Threats Quotes

We've searched our database for all the quotes and captions related to Threats. Here they are! All 100 of them:

Threats are the last resort of a man with no vocabulary.
Tamora Pierce (Lady Knight (Protector of the Small, #4))
When did the future switch from being a promise to being a threat?
Chuck Palahniuk (Invisible Monsters)
The greatest threat to freedom is the absence of criticism.
Wole Soyinka
Injustice anywhere is a threat to justice everywhere.
Martin Luther King Jr.
There you are. I've been looking for you. His first words to me— not a lie at all, not a threat to keep those faeries away. Thank you for finding her for me.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Evil isn’t the real threat to the world. Stupid is just as destructive as Evil, maybe more so, and it’s a hell of a lot more common. What we really need is a crusade against Stupid. That might actually make a difference.
Jim Butcher (Vignette (The Dresden Files, #5.5))
I have always felt that violence was the last refuge of the incompetent, and empty threats the last sanctuary of the terminally inept.
Neil Gaiman (Neverwhere)
Nothing before you counts," he said. "And I can't even imagine an after." She shook her head. "Don't." "What?" "Don't talk about after." "I just meant that... I want to be the last person who ever kisses you, too.... That sounds bad, like a death threat or something. What I'm trying to say is, you're it. This is it for me.
Rainbow Rowell (Eleanor & Park)
Passion makes a person stop eating, sleeping, working, feeling at peace. A lot of people are frightened because, when it appears, it demolishes all the old things it finds in its path. No one wants their life thrown into chaos. That is why a lot of people keep that threat under control, and are somehow capable of sustaining a house or a structure that is already rotten. They are the engineers of the superseded. Other people think exactly the opposite: they surrender themselves without a second thought, hoping to find in passion the solutions to all their problems. They make the other person responsible for their happiness and blame them for their possible unhappiness. They are either euphoric because something marvelous has happened or depressed because something unexpected has just ruined everything. Keeping passion at bay or surrendering blindly to it - which of these two attitudes is the least destructive? I don't know.
Paulo Coelho (Eleven Minutes)
A government is the most dangerous threat to man's rights: it holds a legal monopoly on the use of physical force against legally disarmed victims.
Ayn Rand
Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly.
Martin Luther King Jr. (Letter from the Birmingham Jail)
The victim who is able to articulate the situation of the victim has ceased to be a victim: he or she has become a threat.
James Baldwin
There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters.
Neil Gaiman (The Books of Magic)
Oh threats of Hell and Hopes of Paradise! One thing at least is certain - This Life flies; One thing is certain and the rest is Lies - The Flower that once has blown forever dies.
Omar Khayyám (Rubáiyát of Omar Khayyám)
Without the threat of suffering, we can’t experience true joy.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
So I hear we get to go to town this weekend. Want to catch a movie or something? --Z P.S. That is, if Jimmy doesn't mind. Translation: This weekend might be a good chance for us to see each other outside our school in a social environment, free of competetiton. I do not view other boys as threats, and I enjoy making them seem insignificant by calling them the wrong names. (Translation by Macey McHenry)
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
I’m going to kill you one day,” I told him as we hurried after Grimalkin, back into the swampy marshland. It was not an idle threat. Puck just laughed. “Yeah. You and everyone else, prince. Join the club.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Me miserable! Which way shall I fly Infinite wrath and infinite despair? Which way I fly is hell; myself am hell; And in the lowest deep a lower deep, Still threat'ning to devour me, opens wide, To which the hell I suffer seems a heaven.
John Milton (Paradise Lost)
I don't know if I continue, even today, always liking myself. But what I learned to do many years ago was to forgive myself. It is very important for every human being to forgive herself or himself because if you live, you will make mistakes- it is inevitable. But once you do and you see the mistake, then you forgive yourself and say, 'Well, if I'd known better I'd have done better,' that's all. So you say to people who you think you may have injured, 'I'm sorry,' and then you say to yourself, 'I'm sorry.' If we all hold on to the mistake, we can't see our own glory in the mirror because we have the mistake between our faces and the mirror; we can't see what we're capable of being. You can ask forgiveness of others, but in the end the real forgiveness is in one's own self. I think that young men and women are so caught by the way they see themselves. Now mind you. When a larger society sees them as unattractive, as threats, as too black or too white or too poor or too fat or too thin or too sexual or too asexual, that's rough. But you can overcome that. The real difficulty is to overcome how you think about yourself. If we don't have that we never grow, we never learn, and sure as hell we should never teach.
Maya Angelou
It is a curious situation that the sea, from which life first arose should now be threatened by the activities of one form of that life. But the sea, though changed in a sinister way, will continue to exist; the threat is rather to life itself.
