been wrung dry.

He watched a two-hour block of Fox News, and then most of the two-hour-long blocks of MSNBC and CNN that he had TiVo’d. He raged at the coverage as top aides came in and out—Priebus, Bannon, Kushner, McGahn, Cohn, Hicks and Porter. Why was Mueller picked? Trump asked. “He was just in here and I didn’t hire him for the FBI,” Trump raged. “Of course he’s got an axe to grind with me.” “Everybody’s trying to get me,” the president said. “It’s unfair. Now everybody’s saying I’m going to be impeached.” What are the powers of a special counsel? he asked. A special counsel had virtually unlimited power to investigate any possible crime, Porter said.

At seven little Leo was run over by an ice wagon, Marie Louise cradled her little brother in her arms, he was to be crippled for life. But a white haired 70-year-old hobo passing thru town, learning of the accident, came to the Duluoz house and offered his assistance in exchange for a meal and a lunch for the road. As everyone watched he kneaded the boy’s leg and made a few pulls and left him able to walk, no longer a cripple. “What is your name?” Tall and white-maned he flowed into eternity out of sight, across town and over the grass to the railroads, the hills; little Leo never forgot him. “Is it a saint?” “There’s an old savant for you—He came out of the mountains.” “He healed Ti Leo—” “Say what you want, me I’m going to say a little prayer—” Gray heavens lowering all around, standing in shirtsleeves by the old wood house, the Canadians nodded dumb heads in unison of sad mystery.

Well,that all worked out nicely," Edward said from my hand. "Yup." I sat down and propped the postcard upright against my books. "Thanks." "Whatever for?" "Being real,I guess. I'm pretty sure this paper about your life will get me into NYU.Which,when you think about it, is a pretty great gift from a guy I've never met who's been dead for a hundred years." Edward smiled. It was nice to see. "My pleasure,darling girl. I must say, I like this spark of confidence in you." "About time,huh?" "Yes,well.Have you forgiven the Bainbridge boy?" "For...?" "For hiding you." "He wasn't.I was hiding me." I gave Edward a look before he could gloat. "Yeah,yeah. You've always been very wise. But this isn't really about my forgiving Alex,is it?" He had the grace to look a little embarrassed. "I suppose not. So?" "So.I think you were a good guy, Edward. I think you probably would have told everyone exactly how you felt about Marina of you could have.If she hadn't been married, maybe, or if you'd lived longer. I think maybe all the pictures of you did of her were your public delcaration. Whaddya think? Can I write that? Is it the truth?" "Oh,Ella." His face was sad again, just the way he'd cast it in bronze. But it was kinda bittersweet now, not as heartbroken. "I would give my right arm to be able to answer that for you.You know I would." "You don't have a right arm,Mr. Willing. Left,either." I picked up the card again. "Fuhgeddaboudit," I said to it. "I got this one covered." I tucked my Ravaged Man inside Collected Works. It would be there if I wanted it.Who knows. Maybe Edward Willing will come back into fashion someday,and maybe I'll fall for him all over again. In the meantime, I had another guy to deal with.I sat down in front of my computer.It took me thirty seconds to write the e-mail to Alex. Then it took a couple of hours-some staring, some pacing,an endless rehearsal dinner at Ralph's, and a TiVo'd Christmas special produced by Simon Cowell and Nigel Lythgoe with Nonna and popcorn-for me to hit Send.

God walked with me, I thought he did. You would imagine that I asked Him to show Himself and put an end to the events at Brosscroft: the slammings of doors in the night, the great gusts of wind that roared through the rooms. But my idea of God was different. He was not a magician and should not be treated in that way; should not be asked to alter things and fix things, like some plumber or carpenter, like my grandad with his tools rolled in their canvas cradles. I had come to my own understanding of grace, the seeping channel between persons and God: the slow, green, and silted canal, between a person and the god inside them. Every sense is graceful, an agent of grace: touch, smell, taste. The grace of music is not for a child who says, “What?” My mother never plays the piano now, my father seldom; Jack is never seen to sit down to it, no doubt because he’s C of E. And I can’t carry a tune; I’m told brutally about this. I can’t sing fa sol la ti do without singing flat. You can pray for grace, but it is a thing that creeps in unexpectedly, like a draft. It is a thing you can’t plan for. By not asking for it, you get it. For one year, I carried this knowledge, and carried a simple space for God inside me: a jagged space surrounded by light, a waiting space cut out of my solar plexus. I subsisted in this watchful waiting, a readiness. But what came wasn’t God at all. Sometimes you come to a thing you can’t write. You’ve

