Thriller Match Quotes

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Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn't feel like I was staring into the sun. I'm rising to my wife's level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I'm the hero. I am the one to root for in the never-ending war story of our marriage. It's a story I can live with. Hell, at this point, I can't imagine my story without Amy. She is my forever antagonist. We are one long frightening climax.
Gillian Flynn (Gone Girl)
I got the pictures with the names, and they match the passport photos and names from Madrid. How did you get the manager to help?
Karl Braungart (Fatal Identity (Remmich/Miller, #3))
Saskia.” A hand covered hers. Saskia frowned. It was irritating enough that she only had one hand to work with. She didn’t need to have the movement of that one impeded as well. “I’m in the middle of – Oh! Tania! What – I thought you were in Canberra.” “I was yesterday. I returned this morning.” “Yesterday?” Saskia turned from staring at Tania to staring at her computer and the table. A half-empty mug of something sat next to a partly eaten sandwich and a mostly empty glass of water. “Oh,” she sat back in her chair. “I do this sometimes. I get caught up in things.” Her gaze fell on the lines and boxes on the monitor’s screen. She sat forward, her surroundings disappearing from her awareness again. “Tania, I think I’m close to figuring it out.” Tania’s hand, still on Saskia’s, squeezed gently. “Good. But now you need to take a rest.” “No. I can finish this. I’m on a roll.” “Yes. You can roll again later.” “Look! I think I’ve almost worked it out.” She tugged her hand from under Tania’s and pointed to her computer screen, which showed a bank statement. “Look at these transactions. I can match them to –” Tania peered at the screen. “Whose statement is that?
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Addictive slow-burn mystery international crime thrillers))
A powerful man to match my own strength, determination, and unquenched sexual appetite! Oh, how do I crave a man that could stand fully beside me, successful, desirable— “Not two steps behind me. Where are you?
Crystal Raven (Virtual Mirrors: First Journal)
My personal theory is that one of you, me, is always faulty, like a toy purchased without the batteries. It is not until you have had time to go out and buy batteries, to put them in, to turn it on, that you realise it doesn't work the way that you wanted. Doesn't match what you hoped for. It never did. I am a bright, broken thing that he lost the receipt for.
Katie Hall-May (Memories of a Lost Thesaurus)
Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix. As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response. Bekka smiled to herself. This is what she lived for.
Nathan Squiers (Death Metal)
Aristophanes says we were all four-legged creatures to start, some the same sex, but most half man and half woman. Zeus was afraid us humans would get too powerful so he sliced us right down the middle, and everybody spends their life looking for the matching piece.
Scott Turow (Identical (Kindle County Legal Thriller, #9))
There were fat cats and skinny cats. The long-tailed and the bobbed. The daring young leapers, and the old windowsill sleepers. Balls of waddling fluff, smooth-coated prowlers, and hairless ones that looked fragile and wise. The tiger-striped, the ring-tailed, and the ones with matching coloured socks and mittens. There were tabbies and calicos. Manx and Persians. Siamese and Bombay. Ragdolls and Birmans. Maine Coons and Russian Blues. There were Snowshoes and Somalis, Tonkinese and Turkish, and many, many more. Brown and beige and orange and grey and black and white and silver cats, each with gleaming eyes of emerald, or sapphire, or amber. A rainbow of precious stones.
Brooke Burgess (The Cat's Maw (The Shadowland Saga, #1))
I should put a bullet in you right now, you stubborn jackass.” “Good. I’ll have a scar to match the last time you stabbed me,” he snapped.
Katie Reus (Resurrection (Redemption Harbor #1))
It occurred to Jacob that a man who could take such pleasure in watching someone else's children compete in a backyard tennis match would probably have quite liked at least one athletic child of his own, rather than the two uncoordinated, academic kids he got. It said something about his dad that it had taken Jacob thirty-four years for that thought to occur to him.
Liane Moriarty (Apples Never Fall)
Despite what you think you know, most people don't want to fight, especially when evenly matched. … That's why you see those pissed young men doing the dance of "don't hold me back" while desperately hoping someone likes them enough to hold them back.
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
Oblivion is bliss. It makes one feel at peace. But not quite. Not quite. My brain is at peace. But my heart isn't. It longs for its other half. The half that comprises the whole. The half that matches its beat. The half that makes it throb. The half that makes it strong to overcome anything. Even oblivion.
