Threads That Bind Quotes

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Sometimes mortals are not aware of the threads that bind them. You could both be wrong about the first time you met, and yet the two of you have orbited each other for so long, like heavenly bodies in the sky.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
No cord or cable can draw so forcibly, or bind so fast, as [love] can do with a single thread.
Robert Burton (The Anatomy of Melancholy)
A single thread of hope is stronger than all the chains that bind you.
Jeffrey Fry
I have gathered a posy of other men's flowers and nothing but the thread that binds them is mine own.
John Bartlett
You know, one day you'll need to grow the hell up and let other people decide for themselves if they like you or not.
Kika Hatzopoulou (Threads That Bind (Threads That Bind, #1))
But I know he'll call, no matter what shape he's in. Even when I hate him, I love him. Even when he stops calling, I hear his voice. Will is my only brother. Without each other - without the invisible thread that binds us together, no matter how weak or frayed it becomes - we are simply drifting, all alone, without anything like a compass to know where we're headed.
Jessica Warman (Breathless)
You've got to see Venice," he began. "You've got to see a city of slender towers and white domes, sleeping in the water like a mass of water lilies. You've got to see dark waterways, mysterious threads of shadow, binding all these flowers of stone together.
E. Temple Thurston (The City of Beautiful Nonsense)
I find this fascinating. Sometimes mortals are not aware of the threads that bind them. You could both be wrong about the first time you met, and yet the two of you have orbited each other for so long, like heavenly bodies in the sky.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
Over the centuries, this interpretation and reinterpretation creates a long chain connecting a writer to all future readers- who frequently read each other as well as the original. Virginia Woolf had a beautiful vision of generations interlinked in this way: of how "minds are threaded together- how any live mind is of the very same stuff as Plato's & Euripides... It is this common mind that binds the whole world together; & all the world is mind." This capacity for living on through readers' inner worlds over long periods of history is what makes a book like the 'Essays' a true classic. As it is reborn differently in each mind, it also brings those minds together.
Sarah Bakewell (How to Live: A Life of Montaigne in One Question and Twenty Attempts at an Answer)
Bind me to your will, bind me with these threads of sorrow, and gather me out of the afternoon where I have torn my soul on twenty monstrous altars, offering all things but myself.
Leonard Cohen (Book of Mercy)
Trust is the thread that binds us... and the rope that hangs us.
M.A. Carrick (The Mask of Mirrors (Rook & Rose, #1))
Each of us possesses five fundamental, enthralling maps to the natural world: sight, touch, taste, hearing, smell. As we unravel the threads that bind us to nature, as denizens of data and artifice, amid crowds and clutter, we become miserly with these loyal and exquisite guides, we numb our sensory intelligence. This failure of attention will make orphans of us all.
Ellen Meloy (The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky (Pulitzer Prize Finalist))
Aleksander's body shook as he fought to keep his sanity. That deafening, maddening vibration traveling through his skull. His threads of shadow wrapped around the demon's body, giving strength to its limbs, banding together and binding to its form. The creature shrieked. Aleksander felt the demon's mind. Nikolai's mind. The monster is me... The ghost of a thought.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
If she loved something, even for a minute, like the fish noodles at the market stall or the teacher who'd smiled at her last week, she held on to that love with tooth and claw. Most threads frayed over time and distance, but never Io's. Her love was evergreen.
Kika Hatzopoulou (Threads That Bind (Threads That Bind, #1))
Sometimes mortals are not aware of the threads that bind them. You could both be wrong about the first time you met, and yet the two of you have orbited each other for so long, like heavenly bodies in the sky." Will squeezed Nico's hand. "I like how that sounds." Nico studied Will's broken fingernails, the cuts on his knuckles. He certainly felt like he was spinning through space...like he would go shooting off into the void if it weren't for Will's gravity.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
I think the people we love can be cruel. Our love doesn't absolve them. Nor should it. "What kind of person are you," Edei whispered, "if you love someone who is cruel?" It was a question Io had often asked herself. She opened her mouth, closed it. Tried again. "You're someone who loves. That's it. That's the only part that's yours to give and yours to take.
Kika Hatzopoulou (Threads That Bind (Threads That Bind, #1))
The muse shrugged, "Even gods change.
Kika Hatzopoulou (Threads That Bind (Threads That Bind, #1))
Try to relax. Slow, deep breaths. Let go of your physical shell. Reach out to grasp the threads that bind us, one to another. Every action sends ripples across the galaxy. Every idea must touch another mind to live. Each emotion must mark another's spirit. We are all connected. Every living being united in a single glorious existence. Open yourself to the universe. Embrace eternity!
Shiala
I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken
Elizabeth Berg (Never Change)
ECK is the golden thread, so fine as to be invisible yet so strong as to be unbreakable, which binds together all beings in all planes, in all universes, throughout all time and beyond time into eternity.
Tim Twitchell Shariyat-Ki-Sugmad Book One
Threads that drift alone will sometimes simply twine themselves together, without need for spindle or distaff: brought into each other’s ambit, they bind themselves tight with the force of their own torsion. And this same torsion can, in the course of things, bundle the resulting cord back upon itself, ravelling it up into a skein, returning to the point of its beginning.
Jo Baker (Longbourn)
The beginning of a habit is like an invisible thread, but every time we repeat the act we strengthen the strand, add to it another filament, until it becomes a great cable and binds us irrevocably, thought and act.” —ORISON SWETT MARDEN
Anthony Robbins (Awaken the Giant Within: How to Take Immediate Control of Your Mental, Emotional, Physical and Financial Destiny!)
