Threads That Bind Quotes

Sometimes mortals are not aware of the threads that bind them. You could both be wrong about the first time you met, and yet the two of you have orbited each other for so long, like heavenly bodies in the sky.

No cord or cable can draw so forcibly, or bind so fast, as [love] can do with a single thread.

A single thread of hope is stronger than all the chains that bind you.

I have gathered a posy of other men's flowers and nothing but the thread that binds them is mine own.

You know, one day you'll need to grow the hell up and let other people decide for themselves if they like you or not.

Sometimes mortals are not aware of the threads that bind them. You could both be wrong about the first time you met, and yet the two of you have orbited each other for so long, like heavenly bodies in the sky." Will squeezed Nico's hand. "I like how that sounds." Nico studied Will's broken fingernails, the cuts on his knuckles. He certainly felt like he was spinning through space...like he would go shooting off into the void if it weren't for Will's gravity.

Trust is the thread that binds us... and the rope that hangs us.

But I know he'll call, no matter what shape he's in. Even when I hate him, I love him. Even when he stops calling, I hear his voice. Will is my only brother. Without each other - without the invisible thread that binds us together, no matter how weak or frayed it becomes - we are simply drifting, all alone, without anything like a compass to know where we're headed.

If she loved something, even for a minute, like the fish noodles at the market stall or the teacher who'd smiled at her last week, she held on to that love with tooth and claw. Most threads frayed over time and distance, but never Io's. Her love was evergreen.

I find this fascinating. Sometimes mortals are not aware of the threads that bind them. You could both be wrong about the first time you met, and yet the two of you have orbited each other for so long, like heavenly bodies in the sky.

Over the centuries, this interpretation and reinterpretation creates a long chain connecting a writer to all future readers- who frequently read each other as well as the original. Virginia Woolf had a beautiful vision of generations interlinked in this way: of how "minds are threaded together- how any live mind is of the very same stuff as Plato's & Euripides... It is this common mind that binds the whole world together; & all the world is mind." This capacity for living on through readers' inner worlds over long periods of history is what makes a book like the 'Essays' a true classic. As it is reborn differently in each mind, it also brings those minds together.

You've got to see Venice," he began. "You've got to see a city of slender towers and white domes, sleeping in the water like a mass of water lilies. You've got to see dark waterways, mysterious threads of shadow, binding all these flowers of stone together.

I think the people we love can be cruel. Our love doesn't absolve them. Nor should it. "What kind of person are you," Edei whispered, "if you love someone who is cruel?" It was a question Io had often asked herself. She opened her mouth, closed it. Tried again. "You're someone who loves. That's it. That's the only part that's yours to give and yours to take.

Bind me to your will, bind me with these threads of sorrow, and gather me out of the afternoon where I have torn my soul on twenty monstrous altars, offering all things but myself.

Each of us possesses five fundamental, enthralling maps to the natural world: sight, touch, taste, hearing, smell. As we unravel the threads that bind us to nature, as denizens of data and artifice, amid crowds and clutter, we become miserly with these loyal and exquisite guides, we numb our sensory intelligence. This failure of attention will make orphans of us all.

Aleksander's body shook as he fought to keep his sanity. That deafening, maddening vibration traveling through his skull. His threads of shadow wrapped around the demon's body, giving strength to its limbs, banding together and binding to its form. The creature shrieked. Aleksander felt the demon's mind. Nikolai's mind. The monster is me... The ghost of a thought.

The muse shrugged, "Even gods change.

Tolerating wickedness can ensure your survival - but also cause a feeling of slow death.

Try to relax. Slow, deep breaths. Let go of your physical shell. Reach out to grasp the threads that bind us, one to another. Every action sends ripples across the galaxy. Every idea must touch another mind to live. Each emotion must mark another's spirit. We are all connected. Every living being united in a single glorious existence. Open yourself to the universe. Embrace eternity!

I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken

ECK is the golden thread, so fine as to be invisible yet so strong as to be unbreakable, which binds together all beings in all planes, in all universes, throughout all time and beyond time into eternity.

She chose to risk her heart; if her heart ended up broken, then so be it. She was free now. To love. To get hurt. To stitch herself back together. To love again, without guilt, and, one day, be loved in return.

Threads that drift alone will sometimes simply twine themselves together, without need for spindle or distaff: brought into each other’s ambit, they bind themselves tight with the force of their own torsion. And this same torsion can, in the course of things, bundle the resulting cord back upon itself, ravelling it up into a skein, returning to the point of its beginning.

