Throwing Mud Quotes

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Writing in English is like throwing mud at a wall.
Joseph Conrad
Will remembered the two of them, running through the dark streets of London, jumping from rooftop to rooftop, seraph blades gleaming in their hands; hours in the training room, shoving each other into mud puddles, throwing snowballs at Jessamine from behind an ice fort in the courtyard, asleep like puppies on the rug in front of the fire.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Never throw mud. You may miss your mark, but you will have dirty hands.
Dorothy Parker
One fast more or I'm gone', I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimism you read, or how many jugs of vision-producing Ayahuasca you drink, or Mescaline you take, or Peyote goop up with-- That feeling when you wake up with the delirium tremens with the fear of eerie death dripping from your ears like those special heavy cobwebs spiders weave in the hot countries, the feeling of being a bent back mudman monster groaning underground in hot steaming mud pulling a long hot burden nowhere, the feeling of standing ankledeep in hot boiled pork blood, ugh, of being up to your waist in a giant pan of greasy brown dishwater not a trace of suds left in it--The face of yourself you see in the mirror with its expression of unbearable anguish so hagged and awful with sorrow you can't even cry for a thing so ugly, so lost, no connection whatever with early perfection and therefore nothing to connect with tears or anything: it's like William Seward Burroughs' 'Stranger' suddenly appearing in your place in the mirror- Enough! 'One fast move or I'm gone' so I jump up, do my headstand first to pump blood back into the hairy brain, take a shower in the hall, new T-shirt and socks and underwear, pack vigorously, hoist the rucksack and run out throwing the key on the desk and hit the cold street...I've got to escape or die...
Jack Kerouac
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
...and for a moment they were Jem-and-Will again. Will could see Jem, but also through him, to the past. Will remembered the two of them, running through the dark streets of London, jumping from rooftop to rooftop, seraph blades gleaming in their hands; hours in the training room, shoving each other into mud puddles, throwing snowballs at Jessamine from behind an ice fort in the courtyard, asleep like puppies on the rug in front of the fire. Ave atque vale... Hail and farewell. He had never given much thought to the words before, he had never thought about why they were not just a farewell but also a greeting. Every meeting led to a parting, and so it would, as long as it was mortal. In every meeting there was some of the sorrow of parting, but in every parting there was some joy of the meeting as well. He would not forget the joy. ... "Wo men shi sheng si ji jiao," said Will, and he saw Jem's eyes widen, fractionally, and the spark of amusement inside them. "Go in peace, James Carstairs
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
You should be spreading the good word. You should be etching the good word onto the glass scanning beds of library photocopiers. You should be scraping the truth onto old auto parts and throwing them off bridges so that people digging in the mud in a million years will question the world, too. You should be carving eyeballs into tire treads and onto shoe soles so that your every trail speaks of thinking and faith and belief. You should be designing molecules that crystallize into poems of devotion. You should be making bar codes that print out truth, not lies. You shouldn't even throw away a piece of litter unless it has the truth stamped on it--a demand for people to reach a finer place! ...Your new life will be tinged with urgency, as though you're digging out the victims of an avalanche. If you're not spending every waking moment of your life living the truth, if you're not plotting every moment to boil the carcass of the old order, then you're wasting your day.
Douglas Coupland (Player One: What Is to Become of Us (CBC Massey Lectures))
and on the other side for lack of sun there is death perhaps waiting for you in the uproar of a dazzling whirlwind with a thousand explosive arms stretched toward you man flower passing from the seller's hands to those of the lover and the loved passing from the hand of one event to the other passive and sad parakeet the teeth of doors are chattering and everything is done with impatience to make you leave quickly man amiable merchandise eyes open but tightly sealed cough of waterfall rhythm projected in meridians and slices globe spotted with mud with leprosy and blood winter mounted on its pedestal of night poor night weak and sterile draws the drapery of cloud over the cold menagerie and holds in its hands as if to throw a ball luminous number your head full of poetry
Tristan Tzara (L'Homme approximatif)
You'd never get Burle to behave decently. When a man sank as low as that, the only thing to do was to throw a spadeful of mud over him and get rid of him like the rotting carcass of some poisonous beast. And even if you shoved his nose in his own shit, he'd only start again the next day and end up stealing a few sous to buy sticks of barley sugar for lice-ridden little beggar-girls.
Émile Zola (The Attack on the Mill and Other Stories)
The word that allows yes, the word that makes no possible. The word that puts the free in freedom and takes the obligation out of love. The word that throws a window open after the final door is closed. The word upon which all adventure, all exhilaration, all meaning, all honor depends. The word that fires evolution's motor of mud. The word that the cocoon whispers to the caterpillar. The word that molecules recite before bonding. The word that separates that which is dead from that which is living. The word no mirror can turn around. In the beginning was the word and that word was CHOICE
Tom Robbins (Still Life with Woodpecker)
His August Majesty chided the bureaucrats for failing to understand a simple principle: the principle of the second bag. Because the people never revolt just because they have to carry a heavy load, or because of exploitation. They don't know life without exploitation, they don't even know that such a life exists. How can they desire what they cannot imagine? The people will rvolt only when, in a single movement, someone tries to throw a second burden, a second heavy bag, onto their backs. The peasant will fall face down into the mud - and then spring up and grab an ax. He'll grab an ax, my gracious sir, not because he simply can't sustain this new burden - he could carry it - he will rise because he feels that, in throwing the second burden onto his back suddenly and stealthily, you have tried to cheat him, you have treated him like an unthinking animal, you have trampled what remains of his already strangled dignity, taken him for an idiot who doesn't see, feel, or understand. A man doesn't seize an ax in defense of his wallet, but in defense of his dignity, and that, dear sir, is why His Majesty scolded the clerks. For their own convenience and vanity, instead of adding the burden bit by bit, in little bags, they tried to heave a whole big sack on at once.
Ryszard Kapuściński (The Emperor: Downfall of An Autocrat)
And this do I say also to the o'erthrowers of statues: It is certainly the greatest folly to throw salt into the sea, and statues into the mud.
Friedrich Nietzsche (Thus Spake Zarathustra A book for all and none)
All those Zen Masters throwing young kids in the mud because they can't answer their silly word questions" "That's because they want them to discover that mud is better than words, boy.
Jack Kerouac (The Dharma Bums)
Twelve years ago, when I was 10, I played at being a soldier. I walked up the brook behind our house in Bronxville to a junglelike, overgrown field and dug trenches down to water level with my friends. Then, pretending that we were doughboys in France, we assaulted one another with clods of clay and long, dry reeds. We went to the village hall and studied the rust rifles and machine guns that the Legion post had brought home from the First World War and imagined ourselves using them to fight Germans. But we never seriously thought that we would ever have to do it. The stories we heard later; the Depression veterans with their apple stands on sleety New York street corners; the horrible photographs of dead bodies and mutilated survivors; “Johnny Got His Gun” and the shrill college cries of the Veterans of Future Wars drove the small-boy craving for war so far from our minds that when it finally happened, it seemed absolutely unbelievable. If someone had told a small boy hurling mud balls that he would be throwing hand grenades twelve years later, he would probably have been laughed at. I have always been glad that I could not look into the future.
David Kenyon Webster (Parachute Infantry: An American Paratrooper's Memoir of D-Day and the Fall of the Third Reich)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
My good Japp, is it possible that you throw the mud in my eyes? I know well enough that it is the Chinaman you suspect. But you are so artful. You want me to help you—and yet you drag the red kipper across the trail.
Agatha Christie (The Big Four (Hercule Poirot, #5))
Why do we call the whole world's attention to the fact that we have no past? It isn't enough that the Romans were erecting great buildings when our forefathers were still living in mud huts; now Himmler is starting to dig up these villages of mud huts and enthusing over every potsherd and stone axe he finds. All we prove by that is that we were still throwing stone hatchets and crouching around open fires when Greece and Rome had already reached the highest stage of culture. We really should do our best to keep quiet about this past.