GET MOVING People are often scared of the word exercise. We associate the word with pain, and we think of it as a chore. (And it can be--who likes going to the gym at 6 A.M.?) If that’s how you’re thinking, then you need to change your psychology. I don’t think of my body in terms of exercise; I think in terms of movement. Look at the actual word--I see it as “meant to move.” As human beings, going back to the beginning of civilization, we’ve had to move to survive. We had to throw spears to hunt, we had to prepare land to plant seeds, we had to gather firewood. Our bodies are hardwired to move. Not even TiVo can rewire those thousands of years of DNA. This isn’t a new idea, but it’s easy to forget: your body is connected to your mind and spirit. People say, “I’m miserable because I’m overweight” or “I’m overweight because I’m miserable,” but these two go hand in hand. I know when I drink to excess or put poisons in my body, the next day I’m not going to feel happy or inspired. The body is the vehicle that can help you reach your dreams. Keeping it moving, strong, and healthy paves the way to overall well-being. You can’t say you love yourself when you abuse yourself physically, and by not using your body, you’re abusing it. But here’s the first piece of good news: you don’t have to be in the gym to exercise. You just need to move--and keep moving. It can be anywhere, at any time. Sometimes I’ll do push-ups during a commercial break while watching TV. Sometimes I take a short walk, even around the block with my dog, just to break up my day. Your body wants to move; your body was created to move. You have to feed that. When you’re feeling miserable, your body is telling you to get on your feet. Moving makes you feel good. It helps you slay the demon of procrastination that lurks in the shadow of every human being. Most of us sleepwalk through life because we’re waiting for the perfect time, the perfect place, and the perfect opportunity to improve ourselves. Stop waiting. Start moving and keep moving.

As it is written, “Be diligent to present yourself approved to God, a worker who does not need to be ashamed, rightly dividing the word of truth.” 2Ti 2:15  But how can we rightly divide the word of truth? Where does the truth come from? The Lord no doubt. But without His wisdom how can we rightly divide it? Where does this wisdom come from and how do we come to the knowledge of the truth which is the word of God? But as it is also written, “However, when He, the Spirit of truth, has come, He will guide you into all truth.” Joh 16:13  Seeing that He guides us into all truth, we can find the power to retain the word of truth through the Holy Spirit. He likewise will bring the scriptures to remembrance when it comes time to apply them. But as we discussed earlier, the scriptures need to be speaking out to us first when we read. This is the Holy Spirit breathing life into the word of God and speaking it to you. This is the scripture He is teaching you and wants you to memorize and meditate on. We as good pupils and students, need to be listening to the voice of our Teacher and Master. We need to pay attention in class, and let Him teach the lesson. He is the one who guides us through the workbook (the Bible) even as the schoolteacher leads a student to the textbook. In school the teachers tell us what we should memorize. Likewise the Holy Spirit will tell you what you should memorize. Whatever speaks out to you, God is speaking to you. Whatever God is speaking to you, you should be memorizing for later practice. If you do this, you will be able to recall the scriptures better at all the appropriate times as we discussed earlier. But you need to lean on the Lord for strength to remember them. The Holy Spirit will speak to you in the time that you need to remember the scriptures. But only if you have sought Him in memorizing it and meditating on it. When we allow the first fruits to be the work of God in us, then all fruit will be the work of God. We are not called to walk about by our strength nor are we called to gain the wisdom of God with our own strength. Rather in ALL our ways we are called to lean on Him. As it is written, “Trust in the LORD with all your heart, And lean not on your own understanding. In all your ways acknowledge Him, And He shall direct your paths.” Pro 3:5-6 And earlier we said in James 1:5 that if we lack wisdom we need to ask God for it. But what does that scripture tell us? It says to ask in faith.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled. 'We broke up three years after that.' I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party. 'I can't believe I just told you that' 'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!' A third time. I am not imagining it. 'There you are.' This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life. 'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts. I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit. 'Did you know that an octopus has three hearts?' As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing. 'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it. 'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.' 'What made you think of that?' I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!' ... 'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug. If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me. Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.' The gentle untying of a shoe lace. It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again. ...