The beginning of a habit is like an invisible thread, but every time we repeat the act we strengthen the strand, add to it another filament, until it becomes a great cable and binds us irrevocably, thought and act.” —ORISON SWETT MARDEN

Dear Deborah, Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say: When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle. When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs. When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her. When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen. When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her. When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away. Tell her you love her, so that she will know a man can say the words. If you hurt her, apologize, so that she will know a man can admit that he's wrong. These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole. Without it, there are tatters. It is never too late for a man to learn to stitch, to begin mending. These are the things I would tell that young father, if I could. A daughter grown up quickly. There isn't time to waste. I love you, Dad

Through many a long day you'll be taught That what you once did without thinking, As easy as if it were eating or drinking, Must be done in order: one! two! three! But truly, this though factory of ours Is like some weaver's masterpiece: One treadle stirs a thousand threads, This way and that the shuttles whistle, Threads flow invisibly, one ... Read morestroke Ties a thousand knots .... The philosopher steps in And proves to you it had to be so; The first was so, the second was so, And therefore the third and fourth were so. If the first and second hadn't existed, The third and fourth would never have existed. And this is praised by every scholar, But never a one becomes a weaver. To know and describe a living thing You first get rid of all its spirit: Then the parts are all in the palm of your hand, And all that you lack is the spirit that binds them! Encheiresis naturae, chemists call it, And fool themselves and never know it

Forgiveness is that subtle thread that binds both love and friendship. Without forgiveness, you may not even have a child one day.

There is an invisible thread that binds lovers' hearts; it synchronizes their heart beats.

Today we see the steady stream from the countryside to the city, deadly for the Volk. The cities swell ever larger, unnerving the Volk and destroying the threads which bind humanity to Nature; they attract adventurers and profiteers of all colours, thereby fostering racial chaos.

Why is it that a dog's menstruation made her lighthearted and gay, while her own menstruation made her squeamish? The answer seems simple to me: dogs were never expelled from Paradise. Karenin knew nothing about the duality of body and soul and had no concept of disgust. That is why Tereza felt so free and easy with him. (And that is why it is so dangerous to turn an animal into a machina animata, a cow into an automaton for the production of milk. By so doing, man cuts the thread binding him to Paradise and has nothing left to hold or comfort him on his flight through the emptiness of time.)

You work that you may keep pace with the earth and the soul of the earth. For to be idle is to become a stranger unto the seasons, and to step out of life's procession, that marches in majesty and proud submission towards the infinite. When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison? Always you have been told that work is a curse and labour a misfortune. But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born, And in keeping yourself with labour you are in truth loving life, And to love life through labour is to be intimate with life's inmost secret. But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written. You have been told also that life is darkness, and in your weariness you echo what was said by the weary. And I say that life is indeed darkness save when there is urge, And all urge is blind save when there is knowledge, And all knowledge is vain save when there is work, And all work is empty save when there is love; And when you work with love you bind yourself to yourself, and to one another, and to God. And what is it to work with love? It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as if your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit. It is to charge all things you fashion with a breath of your own spirit, And to know that all the blessed dead are standing about you and watching. Often have I heard you say, as if speaking in sleep, "He who works in marble, and finds the shape of his own soul in the stone, is nobler than he who ploughs the soil. And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet." But I say, not in sleep but in the overwakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass; And he alone is great who turns the voice of the wind into a song made sweeter by his own loving. Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger. And if you grudge the crushing of the grapes, your grudge distils a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.

Instead he sent them skittering over the field, fragile tendrils of darkness, blindly seeking the power they recognized. Like calls to like. He released a shout as the shadows met the demon. They clung to its form. More. Aleksander's body shook as he fought to keep his sanity. that deafening, maddening vibration traveling through his skull. His threads of shadow wrapped around the demon's body, giving strength to its limbs, banding together and binding to its form. The creature shrieked. Aleksander felt the demon's mind, Nikolai's mind. The monster is me... The ghost of a thought.

We are ruled by the shape of our longing,” he said. “By threads that bind and hearts that cut, through tender flesh and deep into the bone. The choice is yours, as you said. But I implore you: choose peace, whatever form it might take for you.

I've loved her since the moment I laid eyes on her. I've been tortured to the point of death in her name. I would journey across the world to see her smile, to make her happy. When she becomes yours, dragon, and binds the threads of her Scarf around your heart, I will probably wither and die, for I am as wrapped up in her as a vine that clings to a tree seeking sustenance. She's tied me to her for eternity. She's my home. She's my reason for being. To win and hold her heart is my only purpose.

Our minds are all threaded together… Any live mind today is of the very same stuff as Plato’s & Euripides. It is only a continuation & development of the same thing. It is this common mind that binds the whole world together; & all the world is mind.

. . .believed in inyeon -- human thread -- and that connections and encounters between people were preordained. The best and most important inyeon were between husband and wife, and parent and child. Those bonds do not break even beyond the pale. . . .

Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget …But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night. The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities. Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing. I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told You were nothing more than a speck of dust, good-looking dust, but dust all the same Some people needed saving She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move? At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more

There was hair. So much hair. Dead hair, hair of my gone self, wisps of spiderweb hair, old uniform lint hair, pillow sponge and tangerine strings hair. A whole life pulled itself up by my hair, the hair that locked the year I broke my tooth, hair that locked the day we caught cane ashes in the yard. Hair of our lean years, hair of the fat, pollen of marigolds hair, my mother's aloe vera hair, my sisters weaving wild ixoras in my hair, the pull of the tides at our sea village hair, grits of sand hair, hair of salt tears, hair thick with the blood of my own cut wrists. Hair of my binding, hair of my unbeautiful wanting, hair of his bitter words, hair of the cruel world, hair roping me to my father's belt, hair wrestling the taunts of baldheads in the street, hair of my lone self, hair wrapped atop the ghost woman in white's hair, red thread of hair, centuries of hair, galloping future of incorrigible hair, all cut away from me.

