Thunder Road Quotes

We've searched our database for all the quotes and captions related to Thunder Road. Here they are! All 100 of them:

And if these mountains had eyes, they would wake to find two strangers in their fences, standing in admiration as a breathing red pours its tinge upon earth's shore. These mountains, which have seen untold sunrises, long to thunder praise but stand reverent, silent so that man's weak praise should be given God's attention.
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
The boy everyone sees but nobody knows is with the girl who everybody knows but nobody sees.
Katie McGarry (Walk the Edge (Thunder Road, #2))
This is your family … If you learn to love us then you will forever have our love in return.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Running is still running. It doesn't matter if it's a physical move from one place to another or if it's to within yourself.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Isn't it always the things that you can't see that hurt you?
Katie McGarry (Nowhere But Here (Thunder Road, #1))
The world is a huge place. How will you know where you fit in unless you explore beyond your comfort zone?
Katie McGarry (Nowhere But Here (Thunder Road, #1))
This is heartbreaking and consuming and addictive. It’s terrifying and peaceful, crazy and serene. It’s a million things in one brief moment and it’s something I don’t understand and never want to live without.
Katie McGarry (Walk the Edge (Thunder Road, #2))
For once in my life, I'd love to be myself around everyone else and be accepted for who I am instead of staying silent for fear of people mocking me.
Katie McGarry (Walk the Edge (Thunder Road, #2))
The best way to get over your fears is to face them.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
I will her to look away, but she doesn’t and I’m secretly proud the girl won’t back down. I hate this connection. I crave this connection. She’s continually messing with my head.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
There's a ton you can learn about a person from how they deal with the absence of sound.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I’m searching for magic – not the Christmas morning type, but the type of magic that can be found by being courageous, being the girl who takes chances, being the girl who will dance. I want to be the girl who is seen.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I'm in love with you. This isn't a memory, but a promise, do you hear me?
Katie McGarry (Walk the Edge (Thunder Road, #2))
Sometimes what we need the most is what we fight the hardest: change.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
I promise I’ll take care of you,” he whispers. “You’re safe with me.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Because somebody out there fucking loves you and doesn't deserve the type of hurt you jumping would have caused. Killing yourself doesn't solve your problems. It just hands them to somebody else.
Katie McGarry (Walk the Edge (Thunder Road, #2))
There’s a reason why people shouldn’t talk at four in the morning. Exhaustion eliminates the ability to lie. It demolishes the ability to tiptoe around the truth. Emotions are too exposed and real. Heightened to the point of explosion.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
You’re beautiful,” I say, and the honesty of my words stings. “You’re beautiful inside and out. I like how you challenge me. I like how I can never figure out what you’re going to do or say. I like how we’ve thrown weird shit in your direction and you take it like a pro.” I cup her face with one hand and caress her soft skin. “I like how you smile and how you laugh. I like how you love and defend your family and I like how you’re trying to love mine. I love how you trust. But mostly, Emily, I like how I feel when I’m around you.” Shit. My heart bursts as the words tumble out. “I’m falling for you.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Sometimes people choose the harder path just to prove they can do it.
Katie McGarry (Long Way Home (Thunder Road, #3))
A Second Childhood.” When all my days are ending And I have no song to sing, I think that I shall not be too old To stare at everything; As I stared once at a nursery door Or a tall tree and a swing. Wherein God’s ponderous mercy hangs On all my sins and me, Because He does not take away The terror from the tree And stones still shine along the road That are and cannot be. Men grow too old for love, my love, Men grow too old for wine, But I shall not grow too old to see Unearthly daylight shine, Changing my chamber’s dust to snow Till I doubt if it be mine. Behold, the crowning mercies melt, The first surprises stay; And in my dross is dropped a gift For which I dare not pray: That a man grow used to grief and joy But not to night and day. Men grow too old for love, my love, Men grow too old for lies; But I shall not grow too old to see Enormous night arise, A cloud that is larger than the world And a monster made of eyes. Nor am I worthy to unloose The latchet of my shoe; Or shake the dust from off my feet Or the staff that bears me through On ground that is too good to last, Too solid to be true. Men grow too old to woo, my love, Men grow too old to wed; But I shall not grow too old to see Hung crazily overhead Incredible rafters when I wake And I find that I am not dead. A thrill of thunder in my hair: Though blackening clouds be plain, Still I am stung and startled By the first drop of the rain: Romance and pride and passion pass And these are what remain. Strange crawling carpets of the grass, Wide windows of the sky; So in this perilous grace of God With all my sins go I: And things grow new though I grow old, Though I grow old and die.