Rachel Carson (The Sea Around Us)
There are two kinds of idiots - those who don't take action because they have received a threat, and those who think they are taking action because they have issued a threat.
Paulo Coelho (The Devil and Miss Prym)
Never get angry. Never make a threat. Reason with people.
Mario Puzo
Cats, as you know, are quite impervious to threats.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
I don’t make threats. Only promises.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
It sends out a very clear message: "Mess with us and we'll do something worse than kill you. We'll kill your children.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
His eyes widened just a bit, his lips flexed. I realized he was trying not to laugh. I hate it when people find my threats amusing.
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
It’s not me I’m worried about. If they think you blew a satellite out of orbit, they could see you as a threat.” “Of they could just think I’m that awesome.
Jennifer L. Armentrout (Onyx (Lux, #2))
There were not so many physical threats that could not be countered with a decent hammer.
Stieg Larsson (The Girl Who Played with Fire (Millennium, #2))
To be left alone on the tightrope of youthful unknowing is to experience the excruciating beauty of full freedom and the threat of eternal indecision. Few, if any, survive their teens. Most surrender to the vague but murderous pressure of adult conformity. It becomes easier to die and avoid conflict than to maintain a constant battle with the superior forces of maturity.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
If you want some advice—which I'm sure you don't—you guys should lay off on the magic. Christian still thinks you're moving in on Lissa." "What?" he asked in mock astonishment. "Doesn't he know my heart belongs to you?" "It does not. And no, he's still worried about it, despite what I've told him." "You know, I bet if we started making out right now, it would make him feel better." "If you touch me," I said pleasantly, "I'll provide you with the opportunity to see if you can heal yourself. Then we'd see how badass you really are.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Angry grizzly bears are going to look tame next to what is waiting for you at home." I snapped the phone shut and placed it in her waiting hand. "I'm done.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Just how destructive does a culinary preference have to be before we decide to eat something else? If contributing to the suffering of billions of animals that live miserable lives and (quite often) die in horrific ways isn't motivating, what would be? If being the number one contributor to the most serious threat facing the planet (global warming) isn't enough, what is? And if you are tempted to put off these questions of conscience, to say not now, then when?
Jonathan Safran Foer (Eating Animals)
A REASSURING ANNOUNCEMENT Please, be calm, despite that previous threat. I am all bluster - I am not violent. I am not malicious. I am a result.
Markus Zusak (The Book Thief)
But for a society buit on exploitation, there is no greater threat than having no one left to oppress.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
To be left alone on the tightrope of youthful unknowing is to experience the excruciating beauty of full freedom and the threat of eternal indecision.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Every once in a very long while, Lord Tywin Lannister would actually threaten to smile; he never did, but the threat alone was terrible to behold.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I don't like it, but my hands are tied. I just want you to know this: if I ever get the chance to betray you, I will. If the opportunity arises to pay you back, I'll take it. You'll never be able to trust me.
Darren Shan (Cirque du Freak: A Living Nightmare (Cirque du Freak, #1))
Nathan nods. "Have a good time. Don't do anything I wouldn't do." I hear Andy as I'm walking out the front door. "Honey, that threat doesn't work when you're gay.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
I have warned you. If something happens to you, I will personally raze the entire Order. That isn't a threat. That is a promise. Consider your survival as much a necessity to the survival of the Resistance as Potter's. If you die, I will kill every last one of them.
SenLinYu (Manacled)
What if I take you apart and turn you into a toaster oven, how would you like that tin can?
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Can you imagine a life with no fear? What if faith, not fear, was your default reaction to threats?
Max Lucado (Fearless: Imagine Your Life Without Fear)
Two stubborn lovers, protecting each other from the very same threat.
Renée Ahdieh (The Rose & the Dagger (The Wrath and the Dawn, #2))
Somehow I sensed what was coming for me even then. Really, though, what girl doesn’t? It looms over you, that threat of violence. They drill the danger into your head until it starts to feel inevitable. You grow up wondering when it’s finally going to happen.
Kate Elizabeth Russell (My Dark Vanessa)
It was Sam's first view of a battle of Men against Men, and he did not like it much. He was glad that he could not see the dead face. He wondered what the man's name was and where he came from; and if he was really evil of heart, or what lies or threats had led him on the long march from his home; and if he would rather have stayed there in peace.
J.R.R. Tolkien (The Lord of the Rings)
Would you like me to put you out of your misery, before I put you out of your misery?
Paul Cude (Bentwhistle the Dragon in a Threat from the Past)
Has it ever occured to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes. But a sword...a sword has a voice. Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear. A gentle word. A word of caution. Do you hear it? Now, compare it to the sword half drawn. It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it? Now compare it to the sword full drawn. It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?
Joe Abercrombie (The Blade Itself (The First Law, #1))
I'd like to give you my heart, but since that might be inconvenient, I've brought you someone else's.
Annette Curtis Klause (Blood and Chocolate)
Don't fuck with me, fellas. This ain't my first time at the rodeo.
Joan Crawford
With hurricanes, tornados, fires out of control, mud slides, flooding, severe thunderstorms tearing up the country from one end to another, and with the threat of bird flu and terrorist attacks, "Are we sure this is a good time to take God out of the Pledge of Allegiance?
Jay Leno
Jason had to bury his face against her shoulder to keep from laughing out loud. She was just so damn cute. “Stop laughing at me! I’m a threat, damn it!” Jason pressed a gentle kiss to her lips. “No, you’re my sweet little grasshopper.
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
I think anyone who opened their heart enough to love without restraint and subsequently were devastated by loss knows that in that moment you are forever changed; a apart of you is no longer whole. Some will never again love with that level of abandon where life is perceived as innocent and the threat of loss seems implausible. Love and loss, therefore, are linked.
Donna Lynn Hope
They try to make you think they care about what you do but they don't. They don't want you to act a certain way. So you're easy to understand. So you won't pose a threat to them.
Veronica Roth (Divergent (Divergent, #1))
You have such a great fear of freedom, brother. It's shackling you. You've identified so hard with the colonizer, you think any threat to them is a threat to you. When are you going to realize you can't be one of them?
R.F. Kuang (Babel)
Be quiet or I'll be forced to flick you." "Ooh," he mocked. "The ultimate threat. I don't think I've ever been flicked before." "Are you suggesting I can't hurt you?" "On the contrary, I think you have the power to do great damage.
Alexandra Adornetto (Halo (Halo, #1))
I looked at him. "You really need to work on your threats. I can't tell if you're threatening me or inviting me for tea.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.
Chinua Achebe (Anthills of the Savannah)
The plague of mankind is the fear and rejection of diversity: monotheism, monarchy, monogamy and, in our age, monomedicine. The belief that there is only one right way to live, only one right way to regulate religious, political, sexual, medical affairs is the root cause of the greatest threat to man: members of his own species, bent on ensuring his salvation, security, and sanity.
Thomas Szasz
Mind my words, Cheshire, I will have you banished from this kingdom if you tempt me." "An empty threat from an empty girl." She rounded on him, teeth flashing. "I am not empty. I am full to the brim with murder and revenge. I am overflowing and I do not think you wish for me to overflow on to you." "There was a time" – Cheshire yawned – "when you overflowed with whimsy and icing sugar. I liked that Catherine better.
Marissa Meyer (Heartless)
Keep your eyes open, Fireheart. Keep your ears pricked. Keep looking behind you. Because one day I'll find you, and then you'll be crowfood.
Erin Hunter (Forest of Secrets (Warriors, #3))
Captain! To your left there’s a Lunar guard and on your right is a doctor who’s running tests on Lunars and I’m being held by one of Levana’s wolf hybrids and please be careful!” Thorne took a step back into the hallway a gun from his waistband. He spent a moment swiveling the barrel of the gun in each direction, but nobody moved to attack him. With some surprise, Cress realized that the operative’s grip had weakened. “Er…” Thorne furrowed his brow, aiming the gun somewhere near the window. “Could you describe all those threats again because I feel like I missed something.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Celaena Sardothien wasn’t in league with Aelin Ashryver Galathynius. Celaena Sardothien was Aelin Ashryver Galathynius, heir to the throne and rightful Queen of Terranes. Celaena was Aelin Galathynius, the greatest living threat to Adarlan, the one person who could raise an army capable of standing against the king. Now, she was also the one person who knew the secret source of the king’s power—and who sought a way to destroy it. And he had just sent her into the arms of her strongest potential allies: to the homeland of her mother, the kingdom of her cousin, and the domain of her aunt, Queen Maeve of the Fae. Celaena was the lost Queen of Terrasen. Chaol sank to his knees.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
You're going to keep a low profile throughout the entire competition... You're going to stay solidly in the middle, where no one will look your way, because you're not a threat, because they'll think that you'll be eliminated sooner or later, and they should focus their attention on getting rid of bigger, stronger, faster champions like Cain. 'But you're going to outlast them,' Chaol continued. 'And when they wake up the morning of the final duel and find that you are their opponent, and that you have beaten them, the look on their faces will make all of the insults and lack of attention worthwhile.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Growing up is a trap," snapped Dr. Robbins. "When they tell you to shut up, they mean stop talking. When they tell you to grow up, they mean stop growing. Reach a nice level plateau and settle there, predictable and unchanging, no longer a threat.
Tom Robbins (Even Cowgirls Get the Blues)
Deals with the devil, Ms. Lane, never go well. That‘s a given. You will not make one again. Do you understand me? If I have to chain you to a fucking wall to protect you from your own stupidity, I will!" He glared at me. I rattled my chains. "Wrists. Beam. Chained already, Barrons. Come up with a new threat." I glared back.
Karen Marie Moning (Bloodfever (Fever, #2))
Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Your religion assumes that people are children and need a boogeyman so they'll behave. You want people to believe in God so they'll obey the law. That's the only means that occurs to you: a strict secular police force, and the threat of punishment by an all-seeing God for whatever the police overlook. You sell human beings short.
Carl Sagan (Contact)
I’m not an idiot, Kenji. I have reasons for the things I say.” “Yeah, and maybe I’m just saying that you have no idea what you’re saying.” “Whatever.” “Don’t whatever me—” “Whatever,” I say again. “Oh my God,” Kenji says to no one in particular. “I think this girl wants to get her ass kicked.” “You couldn’t kick my ass if I had ten of them.” Kenji laughs out loud. “Is that a challenge?” "It’s a warning,” I say to him. “Ohhhhhh, so you’re threatening me now? Little crybaby knows how to make threats now?” “Shut up, Kenji.” “Shut up, Kenji,” he repeats in a whiny voice, mocking me.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds other life—another hunter, an angel or a demon, a delicate infant or a tottering old man, a fairy or a demigod—there’s only one thing he can do: open fire and eliminate them. In this forest, hell is other people. An eternal threat that any life that exposes its own existence will be swiftly wiped out. This is the picture of cosmic civilization. It’s the explanation for the Fermi Paradox.
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
Pekka Rollins couldn't count the threats he'd heard, the men he'd killed, or the men he'd seen die, but the look in Brekker's eye still sent a chill slithering up his spine. Some wrathful thing in this boy was beginning to get loose, and Rollin's didn't want to be around when it slipped its leash.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Do you think I'm a whore?” Harry pulled over to the side of the road and turned to me. “I think you're brilliant. I think you're tough. And I think the word whore is something ignorant people throw around when they have nothing else. … “Isn't it awfully convenient,” Harry added, “that when men make the rules, the one thing that's looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You'd all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that's the last thing those assholes want, a world run by people like you and me.” I laughed, my eyes still puffy and tired from crying. “So am I a whore or not?” “Who knows?” he said. “We're all whores, really, in some way or another. At least in Hollywood.” … “But I like you this way. I like you impure and scrappy and formidable. I like the Evelyn Hugo who sees the world for what it is and then goes out there and wrestles what she wants out of it. So, you know, put whatever label you want on it, just don't change. That would be the real tragedy.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
...And you, you better run because i'm going to destroy you for what you've taken from me.
Samantha Young (Blood Will Tell (Warriors of Ankh, #1))
we are threatened with suffering from three directions: from our body, which is doomed to decay..., from the external world which may rage against us with overwhelming and merciless force of destruction, and finally from our relations with other men... This last source is perhaps more painful to use than any other. (p77)
Sigmund Freud (Civilization and Its Discontents)
A deep rumble echoed in his chest. I pulled back, laughing. "Are you growling at me?" He laughed softly, twisted my hair ribbon around his fingers, and pulled gently, loosening my braid. Biting my ear lightly, he whispered a threat, "You have been driving me crazy for three weeks. Your lucky all I'm doing is growling.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
In those pamphlets that they give at mental health centers where they list the ten or so symptoms that would indicate a clinical depression, 'suicide threats' or even simple 'talk of suicide' is considered cause for concern. I guess the point is that what's just talk one day may become a real activity the next. So perhaps after years of walking around with these germinal feelings, these raw thoughts, these scattered moments of saying I wish I were dead, eventually I too, sooner or later, would succumb to the death urge. In the meantime, I could withdraw to my room, could hide and sleep as if I were dead.
Elizabeth Wurtzel (Prozac Nation)
Merlin, if you don't stop whining, I'm going to take Gwen's sword and beat you to death with it," said Arthur, evenly. "It's plastic." "So it will take me a long time. I'm still game.
FayJay (The Student Prince (The Student Prince, #1))
But my patience isn't limitless... unlike my authority.
Dan Abnett (Xenos (Eisenhorn, #1))
[T]his readiness to assume the guilt for the threats to our environment is deceptively reassuring: We like to be guilty since, if we are guilty, it all depends on us. We pull the strings of the catastrophe, so we can also save ourselves simply by changing our lives. What is really hard for us (at least in the West) to accept is that we are reduced to the role of a passive observer who sits and watches what our fate will be. To avoid this impotence, we engage in frantic, obsessive activities. We recycle old paper, we buy organic food, we install long-lasting light bulbs—whatever—just so we can be sure that we are doing something. We make our individual contribution like the soccer fan who supports his team in front of a TV screen at home, shouting and jumping from his seat, in the belief that this will somehow influence the game's outcome.