Conjugal love, like romantic love, wants to be heroic; but it does not limit arbitrarily the scope of this heroism. In its desire to relate itself existentially to heroism, it will find it also in the modest deeds of everyday life, and will transform the tiresome routine of daily duties into golden threads binding oneself closer and closer to the beloved. There is in conjugal love a note of truth which is lacking in romantic love. It is a love that has been tested in the furnace of everyday trials and difficulties and had come out victoriously [...] To be kind and loveable for a moment is no great feat. But to be loving day after day in the most varied and trying circumstances can be achieved only by a man who truly loves.

Across the gently rolling hills, Beyond high mountain peaks, Along the shores of distant seas, There's something my heart seeks. But there's no peace in wandering, The road's not made for rest. And footsore fools will never know What home might suit them best. But, oh, the things that I have seen, The secret paths I've trod, The hidden corners of the world Known to none but me and God. Yes, the world was meant for knowing, And feet were meant to roam. But one who's always going Will never find a home. Oh, where's the thread that binds me, The voice that calls me back? Where's the love that finds me— And what's the root I lack?

I reached for the beads on my bracelet, thinking of the words on them. Taleenoi olngisoilechashur. We are all connected. How many times do we pass people on the street, whose lives are intertwined with ours in ways that remain forever unknown? How many ways are we tied to a stranger by fragile, invisible threads that bind us all together?

And then she was nodding—nodding and smiling, too, as he drew the dagger from his boot and offered it to her. “Say it, Aelin.” Not daring to let her hands shake in front of Maeve or Rowan’s stunned friends, she took his dagger and held it over her exposed wrist. “Do you promise to serve in my court, Rowan Whitethorn, from now until the day you die?” She did not know the right words or the Old Language, but a blood oath wasn’t about pretty phrases. “I do. Until my last breath, and the world beyond. To whatever end.” She would have paused then, asked him again if he really wanted to do this, but Maeve was still there, a shadow lurking behind them. That was why he had done it now, here—so Celaena could not object, could not try to talk him out of it. It was such a Rowan thing to do, so pigheaded, that she could only grin as she drew the dagger across her wrist, leaving a trail of blood in its wake. She offered her arm to him. With surprising gentleness, he took her wrist in his hands and lowered his mouth to her skin. For a heartbeat, something lightning-bright snapped through her and then settled—a thread binding them, tighter and tighter with each pull Rowan took of her blood. Three mouthfuls—his canines pricking against her skin—and then he lifted his head, his lips shining with her blood, his eyes glittering and alive and full of steel. There were no words to do justice to what passed between them in that moment.

Some of us are able to alchemize our hurt into kindness and trust. Others repeat the cycle, weilding their wounds as a weapon.

Because what is art, what is inspiration, if not the deepest, darkest secrets of the artist?

Three bodies, one soul. You go when your sisters need you. No questions asked.

I’m stupidly pleased that he doesn’t like her, either; another thing we have in common, another thread to bind us.

Oh, child," she whispered. "It is not personal. We are, all of us, victims of destiny.

There is an invisible thread that binds lovers’ hearts; it synchronizes their heart beats.

They were not quite friends, and far from lovers, but something indistinguishable connected them; a thin thread binding one to the other.

He is leaving a trail of golden thread, and later, in the quiet of my room, I will stitch it into a tapestry that will bind me to my past.

Imperfections are what bind us together. Our common thread. We’re all capable of screwing up, but we’re all capable of forgiving, too. That’s what makes us stronger humans.

You have threads of life blowing around, possibly even strangling you—threads that are meant to bind together and become your unique, God-given contribution to a world in great need.

The spirit and its chosen one bind their ankles together with red thread. They may take each other's hands and smile at each other. When they walk down the bridge into the world of the living, they know it won't be the last time they see one another. The red thread is better than a promise —it's a guarantee. It means they'll meet again in the next life. It means they'll love each other there, too.

Threads that drift alone will sometimes simply twine themselves together, without need for spindle or distaff: brought into each other’s ambit, they bind themselves tight with the force of their own torsion.

The family historian must master the art of storytelling. What, after all, is truth without anecdote, history without events, explanation without narration--or yet life itself without a story? Stories are not just the wells from which we drink most deeply but at the same time the golden threads that hold and bind--Ariadne's precious string that leads us through the labyrinth that connects living present and the living past.

Io you need to go now," he breathed, eyes large and fearful. "And I promise, the moment I'm better. I'll come find you" "How?" she asked, the word breaking into a sob. How would he ever find her in the endless Wastelands beyond these walls? Tenderly, he took her hand and placed it, palm down on his chest. "I will follow this," he whispered, pressing their joined hands over his heart, over their fate-thread. "I'll always find you

Witches and I generally don't get along. Druids look at the tapestry of nature and try to make sure the weave of it remains strong, reinforcing the binding amongst all living things and sewing up the threads on the edges that fray and unravel. Witches, on the other hand, often punch holes in the tapestry in the pursuit of personal power, making deals with dark, supernatural forces that want nothing more than to see nature perverted and destroyed.

The beginning of a habit is like an invisible thread, but every time we repeat the act we strengthen the strand, add to it another filament, until it becomes a great cable and binds us irrevocably, thought and act.’’ –Orison Swett Marden

And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding, "Darling, let me dip into it," to a young servant-maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says: "Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence.

