Throat Punch Quotes

We've searched our database for all the quotes and captions related to Throat Punch. Here they are! All 100 of them:

Kat tipped her head back, meeting my stare. Her throat worked on her next words. "I think I might love you." Air punched out of my lungs. I held her tight, and I knew right then I would burn down the whole universe for her if I had to. I would do anything to keep her safe. Kill. Heal. Die. Anything. Because she was my everything.
Jennifer L. Armentrout (Onyx (Lux, #2))
He’s body slammed enough people to start a new country. And there could be a neighbouring city for the people he’s punched in the throat
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Tiny gold sparks flared in his irises. "You're in my rooms in my bathtub naked and you're still mouthing off." Did he expect anything different? "Hey, I didn't kick or punch you in the throat. I consider this progress. And you haven't choked me again, which is some sort of record for you...
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
There's only one of him, she thought, and he's right here. He knows I'll like a song before I've heard it. He laughs before I even get to the punch line. There's a place on his chest, just below his throat, that makes me want to let him open doors for me. There's only one of him.
Rainbow Rowell (Eleanor & Park)
Publishing a book is like giving birth. You labor over it and then produce what you think is the most beautiful thing in the world. Then some asshat comes along and says 'what an ugly baby'. And you want to throat punch the Fuq into Outer Mongolia. Quote by Jordan Silver 12/22/13
Jordan Silver
It’s throat punch Thursday, and I’m offering free tickets.
Lani Lynn Vale (Life To My Flight (The Heroes of The Dixie Wardens MC, #5))
This is love if it's not with you, a terrible fiery something that makes people look away, and it feels like a punch in the throat.
Daniel Handler (Adverbs)
But then Klaudia's lips curled ino a conniving smile."Actually, Aria, I'm going to fuck your boyfriend. Tonight." Aria started at her. It felt like Klaudia had just punched her in the throat. "Excuse me?" Klaudia scooted closer to Aria. "I'm going to fuck your boyfried," she said again -in textbook-perfect English. "Tonight. And there's nothing you can do about it.
Sara Shepard (Twisted (Pretty Little Liars, #9))
Come with every wound and every woman you’ve ever loved; every lie you’ve ever told and whatever it is that keeps you up at night. Every mouth you’ve punched in, all the blood you’ve ever tasted. Come with every enemy you’ve ever made and all the family you’ve ever buried and every dirty thing you’ve ever done; every drink that’s burnt your throat and every morning you’ve woken with nothing and no one. Come with all your loss, your regrets, sins, memories, black outs, secrets. I’ve never seen anything more beautiful than you.
Warsan Shire
If you jotted down all of my ill-thought out comments, you could write a book entitled, Guide to Getting Punched in the Throat for Boneheads-Mad Hatter in "Death of the Mad Hatter" (Coming Soon!)
Sarah J. Pepper
So what did Jes say?' I asked again, when my brain felt a bit less scrambled. 'He said I should take good care of you.' 'That's all?' Mal cleared his throat. 'And . . . he said he would pray to the God of Work to heal your affliction.' 'My what?' 'I many have told him that you have a goiter.' I stumbled. 'I beg your pardon?' 'Well, I had to explain why you were always clinging to that scarf.' I dropped my hand. I'd been doing it again without even realizing. 'So you told him I had a goiter?' I whispered incredulously. 'I had to say something. And it makes you quite a tragic figure. Pretty girl, giant growth, you know.' I punched him hard in the arm. 'Ow! Hey, in some countries, goiters are considered very fashionable.' 'Do they like eunuchs, too? Because I can arrange that.' 'So bloodthirsty!' 'My goiter makes me cranky.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Oh, I’d heard him. Loud and clear. That was why I wanted to kill him. Which basically showed how amazing the human mind was; how you could care about someone but want to slit his or her throat at the same time. Like having a sister who you wanted to punch right in the ovaries. You still loved her, you just wanted to sock her right in the baby-maker to teach her a lesson—not that I knew from experience or anything.
Mariana Zapata (The Wall of Winnipeg and Me)
I FELT LIKE CRYING which felt like another person trapped behind my face tiny fists punching the backs of my eyes feet kicking my throat at the spot where the swallow starts. Stay put, I whispered to him, Stay strong, I whispered to me. Because crying is against The Rules.
Jason Reynolds (Long Way Down)
No one ever tells you that when your heart breaks, you can feel it. But you can. It feels like something has crumbled inside you and the pieces are falling into your stomach. It hurts more than any punch ever could. You stop breathing, and for a while you can’t remember how. When you finally do, it feels like your throat has closed up, like you’re trying to suck air through a straw.
Michael Thomas Ford (Suicide Notes)
My subconscious screamed at me to run. My consciousness screamed at me to punch him in the throat. My inner demons screamed at screamed at me to kill everyone, then myself. My inner slut screamed at me to sit on his face and suffocate him.
Jasmine Mas (Psycho Gods (Cruel Shifterverse #6))
I let my kids make decisions for themselves, but some things are not up for discussion. When it's cold, they wear a coat.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
When he sees me, he stops. His eyes widen, his face pales. And then before i can say anything, he's holding me. And the worst part is-I want to hold him. But I also want to slap him, hit him. Punch him. Tear out his throat. I want him to tell me what he did to me was a mistake. Some horrible mix-up. . .after I'm done holding him back.
Courtney Summers (Fall for Anything)
You done a number on him, Colt. He needs a doctor, or he ain't gonna make it.” “He tried to rape her, Split. Then he punched her.” “To be fair,” Nell puts in, “he only punched me after I put a knife to his throat.” Split coughs a laugh. “You what? Girl, you crazy.
Jasinda Wilder (Falling into You (Falling, #1))
Tobias, knowing nothing about Shanti, couldn’t contain his displeasure at a woman tagging along. He kept his distaste to huffs, however, being a well-versed fighter—he knew better than to piss off the Captain. Shanti, knowing better than to waste time, didn’t punch him in the throat. All in all, they got along.
K.F. Breene (Chosen (The Warrior Chronicles, #1))
Excuse me?” I asked. I always say “excuse me” even though I heard perfectly well what the person said. I feel that by saying “excuse me,” I’m giving them a chance to realize they’re being an asshole, and they can change their attitude for the second attempt.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
She climbed into the shuttle and got in his personal space. “Who are you working for?” The man spat in her face. She rolled her eyes and wiped the spittle off her cheek. Then she punched him square across the jaw before grabbing him by the throat. “WHO are you working for?
