Threat Funny Quotes

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Ohh, how clever," Aden said and clapped. "A death threat. You know what's funny? That's not even my first of the day.
Gena Showalter (Intertwined (Intertwined, #1))
I don't like you two going off on you won. Just remember: behave. If I hear about any funny business, I will ground you until the Styx freezes over.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Celaena?” Sam asked into the dark. “Should I worry about going to sleep?” She blinked, then laughed under her breath. At least Sam took her threats somewhat seriously.
Sarah J. Maas (The Assassin and the Pirate Lord (Throne of Glass, #0.1))
Don't go there Rule" Lawe warned him softly. " I don't think your horoscope declared today to be a good day to die.
Lora Leigh (Lawe's Justice (Breeds, #18))
Threat Level Fuchsia. Fuchsia!
Charlie Cochet (Blood & Thunder (THIRDS, #2))
Women got that feeling about him, that funny one we all get when we know something isn't right, but we don't know how to politely extricate ourselves from the situation without escalating the threat of violence or harassment. That is not a skill women are taught, the same way men are not taught that it is okay to leave a woman alone if what she wants is to be left alone.
Jessica Knoll (Bright Young Women)
Little fussy Otto, in his red-lined black opera cloak with pockets for all his gear, his shiny black shoes, his carefully cut widow's peak and, not least, his ridiculous accent that grew thicker or thinner depending on who he was talking to, did not look like a threat. He looked funny, a joke, a music-hall vampire. It had never previously occurred to Vimes that, just possibly, the joke was on other people.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
It’s not funny, Kacey!” I hiss. “That guy forced himself on me!” She rolls her eyes but then, after a long pause, she sighs. “Yeah, you’re right.” Reaching over, she pinches the guy’s arm without hesitation. “Hey, buddy!” “You do that to her again and I’ll sneak into your room and rip your balls off while you sleep, capisce?” she warns with a pointed finger. Most times my sister’s threats involve the mutilation of testicles.
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
But other than the cruel fangs and the constant threat of death and torture, there wasn't much to fear in Skree.
Andrew Peterson (On the Edge of the Dark Sea of Darkness (The Wingfeather Saga, #1))
So my heart goes out to them. Figuratively. I would never actually entrust my heart to scientists—they'd probably implant it in a baboon. And a baboon with my heart would be practically unstoppable. Baboon strength and agility combined with my determination and media savvy? It would be a threat to all of humanity.
Stephen Colbert (I Am America (And So Can You!))
Have you forgotten," she said in a furious whisper, "that he nearly killed us? That he threw my quiver in the stream, and threatened to snap my bow?" It was unclear which she considered worse: threatening them or her bow.
Michelle Paver (Soul Eater (Chronicles of Ancient Darkness #3))
don’t you think it’s funny how bad boys are always deemed swoon-worthy, while bad girls are usually perceived as a threat to society? —don’t tell me sexism isn’t real.
Amanda Lovelace (Flower Crowns & Fearsome Things)
They told me that nothing was a sin, just a poor life choice. Poor impulse control. That nothing is evil. Any concept of right versus wrong, according to them, is merely a cultural construct relative to one specific time and place. They said that if anything should force us to modify our personal behavior it should be our allegiance to a social contract, not some vague, externally imposed threat of flaming punishment.
Chuck Palahniuk (Damned (Damned, #1))
Remember your math: an anecdote is not a trend. Remember your history: the fact that something is bad today doesn't mean it was better in the past. Remember your philosophy: one cannot reason that there's no such thing as reason, or that something is true or good because God said it is. And remember your psychology: much of what we know isn't so, especially when our comrades know it too. Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don't confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas. Finally, drop the Nietzsche. His ideas may seem edgy, authentic, baad,while humanism seems sappy, unhip, uncool But what's so funny about peace, love, and understanding?
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
He stared at Avery's socks and felt an odd sense of wonder. Socks were so normal. So mundane. How could someone who pulled on socks in the morning be a serial killer? Socks were not hard or dangerous. Socks were funny; foot mittens, that's what socks were. They made a knobbly hinge of your toes and became comical sock-puppets. Surely anyone who wore socks could not truly be a threat to him or anyone else?
Belinda Bauer (Blacklands (Exmoor Trilogy, #1))
Senator. If you call my friend a liar one more time, I will take it badly." "Excuse me?" Arnos said, his eyebrows rising up. "I suggest you find an alternate shortsighted, egomaniacally ridiculous reason to blatantly, recklessly ignore an obvious threat to the Realm simply because you don't wish it to exist. If you cannot restrain yourself from base slander, I will be pleased to meet you in juris macto and personally rip your forked tongue from your head.
Jim Butcher (Cursor's Fury (Codex Alera, #3))
The simple fact of the matter is that trying to be perfectly likable is incompatible with loving relationships. Sooner or later, for example, you’re going to find yourself in a hideous, screaming fight, and you’ll hear coming out of your mouth things that you yourself don’t like at all, things that shatter your self-image as a fair, kind, cool, attractive, in-control, funny, likable person. Something realer than likability has come out in you, and suddenly you’re having an actual life. Suddenly there’s a real choice to be made, not a fake consumer choice between a BlackBerry and an iPhone, but a question: Do I love this person? And, for the other person, does this person love me? There is no such thing as a person whose real self you like every particle of. This is why a world of liking is ultimately a lie. But there is such a thing as a person whose real self you love every particle of. And this is why love is such an existential threat to the techno-consumerist order: it exposes the lie.
Jonathan Franzen
Perspective is a funny thing. You think your back is to the wall, then something worse corners you, and the first threat looks puny in comparison.
Karen Marie Moning (Burned (Fever #7))
If you don't cut it out, I'm pulling this car over and everyone in the parking lot at Sizzler's is going to know my name.
Nenia Campbell (Quid Pro Quo (Nick & Jay, #1))
People think it’s harmless. They think it’s funny. That’s why they do it,” I say, trying to ignore the strange shiver where he touched my arm. Must be static electricity. “And sure. I guess it’s harmless until something bad happens. It’s harmless, and then there are security guards at your synagogue because someone called in a bomb threat. It’s harmless, and you’re terrified to get out of bed Saturday morning and go to services.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
You are the smartest of your year. The most cunning.' I gulp at the compliment, brushing it off. I was trained as a scribe, not a rider. 'You defended the smallest with ferocity. And strength of courage is more important than physical strength. Since you apparently need to know before we land.' My throat tightens from his words, emotion forming a knot I have to swallow past. Oh. Shit. I hadn't spoken those words. I'd thought them. He can read my thoughts. 'See? Smartest of your year.' So much for privacy. 'You'll never be alone again.' 'That sounds more like a threat than a comfort,' ...