If you feel that we live in a time that is defined by mean ugliness and ugly meaningless, then invite beauty and power into your life. Become willing to be taught, to connect to the invisible thread that runs between us all and that runs throughout all time, binding the empty space and filling it with love.

She had cursed the coming of change, blamed it for her myriad of hurts. But she had been wrong. Change was uncomfortable, sometimes filled with growing pains, but without it, there was no way forward. No way to keep going, to shed the scabs of your past and heal yourself in the present. Without change, there was no future.

Language is our identity tool and by using experience, observation, and imagination, we each discover the words that give voice to our lives. To tell our stories is the human method of perforating our isolation tanks, the means to encapsulate what we previously learned, and the mechanism that allows us to enter the universal dialogue of compassion. Sharing the pandemonium of our life’s stories full of grime, love, noise, and steeped in emotional chaos is the act that ultimately binds us to our family, friends, and community. All lovers know each other stories. Farmers, villagers, big city hobnobs, and the citizens from all nations share a conjoined thread through storytelling that seriously investigates the collective human condition.

That these mandates exist is hardly news, but their cumulative effect on women’s lives tends to be examined through a fragmented lens, one-pathology-at-a-time, the eating disorder lit on the self-help shelves separated from the books on women’s troubled relationships with men, the books on compulsive shopping separated from the books on female sexuality, the books on culture and media separated from the books on female psychology. Take your pick, choose your demon: Women Who Love Too Much in one camp, Women Who Eat Too Much in another, Women Who Shop Too Much in a third. In fact, the camps are not so disparate, and the question of appetite—specifically the question of what happens to the female appetite when it’s submerged and rerouted—is the thread that binds them together. One woman’s tub of cottage cheese is another’s maxed-out MasterCard; one woman’s soul-murdering love affair is another’s frenzied eating binge.

What immediately strikes me is just how tattered the books are. Some of the spines have split. The binding has loosened and the threads stick out. Some of the books are in such bad condition that they seem to be held together only by their place on the shelf. They are neither old nor valuable, but they have had hard lives - emigres, some having arrived with refugees from Russia before the war, only to go back east at a later stage. More than sixty years later they have come home to Paris.

The Woman Poet // Die Dichterin You hold me now completely in your hands. My heart beats like a frightened little bird's Against your palm. Take heed! You do not think A person lives within the page you thumb. To you this book is paper, cloth, and ink, Some binding thread and glue, and thus is dumb, And cannot touch you (though the gaze be great That seeks you from the printed marks inside), And is an object with an object's fate. And yet it has been veiled like a bride, Adorned with gems, made ready to be loved, Who asks you bashfully to change your mind, To wake yourself, and feel, and to be moved. But still she trembles, whispering to the wind: "This shall not be." And smiles as if she knew. Yet she must hope. A woman always tries, Her very life is but a single "You . . ." With her black flowers and her painted eyes, With silver chains and silks of spangled blue. She knew more beauty when a child and free, But now forgets the better words she knew. A man is so much cleverer than we, Conversing with himself of truth and lie, Of death and spring and iron-work and time. But I say "you" and always "you and I." This book is but a girl's dress in rhyme, Which can be rich and red, or poor and pale, Which may be wrinkled, but with gentle hands, And only may be torn by loving nails. So then, to tell my story, here I stand. The dress's tint, though bleached in bitter lye, Has not all washed away. It still is real. I call then with a thin, ethereal cry. You hear me speak. But do you hear me feel?

Urgency threaded her voice as she offered her hand. It was gloved, but I could feel the warmth of it still, and thrilled to her touch before seeing that she regretted the gesture. She recoiled, and put the hand in her pocket. At the time, I thought she regretted touching me because a show of kindness could compromise her standing with colleagues like Elma. Years later, I would realize her sorrow arose from taking care of the children that Uncle claimed for his own. It must have been like stringing a harp for someone who played his harp with a knife, or binding a book for someone whose idea of reading was feeding pages to a fire.

The world is a cage built by the hands of gods and men and woven from the threads of time and space. It hangs upon the back of a great beast which wanders through the void driven by fear. From the thread of life it hangs, a prison for the mind, a trap for the spirit, a snare for the heart. Within this cage, all things are bound: the sun and moon, the stars and seas, the beasts of field and forest, and the children of earth, for it is a prison for the souls of men. The bars are forged of necessity and desire, woven together by the threads of fate. They are as strong as mountains and as delicate as spider’s webs. For we reach out for what we want, and in doing so, we bind our souls to the world.

I have lost some fundamental part of my knowing, some elemental human feeling. Without it, the world feels like tap water left overnight, flat and chemical, devoid of life. I am like lightning seeking earth. Uneasy, I carry the prickle of potential energy in my limbs, ever deferred from the point of contact, the moment of release. Instead, it gathers in me, massing like a storm that never comes. I lack the language to even describe it, this vast unsettled sense that I am slipping over the glassy surface of things, afraid of what lurks beneath. I need a better way to walk through this life. I want to be enchanted again. Enchantment is small wonder magnified through meaning, fascination caught in the web of fable and memory. It relies on small doses of awe, almost homeopathic: those quiet traces of fascination that are found only when we look for them. It is the sense that we are joined together in one continuous thread of existence with the elements constituting this earth, and that there is a potency trapped in this interconnection, a tingle on the border of our perception. It is the forgotten seam of our geology, the elusive particle that binds our unstable matter: the ability to sense magic in the everyday, to channel it through our minds and bodies, to be sustained by it. Without it, I feel I am lacking some essential nutrient, some vitamin found only when you go digging in your own soil.