G.S. Jennsen (Dissonance (Aurora Renegades, #2))
Vishous came up onto the dais, his eyes down. He accepted the silver glove from Z and slipped it over the black leather he already wore on his hand. Then he scored himself with a quick flash of the black blade and stared at the skull as his blood dripped down into the basin, joining the others'. "My flesh," he whispered. He seemed to hesitate before turning to Butch. Then he pivoted and their eyes met. As candlelight flickered over V's hard face and got caught in his diamond irises, Butch felt his breath get tight: At that moment, his roommate looked as powerful as a god...and maybe even as beautiful. Vishous stepped in close and slid his hand from Butch's shoulder to the back of his neck. "Your flesh," V breathed. Then he paused, as if asking for something. Without thinking, Butch titled his chin up, aware that he was offering himself, aware the he...oh, fuck. He stopped his thoughts, completely weirded out by the vibe that had sprung up from God only knew where. In slow motion Vishous's dark head dropped down and there was a silken brush as his goatee moved against Butch's throat. With delicious precision, V's fangs pressed against the vein that ran up from Butch's heart, then slowly, inexorably, punched through skin. Their chests merged. Butch closed his eyes and absorbed the feel of it all, the warmth of their bodies so close, the way V's hair felt soft on his jaw, the slide of a powerful male arm as it slipped around his waist. On their own accord, Butch's hands left the pegs and came to rest on V's hips, squeezing that hard flesh, bringing them together from head to foot. A tremor went through one of them. Or maybe...shit, it was more likely they both shuddered.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
His son lost everything because he was trying to do his job and protect himself. His life matters too, you know?" I cannot right now. I can't. I stand up or otherwise I will say or do something really stupid. Like punch her. ... "Are you serious right now? Hailey asks. "What's wrong with saying his life matters too?" "His life always matters more!" My voice is gruff, and my throat is tight. "That's the problem!
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Cheerleading was not a hit: “What am I doing here, Mommy? I’m freezing cold and I’m cheering for a bunch of boys to win a game! Who cheers for me?” (Exactly, Adolpha. Exactly.)
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
People who tell me not to swear so much. Oh, fuck you, too.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
When he wakes up," Daniel murmured gently, "I'm going to punch him in the throat.
Stephenie Meyer (The Chemist)
I need to get away from civilization before I punch someone in the throat.
S.J. Tilly (Sleet Kitten (Sleet, #1))
He sees through that, though. I exasperate him, I annoy him, and he scowls at me like he wants to punch my fucking teeth down my throat. And it all goes away when he says thump, thump, thump. Because he hears my heart and it anchors him. How can I say no to that? Who cares if he’s a man or a woman or somewhere in between? It doesn’t matter. All I care about is that he sees me. Like, really sees me. And I see him.
T.J. Klune (Brothersong (Green Creek, #4))
He leered at Auntie and asked if she’d show him which body parts were Indian. She throat-punched him. While he was gulping for air, my aunt told him he just experienced a real Indian fist and she had another if he wanted to see that one too.
Angeline Boulley (Firekeeper’s Daughter)
One of the guards gave her a hard shove. Stumbling forward, she scowled and stopped short again. Hands curling into fists, she turned suddenly and punched the guard in the throat. Caught by surprise, the guard cupped his neck and began to wheeze. Ava spun and delivered a hard kick to his belly, driving him back a step.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
Niphon, standing with a glass of wine, regarded me with curious amusement as I headed straight for him.Considering I usually avoided him if it all possible, my approach undoubtedly astonished him. But not as much as when I punched him. I didn’t even need to shape-shift much bulk into my fist. I’d caught him by surprise. The wineglass fell out of his hand, hitting the carpet and spilling its contents like blood. The imp flew backward, hitting Peter’s china cabinet with a crash. Niphon slumped to the floor, eyes wide with shock. I kept coming. Kneeling, I grabbed his designer shirt and jerked him toward me. “Stay the fuck out of my life, or I will destroy you,” I hissed. Terror filled his features. “Are you out of your fucking mind? What do you—” Suddenly, the fear disappeared. He started laughing. “He did it, didn’t he? He broke up with you. I didn’t know if he could do it, even after giving him the spiel about how it’d be better for both of you. Oh my. This is lovely. All your so-called charms weren’t enough to—ahh!” I’d pulled him closer to me, digging my nails into him, and finally, I felt an emotion. Fury. Niphon’s role had been greater than I believed. My face was mere inches from his. “Remember when you said I was nothing but a backwoods girl from some gritty fishing village? You were right. And I had to survive in gritty circumstances—in situations you’d never be able to handle. And you know what else? I spent most of my childhood gutting fish and other animals.” I ran a finger down his neck. “I can do it for you too. I could slit you from throat to stomach. I could rip you open, and you’d scream for death. You’d wish you weren’t immortal. And I could do it over and over again.” That wiped the smirk off Niphon’s face.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it. My right hand was faster, was not mine. Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry. The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression. I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again. I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face. This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised. Did that mean pass or fail? The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration. In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole. I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real. Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed. 'No one's betrayed you, stupid,' I railed at her. 'How could he? How?' she ranted, ignoring me. We sobbed beyond control. One word snapped us back from the edge of hysteria. From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?" "Mel?" he asked again, the hope he didn't want to feel colouring his tone. My breath caught in another sob, an aftershock. "You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it." "If you're in there, Mel..." He paused. Melanie hated the "if". A sob burst up through my lungs and I gasped for air. "I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
Stephenie Meyer (The Host (The Host, #1))
I love my husband dearly, but there are days I wouldn’t be opposed to burying his bludgeoned body in the backyard.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
I’m the only one who leaves the house in my pajamas because I can’t get my shit together, nor do I give a shit that I can’t get my shit together.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
I remember back when the only 'Google' was the sound a guy made when you punched him in the throat.
Daniel Friedman (Don't Ever Get Old (Buck Schatz, #1))
now he knew that if anyone said ‘it’s the principle of the thing’ then the correct response was to punch that person in the throat,
Natasha Pulley (The Lost Future of Pepperharrow (Watchmaker of Filigree Street #2))
I wish all the sorcerers in the world had just one throat,” Angela announced. “So I could punch them in it.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
I felt like crying which felt like another person trapped behind my face tiny fists punching the backs of my eyes feet kicking my throat at the spot where the swallow starts.
Jason Reynolds (Long Way Down)
His mind wandered to a happy place where he could throat punch people and there were puppies and cupcakes after.
A.J. Sherwood (A Mage's Guide to Human Familiars (R'iyah Family Archives #1))
Don't look so forlorn. You're making the right decision. Cole once ate a pound of rusty nails and claimed it tasted like unicorn tears mixed with fairy dust. True story. I was there." Reeve nodded encouragingly. "I wasn't there, but I can believe it. I once saw him body slam a teacher for daring to ask him the meaning of X minus Y." "He put the guy in the hospital for three months," Poppy said, tapping a fingernail against her chin. "Or was that a student he body slammed for daring to give an answer different than his?" "Probably both. He's body slammed enough people to start a new country. And there could be a neighboring city for the people he's punched in the throat.
Gena Showalter
The thing about marriage is that it requires so much compromise. And, naturally, someone is going to come into the marriage being better at The Yield. In fact, I say a lengthy marriage requires it. Someone is always going to come in with horns down and nostrils flaring. That requires that the other person run away as quickly as possible while waving the white flag. Certainly not the red flag, because I don't want to be that poor woman who accidentally ran over her spouse sixty-five times. Someone is the bull. Someone must be the china shop. We all have important roles to play.
Jen Mann (I Just Want to Be Alone (I Just Want to Pee Alone Book 2))
You know what he’s doing tonight?” Wilson looks at Cooper. “He’s going to be sleeping with your sister.” He beams with a smile. “Just like me.” Cooper just glares at him. “If you say a word,” Michael warns beside Dylan, “I will throat punch you on the ice.
