Throwing Subs Quotes

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Throwing a sub at the Apollyon probably wasn't something that should be done in public. But I couldn't help it; I laughed.
Jennifer L. Armentrout (Deity (Covenant, #3))
Who but the sports-mad [Norman] Mailer would liken the battle between God and the Devil to a game of American football? The contest, for sure, has with [sic] own laws (so that after God and the Devil 'tackle a guy, they don't kick him in the head'), but each side is not above cheating—with God breaking the rules occasionally by throwing in 'a miracle'. Strangely, Mailer doesn’t mention Jesus in this agonising analogy, but then the notion of the 'super-sub' may be an image too far even for him.
Christopher Hitchens
A previous sub once blamed me because she had to throw out her mascara and buy a waterproof one. Tears are granted. Tears for all reasons.
Cara Dee (Twice the Touch (Touch, #2))
Sometimes, Zed, I get tired. Sometimes I need a break from being me." I paused then added. "Doesn't make me a sub, though. Only makes me want Cass to throw me around his bedroom.
Tate James (7th Circle (Hades, #1))
While I was washing my face, I began to cry. The tears mingled easily with the cold water, in the luminous, dripping crimson of my cupped fingers, and at first I wasn't aware that I was crying at all. The sobs were regular and emotionless, as mechanical as the dry heaves which had stopped only a moment earlier; there was no reason for them, they had nothing to do with me. I brought my head up and looked at my weeping reflection in the mirror with a kind of detached interest. What does this mean? I thought. I looked terrible. Nobody else was falling apart; yet here I was, shaking all over and seeing bats like Ray Milland in The Lost Weekend. A cold draft was blowing in the window. I felt shaky but oddly refreshed. I ran myself a hot bath, throwing in a good handful of Judy's bath salts, and when I got out and put on my clothes I felt quite myself again. Nihil sub sole novum, I thought as I walked back down the hail to my room. Any action, in the fullness of time, sinks to nothingness...
Donna Tartt (The Secret History)
In her eyes, he could see the fear, but also the love. The need. Time to show her, that to him, she meant everything. “Before you shower me with kisses for saving you –” “I think it could be argued that I played a part.” “Not when I retell the story you won’t. But we can argue about that later, naked. As I was saying, I have something for you.” Remy pulled the sheet of paper out of his back pocket and unfolded it. Initially he’d worried about it being too short. But as Lucifer assured him when he made the contract and binding, the less clauses he put in, the more his promise would stick out. Handing it to her, he waited. Fidgeted when she didn’t say a word. Almost tore it from her grasp. Then stumbled back as she threw herself at him. I, Remy, the most awesome demon in Hell, do declare to love the witch Ysabel, fiery temper and all, for an eternity. I will never stray. Never betray her trust. Never do anything to cause her pain upon penalty of permanent death. This I do swear in blood, Remy A simple contract, which in its very lack of clauses and sub items, awed her. “You love me that much?” He peered at her with incredulity on his face. “Of course I love you that much. Would I have done all the things I did if I didn’t?” “Well, you are related to a mad woman.” “Yes, and maybe it’s madness for me to love you, but I do. Do you think just any woman would inspire me enough to take on a bloody painful curse. Or put up with the fact you have a giant, demon eating cat. I know you have trust issues, and that I might not have led the kind of life that inspires confidence, but I will show you that you can believe in me. I want you to love me.” “I know you do. And I do love you. Only for you would I come to the rescue wearing nothing to cover my bottom.” His eyebrows shot up. “You came to battle in a skirt without any underwear?” A slow nod was her answer. He grinned, then scowled. “You will not do that again. Do you know how many demons live in the sewer and could have looked up your skirt? I won’t have them looking at what’s mine. On second thought. Throw out all your underwear. I’ll lead the purge on the sewers myself so you can stroll around with your girl parts unencumbered for my enjoyment.” “You’re insane,” she laughed. “Crazy in love with you,” he agreed. “But I do warn you, we’ll have to have dinner with my crazy mother at least once a month.” “Or more often. I quite like your mom. She’s got a refreshing way of viewing the world.” “Oh fuck. Don’t tell me she’s already rubbing off,” he groaned, as he pulled her into his arms. She snuggled against him. This was where she belonged. But she did have a question. “As my new… what should I call you anyway? Boyfriend? Demon I sleep with?” “The following terms are acceptable to me. Yours. Mate. Husband. Divine taster of your –” She slapped a hand over his mouth. “I’ll stick to mate.” “And I’m going with my super, sexy, touch her and die, fabulous cougar, ass kicking witch.” “I dare you shout that five times in a row without stumbling.” He did to her eye popping disbelief. “I told you, I have a very agile tongue.” “I remember.