In each of the following chapters, dealing in turn with policing and repression, culture and propaganda, religion and education, the economy, society and everyday life, racial policy and antisemitism, and foreign policy, the overriding imperative of preparing Germany and its people for a major war emerges clearly as the common thread. But that imperative was neither rational in itself, nor followed in a coherent way. In one area after another, the contradictions and inner irrationalities of the regime emerge; the Nazi's headlong rush to war contained the seeds of the Third Reich's eventual destruction. How and why this should be so is one of the major questions that run through this book and binds its separate parts together. So do many further questions: about the extent to which the Third Reich won over the German people; the manner in which it worked; the degree to which Hitler, rather than broader systematic factors inherent in the structure of the Third Reich as a whole, drove policy onward; the possibilities of opposition, resistence, and dissent or even non-conformity to the dictates of National Socialism under a dictatorship that claimed the total allegiance of all its citizens; the nature of the Third Reich's relationship with modernity; the ways in which its policies in different areas resembled, or differed from, those pursued elsewhere in Europe and beyond during the 1930s; and much more besides.

I was just settling into the salons of Austenian Bath when Gabriel muttered, "This is strange." I looked up to see him pulling a long blue-gray thread from between the nearly translucent pages. My jaw dropped, and I was kneeling on the chaise in a flash. "Is the binding coming loose? No, don't pull it! I can take it to my book doctor tomorrow night." "Stop hyperventilating, sweetheart. I think it's a bookmark," he said, pulling on the thread until he stretched it to my hand. "Here." I wound the thread around my finger. "What passage was it marking?" He scanned the page and lifted an eye. "It's an Edward and Jane scene. I know how you love those. Edward's saying, 'I sometimes have a queer feeling with regard to you---especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.'" I was so caught up in watching his lips as they formed the words that I barely noticed the sudden tension on the fiber wound around my finger. I realized now that Gabriel had slipped a ring onto the thread and was sliding it toward me. I watched as the respectable diamond twinkled in the light of the oil lamp. "I'm not Edward, " Gabriel promised. "I'm not afraid the thread will break and leave me bleeding. Our thread's already been tested. And it will hold up. I'm asking you to make the link permanent. Please, marry me.

Tunnelling through the night, the trains pass in a splendour of power, with a sound like thunder shaking the orchards, waking the young from a dream, scattering like glass the old mens' sleep, laying a black trail over the still bloom of the orchards; the trains go north with guns. Strange primitive piece of flesh, the heart laid quiet hearing their cry pierce through its thin-walled cave recalls the forgotten tiger, and leaps awake in its old panic riot; and how shall mind be sober, since blood's red thread still binds us fast in history? Tiger, you walk through all our past and future, troubling the children's sleep'; laying a reeking trail across our dreams of orchards. Racing on iron errands, the trains go by, and over the white acres of our orchards hurl their wild summoning cry, their animal cry…. the trains go north with guns.

Nonconformity is an affront to those in the mainstream. Our impulse is to dismiss this lifestyle, create reasons why it can’t work, why it doesn’t even warrant consideration. Why not? Living outdoors is cheap and can be afforded by a half year of marginal employment. They can’t buy things that most of us have, but what they lose in possessions, they gain in freedom. In Somerset Maugham’s The Razor’s Edge, lead character Larry returns from the First World War and declares that he would like to “loaf.”23 The term “loafing” inadequately describes the life he would spend traveling, studying, searching for meaning, and even laboring. Larry meets with the disapproval of peers and would-be mentors: “Common sense assured…that if you wanted to get on in this world, you must accept its conventions, and not to do what everybody else did clearly pointed to instability.” Larry had an inheritance that enabled him to live modestly and pursue his dreams. Larry’s acquaintances didn’t fear the consequences of his failure; they feared his failure to conform. I’m no maverick. Upon leaving college I dove into the workforce, eager to have my own stuff and a job to pay for it. Parents approved, bosses gave raises, and my friends could relate. The approval, the comforts, the commitments wound themselves around me like invisible threads. When my life stayed the course, I wouldn’t even feel them binding. Then I would waiver enough to sense the growing entrapment, the taming of my life in which I had been complicit. Working a nine-to-five job took more energy than I had expected, leaving less time to pursue diverse interests. I grew to detest the statement “I am a…” with the sentence completed by an occupational title. Self-help books emphasize “defining priorities” and “staying focused,” euphemisms for specialization and stifling spontaneity. Our vision becomes so narrow that risk is trying a new brand of cereal, and adventure is watching a new sitcom. Over time I have elevated my opinion of nonconformity nearly to the level of an obligation. We should have a bias toward doing activities that we don’t normally do to keep loose the moorings of society. Hiking the AT is “pointless.” What life is not “pointless”? Is it not pointless to work paycheck to paycheck just to conform? Hiking the AT before joining the workforce was an opportunity not taken. Doing it in retirement would be sensible; doing it at this time in my life is abnormal, and therein lay the appeal. I want to make my life less ordinary.

