Throttle Up Quotes

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Vogon poetry is of course, the third worst in the universe. The second worst is that of the Azgoths of Kria. During a recitation by their poet master Grunthos the Flatulent of his poem "Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning" four of his audience died of internal haemorrhaging and the president of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos was reported to have been "disappointed" by the poem's reception, and was about to embark on a reading of his 12-book epic entitled "My Favourite Bathtime Gurgles" when his own major intestine, in a desperate attempt to save humanity, leapt straight up through his neck and throttled his brain. The very worst poetry of all perished along with its creator, Paul Neil Milne Johnstone of Redbridge, in the destruction of the planet Earth. Vogon poetry is mild by comparison.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Closure is a funny concept. Everyone talks about how cathartic it feels, but no one describes the pain you experience before. The courage needed to push through tough situations. How much it rips a person up to know they need to let go, not because they want to, but because they have to.
Lauren Asher (Throttled (Dirty Air, #1))
Even if there was such a thing as a half-price sale at the local Ming outlet shop, she would have to work ten lifetimes to make up such a sum. Always supposing that it wasn't one of a kind. Panic was no longer merely rearing. It was thundering through her at full throttle. There was only one thing to be done, she realized. The mature, responsible, adult thing to do. Hide the evidence.
Alexandra Ivy (When Darkness Comes (Guardians of Eternity, #1))
So I pulled the sun screen down and squinted and put the throttle to the floor. And kept on moving west. For West is where we all plan to go some day. It is where you go when the land gives out and the oldfield pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. IT is where you go when you look down at the blade in your hand and see the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go.
Robert Penn Warren (All the King's Men)
Santiago, please come collect your sister. She fucks up everyone’s work schedule.
Lauren Asher (Throttled (Dirty Air, #1))
When we got to the marina we saw this beautiful boat named Tara waiting for us. Fredo, Carin, Ryan, Dan, Kenny, Allison, my mom, and me were all together to enjoy that extraordinary day. As the boat pulled away from the city, its skyline vanished into the horizon. The captain took us to this area where we sailed through caves and lush hilly landscapes. All of a sudden, the captain pushed the throttle all the way down and we started bombing across the water like we were in a James Bond movie. Everyone's hair was blowing all over the place, especially the girls'. Of course, mine was perfect (ha,ha), but theirs ended up looking like the worst case of bed head I've seen! It was so funny.
Justin Bieber (Justin Bieber: Just Getting Started)
I look up into Noah’s eyes and immediately regret it. His shade of blue easily becomes my favorite, reminding me of Barcelona’s coastal waters.
Lauren Asher (Throttled (Dirty Air, #1))
Except he isn't in his chair anymore. He looks up at me with the smirk I love, while he's down on one knee, holding a ring box.
Lauren Asher (Throttled (Dirty Air, #1))
Kira, this is dangerous.” “I know.” I look up at him. “So give me a kiss for luck, and make it a really good one.” He makes a strangled noise in his throat. “I don’t want to kiss you right now. I want to throttle you for being foolish.
Ruby Dixon (Barbarian Lover (Ice Planet Barbarians, #3))
It was amazing how I was able to ignore all his cursing, but he knew airplanes. He showed me how to line up straight on the obscene-curse-word runway and how to use the curse-word throttle and rudder to control the blasphemous-curse-word-plane, how to taxi down the smutty-curse-word runway and, when I got up to top speed, how to add up-elevator and how to maintain a simple-curse-word gradual ascent.
G.M. Monks (Iola O)
I was headed out down a long bone-white road, straight as a string and smooth as glass and glittering and wavering in the heat and humming under the tires like a plucked nerve. I was doing seventy-five but I never seemed to catch up with the pool which seemed to be over the road just this side of the horizon. Then, after a while, the sun was in my eyes, for I was driving west. So I pulled the sun screen down and squinted and put the throttle to the floor. And kept on moving west. For West is where we all plan to go some day. It is where you go when the land gives out and the old-field pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. It is where you go when you look down at the blade in your hand and the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go. It was just where I went.
Robert Penn Warren
Indeed ... but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right ... and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it ... howling through a turn to the right, then to the left and down the long hill to Pacifica ... letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge ... The Edge ... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
But at this moment, her smile draws me to her. I want to keep them all to myself and bottle them up for the bad days.
Lauren Asher (Throttled (Dirty Air, #1))
You shouldn't be stripping in front of your employees. What if he sues?” he demanded, barely reigning in his temper when all he wanted to do was throttle the woman for covering up. “I would never sue!” her secretary yelled from behind the door. “I'm willing to sign a waiver!
R.L. Mathewson (Checkmate (Neighbor from Hell, #3))
The Big Nurse is able to set the wall clock at whatever speed she wants by just turning one of those dials in the steel door; she takes a notion to hurry things up, she turns the speed up, and those hands whip around that disk like spokes in a wheel. The scene in the picture-screen windows goes through rapid changes of light to show morning, noon, and night - throb off and on furiously with day and dark, and everybody is driven like mad to keep up with that passing of fake time; awful scramble of shaves and breakfasts and appointments and lunches and medications and ten minutes of night so you barely get your eyes closed before the dorm light's screaming at you to get up and start the scramble again, go like a sonofabitch this way, going through the full schedule of a day maybe twenty times an hour, till the Big Nurse sees everybody is right up to the breaking point, and she slacks off on the throttle, eases off the pace on that clock-dial, like some kid been fooling with the moving-picture projection machine and finally got tired watching the film run at ten times its natural speed, got bored with all that silly scampering and insect squeak of talk and turned it back to normal.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
When you are recovering from something, don't be in such a hurry to jump back into it full-throttle. Ease up. Hold yourself back a little. Pace yourself. It's OK to do what you can, but there is no need to go crazy with it. Don't let your enthusiasm be the very thing that hurts you! Grace and Ease.
Akiroq Brost
If this were a musical, this would signal the start of a dance number. Angry girls sexy danse in unison around the bull pen. Men stride up and grab a partner to a choreographed tango." Nolan held his hand out. "Give me your man card. You have never sounded more like a girl than right now.
Erin McCarthy (Full Throttle (Fast Track, #7))
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
And..it was Jack. Jack. Of the many things I'd considered doing to him, most involved violence.None of them involved lip-on-lip action. I jerked my head back,but it wasn't hard to get away,since he pulled back at the same moment. He wrinkled his nose. "Well, that was...interesting. Always wanted to try it,but now that I have,I'm pretty sure I never want to again." Furious,I smacked him in the shoulder with my free hand, hating that we still had to have one clasped so I wouldn't be lost forever. "You"-smack-"little"-smack-"freak!"-smack. "What was that?!" SMACK. He dodged another volley. "And I had been under the impression that afterward was a little less"-he winced as I connected hard-"painful." "Listen,creep,if I wanted you to kiss me,I would have asked! And I didn't. And I wouldn't! And if you ever try that again,so help me,I will find that fossegrim and throw you to a watery death!" And then-as if his awkward,terrible kiss weren't bad enough-he started laughing. "SHUT UP!" He shook his head,grinning smugly. "See? Two goals accomplished. One:try out kissing. Miserable failure, no doubt your fault,but a noble effort nonetheless.I should find your friend Carlee. She's probably better at it than you are." Why couldn't my glamour-piercing eyes have a laser function? I wouldn't kill him. I'd just burn the word "freak" into his forehead. "Aren't you going to ask me what my second goal was?" He batted his eyelashed at me. "No,I'm not." He nudged me in the ribs with his elbow. "You aren't crying anymore, are you?" I'd have to let go of his hand to throttle him. So that option was out. "Being so mad I'd like to kill you is better?