Sartre threw away the entire content of thebourgeois subject, maintaining only its pure form, and the next stepwas to throw away this form itself—is it not that,mutatis mutandis,Der-rida threw away all the positive ontological content of messianism, re-taining nothing but the pure form of the messianic promise, and thenext step is to throw away this form itself? And, again, is this not alsothe passage from Judaism to Christianity? Judaism reduces the prom-ise of Another Life to a pure Otherness, a messianic promise whichwill never become fully present and actualized (the Messiah is always “to come”); while Christianity, far from claiming full realization ofthe promise, accomplishes something far more uncanny: the Messiahis here, he has arrived, the final Event has already taken place,yet the gap(the gap which sustained the messianic promise) remains....Here I am tempted to suggest a return to the earlier Derrida ofdifférance:what if (as Ernesto Laclau, among others, has already ar-gued17) Derrida’s turn to “postsecular” messianism is not a necessaryoutcome of his initial “deconstructionist” impetus? What if the ideaof infinite messianic Justice which operates in an indefinite suspen-sion, always to come, as the undeconstructible horizon of decon-struction, already obfuscates “pure”différance,the pure gap whichseparates an entity from itself? Is it not possible to think this pure in-between priorto any notion of messianic justice? Derrida acts as ifthe choice is between positive onto-ethics, the gesture of transcend-ing the existing order toward another higher positive Order, andthe pure promise of spectral Otherness—what, however, if we dropthis reference to Otherness altogether? What then remains is eitherSpinoza—the pure positivity of Being—or Lacan—the minimal con-tortion of drive, the minimal “empty” (self-)difference which is op-erative when a thing starts to function as a substitute for itself. As Freud observed, the very acts that are forbidden by religion arepracticed in the name of religion. In such cases—as, for instance, mur-der in the name of religion—religion also can do entirely withoutminiaturization.Those adamantly militant advocates of human life, forexample, who oppose abortion, will not stop short of actually mur-dering clinic personnel. Radical right-wing opponents of male homo-sexuality in the USA act in a similar way.They organize so-called “gaybashings” in the course of which they beat up and finally rape gays. What we have here, yet again, is the Hegelian “oppositional determi-nation”: in the figure of the gay-basher raping a gay, the gay encoun-ters himself in its oppositional determination; that is to say, tautology(self-identity) appears as the highest contradiction.This threshold canalso function as the foreign gaze itself: for example, when a disen-chanted Western subject perceives Tibet as a solution to his crisis, Ti-bet loses its immediate self-identity, and turns into a sign of itself,its own “oppositional determination.

Najbolji stil komuniciranja je ja dobijam/ti dobijas

Non puoi amare se non ti permetti di soffrire.

That’s where you will find the meaning of life. And that’s where you will find a life with me worth living.” “Why?” I whisper. “You couldn’t even say that you didn’t hate me.” “Non ti odio, Sawyer,” he says roughly. “I wanted to say it was the truth when you asked if I hated you, but I couldn’t lie, so I said nothing. And every time I laid eyes on you today, all I could think was that I never really did.” He pulls away enough to catch my watery gaze. “Choose to live, bella. Choose me.