Natasha Madison (Made for You (Made For #2))
One of these days I’m going to be surrounded by so many young gifted athletes. There must be something in the water, because everyone’s kid is a prodigy of some kind, except for mine. Gomer is a bit of a lumberer on the soccer field, and when Adolpha practices her ballet, she has the grace of a baby giraffe. They’re so like their mother. I couldn’t be prouder of my little underachievers.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat. “This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand. My gaze dropped to it and I made no attempt to take it. Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?” His question caught me off guard, but I kept quiet. He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.” “She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.” As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded. Rolland chuckled. “She’s had a rough day, Sadi.” At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag. “Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.” “Are you?” Daemon replied.
 Every hair on my body rose as my arms unfolded.
 “Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans. And oh, hell to the no. “Get your hands off him.”
 Sadi’s head snapped in my direction. “Excuse me?”
 “I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.” One side of her plump red lips curled up. “You want to make me?”
 In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away. “Stop it,” he murmured, voice dropped low in that teasing way of his. I saw red. The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red— “And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails. The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
Jennifer L. Armentrout (Opposition (Lux, #5))
There’s only one of him, she thought, and he’s right here. He knows I’ll like a song before I’ve heard it. He laughs before I even get to the punch line. There’s a place on his chest, just below his throat, that makes me want to let him open doors for me. There’s only one of him.
Rainbow Rowell (Eleanor & Park)
Wait—what?” He’d said the last statement so casually, I almost didn’t grasp its significance. “There are merrow who want to destroy the human race?” I pictured a hundred thousand Sebastians, capable of punching through picnic tables and moving faster than we could even see them. It would be a slaughter. A mermaid apocalypse. I almost laughed at the thought, but the impulse died in my throat. I felt sick. I couldn’t believe I’d wanted to kiss him just a few moments ago.
D.S. Murphy
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Your leader has found his lifemate, Dayan,” Julian said happily, “and is clueless, totally clueless, about how to deal with her. Finding your lifemate leaves you feeling as if someone punched you in the gut and stole your sanity. Your Darius is used to having his way in all things, simply commanding whatever he deems correct. But now I suspect he is in for the shock he so richly deserves.” “He will simply force his will upon Tempest,” Dayan said confidently, “then everything will return to normal.” “Forcing your will on your lifemate is in the same category as cutting your own throat. Not a wise idea. Still, watching will make for much fun,” Julian said smugly.
Christine Feehan (Dark Fire (Dark, #6))
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.
Veronica Roth
My mom guards me. Dad wraps his big hands around her throat, shaking her. “Huh, you still think he’s making the right choice?” I run over, grab his TV remote, and hit him so hard in the back of his head with it that the batteries pop out. He shoves my mom into the intercom phone and she falls to the floor, desperately trying to catch her breath. Before I can check on her, my dad—the man who fucking played catch with me—punches me in the back of my head, and I crash into a tower of Eric’s used games. He drags me by my shirt collar and leaves me outside the apartment door. “I’ll be damned if I’m alive the day you bring a boy home, you fucking faggot.” I hear the door lock and I cry harder than I ever have in my entire life because I can’t change the way I am, not as fast and as easily as my father just stopped being Dad. Last night I was left out in the hallway
Adam Silvera (More Happy Than Not)
The only way to really embrace your emotions well—all while throat-punching anxiety—is by navigating your feelings the way Jesus navigated his.
Chari Orozco (I Cry in Corners: Embracing Your Feelings, Throat-Punching Anxiety, and Managing Your Emotions Well)
Do whales have uvulas?” “How am I supposed to know if it’s a girl whale?” “It’s the dangly punching-bag–looking thing in the back of your throat,
Roshani Chokshi (Aru Shah and the End of Time (Pandava Quartet, #1))
I brushed my hand through his blond hair. “You’re a fool, Your Furriness.” Tiny gold sparks flared in his irises. “You’re in my rooms in my bathtub naked and you’re still mouthing off.” Did he expect something different? “Hey, I didn’t kick you or punch you in the throat. I consider this progress. And you haven’t choked me again, which is some sort of record for you . . .” He grabbed me with a growl. “That’s it. You’re in for it.” “Very scary. I’m shaking in my—” He locked his mouth on mine and I decided it was a good incentive to shut up.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Her body clenched with hot desire, and without thinking she bathed Jacques’ mind in her heat. She saw his body hunch, as if someone had physically punched him. Guilt stirred for a moment, but then he was stroking her throat, his mental touch every bit as exciting in her state of arousal as his physical one. Gregori straightened up slowly and inhaled sharply, turned to glare at Jacques.
Christine Feehan (Dark Desire (Dark, #2))
Besides shopping at garage sales, I love hosting garage sales. Every year my mom and I dig through our houses and find a bunch of crap (I mean really terrific stuff) to sell so we can earn some money so we can go back out and buy some more crap (I mean really terrific stuff) that we’ll use for a bit and then turn around and garage-sale in a couple of years. It’s the circle of life suburban style.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
Thirrin’s fighting spirit still roared within her though, and as the creature lowered its jaws towards her throat she punched it hard on the nose. The werewolf shook its head and sneezed, taken completely aback.
Stuart Hill (The Cry of the Icemark)
No mother in my community has a more widely recognized hobby than bitching about her child’s school. I’ve come to realize that for many, school is a real drag. It gets in the way of raising a professional athlete.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
. I was a mess as I alternated between anger and sorrow throughout the evening. There were no fae to take out my aggression on, which was a damn shame, so I wanted to punch random, innocent people on the streets. Like drive-by throat punches. The messy, violent swelling of emotion was almost too much. And then when I realized how terrible it would be to just run around punching people in the throats, I felt horrible, which was worse.
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
That beautifully crooked smile hit me like a punch to the face. He leaned in. “Miss me?” I shook my head, my throat thickening drastically. “You’re an asshole.” “I know,” he uttered roughly. “But this asshole adores you.
Belle Aurora (Rebirth (RAW Family, #3))
Vexed with herself, Cassandra took a handkerchief from the congealed pocket of her dress and pressed it hard over a new trickle of tears. After a minute or two had passed, she became aware of someone ascending the stairs in a measured tread. Embarrassed to be caught crying on the steps like a lost child, Cassandra struggled to rise. A low voice stopped her. "No... please. I only wanted to give you this." Through a blur, she saw the dark form of Tom Severin, who had come to stand a step below her, with two glasses of iced champagne in his hands. He extended one to her. Cassandra began to reach for it, but hesitated. "I'm not supposed to have champagne unless it's mixed with punch." One corner of his wide mouth tipped upward. "I won't tell." Cassandra took the glass gratefully, and drank. The cold fizz was wonderful, easing the dry tightness of her throat. "Thank you," she murmured.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
My subconscious screamed at me to run. My consciousness screamed at me to punch him in the throat. My inner demons screamed at me to kill everyone, then myself. My inner slut screamed at me to sit on his face and suffocate him.
Jasmine Mas (Psycho Gods (Cruel Shifterverse, #6))
Every day he woke to the desire to take the world by the throat, and choke it. He had no illusion that the world wanted to be saved; still less that it was ready to be saved by him. Ready!—it was punching at him with agonizing blows, to be rid of him, once and for all. He woke up. Even that was not true now. It had been true once, but now the world was getting over any slight alarm he might have caused it. It was leaving him alone, to realise the wounds it had given him. Sometimes it was even tolerant and trying to patch him up.