Mayumi Cruz (Chroma Hearts)
Mystical organizations are only a crystallization of facts which can be found, in a more diffuse and less tangible form, in all strata of people. The degree of mystical, sentimental and sadistic feelings corresponds exactly to the degree of the disturbance of natural orgastic experience. Close observation of the audience of a trashy thriller or of a boxing match teaches more about these problems than a hundred handbooks of sexology.
Wilhelm Reich (The Mass Psychology of Fascism)
She got to her feet instantly, overcome by the sudden need to get to the matches. She groped her way across the floor, got to the night stand and felt for the box. She opened it, took out a match, and lit it. She nearly had to squint in the sudden flare of brightness as the sulfury smell hit her nose. The pulsing circle of light that surrounded her right hand was so warm and welcome she almost felt like crying. When the match nearly burned down, she lit another, then found the candle and lit it. When it was going, the warm glow made the place look much different. It brought out the color of the wood all around her. It also made the shadows look even darker off in the corners, where the light didn’t reach.
Erik Goddard (The Kidnapping of Sarah Easton)
I hear you're quite the writer. Quite the teacher's pet." "I... I don't know what you mean." "No? Then maybe you're in for a surprise. And maybe it won't be a nice one." Kate heard her voice lashing out, braver than she felt. "I don't know what you're talking about. But nothing that pertains to me is any of your business.' The match hissed again. She saw his black, black eyes flickering. "You're right. How inconsiderate of me." Shaken, Kate willed her feet to move her forward. "You should be more careful," Pearce said. "Anyone could find your key. Anyone could get into your cabin." Kate whirled to face him. "I have a roommate. I'm not alone." "A roommate?" And he sounded like he was smiling... a dark strange smile as if she'd said something particularly funny. "If someone wanted to get you," Pearce said slowly, and another match went out, "a roommate wouldn't stop them. They'd just get you. Wouldn't they?
Richie Tankersley Cusick (Teacher's Pet (Point Horror, #10))
I’ve never known anyone to get scolded for playing with matches and then bring gasoline to their apology.
Kelsey Rae Dimberg (Snake Oil: A Razor-Sharp Literary Thriller About Three Women Vying for Power, Where the Cost of Ambition Might be Deadly)
I hear you're quite the writer. Quite the teacher's pet." "I... I don't know what you mean." "No? The maybe you're in for a surprise. A maybe it won't be a nice one." Kate heard her voice lashing out, braver than she felt. "I don't know what you're talking about. But nothing that pertains to me is any of your business.' The match hissed again. She saw his black, black eyes flickering. "You're right. How inconsiderate of me." Shaken, Kate willed her feet to move her forward. "You should be more careful," Pearce said. "Anyone could find your key. Anyone could get into your cabin." Kate whirled to face him. "I have a roommate. I'm not alone." "A roommate?" And he sounded like he was smiling... a dark strange smile as if she'd said something particularly funny. "If someone wanted to get you," Pearce said slowly, and another match went out, "a roommate wouldn't stop them. They'd just get you. Wouldn't they?
Richie Tankersley Cusick (Teacher's Pet (Point Horror, #10))
You really need to trade in that End Days psychology, Stephanie, for some silver-lining thinking,” Jim said airily. “Not every second of every day is a friggin’ crisis. Besides, be careful what you wish for.” He paused to hand her a book, The Dark Side of the Light Chasers. “Says here, the more psychic energy you invest in gloom and doom, the more likely you are to make it happen. The universe is very sensitive to these things, picks up on all those thought impressions, and the next thing you know, whack!” He smacked the back of his right hand against his left palm for emphasis. They rounded the hall, and the next thing Stephanie knew her head was being stuffed in a microwave. Microwave Man, one of the robots, provided the service. “Five seconds to a side, makes for an evenly cooked meal,” Microwave Man said. He waited five seconds, then turned Stephanie’s head. “Get me out of here! I feel my brains boiling!” Stephanie screamed frantically. But Jim, as strong as he was, was no match for Microwave Man. “He’s got ahold of your hair. I’ll run and get some scissors.” “I’ll be dead by then, you fool!” “What did I say about looking on the bright side, Stephanie?