È impossibile odiarti quando mi fai sentire così vivo. Ed è esattamente per questo che voglio odiarti. Prima di incontrare te ero un sonnambulo. Cazzo, non ero pronto a svegliarmi.” She stares at me as if she understands. Even when I’m speaking another language, she still hears me. “Ho sbagliato a dirti che eri debole. Sei così incredibilmente coraggiosa, vorrei che lo vedessi anche tu.” “Don’t stop,” she pleads. “Ti penso ogni ora, ogni minuto, ogni dannato secondo. Non so che fare. L’oceano era l’unico posto in cui mi sentivo a casa,” I continue, moving my hands to the knots on either side of her hips. I pluck those, too, raw desire consuming every one of my brain cells when her bottoms drop. I can smell her arousal, and I’m struggling to concentrate on what I’m saying. “Era l’unica cosa che mi eccitava e dava pace. Hai rovinato anche questo. Sentirti su di me è meglio di immergersi nell’oceano. Neanche con questa rivelazione so che fare.” “One day,” she pants. “I’m going to learn Italian, and I’ll know exactly what you said.

Ako ti lažu, poput njega, tko si onda ti? Tko je on? Ta osoba koju si mislila da poznaješ, tvoja omiljena osoba, počinje nestajati, postaje priviđenje, osim ako samu sebe uvjeriš da su najvažniji dijelovi još uvijek istiniti. Da je ljubav bila prava. Njegova je ljubav bila prava. Jer ako nije, druga je opcija da je sve bilo laž, a što bih s tim trebala učiniti? Što bih trebala učiniti s bilo čim od ovog? Kako spojiti te komadiće, a da on u potpunosti ne nestane?

There, that wasn't so hard." He ran his hands over her shoulders as relief pumped into him. "But you didn't say it in Italian. It sounds really great in Italian." "You idiot. Ti amo." She laughed, launching herself at him.

Cásate conmigo," he says against my lips. "No quiero ninguna parte de esta vida sin ti. Fuistes, mi ángel. Despues mi cielo y ahora necesito que seas mi todo.

-¿Y qué crees tú que ha hecho? -no me importa lo que haya hecho, y a ti tampoco debería importarte. Vamos. Volvamos con Aria. Va por ahí. -Ya sé por donde ha ido. Rugido le dio una palmada fuerte en el hombro. -Sólo quería asegurarme de que te habías fijado.

TTien shall follow the Conjuration of Diana. Scongiurazione a Diana. You shall make cakes of meal, wine, salt, and honey in the shape of a (crescent or homed) moon, and then put them to bake, and say: Non cuoco ne il pane re il sale, Non cuoco re il vino ne il miele, Cuoco il corpo il sangue e 1' anima, L' anima di Diana, che non possa Avere ne la pace e ne bene, Possa essere sempre in mezzo alle pene Fino che la grazia non mi fari, Che glielo chiesta egliela chiedo di cuore! Se qaesla grazia, o Diana, mi farai, La cena In tua lode in molti la faremo, Mangiaremo, beveremo, Ealleremo, salteremo, Se questa grazia che ti ho chiesta, Se questa grazia tu mi farai, Nel tempo che balliamo, H lume spengnerai, Cosi al 1' amore liberamente la faremo I Conjuration of Diana. I do not bake the bread, nor with it salt, Nor do I cook the honey with the wine; I bake the body and the blood and soul, The soul of (great) Diana, that she shall ARABIA Know neither rest nor peace, and ever be In cruel suffering till she will grant What I request, what I do most desire, I beg it of her from my very heart! And if the grace be granted, O Diana I In honour of thee I will hold this feast. Feast and drain the goblet deep. We will dance and wildly leap, And if thou grant'st the grace which I require, Then when the dance is wildest, all the lamps Shall be extinguished and we'll freely love! And thus shall it be done: all shall sit down to the supper all naked, men and women, and, the feast over, they shall dance, sing, make music, and then love in the darkness, with all the lights extinguished; for it is the Spirit of Diana who extinguishes them, and so they will dance and make music in her praise. And

Si no le temes a la oscuridad, la oscuridad comenzará a tener miedo de ti!