Adolf Hitler
When I was in the street throwing a beanbag with the other children and Mr. Tanaka happened to stroll out of the seafood company, I always stopped what I was doing to watch him. I lay there on that slimy table while Mr. Tanaka examined my lip, pulling it down with his fingers and tipping my head this way and that. All at once he caught sight of my gray eyes, which were fixed on his face with such fascination, I couldn't pretend I hadn't been staring at him. He didn't give me a sneer, as if to say that I was an impudent girl, and he didn't look away as if it made no difference where I looked or what I thought. We stared at each other for a long moment-so long it gave me a chill even there in the muggy air of the seafood company. "I know you," he said at last. "You're old Sakamoto's little girl." Even as a child I could tell that Mr. Tanaka saw the world around him as it really was; he never wore the dazed look of my father. To me, he seemed to see the sap bleeding from the trunks of the pine trees, and the circle of brightness in the sky where the sun was smothered by clouds. He lived in the world that was visible, even if it didn't always please him to be there. I knew he noticed the trees, and the mud, and the children in the street, but I had no reason to believe he'd ever noticed me. Perhaps this is why when he spoke to me, tears came stinging to my eyes.
Arthur Golden (Memoirs of a Geisha)
Even saints do not smile sweetly when God throws them into mud puddles. Only pigs do that.
Peter Kreeft (Making Sense Out of Suffering)
I didn’t know about all that, only that Texas had ZZ Top. The show, my first rock concert, took place in a huge outdoor field called Kings Village and featured five bands. It had rained the day before, and I ended up blasted drunk, falling around in the mud, and throwing up next to a row of reeking portable toilets before ZZ Top even made it to the stage. I thought it was one of the best days ever.
Kathy Valentine (All I Ever Wanted: A Rock 'n' Roll Memoir)
Otis, at last, removed his eyes from Jane. "All very well, my friend, but I must side with Miss Clarke here. The soldiers in this town have been treated abominably." The table went still. Otis went on. "Admit it, Freeman. Mud throwing and name-calling are one thing, but the courts - any flimsy charge against a soldier upheld, outrageous fines put down - criminal! The law must not be conscripted to serve one particular cause. To lost the law is to lose the fight." "With respect, sir," Nate said, "I say when a people are under an illegal occupation they must fight with what they've got to hand." Aunt Gill said, "And what have we got to hand but a few stories in the paper?" Jane looked at her aunt in surprise. Another we. "We have the people, Aunt," Nate answered her. "Thirty thousand from all the outlying towns, ready to march at a minute's notice, and all it takes to call them is a flaming barrel of pitch on the beacon hill.
Sally Cabot Gunning (The Rebellion of Jane Clarke (Satucket #3))
Love is a golden collar. Love takes you prisoner. Love drags you through the mud, skins your hands and knees, and throws you naked, helpless, to the wolves. And you can’t run from it, you can’t deny it, any more than you can run from yourself, deny yourself.
Gregory Ashe (Paternity Case (Hazard and Somerset #3))
We need a soul, my lord. You said so yourself. If I do as you ask, the sadhvi must take his place. A soul for a soul.” Amar wasn’t laughing anymore. The muscles in his neck tightened. His jaw clenched. But he didn’t say anything. Nritti’s grip on the noose turned her knuckles white. She was controlling him. I bit back a snarl. Nritti turned back to me and her face was triumphant. “No soul, no bargain.” Kamala shinnied, pulling against Gupta. I dropped my gaze to the ground, my heart frantic when I saw my sandals--mud crusted, tearing at the seams. I grinned. Don’t worry, Kamala, I thought, I’m not dying. “I have one.” When I spoke, my gaze was for Amar alone. “Here,” I said, tearing off the sandal and throwing it at Nritti’s feet, “a sole for a soul.” Kamala began to laugh and the deranged sound pitched off the walls, scattering between the bodies of the dark Otherworld beings. They stood slack-jawed and still. Only their eyes moved--bounding between me and Nritti and back. Before Nritti could speak, a creaking sound clattered through the room. Amar scooped the dirtied sandal in one hand before pulling me away from Nritti. His grip crushed into my arm, strong as iron. But there was something else…he was trembling. I could feel it through my skin. “I accept her barter.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
But then Valentina did come forward, walking to the bars, widening her eyes and jerking her chin. It was a subtle but clear signal. Look over there, it said. Tana turned toward the shadows and saw the shine of eyes. She stumbled back, reaching again for the slippery handle of the screwdriver, before she saw it was Gavriel. He was sitting on the floor, legs crossed. She had no idea how long he’d been sitting there, but at her astonished look he raised both eyebrows. An amused smile pulled at his lips. “I’m a very bad host, forcing you to throw together supper for yourself,” he said finally. He stood and stuck out a hand, as if to help her to her feet—as if she were some fancy lady who’d fallen from a coach into a mud puddle.
Holly Black (The Coldest Girl in Coldtown)
Don’t start trying to throw your weight around with me, little twig. I can make you submit in a hundred different ways before the sun comes up.” “Even if you broke my back, I still wouldn’t bow to you,” I snarled. “This again,” Andel sighed. “Do you two need to arm-wrestle, or can we move on?” Vidrol asked blandly. “We can throw you in a pen to roll around in the mud later
Jane Washington (A Dream of Embers (A Tempest of Shadows, #3))
Ask questions, no, screech questions out loud - while kneeling in front of the electric doors at Safeway, demanding other citizens ask questions along with you - while chewing up old textbooks and spitting the words onto downtown sidewalks - outside the Planet Hollywood, outside the stock exchange, and outside the Gap. Grind questions onto the glass on photocopiers. Scrape challenges onto old auto parts and throw them off bridges so that future people digging in the mud will question the world, too. Carve eyeballs into tire treads and onto shoe leathers so that your every trail speaks of thinking and questioning and awareness. Design molecules that crystallize into question marks. Make bar codes print out fables, not prices. You can't even throw away a piece of litter unless it has a question mark stamped on it - a demand for people to reach a finer place
Douglas Coupland (Girlfriend in a Coma)
The Full Golem Song Bouldite you’re a bore, make a big noise  Strutting in the hills, like you own the whole arid waste  You got stone for a face, a fat carapace  Kicking goblin clan all over the place singing We will, we will rock you We will, we will rock you. Bouldite you’re a stone man, rock man  Strutting in the hills, wanna kill all the mobs today You got muck on your face, you got no ace Flailing your limbs cause you can't keep pace We will, we will rock you!  Sing it! We will, we will rock you, yeah  Bouldite you’re a mud man, soft man Snapping at your betters so we'll shut that big mouth today  You got a big dumb mace, wannabe an earth mage But my buddy Oren gonna throw it back at your face, sing it!  We will, we will, smash you, yeah, yeah, come on We will, we will, drop you, alright, louder! We will, we will, smash you, one more time We will, we will, rock you Yeah
Shemer Kuznits (Salvation (New Era Online, #6))
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I'd turned into someone who realized that when a loved one leaves, she'll take with her the tree inside of you that was now inhabiting every single inch of you. Your heart will be left in tatters and caked with mud, like a tree ripped from its place. And where the tree once was, there would only be a gaping hole. It was a painful and crushing thought. Only those who've had those trees inside of them have the right to discuss the astronomical losses and profits life throws at us.