Dear Deborah, Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say: When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle. When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs. When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her. When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen. When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her. When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away. Tell her you love her, so that she will know a man can say the words. If you hurt her, apologize, so that she will know a man can admit that he's wrong. These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole. Without it, there are tatters. It is never too late for a man to learn to stitch, to begin mending. These are the things I would tell that young father, if I could. A daughter grown up quickly. There isn't time to waste. I love you, Dad
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
Through many a long day you'll be taught That what you once did without thinking, As easy as if it were eating or drinking, Must be done in order: one! two! three! But truly, this though factory of ours Is like some weaver's masterpiece: One treadle stirs a thousand threads, This way and that the shuttles whistle, Threads flow invisibly, one ... Read morestroke Ties a thousand knots .... The philosopher steps in And proves to you it had to be so; The first was so, the second was so, And therefore the third and fourth were so. If the first and second hadn't existed, The third and fourth would never have existed. And this is praised by every scholar, But never a one becomes a weaver. To know and describe a living thing You first get rid of all its spirit: Then the parts are all in the palm of your hand, And all that you lack is the spirit that binds them! Encheiresis naturae, chemists call it, And fool themselves and never know it
Johann Wolfgang von Goethe
Forgiveness is that subtle thread that binds both love and friendship. Without forgiveness, you may not even have a child one day.
George Foreman
There is an invisible thread that binds lovers' hearts; it synchronizes their heart beats.
Avijeet Das
Today we see the steady stream from the countryside to the city, deadly for the Volk. The cities swell ever larger, unnerving the Volk and destroying the threads which bind humanity to Nature; they attract adventurers and profiteers of all colours, thereby fostering racial chaos.
Alfred Rosenberg (The Myth of the Twentieth Century)
Why is it that a dog's menstruation made her lighthearted and gay, while her own menstruation made her squeamish? The answer seems simple to me: dogs were never expelled from Paradise. Karenin knew nothing about the duality of body and soul and had no concept of disgust. That is why Tereza felt so free and easy with him. (And that is why it is so dangerous to turn an animal into a machina animata, a cow into an automaton for the production of milk. By so doing, man cuts the thread binding him to Paradise and has nothing left to hold or comfort him on his flight through the emptiness of time.)
Milan Kundera (The Unbearable Lightness of Being)
She chose to risk her heart; if her heart ended up broken, then so be it. She was free now. To love. To get hurt. To stitch herself back together. To love again, without guilt, and, one day, be loved in return.
Kika Hatzopoulou (Threads That Bind (Threads That Bind, #1))
You work that you may keep pace with the earth and the soul of the earth. For to be idle is to become a stranger unto the seasons, and to step out of life's procession, that marches in majesty and proud submission towards the infinite. When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison? Always you have been told that work is a curse and labour a misfortune. But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born, And in keeping yourself with labour you are in truth loving life, And to love life through labour is to be intimate with life's inmost secret. But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written. You have been told also that life is darkness, and in your weariness you echo what was said by the weary. And I say that life is indeed darkness save when there is urge, And all urge is blind save when there is knowledge, And all knowledge is vain save when there is work, And all work is empty save when there is love; And when you work with love you bind yourself to yourself, and to one another, and to God. And what is it to work with love? It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as if your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit. It is to charge all things you fashion with a breath of your own spirit, And to know that all the blessed dead are standing about you and watching. Often have I heard you say, as if speaking in sleep, "He who works in marble, and finds the shape of his own soul in the stone, is nobler than he who ploughs the soil. And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet." But I say, not in sleep but in the overwakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass; And he alone is great who turns the voice of the wind into a song made sweeter by his own loving. Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger. And if you grudge the crushing of the grapes, your grudge distils a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.
Kahlil Gibran (The Prophet)
Instead he sent them skittering over the field, fragile tendrils of darkness, blindly seeking the power they recognized. Like calls to like. He released a shout as the shadows met the demon. They clung to its form. More. Aleksander's body shook as he fought to keep his sanity. that deafening, maddening vibration traveling through his skull. His threads of shadow wrapped around the demon's body, giving strength to its limbs, banding together and binding to its form. The creature shrieked. Aleksander felt the demon's mind, Nikolai's mind. The monster is me... The ghost of a thought.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Our minds are all threaded together… Any live mind today is of the very same stuff as Plato’s & Euripides. It is only a continuation & development of the same thing. It is this common mind that binds the whole world together; & all the world is mind.
Virginia Woolf
. . .believed in inyeon -- human thread -- and that connections and encounters between people were preordained. The best and most important inyeon were between husband and wife, and parent and child. Those bonds do not break even beyond the pale. . . .
Juhea Kim (Beasts of a Little Land)
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget …But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night. The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities. Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing. I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told You were nothing more than a speck of dust, good-looking dust, but dust all the same Some people needed saving She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move? At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
Alice Hoffman (Blue Diary)
Conjugal love, like romantic love, wants to be heroic; but it does not limit arbitrarily the scope of this heroism. In its desire to relate itself existentially to heroism, it will find it also in the modest deeds of everyday life, and will transform the tiresome routine of daily duties into golden threads binding oneself closer and closer to the beloved. There is in conjugal love a note of truth which is lacking in romantic love. It is a love that has been tested in the furnace of everyday trials and difficulties and had come out victoriously [...] To be kind and loveable for a moment is no great feat. But to be loving day after day in the most varied and trying circumstances can be achieved only by a man who truly loves.
Alice von Hildebrand
Across the gently rolling hills, Beyond high mountain peaks, Along the shores of distant seas, There's something my heart seeks. But there's no peace in wandering, The road's not made for rest. And footsore fools will never know What home might suit them best. But, oh, the things that I have seen, The secret paths I've trod, The hidden corners of the world Known to none but me and God. Yes, the world was meant for knowing, And feet were meant to roam. But one who's always going Will never find a home. Oh, where's the thread that binds me, The voice that calls me back? Where's the love that finds me— And what's the root I lack?
Bruce Coville (Song of the Wanderer (The Unicorn Chronicles, #2))
I've loved her since the moment I laid eyes on her. I've been tortured to the point of death in her name. I would journey across the world to see her smile, to make her happy. When she becomes yours, dragon, and binds the threads of her Scarf around your heart, I will probably wither and die, for I am as wrapped up in her as a vine that clings to a tree seeking sustenance. She's tied me to her for eternity. She's my home. She's my reason for being. To win and hold her heart is my only purpose.
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
I reached for the beads on my bracelet, thinking of the words on them. Taleenoi olngisoilechashur. We are all connected. How many times do we pass people on the street, whose lives are intertwined with ours in ways that remain forever unknown? How many ways are we tied to a stranger by fragile, invisible threads that bind us all together?