You have to come for dinner soon. Alana seems to have perfected this insane braised chicken with chorizo and chickpeas that is perfect for this weather," he says, bragging about his wife. Alana is a terrific chef, best known for her role assisting Patrick Conlon on Master Chef Battle, and her own new show, Abundance, both staples on my TiVo. I've known her since I catered a cocktail party for her former boss Maria De Costa, the talk show host, about fifteen years ago, and we have stayed in casual touch ever since. When she moved into the neighborhood, we got a little closer, but since Aimee got sick I haven't been as good about staying in touch. But considering that was around the time she met RJ, she's been too really busy to notice.

Holiday ti Nakamura, the Howler. In the leathery flesh,” I say.

C’è un messaggio nascosto in ogni cascata. Dice, sii flessibile, cadendo non ti farai male!

Hey!” Paige waves flirtatiously at Luca, one of those girl-waves where you open and flutter your fingers while flashing a brilliant smile. I hate to admit it, but Paige totally pulls it off. “I’m Paige. And you’re hot!” Oh my God. Paige is brave enough to tell him to his face that he’s handsome, while I can’t even say hello. I am completely pathetic. There’s a pause. I hold my breath. And then Luca turns his head to me and says: “E tu? Come ti chiami?” This means “What’s your name”; I know that much. But he’s looking straight at me. His cheekbones could cut glass, and his dark eyebrows, elegantly raised in a query, are two perfect ink-black arches. “Violet,” I manage to say. I’m so nervous that it comes out casual, dismissive, as if I don’t give a damn about him. Which, actually, is no bad thing. He nods, taking a last drag on his cigarette and stubbing it out in the ashtray on the table, before he pushes off the table to stand once again.

Rekao sam ti,” he whispers in my ear. “What does that mean?” I say. “I told you so, in Croatian. You didn’t say I couldn’t say it in Croatian.

~Z L/ti ~0"I/~ Z t4 k Lt(n. I/ ~ Z L When I awake, I am still with You. -PSALM 139:18 Isn't it great to know that even though we sleep eight to ten hours, when we awake God is still with us? He hasn't dozed off during the early hours of the morning. I know that when I am the closest to Jesus, my prayers come more easily and more often. During dry seasons of life I have to consciously set a time for prayer-and often it's more out of duty than desire. As I abide with my Savior, I don't have to say, "It is time for me to get to my task and pray." No, I pray when there is a need, regardless of the time of day or night. These last few years have brought me to God's throne because I want to go there, not because I have fallen back to the law. If you aren't there yet, just wait. The sufferings of life will cause you to drop to your knees in earnest prayer. Earlier in my Christian walk it was hard to understand the meaning behind I Thessalonians 5:17, where it says, "Pray without ceasing." Now I have experienced that in real, living color. I pray literally without ceasing. I pray when I wake, pray at mealtime, pray throughout the day-and I end my day with a prayer of thanksgiving for getting me through the day. When a friend calls to tell you of a prayer need, you don't say, "I'm sorry, but I don't pray again until I go to bed tonight." Of course you wouldn't say that! In fact, I recommend that you pray with the person who's making the request. That way you are sure to pray for their particulars rather than getting distracted with a busy schedule. No longer is prayer a burden. It's a privilege to be able to pray, not because of the law, but because of the grace of the cross. Embrace this privilege and make it a regular, important part of each day. Be faithful in prayer so you can know of God's faithfulness. PRAYER Father God, what a privilege it is to pray without ceasing. You have given me the

Rekoh: Umorio sam se od svih tih boja i smicalica. Uvijek sam tragao za nekim tko nije toliko zemaljski. Upita: A koliko si ti nebeski? Koliko ti je srce nebesko? Što sam trebao reći? Rekao sam: Toliko da mi na Zemlji ponestaje daha i da mi Zemlja tjeskobno stišće srce. Upitah: Kako bi bilo kad biste uvijek bili tu i uvijek se smijali? Mislim da bi i Zemlja i nebo bili ispunjeni mirisom bagremova cvijeta. Reče: Cijenite trenutke. Prolaze poput oblaka.