Min-gyu Park (Pavane for a Dead Princess)
Fifteen. Be as careful as crossing frozen water, alert as a Warrior on enemy ground. Be as courteous as a Guest, as fluid as a Stream. Be as shapeable as a block of wood, as receptive as a glass. Don’t seek and don’t expect. Be patient and wait until your mud settles and your water is clear. Be patient and wait. Your mud will settle. Your water will be clear. Sixty-three. Act without doing, work without effort, think of the large as small and the many as few. Confront the difficult while it is easy, accomplish the great one step at a time. Don’t reach and you will find, if you run into trouble throw yourself toward it. Don’t cling to comfort and everything will be comfortable. Seventy-nine. Failure is an opportunity. If you blame others, there is no end to blame. Fulfill your obligations, correct your mistakes. Do what you need to do and step away. Demand nothing and give all. Demand nothing and give all. Twenty-four. Stand on your toes and you won’t stand firm. Rush ahead and you won’t go far. Try to shine and you’ll extinguish your light. Try to define yourself, you won’t know who you are. Don’t try to control others. Let go and let them be. As I read this book it calms me without effort, fills in the blanks of my strategy for survival. Control by letting go of control, fix your problems by forgetting they’re problems. Deal with them and the World and yourself with patience and simplicity and compassion. Let things be, let yourself be, let everything be and accept it as it is. Nothing more. Nothing less. Nothing more.
James Frey (A Million Little Pieces)
They kill us, they cut us limb from limb, they hunt us with execrations! How does that prevent thy mind being still pure, sane, sober, just? Imagine a man to stand by a crystal-clear spring of sweet water, and to rail at it; yet it fails not to bubble up with wholesome water. Throw in mud or even filth and it will quickly winnow them away and purge itself of them and take never a stain. How then possess thyself of a living fountain and no mere well? By guiding thyself carefully every hour into freedom with kindliness, simplicity, and modesty.
Marcus Aurelius (Complete Works of Marcus Aurelius)
What if my da is Breccan?” Frae kicked a pebble on the road, keeping her eyes on the ground. “Would you still want to walk me home?” Ella was quiet for a moment, but maybe only because the question had taken her by surprise. Frae snuck a glance at her. For the past several days, Ella had walked her home from school and the boys had not bothered her again. But there were still whispers and pointed glances. A few times during class, no one had wanted to partner up with Frae. “If your da is a Breccan,” Ella began to say, “then yes, I’d still walk you home, and I’d still be your friend, Frae. Do you want to know why?” Frae nodded, but she could feel her face flush, her relief knotted with shame that she even had to ask this question when no other children she knew did. “Because your heart is good and brave and kind,” Ella said. “You are thoughtful and smart. And those are the kind of people who I want to be friends with. Not the ones who think they are above everyone else. Who scowl and judge things they don’t understand and throw mud and have cowardly hearts.” Frae soaked in Ella’s words, which were warm and soft as a plaid, and she suddenly could walk faster, her chin held higher. “And,” Ella added with a mischievous smile, “you make the best berry pies.
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
Do not be dilatory in action, muddled in communication, or vague in thought. Don't let your mind settle into depression or elation. Allow some leisure in your life. 'They kill, they cut in pieces, they hunt with curses.' What relevance has this to keeping your mind pure, sane, sober, just? As if a man were to come up to a spring of clear, sweet water and curse it- it would still continue to bubble up water good to drink. He could throw in mud or dung: in no time the spring will break it down, wash it away, and take no colour from it. How then can you secure an everlasting spring and not a cistern? By keeping yourself at all times intent on freedom- and staying kind, simple and decent. p81
Marcus Aurelius (Meditations)
It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.” Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.” “It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it. “He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.” Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.” “Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami. Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself. Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .” “Oh, no.” Ian burst out laughing. “You’re not telling her that story.” “You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.” “You said to throw him to the crocs,” Ian reminded. “What was in the bar that you had to go in?” Azami asked, clearly puzzled. “Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing. Azami shook her head. “You two could be crazy. Are you making these stories up?” “Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—” “The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.” “He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.” “The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.
Christine Feehan (Samurai Game (GhostWalkers, #10))
The Duke stood in thought for a moment, with a look of intense surprise on his face. Then he opened a door and showed us into a large room furnished as a museum. He led the way to a glass case in a corner, and pointed to the inscription. “These shoes,” it ran, “were dug up in the moat of Holdernesse Hall. They are for the use of horses, but they are shaped below with a cloven foot of iron, so as to throw pursuers off the track. They are supposed to have belonged to some of the marauding Barons of Holdernesse in the Middle Ages.” Holmes opened the case, and moistening his finger he passed it along the shoe. A thin film of recent mud was left upon his skin. “Thank you,” said he, as he replaced the glass. “It is the second most interesting object that I have seen in the North.” “And the first?” Holmes folded up his check and placed it carefully in his notebook. “I am a poor man,” said he, as he patted it affectionately, and thrust it into the depths of his inner pocket.
Arthur Conan Doyle (The Complete Sherlock Holmes)
One day the Galloways got a little more excitement than we were prepared for. We moved around a lot and at this point we were living in a trailer park in Auburn, Alabama. Hoss and I were out in the front yard on our regular patrol while my older sister Jennifer and younger sister Sara were playing by themselves. Sara was three years old and I guess she decided she wanted to go for a ride. My dad’s blue truck was out in front of the house and apparently he’d forgotten about the parking brake. The truck was in gear as Sara managed to pull the door open and muscle herself up into the cab. As she climbed in and got situated she kicked the truck out of gear with her tiny sneakered foot. The truck started rolling down the driveway toward a ditch. Jennifer started screaming. Faster than a speeding bullet I leapt into action! I ran toward her, blue cape flying in the wind behind me. I reached the truck. I grabbed on to the door frame of the open passenger side of the truck. I told Sara everything would be okay, and I stuck my heels down in the mud and pulled back with all my might. The mud was spewing from either side of my firmly planted boots as I started to slide along with the truck. I never lost my grip and I am convinced I was able to slow the roll down enough for Mom and Dad to come running out of the house. Dad jumped up into the truck and was able to throw the brake to stop the truck while Mom scooped up Sara. Super Noah saved the day. At least I wanted to believe that.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
In the words of the master: infinity but without melody. In the second place, with regard to the overthrowing,--this belongs at least in part, to physiology. Let us, in the first place, examine the instruments. A few of them would convince even our intestines (--they _throw open_ doors, as Handel would say), others becharm our very marrow. The _colour of the melody is_ all-important here, _the melody itself_ is of no importance. Let us be precise about _this_ point. To what other purpose should we spend our strength? Let us be characteristic in tone even to the point of foolishness! If by means of tones we allow plenty of scope for guessing, this will be put to the credit of our intellects. Let us irritate nerves, let us strike them dead: let us handle thunder and lightning,--that is what overthrows.{~HORIZONTAL ELLIPSIS~} But what overthrows best, is _passion_.--We must try and be clear concerning this question of passion. Nothing is cheaper than passion! All the virtues of counterpoint may be dispensed with, there is no need to have learnt anything,--but passion is always within our reach! Beauty is difficult: let us beware of beauty!{~HORIZONTAL ELLIPSIS~} And also of _melody!_ However much in earnest we may otherwise be about the ideal, let us slander, my friends, let us slander,--let us slander melody! Nothing is more dangerous than a beautiful melody! Nothing is more certain to ruin taste! My friends, if people again set about loving beautiful melodies, we are lost!{~HORIZONTAL ELLIPSIS~} _First principle_: melody is immoral. _Proof_: "Palestrina". _Application_: "Parsifal." The absence of melody is in itself sanctifying.{~HORIZONTAL ELLIPSIS~} And this is the definition of passion. Passion--or the acrobatic feats of ugliness on the tight-rope of enharmonic--My friends, let us dare to be ugly! Wagner dared it! Let us heave the mud of the most repulsive harmonies undauntedly before us. We must not even spare our hands! Only thus, shall we become _natural_.{~HORIZONTAL ELLIPSIS~}
Friedrich Nietzsche (The Works of Friedrich Nietzsche)
That looks like the last one for a bit. We’ll climb out there.”   “Is it safe?” I can’t help but ask.   “None of this is safe,” he tells me, voice cutting. “But we can’t stay here all night.”   “Why not? We’re already covered in poop.”   “Because this is a sewer and the water’s rising.” Aron looks at me like I’m stupid. “The tide’s coming in. Unless you want to drown in someone else’s shit, we have to get out of here.”   “It is?” I look down and sure enough, I guess the water (if you can call it that) is higher than it was before. I thought it was because the tunnel was just, getting deeper in this part, but it’s past my knees and soaking the hem of my tunic. “I didn’t realize.”   “How is it I’m the immortal and you’re the one that has no clue how a city works?”   I slap his arm, irritated. “Don’t you start that shit with me. You want to know how it works where I live? We go into a tiny little room, sit on a toilet, take a dump, and then jiggle a handle and the magic poo gods take it all away. Whoosh. That’s it. That’s the extent of my knowledge. Once a month I pay the water bill and that’s all I do. So if your stupid city doesn’t work the way my stupid city did, don’t blame me.”   I glare at him, waiting for his answer.   He just watches me. His mouth twitches, just a little. Finally, he says, slowly, “Magic poo gods?”   I throw my hands up in the air. “You’re impossible and I hate you. If we’re leaving, let’s just go.”   “Should we say a prayer to the magic poo gods first?” When I shoot him the bird, he snorts with amusement. “Here I thought you didn’t believe in any gods.”   “There’s just one where I come from, and he doesn’t put up with any lesser god bullshit like this place, thank you.” I stomp ahead, splashing through the horrible, sludgy water so I can get away from my equally horrible companion.   Aron’s laughter rumbles through the sewer pipe, and I ignore him, pushing forward. I’m so tired and the night has been so long. To think I just took a bath and now I’m covered in crap and mud once more. It’s like this entire world is conspiring against me. Heck, maybe it is. Maybe I’ve been cursed since I stepped through that portal. Given that I’m stuck with the infuriating Aron, I believe it. One minute I think he might be okay, and the next I want to choke him.