He placed a gloved hand on Vikram’s shoulder. “There are worms at the world’s heart, coiled at the seats of earthly power like a manifold tumor that has awoken to its own hunger and craves more. There may be many worms or only one that manifests as many, or perhaps myriad strands of the One True Wyrm, but it equates to the same misery. The parasites feed, grow, and spread in Mankind’s wake, infesting new worlds through the blood, sweat, and fears of their hosts, leaving us enough to survive and occasionally even prosper, but only ever in service to the sickness we bear.” Vikram was staring straight ahead, his teeth gritted and his fists clenched. He realized he was nodding along to the tale. Worms? Yes, that was the right name for them. Why hadn’t he found it himself? “Our masters probably delight in cruelty, for that has been the most constant thread in human history,” Niemand continued, “yet it is possible they imagine themselves equitable, benevolent even. Have they not driven Mankind to survive, strive, and conquer with a ferocity its foes cannot match? Would there be a union of faiths and nations without the invisible coils binding us to a common cause? Would we have seized the stars without their hunger to drive us?’ Would we have endured at all?” Niemand’s voice dropped to a whisper. “Perhaps worms are the gods we deserve.” “No,” Vikram rasped. His eyes met Skaadi’s and found a rage that mirrored his own. “No,” he repeated, fiercely this time. “No,” Niemand agreed. “Never. We will raise our own gods—or better yet, do without them.

Writers take and remake everything we see around us: we metabolize the details of our loved ones, alter time and memory, shapeshift our personal and physical differences into transformative images that, when done with care, can create a world that feels more than accurate, but real. Doing this requires that we watch and listen to one another with great attention, something we’re generally discouraged from doing lest we come off as stalkers. From the time we’re children, we’re taught it’s rude to stare, nosy to eavesdrop; you can’t just root around in other people’s journals and closets and minds. I can’t ask my colleagues what they really think and feel about their marriages or children, because that’s private, and privacy requires that I pretend to believe what both strangers and loved ones tell me. Being polite means, ironically, paying less attention to the people I want to be close to, bypassing their foibles and idiosyncrasies and quiet outrages in the name of communal goodwill. But writing requires we pay attention to others at a level that can only be classified as rude. The writer sees the button trailing by its single thread on the pastor’s shirt; she tastes the acid sting behind a mother’s compliment. To observe closely leads the writer to the radical recognition of what both binds her to and separates her from others. It will push her to hear voices she’s been taught should remain silent. Oftentimes, these voices, and these truths, reveal something equally powerful, and profoundly unsettling, about ourselves. I want to end this letter to you by proposing something that some critics and sociologists might reject out of hand, which is the possibility that White people, too, might, by paying close attention to the voices around them and inside themselves, be able to experience double consciousness. If double consciousness is in part based on the understanding of the systemic power of Whiteness, and if it is also the realization that one’s self-regard can never be divorced from the gaze of others, then the practice of double consciousness might be available to everyone, including those who constitute the majority.

She had been on the surface of the leaf, the leaf like a page, and the page that of a book; then by the margin she had sunk to its stem, gathering in; and now she was burrowing within the opening, down to the threads of the sticthing where they looped and tunnelled in the unliving earth, through the binding, and then out, anchorising, diffusing, radical. Here it begins. Here begins. Here.

She had been on the surface of the leaf, the leaf like a page, and the page that of a book; then by the margin she had sunk to its stem, gathering in; and now she was burrowing within the opening, down to the threads of the sticthing where they looped and tunnelled in the unliving earth, through the binding, and then out, anchoring, diffusing, radical. Here it begins. Here begins. Here.

Whatever the world is, I still have to live in it. We all do. Maybe that’s the truth at the heart of the labyrinth myth—that we’re wandering, lost, always trying to stay one step ahead of our personal monsters, always ready, sword in hand, spooling out Ariadne’s thread in the hope that one day we will make it out in one piece.

Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence.

The beginning of a habit is like an invisible thread, but every time we repeat the act we strengthen the strand, add to it another filament, until it becomes a great cable and binds us irrevocably.

You will walk backward in your footsteps and go forward a new way?” “I--” He slid her hand upward so it rested on his shoulder, forcing her closer. His height was such that she had to tip her head back to see his face. If he had been a white man, she would have been worrying that he planned to kiss her. But he wasn’t a white man. And she doubted gentle persuasion was what he had in mind. He seemed a yard wide at the shoulders, a looming wall of muscle. There was heat in the depths of his eyes as he studied her, a heat that had never been there before. “I would have you beside me,” he told her huskily. “But you promised to take me home.” The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers. He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think. She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length.

I would have you beside me,” he told her huskily. “But you promised to take me home.” The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers. He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think. She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length. The shock of his hand on her bare back brought her to her senses. Her eyes flew open, and she gasped. She tried to arch away from him and succeeded only in accommodating his mouth when her head fell back. He pressed his lips to the hollow of her throat, where her pulse beat a rapid tattoo. His callused palm slid slowly but inexorably to her side, his thumb feathering against the underside of her breast. Horrified, she groped for his wrist, her fingers finding feeble purchase through the leather. “Ah, nei mah-tao-yo,” he whispered. “You tremble.