Mary Butts (The Complete Stories)
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one— —and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
Listen, it’s simple, because men are simple. A guy likes a chick, he needs to get her attention. There are a coupla ways to do this. The dicks, they do it by bein’ a dick to the girl, insultin’ her hair or her makeup or somethin’ totally made up just to start a conversation. Best thing to do is ignore ’em. The better ones, they’ll try an’ be your pal, buddy up to you about somethin’ they think you might like even though they definitely fuckin’ don’t. These guys are harmless, Lou, just friend zone ’em for long enough and they’ll give up. Then there are the best kinda men, yeah? The ones that man-up and claim a woman the way a woman wants and needs to be claimed. He sees somethin’ he likes, he goes up, lays it out, and asks her out. He does what he needs to do to get to know her, listenin’, spendin’ the money, and, better, the time to know her mind so he can rock her world. Somethin’ fucks with her, that man is gonna throw down to make it right again. She wants somethin’ he can’t immediately get her? That guy’s gonna work his fuckin’ ass off to get it for her just for a chance to get some more of her sweetness. That’s the kinda man you’re gonna get yourself one day, Lou. Not now, you’re just a kid, so be patient. Ignore the dicks that will be ignored and throat punch the idiots that won’t. Make friends with the pussies who let you do that to them. And wait. Z.
Giana Darling (Welcome to the Dark Side (The Fallen Men, #2))
One more drink and we’re sharing our rape stories. Nearly every woman I know has one. If I had a nickel for every time I’ve heard one of these stories I could buy an enormous, plush pillow with which to smother my tear-stained face. Near rape, date rape, rape rape, it’s all the same, I think. Close enough is rape. Once I had a friend tell me this breathless, elaborate story about fighting off a drunk man at a party. He tears her dress, scratches her skin, throttles her throat, and it ends with her punching him in the eye, but, she points out repeatedly, he never actually fucks her. “Thank god nothing happened,” she said to me. I stared at her, and then slowly responded. “Yes,” I said. “Thank god for that.
Jami Attenberg (All Grown Up)
I stood up to walk the long way back home in my wrinkled dress, legs shaking and throat burning with contained tears. As the torn lace of the white skirt I was wearing grazed my thighs, I knew for certain two things: I had no panties on, and there was a hollow space where my soul used to be. The soft and warm summer breeze punched me repeatedly, swaying my frail body around.
Tammy Faith (Broken Heart)
It was then that I snapped, and punched her in the face. She didn’t look surprised, just disappointed. When I did it again, harder, she looked consigned to her fate. Another disappointment to add to her collection. I ripped handfuls of her hair out . . . Broke her nose . . . She only looked surprised when my hands had been on her throat for longer than a minute. It was then that she realised she was going to die.
Robert Bryndza (The Girl in the Ice (Detective Erika Foster, #1))
Merrow have long memories. And remember, we live longer. So while most humans have forgotten the brutality and injustice that led to the merrow wars, the older merrow are still angry. They hate all humans. And now that the royal family is missing… some merrow think it’s time to stop hiding. They argue that the humans are destroying the world, and that it’s our duty to wipe them out.” “Wait—what?” He’d said the last statement so casually, I almost didn’t grasp its significance. “There are merrow who want to destroy the human race?” I pictured a hundred thousand Sebastians, capable of punching through picnic tables and moving faster than we could even see them. It would be a slaughter. A mermaid apocalypse. I almost laughed at the thought, but the impulse died in my throat. I felt sick. I couldn’t believe I’d wanted to kiss him just a few moments ago.
Derek Murphy
The hit-woman opened the door. No dead body on the floor. Thank God. I heard an unearthly roar and then Jordan charged Liz from where she’d been hiding beside the door. She tackled her to the floor and stabbed her through the wrist with a small switchblade. The hit-woman shrieked and let go of the gun, allowing Jordan precious seconds to bat it across the room. She landed a couple hard punches to the assassin’s nose, bloodying it, before the other woman got the upper hand. She grabbed a handful of Jordan’s ponytail and slammed her head into the edge of the coffee table. Jordan cried out, but didn’t let go of the knife. She withdrew it and held it against the assassin’s throat, shouting, “Move again and I’ll kill you, puta!” Liz panted madly, but stayed put. Jordan glanced up at me. “You okay?” “Alive,” I said through a grimace. “Not okay.” “Good enough.” She returned her gaze to the woman pinned beneath her and glared. “The police are on their way. And not the nice, human police. Angels. Get any ideas about trying to kill me again and you won’t even get to deal with them.” “I’ve been in jail before,” Liz said, attempting to recapture her former arrogance. “I’ll get over it.” Jordan leaned down a few inches, lowering her voice. “Really? How’d you like to return without your tongue?” Liz’s eyes went wide, as did mine. “You wouldn’t dare.” “You shot my best friend. Multiple times. Lex talionis.” “You can’t kill me. You’re not a policewoman. You’re just a girl.” “No. I’m a Seer. You and the rest of your friends had better learn the difference between a sheep and a wolf in sheep’s clothing. Until then…” She lifted her fist and punched Liz hard in the temple. The assassin went out like a light. “Vaya con dios, bitch.
Kyoko M. (The Deadly Seven (The Black Parade, #1.5))
I can’t believe … this is what you guys … are serving.” “Well, you don’t have to eat it,” I replied. “What are our choices, though? My kids are starving and they need food. This barely qualifies. This is just processed garbage on a stick.” I couldn’t argue with that statement, but did she see me eating it? No way. However, no one who comes to a school carnival expects to eat kale. What else would you eat at a carnival if not crap on a stick?
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The infirmary door slid up. Maarev poked his head out. He glanced up and down the hallway, inspected the walls, then focused on Dagon and Eliana, still standing in each other’s arms. He arched a brow. “Just thought I’d check to see if Eliana was out here punching holes in the walls. We have a wager going.” She offered him a wry smile. “No. Dagon calmed me down.” A twinkle of amusement entered the warrior’s eyes as he stepped out. “So I see. With a hug, apparently.” Liden joined them in the hallway. A boyish grin lit his rugged features as he held out his arms. “Need any more calming down?” She laughed . . . even as a low growl of irritation rumbled up from Dagon’s throat. “No, thank you.” Reluctantly stepping back, she took Dagon’s hand and twined her fingers through his. “We have a saying on Earth: Go big or go home.” She tossed Dagon—the tallest man present—a wink. “I’m going big.” He grinned.
Dianne Duvall (The Segonian (Aldebarian Alliance, #2))
When I told her I was surprised she knew it was International Clover Day, she informed me that every day should be a holiday. She told me there is an international holiday of some kind almost every day that you can celebrate. (She’s absolutely right! I just looked, and today is the day the French celebrate the anniversary of the execution of Marie Antoinette. Maybe I should make hot dogs for dinner tonight and design a tiny razor-sharp guillotine to cut them into bite-sized pieces.)
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
Jakub, darling, Welton has set out breakfast, it isn’t polite to keep him waiting.” Millie hated the breathless note in her voice. “But we were in the middle of a lesson.” Jakub reared back, settling into some kind of fighting stance. “I have a center line, and no one can push me off it. Well, Mr. Argent can, but no one else. I can punch anyone who tries to touch me in the throat, or thrust the heel of my hand into his nose. Also, I can pry off a kneecap with a knife, even a jam knife, Mama. And—” “Jakub,” she said more firmly, realizing Argent had taught her son the same things he’d shown her only yesterday. He hid his mulish frown by looking at the floor. “Yes, Mama.” He slunk past her, his shoulders so dramatically slumped that she wondered if she’d also let him spend too much time in the company of actors. “I’ll be along, kochanie,” she said more gently. “I need to discuss something with Mr. Argent.” As he plodded down the hall she heard him mutter to himself, “I knew I shouldn’t have mentioned the kneecaps.