Is there anything between us?” “Oh, I think there’s much.” “Tell me…” “Well, I am determined to do anything I can to be there for you, and you are determined to break my heart. That heart-breaking business, it’s very serious.” She laughed at him. She felt his head drop forward to her shoulder and nuzzle her hair. A hand on her upper left arm gently squeezed and he said, “Brie… Tu creas un fuego en mi corazón.” Brie, you create a fire in my heart. She straightened a bit, but didn’t pull away. “What did you say?” she whispered. “You are lovely. You touch my heart,” he answered, pulling her back against him again. He slipped an arm around her waist gently, tenderly, cautiously holding her against him, very careful that she not feel confined. “Tu debes sentir estas manos amorosas así a ti.” You should feel loving hands on you. Her heart beat a little faster and she knew that it was not fear she felt. She wanted to say, “Deja a que sean sus manos.” Let them be your hands. But she wasn’t ready. Instead, she said, “Your language is beautiful.” “Te tengo en mis brazos,” he said. I will hold you in my arms. “Tell me what you said,” she urged him. “Nothing, really. Just an endearment. It is a very romantic language.” She could tell him now she spoke his language fluently, that she knew he lied. But she didn’t want to break the spell he had created in thinking she couldn’t understand him. He spoke his heart while he thought she was innocent of his desires. “Say something to me—something heartfelt,” she said, not turning around. He touched the hair at her temple, threading his fingers into it. “Te querido más te de lo tu hubieras.” I have wanted you for longer than you know. She let her eyes close. “What did you say?” she asked in a whisper. “You deserve all happiness,” he said—he lied. A small smile floated across her face. She was on to him. “No te merezco.” I don’t deserve you. “Te quiero en mi vida.” I want you in my life. “I think you seduce women with your language.” “When you are with me, you should know that I care about you as much as I care about any of my sisters. Or my mother, who is queen of the world.” She laughed a little. “I’m not sure that was entirely flattering.” “I want you to believe you are completely safe and protected when you’re with me. I promise you, you have nothing to fear from me. Not ever.” “I think you’re manipulating me.” “Do you, now?” he asked, humor in his voice. “You’re luring me into a false sense of security, trying to trick me so I forget my plan to break your heart a hundred times.” He laughed, stroking that long mane of hair that floated down her back. “I know you’re a very determined woman, and if breaking my heart is your goal, you won’t rest until it’s done.” “I’m going to make mincemeat out of you,” she said. “I have no doubt.” She

...: through witty riddles and unsuspected metaphors, though ti tells us things differently to the way they are, as if it were lying, it actually obliges us to examine them more closely, and it makes us say: Ah, this is just as things are, and I dint know it.

I ceaselessly chant the refrain," Montaigne said, "anything you can do another day can be done now." "He who postpones the hours of living right," Horace wrote, "is like the rustic who waits for the river to run out before he crosses." To paraphrase the Stoics: You could be good now. Instead you chose tomorrow. To procrastinate is to be entitled. To be arrogant. It assumes there will be a later. It assumes you'll have the discipline to get to ti later (despite not having the discipline now). The graveyard of lost potential, we might say, is filled with people who just needed to do something else first. The time to do it is now. The time to get started is now. The thing to start with is the hard part, the part you want to do the least. Not begrudgingly, but promptly and enthusiastically, with a body that's been trained for hard work and a mind that's sharp and focused. Fools are too weak, too scared, too ill-disciplined for this-which is a problem for them but an opportunity for you. Because it's here that you'll win. They'll be delaying, you'll be pulling ahead. But only if you start now.

Ci-ti-zen!" piped the Shah, smiling modestly at his newly acquired bilinguality. "Drop dead," called one of the rock throwers. Reluctantly, surlily, he came down to the road and moved two wheelbarrows very slowly, studying the car and its occupants as he did it. He stepped to one side. "Thanks! It's about time!" said Halyard as the limousine eased past the man. "You're welcome, Doc," said the man, and he spat in Halyard's face. Halyard sputtered, manfully regained his poise, and wiped his face. "Isolated incident," he said bitterly. "Takaru yamu brouha, pu dinka bu," said the Shah sympathetically. "The Shah," said Khashdrahr gravely, "he says it is the same with Takaru everywhere since the war." "No Takaru," said Halyear apathetically, and let it go.