Dean C. Moore (Karma Chameleon (Renaissance 2.0, #2))
Two main differences stand out. First, in a mystery, neither the reader nor the protagonist knows who the killer is. The whole idea is to figure out “whodunit,” then apprehend the bad guy. In a thriller, the reader often knows who the villain is early on, and sometimes the hero does too. The object is for the hero to outwit and stop the killer before he kills others, including the hero, or endangers the world. Also, in mysteries, the protagonist is not usually in danger, whereas in thrillers, the protagonist is almost always directly threatened, fighting for his life as he matches wits with a clever, determined, amoral villain. The other main difference between mysteries and thrillers is in the delivery—how they are told. Mysteries are usually more cerebral, for readers who enjoy solving puzzles, whereas thrillers are more heart-pounding, adrenaline-raising, appealing to the emotions and a yearning for excitement, a desire to vicariously confront danger and defeat nasty villains.
Jodie Renner (Writing a Killer Thriller: An Editor's Guide to Writing Compelling Fiction)
THE PLAQUE read HARVEY GOULD, P I. It was the middle of the day, but the blinds were closed. Inside a desktop sat flanked by three non-matching chairs, a creased, leather sofa and a bookcase full of fiction. A middle-aged man lay back with a pair of briefs hanging around his ankles. A gorgeous, young lady was bent over him in a pair of pink panties that stretched over her pert buttocks. Her head was bobbing up and down and her long, thick black hair swished around her neck with each bob. Harvey lay motionless, moaning.
Simon Palmer (Lost Innocence (Tales From the Land of Smiles))
We can do slow and sweet later. I want you fast and rough, and I've been begging for a while now." She hooked a leg around his, bringing their bodies together as close as possible. "If you missed the memo, buddy, I've been trying to get you inside me half the day." With a low groan, he picked her up and lowered her to the bed, his mouth and tongue setting up a rhythm to match the fingers he slid inside her. "Not that," she said. "You. Now." "Bossy Cajun woman." He gave her a tousle-haired, lopsided grin as he rolled into the cradle of her thighs, positioning himself at her 'entrance...
Susannah Sandlin (Wild Man's Curse (Wilds of the Bayou, 1))
I believe that people can complement each other so well that they’re like two halves of one whole, yes. Not necessarily that there’s only one match in the entire world for each person.
Cordelia Kingsbridge (Kill Game (Seven of Spades, #1))
It was difficult work. Bosch never got accustomed to viewing crime scenes. He had been to hundreds of them and seen the result of human inhumanity too many times to count. He always thought that if he got used to it, then he had lost something inside that was needed to do the job right. You had to have an emotional response. It was that response that lit the match that started the fire of relentlessness.
Michael Connelly
overstuffed, out-of-period wingbacks and a matching couch sat before a walk-in fireplace;
Robert Olen Butler (The Empire of Night (Christopher Marlowe Cobb Thriller #3))
I could see through it, but that didn’t make the more difficult thing any less difficult. What did help, in this particular moment, was the sharp nip of pain on my fingertips. The match was still burning.
Robert Olen Butler (The Star of Istanbul (Christopher Marlowe Cobb Thriller #2))
Aleksandr’s match with the big Mongolian known only as ‘Genghis’ had been going for over eight minutes. No prior fighter had lasted more than two minutes. They circled each other like two Bengal tigers that had both happened upon the same prey after weeks of starvation.