Kerrigan Byrne (The Hunter (Victorian Rebels, #2))
Don't take another fucking step near my Bond or I'll rip your fucking throat out with my bare teeth." I wonder which one of the crew has been stupid enough to try to approach us because he cannot be talking to one of the Dravens like that, but then Nox says, snark dripping down his words, "She's my Bond as well." Atlas scoffs. "No, she's your punching bag, your favorite victim. She's the default villain in every one of your stories. You move even an inch closer and I'll take the whole fucking plane out to stop you. No more warnings.
J. Bree (Savage Bonds (The Bonds That Tie, #2))
Don’t take another fucking step near my Bond or I’ll rip your fucking throat out with my bare teeth.” I wonder which one of the crew has been stupid enough to try to approach us because he cannot be talking to one of the Dravens like that, but then Nox says, snark dripping down his words, “She’s my Bond as well.” Atlas scoffs. “No, she’s your punching bag, your favorite victim. She’s the default villain in every one of your stories. You move even an inch closer and I’ll take the whole fucking plane out to stop you. No more warnings.
J. Bree (Savage Bonds (The Bonds That Tie, #2))
He twisted back to the slaver, who was clearly at a loss for who posed more of a threat: Aeduan or the mountain bat. To Aeduan, the answer was obvious. “You should run now,” he warned the man. “Or I will kill you.” The man’s lips curled back. “Seven of us and only one of you.” He grabbed Aeduan’s shirt. “Exactly,” Aeduan said. “Which is why you should be running.” Then, with a speed that no man could match, he clutched the man’s hand to his chest, and punched up. His fist connected just above the elbow, breaking the joint and snapping the humerus in two. Bone tore through flesh; the man screamed. This was only the beginning. With the man’s arm angled in a way it was never meant to be, Aeduan thrust the limp elbow toward the man’s neck. The jagged tip of bone that had erupted outward now pierced soft throat. The man’s beard was instantly red, and with a soft flick of his wrists, Aeduan pushed the body over. After that, everything was a blur of shaking earth and screams and blood. Of terror that expanded in men’s pupils when they realized that they were going to die.
Susan Dennard (Windwitch (The Witchlands, #2))
Two soldiers sprang out in front of Roxy and me, their tactical gear erasing all humanity from their shapes. I landed my fist in one of their stomachs, hearing the air explode outward. Tearing off their helmet, I slammed their face down into my knee to the crunch of cartilage. Grabbing them by the back of their neck, I used the weight of their body to crash their head against the trunk of a tree and felt consciousness leave them. Roxy followed suit with an expert kick to the other soldier’s knee, followed by punches to the throat and the temple.
Bella Forrest (Darkthirst (Darklight #2))
Needless to say, cooking for a man with such a delicate palate can be challenging and every once in a while I like to make something that isn't served with a glass of milk and a side of applesauce. This can be difficult with a husband with such discriminating taste buds. Difficult, but not impossible, if you're willing to lie. Which I am.   During the winter months I love to make soups and one of my favorites is taco soup. It has all of the basic food groups in one bowl; meat, veggies, beans, and Fritos. It's perfection. I've been warming bodies and cleaning colons with this recipe for years. However, when I met my husband he advised he didn't like beans, so he couldn't eat taco soup. This was not the response I hoped for.   I decided to make it for him anyway. The first time I did I debated whether to add beans. I knew he wouldn't eat it if I did, but I also knew the beans were what gave it the strong flavor. I decided the only way to maintain the integrity of the soup was to sacrifice mine. I lied to him about the ingredients. Because my husband is not only picky but also observant, I knew I couldn't just dump the beans into the soup undetected. Rather, I had to go incognito. For that, I implored the use of the food processor, who was happy to accommodate after sitting in the cabinet untouched for years.   I dumped the cans of beans in the processor and pureed them into a paste. I then dumped the paste into the taco soup mixture, returning the food processor to the cabinet where it would sit untouched for another six months.   When it came time to eat, I dished out a heaping bowl of soup and handed it to my husband. We sat down to eat and I anxiously awaited his verdict, knowing he was eating a heaping bowl of deceit.   “This is delicious. What's in it?” he asked, in between mouthfuls of soup.   “It's just a mixture of taco ingredients,” I innocently replied, focusing on the layer of Fritos covering my bowl.   “Whatever it is, it's amazing,” he responded, quickly devouring each bite.   At that moment I wanted nothing more than to slap the spoon out of his hand and yell “That's beans, bitch!” However, I refrained because I'm classy (and because I didn't want to clean up the mess).
Jen Mann (I Just Want to Be Alone (I Just Want to Pee Alone Book 2))
I try to be rational (or at least my imaginary facsimile of what rationality is supposed to be). I try to look at the available data objectively (fully aware that this is impossible). I try to extrapolate what may be happening now into what will be happening later. And this, of course, is where naïve realism punches me in the throat. There's simply no way around the limited ceiling of my own mind. It's flat-out impossible to speculate on the future without (a) consciously focusing on the most obvious aspects of what we already know and (b) unconsciously excluding all the things we don't have the intellectual potential to grasp.
Chuck Klosterman (But What If We're Wrong? Thinking About the Present As If It Were the Past)
Writers do not always deliberately choose to write about a particular subject or develop select themes; rather the topic and the resultant work product frequently effuse from their pores. I work in an aimless fashion, similar to how a rudderless vessel steers no deliberate course. When the muse grabs us by the throat and makes us speak for it, we cannot question the wisdom behind the message generated by isolated sentences and paragraphs, elect to decipher sequestered ideas, or equivocate with the emotive utterings made while standing alone in the coldness of the night. All we can do is hold a lantern up to the self and take dictation. Later when our muse slumbers, we can evaluate the written scribbling for the resultant collective punch.
