Thru My Eyes Quotes

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I rub the ears of my dog, my stupid goddam ruddy great dog that I never wanted but who hung around anyway and who followed me thru the swamp and who bit Aaron when he was trying to choke me and who found Viola when she was lost and who's licking my hand with his little pink tongue and whose eye is still mostly squinted shut from where Mr. Prentiss Jr. kicked him and whose tail is way way shorter from where Matthew Lyle cut it off when my dog - my dog - went after a man with a machete to save me and who's right there when I need pulling back from the darkness I fall into and who tells me who I am whenever I forget.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
In the holy solipsism of the young Now I can't walk thru a city street w/out eying each single pedestrian. I feel thier vibe thru my skin, the hair on my neck --- it rises.
Jim Morrison (Wilderness: The Lost Writings, Vol. 1)
When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death: "Thru Time I'll save my love!" he said. . . yet Beauty vanished with his breath, and, with her lovers, she was dead. . . -Ever his wit and not her eyes, ever his art and not her hair: "Who'd learn a trick in rhyme, be wise and pause before his sonnet there". . . So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.
F. Scott Fitzgerald (This Side of Paradise)
There it is again, right in my head, I AM THE CIRCLE AND THE CIRCLE IS ME - But this time it's different - There's a lightness - A breath-stealing feeling - A weightlessness to it that makes my stomach rise - "I give you a gift," he says, his voice floating thru my head like a cloud on fire. "The same gift I've given to my captains. Use it. Use it to defeat me. I dare you." I look into his eyes, into the blackness of them, the blackness that swallows me whole - I AM THE CIRCLE AND THE CIRCLE IS ME. And that's all I can hear in the whole world.
Patrick Ness (Monsters of Men (Chaos Walking, #3))
I believe that the most beautiful things in life are the small things, the things we tend to overlook. 
Sawyer Hartman
I looked a coyote right in the face On the road to Baljennie near my old home town He went running thru the whisker wheat Chasing some prize down And a hawk was playing with him Coyote was jumping straight up and making passes He had those same eyes just like yours Under your dark glasses Privately probing the public rooms And peeking thru keyholes in numbered doors Where the players lick their wounds And take their temporary lovers And their pills and powders to get them thru this passion play No regrets Coyote I just get off up aways You just picked up a hitcher A prisoner of the white lines on the freeway Coyote's in the coffee shop He's staring a hole in his scrambled eggs He picks up my scent on his fingers While he's watching the waitresses' legs He's too far from the Bay of Fundy From appaloosas and eagles and tides And the air conditioned cubicles And the carbon ribbon rides Are spelling it out so clear Either he's going to have to stand and fight Or take off out of here I tried to run away myself To run away and wrestle with my ego And with this flame You put here in this Eskimo In this hitcher In this prisoner Of the fine white lines Of the white lines on the free freeway
Joni Mitchell
Four Day’s Four Night’s My desire her eyes Her attention my life I claim she refuses..! In the passion of hope I was All day all night Her ignorance my fall I like rides so I moved I know now she wants After immense instance We met With less in words..! Exchanging thru eyes a lot Jovial and congenial All day all night I claim again..! Response remains..? My hope is my ecstasy Your woe is your wait I hope…! You sense the harmony Of my bond on two wheels You will always My first love Till the cease I loved you All days all nights
Rocky13
I look at my friends [in H5] thru different eyes...Not one of them even knows how to be mean.
Sharon M. Draper (Out of My Mind (Out of My Mind #1))
Sheep look up revolving their jaws with empty eyes, pacific gods little gods that look at me curious & keep distant from human fame. Creatures revolving thru births and deaths, unharmed horses in a tiny gigantic vale in Wales. I am Bard to my own nature nameless as the very Vast I look at. Lay down on the warm hillside & groaned release from my body sighed thru my breast a great Ooh!
Allen Ginsberg (Wait Till I'm Dead: Uncollected Poems)
I am not all now but a universe of skin and breath & changing thought and burning hand & softened heart in the old bed of my skin From this single birth reborn that I am to be so— My own Identity now nameless neither man nor dragon or God but the dreaming Me full of physical rays’ tender red moons in my belly & Stars in my eyes circling And the Sun the Sun the Sun my visible father making my body visible thru my eyes!