Kiersten White (Supernaturally (Paranormalcy, #2))
The temptation is to make an idol of our own experience, to assume our pain is more singular than it is. Experience means nothing if it does not mean beyond itself: we mean nothing unless and until our hard-won meanings are internalized and catalyzed within the lives of others. There is something I am meant to see, something for which my own situation and suffering are the lens, but the cost of such seeing—I am just beginning to realize—may very well be any final clarity or perspective on my own life, my own faith. That would not be a bad fate, to burn up like the booster engine that falls away from the throttling rocket, lighting a little dark as I go.
Christian Wiman
They went through the last of the cars and then walked up the track to the locomotive and climbed up to the catwalk. Rust and scaling paint. They pushed into the cab and he blew away the ash from the engineer's seat and put the boy at the controls. The controls were very simple. Little to do but push the throttle lever forward. He made train noises and diesel horn noises but he wasn't sure what these might mean to the boy. After a while they just looked out through the silted glass to where the track curved away in the waste of weeds. If they saw different worlds what they knew was the same. That the train would sit there slowly decomposing for all eternity and that no train would ever run again
Cormac McCarthy (The Road)
When the poem throttles your innards, that’s when you got to hit the paper and arpeggio the keys—it’s up to you."-Juan Felipe Herrera @cilantroman
Juan Felipe Herrera
she picked him up by the neck and throttled him, actually lifting his body off the floor.
Howard Sounes (Fred & Rose: The Full Story of Fred and Rose West and the Gloucester House of Horrors)
Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain. The very worst poetry of all perished along with its creator, Paula Nancy Millstone Jennings of Greenbridge, Essex, England, in the destruction of the planet Earth.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
it’s a white man’s farm, and we are only the hands that work here, the feet that tread the grapes in the big vat, or churn up dust on the wide yard around the longhouse, we are the backs that bend until they feel like breaking, we are the necks that get throttled, the stomachs that get hollow from hunger, and mine are the hands that keep on knitting and knitting and honest-to-God never stop knitting,
André P. Brink (Philida (Vintage International))
Some work is about lying down for others, I suppose,” he says, and she realizes he is leaping up the last flight of stairs to a wide black glass landing and another set of bronze doors. “And some work is about lifting people up.
Joe Hill (Full Throttle)
Pancake?” His blue eyes stared into mine as he held the pan up, asking permission to slip it on my plate.  I forgot how hungry I’d felt when I walked in. How did the man just fuck me like a maniac and now he was cooking like Guy Fieri?
Chelle Bliss (Throttle Me (Men of Inked, #1))
But we love the Old Travelers. We love to hear them prate and drivel and lie. We can tell them the moment we see them. They always throw out a few feelers; they never cast themselves adrift till they have sounded every individual and know that he has not traveled. Then they open their throttle valves, and how they do brag, and sneer, and swell, and soar, and blaspheme the sacred name of Truth! Their central idea, their grand aim, is to subjugate you, keep you down, make you feel insignificant and humble in the blaze of their cosmopolitan glory! They will not let you know anything. They sneer at your most inoffensive suggestions; they laugh unfeelingly at your treasured dreams of foreign lands; they brand the statements of your traveled aunts and uncles as the stupidest absurdities; they deride your most trusted authors and demolish the fair images they have set up for your willing worship with the pitiless ferocity of the fanatic iconoclast! But still I love the Old Travelers. I love them for their witless platitudes, for their supernatural ability to bore, for their delightful asinine vanity, for their luxuriant fertility of imagination, for their startling, their brilliant, their overwhelming mendacity!
Mark Twain (The Innocents Abroad, Or, the New Pilgrims' Progress)
Alice haunted the mossy edge of the woods, lingering in patches of shade. She was waiting to hear his Austin-Healey throttle back when he careened down the utility road separating the state park from the cabins rimming the lake, but only the whistled conversation of buntings echoed in the branches above. The vibrant blue males darted deeper into the trees when she blew her own 'sweet-sweet chew-chew sweet-sweet' up to theirs. Pine seedlings brushed against her pants as she pushed through the understory, their green heads vivid beneath the canopy. She had dressed to fade into the forest; her hair was bundled up under a long-billed cap, her clothes drab and inconspicuous. When at last she heard his car, she crouched behind a clump of birch and made herself as small as possible, settling into a shallow depression of ferns and leaf litter.
Tracy Guzeman (The Gravity of Birds)
Shut up and listen. Research shows that people who interrupt are three times more likely to die of a heart attack than those who don’t and that marital relationships usually fail because of too much communication, not too little. Couples who spend a lot of time being quiet together stay together.
Paul Pearsall (The Last Self-Help Book You'll Ever Need: Repress Your Anger, Think Negatively, Be a Good Blamer, and Throttle Your Inner Child)
You forgot one more question.” I don’t think as the words leave my mouth. It seems like the perfect chance to have her alone without any interruptions of the blonde-haired, green-eyed variety. Maya stares up at me, confusion lining her face. “Will Noah Slade ask Maya Alatorre on a date?” I flinch at my pathetic pick-up line.
Lauren Asher (Throttled (Dirty Air, #1))
You have to be able to see the world as a whole to bear it—to see the Queerness that moves in every bit of Fairyland, how it threads through every heart and field, how we are all bound together up in the Weird Well of the World. Can’t get too upset about folk being wicked. The Queer old world does so love to turn itself on its head on the regular. Anyway, Fairyland has a kind of weight to it. It tends to settle back into its own ways. Oh, we’ll have a wicked Thorn-King for a century or nine, but in the end, where there’s a Thorn-King, there’s a Rose-Maid to throttle him silly. It might take her a while to get here, but like I said, you have to take a long view.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Let’s ask him,” Lincoln Steffens suggested. The two men dashed across to headquarters and burst into Roosevelt’s office. Riis put the question directly. Was he working to be President? The effect, wrote Steffens, “was frightening.” TR leaped to his feet, ran around his desk, and fists clenched, teeth bared, he seemed about to throttle Riis, who cowered away, amazed. “Don’t you dare ask me that,” TR yelled at Riis. “Don’t you put such ideas into my head. No friend of mine would ever say a thing like that, you—you—” Riis’s shocked face or TR’s recollection that he had few friends as devoted as Jake Riis halted him. He backed away, came up again to Riis, and put his arm over his shoulder. Then he beckoned me close and in an awed tone of voice explained. “Never, never, you must never either of you remind a man at work on a political job that he may be President. It almost always kills him politically. He loses his nerve; he can’t do his work; he gives up the very traits that are making him a possibility. I, for instance, I am going to do great things here, hard things that require all the courage, ability, work that I am capable of … But if I get to thinking of what it might lead to—” He stopped, held us off, and looked into our faces with his face screwed up into a knot, as with lowered voice he said slowly: “I must be wanting to be President. Every young man does. But I won’t let myself think of it; I must not, because if I do, I will begin to work for it, I’ll be careful, calculating, cautious in word and act, and so—I’ll beat myself. See?” Again he looked at us as if we were enemies; then he threw us away from him and went back to his desk. “Go on away, now,” he said, “and don’t you ever mention the—don’t you ever mention that to me again.”141
Edmund Morris (The Rise of Theodore Roosevelt)
One more drink and we’re sharing our rape stories. Nearly every woman I know has one. If I had a nickel for every time I’ve heard one of these stories I could buy an enormous, plush pillow with which to smother my tear-stained face. Near rape, date rape, rape rape, it’s all the same, I think. Close enough is rape. Once I had a friend tell me this breathless, elaborate story about fighting off a drunk man at a party. He tears her dress, scratches her skin, throttles her throat, and it ends with her punching him in the eye, but, she points out repeatedly, he never actually fucks her. “Thank god nothing happened,” she said to me. I stared at her, and then slowly responded. “Yes,” I said. “Thank god for that.