G.K. Chesterton (The Collected Poems of G. K. Chesterton)
He ignores me. Our fears are what stifle us and we're only scared of what we don't understand.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Girls don't go for guys who do magic. If a guy relies on sad shit like that it means he's got no game.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
It's the danger that makes it fun.
Katie McGarry (Walk the Edge (Thunder Road, #2))
If you want out of the box you hide in, then you need to crack open the flaps and bask in some sunlight.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Not sure how this whole social media thing is supposed to be fun. It's like being back in elementary school and waiting to be picked for kickball.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I love you', I tell her. 'I don't face fancy shit inside me or other pretty words to say, but know that, no matter what, I love you.
Katie McGarry (Walk the Edge (Thunder Road, #2))
How can you fully hate someone who does all the stupid things because that's the way he loves?
Katie McGarry (Long Way Home (Thunder Road, #3))
Two roads. One path. Can’t take both.
Katie McGarry (Long Way Home (Thunder Road, #3))
She's my girl now and I'll do anything for her at any time. I'm in love with her.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I love you,” I whisper. “I can’t remember a time when I haven’t loved you.
Katie McGarry (Long Way Home (Thunder Road, #3))
You both have grown up feeling as if you weren't properly loved by those who should have loved you the most. People make mistakes. They make wrong choices at the worst moments. Never at any time were you not loved Know this. Cherish this. Love one another and be courageous enough to live your life and love more. Don't let fear trap you.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Hey, Breanna.” I glance over my shoulder. “Yes?” “Be safe.” Those are two enticing and lovely words. “I will be. I have you protecting me, right?” Maybe I’m misreading Razor, but his eyes travel my body like he might toss me onto the bed of the truck and kiss me in a way I’ve never been kissed before. “Don’t worry. I completely have your back.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Our fears are what stifle us and we’re only scared of what we don’t understand.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Don't let your fears create walls or define you.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Losing someone you love, it'd be similar to losing your home.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
I am not your property, I am not a dog … I am your equal, and I deserve the love and respect that comes with that because that’s what a real man does when he loves a woman.
Katie McGarry (Long Way Home (Thunder Road, #3))
I like how you smile and how you laugh. I like how you love and defend your family and I like how you're trying to love mine. I love how you trust. But mostly, Emily, I love you.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
He grabs the swing by the seat and it grinds to a halt. Oz’s fingers brush along the skin of my thigh. My heart stutters. Stupid heart. Stupid short skirt. Stupid deep blue eyes and wild charcoal hair. Stupid, stupid, stupid me for licking my suddenly dry lips.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
As much as you want to, you can’t take all our pain away. Hurting, it’s a part of life, and if you try to stop any of us from being in pain, that means you’re not allowing us to actually live.
Katie McGarry (Long Way Home (Thunder Road, #3))
You could be kidnapping me and trying to do that thing where I grow to love my captors. I’ve seen it on TV before.” “You caught us. We knew you were going to walk out of the motel at three in the morning and we created this situation to freak you out into loving us. That’s how fucked up we are.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
There are lies in life we accept. Whether it's for the sake of ignorance, bliss, or, in my case, survival, we all make our choices.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Everyone says the same thing: Breanna's smart, she's quiet. On the inside. I'm not at all quiet. Most of the time, I'm screaming.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Pigpen got excited because he made me grin when he told me that he thought PTSD stood for Probably There's Something wrong but Dunno what.