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
What do you have to say for yourself, boy?" Cgerise "Sorry, Ma, I'm a sexy demon magnet?" Nick "Cherise!" Bubba "Don't you even take that tone with me, Mr. Triple-Threat-I-don't-have-to-listen-to-anyone-because-I'm-the-size-of-a-tabk. You're in the doghouse, buster. You might as well pack a bag 'cause you're going to be in there so long your name's going to be engraved on the mailbox." Cherise "Ah, what'd I do, cher?" Bubba "You dragged my baby into danger, and you-- Are you one of them?" Cherise "I'm going with whatever answer doesn't get me swatted with that bat." Savitar "Cherise, calm down. What are you doing here?" Bubba "What do you think? I'm protecting my boys. Both of you ... Because Mark values his own life and inparticular his male body parts, he called me after he got off the phone with you to tell me what the two of you were doing. You didn't honestly believe that I've been ignorant of what you and Mark do at night all these years? Did you?" Cherise "Um, yeah." Bubba "Well then you're a fool,Michael Burdette. And I'm not." Cherise
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
Safe gender is being who and what we want to be when we want to be that, with no threat of censure or violence. Safe gender is going as far in any direction as we wish, With no threat to our health, or anyone else’s. Safe gender is not being pressured into passing, not Having to lie, not having to hide. Sane gender is asking questions about gender - talking To people who do gender, and opening up about our Gender histories and our gender desires. Sane gender is probably very, very funny. Consensual gender is respecting each others’ definition Of gender, and respecting the wishes of some to be alone, And respecting the intentions of others to be inclusive in Their own time. Consensual gender is non-violent in that it doesn’t force Its way in on anyone. Consensual gender opens its arms and welcomes all People as gender outcasts - whoever is willing to admit it.
Kate Bornstein
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A. The last words I ever carved into myself, sixteen years after I started: vanish. Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck. Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist. Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving. For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
Gillian Flynn (Sharp Objects)
Stay with the Night Court and you risk your ruin.' Cassian cut in smoothly. 'Try to fuck us over, Eris, and your risk yours.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
I just got tired of the wetness sticking to me, that’s all. I think I was pretty safe from the threat of your joke being funny.
Susan Ee (World After (Penryn & the End of Days, #2))
Who said anything about relationship? Besides, we're not required to share everything; it's not like we're married." "You want to marry me?" Xavier asked, and I saw some faces turn toward us in curiosity. "I was thinking we'd start slow and see where things went, but hey, what the hell!" I rolled my eyes. "Be quiet or I'll be forced to flick you." "Ooh," he mocked. "The ultimate threat. I don't think I've ever been flicked before." "Are you suggesting I can't hurt you?" "On the contrary, I think you have the power to do great damage." I looked at him quizzically and then blushed deeply when his meaning dawned. "Very funny," I said curtly.
Alexandra Adornetto (Halo (Halo, #1))
Okay, time to get serious. I let my smile fade slowly and lowered my pitch, as no human woman could have. “I’m not joking this time. If I see it, it’s mine, and you won’t get it back at the end of the school year.” I growled, deep and long, savoring the feel of the vibrations in my throat, as if the sound alone could save me. It wasn’t quite a cat’s growl but it was damn close. And it was his last warning. Miguel dismissed my threat with an easy smile, and my stomach clenched. Oh, yeah, Faythe. You have Puss shaking in his boots, all right.
Rachel Vincent (Stray (Shifters, #1))
Is it not late? A late time to be living? Are not our generations the crucial ones? For we have changed the world. Are not our heightened times the important ones? For we have nuclear bombs. Are we not especially significant because our century is? - our century and its unique Holocaust, its refugee populations, its serial totalitarian exterminations; our century and its antibiotics, silicon chips, men on the moon, and spliced genes? No, we are not and it is not. These times of ours are ordinary times, a slice of life like any other. Who can bear to hear this, or who will consider it?... Take away the bomb threat and what are we? Ordinary beads on a never-ending string. Our time is a routine twist of an improbable yarn...There must be something heroic about our time, something that lifts it above all those other times. Plague? Funny weather? Dire things are happening... Why are we watching the news, reading the news, keeping up with the news? Only to enforce our fancy - probably a necessary lie - that these are crucial times, and we are in on them. Newly revealed, and we are in the know: crazy people, bunches of them. New diseases, shifts in power, floods! Can the news from dynastic Egypt have been any different?
Annie Dillard (For the Time Being: Essays (PEN Literary Award Winner))
Funny how a threat could suddenly make him like a guy.
Marissa Meyer (Supernova (Renegades, #3))
First I am going to kill you,' she tells him. 'And then I am going to eat you.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Whenever someone is a threat to the enemy there will be an attack dispatched against that person to try to minimise their effectiveness.
Patience Johnson (Why Does an Orderly God Allow Disorder)
Are you going to come down or do I need to set the apothecary on fire?' 'That threat might work better if you actually had a torch,' Castor replied.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
Get Nolan or he will let his dragon eat you alive, sour face and all, Helen.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Touch me, Cassian, and I'll remove your favourite part. Small as it might be.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
You are hereby warned that any movement on your part not explicitly endorsed by verbal authorization on my part may pose a direct physical risk to you, as well as consequential psychological and possibly, depending on your personal belief system, spiritual risks ensuing from your personal reaction to said physical risk. Any movement on your part constitutes an implicit and irrevocable acceptance of such risk," the first MetaCop says. There is a little speaker on his belt, simultaneously translating all of this into Spanish and Japanese. "Or as we used to say," the other MetaCop says, "freeze, sucker!" "Under provisions of The Mews at Windsor Heights Code, we are authorized to enforce law, national security concerns, and societal harmony on said territory also. A treaty between The Mews at Windsor Heights and White Columns authorizes us to place you in temporary custody until your status as an Investigatory Focus has been resolved." "Your ass is busted," the second MetaCop says. "As your demeanor has been nonaggressive and you carry no visible weapons, we are not authorized to employ heroic measures to ensure your cooperation," the first MetaCop says. "You stay cool and we'll stay cool," the second MetaCop says. "However, we are equipped with devices, including but not limited to projectile weapons, which, if used, may pose an extreme and immediate threat to your health and well-being." "Make one funny move and we'll blow your head off," the second MetaCop says.
Neal Stephenson (Snow Crash)
Humans are most imaginative when they need a means of self-destruction. If the world existed in an overflowing amount of happiness; a utopian state, then the suicide rate would dwarf any extinction level threat. Humans cannot be trusted with their own survival. Their minds have been trained to be blindly and unconsciously subjugated. In a time related to Heaven-on-Earth, the smallest amount of worry, will drive a human into the arms of death. This is how weak and fragile the human mind and will is. It's funny, because the best friend of humanity, is none other than Chaos itself.
Lionel Suggs
I think gender can take a lesson from sadomasochism (S/M): gender needs to be safe, sane, and consensual. Gender is not safe. If i change my gender, I'm at risk of homocide, suicide or a life devoid of half my responsibilities. If I'm born with a body that gives mixed gender signals, I'm at risk of being butchered - fixed, mutilated. Gender is not safe. And gender is not sane. It's not sane to call a rainbow black and white. It's not sane to demand we fit into one or the other only. It's not sane that we classify people in order to oppress them as women or glorify them as men. Gender is not sane. And gender is not consensual. We're born: a doctor assigns us a gender. It's documented by the state, enforced by the legal profession, sanctified by the church, and it's bought and sold in the media. We have no say in our gender - we're not allowed to question it, play with it, work it out with our friends, lovers or family. Gender is not consensual. Safe gender is being who and what we want to be when we want to be that, with no threat censure or violence. Safe gender is going as far in an direction as we wish with not threats to our health, or to anyone else's. Safe gender is not being pressured into passing, not having to lie, not having to hide. Sane gender is asking questions about gender - talking to people who do gender and opening up about our gender histories and our gender desires. Sane gender is probably very, very funny. Consensual gender is respecting each others definitions of gender , and respecting the intentions of others to be inclusive in their own time. Consensual gender is non violent in that it doesn't force its way in on anyone. Consensual gender opens its arms and welcomes all people as gender outcasts - whoever is willing to admit to it. Gender has a lot to learn from S/M.