Jami Attenberg (All Grown Up)
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...) 'I really don't know, Dad,' (...) 'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?' (...) 'Right, Dad,' he says. (...) 'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?' 'OK, Dad,' says the boy (...) 'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?' Bunny Junior nods. 'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?' 'OK, Dad.' 'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone. 'So what do you go and do, Dad?' says Bunny Junior. 'Well, you've got to have something they think they need, you know, above all else.' 'And what's that, Dad?' 'Hope... you know... the dream. You've got to sell them the dream.
Nick Cave (The Death of Bunny Munro)
Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
Christian had settled in one of the camp chairs with his drawing pad but leaped up to study a cobweb in a high shadowed corner. The spider had spun a few words into the web: FREE BED FOR FLYS
Joe Hill (Full Throttle)
During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain. The very worst poetry of all perished along with its creator, Paula Nancy Millstone Jennings of Greenbridge, Essex, England, in the destruction of the planet Earth.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
If only humankind would soon succeed in destroying itself; true, I'm afraid : it will take a long time yet, but they'll manage it for sure. They'll have to learn to fly too, so that it will be easier to toss firebrands into cities (a pretty sight : a portly, bronze boat perhaps, from which a couple of mail-clad warriors contemptuously hurl a few flaming armored logs, while from below they shoot at the scaly beasts with howling arrows. They could also easily pour burning oil out of steel pitchers. Or poison. In the wells. By night). Well, they'll manage it all right (if I can come up with that much !). For they pervert all things to evil. The alphabet : it was intended to record timeless poetry or wisdom or memories - but they scrawl myriads of trashy novels and inflammatory pamphlets. What do they deftly make of metals ? Swords and arrow tips. - Fire ? Cities are already smoldering. And in the agora throng the pickpockets and swashbucklers, cutpurses, bawds, quacks and whores. And at best, the rest are simpletons, dandies, and brainless yowlers. And every one of them self-complacent, pretending respectability, bows politely, puffs out coarse cheeks, waves his hands, ogles, jabbers, crows. (They have many words : Experienced : someone who knows plenty of the little underhanded tricks. - Mature : has finally unlearned every ideal. Sophisticated : impertinent and ought to have been hanged long ago.) Those are the small fry; and the : every statesman, politician, orator; prince, general, officer should be throttled on the spot before he has time or opportunity to earn the title at humankind's expense. - Who alone can be great ? Artists and scientists ! And no one else ! And the least of them, if an honest man, is a thousand times greater than the great Xerxes. - If the gods would grant me 3 wishes, one of them would be immediately to free the earth of humankind. And of animals, too (they're too wicked for me as well). Plants are better (except for the insectavores) - The wind has picked up.
Arno Schmidt
At the far end of the taxiway, B-17s began to roll out of their hardstands and onto the perimeter track. Karl nudged the throttles up to 1500 RPM to exercise the turbos. One by one, he eased back the prop control levers and watched for an RPM drop to make sure the propeller governors were working. Everything checked good; Hellstorm gave him no release from the dilemma splitting his heart in two. Good hydraulic pressure, good suction, good voltages. Good Lord.
Tom Young (Silver Wings, Iron Cross)
The trailer rocked as the bulldozer slammed into it. The trailer lurched, windows shattering. The lights went out. The trailer backed up, took another run, full-throttle this time. The blade of the bulldozer punched through a wall of the office, the engine revving as it slowly pushed the trailer toward the ravine. One wall buckled as the trailer tore free of its foundation, digging furrows in the earth as it was pushed closer and closer to the edge of the ravine.
Rick Burroughs (Alan Wake)
Sorry, Cruz!” I said, pushing my throttle forward. “But you’ll never guess who just showed up. Leeeeeeroyyy—” “Oh, Lightman, don’t you even dare!” “—mmm-Jenkinsss!” I broke formation with the others, leaving the Icebreaker behind as I moved to attack the nearest Dreadnaught. I slammed my throttle forward and crossed in front of it, strafing the turrets spaced along the sphere’s equator, taking out one or two of them. “Goddammit, Zack!” Cruz shouted. “Every time! Every goddamn time!
Ernest Cline (Armada)
It ascended by levels: Da's cameo recessed against the glow of the tuner's parade,the drawer of utensils withdrawn past its fulcrum, the disembodied face of my brother miming and distorting my desperate attempt by expression alone to make Mum look up from me and see him, I no longer feeling my features' movements so much as seeing them on that writhing white face against the pantry's black, the throttle-popped eyes and cheeks ballooning against the gag's restraint, Mum squatting chairside to even my ears, my face before us bother farther and farther from my own control as I saw in his twin face what all lolly-smeared hand-held brats must see in the fun-house mirror- the gross and pitiless sameness, the distortion in which there is, tiny, at the center, something cruelly true about the we who leer and woggle at stick necks and and concave skulls, goggling eyes that swell to the edges- as the mimicry ascended reflected levels to become finally the burlesque of a wet hysteria that plastered cut strands to a wet white brow, the strangled man's sobs blocked by cloth, storm's thrum and electric hiss and Da's mutter against the lalation of shears meant for lambs, an unseen fit that sent my eyes upward again and again into their own shocked white, knowing past sight that my twin's face would show the same, to mock it- until the last refuge was slackness, giving up the ghost completely for a blank sack gagged mask's mindless stare-un seen and seeing- into a mirror I could not know or feel myself without. No not ever again.
David Foster Wallace (Brief Interviews with Hideous Men)
I do admire the new breed of fictional female PI's. The ones who'll survive a throttling, a kidnapping, a punch in the kidneys from a Mafia goon and then wind up the evening making love to a helicopter pilot. In the helicopter. I think I need more time at the gym.
Cynthia Lawrence (Take-Out City)
What I feel? Like how I want to take your pain away and yet throttle you at the same moment? How your stupid dimples are infuriating, look for them every time you smile because I know that's a real smile. I don't know why I look forward to arguing with you, but I do. You're clever, and you are kinder than even you realise- even though I know you have earned the title of the Dark One. You are a puzzle I want to figure out, but at the same time, don't. And when I realised You have so many masks- so many layers, I kept wanting to peel them back, even though I fear it will only hurt more in the end.' I shook my head as I curled my fingers around the collar of my tunic. 'I don't understand any of this. Like how do I want to stab you and kiss you at the same time? And I know you said that I deserve to be with someone who didn't kidnap me, or someone I don't want to stab-' 'Forget I said that,' he said, closer to me when I looked up. 'I have no idea what I was talking about. Maybe I didn't even say that.' My lips twitched. 'You totally said that.' 'You're right. I did. Forget it.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Hominy got out of the car to untangle the snarl. Waving his arms like the crazy man he was, he separated the cars by color, not that of the respective paint jobs, but by the hue of the motorists. "If you black, get back! White, to the right. Brown, go around. Yellow, follow the sites and let it mellow. Red, full speed ahead! Mulattos, full throttle!" If he couldn't categorize by sight, he asked the drivers what color they were. "Chicano? What color is that? You just can't make up a race, motherfucker. Puto? I got your puto right here pendejo!