Ruby Dixon (Bound to the Battle God (Aspect and Anchor #1))
In My Prayer. My silent niche. You incarnate in my prayer. Dawn is all dancing like a rainbow in your smile. Anxious to uncover dreams after morning. The desire to arrange sparkly beads in your hair. Reduce heartbeat, please at the tips of your fingers. I will pray together with night just to keep remembering you. A never ending memory to always say your name. Silence that leads to longing for the rising of light. Horizon knocked on all the gates, which grabbed a reprehensible body, who hesitated to stop at the tip of the tongue. Lips murmuring, stringing questions hung at the end of time. The self that is always broken and dishonest, who is kufr and who is infidel. All beings submit to the most holy feet. Let silence accept everything that is magical. Although the reflection of the moon's face is filled with wounds with lies in our mouths, betrayed by lust and unstoppable desires. May you soon incarnate so that a million flowers bloom in the heart of the most cursory. The eyes are altered, betraying a million flashes of light from the darkest night. The most beautiful gems are buried in mud puddles. Even though the sky is still dark. Heavy rain that is redder than all blood. Which surpassed the fangs of the old snake. The endless cycle of the sun throws puzzles about the mysteries of the universe that are never answered. The beginning of all this sorrow in myself. If only you please, transform into a butterfly in my prayer tonight. A pair of wings that burned like a fire of longing in my heart. Who suddenly fidgeted and flew into your eyes. Then descend on the branch of the Khuldi tree, before breaking into my tears. Suppose tonight, in my prayer, you incarnate like a thunderous storm. Like the sound of noisy thunder. The footsteps stepped hurriedly on the foggy road. Infiltrate the gaps of our thoughts and feelings. Shackle our arms, knees and breath. If only, in my prayer tonight you will be transformed into murky tears. Who trembled, even though it would patiently take care of my sadness. The pain that somehow healed my soul. Beliefs that keep mysteries for my deepest secrets, which you endlessly hum, in order to be a comfort for my sad life. My dear. Lady of my heart. My love. My soul. Bless me with all your generosity. With your mercy, with your endless love. With your infinite anger.
Titon Rahmawan
I once had a substitute teacher in my 4th grade class that was wonderful. He said learning was like throwing mud on a wall. Some will stick, and some will fall off. But if you keep throwing the mud on the wall, eventually the whole wall will be covered in mud. I think writing is very much the same. You have to keep at it. Some will stick, and some will fall away, but you keep writing, and eventually, you've impacted thousands, maybe hundreds of thousands of people with your vision.
Michele E. Gwynn (Exposed: The Education of Sarah Brown)
I can tell from the crack of a rifle shot the type of weapon fired and what direction the bullet is traveling. I can listen to a mortar pop and know its size, how far away it is. I know instinctively when I should prep a treeline with artillery before I move into it. I know which draws and fields should be crossed on line, which should be assaulted, and which are safe to cross in column. I know where to place my men when we stop and form a perimeter. I can shoot a rifle and throw a grenade and direct air and artillery onto any target, under any circumstances. I can dress any type of wound, I have dressed all types of wounds, watered protruding intestines with my canteen to keep them from cracking under sunbake, patched sucking chests with plastic, tied off stumps with field-expedient tourniquets. I can call in medevac helicopters, talk them, cajole them, dare them into any zone. I do these things, experience these things, repeatedly, daily. Their terrors and miseries are so compelling, and yet so regular, that I have ascended to a high emotion that is nonetheless a crusted numbness. I am an automaton, bent on survival, agent and prisoner of my misery. How terribly exciting. And how, to what purpose, will these skills serve me when this madness ends? What lies on the other side of all this? It frightens me. I haven’t thought about it. I haven’t prepared for it. I am so good, so ready for these things that were my birthright. I do not enjoy them. I know they have warped me. But it will be so hard to deal with a life empty of them. And there are the daily sufferings. You ghosts have known them, but who else? I can sleep in the rain, wrapped inside my poncho, listening to the drops beat on the rubber like small explosions, then feeling the water pour in rivulets inside my poncho, soaking me as I lie in the mud. I can live in the dirt, sit and lie and sleep in the dirt, it is my chair and my bed, my floor and my walls, this clay. And like all of you, I have endured diarrhea as only an animal should endure it, squatting a yard off a trail and relieving myself unceremoniously, naturally, animally. Deprivations of food. Festering, open sores. Worms. Heat. Aching crotch that nags for fulfillment, any emptying hole that will relieve it. Who appreciates my sufferings? Who do I suffer for?
James Webb (Fields of Fire)
Red wine and Hennessy She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore. A familiar place, she know she's been here before Reminiscent of the evening On his shirt that she tore ............ Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot. Hard liquor and fine wine ............. Red Wine and Hennessy A wicked twist on some champagne tips French nails, manicures over grapes Whoever said wine and liquor don't mix? Last night I had six Bottle caps, corks, bedazzled juice Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face ............. room temperature, her body temperature ... personality of two, she's mellow and chill... aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug, Residue of red lipstick- Merlot stained lips match the kiss on his neck ............ Chasing fantasy through the Red Sea While chasing that with a white BC How much will she pour- how much will she drink How much more before her ship sinks ........... A full body lush, blackberry crush Medium sized Bordeaux Intense velvety plum I asked her where she's from She said she's international She's longer thinking rational .......... Sips in sync with blinking eyes She sips too much to realize Every time you pour into me, my bottle gets more empty- Glass falling to the floor She staggers to the door Glass shatters her feet She stumbles to her seat She's still asking for more But she falls to the floor Red lipstick in the mud She covers up the blood ............ She lays in her wine She forgot about the time Clock on the wall Footsteps in the hall Pounding in her head She rushes to the bed ......... She lays motionless ... but her head is racing Her heart is pacing Her lungs are gasping - air, she needs air Rolls to her side, brings her self to sit up She gags and gags until She throws it all up- ........... Wakes up the next morning Dazed and confused She's laying in a bed That she's not used to She moves slowly, where did everyone go? She checks the time- it's a quarter pass 4 sounds on the other side of the door Are Muffled by the sound of a knock at the door ........... Looks around for her little red dress Notices a blotch - a red stain on her breast Lipstick smeared an accessory to her mess She reached for her clothes and saw a note on the desk. .......... Dearly beloved, I want to see you again I'd love to have to back I think we make a great blend I tried to wake you Because I had to go And Oh by the way, my name is merlot "Little Black Bird
Niedria Dionne Kenny (Love, Lust and Regrets: While the lights were off)
I wondered how many years they would wallow in the mud before they realized there was something more to life than fleeting pleasures. Some would end up like me, throwing their lives away for the rush and thrill of it. I wondered how long it would take them to find out the best that drugs, alcohol, and partying had to offer was fleeting, temporary satisfaction that led to dependency and a compromised ability to find joy without those things. The more they turned to those things, the more their emotional, social, and psychological wellbeing would become dependent on them, and the harder it would be to be happy without them.