Kate Bornstein (Gender Outlaw: On Men, Women and the Rest of Us)
I am glad to have you march under my banner, glad of your loyalty, grateful for you honour.' His gaze goes to me. 'To you, I offer honey wine and the hospitality of my table. But to traitors and oath breakers, I offer my queen's hospitality. The hospitality of knives.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It’s funny because you cannot hurt me.” That strangely warm breath of his still hovered over the mark on my throat. “You can never weaken me to the point that you’d ever be a real threat.” My breath caught as the meaning of his words penetrated the haze of arousal. I knew what he was saying. I was no real threat because he would never love me.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Where are the laughs in massacre, famine and climate change, exactly? What’s so funny about the Middle East, North Korea and Afghanistan? Who’s going to chuckle when they pick up the London Review of Books and find John Lanchester arguing, convincingly as always, that the banking habits of the British people pose a greater threat to their own security than terrorism?
Jonathan Coe (Marginal Notes, Doubtful Statements: Non-fiction, 1990-2013)
Women got that feeling about him, that funny one we all get when we know something isn’t right, but we don’t know how to politely extricate ourselves from the situation without escalating the threat of violence or harassment. That is not a skill women are taught, the same way men are not taught that it is okay to leave a woman alone if what she wants is to be left alone.
Jessica Knoll (Bright Young Women)
You might want to stop with the threats before my heart gives out.” “You look healthy enough.” “And you look sane. Imagine that,” Stunt shot right back. His common sense kicked in about a second too late to save him from his mouth, and there was a long silence. Insulting the man holding you at gunpoint showed a real lack of common sense. Insulting him and then not being able to see the reaction because your back was turned and he’d gone utterly silent was so very much worse.
Lyn Gala (Mountain Prey)
You're overstepping.' My nails bite into my palms. 'You haven't begun to see overstepping,' he warns, hid voice dropping low, sending a shiver down my spine. 'Any threat against you is a threat against me, and as we've already established, I have more important things to do than sleep on your floor.' Heat flushes up my neck and stains my cheeks. 'He is not sleeping in my room.' 'Of course not.' He freaking smirks, and my traitorous stomach dips. 'I had him moved into the one next to yours. Wouldn't want to overstep.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Noah turned to face his younger sister, arching one brow to a fairly smug height. Lenga lifted a brow back at him, giving him a delicate smattering of applause. “And I was afraid you would never learn the art of diplomacy,” she remarked, her lips twitching with her humor. “It merely took you the entire two and a half centuries of my life. Longer, actually. You had a few centuries’ head start.” “Funny how you seem to recall the fact that I am far older than you only when it suits your arguments, my sister,” he taunted her, reaching to tug on her hair as he had been doing since her childhood. “Well, I can say with all honesty that this is the first time I have ever seen you forgo a good argument with Hannah, opting for peace instead. I was beginning to wonder if you were my brother at all. Perhaps some imposter . . .” “Legna, be careful. You are speaking words of treason,” he teased her, tugging her hair once more, making her turn around to swat at his hand. “I don’t know how you convinced the entire Council that you were mature enough to be King, Noah! You are such a child!” She twisted her body so he couldn’t grab at her hair again. “And I swear, if you pull my hair once more like some sort of schoolyard bully, I am going to put you to sleep and shave you bald!” Noah immediately raised his hands in acquiescence, laughing as Legna flushed in exasperation. For all her grace and ladylike ways, Noah’s little sister was quite capable of making good on any threat she made. “I mean really, Noah. You are just about seven hundred years old. One would think you could at least act like it.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don't confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas. Finally, drop the Nietzsche. His ideas may seem edgy, authentic, baaad, while humanism seems sappy, unhip, uncool. But what's so funny about peace, love, and understanding?
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Let me see your arm, please, Lenzi,” Alden requested after Spook leapt onto the front passenger seat. I held it out, and he pushed up the sleeve of my sweater. He winced. “That’s a lot of threat to fit on one tiny arm. Good thing Smith writes small.” “If that’s a joke, it’s not funny. Tell me it doesn’t need stitches.” I groaned. “Nope. Just antiseptic, holy water, and time to heal.” Maddi looked over Alden’s shoulder. “Aw, that’s nothing. Remember the time he—” Alden cut her off with a glare. “Nice weather we’re having,” Maddi said as she strode to her truck.
Mary Lindsey (Shattered Souls (Souls, #1))
I lost a piece of my heart and my soul with you. I buried the piece in the graveyard stretching from Yedikule to Edirnekapı where trees sustain the lives of the dead Istanbulites. Give love to love; love belongs to love. Remember in the times of roaming mortality on land and sea to take a bite of my apple when you let go of your fears. Scared humans are not alive; they inhibited their souls in the realm of the dead. Is it not funny that fear is supposed to help us survive, but it can make us stop living?! Is there a more dangerous threat than living, feeling alive, feeling full of life? Remember to keep the lines clear so you can have a piece of my apple and a cup of my coffee.
Rana Abdulfattah (Tiger and Clay: Syria Fragments)
I know it’s late, but could you find a book for me? It’s called The Slavs: The Study of Pagan Traditions by Osvintsev.” Barabas sighed dramatically. “Kate, you make me despair. Let’s try that again from the top, except this time pretend you are an alpha.” “I don’t need a lecture. I just need the book.” “Much better. Little more growl in the voice?” “Barabas!” “And we’re there. Congratulations! There is hope for you yet. I will look into the book.” I hung up the phone and glared at Curran. “What’s so funny?” “You.” “Laugh while you can. You have to sleep eventually, and then I’ll take my revenge.” “You’re such a violent woman. Always with the threats. You should look into some meditation techniques . . .” I jumped on the couch and put the Beast Lord into an arm-lock.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
But what we did do is get interstitials with different colors and movement that reflected the scene that just happened or previewed the one to come. I started to match what my comedic take on the end of a scene was with what the interstitial was doing. I gave them names. One was called “Up Yours,” so if somebody slams somebody [or has a comeback to what they say], the atom would swoop up like an arm coming up at you. If it was a goofy ending, I had one that would swirl through called “Oogle Google.” If the scene was a hard-hitting, funny moment, it would come straight at the camera, which I called “Coming at Ya.” And then if the scene was with Penny, Amy, and Bernadette, I had one with three atoms called “Triple Threat.” If the four guys were in the scene, it would be atoms from the four corners that would come straight at you. I also started to match the colors to the scene. I would use the aquamarine color if we were coming out of or going to Penny’s apartment because it matched her couch or what they were wearing. My assistant and I knew, and that was it. I never told anybody.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
So!” Jack said, clapping his hands and grinning at me. “We ready to go? What’s the transportation plan?” “I guess I’ll go with Reth, and—” Lend shouted, “No, you’re not going anywhere alone with Reth.” “Fine, I’ll go with Jack, and—” “That doesn’t work for me either.” I laughed drily. “Okay then, I’ll click my heels together three times and say, ‘There’s no place like the Center, there’s no place like the Center,’ and then magically appear there!” He was quiet for a few seconds. “You’ll probably be safer with Reth.” It sounded like he was speaking through clenched teeth. “And I can keep a better eye on Jack.” “Well, I for one am thrilled to spend more time with Lend. That’s the top of my Fun Things to Do list. We should come up with a secret handshake!” Jack said, pushing me to the side and throwing the door open, which resulted in Lend falling to the floor immediately unconscious. “Oh, whoops.” Jack smiled, his eyes gleaming. “Too bad, I like him so much when he’s talking.” “Very funny. Keep him safe, okay? I don’t Raquel’s in the Iron Wing—she would have heard me shouting. Look anywhere you can think of. They might have her in a random room somewhere. We’ll meet in Raquel’s old office in two hours, whether we’ve found anything or not.” He nodded, not looking at me as he poked Lend repeatedly with his foot. “And, Jack? That threat Reth made about your hands? I’m going to apply it to Lend, too. Keep him safe. Or else.