Katie McGarry (Long Way Home (Thunder Road, #3))
I’ll tell you what … if you want wild – if you want a kiss that breaks the rules, I’ll give you one, but not here, not now.” I think my heart exploded. Razor of the Reign of Terror – the guy all the girls have dreams about for years – has offered to kiss me. “When?” “When I say.” His lips edge up, sending a thrill through my bloodstream. “If you have the nerve.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I heard your girl's smart," Pigpen pipes up to ease the building tension. "In fact, I've heard she's fucking Einstein, which brings up the question how the hell she ended up with you.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Most people avoid me, easily leaving two feet between us, and here is this little warrior trudging into battle without armor. Terrified I’ll break her, I weave my arms around her and hug her back. My eyes shut when she settles furthering into me. I rest my cheek on her head and simply breathe.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I put my fingers under Emily's chin, tilting her head up. "I love you." Emily's dark eyes widen and if this moment wasn't so dire, I'd laugh at her expression. swipe a finger across her smooth cheek. "I've never said that to anyone and I don't plan on it being the last time, either. I love you, Emily, and I'm telling you we'll work ths out.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Yeah, I know. I’m supposed to be this twenty-first-century woman and obsessed with a man desiring me for my massive intellect. I am woman, hear me roar, and all that stuff, but for once, it would have been really freaking awesome to be the girl in the pretty dress left alone with the gorgeous bad boy who wants to kiss me.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Olivia says it's not officially a party until somebody pukes." "Glad I added to the fun.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
I'm not quiet because I'm not proving a point. I'm quit because I gave no idea what to say to the emotions tearing me up.
Katie McGarry (Walk the Edge (Thunder Road, #2))
That is not your decision to make," he says. "Since I'm in love with her, it is my decision.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Some people, like me and Violent, aren’t supposed to break up. Some people like me and Violet, don’t know how to be near each other when we do part ways.
Katie McGarry (Long Way Home (Thunder Road, #3))
I find a grin spreading across my face. I don't know what I'm doing, how I'm doing it, or what will happen when it's done, but at the very bottom of this rising siege-ladder, I at least know I'm going to see Julie again. I know I'm not going to say goodbye. And if these staggering refugees want to help, if they think they see something bigger here than a boy chasing a girl, then they can help, and we'll see what happens when we say Yes while this rigor mortis world screams No. We start lumbering north on the southbound freeway, and the thunder drifts away towards the mountains as if it's scared of us. Here we are on the road. We must be going somewhere.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
You don’t have to worry about me pressuring you. You say stop, we stop.” That sums it up without me having to over explain. “But I’ll never complain if you cop a feel above or below.
Katie McGarry (Walk the Edge (Thunder Road, #2))
He got up and walked out to the road. The black shape of it running from dark to dark. Then the distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? He walked out into the road and stood. The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind. What will you say? A living man spoke these lines? He sharpened a quill with his small pen knife to scribe these things in sloe or lampblack? At some reckonable and entabled moment? He is coming to steal my eyes. To seal my mouth with dirt.
Cormac McCarthy (The Road)
Eli’s your biological father, but I’m your dad. I’m not asking you to stay here forever. A week. Maybe two. You decide the length, no matter what Eli thinks. I’ll miss you every second you’re away and we’ll talk as often as you want. I want you to discover your biological family, but I’m your dad and you’re my little girl. Always.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Little Man turned around and watched saucer-eyed as a bus bore down on him spewing clouds of red dust like a huge yellow dragon breathing fire. Little Man headed toward the bank, but it was too steep. He ran frantically along the road looking for a foothold and, finding one, hopped onto the bank, but not before the bus had sped past enveloping him in a scarlet haze while laughing white faces pressed against the bus windows. Little
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
Oz lists the hem of his shirt, exposing his cut abs, and wipes his brow with the material. Oh my with chocolate on top. That was just beautiful.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Were' is a son-of-a-bitch word.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
There are lies in life we accept. Whether it’s for the sake of ignorance, bliss or, in my case, survival, we all make our choices.
Katie McGarry (Walk the Edge (Thunder Road, #2))
He’s gorgeous and dangerous. Like the fallen angel Lucifer must have been. This could be the equivalent of a handshake with the devil.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I'd like to somehow find the courage to be on the outside who I am on the inside.
Katie McGarry (Walk the Edge (Thunder Road, #2))
The blonde checks out the legs of the car like Pigpen checks out the legs of my English teacher--like a dog in heat.
Katie McGarry (Long Way Home (Thunder Road, #3))
Pigpen's been tearing through the cabin, the yard, the clubhouse like a toddler on the warpath.
Katie McGarry (Long Way Home (Thunder Road, #3))
Do you trust me?” Of course I did. Trusted him to be the first boy to hold my hand. Trusted him to be the first boy I kissed. Trusted him to be the first for so many things.
Katie McGarry (Long Way Home (Thunder Road, #3))
The suck part about falling is that eventual crash landing.