Leylah Attar (Mists of The Serengeti)
And then she was nodding—nodding and smiling, too, as he drew the dagger from his boot and offered it to her. “Say it, Aelin.” Not daring to let her hands shake in front of Maeve or Rowan’s stunned friends, she took his dagger and held it over her exposed wrist. “Do you promise to serve in my court, Rowan Whitethorn, from now until the day you die?” She did not know the right words or the Old Language, but a blood oath wasn’t about pretty phrases. “I do. Until my last breath, and the world beyond. To whatever end.” She would have paused then, asked him again if he really wanted to do this, but Maeve was still there, a shadow lurking behind them. That was why he had done it now, here—so Celaena could not object, could not try to talk him out of it. It was such a Rowan thing to do, so pigheaded, that she could only grin as she drew the dagger across her wrist, leaving a trail of blood in its wake. She offered her arm to him. With surprising gentleness, he took her wrist in his hands and lowered his mouth to her skin. For a heartbeat, something lightning-bright snapped through her and then settled—a thread binding them, tighter and tighter with each pull Rowan took of her blood. Three mouthfuls—his canines pricking against her skin—and then he lifted his head, his lips shining with her blood, his eyes glittering and alive and full of steel. There were no words to do justice to what passed between them in that moment.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
They were not quite friends, and far from lovers, but something indistinguishable connected them; a thin thread binding one to the other.
Leighann Hart (Loving Rosenfeld (Rosenfeld Duet, #1))
He is leaving a trail of golden thread, and later, in the quiet of my room, I will stitch it into a tapestry that will bind me to my past.
Jennifer McVeigh (Leopard at the Door)
Some of us are able to alchemize our hurt into kindness and trust. Others repeat the cycle, weilding their wounds as a weapon.
Cedar McCloud (The Thread That Binds (Eternal Library Book 1))
I’m stupidly pleased that he doesn’t like her, either; another thing we have in common, another thread to bind us.
Paula Hawkins (The Girl on the Train)
You have threads of life blowing around, possibly even strangling you—threads that are meant to bind together and become your unique, God-given contribution to a world in great need.
Jennie Allen (Restless: Because You Were Made for More)
Threads that drift alone will sometimes simply twine themselves together, without need for spindle or distaff: brought into each other’s ambit, they bind themselves tight with the force of their own torsion.
Jo Baker (Longbourn)
The family historian must master the art of storytelling. What, after all, is truth without anecdote, history without events, explanation without narration--or yet life itself without a story? Stories are not just the wells from which we drink most deeply but at the same time the golden threads that hold and bind--Ariadne's precious string that leads us through the labyrinth that connects living present and the living past.
Joseph A. Amato (Jacob's Well: A Case for Rethinking Family History)
Io you need to go now," he breathed, eyes large and fearful. "And I promise, the moment I'm better. I'll come find you" "How?" she asked, the word breaking into a sob. How would he ever find her in the endless Wastelands beyond these walls? Tenderly, he took her hand and placed it, palm down on his chest. "I will follow this," he whispered, pressing their joined hands over his heart, over their fate-thread. "I'll always find you
Kika Hatzopoulou (Threads That Bind (Threads That Bind, #1))
Witches and I generally don't get along. Druids look at the tapestry of nature and try to make sure the weave of it remains strong, reinforcing the binding amongst all living things and sewing up the threads on the edges that fray and unravel. Witches, on the other hand, often punch holes in the tapestry in the pursuit of personal power, making deals with dark, supernatural forces that want nothing more than to see nature perverted and destroyed.
Kevin Hearne (Kaibab Unbound (The Iron Druid Chronicles, #0.6))
The beginning of a habit is like an invisible thread, but every time we repeat the act we strengthen the strand, add to it another filament, until it becomes a great cable and binds us irrevocably, thought and act.’’ –Orison Swett Marden
Ville Lehtonen (Limitless: 20 Proven Success Habits to Master Your Days, Reach Your True Potential, and Make Your Success Inevitable (Eventual Success Series))
And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding, "Darling, let me dip into it," to a young servant-maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says: "Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence.
Italo Calvino (Invisible Cities)
If you feel that we live in a time that is defined by mean ugliness and ugly meaningless, then invite beauty and power into your life. Become willing to be taught, to connect to the invisible thread that runs between us all and that runs throughout all time, binding the empty space and filling it with love.
Russell Brand
Language is our identity tool and by using experience, observation, and imagination, we each discover the words that give voice to our lives. To tell our stories is the human method of perforating our isolation tanks, the means to encapsulate what we previously learned, and the mechanism that allows us to enter the universal dialogue of compassion. Sharing the pandemonium of our life’s stories full of grime, love, noise, and steeped in emotional chaos is the act that ultimately binds us to our family, friends, and community. All lovers know each other stories. Farmers, villagers, big city hobnobs, and the citizens from all nations share a conjoined thread through storytelling that seriously investigates the collective human condition.
Kilroy J. Oldster (Dead Toad Scrolls)
The spirit and its chosen one bind their ankles together with red thread. They may take each other's hands and smile at each other. When they walk down the bridge into the world of the living, they know it won't be the last time they see one another. The red thread is better than a promise —it's a guarantee. It means they'll meet again in the next life. It means they'll love each other there, too.
Zen Cho (The Terracotta Bride)
That these mandates exist is hardly news, but their cumulative effect on women’s lives tends to be examined through a fragmented lens, one-pathology-at-a-time, the eating disorder lit on the self-help shelves separated from the books on women’s troubled relationships with men, the books on compulsive shopping separated from the books on female sexuality, the books on culture and media separated from the books on female psychology. Take your pick, choose your demon: Women Who Love Too Much in one camp, Women Who Eat Too Much in another, Women Who Shop Too Much in a third. In fact, the camps are not so disparate, and the question of appetite—specifically the question of what happens to the female appetite when it’s submerged and rerouted—is the thread that binds them together. One woman’s tub of cottage cheese is another’s maxed-out MasterCard; one woman’s soul-murdering love affair is another’s frenzied eating binge.