I am proud to say," said the girl, "that he's one of the few men on earth with a little self-respect left." Khashdrahr translated that last bit, and the Shah shook his head sadly. The Shah removed a ruby ring and pressed it into her hand. "Ti, sibi Takaru. Dibo. Brahous brahouna, houna saki. Ippi goura Brahouna ta tippo a mismit." He opened the limousine door for her. "What did the gentleman say?" she asked. "He said to take the ring, pretty little citizen," said Khashdrahr tenderly. "He said goodbye and good luck, and that some of the greatest prophets were crazy as bedbugs.

Se una spia uccide cinquanta persone ma ne salva un numero superiore, questo rende tollerabili le sue azioni? È una logica allettante ma rischiosa. Cominci a fare calcoli mentalmente e in un attimo ti trovi a sdoganare il genocidio.

It says somethin’ about my wife being used for in-ves-ti-gational purposes,” he said, spelling it out slowly. “What’s that mean?” “It means that since we’re dealing with a new product, I’m required to obtain the consent of Mrs. Hernandez before we can start,” he said. “Don’t worry. What it means is that Mrs. Hernandez will have very good care while she’s in the program, including free monthly checkups.” Doubt clouded Hernandez’s eyes, but he pursed his lips and began reading again. Winkelstein nodded thoughtfully to himself. He had long ago learned never to use the word experimental around a patient. For some reason they often took fright.

We feel something special between us, Gio. You took me there, on the bed, and I will let you take me again, and again." Her fingers brushed my mouth, pulling softly at my lips. "But, caro, I do so because we are forging something new, something that will, I hope, take us through our lives to the very end." A surge of passion pushed through me, overflowing like wine in a too-small goblet. I pressed my lips against hers and tasted her sweetness once more. One hand entwined in her hair, the other against her back. "You are right, cuore mio. Ti amo, ti amo." She held off my kisses, her hand against my cheek. "And I you, Gio. Your face has haunted my dreams since I first saw you. But if you love me, if you want me to stand by your side and to warm your bed..." Her hand squeezed my backside and I drew in a deep breath. "Just as we are now, when we kiss, when we touch, we must be one in the way we speak behind closed doors," she continued. "I will give you everything and tell you everything. And, Gio, you must promise me the same." Her hand had found its way to the front of me. "Yes, dolcezza mia," I breathed, unable to say anything else, unable to think of anything other than her fingers against my sex, her voice hot in my ear. She fell to her knees and took me in her mouth. My hands clutched her head, feeling the motion of her against me. When I thought I could take no more, I pushed her back, to the floor, pulled up her skirts, and drove myself between her thighs. "I promise, Isabetta," I whispered in her ear as I melted into her.

But I see one thing, very important. I see that Luca is not smoking no more. I say to ’im, ‘I am very ’appy that you do not smoke.’ And ’e says, ‘It is Violetta. She tell me not to smoke, she say it is schifoso. So I stop.” I think about this. Luca not only gave up smoking because I didn’t like it; he told his mother that I was the reason he did it. That I was important enough to him for him to listen to me. It gives me the bravery the principessa lacks. “Let me tell Luca,” I offer. The principessa leans toward me, her blue eyes--blue as Luca’s--fixed on my face. “Oh, wonderful! You are good for ’im,” she says earnestly. “You ’elp ’im. ’E listens to you. I know that if you tell ’im this, ’e will listen. And then I will come to see ’im when ’e knows. Please. I am not brave like you. And Luca--ti vuole bene. Ti vuole veramente bene.” “He cares about you. He truly cares about you.