Allen Ginsberg (Collected Poems, 1947-1997)
My eye, then, sky-wards, relaxed, all cloudless, mind as non-reflective as possible, (where will I find the words to describe it), my wakeful awareness . . . non-blue, near gold of it, God in it, flakes of God-gold of it falling as if down from it into my eyes. In non-chicken-littleness, my eye opening out to it, now hedging wording it, mind’s eye narrowing down to it, destroying it. Imagine the headline: THE SKY ISN’T BLUE, discovered by— on—while—etc. Impossibility of all of it. I sky-hypno- tized, my eye involved without view, seeing thru the so-called color of it, discovering light, now sighting it down to “flakes,” “God-gold,” “falling,” “down.” Metaphors—feathers, snow, reign, all golden. My best descriptive is still the negative—“non-blue.” Best sense of it—“discovering light.” Best sentence—“im- possibility of it all.
Stan Brakhage
When Vanity kissed Vanity, a hundred happy Junes ago, he   pondered o'er her breathlessly, and, that all men might ever   know, he rhymed her eyes with life and death:   "Thru Time I'll save my love!" he said... yet Beauty   vanished with his breath, and, with her lovers, she was dead...   —Ever his wit and not her eyes, ever his art and not her hair:   "Who'd learn a trick in rhyme, be wise and pause before his   sonnet there"...  So all my words, however true, might sing   you to a thousandth June, and no one ever know that you were   Beauty for an afternoon.
F. Scott Fitzgerald (This Side of Paradise)
At night at my desk in the shack I see the reflection of myself in the black window, a rugged faced man in a dirty ragged shirt, need-a-shave, frowny, lipped, eyed, haired, nosed, eared, handed, necked, adamsappled, eyebrowed, a reflection just with all behind it the void of 7000000000000 light years of infinite darkness riddled by arbitrary limited-idea light, and yet there’s a twinkle in me eye and I sing bawdy songs about the moon in the alleys of Dublin, about vodka hoy hoy, and then sad Mexico sundown-over-rocks songs about amor, corazón, and tequila - My desk is littered with papers, beautiful to look at thru half closed eyes the delicate milky litter of papers piled, like some old dream of a picture of papers, like papers piled on a desk in a cartoon, like a realistic scene from an old Russian film, and the oil lamp shadowing some in half -
Jack Kerouac (Desolation Angels)
I love this song, can you turn it up?” I reached and turned the dial up on the Vance Joy song “Red Eye.” Adam bobbed his head to the music. At the stoplight I looked over at him. He was wearing the black beanie my brother had given him, his black Wayfarers, and the hospital gown. I laughed. He turned to me and smiled. “What?” he said. “You’re cute.” “Oh yeah? Wanna fool around?” He grinned. I was glad that Adam couldn’t see my eyes welling up behind my sunglasses. The car behind us honked. I hit the gas and my car lurched forward from the intersection. “How much time do we have?” I asked. “What? Are you serious?” “Yes, Adam, I am serious.” He was having a good day. He reached for my phone. “We have like an hour and a half before Leah freaks out.” I knew I was taking a big chance, but how could I say no to him? There was so much joy in him that day just because he got to go to the drive-thru at In-N-Out. “Okay.” I glanced over at him and flattened my lips. “You better not have a seizure on me.” “I can’t think of a better place to have a seizure. Although I can see how that wouldn’t be much fun for you.” I laughed hysterically. “Oh man, I didn’t mean literally on me; I meant on my watch.” “Well, Charlotte, I don’t have much control over that, but I’ll try. You know what helps?” “What?” “Alcohol.” “Really?” As we passed the Four Seasons he said, “Pull in here.” “This is too expensive, Adam.” “What? Are you crazy?” The energy in the car was tangible. “This may be the last time I ever go to a hotel with a girl. I’m paying. I have a ton of money. Come on, Charlotte, please?” His mood was instantly lighter than it had been in several days. “Okay.” I did a U-turn and pulled into the driveway of the hotel.