Paul Beatty (The Sellout)
You always look up at the sky,” she noted then, voice thick with emotion. “Is there something beyond the stars you’re looking for?” “I’m looking at the moon.” A beat passed. A breath escaped. A soft caress of the clement breeze over the bridge of his nose when he felt her gaze upon his face, akin to a shower of starlight penetrating their cosmos of solace. “Why?” she asked so quietly, so curiously without a hint of malice in her tone. Silver met green, and a grin spread across his lips at the sight of her moonlit face. “It makes me think of you.
Kanitha P. (Falling Off The Cliff (Full Throttle, #1))
Ducking beneath the low-hanging limbs of giant trees, she churned slowly through thicket for more than a hundred yards, as easy turtles slid from water-logs. A floating mat of duckweed colored the water as green as the leafy ceiling, creating an emerald tunnel. Finally, the trees parted, and she glided into a place of wide sky and reaching grasses, and the sounds of cawing birds. The view a chick gets, she reckoned, when it finally breaks its shell. Kya tooled along, a tiny speck of a girl in a boat, turning this way and that as endless estuaries branched and braided before her. Keep left at all the turns going out, Jodie had said. She barely touched the throttle, easing the boat through the current, keeping the noise low. As she broke around a stand of reeds, a whitetail doe with last spring's fawn stood lapping water. Their heads jerked up, slinging droplets through the air. Kya didn't stop or they would bolt, a lesson she'd learned from watching wild turkeys: if you act like a predator, they act like prey. Just ignore them, keep going slow. She drifted by, and the deer stood as still as a pine until Kya disappeared beyond the salt grass.
Delia Owens (Where the Crawdads Sing)
During a recitation by their Poet Master Grunthos the Flatulent of his poem ‘Ode To A Small Lump of Green Putty I Found In My Armpit One Midsummer Morning’ four of his audience died of internal haemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been ‘disappointed’ by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favourite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leapt straight up through his neck and throttled his brain.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
The dog was throttled off; his huge, purple tongue hanging half a foot out of his mouth, and his pendent lips streaming with bloody slaver.  The man took Cathy up; she was sick: not from fear, I’m certain, but from pain.  He carried her in; I followed, grumbling execrations and vengeance.  “What prey, Robert?” hallooed Linton from the entrance.  “Skulker has caught a little girl, sir,” he replied; “and there’s a lad here,” he added, making a clutch at me, “who looks an out-and-outer!  Very like the robbers were for putting them through the window to open the doors to the gang after all were asleep, that they might murder us at their ease.  Hold your tongue, you foul-
Emily Brontë (Wuthering Heights)
The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem “Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning” four of his audience died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been “disappointed” by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favorite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leaped straight up through his neck and throttled his brain.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
I swear, one range fire and you’ve turned into a timid little baby kitten afraid of his own shadow.” Reza swore under his breath, wishing Emily wasn’t standing right there watching Teague show his ass—figuratively, of course. He wondered how long it would be before Teague tried to hit on her. The thought made Reza’s spine stiffen as he glanced over at her. Emily raised both eyebrows, her lips twitching. “Range fire?” Heat crawled up Reza’s neck, along with a strong desire to throttle Ben Teague. “I may or may not have been involved in an accident involving a small fire here at Fort Hood.” “Ha,” Teague snorted and grabbed his helmet. “He burned down three hundred acres of training area last year.” “It was an accident,” Reza snarled.
Jessica Scott (A Place Called Home (Coming Home #4))
Why, thou monkey,’ said a harpooneer to one of these lads, ‘we ’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.’ Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious revery is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Cranmer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. 10 There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise forever. Heed it well, ye Pantheists!
Herman Melville
He gave me a crooked smile. God, he could charm me even when I wanted to throttle him. "Life is short. It's your decision how you deal with this. Let's forgive, forget, and move on." That comment doused the charm. "Why is it that when a man screws up, they always pull out the forgive and forget card? And you're right, it is my decision how I deal with this. But it was your decision that got us here in the first place! Yes, life is short. Too short to deal with BS like this." "Nothing is going on." He threw his hands in the air. "I don't even remember that woman's name. I was sitting at the bar and she sat next to me. We shot the breeze for a few minutes. She had foam on her lip and I wiped it off. That's it." "Well, maybe I want to wipe some foam off of some hot tourist's lip and shoot the breeze." "You better not!" His jaw clenched. Typical double standard.
Kate Young (Southern Sass and a Crispy Corpse (Marygene Brown Mystery, #2))
Imagine yourself having a fight with your romantic partner. The tension of the situation makes your limbic system run at full throttle and you become flooded with stress hormones like cortisol and adrenalin. The high levels of these chemicals suddenly make you so damn angry, that you burst out in front of your partner saying, “I wish you die, so that I can have some peace in my life”. Given the stress of the situation through highly active limbic system, your PFC loses its freedom to take the right decision and you burst out with foul language in front of your partner, that may ruin your relationship. In simple terms due to your mental instability, you lost your free will to make the right decision. But when the conversation is over, and you relax for a while, your stress hormone levels come down to normal, and you regain your usual cheerful state of mind. Immediately, your PFC starts analyzing the explosive conversation you had with your partner. Healthy activity of the entire frontal lobes, especially the PFC suddenly overwhelms you with a feeling of guilt. Your brain makes you realize, that you have done something devilish. As a result, now you find yourself making the willful decision of apologizing to your partner and making up to him or her, no matter how much effort it takes, because your PFC comes up the solution that it is the healthiest thing to do for your personal life. From this you can see, that what you call free will is something that is not consistent. It changes based on your mental health. Mental instability or illness, truly cripples your free will. And the healthier your frontal lobes are, the better you can take good decisions. And the most effective way to keep your frontal lobes healthy is to practice some kind of meditation.
Abhijit Naskar (What is Mind?)
In the Man Mall there’s a shop that sells fireworks, another that sells guns, a liquor store, a tattoo parlor, and an adult-toy shop with a peep show in the back. With forty dollars in your pocket, you can hit the Man Mall on a Friday night, get shitfaced, get blown by a stripper, get her name tattooed on your arm, celebrate by launching a bottle rocket over the interstate, and pick up a .38 so you’ll have an easy way to kill yourself in the morning.
Joe Hill (Full Throttle)
I want to be everything she needs in a partner. I’ve grown up with terrible examples, and I never want my family to feel the same kind of disappointment I did. To feel unloved and used because of a title and a talent. I’ve gone above and beyond with everything in my life, so it’s no secret I aspire to be the best husband and father one day. To be the person Maya and my future kids can count on to fight their battles and protect them. To love them unconditionally because I want to, not because I have to.