Kilroy J. Oldster (Dead Toad Scrolls)
She tensed as Cain came to stand nearby, half-hidden in the shadow of the clock tower behind them. Verin, the curly-haired loudmouth thief, was at his side. “What do you want?” she said. Cain’s tan face twisted in a sneer. Somehow, he’d gotten bigger—or maybe her eyes were playing tricks on her. “Pretending to be a lady doesn’t mean you are one,” he said. Celaena shot Nehemia a look, but the princess’s eyes remained upon Cain—narrowed, but her lips strangely slack. But Cain wasn’t done, and his attention shifted to Nehemia. His lips pulled back, revealing his gleaming white teeth. “Neither does wearing a crown make you a real princess—not anymore.” Celaena took a step closer to him. “Shut your stupid mouth, or I’ll punch your teeth down your throat and shut it for you.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
Weak and trembling from passion, Major Flint found that after a few tottering steps in the direction of Tilling he would be totally unable to get there unless fortified by some strong stimulant, and turned back to the club-house to obtain it. He always went dead-lame when beaten at golf, while Captain Puffin was lame in any circumstances, and the two, no longer on speaking terms, hobbled into the club-house, one after the other, each unconscious of the other's presence. Summoning his last remaining strength Major Flint roared for whisky, and was told that, according to regulation, he could not be served until six. There was lemonade and stone ginger-beer. You might as well have offered a man-eating tiger bread and milk. Even the threat that he would instantly resign his membership unless provided with drink produced no effect on a polite steward, and he sat down to recover as best he might with an old volume of Punch. This seemed to do him little good. His forced abstemiousness was rendered the more intolerable by the fact that Captain Puffin, hobbling in immediately afterwards, fetched from his locker a large flask of the required elixir, and proceeded to mix himself a long, strong tumblerful. After the Major's rudeness in the matter of the half-crown, it was impossible for any sailor of spirit to take the first step towards reconciliation. Thirst is a great leveller. By the time the refreshed Puffin had penetrated half-way down his glass, the Major found it impossible to be proud and proper any longer. He hated saying he was sorry (no man more) and he wouldn't have been sorry if he had been able to get a drink. He twirled his moustache a great many times and cleared his throat--it wanted more than that to clear it--and capitulated. "Upon my word, Puffin, I'm ashamed of myself for--ha!--for not taking my defeat better," he said. "A man's no business to let a game ruffle him." Puffin gave his alto cackling laugh. "Oh, that's all right, Major," he said. "I know it's awfully hard to lose like a gentleman." He let this sink in, then added: "Have a drink, old chap?" Major Flint flew to his feet. "Well, thank ye, thank ye," he said. "Now where's that soda water you offered me just now?" he shouted to the steward. The speed and completeness of the reconciliation was in no way remarkable, for when two men quarrel whenever they meet, it follows that they make it up again with corresponding frequency, else there could be no fresh quarrels at all. This one had been a shade more acute than most, and the drop into amity again was a shade more precipitous.
E.F. Benson
Whore!” he snarls, slamming me into the wall so hard stars burst in my eyes. I hiss at him, the tiger in me threatening to emerge and rip out his throat, but a shout brings me back to myself. “Zahra!” I turn my head and see Aladdin running toward us. When he sees that it’s Darian holding me roughly against the wall, his face twists into such rage that he seems unrecognizable. He crashes into Darian before the prince has a chance to say anything. The two slam into the ground, Aladdin throwing a punch that cracks against Darian’s jaw. “Stop it!” I cry. “Prince Rahzad!” The boys ignore me, rolling and thrashing like dogs. Leave them! Zhian roars. Let me out! “How dare you touch her?” Aladdin spits, grabbing Darian by the hair and pressing the prince’s face into the stone floor. “You bastard!” “I didn’t give her anything she didn’t ask for,” Darian hisses back. “Get off me or I’ll have you executed!
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
I hear two female voices around the corner and creep toward the end of the hallway to hear better. “…just can’t handle her being here,” one of them sobs. Christina. “I can’t stop picturing it…what she did…I don’t understand how she could have done that!” Christina’s sobs make me feel like I am about to crack open. Cara takes her time responding. “Well, I do,” she says. “What?” Christina says with a hiccup. “You have to understand; we’re trained to see things as logically as possible,” says Cara. “So don’t think that I’m callous. But that girl was probably scared out of her mind, certainly not capable of assessing situations cleverly at the time, if she was ever able to do so.” My eyes fly open. What a--I run through a short list of insults in my mind before listening to her continue. “And the simulation made her incapable of reasoning with him, so when he threatened her life, she reacted as she had been trained by the Dauntless to react: Shoot to kill.” “So what are you saying?” says Christina bitterly. “We should just forget about it, because it makes perfect sense?” “Of course not,” says Cara. Her voice wobbles, just a little, and she repeats herself, quietly this time. “Of course not.” She clears her throat. “It’s just that you have to be around her, and I want to make it easier for you. You don’t have to forgive her. Actually, I’m not sure why you were friends with her in the first place; she always seemed a bit erratic to me.” I tense up as I wait for Christina to agree with her, but to my surprise--and relief--she doesn’t. Cara continues. “Anyway. You don’t have to forgive her, but you should try to understand that what she did was not out of malice; it was out of panic. That way, you can look at her without wanting to punch her in her exceptionally long nose.” My and moves automatically to my nose. Christina laughs a little, which feels like a hard poke to the stomach. I back up through the door to the Gathering Place. Even though Cara was rude--and the nose comment was a low blow--I am grateful for what she said.
Veronica Roth (Insurgent (Divergent, #2))
They told her the attack was her fault. She was Iraqi, wasn't she, they had accused. They knew she was Muslim. Her fault, they had kept on, the dirty little terrorist, the conspiring towel head. Lulu had stood for the first time, at a loss for words. Worse than hearing the words from hateful strangers-she had heard the poisonous words from boys she'd grown up with, boys she'd kissed, boys she'd had crushes on, boys she'd tasted her first alcohol with, boys she'd wrestled with for control of the tv remote. Strangers, at least, she could have ignored. She should have felt punched in the stomach. But she hadn't. She should have screamed and yelled back at them. But she hadn't. Instead, she had stood there, dazed and stupid, while wondering if all those years she'd thought she belonged there she had been terribly, horribly mistaken. The relatives who died fighting tyranny had choked the words in her throat. Her heart had shattered that day, into thousands of selfish pieces. The one she had now, the one she had to put back together, had slivers missing in the strangest of places.
Aminah Mae Safi (Not the Girls You're Looking For)
Could I have something to drink?" Jake asked. His voice came out sounding furry and nasal. Both his mouth and the tissues in his abused nose were swelling up. He looked like someone who has gotten the worst of it in a nasty street-fight. "Oh, yes," Tick-Tock replied judiciously. "You could. I'd say you certainly could. We have lots to drink, don't we, Copperhead?" "Ar," said a tall, bespectacled man in a white silk shirt and a pair of black silk trousers. He looked like a college professor in a turn of the century Punch cartoon. "No shortage of po-ter-bulls here." The Tick-Tock Man, once more seated at ease in his throne-like chair, looked humorously at Jake. "We have wine, beer, ale, and, of course, good old water. Sometimes that's all a body wants, isn't it? Cool, clear, sparkling water. How does that sound, cully?" Jake's throat, which was also swollen and as dry as sandpaper, prickled painfully. "Sounds good," he whispered. "It's woke my thirsty up, I know that," Tick-Tock said. His lips spread in a smile. His green eyes sparkled. "Bring me a dipper of water, Tilly--I'll be damned if I know what's happened to my manners." Tilly stepped through the hatchway on the far side of the room--it was opposite the one through which Jake and Gasher had entered. Jake watched her go and licked his swollen lips.