Caroline Knapp (Appetites: Why Women Want)
There was hair. So much hair. Dead hair, hair of my gone self, wisps of spiderweb hair, old uniform lint hair, pillow sponge and tangerine strings hair. A whole life pulled itself up by my hair, the hair that locked the year I broke my tooth, hair that locked the day we caught cane ashes in the yard. Hair of our lean years, hair of the fat, pollen of marigolds hair, my mother's aloe vera hair, my sisters weaving wild ixoras in my hair, the pull of the tides at our sea village hair, grits of sand hair, hair of salt tears, hair thick with the blood of my own cut wrists. Hair of my binding, hair of my unbeautiful wanting, hair of his bitter words, hair of the cruel world, hair roping me to my father's belt, hair wrestling the taunts of baldheads in the street, hair of my lone self, hair wrapped atop the ghost woman in white's hair, red thread of hair, centuries of hair, galloping future of incorrigible hair, all cut away from me.
Safiya Sinclair (How to Say Babylon)
What immediately strikes me is just how tattered the books are. Some of the spines have split. The binding has loosened and the threads stick out. Some of the books are in such bad condition that they seem to be held together only by their place on the shelf. They are neither old nor valuable, but they have had hard lives - emigres, some having arrived with refugees from Russia before the war, only to go back east at a later stage. More than sixty years later they have come home to Paris.
Anders Rydell (The Book Thieves: The Nazi Looting of Europe's Libraries and the Race to Return a Literary Inheritance)
The Woman Poet // Die Dichterin You hold me now completely in your hands. My heart beats like a frightened little bird's Against your palm. Take heed! You do not think A person lives within the page you thumb. To you this book is paper, cloth, and ink, Some binding thread and glue, and thus is dumb, And cannot touch you (though the gaze be great That seeks you from the printed marks inside), And is an object with an object's fate. And yet it has been veiled like a bride, Adorned with gems, made ready to be loved, Who asks you bashfully to change your mind, To wake yourself, and feel, and to be moved. But still she trembles, whispering to the wind: "This shall not be." And smiles as if she knew. Yet she must hope. A woman always tries, Her very life is but a single "You . . ." With her black flowers and her painted eyes, With silver chains and silks of spangled blue. She knew more beauty when a child and free, But now forgets the better words she knew. A man is so much cleverer than we, Conversing with himself of truth and lie, Of death and spring and iron-work and time. But I say "you" and always "you and I." This book is but a girl's dress in rhyme, Which can be rich and red, or poor and pale, Which may be wrinkled, but with gentle hands, And only may be torn by loving nails. So then, to tell my story, here I stand. The dress's tint, though bleached in bitter lye, Has not all washed away. It still is real. I call then with a thin, ethereal cry. You hear me speak. But do you hear me feel?
Gertrud Kolmar
Urgency threaded her voice as she offered her hand. It was gloved, but I could feel the warmth of it still, and thrilled to her touch before seeing that she regretted the gesture. She recoiled, and put the hand in her pocket. At the time, I thought she regretted touching me because a show of kindness could compromise her standing with colleagues like Elma. Years later, I would realize her sorrow arose from taking care of the children that Uncle claimed for his own. It must have been like stringing a harp for someone who played his harp with a knife, or binding a book for someone whose idea of reading was feeding pages to a fire.
Affinity Konar (Mischling)
The world is a cage built by the hands of gods and men and woven from the threads of time and space. It hangs upon the back of a great beast which wanders through the void driven by fear. From the thread of life it hangs, a prison for the mind, a trap for the spirit, a snare for the heart. Within this cage, all things are bound: the sun and moon, the stars and seas, the beasts of field and forest, and the children of earth, for it is a prison for the souls of men. The bars are forged of necessity and desire, woven together by the threads of fate. They are as strong as mountains and as delicate as spider’s webs. For we reach out for what we want, and in doing so, we bind our souls to the world.
Andre Solnikkar
In each of the following chapters, dealing in turn with policing and repression, culture and propaganda, religion and education, the economy, society and everyday life, racial policy and antisemitism, and foreign policy, the overriding imperative of preparing Germany and its people for a major war emerges clearly as the common thread. But that imperative was neither rational in itself, nor followed in a coherent way. In one area after another, the contradictions and inner irrationalities of the regime emerge; the Nazi's headlong rush to war contained the seeds of the Third Reich's eventual destruction. How and why this should be so is one of the major questions that run through this book and binds its separate parts together. So do many further questions: about the extent to which the Third Reich won over the German people; the manner in which it worked; the degree to which Hitler, rather than broader systematic factors inherent in the structure of the Third Reich as a whole, drove policy onward; the possibilities of opposition, resistence, and dissent or even non-conformity to the dictates of National Socialism under a dictatorship that claimed the total allegiance of all its citizens; the nature of the Third Reich's relationship with modernity; the ways in which its policies in different areas resembled, or differed from, those pursued elsewhere in Europe and beyond during the 1930s; and much more besides.
Richard J. Evans (The Third Reich in Power (The History of the Third Reich, #2))
I was just settling into the salons of Austenian Bath when Gabriel muttered, "This is strange." I looked up to see him pulling a long blue-gray thread from between the nearly translucent pages. My jaw dropped, and I was kneeling on the chaise in a flash. "Is the binding coming loose? No, don't pull it! I can take it to my book doctor tomorrow night." "Stop hyperventilating, sweetheart. I think it's a bookmark," he said, pulling on the thread until he stretched it to my hand. "Here." I wound the thread around my finger. "What passage was it marking?" He scanned the page and lifted an eye. "It's an Edward and Jane scene. I know how you love those. Edward's saying, 'I sometimes have a queer feeling with regard to you---especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.'" I was so caught up in watching his lips as they formed the words that I barely noticed the sudden tension on the fiber wound around my finger. I realized now that Gabriel had slipped a ring onto the thread and was sliding it toward me. I watched as the respectable diamond twinkled in the light of the oil lamp. "I'm not Edward, " Gabriel promised. "I'm not afraid the thread will break and leave me bleeding. Our thread's already been tested. And it will hold up. I'm asking you to make the link permanent. Please, marry me.
Molly Harper (Nice Girls Don't Bite Their Neighbors (Jane Jameson, #4))
Tunnelling through the night, the trains pass in a splendour of power, with a sound like thunder shaking the orchards, waking the young from a dream, scattering like glass the old mens' sleep, laying a black trail over the still bloom of the orchards; the trains go north with guns. Strange primitive piece of flesh, the heart laid quiet hearing their cry pierce through its thin-walled cave recalls the forgotten tiger, and leaps awake in its old panic riot; and how shall mind be sober, since blood's red thread still binds us fast in history? Tiger, you walk through all our past and future, troubling the children's sleep'; laying a reeking trail across our dreams of orchards. Racing on iron errands, the trains go by, and over the white acres of our orchards hurl their wild summoning cry, their animal cry…. the trains go north with guns.
Judith A. Wright
Nonconformity is an affront to those in the mainstream. Our impulse is to dismiss this lifestyle, create reasons why it can’t work, why it doesn’t even warrant consideration. Why not? Living outdoors is cheap and can be afforded by a half year of marginal employment. They can’t buy things that most of us have, but what they lose in possessions, they gain in freedom. In Somerset Maugham’s The Razor’s Edge, lead character Larry returns from the First World War and declares that he would like to “loaf.”23 The term “loafing” inadequately describes the life he would spend traveling, studying, searching for meaning, and even laboring. Larry meets with the disapproval of peers and would-be mentors: “Common sense assured…that if you wanted to get on in this world, you must accept its conventions, and not to do what everybody else did clearly pointed to instability.” Larry had an inheritance that enabled him to live modestly and pursue his dreams. Larry’s acquaintances didn’t fear the consequences of his failure; they feared his failure to conform. I’m no maverick. Upon leaving college I dove into the workforce, eager to have my own stuff and a job to pay for it. Parents approved, bosses gave raises, and my friends could relate. The approval, the comforts, the commitments wound themselves around me like invisible threads. When my life stayed the course, I wouldn’t even feel them binding. Then I would waiver enough to sense the growing entrapment, the taming of my life in which I had been complicit. Working a nine-to-five job took more energy than I had expected, leaving less time to pursue diverse interests. I grew to detest the statement “I am a…” with the sentence completed by an occupational title. Self-help books emphasize “defining priorities” and “staying focused,” euphemisms for specialization and stifling spontaneity. Our vision becomes so narrow that risk is trying a new brand of cereal, and adventure is watching a new sitcom. Over time I have elevated my opinion of nonconformity nearly to the level of an obligation. We should have a bias toward doing activities that we don’t normally do to keep loose the moorings of society. Hiking the AT is “pointless.” What life is not “pointless”? Is it not pointless to work paycheck to paycheck just to conform? Hiking the AT before joining the workforce was an opportunity not taken. Doing it in retirement would be sensible; doing it at this time in my life is abnormal, and therein lay the appeal. I want to make my life less ordinary.
David Miller (AWOL on the Appalachian Trail)
I have lost some fundamental part of my knowing, some elemental human feeling. Without it, the world feels like tap water left overnight, flat and chemical, devoid of life. I am like lightning seeking earth. Uneasy, I carry the prickle of potential energy in my limbs, ever deferred from the point of contact, the moment of release. Instead, it gathers in me, massing like a storm that never comes. I lack the language to even describe it, this vast unsettled sense that I am slipping over the glassy surface of things, afraid of what lurks beneath. I need a better way to walk through this life. I want to be enchanted again. Enchantment is small wonder magnified through meaning, fascination caught in the web of fable and memory. It relies on small doses of awe, almost homeopathic: those quiet traces of fascination that are found only when we look for them. It is the sense that we are joined together in one continuous thread of existence with the elements constituting this earth, and that there is a potency trapped in this interconnection, a tingle on the border of our perception. It is the forgotten seam of our geology, the elusive particle that binds our unstable matter: the ability to sense magic in the everyday, to channel it through our minds and bodies, to be sustained by it. Without it, I feel I am lacking some essential nutrient, some vitamin found only when you go digging in your own soil.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
He placed a gloved hand on Vikram’s shoulder. “There are worms at the world’s heart, coiled at the seats of earthly power like a manifold tumor that has awoken to its own hunger and craves more. There may be many worms or only one that manifests as many, or perhaps myriad strands of the One True Wyrm, but it equates to the same misery. The parasites feed, grow, and spread in Mankind’s wake, infesting new worlds through the blood, sweat, and fears of their hosts, leaving us enough to survive and occasionally even prosper, but only ever in service to the sickness we bear.” Vikram was staring straight ahead, his teeth gritted and his fists clenched. He realized he was nodding along to the tale. Worms? Yes, that was the right name for them. Why hadn’t he found it himself? “Our masters probably delight in cruelty, for that has been the most constant thread in human history,” Niemand continued, “yet it is possible they imagine themselves equitable, benevolent even. Have they not driven Mankind to survive, strive, and conquer with a ferocity its foes cannot match? Would there be a union of faiths and nations without the invisible coils binding us to a common cause? Would we have seized the stars without their hunger to drive us?’ Would we have endured at all?” Niemand’s voice dropped to a whisper. “Perhaps worms are the gods we deserve.” “No,” Vikram rasped. His eyes met Skaadi’s and found a rage that mirrored his own. “No,” he repeated, fiercely this time. “No,” Niemand agreed. “Never. We will raise our own gods—or better yet, do without them.