Renee Carlino (Wish You Were Here)
In the pass the muttering sickness leaped into our throats, coughing and spitting in the silver morning, frost on our bones. Most of the ape forms died there on the treeless slopes, dumb animal eyes on "me" brought the sickness from white time caves frozen in my throat to hatch in the warm steamlands spitting song of scarlet bursts in egg flesh, beyond the pass, limestone slopes down into a high green savanna and the grass-wind on our genitals, came to a swamp fed by hot springs and mountain ice. and fell in flesh heaps, sick apes spitting blood laugh, sound bubbling in throats torn with the talk sickness, faces and bodies covered with pus foam, animal hair thru the purple sex- flesh, sick sound twisted thru body, underwater music bubbling in blood beds, human faces tentative flicker in and out of focus. We waded into the warm mud-water, hair and ape flesh off in screaming strips, stood naked human bodies covered with phosphorescent green jelly, soft tentative flesh cut with ape wounds, peeling other genitals, fingers and tongues rubbing off the jelly-cover, body melting pleasure-sounds in the warm mud. till the sun went and a blue wind of silence touched human faces and hair. When we came out of the mud we had names. In the pass muttering arctic flowers, gusts of frost wind, bones and most of the ape still felt, invisible slopes, spitting the bloodbends human bones out of focus, and ape-flesh naked human body. Caves frozen in my throat, green jelly genitals. Limestone slopes cover our bodies melting in savanna and grass mud. shit and sperm fed hot till the sun went. The mountain touched human bubbling throats. Torn we crawled out of the mud. faces and bodies covered the purple sex-flesh, and the sickness leaped into our body underwater music bubble in the silver morning frost, faces tentative flicker in ape forms, into the warm mud and water slopes, cold screaming sickness from white time, covered with phosphorescent shed in the warm lands, spitting ape wounds, feeling egg flesh, green pleasure-sounds warm our genitals, blue wind of silence. Apes spitting sound faces thru pus foam, the talking sickness had names. The sound stood naked in the grass, music bubbling in the blood, quivering frog eggs and sound thru our throats and swap we had names for each other, tentative flicker-laugh and laughing washed the hairs off. down to his genitals. Human our bodies melted into when we crawled out. And the other did not want to touch me because of the white worm-thing inside but no one could refuse if I wanted and ate the fear-softness in other men. The cold was around us in our bones. And I could see the time before the thing when there was green around and the green taste in my mouth and the green plant-shit on my legs, before the cold. . . And some did not eat flesh and died because they could not live with the thing inside. . . Once we caught one of the hairy men with our vine nets and tied him over a slow fire and left him there until he died and the thing sucked his screams moving in my face like smoke and no one could eat the flesh-fear of the hairy man and there was a smell in the cave bent us over
William S. Burroughs (The Soft Machine (The Nova Trilogy #1))
A colleague once asked me about community supported agriculture (CSA). When I explained how it worked—driving to the farm weekly to pick up my produce—she responded, 'Well, that’s fine for you, but what about the rest of us?' It’s funny how perception works, because in my eyes, I am 'the rest of us.
J. Natalie Winch (Ditching the Drive-Thru)
Riverstone: Viscount of tine stony grave Alive and well attended to; Deliverance beyond this day: I bid thee well along and thru. Despite the case at hand to see Before my eyes against me say: To rid me of my misery, A desperate call to riverine stay. The cult which led me to that place- A devil hooked on just romance-; My sister bled with solemn grace: A flower sti I I and yet to dance. Whatever for we shan't oblige For mystic chanting let alone The daemons and their just demise The daylight break to Riverstone. And well adhered to firm belief The dudgeon of a higher man Amidst my song of pear and leaf To take thee to a brighter land. A season of the greater arts A life of wealth, and will to bring The pristine health of desperate hearts- The kindness of a Druid king- And let alone the blessed face My own two eyes remember this Alone, beyond the steady race, To dance about the cold abyss. A presence well enchanted in The ways of light yet to demand My sister in the hands of sin A daughter of the ocean-brand. To sea she runs with ample stride The wave alone to render sti I I To peer along her way with pride My darling heart she kindly fills. And like the darling buds of May She dances from around and to Deliverance beyond this day: I bid thee well along and thru
Marc-Alexandre Gagnon (Memento Mori)
feeling the fear hysteria in mass murder town 83-year-old woman shot thru eye convenience clerk nothing taken says it’s pointless junked out killer on lam killing for art’s sake THIS is my art judge me now.
Scott C. Holstad (Big Head Press Broadside Poem Collection)
I question not my Corporeal or Vegetative Eye any more than I would question a Window concerning a Sight. I look thru’ it not with it.
Robert S. de Ropp (Self-Completion: Keys to the Meaningful Life (Consciousness Classics))
I typed the winery address into the GPS and then proceeded to pull out of the rental company driveway. I screeched and slammed on the brakes every four feet until I got out onto the street. There was going to be a learning curve. The GPS lady successfully got me over the Golden Gate, but I didn’t get to enjoy one minute of it. Paranoid that I was going to hit a pedestrian or a cyclist or launch myself off the massive bridge, I couldn’t take my eyes off of the car in front of me. Once I was out of the city, I spotted a Wendy’s and pulled off the highway. GPS lady started getting frantic. “Recalculating. Head North on DuPont for 1.3 miles.” I did a quick U-turn to get to the other side of the freeway and into the loving arms of a chocolate frosty. “Recalculating.” Shit. Shut up, lady. I was frantically hitting buttons until I was able to finally silence her. I made a right turn and then another turn immediately into the Wendy’s parking lot and into the drive-thru line. I glanced at the clock. It was three forty. I still had time. I pulled up to the speaker and shouted, “I’ll take a regular French fry and a large chocolate frosty.” Just then, I heard a very loud, abbreviated siren sound. Whoop. I looked into my rearview mirror and spotted the source. It was a police officer on a motorcycle. What’s he doing? I sat there waiting for the Wendy’s speaker to confirm my order, and then again, Whoop. “Ma’am, please pull out of the drive-thru and off to the side.” What’s going on? I quickly rolled the window all the way down, stuck my head out, and peered around until the policeman was in my view. “Are you talking to me?” To my absolute horror, he used the speaker again. “Yes, ma’am, I am talking to you. Please pull out of the drive-thru.” Holy shit, I’m being pulled over in a Wendy’s drive-thru. “Excuse me, Wendy’s people? You need to scratch that last order.” A few seconds went by and then a young man’s voice came over the speaker. “Yeah, we figured that,” he said before bursting into laughter and cutting the speaker off. The policeman was very friendly and seemed to find a little humor in the situation as well. Apparently I had made an illegal right turn at a red light just before I pulled into the parking lot. After completely and utterly humiliating me, he let me off with a warning, which was nice, but I still didn’t have a frosty. Pulling my old Chicago Cubs cap from my bag, I decided that nothing was going to get in the way of my beloved frosty. Going incognito, I made my way through the door. Apparently the cap was not enough because the Justin Timberlake–looking fellow behind the counter could not contain himself. “Hi,” I said. “Hi, what can I get you?” he said, and then he clapped his hand over his mouth, struggling to hold back a huge amount of laughter and making gagging noises in the back of his throat in the process. “Can I get an extra-large chocolate frosty please, and make it snappy.” “Do you still want the fries with that?” There was more laughter and then I heard laughter from the back as well. “No, thank you.” I paid, grabbed my cup, and hightailed it out of there.
Renee Carlino (Nowhere but Here)
Now git goin thru that screen door before I use it as a weapon. You're just a witless fool. That's what you are, a fool, Mae Mae said, shaking her head as if she had just discovered truth. An' put a log on that fire for me on your way out. Make yourself useful for something but misery. Cause you messed with the wrong MaMae. Look in my eyes. Philip, in all of his dejection and correction, had to look with respect. Yes, maam, he said sheepishly looking up from from the pine floor into her narrow, serious eyes. See I see right thru ya, she said, noddin her chin and holding her eyes like fire into his soul. An' the motives of your heart are stinkin up the place. I don't want the kids to smell it when they wake up from their naps. I don't know what's wrong with your generation. Missing men. No fathers. It disgusts me. At least in my time, women got some respect an alimony. An my daughter's got six kids and broke. But yours, they just gone missing. Hiding up in the woods with some women. Or abscounding to your cousin Satchie's trailer. Not supportin' them kids. Goin to jail. Servin their selves instead of the One who made 'em. It ain't no man problem, it's a sin probl'm. An people my age just sick that none of yall, no not one, know the capital letters of RESPONSIBILITY. Now take your lies and country jeans an drive down the gravel cause you ain't welcome here no more. The screen is locked, Ma Mae shouted as Philip walked blankly out the door.
Toni Orrill