Stephen King (The Waste Lands (The Dark Tower, #3))
She hadn't gotten his expression quite right in her imagination, because the stunned, vacant expression on Shane's face when she started down the stairs was even better than fantasy. His mouth actually dropped open. Next to him, Michael turned around, and although she hadn't counted on it, there was a warm fuzzy to making a hot golden-angel vampire blink and give her a quick, involuntary once-over. Claire stopped on the steps above them and did a tentative hip-shimmy. "Okay?" she asked. Shane's mouth shut with a snap, and Michael actually cleared his throat. "Fine," Michael said. "Fine?" That was Eve, coming down the stairs behind Claire. She moved around the roadblock and punched Michael in the arm. "She looks amazing. I'm not half g*y and I think she's hot." Shane wasn't saying anything. Claire felt warm and a little dizzy, the way he was looking at her. She resisted the urge to check to see if her skirt was straight -- she'd done it a dozen times already --and forced herself to meet his gaze and smile. "You sure this is smart?" Shane asked, which was not what she'd expected, not at all. "You look fantastic." "Thanks -- " He interrupted her. "Fantastic in this town pops you to the top of the take-out menu." She held up her left hand and pointed to her wrist. The gold bracelet was clearly visible. "I'll be okay," she said. "The vamps won't bother me." "Not even talking about the vamps. You're going to be drawing every guy there who's looking to get off.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.' Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze. Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.' Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone. 'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.' Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat. Maybe he really was still drunk. He felt giddy and dizzy all at once. 'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy. Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak. Cardan dropped his hands away. Locke choked, gasping for air. 'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream. 'Fine,' Locke finally managed, his voice strange. 'Fine, you mad, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.' Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind. 'You are both fools,' Nicasia shouted after them.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.' Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze. Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.' Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone. 'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.' Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat. Maybe he really was still drunk. He felt giddy and dizzy all at once. 'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy. Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak. Cardan dropped his hands away. Locke choked, gasping for air. 'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream. 'Fine,' Locke finally managed, his voice strange. 'Fine, you made, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.' Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind. 'You are both fools,' Nicasia shouted after them.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
You!’ the first guard yelled. ‘Hands on your head, don’t move.’ Wing slowly put his hands on his head, showing no hint of emotion. ‘What the hell?’ the other guard said. ‘He’s just a kid.’ He pulled a pair of handcuffs from his belt and slowly moved behind Wing and grasped one of his wrists. In one fluid motion, Wing grabbed the guard’s own wrist with his free hand and twisted hard. There was a sickening crunch, the guard howling in pain as Wing stepped backwards, too close for the man to bring his gun to bear. He pulled the guard’s wounded arm further over his own shoulder, dragging the man closer, and jerked his head backwards, his skull connecting with the man’s nose with a crunch. Wing rotated around the guard, pressing the wounded arm up into the small of the man’s back and ducking behind him, giving the other guard no clean shot without hitting his associate. He pushed hard, sending the stunned guard staggering towards his partner, and delivered a sharp kick to the base of his spine. The wounded guard’s momentum sent him careering into the other man, yowling with pain and confusion. Wing took two short steps and in a blur of movement pulled the handcuffs from the wounded man’s belt and snapped them closed around both his broken wrist and the wrist of the unwounded guard’s gun hand. Wing pressed his fingers into the pressure point behind the wounded guard’s ear and he collapsed, instantly unconscious, pulling the other guard down with him and pinning his gun to the ground. The conscious guard snatched for the gun with his free hand, but Wing dropped on to him, his knee pressing into his throat hard enough to choke him but without crushing his windpipe. Wing delivered a sharp knuckle jab to the guard’s shoulder and his free arm was instantly disabled too. Wing could hear the sound of at least half a dozen more guards racing up the stairs from below. He knew there would be more than he could handle. He reached down and took a smoke grenade from the webbing on the pinned guard’s chest and pulled the pin with his teeth, tossing it through the doorway into the stairwell. There were cries of confusion from just below as the confined space filled with impenetrable clouds of white smoke. Wing pulled a flashbang stun grenade from the other side of the pinned guard’s webbing and waited a couple of seconds before tossing it into the stairwell too. He closed his eyes, the flash of the grenade clear even through his eyelids. ‘Who the hell are you?’ the guard pinned beneath Wing gasped. ‘Just a kid,’ Wing said with a slight smile and punched him unconscious.
Mark Walden (Escape Velocity (H.I.V.E., #3))
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
When an ovulating woman offers herself to you, she's the choicest morsel on the planet. Her nipples are already sharp, her labia already swollen, her spine already undulating. Her skin is damp and she pants. If you touch the center of her forehead with your thumb she isn't thinking about her head—she isn't thinking at all, she's imagining, believing, willing your hand to lift and turn and curve, cup the back of her head. She's living in a reality where the hand will have no choice but to slide down that soft, flexing muscle valley of the spine to the flare of strong hips, where the other hand joins the first to hold both hip bones, immobilize them against the side of the counter, so that you can touch the base of her throat gently with your lips and she will whimper and writhe and let the muscles in her legs go, but she won't fall, because you have her. She'll be feeling this as though it's already happening, knowing absolutely that it will, because every cell is alive and crying out, Fill me, love me, cherish me, be tender, but, oh God, be sure. She wants you to want her. And when her pupils expand like that, as though you have dropped black ink into a saucer of cool blue water, and her head tips just a little, as though she's gone blind or has had a terrible shock or maybe just too much to drink, to her she is crying in a great voice, Fuck me, right here, right now against the kitchen counter, because I want you wrist-deep inside me. I hunger, I burn, I need. It doesn't matter if you are tired, or unsure, if your stomach is hard with dread at not being forgiven. If you allow yourself one moment's distraction—a microsecond's break in eye contact, a slight shift in weight—she knows, and that knowledge is a punch in the gut. She will back up a step and search your face, and she'll feel embarrassed—a fool or a whore—at offering so blatantly what you're not interested in, and her fine sense of being queen of the world will shiver and break like a glass shield hit by a mace, and fall around her in dust. Oh, it will still sparkle, because sex is magic, but she will be standing there naked, and you will be a monster, and the next time she feels her womb quiver and clench she'll hesitate, which will confuse you, even on a day when there is no dread, no uncertainty, and that singing sureness between you will dissolve and very slowly begin to sicken and die. The body knows. I listened to the deep message—but carefully, because at some point the deep message also must be a conscious message. Active, not just passive, agreement. I took her hand and guided the wok back down to the gas burner. Yes, her body still said, yes. I turned off the gas, but slowly, and now she reached for me.