Peter Fehervari
Writers take and remake everything we see around us: we metabolize the details of our loved ones, alter time and memory, shapeshift our personal and physical differences into transformative images that, when done with care, can create a world that feels more than accurate, but real. Doing this requires that we watch and listen to one another with great attention, something we’re generally discouraged from doing lest we come off as stalkers. From the time we’re children, we’re taught it’s rude to stare, nosy to eavesdrop; you can’t just root around in other people’s journals and closets and minds. I can’t ask my colleagues what they really think and feel about their marriages or children, because that’s private, and privacy requires that I pretend to believe what both strangers and loved ones tell me. Being polite means, ironically, paying less attention to the people I want to be close to, bypassing their foibles and idiosyncrasies and quiet outrages in the name of communal goodwill. But writing requires we pay attention to others at a level that can only be classified as rude. The writer sees the button trailing by its single thread on the pastor’s shirt; she tastes the acid sting behind a mother’s compliment. To observe closely leads the writer to the radical recognition of what both binds her to and separates her from others. It will push her to hear voices she’s been taught should remain silent. Oftentimes, these voices, and these truths, reveal something equally powerful, and profoundly unsettling, about ourselves. I want to end this letter to you by proposing something that some critics and sociologists might reject out of hand, which is the possibility that White people, too, might, by paying close attention to the voices around them and inside themselves, be able to experience double consciousness. If double consciousness is in part based on the understanding of the systemic power of Whiteness, and if it is also the realization that one’s self-regard can never be divorced from the gaze of others, then the practice of double consciousness might be available to everyone, including those who constitute the majority.
Paisley Rekdal (Appropriate: A Provocation)
What is seeing? Do we believe without seeing or see because of a belief? Does one come before the other? Do you believe in the Mockingbird’s song, as it enters your heart? Spinning out sutra after sutra, and binding together with threads of light, every constellation in the heavens. As each pupil draws in that light, to reflect on the inner surface of your eye’s retina. To become a sacrament of seeing.
Ron Starbuck (When Angels Are Born)
If I had to come up with a single metaphorical device to express what is missing in childhood now it would be something on the order of string: the tie that binds, the thread of connection, the weave of narrative, the web of life." NOAH'S CHILDREN
Sara Stein
Braid groups have many important practical applications. For example, they are used to construct efficient and robust public key encryption algorithms.7 Another promising direction is designing quantum computers based on creating complex braids of quantum particles known as anyons. Their trajectories weave around each other, and their overlaps are used to build “logic gates” of the quantum computer.8 There are also applications in biology. Given a braid with n threads, we can number the nails on the two plates from 1 to n from left to right. Then, connect the ends of the threads attached to the nails with the same number on the two plates. This will create what mathematicians call a “link”: a union of loops weaving around each other. In the example shown on this picture, there is only one loop. Mathematicians’ name for it is “knot.” In general, there will be several closed threads. The mathematical theory of links and knots is used in biology: for example, to study bindings of DNA and enzymes.9 We view a DNA molecule as one thread, and the enzyme molecule as another thread. It turns out that when they bind together, highly non-trivial knotting between them may occur, which may alter the DNA. The way they entangle is therefore of great importance. It turns out that the mathematical study of the resulting links sheds new light on the mechanisms of recombination of DNA. In mathematics, braids are also important because of their geometric interpretation. To explain it, consider all possible collections of n points on the plane. We will assume that the points are distinct; that is, for any two points, their positions on the plane must be different. Let’s choose one such collection; namely, n points arranged on a straight line, with the same distance between neighboring points. Think of each point as a little bug. As we turn on the music, these bugs come alive and start moving on the plane. If we view the time as the vertical direction, then the trajectory of each bug will look like a thread. If the positions of the bugs on the plane are distinct at all times – that is, if we assume that the bugs don’t collide – then these threads will never intersect. While the music is playing, they can move around each other, just like the threads of a braid. However, we demand that when we stop the music after a fixed period of time, the bugs must align on a straight line in the same way as at the beginning, but each bug is allowed to end up in a position initially occupied by another bug. Then their collective path will look like a braid with n threads. Thus, braids with n threads may be viewed as paths in the space of collections of n distinct points on the plane.10
Edward Frenkel (Love and Math: The Heart of Hidden Reality)
Truthfulness is the golden thread that binds good lives, good relationships, and our very legacy.
John Manning (The Disciplined Leader: Keeping the Focus on What Really Matters)
Chilled ice tea that tempered tepid summer days lathered thick with humidity. Frothy hot chocolate that cut winter’s chill. Bedtime prayers that sent our fears scrambling in panicked flight. Golden bouquets of dandelions aromatically rich with the gift of summers scent. Family meals that wove yet another binding thread in and through the tapestry of those seated around the table. These are but the slightest sampling of the innumerable gifts my mother handed to this child of hers. And without them, my life would be impoverished beyond words to describe.
Craig D. Lounsbrough (Flecks of Gold on a Path of Stone: Simple Truths for Profound Living)
You’re ours now, little Kat, Deep sent her through the new and very permanent bond that had been formed in their joining. Mine and Lock’s forever. You mean…we’re bonded? Completely bonded this time? She looked up at him, uncertainty filling her lovely blue eyes. I hope you don’t mind, my lady, Lock sent anxiously. But it’s true—feel the depth of the bond between us. This connection is to the soul bond we shared previously as a rope is to a thread. It binds us tightly and permanently together. Lock’s right, Deep told her. I’m afraid there’s no going back. No going back? You idiots! Kat was laughing and crying at the same time as she pulled them both close again. I don’t want to go back! I just want to spend the rest of my life with the two most wonderful guys in this or any other galaxy. Oh? Deep raised an eyebrow at her. And who are they? Have we met them? You…Kat shook her head, still laughing through her tears. I swear one of these days I’m going to kill you, Deep. I’ve already died. He made his mental voice serious as he looked into her eyes. But I came back for you, little Kat. You and Lock. And to keep a promise. “A
Evangeline Anderson (Sought (Brides of the Kindred, #3))
The connections that we have with others, the things we learn, and yes, our prayers—all of it is a web of connections that bind us into the fabric of reality and make us part of something greater than ourselves. And if our reality is only a tiny reflection of a much greater reality, still it is also an essential part. And the same is true of each individual life. Each deed and thought—each word between friends—adds a new thread to a tapestry so vast that we may never be able to step back and see the whole.
Yael Shahar (A Damaged Mirror: A story of memory and redemption)
Discomfort avoidance is the common thread that binds all anxiety problems together.