Long after we are gone, our souls remain. They live in the trees we touched, the sigh of the wind we listened for. They exist not only to comfort our loved ones, but to comfort us, the parts of us that still watch and need strength. There is thread that binds us, all of the living things, to the past. It winds about us, sometimes playfully, sometimes twisting us in knots, tying us painfully to those memories that are heavy as stones. Sometimes it’s an oak leaf in your hand. You pick it up. You remember. Sometimes it’s a kringle pastry. You place it on your tongue. Those sweet times you shared.

Bacteria are so small they need to stick to things or they will wash away; to attach themselves, they produce a slime, the secondary result of which is that individual soil particles are bound together. [...] Fungal hyphae, too, travel through soil, sticking to them and binding them together, thread-like, into aggregates. [...] The soil food web, then, in addition to providing nutrients to roots in the rhizosphere, also helps create soil structure: the activities of its members bind soil particles together even as they provide for the passage of air and water through the soil. [...] The nets or webs fungi form around roots act as physical barriers to invasion and protect plants from pathogenic fungi and bacteria. Bacteria coat surfaces so thoroughly, there is no room for others to attach themselves. If something impacts these fungi or bacteria and their numbers drop or they disappear, the plant can easily be attacked.

Life didn't come until Ezekiel spoke to the breath." "What does that mean?" Harper hesitated. She had the strangest sensation of breathlessness, like after a long hike into high altitude just before cresting a mountain. "Well, it's resurrection. From the ashes. From the dust. From the dead things. Your problem is, you're looking at the bones instead of breathing." Daddy sighed. "Maybe your dream was never about a shop at all. Maybe there's a second command, Harper Girl. Another place where you're supposed to breathe life." Harper looked down to the blouse in her lap. To the thread and the needle. She thought of Millie's buttons. And then hope---glorious and beautiful hope---filled the landscape of her heart as the sunrise scatters new light over the mountaintops. Of course! Why hadn't she seen it before? All this time, she had been focused on the store. But her gifting, her dream, was so much more than that. Her gifting was repairing the broken places. Mending forgotten tears and weak seams. Breathing life back into the fabrics that told stories, into the buttons that bind them.

A riot of transparent blue flowers grew up the side of a tree, reaching its highest branches and sending tendrils of milky blue to nearby trees. A net made of tiny lilac-hued blossoms crawled over the moss, snaking into the patterns of the bark. And overhanging the path, where two branches came close to touching each other, a canopy that looked as though it must have been made of downy feathers, if feathers could be diluted into something like a cloud. It was eerily strange, yet so beautiful. "Who made this?" she murmured, tracing a blossom of syrup gold suspended by a streamer from something not unlike a willow tree. "Did you?" "No one made it," the girl answered. "It is just--- this place. It takes what is given from your world and uses it." "The whole world---the world does this magic?" "What is magic?" The girl lifted her finger and beckoned Delphine. She pulled a thread from the red broadcloth. "Where did this come from?" "It's wool, the fibers from a sheep. It's cut off, and spun, and woven, and---" "Sheep. Where did 'sheep' come from?" Delphine paused. "I--- I suppose from some wild animal, domesticated many years ago." "Ah. A wild animal. A creature, begot from--- what? Its dam and sire?" She shook her head. "Now that is magic. And your plants--- they sprout, from seeds in the ground? That, too, is magic." She tested the thread between her fingers, rolling it--- no, Delphine saw with wonder, stretching it. It became thin under her fingers, flat like a ribbon, and lengthened, the color washing from scarlet to pink to palest apple blossom as the single thread became two yards long and the girl wrapped it around the crown of her head, binding her wheat-sheaf hair. "And that is what we call magic.

I have big dreams and big goals. But also big limitations, which means III never reach the big goals unless I have the wisdom to recognize the chains that bind me. Only then will I be able to figure out a way to work within them instead of ignoring them or naively wishing they'll cease to exist. I'm on a perennial quest to find balance. Writing helps me do that. To quote Neruda: Tengo que acordarme de todos, recoger las briznas, los hilos del acontecer harapiento (I have to remember everything, collect the wisps, the threads of untidy happenings). That line is ME. But my memory is slipping and that's one of the scariest aspects about all this. How can I tell my story, how can I create a narrative around my life, if I cant even remember the details? But I do want to tell my story, and so I write. I write because I want my parents to understand me. I write to leave something behind for them, for my brother Micah, for my boyfriend Jack, and for my extended family and friends, so I won't just end up as ashes scattered in the ocean and nothing else. Curiously, the things I write in my journal are almost all bad: the letdowns. the uncertainties. the anxieties. the loneliness. The good stuff I keep in my head and heart, but that proves an unreliable way of holding on because time eventually steals all memories-and if it doesn't completely steal them, it distorts them, sometimes beyond recognition, or the emotional quality accompanying the moment just dissipates. Many of the feelings I write about are too difficult to share while I'm alive, so I am keeping everything in my journal password-protected until the end. When I die I want my mom to edit these pages to ensure they are acceptable for publication-culling through years of writing, pulling together what will resonate, cutting references that might be hurtful. My hope is that my writing will offer insight for people living with, or loving someone with, chronic illness.