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Me: You fucking whore. Hannah: What? Me: You know what. This pizza! Hannah: I don’t know what you’re talking about. Me: Your name is on the receipt. Hannah: CRAP! I thought it’d take you at least ten minutes to figure out it was me. Me: Yeah, crap! I am fucking mortified, you idiot. I’m trying to keep a low profile, but that delivery guy probably had to go talk to the guys at the counter to figure out where I was. I am humiliated, and you are the worst! Don’t you have your own book to write? How do you have time for this? Hannah: I’m shaking so hard with laughter, it’s difficult to type. Me: I had my earbuds in, so I didn’t hear him calling my name. He listed off the food you bought for a football team and then handed it all to me—the chubby ginger creeping in the corner. Goddamn you! Hannah: Is it good, though? I got you extra dipping sauces for those parm breadsticks. That cost extra, you know. I ain’t cheap. Me: I can’t eat it because my mortification has killed my appetite! But…this does give me an excuse to try out the fountain pop machine, so…silver lining. Hannah: My eyes are wet from laughing so hard. Me: Yuck it up, yucky yuckerson. God, I was in the middle of writing an anal scene, so I was super in the zone too…it’s no wonder I didn’t hear him. Hannah: STOP. MY STOMACH IS KILLING ME…ON ACCOUNT OF ALL THE LAUGHING. Me: Well played, whore. Well played. And it’s the burn that keeps on burning b/c my inner cheap girl will NOT let me throw these leftovers away. So I’m going to have to carry them out of here. Hannah: Oh, I was counting on that. Want to hear something horrible? Me: What? Hannah: I was going to do a sub delivery, but then I decided the pizza boxes were more embarrassing. Me: You’re dead to me.   Fifteen minutes later.   Hannah: So I’ve been picturing you sulking and refusing to eat for the past fifteen minutes and then finally giving up and eating it anyway. Am I close? Me: OMG, it’s like you’re here with me. That’s exactly what I did. This food is delicious btw. But I’m still not thankful. Hannah: But you’re always welcome. ;) Best $53 I ever spent.
Amy Daws (Wait With Me (Wait With Me, #1))
Everything leads me to believe it,” he replied. “They got their hands on this communist who wasn’t one, while still being one. He had a sub par intellect and was an exalted fanatic—just the man they needed, the perfect one to be accused. . . . The guy ran away, because he probably became suspicious. They wanted to kill him on the spot before he could be grabbed by the judicial system. Unfortunately, it didn’t happen exactly the way they had probably planned it would. . . . But a trial, you realize, is just terrible. People would have talked. They would have dug up so much! They would have unearthed everything. Then the security forces went looking for [a clean-up man] they totally controlled, and who couldn’t refuse their offer, and that guy sacrificed himself to kill the fake assassin—supposedly in defense of Kennedy’s memory! “Baloney! Security forces all over the world are the same when they do this kind of dirty work. As soon as they succeed in wiping out the false assassin, they declare that the justice system no longer need be concerned, that no further public action was needed now that the guilty perpetrator was dead. Better to assassinate an innocent man than to let a civil war break out. Better an injustice than disorder. “America is in danger of upheavals. But you’ll see. All of them together will observe the law of silence. They will close ranks. They’ll do everything to stifle any scandal. They will throw Noah’s cloak over these shameful deeds. In order to not lose face in front of the whole world. In order to not risk unleashing riots in the United States. In order to preserve the union and to avoid a new civil war. In order to not ask themselves questions. They don’t want to know. They don’t want to find out. They won’t allow themselves to find out.” These astonishing observations about Dallas were captured in Peyrefitte’s memoir, C’était de Gaulle (It Was de Gaulle), which was published in France in 2002, three years after the author’s death. Snippets of the conversation appeared in the U.S. press, but the book was not translated and published in America, and de Gaulle’s remarks about the Kennedy assassination were never fully reported outside of France. A
David Talbot (The Devil's Chessboard: Allen Dulles and the Rise of America's Secret Government)