Nicola Griffith (Always (Aud Torvingen #3))
Kestrel.” She discarded a tile and drew another. She didn’t look at him. He’d noticed--of course he had--how she avoided looking at him now. And no wonder. Arin’s face stung. The stitches itched. He was tempted to rip them out. “Look at me,” he said. She did, and Arin suddenly wished she hadn’t. He cleared his throat. He said, “I won’t try anymore to convince you not to marry him.” She slowly added the new tile to her hand. She stared at it, and said nothing. “I don’t understand your choice,” Arin said. “Or maybe I do. It doesn’t matter. You want it. That’s clear. You’ve always done exactly what you wanted.” “Have I.” Her voice was flat and dull. He plunged ahead. “I was wondering…” Arin had an idea. He’d had it for some time now. He didn’t like it. The words lay bitter on his tongue, but he had thought about it, and thought about it, and if he said nothing… Arin made himself study his tiles again. He tried to think which Sting tile would profit Kestrel least. He discarded a bee. The instant he set the tile down, he regretted it. He pulled a high Bite tile. This should have encouraged him, yet Arin had the sense of flying toward the inevitable moment when Kestrel won and he asked her what she wanted. “I thought…” “Arin?” She looked concerned. That decided him. Arin took a deep breath. His stomach changed to iron. His body was girding itself in a way he knew well. Arin was tightening the muscles needed before a plunge into deep water. A punch to the gut. The lift of the hardest, lowest, highest notes he could possibly sing. His stomach knew what he’d have to sustain. “Marry him,” Arin said, “but be mine in secret.” Her hand lifted from the tiles as if scorched. She sat back in her chair. She rubbed at her inner elbow. She drank the dregs of her wine and was silent. Finally, she said, “I can’t do that.” “Why?” Arin was hot with humiliation, hating himself for having asked. The cut burned in his cheek. “It’s not so different than what you would have chosen before. When you kissed me in your carriage on Firstwinter, you thought to keep me your secret. If you thought of anything. I would have been one of those special slaves, the ones called for at night when the rest of the house is sleeping. Well? Isn’t that how it was?” “No.” She spoke low. “It wasn’t.” “Then tell me.” Arin was damning himself with every word. “Tell me how it was.” Slowly, Kestrel said, “Things have changed.” Arin jerked his head to the side, chin up, stitched left cheek tilted to catch the light. “Because of this?” She replied as if the answer was obvious. “Yes.” He shoved back from the table. “I think I’ll have that drink.” Arin began to walk away, then glanced back over his shoulder. He made sure his words were an insult. “Don’t touch the tiles.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
When he lifted his head, Savannah nearly pulled him back to her. He watched her face, her eyes cloudy with desire, her lips so beautiful, bereft of his. “Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul, I can see it shining in your eyes.” She touched his face, her palm molding his strong jaw. Why couldn’t she resist his hungry eyes? “I think you’re casting a spell over me. I can’t remember what we were talking about.” Gregori smiled. “Kissing.” His teeth nibbled gently at her chin. “Specifically, your wanting to kiss that orange-bearded imbecile.” “I wanted to kiss every one of them,” she lied indignantly. “No, you did not. You were hoping that silly fop would wipe my taste from your mouth for all eternity.” His hand stroked back the fall of hair around her face. He feathered kisses along the delicate line of her jaw. “It would not have worked, you know. As I recall, he seemed to have a problem getting close to you.” Her eyes smoldered dangerously. “Did you have anything to do with his allergies?” She had wanted someone, anyone, to wipe Gregori’s taste from her mouth, her soul. He raised his voice an octave. “Oh, Savannah, I just have to taste your lips,” he mimicked. Then he went into a sneezing fit. “You haven’t ridden until you’ve ridden on a Harley, baby.” He sneezed, coughed, and gagged in perfect imitation. Savannah punched his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. “It was you doing all that to him! The poor man— you damaged his ego for life. Each time he touched me, he had a sneezing fit.” Gregori raised an eyebrow, completely unrepentant. “Technically, he did not lay a hand on you. He sneezed before he could get that close.” She laid her head back on the pillow, her ebony hair curling around his arm, then her arm, weaving them together. His lips found her throat, then moved lower and found the spot over her breast that burned with need, with invitation. Savannah caught his head firmly in her hands and lifted him determinedly away from her before her treacherous body succumbed completely to his magic. “And the dog episode?” He tried for innocence, but his laughter was echoing in her mind. “What do you mean?” “You know very well what I mean,” she insisted. “When Dragon walked me home.” “Ah, yes, I seem to recall now. The big bad wolf decked out in chains and spikes, afraid of a little dog.” “Little? A hundred-and-twenty-pound Rottweiler mix? Foaming at the mouth. Roaring. Charging him!” “He ran like a rabbit.” Gregori’s soft, caressing voice echoed his satisfaction. He had taken great pleasure in running that particular jackass off. How dare the man try to lay a hand on Savannah? “No wonder I couldn’t touch the dog’s mind and call him off. You rotten scoundrel.” “After Dragon left you, I chased him for two blocks, and he went up a tree. I kept him there for several hours, just to make a point. He looked like a rooster with his orange comb.” She laughed in spite of her desire not to. “He never came near me again.” “Of course not. It was unacceptable,” he said complacently, with complete satisfaction, the warmth of his breath heating her blood.
Christine Feehan (Dark Magic (Dark, #4))
When Vanity caught Stack staring toward them, she smiled. “I really think you guys should let us use the locker room. I’m perspiring. Cherry’s perspiring.” Cherry went still, then looked down at herself and blushed. Sweat dampened the front of her tank top, especially between and beneath her big boobs. Denver scowled, giving Stack a shove. Which in turn knocked him into Armie. None of them spoke. Cannon took up the torch. “It’s only set up for men.” “We don’t need the urinals,” Vanity said. “Just the showers.” Yvette plucked at her top. “I really could—” Cannon put his hand over her mouth. “We don’t have a door on the locker room, and sure, we’d all know not to step in, but there are other people here, other guys, and—” Vanity said, “So put someone there to keep watch for us.” Stack opened his mouth, but at first nothing came out. He cleared his throat. “Sounds carry down there.” He gestured. “There not being a door and all.” Grinning, Armie said, “Meaning whoever keeps guard—” “Watch,” Vanity corrected. “—will hear every little detail. Like clothes dropping. And water running. Even slick, soapy hands—” This time, Stack shoved him without Denver’s help. “I’ll do it,” Cannon offered, and he sounded like he’d just thrown himself on the sacrificial altar. “Fuck that.” Denver took a step forward. “I don’t want you listening to Cherry shower.” Cherry’s face got hotter. “Denver!” Folding his arms, Cannon stared at him. “You think I’d let you listen to Yvette?” “Cannon!” Yvette joined the brigade of embarrassed women. Only Vanity remained unflustered. “Let Armie do it.” Mutually appalled, Stack, Denver and Cannon all stared at her. Going along, Armie nodded and rubbed his hands together. “Yeah, let me do it.” “Hell, no.” “In his dreams.” “Not in this lifetime.” Armie laughed. “You guys know I won’t be thinking anything you wouldn’t be thinking.” “Maybe,” Denver said. “But we wouldn’t go blabbing it everywhere.” Crossing his heart dramatically, Armie swore, “It’ll be between me and my pillow.” Denver took a step toward him, but Vanity put herself in his way. “We’re showering. For the future, you might want to think about creating a space for women.” “Tried,” Cannon argued. “We’re out of room here. I wanted to expand, but the guy who owns the lot next to us doesn’t want to sell.” “Hmm...” Vanity got a thoughtful look on her face. “Well then, I suggest you find a desk to put down there and then, perhaps, we could plan this around when Harper is here doing the scheduling. She could be our lookout.” “I could call her—” Cannon tried to offer. But Stack noticed that Vanity already had both her arms wrapped around one of Armie’s. And damn him, Armie just let her, smiling in a way that just might lose him a few teeth. Leese looked at each of the men and started snickering. “They’re pathetic, right?” Armie said. “They’re something,” Leese agreed. “Not sure what.” “You two losers are just jealous,” Cannon accused. “Yeah,” Armie said, patting at Vanity’s arm. “So jealous.” Denver growled when Cherry cozied up to the other side of Armie, and even Yvette smiled as she followed along, all of them heading to the locker room. The men stared until the group was out of sight. “I’m going to have to punch him,” Denver said. “At least once.” “Get in line,” Cannon told him. Then he pointed at Leese. “Not a word out of you!” Trying to bite back his grin, Leese got started mopping. Damn, Stack wondered, did Vanity enjoy making him nuts? And unlike Cannon and Denver, he couldn’t protest as much as he wanted because, though he’d thrown out some signals, he and Vanity weren’t official. Fuck.
Lori Foster (Tough Love (Ultimate, #3))