Michael J Heil (Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose)
His scales were smooth and hot beneath my palms but I managed to gain purchase by grabbing hold of his wing and hoisting myself higher. His body was trembling beneath me and he bellowed in pain again, urging me on faster. I reached up, grabbing a thick spine which ran down the centre of his neck before coming face to face with the creature from my nightmares. The Nymph shrieked, lunging at me faster than should have been possible and I almost lost my grip on Darius as I fell back. My heart lurched violently but I managed to catch the top of his wing, swinging myself around as that paralysing rattle juddered through my core, halting my magic in its tracks and stealing my energy from me. Fear shot through me as the Nymph pounced, its probes aimed right for my chest. I screamed, throwing my fist out even though I knew it was no good. As my knuckles connected with the bony ridges of its face, pain exploded through my hand swiftly followed by a flood of red and blue flames. The Nymph shrieked so loudly that I threw my hands over my ears as the flames consumed it, a wisp of black smoke sweeping up towards the sky where it had been moments before. I fell forwards, my palms meeting the warmth of Darius’s blood as I braced myself against him. More Nymphs were running straight for us and with an echoing roar which vibrated right through my body, Darius destroyed all five of them with a torrent of Dragon Fire. His head fell forward as he used the last of his energy and I cried out, grabbing hold of his wing as he tilted sideways beneath me. He crashed to the ground on his side and through some miracle, I managed to keep hold of his wing before falling against his neck. I wrapped my arms around him, scrunching my eyes closed as a tremor tore through his body and the golden colour of his scales seemed to shine with inner power and heat. My stomach lurched and I released a scream as I found myself falling over ten foot down to the ground as Darius retreated into his Fae form. I kept hold of him as I fell, crashing down into the mud of the Pitball pitch on top of him with a cry of fear. All around us the fight raged on but beneath my hands, blood was pulsing from his chest and he was lying deathly still. “Darius?” I demanded, shaking him while still trying to press down on his wounds. It wouldn’t be enough though, his back and legs were bleeding too. A bloody gouge shone wetly on his neck and his breaths were far too shallow. “Help!” I shouted, though my eyes stayed fixed on Darius’s face and my heart was pounding the rhythm of a war drum in my chest. The hairs were rising along the back of my neck, a strange sensation prickling in my chest. This moment felt eternal and fleeting all at once, like we were hanging between two great points and everything could change on the turn of a coin. “Wake up!” I demanded, pushing my magic towards him in hopes of being able to do something. Instead of stopping the blood or healing him, my magic spilled into his body, merging with his in the reverse of what we’d been doing when he helped me with my fire magic. His power welcomed mine instantly, drawing it in, blending with it completely like it had been waiting for this moment. The feeling took my breath away and though it didn’t slow the blood, I felt the tension ease from his muscles and the fear loosen its grip on his heart. My hands were shaking as they ran slick with Darius’s blood and silent tears tracked down my cheeks. His heart was slowing down, his power flickering like a candle in a breeze. If someone didn’t get to us soon, Darius Acrux was going to die. And though it seemed like he should have been the last person in the world for me to care about after everything he’d done to me, I wasn’t sure I could bear it if I lost him here.(tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Xavier and Catalina sat in the VIP box, waving down at us enthusiastically and I waved back before giving Darius my full attention. The entire right side of his face was covered in mud, not to mention the rest of him and his torn jersey fell open to reveal the firm cut of his abs and that perfect V which dipped beneath his waistband. “You’re killing it out there,” I told him truthfully, flashing a sweet smile which instantly had him narrowing his eyes in suspicion. We hadn’t exactly talked much since the whole three way thing and I was really curious about how he was feeling about that. But I was even more curious as to how he was going to react when he realised I’d been playing with the sack of treasure I stole from him oh so long ago. There were plenty of times when I’d thought about the little stash we’d hidden out in the woods and wondered why he hadn’t asked for it back and there was only one reason that made any sense – he assumed I didn’t have it anymore. I didn’t know if he thought I’d sold it or destroyed it, but I was about to remind him that I still had it and see how nice he was when his temper flared. I was pretty sure there was a guide book or two out there about not poking a Dragon, but I guessed I was just too stupid to care. “Thanks. Are you looking for me to make some cheesy statement like I’m thinking of you every time I tackle someone?” he teased and I laughed, tossing my hair. He frowned at me and I had to admit that might have been overkill, but whatever. “Nice to know I’m on your mind every time you have someone pinned beneath you in the mud,” I purred. From the corner of my eye, I noticed Mildred rising to her feet in the stands with a face like an angry Koala which had been hit by a car. I didn’t have long before she came over here to stake her claim on her Dragon, but I didn’t need much time. “I think I’ve made my desire to pin you beneath me pretty clear,” Darius replied in a low voice which had my toes curling, but I wasn’t here to flirt, I was here to poke a Dragon. “Good luck for the second half,” I said in a sweet voice, reaching out touch his bicep, making sure that the gold rings pressed against his skin. Darius looked down the moment he felt his magic stir in response to the gold and his eyes widened in surprise which was quickly followed by a flash of fury as he recognised the jewellery from his stash which I’d stolen. I whirled away from him with a dark laugh before he could do any more than suck in an angry breath and I jogged out to join my squad just as they started up a chant. V – E – G – A! She’ll wipe the floor with you today! Veeeeega! Veeeeega! I fell into the moves of the chant, clapping my hands as some of the others rustled pom-poms and Darcy offered me an appreciative smile from the side of the pitch. We had little chants like that for all of the team members, but we often forgot to call out for the Heirs. The music suddenly dropped and 7 Rings by Ariana Grande burst from speakers around the stadium as we moved into a full routine filled with dance moves and tricks. The song choice turned out to be perfect for taunting a gold obsessed Dragon as well as performing a badass routine to and I couldn’t help but smirk like a psychopath throughout. Darius stood glaring at me from the side of the pitch even when Seth tried to drag him into the locker rooms and my heart thundered at the pure fury in his eyes. Remind me again why I thought poking the Dragon was a good idea because he looks ready to shit a brick! I turned my eyes from him, grinning out at the crowd as I moved between my girls, running forward as I performed a set of hand springs which ended in me throwing a huge blast of multicoloured petals up into the air so that they fell over the crowd. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
What if my da is Breccan?” Frae kicked a pebble on the road, keeping her eyes on the ground. “Would you still want to walk me home?” Ella was quiet for a moment, but maybe only because the question had taken her by surprise. Frae snuck a glance at her. For the past several days, Ella had walked her home from school and the boys had not bothered her again. But there were still whispers and pointed glances. A few times during class, no one had wanted to partner up with Frae. “If your da is a Breccan,” Ella began to say, “then yes, I’d still walk you home, and I’d still be your friend, Frae. Do you want to know why?” Frae nodded, but she could feel her face flush, her relief knotted with shame that she even had to ask this question when no other children she knew did. “Because your heart is good and brave and kind,” Ella said. “You are thoughtful and smart. And those are the kind of people who I want to be friends with. Not the ones who think they are above everyone else. Who scowl and judge things they don’t understand and throw mud and have cowardly hearts.” Frae soaked in Ella’s words, which were warm and soft as a plaid, and she suddenly could walk faster, her chin held higher. “And,” Ella added with a mischievous smile, “you make the best berry pies.