Kiersten White (Endlessly (Paranormalcy, #3))
Still, the appeal of regressive ideas is perennial, and the case for reason, science, humanism, and progress always has to be made. When we fail to acknowledge our hard-won progress, we may come to believe that perfect order and universal prosperity are the natural state of affairs, and that every problem is an outrage that calls for blaming evildoers, wrecking institutions, and empowering a leader who will restore the country to its rightful greatness. I have made my own best case for progress and the ideals that made it possible, and have dropped hints on how journalists, intellectuals, and other thoughtful people (including the readers of this book) might avoid contributing to the widespread heedlessness of the gifts of the Enlightenment. Remember your math: an anecdote is not a trend. Remember your history: the fact that something is bad today doesn’t mean it was better in the past. Remember your philosophy: one cannot reason that there’s no such thing as reason, or that something is true or good because God said it is. And remember your psychology: much of what we know isn’t so, especially when our comrades know it too. Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don’t confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas. Finally, drop the Nietzsche. His ideas may seem edgy, authentic, baaad, while humanism seems sappy, unhip, uncool. But what’s so funny about peace, love, and understanding?
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
What did you say was chasing you?” Liz sighed in frustration. Apparently the Kindred weren’t big into stuffed animals. “It was this little fuzzy blue thing that came at me when I was in the kitchen—what you called the food-prep area,” she clarified, seeing his confusion. “At first I thought it was cute and tried to pet it. But then it opened its mouth and it had these long, sharp—Omigod! There it is!” She pointed behind Baird where the bright blue teddy bear had suddenly appeared. “Where?” He turned at once, putting himself between her and the perceived threat. Liv couldn’t help noticing he moved with incredible speed for such a large man. She waited breathlessly for the murderous teddy bear to attack but nothing happened. Then, to her dismay, Baird began to laugh. It was a deep, rumbling noise that came from the bottom of his chest and it might have been nice to hear if it wasn’t so obviously directed at her. “What?” Liv glared at him. “Would you mind telling me what’s so damn funny?” “I’m sorry, Olivia. It’s just…I can’t believe you were scared of Bebo.” Baird laughed again. “Bebo? What the hell is a Bebo?” Liv demanded, still keeping her distance from the bright blue teddy bear which was eyeing her mistrustfully. “Bebo’s his name. He’s a zicther—an animal native to my home world, Rageron.” “Rageron?” Liv frowned, wondering why the name of his home planet evoked strange images in her head. Baird nodded. “It’s a jungle planet with a helluva lot more scary animals than Bebo here.” He crouched down to scratch the little animal under its chin. Its large eyes closed and it made a sort of grunting purr as it submitted to his caress. “A jungle planet,” Liv murmured. “Only instead of green, most of the vegetation is blue.” “That’s right.” Baird looked up from where he was crouched on the floor, a startled expression on his chiseled features. “How did you know that?” “I saw it in a dream.” Liv blushed and looked down. “One of the dreams we shared I think. I saw you…never mind.” She shook her head. “Anyway, that accounts for his bright blue fur. I still don’t understand why he tried to attack me though.” “He tried to attack you?” Though he was clearly trying to keep the skepticism from his voice, Baird wasn’t succeeding too well. “Well, he bared his teeth at me!” Liv said, irritated. Of course now that its master was home the little animal was acting like butter wouldn’t melt in its alien mouth. Its alien mouth filled with shark teeth, she reminded herself. “That’s just a greeting stance. He probably did it because he was meeting you for the first time.” Baird rose and dusted blue feathery fur off his large hands. “I’m sorry if he scared you. He’s not dangerous though, just curious.” “Curious
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Where the bloody hell is my wife?” Godric yelled into the aether. As if in response, a footman came up the stairs and handed Cedric a slip of paper. Dumbfounded, Cedric opened it and read it aloud. My Dear Gentlemen, We await you in the dining room. Please do not join us until you have decided upon a course of action regarding the threat to Lord Sheridan. We will be more than delighted to offer our opinions on the matter, but in truth, we suspect you do not wish to hear our thoughts. It is a failing of the male species, and we shan’t hold it against you. In the future, however, it would be advisable not to lock us in a room. We simply cannot resist a challenge, something you should have learned by now. Intelligent women are not to be trifled with. Fondest Regards, ~ The Society of Rebellious Ladies ~ “Fondest regards?” Lucien scoffed. A puzzled Jonathan added, “Society of Rebellious Ladies?” “Lord help us!” Ashton groaned as he ran a hand through his hair. “They’ve named themselves.” “I’ll wager a hundred pounds that Emily’s behind this. Having a laugh at our expense,” Charles said in all seriousness. “Let’s go and see how rebellious they are when we’re done with them.” Cedric rolled up the sleeves of his white lawn shirt as he and the others stalked down the stairs to the dining room. They found it empty. The footman reappeared and Cedric wondered if perhaps the man had never left. At the servant’s polite cough he handed Cedric a second note. “Another damn note? What are they playing at?” He practically tore the paper in half while opening it. Again he read it aloud. Did you honestly believe we’d display our cunning in so simple a fashion? Surely you underestimated us. It is quite unfair of you to assume we could not baffle you for at least a few minutes. Perhaps you should look for us in the place where we ought to have been and not the place you put us. Best Wishes, ~ The Society of Rebellious Ladies ~ “I am going to kill her,” Cedric said. It didn’t seem to matter which of the three rebellious ladies he meant. The League of Rogues headed back to the drawing room. Cedric flung the door open. Emily was sitting before the fire, an embroidery frame raised as she pricked the cloth with a fine pointed needle. Audrey was perusing one of her many fashion magazines, eyes fixed on the illustrated plates, oblivious to any disruption. Horatia had positioned herself on the window seat near a candle, so she could read her novel. Even at this distance Lucien could see the title, Lady Eustace and the Merry Marquess, the novel he’d purchased for her last Christmas. For some reason, the idea she would mock him with his own gift was damned funny. He had the sudden urge to laugh, especially when he saw a soft blush work its way up through her. He’d picked that particular book just to shock her, knowing it was quite explicit in parts since he’d read it himself the previous year. “Ahem,” Cedric cleared his throat. Three sets of feminine eyes fixed on him, each reflecting only mild curiosity. Emily smiled. "Oh there you are.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
The threat of death—or worse, of being taken captive for a ransom the US government simply can’t afford to pay—is a risk not many take. It’s funny. Just when technology shrank the world, making everywhere and everyone accessible, it’s all never felt more out of reach.