Katie McGarry (Long Way Home (Thunder Road, #3))
…as I attempt to release her, she squeezes my hand and offers a shy smile. Something within me shifts. No, I don’t get nervous, but Brenna transports me to all sorts of new places. It’s not her physical proximity getting to me, it’s the fact that she makes me feel.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Like you know anything about living. You never take a risk!” “I’m here, aren’t I?” “But not fully engaged. When the hell are you going to step outside of yourself and experience what’s going on around you? You have a huge family I would kill to be blood-related to and you can’t appreciate it to save your life!
Katie McGarry (Nowhere But Here (Thunder Road, #1))
I need you to make a choice, Breanna. If you want things to stay as they are between us, then I need you to walk out that door. Otherwise, it’s going to change.” She tilts her head as if she’s as lost in emotion as I am. “It’s already changed.” A part of me mourns for her. She’s the firefly I’m not sure I’ll be able to keep alive, but I shove those thoughts away. Breanna is here, and she isn’t leaving, which means she’s mine.
Katie McGarry (Walk the Edge (Thunder Road, #2))
The world is made of multiple pieces.All of them moving alongside each other,sometimes never touching.Coexisting,yet not.How many of us live our entire lives inside a single bubble? Maneuvering in what we believe is a forward direction when it's only in a circle among the same type of people.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
The black shape of it running from dark to dark. Then a distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? … The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind.
Cormac McCarthy (The Road)
Xie Lian whipped his head over, and a biting chill flashed before his face. He straightened and stated solemnly: “You ask who I am? LISTEN WELL! ——I, AM THE EMINENT HIGHNESS THE CROWN PRINCE! You riotous radicals, BOW DOWN BEFORE ME!” His voice boomed like thunder in clear skies. There were actually a few who almost dropped to their knees, and didn’t snap out of it until their companions pulled them up. “What are you doing? Are you actually kneeling?” “Th-that’s weird, I did it before I realized it…” Xie Lian proclaimed sharply: “I, AM OVER EIGHT HUNDRED. OLDER THAN ALL OF YOU COMBINED. I’VE CROSSED MORE BRIDGES THAN ALL THE ROADS YOU’VE WALKED. “I, POSSESS SHRINES AND TEMPLES ACROSS THIS LAND; MY DEVOTEES AND WORSHIPPERS ARE SPREAD TO ALL FOUR SEAS. IF YOU DON’T KNOW MY NAME, IT’S BECAUSE YOU ARE IGNORANT AND UNLEARNED OF THE WORLD! “I, DO NOT WORSHIP GODS. “I, AM GOD!” When the mob heard this speech, that was so shameless yet spoken with an incomparably impressive air, they were all stunned, and dropped their jaws. “…HUH???” Xie Lian made up all that nonsense because he was waiting for this very moment. He flung that plate in his hand, and all those little white meatballs shot out through the air like iron pellets, scattering in all directions. Without any misses, they were hurled right into the open mouths of all those people in shock. Then he wiped away his sweat. “Will everyone please forget everything I just said? I’m actually only just a scrap collector!
Mò Xiāng Tóng Xiù
In the stress and strain of life today, with space rockets zooming, loudspeakers thundering in our ears, and a lot of other sounds, the voice of your subconscious goes unnoticed.
Al Koran (Bring Out The Magic in your Mind: The world-wide berst seller that can launch you on the road to Success!)
Thomas make it easy to cave to temptation with his golden - blond hair, muscle from head to toe and sexy brooding expression a few girls have written about in poems.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I promise I'll protect you now. I won't let them touch you again. " "I know you'll try." I can do more than try.
Katie McGarry (Long Way Home (Thunder Road, #3))
I promise I'll take care of you," he whispers. "You're safe with me." Even with an army of motorcycle guys outside that door, I firmly believe him.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Anyone who ever makes you the slightest bit uncomfortable, Breanna, you tell one of us. You're with Razor, which means you're family.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Pigpen passes the pan of lasagna in Chevy's direction and he takes two squares for himself, the deposits the corner piece on my plate. I smirk at Pigpen and he scowls back at me.
Katie McGarry (Long Way Home (Thunder Road, #3))
But by the way Pigpen's eyes are flickering between that piece and me, I might have to stab him in the hand with a fork to get it. "It's mine." He whispers. "Go for it and you're going down." Despite my best intentions, I smile and his eyes shine with the win.
Katie McGarry (Long Way Home (Thunder Road, #3))
I slam my hand into the nearest locker, almost relishing the sting. “Feel better?” A glance across the hallway and I freeze. Doesn’t matter how many times I see her in a day, she still manages to take my breath away.
