Three Thousand Stitches Quotes

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Confidence doesn’t mean that everything will go our way. It simply gives us the ability to accept failures that we will inevitably meet on our path and move forward with hope.
Sudha Murty (Three Thousand Stitches: Ordinary People, Extraordinary Lives)
I can give you many examples of people who may not have studied much but have done well for themselves because they believed they could.
Sudha Murty (Three Thousand Stitches: Ordinary People, Extraordinary Lives)
We all lose a few battles in our lives, but we can win the war.
Sudha Murty (Three Thousand Stitches: Ordinary People, Extraordinary Lives)
Adinishtura is better than antyanishtura, which means that an initial disappointment is better than a disagreement at the end.
Sudha Murty
In an effort to teach myself self-restraint and self-control, I decided that until I completed my engineering degree, I would wear only white saris, refrain from sweets, sleep on a mat and take baths with cold water. I aimed to become self-sufficient; I would be my best friend and my worst enemy. I didn’t know then that such a quote already existed in the Bhagavad Gita where Krishna says, ‘Atma aiva hi atmano bandhu aatma aiva ripu atmanah’.
Sudha Murty (Three Thousand Stitches: Ordinary People, Extraordinary Lives)
valentine my friends stitched it up with golden thread like a red satin pillow they gave me other whole ones too roses and charms and red candles milagros to repair the real one they told me i was no longer allowed to give it away a pretty pin cushion a piece of mexican folk art a hundred beating poems left unanswered like a thing to wear around the neck they said you must heal we will protect you but i sat weeping at the computer forging ahead anyway with the small stitched thing struggling in my chest it knew that it had needed to be torn so that it could recognize and receive the hundred kindnesses traveling across three thousand miles at the speed of light a storm of petals and beautiful words and tiny hearts to keep it company
Francesca Lia Block (How to (Un)cage a Girl)
This book festival...grew to attract thousands of visitors every year. Now they felt like they needed a new purpose. The festival’s continuing existence felt assured. What was it for? What could it do? How could it make itself count? The festival’s leadership reached out to me for advice on these questions. What kind of purpose could be their next great animating force? Someone had the idea that the festival’s purpose could be about stitching together the community. Books were, of course, the medium. But couldn’t an ambitious festival set itself the challenge of making the city more connected? Couldn’t it help turn strong readers into good citizens? That seemed to me a promising direction—a specific, unique, disputable lodestar for a book festival that could guide its construction...We began to brainstorm. I proposed an idea: Instead of starting each session with the books and authors themselves, why not kick things off with a two-minute exercise in which audience members can meaningfully, if briefly, connect with one another? The host could ask three city- or book-related questions, and then ask each member of the audience to turn to a stranger to discuss one of them. What brought you to this city—whether birth or circumstance? What is a book that really affected you as a child? What do you think would make us a better city? Starting a session with these questions would help the audience become aware of one another. It would also break the norm of not speaking to a stranger, and perhaps encourage this kind of behavior to continue as people left the session. And it would activate a group identity—the city’s book lovers—that, in the absence of such questions, tends to stay dormant. As soon as this idea was mentioned, someone in the group sounded a worry. “But I wouldn’t want to take away time from the authors,” the person said. There it was—the real, if unspoken, purpose rousing from its slumber and insisting on its continued primacy. Everyone liked the idea of “book festival as community glue” in theory. But at the first sign of needing to compromise on another thing in order to honor this new something, alarm bells rang. The group wasn’t ready to make the purpose of the book festival the stitching of community if it meant changing the structure of the sessions, or taking time away from something else. Their purpose, whether or not they admitted it, was the promotion of books and reading and the honoring of authors. It bothered them to make an author wait two minutes for citizens to bond. The book festival was doing what many of us do: shaping a gathering according to various unstated motivations, and making half-hearted gestures toward loftier goals.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
After that we had Math Class. Pencils ready! she yelled. If you’ve got a two thousand-piece puzzle of an Amish farm and you manage to add three pieces to the puzzle per day, how many more days will you need to stay alive to get it done? Math Class was interrupted by the doorbell. Ball Game! yelled Grandma. Who could it be? The doorbell ringer is set to “Take Me Out to the Ball Game,” which Grandma forces me to sing with her during the seventh-inning stretch even if we’re just watching the game in our living room. She makes me stand up for the anthem at the beginning, too. Mom doesn’t stand up for the anthem because Canada is a lie and a crime scene. It was Jay Gatsby. He wants to tear our house down. I went to the door and opened it and told him, It’s yours for twenty million dollars. He said, Listen, can I speak with your mother. You said the last time— Twenty-five million dollars, I said. Sorry, said Jay Gatsby, I’d like to speak with— Thirty million dollars, capitalist, do you understand English? I slammed the door shut. Grandma said that was a bit overkill. He’s afraid of death, said Grandma. She said it like an insult. He’s lost his way! Jay Gatsby wants to tear down our house and build an underground doomsday-proof luxury vault. Jay Gatsby bought a house on a tropical island once and then forced every other person living on the island to sell their house to him so that he had the whole island to himself to do ecstasy and yoga with ex-models. He forced all the models to take pills that made their shit gold and sparkly. Mom said he’s had fake muscles put into his calves. She knows this because one day she saw him on the sidewalk outside the bookstore and his calves were super skinny and three days later they were bulging and had seams on them. Mom said he went to a place in Cleveland, Ohio to get it done where you can also have your vag tightened up if you feel like it. Then you can just sit around with your S.O. vaping all day with your giant fake calves and stitched-up wazoo and be spied on by your modern thermostat which is a weapon of the state they just call “green” because of sales and Alexa and shit and practicing mindfulness hahahaha and just be really, really, really happy that you don’t have half a fucking brain between the two of you.
Miriam Toews (Fight Night)
hadn’t
Sudha Murty (Three Thousand Stitches: Ordinary People, Extraordinary Lives)