Ashley Saunders (The Rule of One (The Rule of One, #1))
Even the subconscious of a much lesser being is very good at fitting other living creatures into their respective boxes. Is this a potential meal? A potential mate? A potential threat? Almost any subconscious can give reasonably accurate answers to these questions in short order, which is good, because accuracy is important when deciding whether to bite it, flirt with it, or run away from it. That is the kind of thing you don’t want to get wrong.
Robbie Mahair (Orc Road Trip: Racial Tensions Book 1)
These same ABCs couldn't speak Chinese and didn't care---but you don't have shit without your native tongue. African slaves were forced by threat of physical punishment to abandon their native languages, but a lot of us just gave ours up with a shrug---these Uncle Chans convinced us to assimilate, shut the fuck up, and play the part. What they didn't understand is that after your have the money and degrees, you can't buy your identity back. I wasn't worried about degrees, but I cared about my roots. Even if I hated what it meant to be an Asian in t he American wilderness, i respected the Chinese home I was raised in. Usually I wasn't so vocal about Asian identity, but without my parents around, I felt a sudden duty to say something myself. It's funny how annoying I thought my mom was, but as soon as she wasn't around, i carried the torch for her.
Eddie Huang (Fresh Off the Boat)
Orpheus literally had his hands full, holding on to her while she struggled to break away from him and plunge into the water, time after time. How the other Argonauts laughed! Jason was exasperated. He needed Orpheus to keep the rowers working together and he was short by three men since the battle. He couldn’t spare anyone else from the crew to keep the girl from killing herself. When he ordered Herakles to grab her and tie her to the mast, our “dove” showed us that she spoke our language well enough to spew blistering curses and threats. “Listen to that!” Herakles exclaimed with an exaggerated shudder. “She’s a witch’s daughter, sure enough. She’ll put a spell on me if I offend her.” “Stop that nonsense and control the brat,” Jason snapped. “Alas, beloved prince, I can’t.” Herakles sighed and hung his head with such a pathetic air that Milo, Hylas, and I stuffed our knuckles into our mouths to stifle snickers. “I made a vow to Hera not to touch a woman until we come to Colchis.” That was too much for Hylas. He burst into hoots of laughter, and Milo and I joined in, until we had to clutch one another to keep from falling over. I was still trying to catch my breath when Jason’s foot shot out and dealt me an undeniable kick in the behind. “You think this is funny? You watch her!” he barked at me. “If anything happens to the scrawny little bitch, we’ll stick you in a dress, hand you over to her flea-bitten relatives, and be halfway to Colchis before they figure out they’ve been duped. If you’re lucky, they’ll kill you quickly. If not, they might decide to use their knives to turn you into the daughter they lost. See if you can laugh your way out of that, boy!” He showed his teeth in a satisfied smirk and didn’t understand why I kept on laughing at his threat, even while I walked off to assume my new job as the girl’s keeper.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
If they tell me one more time that I'm using the wrong fork for a part of a meal, I swear I'll show them exactly how multifunctional the utensil can be.
Jennifer Ellision (Threats of Sky and Sea (Threats of Sky and Sea, #1))
In Walked Jim September 2013: Entering his first morning staff meeting as FBI director, Jim Comey loped to the head of the table, put down his briefing books, and lowered his six-foot-eight-inch, shirtsleeved self into a huge leather chair. He leaned the chair so far back on its hind legs that he lay practically flat, testing gravity. Then he sat up, stretched like a big cat, pushed the briefing books to the side, and said, as if he were talking to a friend, I don’t want to talk about these today. I’d rather talk about some other things first. He talked about how effective leaders immediately make their expectations clear and proceeded to do just that for us. Said he would expect us to love our jobs, expect us to take care of ourselves … I remember less of what he said than the easygoing way he spoke and the absolute clarity of his day-one priority: building relationships with each member of his senior team. Comey continually reminded the FBI leadership that strong relationships with one another were critical to the institution’s functioning. One day, after we reviewed the briefing books, he said, Okay, now I want to go around the room, and I want you all to say one thing about yourselves that no one else here knows about you. One hard-ass from the criminal division stunned the room to silence when he said, My wife and I, we really love Disney characters, and all our vacation time we spend in the Magic Kingdom. Another guy, formerly a member of the hostage-rescue team, who carefully tended his persona as a dead-eyed meathead—I thought his aesthetic tastes ran the gamut from YouTube videos of snipers in Afghanistan to YouTube videos of Bigfoot sightings—turned out to be an art lover. I really like the old masters, he said, but my favorite is abstract expressionism. This hokey parlor game had the effect Comey intended. It gave people an opportunity to be interesting and funny with colleagues in a way that most had rarely been before. Years later, I remember it like yesterday. That was Jim’s effect on almost everyone he worked with. I observed how he treated people. Tell me your story, he would say, then listen as if there were only the two of you in the whole world. You were, of course, being carefully assessed at the same time that you were being appreciated and accepted. He once told me that people’s responses to that opening helped him gauge their ability to communicate. Over the next few years I would sit in on hundreds of meetings with him. All kinds of individuals and organizations would come to Comey with their issues. No matter how hostile they were when they walked in the door, they would always walk out on a cloud of Comey goodness. Sometimes, after the door had closed, he would look at me and say, That was a mess. Jim has the same judgmental impulse that everyone has. He is complicated, with many different sides, and he is so good at showing his best side—which is better than most people’s—that his bad side, which is not as bad as most people’s, can seem more shocking on the rare moments when it flashes to the surface.
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)
It’s actually funny that science lays claim to randomness since no one has ever seen a random event. Scientists interpret events as random rather than causal because of their dogmatic ideology. Their paradigm forbids them from referring to unobservable causal processes – implying a reality more fundamental than science which science cannot penetrate – but accepts randomness, as the least threat to science’s supremacy, even though, in Hume’s terms, randomness is no more empirical than causation, hence no more scientifically valid, and infinitely less rational!
David Sinclair (Universals Versus Particulars: The Ultimate Intellectual War)
Matthias swept his arms forward expecting to launch every shadow in the room into an attack that would demolish the statue. Blake slammed the ground with his palms and twisted like he could blast the table sky-high and shatter it into mere wood chips. Logan swirled his arms as if mixing a volatile vortex to tornado the threat into oblivion. Tristan squashed his head in hands, eyes hard in concentration trying to will Ayden into moving. Jayden snapped empty hands out to create a tidal wave that would annihilate all in its path to save his brother. But it was all wishful thinking because nothing happened.
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
This is a crooked and perverse nation, friend. People are more worried about economy than ecology. JESUS! The lack of money makes life difficult, alright, but the presence of radiation and deathkulture chemicals is the very antithesis of life itself…and people run around arguing about the price of goddamn pantyhose. One thing we MUST prevent, therefore, is letting the Church become a soporific, a “drug” that lets us accept the death of all life on Earth. Yeah, THAT’S funny, HA HA! This better not become some god-awful End Times PORN for those who can only “get off” on fear-and-laughter. The Church should make it easier to conceive of the humans’ inconceivable threat to themselves, but ONLY IF THAT MAKES US DO SOMETHING ABOUT IT. THAT is the whole point.