Katie McGarry (Long Way Home (Thunder Road, #3))
It's what I've been trained to do. It's what's expected of me. To be responsible. To follow the rules. To make logical decisions and to use this precious brain, but Razor's teaching me there's more to me than logic- there's also a ton of passion.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I'm Breanna Miller. The smart girl. The quiet girl. The one who belongs to a large family. I'm Breanna Miller. Number 5 in the line of 9. The girl who everybody knows and nobody sees. I'm Breanna Miller. A girl who went to Shamrock's and ended up falling in love with Thomas Turner-Razor of the Reign of Terror. The boy who everyone sees and nobody knows. I've been with him for months. I'm in love with him and I don't care who knows.
Katie McGarry (Walk the Edge (Thunder Road, #2))
After the torchlight red on sweaty faces After the frosty silence in the gardens After the agony in stony places The shouting and the crying Prison and palace and reverberation Of thunder of spring over distant mountains He who was living is now dead We who were living are now dying With a little patience Here is no water but only rock Rock and no water and the sandy road The road winding above among the mountains Which are mountains of rock without water If there were water we should stop and drink Amongst the rock one cannot stop or think Sweat is dry and feet are in the sand If there were only water amongst the rock Dead mountain mouth of carious teeth that cannot spit Here one can neither stand nor lie nor sit There is not even silence in the mountains But dry sterile thunder without rain There is not even solitude in the mountains But red sullen faces sneer and snarl From doors of mudcracked houses If there were water And no rock If there were rock And also water And water A spring A pool among the rock If there were the sound of water only Not the cicada And dry grass singing But sound of water over a rock Where the hermit-thrush sings in the pine trees Drip drop drip drop drop drop drop But there is no water - The Waste Land (ll. 322-358)
T.S. Eliot
Ignoring our problems won’t make them go away. We’re playing a dangerous game, and I’ll be honest, I don’t know how many more hits I can take.” “You want me to walk away?” “No,” she says quietly. “I never wanted you to walk away. I need you, but I don’t know how to be with you. You need me, but you don’t know how to be with me either.
Katie McGarry (Long Way Home (Thunder Road, #3))
I wanted to go away. It took me not listening for them to listen to me. Sometimes people don't listen until bad things happen. They realize then they should have listen instead of talked. Sometimes people are too busy hearing what they want to hear, seeing what they want to see, they don't care what's real only what they think is real.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I love you. I always have, always will. I understand the promises you’re talking about and I understand why you can’t make them, but I’m going to make a promise to you. No matter which way this plays out, I promise to love you and do my best to make sure whatever path we go down together or separately will be the one that hurts you the least.
Katie McGarry (Long Way Home (Thunder Road, #3))
Jesus, you're a wet blanket." Pigpen walks up behind Eli and grins like he just escaped prison. "Why are you giving the girl hell for wanting to go to an army bar at midnight? It's not like she told you she was going to kick puppies." Pigpen winks at me. "You ready to roll? Or should I say hop?
Katie McGarry (Long Way Home (Thunder Road, #3))
Her spirit is hurting, weak and in need, and so is mine. I don’t know much either. I’m confused and blinded by the fog we’ve stumbled into, but Violet is real and warm and a fortress by which I fall to my knees whenever I come into contact. I need her, she needs me and tonight we just need to hold each other.
Katie McGarry (Long Way Home (Thunder Road, #3))
It was the red vision of the revolution, which would one day inevitably carry them all away, on some bloody evening at the end of the century. Yes, some evening the people, unbridled at last, would thus gallop along the roads, making the blood of the middle class flow, parading severed heads and sprinkling gold from disembowelled coffers. The women would yell, the men would have those wolf-like jaws open to bite. Yes, the same rags, the same thunder of great sabots, the same terrible troop, with dirty skins and tainted breath, sweeping away the old world beneath an overflowing flood of barbarians.
Émile Zola (Germinal (contains a biography of the author and an active table of contents))
The word "America" has well-developed grandiose associations for a Soviet person, for whom it refers to a country of skyscrapers, where day and night one hears the unceasing thunder of surface and underground trains, the hellish roar of automobile horns, and the continuous despairing screams of stockbrokers rushing through the skyscrapers waving their ever-falling shares.