Ma chi l’avrebbe detto che la vita/ ci travolgeva come hai fatto tu. Tu m’hai aperto come una ferita-sto sanguinando ma non ti lascio più,’” he quotes. “‘Who would have said that life--’” I start, but that’s as far as I get. “‘That life turns us upside down,’” Luca says, “‘like you did to me. You open me like a wound. I am bleeding, but I don’t leave you anymore.’” “Luca!” I exclaim in horror, and his body starts to shake with laughter. “You remember? I say Jovanotti’s songs, they are not always pretty,” he tells me. “But they are true.” “Still, a wound…

You have to be more cheerful,” I tell him. “Sometimes I think you think it’s cool to be, you know, gloomy and brooding. You need to tone that down from now on. Smile more.” Luca’s eyes spark bright with amusement. “You are very good for me, Violetta,” he says, taking my hands and kissing them. “You make me happy. You make me smile. You are the only girl that does this for me.” “I hope so!” I blurt out. “Eh, si,” he says. “Ti prometto. The only girl. I stop smoking because you tell me to.” “I saw you weren’t smoking,” I say. “But I didn’t want to believe…” “I tell you, I stop,” he says. Then he tuts. “I tooold you,” he corrects himself. “I need to do the passato. The--past?” “The past tense,” I say. Then I shake my head. “That’s funny. I mean, ironic funny.” “Cosa?” He kisses my fingertips, one by one. “You’re learning the past tense.” He’s distracting me with his kisses, but I push on. “Of course you have to learn it, but do you see what I mean? It’s all been about the past! I’m sick of it! And not even our past, stuff we did--things that happened before we were born! I’m so over the past!

So!” he says, much later. We’re sitting on the floor now. The windowsill is narrow and uncomfortable. We don’t care that we may be getting splinters in our bums from the floorboards. We’re curled up, me sitting between Luca’s legs, his arms wrapped around my waist, mine around his. His head is leaning on mine, and he’s kissing my hair. “You remember that song by Jovanotti I say to you, in the river?” he asks. “Yes!” I swivel a little to look at him. “I looked it up, but I couldn’t find it.” “‘La Valigia,’” he says. “The suitcase. The boy is a suitcase, he travels all around, but only one person, the girl, knows how to open the lucchetto.” “The lock,” I translate, suffused with happiness at this. “‘Ma chi l’avrebbe detto che la vita/ ci travolgeva come hai fatto tu. Tu m’hai aperto come una ferita-sto sanguinando ma non ti lascio più,’” he quotes. “‘Who would have said that life--’” I start, but that’s as far as I get. “‘That life turns us upside down,’” Luca says, “‘like you did to me. You open me like a wound. I am bleeding, but I don’t leave you anymore.’” “Luca!” I exclaim in horror, and his body starts to shake with laughter. “You remember? I say Jovanotti’s songs, they are not always pretty,” he tells me. “But they are true.” “Still, a wound…” “You are half Italian, Violetta,” he points out. “You must understand us. We are more…” He looks for the right word. “Dramatic,” he concludes. “Esagerati.

Today, when philosophizing is so barbarous, so much like a St. Vitus' dance, as perhaps in no other period in the cultural history of the West, and when nevertheless the resurrection of metaphysics is hawked up and down all the streets, what Aristotle says in one of his most important investigations in the Metaphysics has been completely forgotten. Kai de kai to palai te kai nun kai aei zetoumenon kai aei aporoumenon, ti to on, touto esti tis he ousia. "That which has been sought for from old and now and in the future and constantly, and that on which inquiry founders over and over again, is the problem What is being?" If philosophy is the science of being, then the first and last and basic problem of philosophy must be, What does being signify? Whence can something like being in general be understood? How is understanding of being at all possible?

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No wise sayings today?" Tiana asked. Ms. Rose loved sharing nuggets of wisdom she said were passed down from her mother. The woman's brow lifted. "Actually, I do have one for you: Ti bwa ou pa wè, se li ki pete je ou. The twig you don't see is the one that puts out your eye." Tiana peered at the flowers Ms. Rose had handed her. "Are there twigs in here?" "Be cautious," the woman said. "It means to always be aware of your surroundings.

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