Ivan Stang
He was enormously relieved to hear the facts at last. Riva Allen was brought in. She entered the room with an air. She seemed intelligent, assured and quite gay. She had obviously abandoned her act of being an unregistered courtesan. She looked at Marin with a bright smile and said cheerfully, “Well—lover!” And she laughed, an easy, tinkling, relaxed laughter. Marin glanced questioningly at the women who had escorted his captive. He recognized them as skillful interrogators. He asked, “Get anything?” The older woman answered, “We’ve been with her ever since she was turned over to us at a quarter to nine. Everything we ask her, every persuasive method we use, just makes her laugh.” Marin nodded calmly. But there was no doubt of the defeat that was here. His guess the night before had been correct. Chemicals. Most likely, she had had the stuff concealed in a false tooth, which simply required her to bite down once, hard. He knew this “laughing” drug. It ended all fear. Threat of death, use of torture, were equally funny to the individual under its influence. The effect would last about twenty-four hours. By taking such a drug, this woman spy had removed herself as a participant during the decisive hours ahead. Marin said, reluctantly but with finality, “Take her away! Keep her under arrest!” His secretary came in. “Lieutenant David Burnley to see you, sir, by your instructions.” Marin said, “Send him in.
A.E. van Vogt (The Mind Cage (Masters of Science Fiction))
The eight tips below can help protect your kids from stereotype threat. All have been shown by research studies to be effective and all are helpful for kids, regardless of the situation. They are good for every kid to hear, even in the absence of stereotype threat, but are especially helpful for a child doing work in a field of stereotype landmines. 1. De-emphasize gender. Encourage your kids to think of themselves in terms other than gender. There are two good ways to do this that reduce stereotype threat vulnerability. One is to encourage your kids to think of themselves as complex, multifaceted individuals. Have them create a self-concept map, where they draw a circle in the center of the page to represent themselves. Then draw as many smaller circles as possible coming off the main circle. In each of the smaller circles, children should write a description of themselves (such as smart, funny, kind, good at soccer, like SpongeBob SquarePants, hate broccoli, fast runner, good at school, ticklish, and so on). They can include anything they can think of that describes themselves without including gender. The goal is to fill up the page with unique and specific qualities that make your child special. Focusing on the many parts of themselves that aren’t linked to stereotypes helps reduce the power of those stereotypes.
Christia Spears Brown (Parenting Beyond Pink & Blue: How to Raise Your Kids Free of Gender Stereotypes)
I know it’s late, but could you find a book for me? It’s called The Slavs: Study of Pagan Tradition by Osvintsev.” Barabas sighed dramatically. “Kate, you make me despair. Let’s try that again from the top, except this time pretend you are an alpha.” “I don’t need a lecture. I just need the book.” “Much better. Little more growl in the voice?” “Barabas!” “And we’re there. Congratulations! There is hope for you yet. I will look into the book.” I hung up the phone and glared at Curran. “What’s so funny?” “You.” “Laugh while you can. You have to sleep eventually, and then I’ll take my revenge.” “You’re such a violent woman. Always with the threats. You should look into some meditation techniques . . .” I jumped on the couch and put the Beast Lord into an armlock.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Sandra.” “Thomas, I….” “You called.” He sounded concerned. “Yes, I….” “Why are you calling? Are you harmed?” “No….” “Are you rescheduling our Saturday lunch?” “No….” “Is this an emergency?” “Stop asking questions and just listen.” “Why are you calling?” I sighed, rolled my eyes. This was why I never called Thomas. “I need your help.” “Do you need money?” “Thomas, I swear, if you ask me another question, I will secretly switch your caffeinated with decaf during Saturday lunch at least three times over the next six months.” I could tell he was thinking about my threat, weighing it against the compulsion of his curiosity. Belatedly he said, “Proceed
Penny Reid
Before our faces could touch I was yanked back and thrown over Chase’s shoulder as he yelled for the beer pong game to start. “CHASE! Put me down!” I couldn’t even enjoy the fact that his hands were touching my bare thighs. He’d just stopped what could have been my first kiss, and his shoulder was really uncomfortable against my stomach. “No way! The Princess needs her throne!” I started beating my fists on his back, which just made him laugh harder and smack my butt. Ugh, this was the worst position to be in, I couldn’t even get a good pressure point to hit. “If you don’t put me down I will make good on my previous threat!” He laughed for another few seconds before remembering the night in his bed, immediately his laughter stopped and I was set down. But of course, I couldn’t have the last word. Gripping my arm firmly, he pulled me towards the front door before bringing me close to his body so he could whisper roughly in my ear. “I don’t want you with him.” He growled and his grip tightened. Gah, even that sent shivers of pleasure through me. “What is your deal with him? Is there something he did that you’d like to share?” “He’s not good enough for you.” I shook my head and failed at yanking my arm free, it was starting to get painful. “How do you know what is and isn’t good for me? You don’t even know me!” I hissed. Warm hands were on my shoulders then, and though he dropped my arm, Chase looked more pissed off than he had before. I knew he’d been gripping me tight, but my arm was now throbbing where his hand had just been. “I thought I told you to back off man?” Chase’s voice got louder, I swear I could practically see his feathers ruffle. I could tell Brandon was standing in an intimidating stance, but he seemed perfectly at ease making soothing trails up and down my arms. “I don’t really think that’s up to you.” Chase looked at me softly, his voice still harsh, “You hurt her, I swear to God I’ll break your neck.” With that, he pushed past us and went back toward the kitchen. That was a little much. “Ridiculous.” I blew out a breath I hadn’t realized I was holding and turned to look at Brandon. “Before you ask, I have absolutely no idea.” He laughed and wrapped his arms around me, pulling me close to his chest. “And you’re sure nothing’s going on between you?” “Positive. He probably just views me as his sister, so he’s a little protective.” “Hah! I’m pretty sure he doesn’t see you like he sees Bree.” “What do you mean?” I didn’t think it was possible, but somehow his voice got even lower and all I wanted to do was close my eyes and listen to him talk. “You’re gorgeous, funny and just all around amazing. And what makes it worse is that you don’t even see it. All the guys had been talking about you before I even got here, and after today, I see why.” “No they weren’t Brandon.” I rolled my eyes. He raised his eyebrow and smirked, “I wouldn’t lie to you. Harper, trust me when I say he doesn’t want to be your brother, but I’m not about to let him try to be anything else.” His
Molly McAdams (Taking Chances (Taking Chances, #1))
Alex whispers, “There’s a thin line between love and hate. Maybe you’re confusing your emotions.” I scoot away from him. “I wouldn’t bet on it.” “I would.” Alex’s gaze turns toward the door to the classroom. Through the window, his friend is waving to him. They’re probably going to ditch class. Alex grabs his books and stands. Mrs. Peterson turns around. “Alex, sit down.” “I got to piss.” The teacher’s eyebrows furrow and her hand goes to her hip. “Watch your language. And the last time I checked, you don’t need your books in order to go to the restroom. Put them back on the lab table.” Alex’s lips are tight, but he places the books back on the table. “I told you no gang-related items in my class,” Mrs. Peterson says, staring at the bandanna he’s holding in front of him. She holds out her hand. “Hand it over.” He glances at the door, then faces Mrs. Peterson. “What if I refuse?” “Alex, don’t test me. Zero tolerance. You want a suspension?” She wiggles her fingers, signaling to hand the bandana over immediately or else. Scowling, he slowly places the bandana in her hand. Mrs. Peterson sucks in her breath when she snatches the bandanna from his fingers. I screech, “Ohmygod!” at the sight of the big stain on his crotch. The students, one by one, start laughing. Colin laughs the loudest. “Don’t sweat it, Fuentes. My great-grandma has the same problem. Nothing a diaper won’t fix.” Now that hits home because at the mention of adult diapers, I immediately think of my sister. Making fun of adults who can’t help themselves isn’t funny because Shelley is one of those people. Alex sports a big, cocky grin and says to Colin, “Your girlfriend couldn’t keep her hands out of my pants. She was showin’ me a whole new definition of hand warmers, compa.” This time he’s gone too far. I stand up, my stool scraping the floor. “You wish,” I say. Alex is about to say something to me when Mrs. Peterson yells, “Alex!” She clears her throat. “Go to the nurse and…fix yourself. Take your books, because afterward you’ll be seeing Dr. Aguirre. I’ll meet you in his office with your friends Colin and Brittany.” Alex swipes his books off the table and exits the classroom while I ease back onto my stool. While Mrs. Peterson is trying to calm the rest of the class, I think about my short-lived success in avoiding Carmen Sanchez. If she thinks I’m a threat to her relationship with Alex, the rumors that are sure to spread today could prove deadly.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Don’t challenge everything which challenges you! Don’t take every funny challenge serious and don’t see every weak menace as a big threat, keep your energy for the powerful challenges, for the big menaces!
Mehmet Murat ildan
God prepared a table before me in the presence of my insecurity, in the presence of my deficits, in the presence of my addictions, in the presence of my confusions, in the presence of what I have lost, in the presence of the threat that I won't make it, in the presence of my enemies, I am looking straight ahead.
Patience Johnson (Why Does an Orderly God Allow Disorder)
There is no greater crime than a crime against humanity. There is no greater crime against humanity than usury. The greatest violence, and the greatest threat to humanity, is the growth of MONEY.
COMPTON GAGE
The greatest violence, and the greatest threat to humanity, is the growth of MONEY.
COMPTON GAGE
When we get to the castle, stay behind me.” [...] “Why? So I can have a good view of your ass?
Jennifer Ellision (Fall of Thrones and Thorns (Threats of Sky and Sea, #3))
Anyone ever tell you that you’re too damned stubborn for your own good?” [...] With my sweet disposition? I’ve never heard such a thing.
Jennifer Ellision (Riot of Storm and Smoke (Threats of Sky and Sea, #2))
Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
I raised my blade. "Now let me pass." He arched his brows. "I ask for an apology, and I get threats." "I'm sorry I didn't aim higher." He looked pointedly down at himself. "A little higher, or a lot higher?' That was almost funny. It caught me a bit off guard. It was rare that vampires made jokes. Hundreds of years withered away a sense of humor.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
I raised my blade. "Now let me pass." He arched his brows. "I ask for an apology, and I get threats." "I'm sorry I didn't aim higher." He looked pointedly down at himself. "A little higher, or a lot higher?" That was almost funny. It caught me a bit off guard. It was rare that vampires made jokes. Hundreds of years withered away a sense of humor.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
Women got that feeling about him, that funny one we all get when we know something isn’t right, but we don’t know how to politely extricate ourselves from the situation without escalating the threat of violence or harassment.
Jessica Knoll (Bright Young Women)
Jimmy stated that as a youth he was a triple threat. He couldn’t hit, run fast or field a grounder. I am beginning to like Jimmy even more than the day I met him. This is a far cry from Lewis’s youthful self-aggrandizement. Yet I like Lewis for his youthful self-aggrandizement. Writing is kinda funny that way. Candidly, I like Jimmy’s and Lewis’s stuff better than Erskine Caldwell’s depressing stuff, but I digress. Plus, it is shabby form to dis a writer who is no longer around to defend himself. But if Erskine was around, my guess is his self defense would be depressing.
Peter Stoddard (Lewis Grizzard: The Dawg That Did Not Hunt)
I had such a beautiful evening planned. Candlelight, dancing, maybe a few flirtatious threats. And what do I get? Grand Theft Equine.
Jill Bearup (Just Stab Me Now)
But… the world needs to know about this! The world needs to know the truth!” I shook my head. “No, Myron, it doesn’t. In fact, that would be the worst thing for mankind right now.” “Don’t give me that. Humanity couldn’t handle it bullshit—” “I’m not. It’s not about that at all.” “So what, then?” I turned in my seat so I was facing him. “Myron, you’ve spent who knows how long obsessed with UFOs and Roswell, Area 51, conspiracy theories, abductions, that sort of stuff. And yes, you now know that a lot of it is true, although not in the ways you think it is.” I leaned forward. “The truth, and the threat, isn’t down there,” I said, pointing at the Arabian peninsula, which was now sliding beneath us. I turned my finger and pointed up. “It’s out there. The Men in Black aren’t your enemy, if they even exist at all, that is. The biggest threat to mankind are vicious, amoral alien assholes who would exploit the shit out of Earth if it ever lost the ignorance that’s protecting it.” “Ignorance? A protection?” I nodded. “There’s a community of peoples out there that put a lot of effort into protecting places like Earth, until they’re ready to take their first real steps into space. And I don’t mean sending a few guys to go futz around on the Moon. I mean serious, deep space travel. The organization I’m part of, the Peacemaker Guild, is part of that protection. But mankind’s ignorance of the truth is the far more important one. Once that’s gone, all bets are off.” I leaned forward even more, pressing my gaze into Myron’s. “Imagine the worst thing you can. Now, try and imagine something worse than that. That still doesn’t even come close to the true horror out there. Now, it’s not just horror, of course. There are lots of good things, wonderful things. But it’s the horror that keeps me awake at night.” “What Van is saying is that, if you managed to convince humanity of the truth, it would pretty much be the end of the line for Earth,” Perry put in. Myron sank back and shook his head. “So you mean that we now really do know the truth, and we can’t share it with anyone?” I leaned back and smiled at him. “Congratulations, Myron. You thought there was a conspiracy, and you were right—and now you’re part of it. Ain’t life a funny thing?
J.N. Chaney (Distant Horizon (Backyard Starship, #6))
And if you call me baby again, I'll make you go to the gym with me in the morning." My eyes widened, and I shoved Asher to the door. "Be gone, you evil demon. Go. I curse you and your threats.
Nicky James (End Scene)
You’re just an overdressed galah who can’t stop spreading flowers everywhere he goes. One day you’re gunna run into a bloke with a mower and you won’t know what hit you.
W.R. Gingell (Between Family (The City Between, #9))
Training is fantastic. Absolutely riveting.' Azriel's mouth curled up at the corner. 'I hope you're not giving my brother a hard time.' She set down her teacup. 'Is that a threat, Shadowsinger?' Cassian took a long drink from his own tea. Drained it to the dregs. Azriel said coolly, 'I don't need to resort to threats.' 'The shadows curled around him, snakes ready to strike. Nesta gave him a smile, holding his stare. 'Neither do I.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
The Aphelian grabs the front of my tunic, then seizes Buri's arm before she can react and uses it to slap me across the face. Hard. "There," she says. "Now you've hit him, and I've perceived you as a threat. Irritate me again and we'll revisit the argument." She steps away and gestures to the clearing with a devilish grin. "Carry on.