Ilya Ilf (Ilf and Petrov's American Road Trip: The 1935 Travelogue of Two Soviet Writers)
On the final stretch of the road we passed three or four hammer-stones set on the verges to honour the thunder-god. Snorri checked for rune-stones around each, but found only a stray black pebble, river-smoothed and wide enough to cover his palm, bearing a single rune. Perhaps local children made off with the rest. 'Thuriaz.' He let it fall. 'Hmmm?' 'Thorns.' He shrugged. 'It means nothing.
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
Ter refused to ride buses. The people depressed him, sitting there. He liked Greyhound stations though. We used to go to the ones in San Francisco and Oakland. Mostly Oakland, on San Pablo Avenue. Once he told me he loved me because I was like San Pablo Avenue. He was like the Berkeley dump. I wish there was a bus to the dump. We went there when we got homesick for New Mexico. It is stark and windy and gulls soar like nighthawks in the desert. You can see the sky all around you and above you. Garbage trucks thunder through dust-billowing roads. Gray dinosaurs.
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
Part of the human experience is to confront temptation. No one escapes. It is omnipresent. It is both externally driven and internally prompted. It is like the enemy that attacks from all sides. It boldly assaults us in television shows, movies, billboards, and newspapers in the name of entertainment or free speech. It walks down our streets and sits in our offices in the name of fashion. It drives our roads in the name of style. It represents itself as political correctness or business necessity. It claims moral sanction under the guise of free choice. On occasion it roars like thunder; on others it whispers in subtle, soothing tones. With chameleon-like skill it camouflages its ever-present nature, but it is there--always there.
Tad R. Callister (The Infinite Atonement)
The siren soared again, closer at hand, and then, with no anticipatory roar and clamour, a dark and sinuous body curved into view against the shadows far down the high-banked track, and with no sound but the rush of the cleft wind and the clock like tick of the rails, moved towards the bridge - it was an electric train. Above the engine two vivid blurs of blue light formed incessantly a radiant crackling bar between them, which, like a spluttering flame in a lamp beside a corpse, lit for an instant the successive rows of trees and caused Gloria to draw back instinctively to the far side of the road. The light was tepid - the temperature of warm blood... The clicking blended suddenly with itself in a rush of even sound, and then, elongating in sombre elasticity, the thing roared blindly by her and thundered onto the bridge, racing the lurid shaft of fire it cast into the solemn river alongside. Then it contracted swiftly, sucking in its sound until it left only a reverberant echo, which died upon the farther bank.
F. Scott Fitzgerald (The Beautiful and Damned)
He got up and walked out to the road. The black shape of it running from dark to dark. Then a distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? He walked out into the road and stood. The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind. What will you say? A living man spoke these lines? He sharpened a quill with his small pen knife to scribe these things in sloe or lampblack? At some reckonable and entabled moment? He is coming to steal my eyes. To seal my mouth with dirt.
Cormac McCarthy (The Road)
Frederick Faber: In the spiritual life God chooses to try our patience first of all by His slowness. He is slow: we are swift and precipitate. It is because we are but for a time, and He has been for eternity. . . . There is something greatly overawing in the extreme slowness of God. Let it overshadow our souls, but let it not disquiet them. We must wait for God, long, meekly, in the wind and wet, in the thunder and the lightning, in the cold and the dark. Wait, and He will come. He never comes to those who do not wait. He does not go their road. When He comes, go with Him, but go slowly, fall a little behind; when he quickens His pace, be sure of it, before you quicken yours. But when He slackens, slacken at once: and do not be slow only, but silent, very silent, for He is God.
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
I've hated Snowflake for so long," she says. "But then I met you. And you're the person entire town has trashed, a person belonging to the group I've been raised to believe is evil, and you're the only person who is able to make me feel as if every part of me is beautiful." She is beautiful. Inside and out. My fingers tunnel into her hair again, but this time, I gently knot them in. My heart beats hard, and I open my mouth, hoping that doing so will force the right words. That I can explain being near her makes everything that's impossible about me seem possible. But the words become lodged in my throat and silence paralyzes my tongue. Breanna blinks and the hope that had been on her face disappears as she misreads my hesitation. Her hold on me loosens and she ducks her head. "Don't listen to me. I say too much around you. I was being stupid I..." More words meant to wipe away her admission spill from her mouth, but I'm not listening. My grip on her hair tightens, I lower my lips to hers and I kiss Breanna Miller.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
Robert Louis Stevenson (Treasure Island)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons