Threads Short Quotes

I used to analyze myself down to the last thread, used to compare myself with others, recalled all the smallest glances, smiles and words of those to whom I’d tried to be frank, interpreted everything in a bad light, laughed viciously at my attempts ‘to be like the rest’ –and suddenly, in the midst of my laughing, I’d give way to sadness, fall into ludicrous despondency and once again start the whole process all over again – in short, I went round and round like a squirrel on a wheel.

TRIAD: Three separate highways intersect at a place no reasonable person would ever want to go. Three lives that would have been cut short, if not for hasty interventions by loved ones. Or Fate. Three people, with nothing at all in common except age, proximity, and a wish to die. Three tapestries, tattered at the edges and come unwoven to reveal a single mutual thread.

I think that when two people are able to weave that kind of invisible thread of understanding and sympathy between each other, that delicate web, they should not risk tearing it. It is too rare, and it lasts too short a time at best....

We email, Facebook, tweet and text with people who are going to spend eternity in either heaven or hell. Our lives are too short to waste on mere temporal conversations when massive eternal realities hang in the balance. Just as you and I have no guarantee that we will live through the day, the people around us are not guaranteed tomorrow either. So let's be intentional about sewing the threads of the gospel into the fabric of our conversations every day, knowing that it will not always be easy, yet believing that eternity will always be worth it.

The belt slid down her thin hips, and she nervously gripped at it, pulling it up. Short sleeves showed her very thin arms and big delicate elbow joints. Her body was all concave and jerkily fluid lines; it moved with sensitive looseness, loosely threaded together: each movement had a touch of exaggeration , as though some secret power kept springing out.

For many centuries to come, men will avoid those woods, taking the long route instead. Beware the Stone Maidens, they will whisper to each other, beware the ones who look back.

But he must have richly dyed purple clothes, woven with gold thread and decorated with multicoloured patterns: it is his fault, not nature’s, if he feels poor.

Gavroche had fallen only to rise again; he remained in a sitting posture, a long thread of blood streaked his face, he raised both arms in the air, glanced in the direction whence the shot had come, and began to sing: "Je suis tombe par terre, "I have fallen to the earth, C'est la faute a Voltaire; 'Tis the fault of Voltaire; Le nez dans le ruisseau, With my nose in the gutter, C'est la faute a . . . " 'Tis the fault of . . . " He did not finish. A second bullet from the same marksman stopped him short. This time he fell face downward on the pavement, and moved no more. This grand little soul had taken its flight.

His bit of pencil turned up in the seat pocket of his short trousers, but as the search for the pad continued without issue a crease appeared in the boy's domed brow. He patted himself up and down until filaments of honey floss formed between his fingertips and pockets, coating him in a gossamer down. The old man watched helpless as the boy, with mounting agitation, spun threads of loss from his palms and fingertips.

I could not say what creeps and whispers through the branches and down the threaded Road, but I hear it, and I am not afraid.

While performing the great majority of the actions in their life, people are totally unaware. We tend to go through our daily activities mechanically. We talk without real purpose. We do things without even knowing that we do them. We are not really present to what we are doing. Even if we practise being aware, entire portions of our days can elapse before we retrieve our thread of awareness. In short, we are not living our life, we are sleeping it.

She’d already memorized the short Psalm and was hungry for more. Indeed, each word seemed woven into her soul the way the weaver wove his wares, taking the barest threads of her faith and making something beautiful and enduring as fine cloth deep inside her.

My tight black spaghetti-strap dress threaded with gold was a tad short. And by short, I mean it was like wearing a belt. I’d bought it with the idea of branching out from my usual Keds and jeans and pairing it with leggings. But no, not tonight. If I dropped anything, it was going to stay on the freaking ground.

I would sooner," she said, "give you a spell against water, that all the world should thirst, than give you a spell against the song of streams that evening hears faintly over the ridge of a hill, too dim for wakeful ears, a song threading through dreams, whereby we learn of old wars and lost loves of the Spirits of rivers. I would sooner give you a spell against bread, that all the world should starve, than give you a spell against the magic of wheat that haunts the golden hollows in moonlight in July, through which in the warm short nights wander how many of whom man knows nothing. I would make you spells against comfort and clothing, food, shelter and warmth, aye and will do it, sooner than tear from these poor fields of Earth that magic that is to them an ample cloak against the chill of Space, and a gay raiment against the sneers of nothingness.