I have big dreams and big goals. But also big limitations, which means I'II never reach the big goals unless I have the wisdom to recognize the chains that bind me. Only then will I be able to figure out a way to work within them instead of ignoring them or naively wishing they'll cease to exist. I'm on a perennial quest to find balance. Writing helps me do that. To quote Neruda: Tengo que acordarme de todos, recoger las briznas, los hilos del acontecer harapiento (I have to remember everything, collect the wisps, the threads of untidy happenings). That line is ME. But my memory is slipping and that's one of the scariest aspects about all this. How can I tell my story, how can I create a narrative around my life, if I cant even remember the details? But I do want to tell my story, and so I write. I write because I want my parents to understand me. I write to leave something behind for them, for my brother Micah, for my boyfriend Jack, and for my extended family and friends, so I won't just end up as ashes scattered in the ocean and nothing else. Curiously, the things I write in my journal are almost all bad: the letdowns. the uncertainties. the anxieties. the loneliness. The good stuff I keep in my head and heart, but that proves an unreliable way of holding on because time eventually steals all memories-and if it doesn't completely steal them, it distorts them, sometimes beyond recognition, or the emotional quality accompanying the moment just dissipates. Many of the feelings I write about are too difficult to share while I'm alive, so I am keeping everything in my journal password-protected until the end. When I die I want my mom to edit these pages to ensure they are acceptable for publication-culling through years of writing, pulling together what will resonate, cutting references that might be hurtful. My hope is that my writing will offer insight for people living with, or loving someone with, chronic illness.

We can twist the fate of your world and bind its luck up with our will, but we cannot make anything of our own." "Make?" "In Fae, nothing grows. There is no ore hidden beneath our barren soil. We must ply whatever we would use from what we are given in trade. Some things--- silk, silver, bone--- we can work better than others." Her pale fingers moved against her hair; a sheer filament of silver wove a plait of her mist-colored hair from one temple to another. "This was spun from one of your pins." Alaine leaned forward, looking closer. Wrought into the thread of metal were flowers and leaves, their minute veins and even dustings of pollen worked in silver. "Everything that you have is remade from our world?" "Yes." She let the breeze stir her hair and her gown, and Alaine wondered what scrap of silk ribbon had been stretched and unspooled to a thin shadow of itself to produce the diaphanous cloud of pale blue surrounding the Fae woman, the wonder of it almost enough to make her forget the reason she had summoned the Fae.

The decline of civility and the mounting crudeness of language in our public life could also be another reason for the disgust of people with politicians and government officials and the contempt manifested toward them. The consequences for public debate and the rational, civilized conduct of public affairs are grave. This collapse in communication is terribly sad. It is a steady tearing asunder of the few threads which bind us together in a society undergoing massive change. It is sad, too, that so many of our public personalities lack size, that tolerance and generosity that spring from self-confidence and goodwill.

I have this piece of thread,' Maria explained to little Melon. 'The piece of thread that connects my heart to yours. This thread, it also binds my heart to home and to Babas. When something is tugging at Babas's heart, I know, because I feel it too.

tune

As for myself, I had no desire whatsoever to visit the ruin in the Strangeling, but as I was so inextricably entwined in this convoluted web of dilemmas, I could only abandon any resistance; struggling would merely bind me more tightly within the sticky threads.

Every night, without exception, I am plagued by nightmares. No, not plagued by dreams but by my past. There is no way to break free from its grip. The past is a discarded thread of spider silk. If I am not careful, I could spend my whole life unknowingly wrapped up in it. But the more aware I become of the spider silk, the more tightly it will bind me. Then I see a vision of a spider charging down the thread straight at me. What I have just seen is a hallucination. But you have to know it is a hallucination in order to identify it as a hallucination. That’s why these visions are often more terrifying than reality.

Enchantment is small wonder magnified through meaning, fascination caught in the web of fable and memory. It relies on small doses of awe, almost homeopathic: those quiet traces of fascination that are found only when we look for them. It is the sense that we are joined together in one continuous thread of existence with the elements constituting this earth, and that there is a potency trapped in this interconnection, a tingle on the border of our perception. It is the forgotten seam in our geology, the elusive particle that binds our unstable matter: the ability to sense magic in the everyday, to channel it through our minds and bodies, to be sustained by it. Without it, I feel I am lacking some essential nutrient, some vitamin found only when you go digging in your own soil.

It’s the tapestry we wove together. The threads still bind us.

To keep your life tethered in this world, we had to bind it to another. To hers. Two lives,” Hafiza clarified, “now sharing one thread.

Feel your fear and keep going anyway.

Without death, the threads of life would never tie together to create the binding of the world. The bounty of our harvests would not be as precious; the ground would never be filled with leaves; and we would never see the beauty of embers after a roaring fire.

The more you stand still, the more the world finds obstacles to place in your way. Grit your teeth and just go for it.

We do what we need to survive, and sometimes it’s awful, shitty things, and we regret them, and the next time we have a choice, we do better. It doesn’t undo the hurt, it doesn’t absolve us, but we do better and try to help and that’s something, isn’t it?