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
He comes to a stop, plants one foot on the ground firmly, and uses his other foot to kick start his bike. He revs the throttle back a few times and looks over at me with complete excitement in his eyes as he kicks the start back into place. He nods his head back over his shoulder. “Hop on behind me and wrap your arms around my waist. You’re going to want to scoot close up against me and hold on tight, but not so tight that I can’t move freely.” I step up beside him and he reaches out his hand for me to take hold as I throw my leg up and over the seat. I scoot forward enough that my center is pressed tightly up against his rear end, and wrap my arms around his waist. Even if we didn’t move any further than this position right here, I would be a very happy girl. Adam lets out a laugh. “Even though I’m really enjoying you being this close, you might need to scoot yourself back just a bit so you can actually lean and move with me. Having you’re coochie pressed against my body has crossed my mind, but it might have to wait until later. Right now, you’re just going to manage pushing me forward.” My cheeks feel like they are on fire and my mouth drops open. I release my arms from around Adam’s waist and scoot back on the seat. “Did you just call my woman parts a coochie, and should I even ask about the wait until later comment?” I’m not going to tell him right now, but with that one simple sentence Adam has gotten me very worked up, in a very good way. Adam looks back over his shoulder and I can tell he’s smiling by the look in his eyes. “Well, I wasn’t sure what type of girl you were as far as vagina terminology goes? Coochie seemed like a safe word, but I have many options you can choose from that you might prefer. There is always the common pussy and cunt terms, then there are the more original ones like; cockpit, mud flaps, love tunnel, bone cave, meat massager, theme park, dick mitten….” I start shaking my head back and forth. “Ok, Ok, I got it. Coochie will do for now, I guess, and I will give it some more thought later as to a term I more prefer. I don’t think we need to keep talking about this right now if you plan on actually showing me why I should be your biggest fan and you my favorite rider out at the races. This is just a big distraction instead.” Adam reaches back and places his hand on my knee. “Maybe it’s a major part of making you my biggest fan as well as showing you that I’m meant to be your favorite rider. It can wait, though. Hold on and we can head on out toward the field.” I grab back hold of Adam and keep my coochie slid back further on the seat this time. “That might be a very strong incentive, Adam, for us both. I agree. Oh and you forgot to mention; purple people penis eater, honey pot, poody tat, stop-n-pop….” Adam releases my leg and grabs back hold of the handle. “Ok, you’re right; we will continue this conversation later on.
Joan Duszynski (In The Now (In The Moments, #2))
What I love is how seamless everything is. You walk throw a forest and come out in a village; and there’s no difference, no division. You aren’t in nature one minute and in civilization the next. The houses are made out of mud and stone and wood, drawn from the land around. Nothing stands out, nothing jars.
Jamie Zeppa
A horse and a chicken are playing in a meadow. The horse falls into a mud hole and is sinking fast. He calls to the chicken to go and get the farmer to help pull him out to safety. The chicken runs to the farm but the farmer can’t be found, so he drives the farmer’s Mercedes back to the mud hole and ties some rope around the bumper. He then throws the other end of the rope to the horse and drives the car forward, saving him from sinking! A few days later the chicken and the horse are playing in the meadow again and the chicken falls into the same mud hole. The chicken yells to the horse to go and get the farmer to save him. The horse says, “There’s no time for that! I think I can stand over the hole!” So he stretches over the width of the hole and says, “Grab for my cock and pull yourself up.” The chicken does as he’s told and pulls himself to safety. The moral of the story? If you are hung like a horse, you don’t need a Mercedes to pick up chicks.
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Shhhhhh!" Bang! "Damn it, Chilcot, I said toss the pebble, not break the damned window!  Here, I'll do it." They had found her after checking every coaching inn on the London road in a desperate race to catch her before she reached the capital and was lost to them forever. The proprietor of this inn just outside Hounslow had confirmed their frantic queries. Yes, a pretty young woman with dark hair had taken a room for the night. Yes, she spoke with a strange accent. And yes, she had a baby with her. "Put her upstairs, Oi did," the garrulous landlord had said. "She wants an early start, so I gave 'er the east bedroom. Catches the mornin' sun, it does." But Gareth had no intention of waiting until morning to see Juliet. Now, standing in the muddy road beside the inn, he unearthed a piece of flint with his toe, picked it up, and flung it at the black square of the east-facing upstairs window. Nothing. "Throw it harder," urged Perry, standing a few feet away with his arms folded and the reins of both Crusader and his own mare in his hands. "Any harder and I'll break the damned thing." "Maybe you don't have the right window." "Maybe you ought to just do it the easy way and ask the bloody innkeeper to rouse her." "Yes, that would save time and trouble, Gareth. Why don't you do that?" Gareth leveled a hard stare at them all. His temper was short tonight. "Right. And just what do you think that's going to do to her reputation if I go knocking on the door at three-o'-bloody-clock in the morning asking after her, eh?" Chilcot shrugged. "As for her reputation, she's already ruined it herself, getting a bastard babe off your brother and all —" Without warning, Gareth's fist slammed into Chilcot's cheekbone and sent him sprawling in the mud. "'Sdeath, Gareth, you didn't have to take it so personally!" Chilcot cried, scowling and rubbing the side of his face. "She's family. Any slur upon her name and I will take it personally. Understand?" "Sorry," Chilcot muttered, sulking as he gingerly touched his cheek. "But you didn't have to thump me so damned hard." "Another remark like the last one and I'll thump you even harder. Now, stop whining before you wake everyone in town and word gets back to my damned brother." With
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
We look for things or people that are incorruptible. There is nothing incorruptible, merely uncorrupted. We neglect the role we play. We value innocence, but only the kind we cannot alter. We throw mud at purity and mock it for its stain.
James Rozoff
...it's disturbing to see things that have disappeared, like tossing something hard and thorny into a peaceful pond. It sets up ripples, stirs up a whirlpool below, throws up mud from the bottom. So we have no choice, really, but to burn them or bury them or send them floating down the river, anything to push them away as far as possible.
Yōko Ogawa (The Memory Police)
No lilies. They're a symbol of death. I want the room to be filled with exotic flowers: Passiflora caerulea--- it's a blue passionflower representing that I'm a passionate man. If you can arrange for a bowl of water or mud, I'd also like a few lotus flowers, and a bird-of-paradise flower. Amaryllis will brighten things up--- I'm thinking a mix of salmon and orange. Maybe some hyacinths, calathea, and lilacs for the scent. Throw in some irises, dahlias... oh, and peonies, but not from Leo's greenhouse because they're suffering from a blight, azaleas, hydrangeas...
Sara Desai ('Til Heist Do Us Part (Simi Chopra #2))
The inversion of values so essential to the imperial project is evident in a story like Rudyard Kipling’s ‘Naboth’, the tale of an Indian hawker or street-vendor who takes advantage of a colonial Englishman’s kindness to gradually appropriate more and more of the latter’s land and build himself a hut there. In the end, of course, the Englishman throws out the Indian (from what is, after all, Indian soil!) and the story ends with the lone narrator’s triumphalism over the ungrateful Indian: ‘Naboth is gone now, and his hut is ploughed into its native mud with sweetmeats instead of salt for a sign that the place is accursed. I have built a summer house to overlook the end of the garden, and it is as a fort on my frontier where I guard my Empire.
Shashi Tharoor (An Era of Darkness: The British Empire in India)
Rivers ... collect fragments of our lives. Sometimes people lose things in rivers, or throw them in on purpose. Some are carried along by the current. Occasionally they resurface; in this way, the river brings us pieces of the past. Others sink slowly down, eventually settling in the mud. Bicycles, keys, mementos—even memories ... What we throw away or lose, rivers often hold and remember.
Monika Vaicenavičienė (What Is A River?)
I write this at the beginnings of my PMDD episode. The fog is rolling in, fears that never preoccupy my mind have taken root, and irrational thoughts are starting to sprout like an invasive species on the land. ​​​​​​​​​ There is a part of me that just wants to hide. Wants to throw in the towel. To just stop all the tasks, the doing, and the management. Let the wild take over. Inside I am the watchman, the guard holding the horde at bay. I feel my anger quickening as social interactions feel like sandpaper on my skin. When I lose myself in the awful, in the shadows, I remember there cannot be shadows without light. And when I turn my inner eye towards the flame, I remember how fleeting all this is. That like all the times before, this will pass, the horde will retreat, and I will be left with a field of wild flowers. At my core I am an artist that transmutes my pain into beauty. I weave my words together into a song that awakens my inner allies and guardians. I make my life beautiful, even if it's simply by using my imagination. To put it simply, I force myself to take in the good. I force myself to see beauty within the swamp. I force myself to search for the inner island of safety, rather than surrender to the bog. Today is hard, but I can do hard things. I am in the swamp, but for today what if I am a Swamp Princess. What if this place, were beautiful to me? What if I adored the crocks and the mud and snakes? What if for today, this sandpaper I am feeling on my skin, was polishing and smoothing the stony armor? What if, just for today, I was the person my inner child wished for when she cried herself to sleep?
Elizabeth Ferreira
From the point of view of Mother Earth, poison oak and weeds are as wonderful as chrysanthemum or rosemary. It is our mind consciousness that discriminates and declares, "I want this and I do not want that." Mother Earth does not have these ideas. The true nature of reality for her is neither defiled not pure, neither increasing no decreasing. The true nature of everything is free from concepts such as good and evil; it is indeterminate. There is no discrimination. As living beings, we have our needs, desires, and cravings, and we have our discrimination. So we see things in terms of good and evil, increasing and decreasing, defiled and immaculate. Mother Earth does not discriminate. If you throw perfume or flowers on her, she's not proud. If you throw urine or excrement on her, she's not offended. For her, everything is perfect. She knows that without this, the other cannot be. Without the mud, the lotus cannot be. So we can learn a lot from Mother Earth.
Thich Nhat Hanh (The Other Shore: A New Translation of the Heart Sutra with Commentaries)
Near You" Man I miss the way you laugh Setting my head straight again Our walks haven't changed, the barn's still there The gate still sticks Guess I just didn't know what to expect I'm glad you finally got your car out of the mud Now we can make plans for the bar Man I missed getting you to dance Getting you drunk enough to dance I'm not asking for the moon, or even the whole truth I don't need to know everything about you I don't need the purest spring, You can have eyes for anyone in the room I just want, just want to be near you Your cigarette was lit inside You were ready to go, ready for anything Ready for all those lonely nights I was ready to rip the ticket up Throw it in the street, so I didn't have to leave Drive your damn car back in the mud I'm not asking for the moon, or even the whole truth I don't need to know everything about you I don't need the purest spring, You can have eyes for anyone in the room I just want, just want to be near you Courtney Marie Andrews, Leuven Letters (2014)
Courtney Marie Andrews
You can say whatever you want about me, but none of it's true. You just can't stand the fact that your career is stagnant and you don't have enough talent to climb your way up on your own. If calling me names and threatening me makes you feel like more of a man, fine. Knock yourself out." Eden yanks her hand away and jabs her forefinger against his chest hard enough that it makes him wince. "You have a problem with me? You tell me. I'll cook circles around you, you snake. You think you can get away with it because I look like an easy target? I've got news for you, asshole, I've got a lot more fight in me than you think. But don't for a second think you can get away with dragging Alexander's name through the mud. He's twice the man you will ever hope to be. You're nothing but a little boy throwing a tantrum. So go ahead, do your fucking worst. Just don't be surprised when karma comes around to bite you in the ass.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
...once my mother weaned me and I was able to walk, they flew me to a distant camp, and chucked me into the mud to see if I would live or die.' 'They would have been smarter throwing you off a cliff,' Mor said, snorting.' 'Oh definitely,' Cassian, said, that grin going razor-sharp. 'Especially because when I was old and strong enough to go back to the camp I'd been born in, I learned those pricks worked my mother until she died.' Again, that silence fell- different this time. The tension and simmering anger of a unit who had endured so much, survived so much... and felt each other's pain keenly.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
What looks to be the cleanest political party, for a period, will often prove to be the filthiest in the end. Just like any form of corruption, this one plays dirty. It drags its enemies through the mud and scrubs itself clean before morning. It throws rocks and hides its hands. It gains power by all methods but the Truth: on the one hand, by pandering, flattery, and appeasement (quite like Satan, 'the father of lies'); and on the other, by deception and ruthlessness, constantly slinging accusations and smearing its opponents - posing as an angel of light (quite like Satan, 'the accuser') - and doing it hypocritically. It projects, gaslights, intimidates, manipulates, and confuses its subjects into adopting the narrative that it is the intellectually and morally superior party. Believing itself the greater good, and the ends justifying the means, it is able to persist in these things and sleep well doing them. Therefore in the rags of politics, because of this party, it is often the case that individuals painted as villains by the media are heroes in reality.
Criss Jami
I am a boy mom, but I am raising two very different boys. So what does #lifewithboys mean in my house? Mud. Blood. ER visits and black eyes. “He threw a rock at me!” but also, “Let’s play a math game on the computer!” Holes in the knees of brand-new pants. Dirty cleats and stinky jock-straps. Marathon games of Monopoly, chess, and Sudoku. Reading Harry Potter five times. Yelling “No throwing baseballs in the house!” Science camp by day and soccer practice by night. Messy hair and dirty fingernails. Overdue library books. Tears. Fears. And love. We may have holes in the walls and holes in our pants, but I wouldn’t trade this life. It’s exhaustingly beautiful and never boring. Someday, my youngest child may have a boy just like him, and when he throws a baseball through the living room window, I’ll tell my son that it’s okay. He’s just a little boy.