Lauren Asher (Throttled (Dirty Air, #1))
You just let that pretty filly go?” Vim looked up, and Rothgreb could see him trying to balance respect for his elder with the urge to throttle an interfering old busybody. “She refused my suit on more than one occasion, Uncle. I don’t suppose you’ve made a list of all the things that have gone missing?” “Refused your suit! Did you go down on bended knee? Shower her with compliments and pretty baubles? Did you slay dragons for her and ride through drenching thunderstorms?” “I changed dirty nappies for her, got up and down all night with the child, and offered her the rest of my life.” “Dirty nappies? Bah! In my day, we knew how to court a woman.” This provoked a sardonic smile. “In your day, you married for convenience and were free to chase any panniered skirt that caught your eye.” “Little you know.” Rothgreb tossed his spectacles on the desk. “Your aunt would have had my parts fed to the hogs if I’d done more than the requisite flirting with the dowagers. And she knew better than to share her favors elsewhere too, b’gad.” “About
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Miss Kinsley regarded him with the look of disgust girls reserved for snails and frogs. “Any man who would suggest to a young woman that she should elope rather than listen to her papa’s advice can only be up to no good.” “Elope?” Oliver queried, his eyes narrowing on Miss Kinsley. “This scoundrel proposed marriage to you?” “Now, Miss Kinsley,” Nathan began in his best placating voice, “we both know it wasn’t like-“ “Quiet!” Oliver snapped at him. “Or I swear not even Maria will keep me from throttling you.” Nathan swallowed. Hard.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
A month from now, in early April, at the time when far away, outside the city, the water hyacinths would be covering every inch of bayou, lagoon, creek, and backwater with a spiritual-mauve to obscene-purple, violent, vulgar, fleshy, solid, throttling mass of bloom over the black water, and the first heartbreaking, misty green, like girlhood dreams, on the old cypresses would have settled down to be leaf and not a damned thing else, and the arm-thick, mud-colored, slime-slick mocassins would heave out of the swamp and try to cross the highway and your front tire hitting one would give a slight bump and make a sound like kerwhush and a tinny thump when he slapped heavily up against the underside of the fender, and the insects would come boiling out of the swamps and day and night the whole air would vibrate with them with a sound like an electric fan, and if it was night the owls back in the swamps would be whoo-ing and moaning like love and death and damnation, or one would sail out of the pitch dark into the rays of your headlights and plunge against the radiator to explode like a ripped feather bolster, and the fields would be deep in that rank, hairy or slick, juicy, sticky grass which the cattle gorge on and never get flesh over their ribs for that grass is in that black soil and no matter how far the roots could ever go, if the roots were God knows how deep, there would never be anything but that black, grease-clotted soil and no stone down there to put calcium into that grass—well, a month from now, in early April, when all those things would be happening beyond the suburbs, the husks of the old houses in the street where Anne Stanton and I were walking would, if it were evening, crack and spill out onto the stoops and into the street all that life which was now sealed up within.
Robert Penn Warren (All The King's Men)
Nevertheless, in certain respects and in certain places, despite philosophy, despite progress, the spirit of the cloister lingers on, in the middle of the nineteenth century, and a bizarre new outbreak of asceticism now astounds the civilized world. The persistence of antiquated institutions in perpetuating themselves is like the stubbornness of stale scent clinging to your hair, the urgency of spoiled fish clamouring to be eaten, the oppression of childish garb expecting to clothe the adult, and the tenderness of corpses wanting to come back to kiss the living. 'Ungrateful wretch!' says the garment. 'I protected you in bad weather. Why will you have nothing more to do with me?' 'I come from the open sea,' says the fish. 'I was a rose,' says the perfume. 'I loved you,' says the corpse. 'I civilized you,' says the convent. There is only one answer to this: once upon a time. To dream of the indefinite protraction of defunct things and of embalmment as a way of governing mankind, to restore ravaged dogmas, regild shrines, patch up cloisters, re-bless reliquaries, revitalize superstitions, refuel fanaticisms, replace the handles on holy-water sprinklers and on sabres, recreate monasticism and militarism, to believe in the salvation of society by the multiplication of the parasites, to force the past on the present - this seems strange. Still, there are theorists who propound these theories. Such theorists, and they are intelligent people, have a very simple method: they put a gloss on the past, a gloss they call 'social order', 'divine right', 'morality', 'family', 'respect for elders', 'ancient authority', 'sacred tradition', 'legitimacy', 'religion', and they go about shouting, 'Look! Take this, honest people.' This logic was known to the ancients The haruspices practiced it. They rubbed a black heifer with chalk and said, 'It's white.' We ourselves respect the past in certain instances and in all cases grant it clemency, provided it consents to being dead. If it insists on being alive, we attack and try to kill it. Superstitions, bigotries, false pieties, prejudices, these spectres, for all that they are spectres, cling to life. They have teeth and nails in their vaporousness, and they must be tackled head-on, and war must be waged against them, and it must be waged constantly. For it is one of the fates of humanity to be doomed to eternal battle against phantoms. Shades are difficult to throttle and destroy.
Victor Hugo (Les Misérables)
Whales are scarce as hen's teeth whenever thou art up here. Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mysticocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Wickliff's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby-Dick or, The Whale)
SOMETIMES ON A PORCH in June, a girl begins to plunk her banjo; and after a spell of stillness, while the sound travels down their ear crinkles into their inmost feeling-chambers, the music starts to dance the people passing by. They toss like puppets on a bouncing sheet; like boys without a boat; they swing like weeds in the wind; they leap heptangularly about, dancing eccentric saltarellos, discovering that their springs are not so rusty. For even if you have built masterful aspen castles in your mind, have toppled whole forests to throttle the writhing elements into a liveably serene personal pond; if you have longtime sculled your ingenious fins to withstand the tumble-crazy currents; there is music that will dissolve your anchors, your sanctuaries, floating you off your feet, fetching you away with itself. And then you are a migrant, and then you are amuck; and then you are the music’s toy, juggled into its furious torrents, jostled into its foamy jokes, assuming its sparklyblue or greenweedy or brownmuddy tinges, being driven down to the dirgy bottom where rumble-clacking stones are lit by waterlogged and melancholy sunlight, warping back up to the surface, along with yew leaves and alewives and frog bones and other strange acquisitions snagged and rendered willy-nilly by the current, straggling away on its rambling cadenzas, with ever-changing sights—freckled children on the bank, chicken choirs, brewing thunderclouds, june bugs perched in wild parsley—until it spills you into a place whose dimensions make nonsense of your heretofore extraordinary spatial intelligence.
Amy Leach (Things That Are)
Why, thou monkey,” said a harpooneer to one of these lads, “we’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.” Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
Summer spirit, now she closes book’s end, Days of youth spent, carefree with friends. Kari plays now to that what she does not wish, Lost summers days and angelic youth a’ missed. Seasons do change and children grow up, Passing through lives, life never stops. Endless years, bleak they the mind, Adventures of youth, throttle in time. Desires entwine, one grows old, Love loses her grasp, love slips from her hold. Bygone dreams, sleep they soundly by, Hopes for another child, not her soul-self I. Grasped for never, dreams never learn to fly (Within one’s dungeon, the darkest place to die). And Winter’s chill, lays she to rest, Dreams unobtained, fallen in the quest. Kari knew she was but a dream, solo in its flight, Ne’er taking wing again to caress innocence’s light. And to live and live as she once is and now, Stands she forever, stranded on time’s fallowed ground. The love she lost she can never now have, Graspless eternity plucked burning from her hands. Love forsaken, the summer, silent and high, Tears shed for what was once and not now, I. Dreamless hopes far long spent, Lie shallow within, deep strength relents. A hollow traverse of endless life, Lives she the knowing of eternalness light. Aye, silent dreams slip they the day’s long night, To tell of loves once beholden now lost in her sight. In love’s abandonment, Kari, spills she away, To dream upon those clouds again on some somber, summer day. Thus, before evening rusts corrode the golden days, Before innocence is raped and youth spirited away, Before night blossoms forth, and day forgets day, Summer’s love requests of us that we all do stay– To hear a tale one has long since heard before, To tell our souls twice over now and forevermore– Graves are full of those who never lived but could, Heaven and Hell are packed with those who knew they should, And eternity, relentless eternity, brims with those that would.