when the Americans liberated Ohrdruf, one of Buchenwald’s sub-camps. Ohrdruf is particularly important because General Dwight Eisenhower, the Supreme Commander of Allied Forces in Europe, visited it on 12 April, just a week after it had been discovered. He brought with him Generals Omar Bradley and George Patton, and insisted on seeing ‘every nook and cranny’ of the camp, ‘because I felt it my duty to be in a position from then on to testify at first hand about these things in case there ever grew up at home the belief or assumption that the stories of Nazi brutality were just propaganda’.23 Here they observed torture devices, a butcher’s block used to smash the gold fillings from the mouths of the dead, a room piled to the ceiling with corpses, and the remains of hundreds of bodies that had been burned in a huge pit, as if on ‘some gigantic cannibalistic barbecue’.24 Patton, a man well used to the horrors of the battlefield, took one look at the ‘arms and legs and portions of bodies sticking out of the green water’ in the pit, and was obliged to retire behind a shed to throw up.25
Keith Lowe (Savage Continent: Europe in the Aftermath of World War II)
Before we dive into specific examples, let’s first look at a simple, four-step, codified breakdown for a typical infomercial pitch: 1. The Problem: Here’s the problem you’re experiencing today, based on your status quo state or the solution you’re already using. This is where the tension is created. Where they “cut you” and get you to see you are bleeding (as we discussed in chapter 4)! In some cases, this pain might be top of mind, or it might be hidden, latent, or even something you may not think about all that often. This is also a perfect place to call out the enemy you identified earlier in this chapter. For example, if this were an infomercial for a set of space-aged kitchen knives that never need sharpening, the narrative might begin with a poor fool trying to cut a red, ripe tomato with an old, dull knife. As the grainy black-and-white footage rolls, the unsuspecting subject squashes the tomato with their sub-par knife, sending seeds and tomato flesh flying in all directions (and ruining the white suit they were wearing for some reason). Tension is created as the viewer starts to see themselves as the subject or hero of this story. 2. The Ideal Solution: Here’s the ideal solution to the problem. While not always top of mind, people often know the solutions to problems but see them as requiring too much effort and cost. In other words, spending money or investing time doing something our hero doesn’t want to do can usually solve the problem. This is where that solution is positioned. For example, the ideal solution to our dull knife problem is to go to a fancy kitchen store and purchase some top-of-the-line Japanese hand-forged steel knives. In a business context, many problems can be solved by throwing tons of time, money, and both human and technical resources at a them. 3. The Problem with That Ideal Solution: This is what makes that ideal solution difficult or less desirable. Here, you are creating contrast between where your hero is today and where they need to get to—a large gap they need to overcome. In doing this you are positioning the ideal solution as something they don’t want to or can’t make happen. For example, you could go to the kitchen store and buy those fancy knives, but they cost hundreds of dollars that you would rather not spend. The same goes for the massive business resource splurge suggested in the previous step. 4. Enter Our Solution: The stunning climax! Here’s how investing in our product, service, or solution can help you overcome the problem and pain you’re experiencing, while at the same time circumventing the challenges associated with the ideal solution.
David Priemer (Sell the Way You Buy: A Modern Approach To Sales That Actually Works (Even On You!))
How was this guy still in business? He wasn't that hot, his attitude was insufferable, and just the thought of his mustache made me want to... Rub off on the fucking throw cushion. God. Damn. It.
J.A. Rock (The Subs Club (The Subs Club, #1))
Pendleton tried to keep a straight face when he found one such man up on deck, cursing and scratching his scalp like a flea-bitten dog. “Goddamn, this wig is so itchy I wish I could throw it overboard,” the man said. “But the security guys would kill me.
Josh Dean (The Taking of K-129: How the CIA Used Howard Hughes to Steal a Russian Sub in the Most Daring Covert Operation in History)
But there was so much paper being generated on a daily basis that the shredders kept jamming, and the security guys realized it was sometimes easier to just rip the paper into tiny pieces by hand and then dispose of it the old-fashioned way—by going to the top deck and making it rain. This process worked well enough, with one exception, when an overtired team working the late shift made the mistake of throwing the paper into the wind instead of with it, resulting in a blizzard of classified confetti that blanketed the deck, and causing the poor security guys to scramble and clear the evidence before Jack Poirier awoke and lost his mind.
Josh Dean (The Taking of K-129: How the CIA Used Howard Hughes to Steal a Russian Sub in the Most Daring Covert Operation in History)