C.G. Faulkner (White Room: A Cold War Thriller (The Jeff Fortner Trilogy Book 3))
For the next two hours, he would toy with her, giving her a chance to repent. Whether she did or not made no difference. He fingered the knife in his pocket. The blade was sharp and tonight she would feel it. Her time would run out an hour before sunrise. As with the others, he would weigh down her body with a cement block. Barely alive, she would struggle against death as they all had. The water would fill her lungs. The last thing she would see on this earth would be his eyes, the eyes of her murderer. How long would it take before her family, her friends reported her missing? A day, possibly two? Surely no longer. Then the search would begin. He would watch the news reports, recording them all on his DVR. In a week or two, some tourist or jogger would spot a floater in the Potomac. All evidence washed away, she would be just another woman executed by the D.C. Killer. He would add her disc to his collection. He whiled away the time thinking about his first kill. She had lounged in her bath, thinking she was alone. When he entered the bathroom, she smiled. The expression on his face made her smile falter. He came at her, grasping her by the shoulders. He pushed her down, holding her struggling body under. Her eyes wide with terror, she tried to plead with her murderer, to ask her husband “Why?” He sank her body in the Potomac, the first victim of the D.C. Killer. The door opened. Shannon Miller stood in the breach, surveying the parking lot. Nervous, she started to go back inside, then changed her mind. She peered toward him, her eyes straining to penetrate the mist and gloom. He was a shadow, invisible to her. Seeing no threat, she stepped out, locked the door and hurried across the deserted lot to her car, a red Toyota with more rust than red. The tap-tap of her high heels pulsated on the cracked asphalt. The beat of her shoes matched the throb of his heart. He could hear her heavy, fearful breathing. He smiled. The moon scurried behind the clouds as if hiding its face in horror. He was an avenger, a messenger of God. His mission was to rid the nation's capital of immoral women. Fearing him, prostitutes now walked the streets in pairs. Even in their terror, they still pursued their wicked trade. At times he saw them huddled in groups of three or four. They reminded him of children in a thunderstorm. Like a spirit, he crept in her direction. The only light was cast by the Miller Lite sign and a distant street lamp. The light in the parking lot had burned out weeks ago, throwing it into darkness. He stalked her as a lion does its prey. He moved slowly, silently, low to the ground, keeping the car between them. His dark running suit blended with the night. He was the Dark Angel, the Angel of Death. In another life, he had passed over Egypt, killing the firstborn of those condemned by God. Her eyes darted in every direction, still she didn't see him. He was invisible. Her hands shook as she tried to get the key in the door. The 11 o'clock news reported that another one had been found. If he stuck with his pattern, the D.C. Killer would strike again tonight. By morning a woman would be dead. She prayed it wouldn’t be her. She fumbled, dropping the key ring. She stooped to pick it up, her head turning in every direction, her ears alert to every sound. Now, without seeing him, she sensed him. She lowered her eyes, trying again, successfully this time. She turned the key. There was a click. She sighed, unaware that she had been holding her breath. The dome light flashed as she opened the door. He was on her in an instant. Their bodies slammed against the door. The light blinked out. He held her in an iron grip with one hand over her mouth and the blade poking into her
Darrell Case
Director: Saravana Rajan Producer: Dayanidhi Azhagiri Written : Saravana Rajan Starring: Jai,Swati Reddy Music: Yuvan Shankar Raja Cinematography: Venkatesh S. Release Date: Jan 24, 2014 Editing: Praveen K. L, N. B. Srikanth Director Saravana Rajan’s debut comedy thriller ‘Vadacurry’ features actors Swati Reddy and Jai in lead role. ‘Vadacurry’ is produced by Dhayanidhi Alagiri with Yuvan Shankar Raja’s music. Bollywood actress Sunny Leone has shaken her legs for ‘Vadacurry’ Tamil film’s dream song with actor Jai in Bangkok. The shooting of the song was held in December 2013. It’s a dream sequence of Jai’s character in the ‘Vadacurry’ where, Sunny will be grooving with him. Sunny was given half-sari, bangles and anklets to portray a typical south Indian look in this song. However, the hot diva loved trying these accessories to shake her legs for her debut film in Kollywood ‘Vadacurry’. ‘Vadacurry’ Tamil movie’s cinematography is handled by Venkatesh. ‘Vadacurry’ team started rolling on floors from August 19, 2013. Interestingly, ‘Vadacurry’ Tamil movie’s music composer Yuvan Shankar Raja is cousin of director Saravana Rajan. Director Saravana Rajan has followed the steps of his tutor Venkat Prabhu in coining food names as title for his movie ‘Vadacurry’ that matched with Venkat Prabhu’s recent release ‘Biriyani’. The charming beauty Anusha Dhayanidhi has made a debut as costume designer in ‘Vadacurry’. Anusha Dhayanidhi has transformed the looks of female lead Swathi in ‘Vadacurry’ Tamil film. It should be noted that ‘Subramaniyapuram’ pairs, who had portrayed good chemistry have joined this comedy entertainer ‘Vadacurry’. However, ‘Vadacurry’ Tamil film is ready to be served on 24January, 2014 to give a punch of full-on comedy with its taste and essence.
vada curry movie review