Douglas M. Laurent
We have a deal.” “The hell you do!” Maria cried out, dashing into the room. She barely noticed that the others stayed behind in the hall. Nathan looked disconcerted by her appearance, and Oliver looked alarmed. “Leave this to me, Maria,” he said tersely. “The only way that scoundrel is getting your mother’s pearls,” she shot back,” is if I strangle him with them.” She marched up and snatched the box from Nathan. “Besides, you already have them to me.” “And you left them behind,” Oliver reminded her. “Gran said you refused to keep them.” “Well, I want them now.” “At the risk of being dragged through the courts?” he said, coming to her side. “Of having your name maligned by this vermin?” He lowered his voice. “Do you really want him examining every action you’ve taken in the past two weeks, having it all laid out before a judge?” She could tell he was thinking of her appearance at the brothel and the unpleasantness there, not to mention her public betrothal to him. “Let him do his worst.” She had an ace in the hole. She was about to call for Miss Kinsley when Oliver said, “Hyatt won’t let go of this matter without some financial consideration. With 125,000 pounds at stake-“ Nathan’s bark of laughter cut him off. “Is that what she’s told you her half of the company is worth, Lord Stoneville?” Nathan sneered. “Now I understand why a marquess is sniffing around her.” Oliver’s eyes turned a dangerous shade of black. He seized the man by the throat and slammed him against the wall. “I don’t give a damn what her half of the company is worth, you little worm. She could come to our marriage with nothing but the gown on her back and I wouldn’t care. She’s worth more to me than any amount of money. If you had an ounce of sense, she’d be worth more to you, too.” As Nathan clawed at Oliver’s hands, struggling for air, Maria hurried to lay her hand on Oliver’s arm. “You promised not to throttle him,” she reminded him, though she was rather enjoying it. After a second’s hesitation, he released Nathan with a look of disgust.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?
Philip Roth (The Human Stain (The American Trilogy, #3))
Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
A dead run and he began to be afraid because she had to start in the next three or it was no go, after twenty-six days, no go. Risk the next cartridge on clearing the pots—she was too rich, stank of the stuff. Mixture weak, switches off, throttle wide open and risk it. Five. Steady and no kick, a clearer, with black-and-blue muck curling out of the pipe; he shivered in the heat with two to go and the fear of Christ in him. Six. A spinner and she kicked, banging on the gears with the air frame shaking, blue smoke curling, clearing—orange flame and the big prop spinning at a run and settling, putting out a roar from the pipe that drowned the sound of the sobbing in his throat as he eased the revs up and sat like a sack listening to the cylinders beating, hunting, one of them choked still but picking up—then she was running with a will and in the long sweet sound he heard another, faintly, and turned his head and saw them standing there with their mouths open, cheering.
Elleston Trevor (The Flight of the Phoenix)
Don’t Read Weight-Loss Books: Eat Them. They’re a better source of fiber than information on permanent weight loss. If you eat them, they’ll stay with you longer and be generally better for your bowels than the plans they offer.   Ditch Your Diet. Research shows that no diet works for long, and constantly trying and failing at dieting is depressing, unhealthy, and ends up making you even fatter. Use the SWELMM system of “Stop Worrying, Eat Less, Move More.
Paul Pearsall (The Last Self-Help Book You'll Ever Need: Repress Your Anger, Think Negatively, Be a Good Blamer, and Throttle Your Inner Child)
This is a capitalistic country, it was developed through the use of capital, and we who claim the right to partake of the blessings of freedom and opportunity, we who seek to accumulate riches here, may as well know that neither riches nor opportunity would be available to us if organized capital had not provided these benefits. For more than twenty years it has been a somewhat popular and growing pastime for radicals, self-seeking politicians, racketeers, crooked labor leaders, and on occasion religious leaders, to take pot-shots at “Wall Street, the money changers, and big business.” The practice became so general that we witnessed during the business depression, the unbelievable sight of high government officials lining up with the cheap politicians, and labor leaders, with the openly avowed purpose of throttling the system which has made Industrial America the richest country on earth. The line-up was so general and so well organized that it prolonged the worst depression America has ever known. It cost millions of men their jobs, because those jobs were inseparably a part of the industrial and capitalistic system which form the very backbone of the nation. During
Napoleon Hill (Think and Grow Rich (Start Motivational Books))
Yet these vastly different forces have been in an unhealthy, even toxic, embrace since the start of the democratic era. Cosatu has stopped the ANC from implementing its economic policies, while the ANC has caved in to its allies’ sectarian whims. The youth wage subsidy that was crafted and put on the table by former Minister of Finance Pravin Gordhan was nearly stopped by Cosatu for partisan reasons.37 Implementation of the National Development Plan (NDP) is stalled because of Cosatu’s intransigence. Moves to stop teachers from striking and to up their performance are routinely throttled by Cosatu.38
Justice Malala (We have now begun our descent: How to Stop South Africa losing its way)
God would never give you a burning desire for something without giving you the skills to achieve it! That would be setting you up to fail, and God isn’t in that business. God-given visions are designed to point you in the direction of God’s purpose for your life. Once you’ve accepted this and have aligned your goals with God’s plan for your life, a synergy between you and God is created, and in the world of prayer, this becomes extremely powerful!
Robert Bakke (Prayer at Full Throttle: How Performance-Based Prayers Make Miracles Happen)
He comes to a stop, plants one foot on the ground firmly, and uses his other foot to kick start his bike. He revs the throttle back a few times and looks over at me with complete excitement in his eyes as he kicks the start back into place. He nods his head back over his shoulder. “Hop on behind me and wrap your arms around my waist. You’re going to want to scoot close up against me and hold on tight, but not so tight that I can’t move freely.” I step up beside him and he reaches out his hand for me to take hold as I throw my leg up and over the seat. I scoot forward enough that my center is pressed tightly up against his rear end, and wrap my arms around his waist. Even if we didn’t move any further than this position right here, I would be a very happy girl. Adam lets out a laugh. “Even though I’m really enjoying you being this close, you might need to scoot yourself back just a bit so you can actually lean and move with me. Having you’re coochie pressed against my body has crossed my mind, but it might have to wait until later. Right now, you’re just going to manage pushing me forward.” My cheeks feel like they are on fire and my mouth drops open. I release my arms from around Adam’s waist and scoot back on the seat. “Did you just call my woman parts a coochie, and should I even ask about the wait until later comment?” I’m not going to tell him right now, but with that one simple sentence Adam has gotten me very worked up, in a very good way. Adam looks back over his shoulder and I can tell he’s smiling by the look in his eyes. “Well, I wasn’t sure what type of girl you were as far as vagina terminology goes? Coochie seemed like a safe word, but I have many options you can choose from that you might prefer. There is always the common pussy and cunt terms, then there are the more original ones like; cockpit, mud flaps, love tunnel, bone cave, meat massager, theme park, dick mitten….” I start shaking my head back and forth. “Ok, Ok, I got it. Coochie will do for now, I guess, and I will give it some more thought later as to a term I more prefer. I don’t think we need to keep talking about this right now if you plan on actually showing me why I should be your biggest fan and you my favorite rider out at the races. This is just a big distraction instead.” Adam reaches back and places his hand on my knee. “Maybe it’s a major part of making you my biggest fan as well as showing you that I’m meant to be your favorite rider. It can wait, though. Hold on and we can head on out toward the field.” I grab back hold of Adam and keep my coochie slid back further on the seat this time. “That might be a very strong incentive, Adam, for us both. I agree. Oh and you forgot to mention; purple people penis eater, honey pot, poody tat, stop-n-pop….” Adam releases my leg and grabs back hold of the handle. “Ok, you’re right; we will continue this conversation later on.