Slavoj Žižek
Even with all their threats of eternal damnation and soul roasting, Christian missionaries have run across some who were not so quick to swallow their drivel. Pleasure and pain, like beauty, are in the eye of the beholder. So, when missionaries ventured to Alaska and warned the Eskimos of the horrors of Hell and the blazing lake of fire awaiting transgressors, they eagerly asked: "How do we get there?"!
Anton Szandor LaVey (The Satanic Bible)
She has the blood of a wolf,” said Joffrey. “And you have the wits of a goose,” said Tyrion. “You can’t talk to me that way. The king can do as he likes.” “Aerys Targaryen did as he liked. Has you mother ever told you what happened to him?” Ser Boros Blount harrumphed. “No man threatens His Grace in the presence of the Kingsguard.” Tyrion Lannister raised an eyebrow. “I am not threating the king, ser, I am educating my nephew. Bronn, Timett, the next time Ser Boros opens his mouth, kill him.” The dwarf smiled. “Now that was a threat, ser. See the difference?
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Jane," I said quietly. She opened her eyes, she had been far away in prayer. "Yes, Mary? Forgive me, I was praying." "If you go on flirting with the king with those sickly little smiles, one of us Boleyns is going to scratch your eyes out.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
Fear, after all, is our real enemy. Fear is taking over our world. Fear is being used as a tool of manipulation in our society. Itʼs how politicians peddle policy and how Madison Avenue sells us things that we donʼt need. Think about it. Fear that weʼre going to be attacked, fear that there are communists lurking around every corner, fear that some little Caribbean country that doesnʼt believe in our way of life poses a threat to us. Fear that black culture may take over the world. Fear of Elvis Presleyʼs hips. Well, maybe that one is a real fear. Fear that our bad breath might ruin our friendships… Fear of growing old and being alone.
Christopher Isherwood (A Single Man)
My Creed I do not choose to be a common man, It is my right to be uncommon … if I can, I seek opportunity … not security. I do not wish to be a kept citizen. Humbled and dulled by having the State look after me. I want to take the calculated risk; To dream and to build. To fail and to succeed. I refuse to barter incentive for a dole; I prefer the challenges of life To the guaranteed existence; The thrill of fulfillment To the stale calm of Utopia. I will not trade freedom for beneficence Nor my dignity for a handout I will never cower before any master Nor bend to any threat. It is my heritage to stand erect. Proud and unafraid; To think and act for myself, To enjoy the benefit of my creations And to face the world boldly and say: This, with God’s help, I have done All this is what it means To be an Entrepreneur.
Dean Alfange
I sighed softly and basked in the barrage of Ren's kisses- drowning kisses, soft kisses, sultry kisses, kisses that lasted a mere second, and kisses that lasted an eternity. It was easy to believe that my warrior-angel had captured me and had flown me up to heaven. A deep rumble echoed in his chest. I pulled back, laughing. "Are you growling at me?" He laughed softly, twisted my hair ribbon around his fingers, and pulled gently, loosening my braid. Biting my ear lightly, he whispered a threat, "You have been driving me crazy for three weeks. You're lucky all I'm doing is growling.
Colleen Houck
This isn't over," I said. "After everything we've been through, you don't get the right to brush me off. I'm not letting you off that easily." I wasn't sure if it was a threat, my last stab at defiance, or irrational words spoken straight from my splintered heart. "I want to protect you," Patch said quietly. He stood so close. All strength and heat and silent power. I couldn't escape him, now or ever. He'd always be there, consuming my every thought, my heart locked in his hands. I was drawn to him by forces I couldn't control, let alone escape. "But you didn't.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
You’re mine, mo duinne,” he said softly, pressing himself into my depths. “Mine alone, now and forever. Mine, whether ye will it or no.” I pulled against his grip, and sucked in my breath with a faint “ah” as he pressed even deeper. “Aye, I mean to use ye hard, my Sassenach,” he whispered. “I want to own you, to possess you, body and soul.” I struggled slightly and he pressed me down, hammering me, a solid, inexorable pounding that reached my womb with each stroke. “I mean to make ye call me ‘Master,’ Sassenach.” His soft voice was a threat of revenge for the agonies of the last minutes. “I mean to make you mine.