Tiffany O'Connor (The Unofficial Guide to Surviving Life With Boys: Hilarious & Heartwarming Stories About Raising Boys From The Boymom Squad (Boy Mom Squad Book 1))
One evening in 1976, two scientists went out for a stroll after a day’s work in a paleontological site 3.6 million years old near the African village of Laetoli in present-day Tanzania. The scientists were amusing themselves by throwing chunks of elephant dung at each other, when one of them slipped and fell face down on a layer of rock that had begun as volcanic mud millions of years ago but that had long since hardened into a kind of natural cement. There, inches from his face, was the unmistakable impression of fossilized raindrops. Further investigation revealed that the volcanic mud also bore the imprint of numerous fossilized animal tracks. Careful excavation of this volcanic layer over many months revealed the tracks of numerous prehistoric animals ranging in size from elephants to mice. Finally, after two years of painstaking excavations and the discovery of hundreds of animal tracks, the archeologists at Laetoli discovered one of the most important finds in the history of human paleontology: an eighty-foot trail of footprints, made by two individuals, an adult and a child, walking together across the volcanic mud more than three million years ago (see Figure 2.1
Richard L. Currier (Unbound: How Eight Technologies Made Us Human and Brought Our World to the Brink)
Ciao, Violetta.” The sound of his voice, low and almost caressing, is such a shock that for a moment I think I’ve hallucinated hearing it. But as I jerk my head back, I see his shoes, his jeans, and swiftly I swing my legs under me, scrabbling for a foothold in the squishy mud of the riverbank, digging in my toes, and stand up waist-high in the water. Luca has bent his long legs now, and is sitting down in front of me, halfway down the bank on a stone outcropping, so we’re almost level. I stare at him, still disbelieving. “It was you!” I blurt out, and then feel stupid. “Cosa?” He lifts his dark brows. I can see his face clearly in the moonlight, the pale skin, the perfect bone structure, the black lock of hair that falls over his forehead, inky-dark. “Before,” I say. “Up by the club. You were smoking.” He nods. “Which you think is a disgusting habit,” he observes, amusement in his voice. “Yes, I do,” I say firmly, glad of the way the conversation is going; ticking him off is much easier than…anything else. “It’s revolting. Schifoso,” I add, having learned the word in Italian. “Bene.” He pulls the packet from his jeans pocket, raises it to show me, and then, quite unexpectedly, releases it, his long fingers empty, the packet falling into the river beside me. “No more cigarettes,” he says. “Since you say they are schifoso.” “You’re stopping? Just like that?” I fish out the packet before it becomes so waterlogged it sinks, and put it on the grass. He shrugs. “Perchè no?” I swallow. “You shouldn’t just throw things in the water like that. It’s bad for the environment,” I say, sticking with the severe, ticked-off voice, as it makes me feel safe. If I lose this voice with him, I’m in much deeper, more dangerous waters than this pretty little river. “Mi scusi,” he says lightly, an apology with not a flicker of contrition in his voice. “You are good for me, Violetta. The only one who tells me when I do wrong.” When he calls me by the Italian version of my name, I can’t help it: I feel like I’m melting. Dissolving, helpless, gone.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
She says: ‘We are cursed, who are born beneath the peach blossom and fated to work these green pavilions. I thought I had escaped them, but the breeze has blown me back. To understand life is to know despair. Genius and beauty are worthless: they make heaven jealous. I had filtered my springwater with alum: it bubbles now with muck and mud. The potter’s wheel torments all women: it spins and spins, without throwing us off. When I left home, I accepted my fate: but why must destiny still hack away at a rose already shredded? Half my youth is gone too soon. I’ll offer up the rest of it. I’ll end my young days here.
Nguyễn Du (The Tale of Kiều)
My pulse thunders in my ears. It feels like my heart’s rattling my ribs loose, it’s pounding so violently inside my chest. If he touches me any further, I won’t be strong enough to resist Ren anymore. I’ll throw myself at him, beg him to give me everything for just a little while. To give me for now until he can have forever with her. Her. God, my blood boils, and a kick of anger surges through my veins. I hate her. I’m wildly jealous of this woman, who I can only assume is entirely, completely worthy of him. And I know, I trust that she is, because I trust Ren. He’s measured and thoughtful. He has his head screwed on straight. He values the right things. She’s probably an understated beauty, because Ren’s too wholesome to need a knockout—he only asks for beauty from within. She’s one of those rescue-shelter volunteers who bakes perfectly circular chocolate chip cookies and makes friends with all the grandmas on the block. She wants three kids—two boys and a girl—and she loves to scrapbook. She also reads those criminally sex-free romances and is the least erotically adventurous woman on the planet— Whoa, there, Francesca. Getting a little nasty, aren’t we? Well, yes. My thoughts have turned uncharitable. That’s my jealousy talking. That’s my covetous envy. A fierce possessiveness for someone I have no right to. An unwarranted, unfair animosity toward a woman I should be happy for. “I want to apologize, Frankie. About last night.” I spin, tugged out of my thoughts. “What?” Ren frowns up at me from his crouched position, petting Pazza. “I don’t remember everything, because that headache was…unearthly painful, and I’d taken one of the pills for it that Amy prescribed me, but I have a vague memory of being very into hand holding.” Heat rushes through me as I bite my lip. God, you’d think we’d made out, the way thinking of it affects me. “You were.” He grimaces. “It was unprofessional of me. I’m sorry.” His face transforms to a wide smile as Pazza licks his face, perching her muddy paws on his knees. “Pazza, down.” My voice is sharp, and she drops immediately, jogging over to me. Ren slowly stands with a look of wariness on his face. “What’s the matter?” “Nothing. Just Pazza. Sh-she’ll ruin your slacks.” I point at the grass and mud staining his knees. He smiles and shrugs. “I don’t care, Frankie. I can do my laundry. I’m a spot-treating wizard, actually.” “Of course, you are.” I can’t get a stain out of my clothes to save my life. Why do all these little things about him add up to something so perfectly right to me? Why does he have to be so wonderful? Why do I have to be so fucked up?
Chloe Liese (Always Only You (Bergman Brothers, #2))
They were climbing now, climbing the hill of hardened mud upon which the castle stood, and once they had left the lee of the dunes the flies grew less; the heat, on the other hand, was greater still. 'You are going a very disagreeable colour,' said Stephen. 'Should not you throw off that thick coat, and loosen your neckcloth? Heavy, corpulent subjects are liable to be carried off in a twinkling, if not by a frank, straightforward apoplexy, then at least by a cerebral congestion.
Patrick O'Brian (Treason's Harbour (Aubrey & Maturin, #9))
We must do because we are here. The universe is a playspace for you to find out cool shit and discover cool people. It’s the purest notion in our hearts, but also the most fragile. Do not lose to cul-de-sacs. Or a small person who says no. Or a large society that points one way. Do not lose to humidity. Or mud. Or boring white walls that say you’re nothing. Don’t fall for the room. It’s not there. Our dreams will never be around us, which is why we have to do the awkward thing of chasing them. It’s bigger than a day job, or even a romance. To be caught up on planetary affairs is to let the wind blow away your existence. You must throw a fishing line at a cloud and climb up the cord. Stay above the soil stompers. They won’t value you, so look away. Planted in you is a self in which the world will fail to see, in which you must make your mission to protect.
Kristian Ventura (The Goodbye Song)
Strange it is, how circumstances alter cases. Coming to the office that morning, Nattie had found it disagreeable and hard enough to buffet the storm, and had growled at herself all the way, because she was not smart enough to get on in the world, even so far as to be able to stay at home in such weather For storms of nature, like storms of life, are hardest to a woman, trammeled as she is in the one by long skirts, that will drag in the mud, and clothes that every gust of wind catches, and in the other by prejudices and impediments of every kind, that the world, in consideration, doubtless, for her so-called "weakness," throws in her way.
Ella Cheever Thayer (Wired Love: A Romance of Dots and Dashes)
Then we entered the Straits in great fear of mind, for on the one hand was Scylla, and on the other dread Charybdis kept sucking up the salt water. As she vomited it up, it was like the water in a cauldron when it is boiling over upon a great fire, and the spray reached the top of the rocks on either side. When she began to suck again, we could see the water all inside whirling round and round, and it made a deafening sound as it broke against the rocks. We could see the bottom of the whirlpool all black with sand and mud, and the men were at their wits ends for fear. While we were taken up with this, and were expecting each moment to be our last, Scylla pounced down suddenly upon us and snatched up my six best men. I was looking at once after both ship and men, and in a moment I saw their hands and feet ever so high above me, struggling in the air as Scylla was carrying them off, and I heard them call out my name in one last despairing cry. As a fisherman, seated, spear in hand, upon some jutting rock throws bait into the water to deceive the poor little fishes, and spears them with the ox’s horn with which his spear is shod, throwing them gasping on to the land as he catches them one by one—even so did Scylla land these panting creatures on her rock and munch them up at the mouth of her den, while they screamed and stretched out their hands to me in their mortal agony. This was the most sickening sight that I saw throughout all my voyages.
Homer (The Odyssey)