Joan Duszynski (In The Now (In The Moments, #2))
Zero gravity is part of the reason NASA price tags seem so extravagant. For every new piece of equipment that goes up on a mission—every pump, fan, throttle, widget—a prototype must be flown on the C-9 to be sure it works in weightlessness.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
I look up into Noah's eyes and immediately regret it. His shade of blue easily becomes my favorite, reminding me of Barcelona's coastal waters.
Lauren Asher (Throttled (Dirty Air, #1))
The second novel that’s truly frightened me (and this time the fear is much stronger, because it involves pain and humiliation instead of death) is Tadeys, the posthumous novel by Osvaldo Lamborghini. There is no crueller book. I started to read it with enthusiasm — an enthusiasm heightened by Lamborghini’s original prose (with its sentences like something out of Flemish painting and a kind of improbable Argentine or Central European pop art) and guided as well by my admiration for César Aira, Lamborghini’s disciple and literary executor as well as the author of the prologue to this unclassifiable novel — and my enthusiasm or innocence as a reader was throttled by the picture of terror that awaited me. There’s no question that it’s the most brutal book (that’s the best adjective I can come up with) that I’ve read in Spanish in this waning century. It’s incredible, a writer’s dream, but it’s impossible to read more than twenty pages at a time, unless one wants to contract an incurable illness. Naturally, I haven’t finished Tadeys, and I’ll probably die without finishing it. But I’m not giving up. Every once in a while I feel brave and I read a page. On exceptional nights I can read two.
Roberto Bolaño (Between Parentheses: Essays, Articles and Speeches, 1998-2003)
What the fuck is that?” I whisper. “I don’t know.” Christopher frowns as he watches it run back and smash its head as hard as it can. “Some kind of psychotic sheep.” Our eyes meet. “What is this godforsaken place?” I whisper. Suddenly we hear squawks from behind us, and we turn to see the ducks running toward us up the hill, full throttle. Their wings are in the air, beaks open and ready to attack. “Run,” I cry as I take off in the direction of the house. “Ahh, fuck,” Christopher cries. I grab the keys from my pocket, the sound of angry ducks coming up close. I look down at the keys on the overcrowded keyring. “Oh no.” “What?” Christopher cries as he runs alongside me. “I don’t know what key it is.” “How can you not know what fucking key it is?” he cries. “The car. Run for the car.
T.L. Swan (The Casanova (Miles High Club, #3))
And hosts of other memories would have followed, crowding: a thousand skyscapes, day and night, the gay or sombre garments of the blue; the way the earth looked, falling; the wonder at first coming out above the clouds; the rush of engines starting; swallowing to stop deafness in a dive; the scream of wires; shadows of clouds on hills; rain, sweeping like veils over the sea, far off; sunlight; stars between wings; friends, close in formation, swaying, hand on throttle, as they rode ten feet away a mile above the earth. And many others: grass blown down when engines were run up; the smell of dope, and castor oil, and varnish in new cockpits; moonlight shining on struts; sunset clouds, gold-braided; the gasp before the dive; machine-guns; chasing wild duck; the feel of bumps, and all the mastery over movement, pride in skill.
Cecil Lewis (Sagittarius Rising)
If only ten or twenty Negroes had been put into slavery, we could call it injustice, but there were hundreds of thousands of them throughout the country. If this state of affairs had lasted for two or three years, we could say that it was unjust; but it lasted for more than two hundred years. Injustice which lasts for three long centuries and which exists among millions of people over thousands of square miles of territory, is injustice no longer; it is an accomplished fact of life. Men adjust themselves to their land; they create their own laws of being; their notions of right and wrong. A common way of earning a living gives them a common attitude toward life. Even their speech is colored and shaped by what they must undergo. Your Honor, injustice blots out one form of life, but another grows up in its place with its own rights, needs, and aspirations. What is happening here today is not injustice, but oppression, an attempt to throttle or stamp out a new form of life. And it is this new form of life that has grown up here in our midst that puzzles us, that expresses itself, like a weed growing from under a stone, in terms we call crime. Unless we grasp this problem in the light of this new reality, we cannot do more than salve our feelings of guilt and rage with more murder when a man, living under such conditions, commits an act which we call a crime.
Richard Wright (Native Son)
You didn’t tell me that.” “You didn’t ask,” said Nona. “Nona,” said Palamedes very, very slowly, “that was the very important information—information that changes everything—the type of information we have schooled you for the last six months to tell us, instantly, and the type of information Camilla and I personally trusted you to prioritise.” This was too much to bear. “I’ve had things to think about,” Nona wailed. “I didn’t want to get in trouble.” “Have Cam and I ever gotten you into trouble?” “No, and I didn’t want to ruin that, Honesty always gets in trouble and it’s terrible,” said Nona. “And it’s not fair trying to talk calmly and sadly about my responsibilities when I know you’re thinking, ‘Nona I want to beat you up with the broom handle.’” “I’d never use the broom handle on you,” said Palamedes. Nona was mollified. “You wouldn’t feel it. If Cam and I didn’t love you as much as we do,” said Palamedes, “we would take turns throttling you, then give all your magazines to charity.” Palamedes had never said the word love before. More than anything—even the idea of her beloved magazines going to charity, as though others were more deserving than Nona, the most deserving person on this planet—this broke her.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
So, why were you trying to flirt with that asshole at the boardwalk?” My jaw drops. I’ve got to be hearing things. I— “Wow, there,” Ruby says. “That’s a new form of distraction I haven’t heard before. I like that. I thought you two were a couple by the way you look at each other but—” I panic-stare at her and she snorts, “Never mind, you do you, keep talking.” I stammer. “It…it was…” Jack says, maybe to Ruby or maybe to himself, “Ellie’s not usually like this, for sure.” “How would you know what I’m like?” My cheeks flush, and I barely notice Ruby lining up the needle. People love to label me. What about what I want to label myself? Especially Jack—he’s pretended not to know me for so long. Jack grins. “Well, we’ll have to debate later on that.” “No, we won’t!” There’s no way I’m going to let him ignore me. I’m going to throttle him as soon as— “You’re all done.” Ruby places a mirror in front of me. “What do you think?” Already? I turn my head to look; my skin’s a little pink, but there it is—the star-shaped silver piercing is on my right ear, at the exact spot I’d chosen. I breathe out in surprise, giving it the label I want. “It’s perfect.” Jack smiles smugly, standing up from the stool. “And I was the perfect distraction.” I’ll ignore that.
Julie Abe (The Charmed List)
A smudge on the right-hand side of Trapp’s vision sent out a warning signal, attracting the attention of his conscious brain. In an instant, that nervous tension that was never that far away these days ramped itself back up. His fingers curled around the throttle, not feeding gas into the engine just yet, but ready to with a second’s notice
Jack Slater (Hangman (Jason Trapp #0; Jason Trapp: Origin Story #1))
But it was 1996, and America's War on Drugs was in full throttle. Resources for drug treatment were scant, while money was being poured into law enforcement and prisons. People with addiction like Mama didn't stand a chance. And neither did their kids caught up on the front lines.
Brittany K. Barnett (A Knock at Midnight: A Story of Hope, Justice, and Freedom)
Some days it felt like a shout building up inside me, and I imagined how it would feel to let it out, to let the whole world hear.