Diana Gabaldon (Outlander (Outlander, #1))
I lifted my wand, hoping she would see this as a dramatic move, not a threat. “Why once, in my bunker at Charing Cross Station, I stalked the deadly prey known as Jelly Babies.” Neith’s eyes widened. “They are dangerous?” “Horrible,” I agreed. “Oh, they seem small alone, but they always appear in great numbers. Sticky, fattening—quite deadly. There I was, alone with only two quid and a Tube pass, beset by Jelly Babies, when…Ah, but never mind. When the Jelly Babies come for you…you will find out on your own.” She lowered her bow. “Tell me. I must know how to hunt Jelly Babies.” I looked at Walt gravely. “How many months have I trained you, Walt?” “Seven,” he said. “Almost eight.” “And have I ever deemed you worthy of hunting Jelly Babies with me?” “Uh…no.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
The door closed behind her (Phoebe), and the two men regarded each other for a moment. Viktor spoke first. "I must have your promise, Coach, that you won't hurt her." Dan: "I won't." Viktor: "You spoke a little too quickly for my taste. I don't quite believe you." Dan: "I'm a man of my word, and I promise I won't hurt her." He flexed his hands. "When I murder her, I'll do it real quick so she won't feel a thing." Viktor sighed. "That's exactly what I was afraid of.
Susan Elizabeth Phillips (It Had to Be You (Chicago Stars, #1))
I want you, Hank. I'm much more of an animal than you think. I wanted you from the first moment I saw you - and the only thing I'm ashamed of is that I did not know it. I did not know why, for two years, the brightest moments I found were the ones in your office, where I could lift my head to look up at you. I did not know the nature of what I felt in your presence, nor the reason. I know it now. That is all I want, Hank. I want you in my bed - and you are free of me for all the rest of your time. There's nothing you'll have to pretend - don't think of me, don't feel; don't care - I do not want your mind, your will, your being or your soul, so long as it's to me you will come for that lowest one of your desires. I am an animal who wants nothing but the sensation of pleasure which you despise - but I want it from you. You'd give up amy height of virtue for it , while I - I haven't any to give up. There's none I seek or wish to reach. I am so low that I would exchange the greatest sight of beauty in the world for the sight of your figure in the cab of a railroad engine. Amd seeing it, I would not be able to see it indifferently. You don't have to fear that you're now dependent on me. It's I who will depend on any whim of yours. You'll have me anytime you wish, anywhere, on any terms. Did you call it the obscenity of my talent? It's such that it gives you a safer hold on me than on any other property you own. You may dispose of me as you please - I'm not afraid to admit it - I have nothing to protect from you and nothing to reserve. You think that this is a threat to your achievement, but it is not to mine. I will sit at my desk, and work, and when the things around me get hard to bear, I will think that for my reward I will be in your bed that night. Did you call it depravity? I am much more depraved than you are: you hold it as your guilt, and I - as my pride. I'm more proud of it than anything I've done, more proud than of building the Line. If I'm asked to name my proudest attainment, I will say: I have slept with Hank Rearden. I had earned it.
Ayn Rand
There’s something simmering inside of me. Something I’ve never dared to tap into, something I’m afraid to acknowledge. There’s a part of me clawing to break free from the cage I’ve trapped it in, banging on the doors of my heart, begging to be free. Begging to let go. Every day I feel like I’m reliving the same nightmare. I open my mouth to shout, to fight, to swing my fists, but my vocal cords are cut, my arms are heavy and weighted down as if trapped in wet cement and I’m screaming but no one can hear me, no one can reach me and I’m caught. And it’s killing me. I’ve always had to make myself submissive, subservient, twisted into a pleading, passive mop just to make everyone else feel safe and comfortable. My existence has become a fight to prove I’m harmless, and I’m not a threat, that I’m capable of living among other human beings without hurting them. And I’m so tired I’m so tire I’m so tired I’m so tired and sometimes I get so angry. I don’t know what’s happening to me.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here." "The sign says employee parking only." "How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class." "The sign says violators will be towed." "They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about." ....... Vee came to a halt. "What is THAT?" We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire. "I think it's a car boot," I said. "I can see that. What's it doing on my car?" "I guess when they say all violators will be towed, they mean it.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol. IV)
Her hands brushed Shane's, and he let go of the cards and took hold. And then somehow she was in his lap, and he was kissing her. Hadn't meant to do that but...well. She couldn't exactly be sorry about it, because he tasted amazing, and his lips were so soft and his hands were so strong... He leaned back, eyes half shut, and he was smiling. Shane didn't smile all that much, and it always left her breathless and tingling. There was a secrecy about it like he only ever smiled at her, and it just felt... perfect. 'Claire, you're being careful right?' He smoothed hair back from her face. 'Seriously. You'd tell me if you got into trouble?' 'No trouble,' She lied, thinking about Monica's not-so veiled threats, and that glimpse of Shane's dad seated across from Oliver in the coffee shop.'No trouble at all.' 'Good.' He kissed her again, then moved down her jawline to her neck, and, wow neck nibbles took her breath away. She closed her eyes and buried her fingers in his warm hair, trying to tell him through every touch how much she liked this, like him, loved... Her eyes came open, fast. She did not just think about that. Shane’s warm hands moved up her sides, thumbs grazing the sides of her breasts again, and he traced his fingers across the thin skin of her collarbone...down to where the neck of her T-shirt stopped him. Teasing. Pulling it down an inch, then two. And then, maddeningly, he let go and leaned back, lips damp. He licked them, watching her, and then gave her that slow crazy, sexy smile again. 'Go to bed' he said. 'Before I decide to come with.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