Jus Accardo (Omen of Ice (Omen of Ice, #1))
The number one thing a good logline must have, the single most important element, is: irony. My good friend and former writing partner, the funny and fast-typing Colby Carr, pointed this out to me one time and he’s 100% correct. And that goes for whether it’s a comedy or a drama. A cop comes to L.A. to visit his estranged wife and her office building is taken over by terrorists – Die Hard A businessman falls in love with a hooker he hires to be his date for the weekend – Pretty Woman I don’t know about you, but I think both of these loglines, one from a drama, one from a romantic comedy, fairly reek of irony. And irony gets my attention. It’s what we who struggle with loglines like to call the hook, because that’s what it does. It hooks your interest. What is intriguing about each of the spec sales I’ve cited above is that they, too, have that same ironic touch. A holiday season of supposed family joy is turned on its cynical head in the 4 Christmases example. What could be more unexpected (another way to say “ironic”) for a new employee, instead of being welcomed to a company, to be faced with a threat on his life during The Retreat? What Colby identified is the fact that a good logline must be emotionally intriguing, like an itch you have to scratch. A logline is like the cover of a book; a good one makes you want to open it, right now, to find out what’s inside. In identifying the ironic elements of your story and putting them into a logline, you may discover that you don’t have that. Well, if you don’t, then there may not only be something wrong with your logline — maybe your story’s off, too. And maybe it’s time to go back and rethink it. Insisting on irony in your logline is a good place to find out what’s missing. Maybe you don’t have a good movie yet.
Blake Snyder (Save the Cat!: The Last Book on Screenwriting You'll Ever Need)
Bet you never thought I’d save your skin.” “What?” “Just makin’ small talk. Got to distract myself from the pain, y’know? Life has a funny way of workin’ out, don’t it? Take your friend, for example. The sword-lady.” “Tanith?” “First time we met, we were tryin’ to kill each other, remember that? But every time subsequent to that there’s been a kind of a frisson between us.” “A what?” “Frisson. It’s French for … To be honest I don’t really know what it’s French for, but I know what it means in American. A sort of electrical undercurrent of emotion.” “I know what frisson means, but I really don’t think Tanith would share your view.” “You’re a kid. You don’t know the ways of menfolk and womenkind. All those threats she fires my way? That there is the mark of flirtation.” “Oh, dear God,” Valkyrie said, the colour draining from her face. “You fancy Tanith.” “I don’t fancy her, I—” “You have a crush on Tanith. That is disgusting.” “What? Why would it be disgustin’?” “Because you’re a hired killer.” “That don’t make it disgustin’, just makes it … unusual. Does she talk about me? “Somebody shoot me.” “What does she say? I’m a formidable foe, right? Does she say anythin’ in a kind of a more … wistful voice?” “I don’t want to talk about this.” “Does she ever say, ‘If only he were good …’?” “Stop your talking. Stop it right now. Stop it. She has a boyfriend.” His face fell. “Someone I know?” he asked morosely. “He may have punched you a few times, yes.” “She’s not … She’s not datin’ the skeleton, is she? How would that be even possible, let alone … nice? He’s got no skin, or lips, or … or nothin’. And he talks. Good God, he talks and he never shuts up.” “It’s not Skulduggery.” “Well then, who else could it …? It’s not the ugly fella, is it? It couldn’t be the ugly fella.” “Don’t call him ugly.” “It is him! But he’s all scars! I mean, I know I ain’t got no eyes, but once you get past that, you got my face. And my face is all right. Better’n his. His is a mess, like he was dropped head first into a blender as a kid. Seriously? She’s with him?” “Seriously, and you’re not going to break them up. Not because you won’t try, but because you won’t be able to. Look, are you ready yet? Can we move now?” “I’m ready,” he snapped. “But this conversation stays between us, understand? My romancin’ ain’t gonna work if she knows it’s comin’.” “Believe me, I never want to speak to anyone about this ever again.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
Consider an actual city park in contrast to a faux public space like Universal CityWalk, which one passes through upon leaving the Universal Studios theme park. Because it interfaces between the theme park and the actual city, CityWalk exists somewhere in between, almost like a movie set, where visitors can consume the supposed diversity of an urban environment while enjoying a feeling of safety that results from its actual homogeneity. In an essay about such spaces, Eric Holding and Sarah Chaplin call CityWalk “a ‘scripted space’ par excellence, that is, a space which excludes, directs, supervises, constructs, and orchestrates use.”13 Anyone who has ever tried any funny business in a faux public space knows that such spaces do not just script actions, they police them. In a public space, ideally, you are a citizen with agency; in a faux public space, you are either a consumer or a threat to the design of the place.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
I should show you how the alarm system works.” “Okay.” He led her down the hall to a small office. “The control panel is in here. It’s not just for the house. There’s no fence around the place because that would be conspicuous, but we have sensors set up all around the property. If anyone approaches, we know.” “What about animals?” “We do have a deer fence. A low voltage system that keeps them away. Anything smaller could get under, but we figure anything smaller isn’t going to be a threat.” “Unless someone sends in a cat with a bomb strapped to its back,” Max said as he entered the room. “Very funny.
Rebecca York (Bad Nights (Rockfort Security, #1))
His threats are so funny,
Steve the Noob (Diary of Steve the Noob 4 (An Unofficial Minecraft Book))
Funny how the threat of lost love puts politics into proper perspective.
William Arthur Holmes (Another Way: Beyond the Status Quo)
Ellery made good on his threat to put on his pajamas—warm flannel, soft as a kitten’s ass. Jackson had actually gotten to sleep a couple of nights by petting those damned pajamas.
Amy Lane (Red Fish, Dead Fish (Fish Out of Water, #2))
You put a curse on that girl over there,' I tell him. 'Fix her immediately.' 'She admired my ears,' the boy says. 'I was only giving her what she desired. A party favour.' 'That's what I'm going to say after I gut you and use your entrails as streamers,' I tell him. 'I was only giving him what he wanted. After all, if he didn't want to be eviscerated, he would have honoured my very reasonable request.
Holly Black (The Wicked King (The Folk of the Air, #2))
A few hours of reading will never protect you from your own bad decisions.
Rory Miller (Scaling Force: Dynamic Decision Making Under Threat of Violence)
He glares with intensity. “Funny. That sounded like a threat.” “Oh good. Your ears are working, then.
Raven Kennedy (Gold (The Plated Prisoner, #5))
Ahnenpass?” he asked. Franka nodded and reached into her pocket for her Ahnenpass, a certificate of her Aryan ancestry. The sentry took a glance at it and handed it back with a nod. She hid her shame with a smile. The old joke Hans used to tell about the Aryan lies came back to her. “What is an Aryan?” he would ask the group. “Blond like Hitler!”—who had dark hair. “Tall like Goebbels!” someone else would say—Goebbels was five feet five. “A perfect athletic specimen like Goering!”—who was a disgusting, fat slug. Jokes had landed many people in jail. The Nazis displayed little good humor. Everything derogatory was censured and carried the threat of jail or worse, no matter how funny the joke was.
Eoin Dempsey (White Rose, Black Forest)