Lisa Henry (Full Throttle)
So much of what they do, with Mr. Kingsley, is restraint in the name of release. It seems they have to throttle their emotions to have complete access to them. Access to one's emotions = presence in the moment. Acting = responding with authentic emotion under made-up circumstances.
Susan Choi (Trust Exercise)
He chuckles as his almond-shaped eyes look into mine. “I hope I won’t have to put up with this attitude all season long. I can’t keep up with your teenage hormones.
Lauren Asher (Throttled (Dirty Air, #1))
Setting the water bottle down, I turned my hands over to look at the angry scars and then up at Lainey. “These will heal. I will dance. I will fly. But I can’t lose you. I don’t even dare risk you. At the same time, I’m selfish because I’m glad you’re here.” Closing her eyes, Lainey dragged me in for a hug. “I could throttle you,” she said in a voice misty with unshed tears. “I love you.” “I love you, too,” I whispered, clinging to her. “You have saved me so many times.” “Not enough,” she complained and I chuckled. “More than you know.
Heather Long (Brutal Fighter (82 Street Vandals, #5))
Bagpipes is a gey droll kind o' utensil; ye canna jist begin to play them the wye ye can a melodeon; they hae to be taken aside and argued wi', and half-throttled afore they'll dae onything wyse-like. They're awfu dour things, but they never hairmed onybody that never hairmed them. See, yonder's a chap that's got his pipes fine and tame noo; he's gaun on the platform to play something."' The piper in question went on the platform and proceeded remorselessly to play a pibroch. Two very fat judges in kilts and a third in tartan knickerbockers sat on chairs beside the platform and took notes on sheets of paper as the pibroch unwound itself. "What are they chaps daein'?" asked Duffy. "They're judgin'" says Erchie. "I've seen Heilan' games afore. A' the prizes for bagpipe playin' gangs by points - ten points for the natest kilt; ten points for the richt wye o' cockin' yer bonnet; five points for no' gaun aff a'e tune on to anither; five points for the best pair o' leg for the kilt; five points for yer name bein' Campbell and the judges kennin' yer faither - thats the judges addin' up the points and wishin' they kent the tune he's playin'.
Neil Munro (Erchie, My Droll Friend)
Peak performers engage the caudate nucleus to keep themselves in states of flow. They “throttle down” emotions such as fear and anger so they can engage fully with the task at hand. When meditators use the caudate nucleus to throttle back their negative emotions repeatedly, the process becomes automatic, like riding a bike. This makes them resilient in the face of stress. We encountered the nucleus accumbens, another important part of the striatum, in Chapter 2. It’s associated with rewarding experiences and the reinforcement that reward produces in the brain. It’s activated by pleasurable experiences, during which it secretes large amounts of dopamine, the brain’s primary reward neurotransmitter. This reward system plays a role in addiction. Drugs like alcohol, heroin, and cocaine trigger the release of dopamine in the nucleus accumbens. It also kicks in when you find a $20 bill on the beach, have an orgasm, or help yourself to a generous portion of cherry pie. But when a meditator contemplates altruism, her nucleus accumbens lights up. She gets the same rush of dopamine that an addict gets when he sniffs a line of cocaine. Same for the chocoholic unwrapping her Ferrero Rocher truffle. Meditation makes meditators feel good using the exact same neurotransmitters and brain regions active in the addict, as we’ll see in Chapter 5. This reward system explains why long-term meditators maintain a regular practice. They’re addicted to feeling wonderful!
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
Closure is a funny concept. Everyone talks about how cathartic it feels, but no one describes the pain you experience before. The courage needed to push through tough situations. How much it rips a person up to know they need to let go, not because they want to but because they have to.
Lauren Asher (Throttled (Dirty Air, #1))
I didn’t fuck around with her. I love her. I’ll keep loving her through everything, no matter what you or anyone else says, or whatever you try to do to break us up. It’s insulting for you to even think I’d be with Maya to fuck around with your racing. She’s the end game. I don’t hook up with her for a shitty trophy, and sure as fuck not for a Championship win. I want everything with her. Everything after this.
Lauren Asher (Throttled (Dirty Air, #1))
Ain't Lookin' Back" (Verse 1) City lights, country nights, blending in a perfect flow, I'm hitting this life full throttle, ready for the show. You're yesterday's echo, fading in the track, When you take out the trash, ain't no sense in looking back. (Chorus) 'Cause I'm living loud, in the here and now, No rearview glances, I've made my vow. I won't be a part of letting you destroy me, I'm all about the future, that's where you'll see me. (Verse 2) Got my heart tuned up, like a guitar's string, Every lesson learned, is a song I'll sing. I'm done with the digging, done with the old hack, When you take out the trash, you don't unpack. (Bridge) I'm a modern rebel, with an old soul's wisdom, Cutting ties with the past, like a sharp incision. I'm not just surviving, I'm on the attack, When you take out the trash, you don't look back. (Chorus) 'Cause I'm living loud, in the here and now, No rearview glances, I've made my vow. I won't be a part of letting you destroy me, I'm all about the future, that's where you'll see me. (Outro) So here's to the bright days, and the starlit nights, To the new beginnings, and the soaring heights. I'm stepping forward, on a one-way track, 'Cause when you take out the trash, you ain't lookin' back.
James Hilton-Cowboy
Float chamber. Choke valve. Throttle valve. Piston valve… As I drive the guys back to the stadium, I mentally review all the parts of a carburetor. It’s something my older brother David drilled into my head when I was younger because he assumed I’d work for him someday. And as much as I hate the idea of toiling in his garage, I find the exercise takes my mind off Charlotte’s perfect, bouncy tits. Her tiny waist. And that flimsy strip of silk between her slender thighs. Billy taps on the window. “So we’re not gonna talk about it?” My hands tighten on the steering wheel. “Nope.” “Really? Because I just wanna say I always knew underneath her prim little exterior, Chuck was a stone-cold fox. Talk about spank bank material.” “Shut the fuck up, asshole. We’re not talking about Charlotte.” When he doesn’t say anything, I look over to find him smirking. “What?” “Just wondering when you’re gonna admit you have a thing for her.
Lex Martin (Second Down Darling (Varsity Dads #4))
I’ll come up for air when I’m goddamn good and ready. But right now, fucking drown me.
K. Bromberg (Off the Grid (Full Throttle, #1))
Let’s stop playing this game, Gasket.” “What game?” “The no-strings one. I’m in love with you. Can’t you see that? Baggy clothes. No clothes. A Mount Everest of clothes, I don’t fucking care. You’re it for me, Camilla. The kind of it I never expected, I never wanted. I thought love was for weak men and saps. I’ll be the first to admit I was wrong. Hands down. Head over heels wrong. You drive me crazy but fuck if that madness doesn’t make me love you more. You challenge me. You make me the kind of man who would give up his dream because it’s the right thing to do. And that’s fucking saying a lot. Because I would. I did. And I’d do it a million times over if that’s what you needed, because I’m in fucking love with you.
K. Bromberg (Off the Grid (Full Throttle, #1))
We’re a fucked-up pair, but my broken makes you whole. Your broken has made me whole. Now it’s time to let those breaks heal. For the scars to fade like nothing ever was.
K. Bromberg (Off the Grid (Full Throttle, #1))
But me? I prefer a cozy life of snuggling up with a good book or a new TV show.
Lauren Asher (Throttled (Dirty Air, #1))
I solemnly swear I’ll be up to good.
Lauren Asher (Throttled (Dirty Air, #1))