Modern industrial civilization has developed within a certain system of convenient myths. The driving force of modern industrial civilization has been individual material gain, which is accepted as legitimate, even praiseworthy, on the grounds that private vices yield public benefits in the classic formulation. Now, it's long been understood very well that a society that is based on this principle will destroy itself in time. It can only persist with whatever suffering and injustice it entails as long as it's possible to pretend that the destructive forces that humans create are limited: that the world is an infinite resource, and that the world is an infinite garbage-can. At this stage of history, either one of two things is possible: either the general population will take control of its own destiny and will concern itself with community-interests, guided by values of solidarity and sympathy and concern for others; or, alternatively, there will be no destiny for anyone to control. As long as some specialized class is in a position of authority, it is going to set policy in the special interests that it serves. But the conditions of survival, let alone justice, require rational social planning in the interests of the community as a whole and, by now, that means the global community. The question is whether privileged elites should dominate mass-communication, and should use this power as they tell us they must, namely, to impose necessary illusions, manipulate and deceive the stupid majority, and remove them from the public arena. The question, in brief, is whether democracy and freedom are values to be preserved or threats to be avoided. In this possibly terminal phase of human existence, democracy and freedom are more than values to be treasured, they may well be essential to survival.
Noam Chomsky
In response to threat and injury, animals, including humans, execute biologically based, non-conscious action patterns that prepare them to meet the threat and defend themselves. The very structure of trauma, including activation, dissociation and freezing are based on the evolution of survival behaviors. When threatened or injured, all animals draw from a "library" of possible responses. We orient, dodge, duck, stiffen, brace, retract, fight, flee, freeze, collapse, etc. All of these coordinated responses are somatically based- they are things that the body does to protect and defend itself. It is when these orienting and defending responses are overwhelmed that we see trauma. The bodies of traumatized people portray "snapshots" of their unsuccessful attempts to defend themselves in the face of threat and injury. Trauma is a highly activated incomplete biological response to threat, frozen in time. For example, when we prepare to fight or to flee, muscles throughout our entire body are tensed in specific patterns of high energy readiness. When we are unable to complete the appropriate actions, we fail to discharge the tremendous energy generated by our survival preparations. This energy becomes fixed in specific patterns of neuromuscular readiness. The person then stays in a state of acute and then chronic arousal and dysfunction in the central nervous system. Traumatized people are not suffering from a disease in the normal sense of the word- they have become stuck in an aroused state. It is difficult if not impossible to function normally under these circumstances.
Peter A. Levine
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished. It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
Joan Didion (Slouching Towards Bethlehem)
The growing number of gated communities in our nation is but one example of the obsession with safety. With guards at the gate, individuals still have bars and elaborate internal security systems. Americans spend more than thirty billion dollars a year on security. When I have stayed with friends in these communities and inquired as to whether all the security is in response to an actual danger I am told “not really," that it is the fear of threat rather than a real threat that is the catalyst for an obsession with safety that borders on madness. Culturally we bear witness to this madness every day. We can all tell endless stories of how it makes itself known in everyday life. For example, an adult white male answers the door when a young Asian male rings the bell. We live in a culture where without responding to any gesture of aggression or hostility on the part of the stranger, who is simply lost and trying to find the correct address, the white male shoots him, believing he is protecting his life and his property. This is an everyday example of madness. The person who is really the threat here is the home owner who has been so well socialized by the thinking of white supremacy, of capitalism, of patriarchy that he can no longer respond rationally. White supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression; that it would be unmanly to ask questions before taking action. Mass media then brings us the news of this in a newspeak manner that sounds almost jocular and celebratory, as though no tragedy has happened, as though the sacrifice of a young life was necessary to uphold property values and white patriarchal honor. Viewers are encouraged feel sympathy for the white male home owner who made a mistake. The fact that this mistake led to the violent death of an innocent young man does not register; the narrative is worded in a manner that encourages viewers to identify with the one who made the mistake by doing what we are led to feel we might all do to “protect our property at all costs from any sense of perceived threat. " This is what the worship of death looks like.