John Forsythe
The “increasingly sophisticated” new Theory is actually overly simplistic—everything is problematic somehow, because of power dynamics based on identity. It is also functionally impossible, a characteristic that is misinterpreted as extreme complexity. The needle Collins expects (white) feminists to thread involves including—but not appropriating—the experiences of women of color, providing space for them to be heard, and amplifying their voices—without exploiting them or becoming voyeuristic consumers of their oppression. These kinds of impossible, contradictory, double-binding demands are a persistent feature of applied postmodern Theory
Helen Pluckrose (Cynical Theories: How Activist Scholarship Made Everything about Race, Gender, and Identity—and Why This Harms Everybody)
May the beauty of your tapestry be as rich as the colors that define it and as deep and strong as the threads that bind it.
Judith Cosby (Threads: A journey into the picture of the soul)
Soft, flexible thread of this sort is a necessary prerequisite to making woven cloth. On a far more basic level, string can be used simply to tie things up - to catch, to hold, to carry. From these notions come snares and fishlines, tethers and leashes, carrying nets, handles, and packages, not to mention a way of binding objects together to form more complex tools.
Elizabeth Wayland Barber (Women's Work: The First 20,000 Years: Women, Cloth, and Society in Early Times)
But I believe that love is more powerful than death. It has to be. I hope you can picture, like I do, that way down deep inside your heart, in the very fabric of your soul, there is a connection to another world. Love is a thread. A river. It connects those two worlds between your heart and Heaven. Even though I am going to be somewhere else, our love will still bind us together.
Katie Curtis (The Wideness of the Sea)
Two threads woven together are so very strong until they are pulled apart in opposite directions. Then, the thread breaks with a snap. It is the same with the heart. Two threads of love intertwine to bind two hearts together. If you listen carefully enough, you can hear the snap when one heart pulls away from the other thus creating a broken heart. Although, sometimes with two hearts, the thread never breaks.
April Meersman
White evangelicals have pieced together this patchwork of issues, and a nostalgic commitment to rugged, aggressive, militant white masculinity serves as the thread binding them together into a coherent whole. A father’s rule in the home is inextricably linked to heroic leadership on the national stage, and the fate of the nation hinges on both.
Kristin Kobes Du Mez
White evangelicals have pieced together this patchwork of issues, and a nostalgic commitment to rugged, aggressive, militant white masculinity serves as the thread binding them together into a coherent whole. A father’s rule in the home is inextricably linked to heroic leadership on the national stage, and the fate of the nation hinges on both.
Kristin Kobes DuMez
Emotion is a complex thing, the different strands entwine themselves so deeply with one another. Regret, sorrow, heartbreak, these dark, twisted threads can bind so thoroughly with the glimmering golden threads of love, joy, and hope. They tie themselves to one another so thoroughly, so completely, that a person cannot tell where one emotion ends and another begins. The result is that you are left feeling numb, unable to comprehend the intricacies of this tapestry of emotion. Tears of pure sorrow leaking from your eyes even as your lips smile in joy. It is then that we become the two face, as our heart is split asunder so does our expressions, so does our mind. Leaving us feeling like a broken vessel, hollow and empty, the bubbling, complex emotions no longer able to be contained within our frail, flawed bodies.
Ariel L Hodge
Emotion is a complex thing, the different strands entwine themselves so deeply with one another. Regret, sorrow, heartbreak, these dark, twisted threads can bind so thoroughly with the glimmering golden threads of love, joy, and hope. They tie themselves to one another so thoroughly, so completely, that a person cannot tell where one emotion ends and another begins. The result is that you are left feeling numb, unable to comprehend the intricacies of this tapestry of emotion. Tears of pure sorrow leaking from your eyes even as your lips smile in joy. It is then that we become the two face, as our heart is split asunder so does our expressions, so does our mind. Leaving us feeling like a broken vessel, hollow and empty, the bubbling, complex emotions no longer able to be contained within our frail, flawed bodies.
Ariel L. Hodge
You will walk backward in your footsteps and go forward a new way?” “I--” He slid her hand upward so it rested on his shoulder, forcing her closer. His height was such that she had to tip her head back to see his face. If he had been a white man, she would have been worrying that he planned to kiss her. But he wasn’t a white man. And she doubted gentle persuasion was what he had in mind. He seemed a yard wide at the shoulders, a looming wall of muscle. There was heat in the depths of his eyes as he studied her, a heat that had never been there before. “I would have you beside me,” he told her huskily. “But you promised to take me home.” The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers. He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think. She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length.
Catherine Anderson (Comanche Moon (Comanche, #1))
I would have you beside me,” he told her huskily. “But you promised to take me home.” The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers. He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think. She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length. The shock of his hand on her bare back brought her to her senses. Her eyes flew open, and she gasped. She tried to arch away from him and succeeded only in accommodating his mouth when her head fell back. He pressed his lips to the hollow of her throat, where her pulse beat a rapid tattoo. His callused palm slid slowly but inexorably to her side, his thumb feathering against the underside of her breast. Horrified, she groped for his wrist, her fingers finding feeble purchase through the leather. “Ah, nei mah-tao-yo,” he whispered. “You tremble.
Catherine Anderson (Comanche Moon (Comanche, #1))
There is an invisible thread that binds lovers' hearts; it synchronizes their heart beats. The lovers may be miles and miles away but it will always pull the lovers together towards each other. This invisible thread never breaks and can never be broken!
Avijeet Das
Gulliver was a giant whom the dwarfs captured while he was napping by binding him with tiny threads. Each thread was a trifle which he could easily have snapped by itself. But he didn't wake, and the dwarfs wound the thread around him in such number that at last he found himself a prisoner.
Orison Swett Marden (7 Books on Prosperity & Success)
She had been on the surface of the leaf, the leaf like a page, and the page that of a book; then by the margin she had sunk to its stem, gathering in; and now she was burrowing within the opening, down to the threads of the sticthing where they looped and tunnelled in the unliving earth, through the binding, and then out, anchorising, diffusing, radical. Here it begins. Here begins. Here.
Andrew Zurcher (Twelve Nights (Twelve Nights, #1))
She had been on the surface of the leaf, the leaf like a page, and the page that of a book; then by the margin she had sunk to its stem, gathering in; and now she was burrowing within the opening, down to the threads of the sticthing where they looped and tunnelled in the unliving earth, through the binding, and then out, anchoring, diffusing, radical. Here it begins. Here begins. Here.
Andrew Zurcher (Twelve Nights (Twelve Nights, #1))
Each picture in the room beyond contained a book. Sometimes they were many, or prominent; some I had to study for some time before I saw the corner of a binding thrusting from the pocket of a woman’s skirt or realized that some strangely wrought spool held words spun like thread.
Gene Wolfe (The Shadow of the Torturer (The Book of the New Sun #1))
Requiring caretaking and at the same time providing solace, “textiles are often mobilized in the face of trauma, and not just to provide needed garments or coverings but also as a therapeutic means of comfort, a safe outlet for worried hands, a productive channel for the obsessive working through of loss,” explains one art historian.17 Fabric is a special category of thing to people—tender, damageable, weak at its edges, and yet life-sustaining. In these distinctive features, cloth begins to sound like this singular planet we call home. Cloth operates as a “convincing analogue for the regenerative and degenerative processes of life, and as a great connector, binding humans not only to each other but to the ancestors of their past and the progeny of their future,” fiber artist Ann Hamilton has written. “Held by cloth’s hand,” she continues, “we are swaddled at birth, covered in sleep, and shrouded in death. A single thread spins a myth of origin and a tale of adventure and interweaves people and webs of communication.
Tiya Miles (All That She Carried: The Journey of Ashley's Sack, a Black Family Keepsake)
The word “religion” itself is problematic, as it tends to imply a rigid system of belief. Its roots are in the word religio which may be interpreted as “binding” in a negative sense, or as a connectedness in a positive sense of relatedness and bonding. There is argument for the case that Goddess imagery and language is not another religion, since She underlies and is threaded through all of them; She is a Metaphor, but so is “God”, as I have discussed. It would seem more accurate to speak of “Goddess spirituality”, since that seems to indicate a fluidity and aliveness. Heide Goettner-Abendroth uses “matriarchal spirituality” for this reason, Goettner-Abendroth re-defines “matriarchal” as meaning “in the beginning was the mothers”, contending that ‘arche’ did not mean ‘dominance’ until later. However, I am keen to have Her understood with the dignity of an in-depth spiritual practice, a coherent worldview; and the word “religion” does that. There are many different varieties of ritual and form within Goddess religiosity it is true, but so there are in God religions. She does deserve to be listed as a “World Religion”, given that She was the main metaphor for Deity for so long and so pervasively, and still is revered in some form by millions of humans.
Glenys Livingstone
There is an invisible thread that binds lovers’ hearts; it synchronizes their heart beats.
Avijeet Das
During the 1970s, a long-term research project on southern masked weavers was the first to suggest that there was perhaps something more to weavers building nests than feathered automata processing genetic code.7 This study revealed that in much the same way that an infant human will develop motor skills by manipulating and playing with objects, male weaver chicks will play and experiment with building materials soon after they emerge from their eggs and, through a process of trial and error, progressively master the threading, binding, and knot-making skills necessary to build nests.
James Suzman (Work: A Deep History, from the Stone Age to the Age of Robots)
I’m saying we can’t prove how or why that earring got there. But the common thread binding all this together seems to be you. So don’t make yourself look any more suspicious than you already do.” I realize now, even
Stacy Willingham (A Flicker in the Dark)
Bacteria are so small they need to stick to things or they will wash away; to attach themselves, they produce a slime, the secondary result of which is that individual soil particles are bound together. [...] Fungal hyphae, too, travel through soil, sticking to them and binding them together, thread-like, into aggregates. [...] The soil food web, then, in addition to providing nutrients to roots in the rhizosphere, also helps create soil structure: the activities of its members bind soil particles together even as they provide for the passage of air and water through the soil. [...] The nets or webs fungi form around roots act as physical barriers to invasion and protect plants from pathogenic fungi and bacteria. Bacteria coat surfaces so thoroughly, there is no room for others to attach themselves. If something impacts these fungi or bacteria and their numbers drop or they disappear, the plant can easily be attacked.
Jeff Lowenfels (Teaming with Microbes: A Gardener's Guide to the Soil Food Web)
tune
Nina Kiriki Hoffman (The Thread That Binds the Bones (The Chapel Hollow Novels))
There was a pause before Sylvester finally conceded. “Liebeskhilfe and Glucklitat.” The former was the mischievous, prank-loving Goddess of Binding, who stole threads from Dregarnuhr to bind men and women together, while the latter was the God of Trials, who granted good luck to those who overcame ordeals.
Miya Kazuki (Ascendance of a Bookworm: Volume 1 Part 5)
We can twist the fate of your world and bind its luck up with our will, but we cannot make anything of our own." "Make?" "In Fae, nothing grows. There is no ore hidden beneath our barren soil. We must ply whatever we would use from what we are given in trade. Some things--- silk, silver, bone--- we can work better than others." Her pale fingers moved against her hair; a sheer filament of silver wove a plait of her mist-colored hair from one temple to another. "This was spun from one of your pins." Alaine leaned forward, looking closer. Wrought into the thread of metal were flowers and leaves, their minute veins and even dustings of pollen worked in silver. "Everything that you have is remade from our world?" "Yes." She let the breeze stir her hair and her gown, and Alaine wondered what scrap of silk ribbon had been stretched and unspooled to a thin shadow of itself to produce the diaphanous cloud of pale blue surrounding the Fae woman, the wonder of it almost enough to make her forget the reason she had summoned the Fae.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
Part certificate of birth, part medical records, part court-evaluated mental health status, and almost entirely badge of shame, other-born papers stated the nature of their powers and their known relatives. Other-born always came in a packageL in two or three or more siblings descended from sibling gods. Myths talked of the existence of other gods, too, but only twin, sister, or brother divinities bestowed their progenies with power. Some believed the power was too much for a single person to inherit, but Thais disagreed. Multitude is power, she used to say, We are stronger together.
Kika Hatzopoulou (Threads That Bind (Threads That Bind, #1))