bell hooks (All About Love: New Visions)
How are you coming with your home library? Do you need some good ammunition on why it's so important to read? The last time I checked the statistics...I think they indicated that only four percent of the adults in this country have bought a book within the past year. That's dangerous. It's extremely important that we keep ourselves in the top five or six percent. In one of the Monthly Letters from the Royal Bank of Canada it was pointed out that reading good books is not something to be indulged in as a luxury. It is a necessity for anyone who intends to give his life and work a touch of quality. The most real wealth is not what we put into our piggy banks but what we develop in our heads. Books instruct us without anger, threats and harsh discipline. They do not sneer at our ignorance or grumble at our mistakes. They ask only that we spend some time in the company of greatness so that we may absorb some of its attributes. You do not read a book for the book's sake, but for your own. You may read because in your high-pressure life, studded with problems and emergencies, you need periods of relief and yet recognize that peace of mind does not mean numbness of mind. You may read because you never had an opportunity to go to college, and books give you a chance to get something you missed. You may read because your job is routine, and books give you a feeling of depth in life. You may read because you did go to college. You may read because you see social, economic and philosophical problems which need solution, and you believe that the best thinking of all past ages may be useful in your age, too. You may read because you are tired of the shallowness of contemporary life, bored by the current conversational commonplaces, and wearied of shop talk and gossip about people. Whatever your dominant personal reason, you will find that reading gives knowledge, creative power, satisfaction and relaxation. It cultivates your mind by calling its faculties into exercise. Books are a source of pleasure - the purest and the most lasting. They enhance your sensation of the interestingness of life. Reading them is not a violent pleasure like the gross enjoyment of an uncultivated mind, but a subtle delight. Reading dispels prejudices which hem our minds within narrow spaces. One of the things that will surprise you as you read good books from all over the world and from all times of man is that human nature is much the same today as it has been ever since writing began to tell us about it. Some people act as if it were demeaning to their manhood to wish to be well-read but you can no more be a healthy person mentally without reading substantial books than you can be a vigorous person physically without eating solid food. Books should be chosen, not for their freedom from evil, but for their possession of good. Dr. Johnson said: "Whilst you stand deliberating which book your son shall read first, another boy has read both.
Earl Nightingale
In regard to propaganda the early advocates of universal literacy and a free press envisaged only two possibilities: the propaganda might be true, or the propaganda might be false. They did not foresee what in fact has happened, above all in our Western capitalist democracies - the development of a vast mass communications industry, concerned in the main neither with the true nor the false, but with the unreal, the more or less totally irrelevant. In a word, they failed to take into account man's almost infinite appetite for distractions. In the past most people never got a chance of fully satisfying this appetite. They might long for distractions, but the distractions were not provided. Christmas came but once a year, feasts were "solemn and rare," there were few readers and very little to read, and the nearest approach to a neighborhood movie theater was the parish church, where the performances though frequent, were somewhat monotonous. For conditions even remotely comparable to those now prevailing we must return to imperial Rome, where the populace was kept in good humor by frequent, gratuitous doses of many kinds of entertainment - from poetical dramas to gladiatorial fights, from recitations of Virgil to all-out boxing, from concerts to military reviews and public executions. But even in Rome there was nothing like the non-stop distractions now provided by newspapers and magazines, by radio, television and the cinema. In "Brave New World" non-stop distractions of the most fascinating nature are deliberately used as instruments of policy, for the purpose of preventing people from paying too much attention to the realities of the social and political situation. The other world of religion is different from the other world of entertainment; but they resemble one another in being most decidedly "not of this world." Both are distractions and, if lived in too continuously, both can become, in Marx's phrase "the opium of the people" and so a threat to freedom. Only the vigilant can maintain their liberties, and only those who are constantly and intelligently on the spot can hope to govern themselves effectively by democratic procedures. A society, most of whose members spend a great part of their time, not on the spot, not here and now and in their calculable future, but somewhere else, in the irrelevant other worlds of sport and soap opera, of mythology and metaphysical fantasy, will find it hard to resist the encroachments of those would manipulate and control it.
Aldous Huxley (Brave New World Revisited)
We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. I desperately wanted mercy for Jimmy Dill and would have done anything to create justice for him, but I couldn’t pretend that his struggle was disconnected from my own. The ways in which I have been hurt—and have hurt others—are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Paul Farmer, the renowned physician who has spent his life trying to cure the world’s sickest and poorest people, once quoted me something that the writer Thomas Merton said: We are bodies of broken bones. I guess I’d always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we’re fractured by the choices we make; sometimes we’re shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity. I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We’ve become so fearful and vengeful that we’ve thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak—not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we’ve pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we’ve legalized vengeful and cruel punishments, how we’ve allowed our victimization to justify the victimization of others. We’ve submitted to the harsh instinct to crush those among us whose brokenness is most visible. But simply punishing the broken—walking away from them or hiding them from sight—only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)