Women did such things and went on doing them while the sun died because in all of women's lives there were so many moments that would kill the mind if one thought about them, which would suck the heart and the life out of one, and engrave lines in the face and put gray in the hair if ever one let one's mind work; but there was in the rhythm and the fascination of the stitches a loss of thought, a void, a blank, that was only numbers and not even that, because the mind did not need to count, the fingers did, the length of a thread against the finger measured evenly as a ruler could divide it, the slight difference in tension sensed finely as a machine could sense, the exact number of stitches keeping pattern without really the need to count, but something inward and regular as the beat of a heart, as the slow passing of time which could be frozen in such acts, or speeded past.

He had to die someday too. He might do it on sheets with a six-hundred-plus thread count, but he'd die just the same. Death wouldn't forget about him.

Now he remembered this long since forgotten resolution, and quickly forgot it again, like someone pulling a short thread right through the eye of a needle.

I have a memory of my mother smiling.

Every living soul in this universe should be given a chance at love – their personal shot at having the most powerful and mysterious thing that ever existed. You could love forever, or your love could burn short and bright for just a few moments in the history of time. But however you did it, I supposed the idea was to make it count; to create a story worthy of a new fairytale, a poem, or a new constellation that would wind itself into an infinite thread of light in your name. Maybe that was the whole point of love – to create an eternal story of your own.

As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.

Short is the enjoyment of this world. The Hereafter is (far) better for him who fears Allaah, and you shall not be dealt with unjustly even equal to the Fatilaa (a scalish thread in the long slit of

You have seen those things, look now at these: do not trouble yourself, make yourself simple. Does a man do wrong? He does wrong to himself. Has some chance befallen you? It is well; from Universal Nature, from the beginning, all that befalls was determined for you and the thread was spun. The sum of the matter is this: life is short; the present must be turned to profit with reasonableness and right. Be sober without effort.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

Life can be long or short, it is impossible to know, but every once in a while an entire life is spent in one night, the night when the windows are open and you can hear the last of the crickets’ call, when there is a chill in the air and the stars are bright, when nothing else matters, when a single kiss lasts longer than a lifetime, when you do not think about the future or the past, or whether or not you are walking through a dream rather than the real world, when everything you have always wanted and everything you are fated to mourn forever are tied together with black thread and then sewn with your own hand, when in the morning, as you wake and see the mountain in the distance, you will understand that whether or not you’ve made a mistake, whether or not you will lose all that you have, this is what it means to be human.

This is great. But what I’m grasping at is an idea about a subtler goal. This thinking owes a lot to conversations with Manjula Waldron of Ohio State University, an engineering professor who also happens to be a hospital chaplain. This feels embarrassingly Zen-ish for me to spout, being a short, hypomanic guy with a Brooklyn accent, but here goes: Maybe the goal isn’t to maximize the contrast between a low baseline and a high level of activation. Maybe the idea is to have both simultaneously. Huh? Maybe the goal would be for your baseline to be something more than the mere absence of activation, a mere default, but to instead be an energized calm, a proactive choice. And for the ceiling to consist of some sort of equilibrium and equanimity threading through the crazed arousal. I have felt this a few times playing soccer, inept as I am at it, where there’s a moment when, successful outcome or not, every physiological system is going like mad, and my body does something that my mind didn’t even dream of, and the two seconds when that happened seemed to take a lot longer than it should have. But this business about the calm amid the arousal isn’t just another way of talking about “good stress” (a stimulating challenge, as opposed to a threat). Even when the stressor is bad and your heart is racing in crisis, the goal should be to somehow make the fraction of a second between each heartbeat into an instant that expands in time and allows you to regroup. There, I have no idea what I’m talking about, but I think there might be something important lurking there. Enough said.

Haffner32 (p. 19): "First of all the dream is the continuation of the waking state. Our dreams always unite themselves with those ideas which have shortly before been in our consciousness. Careful examination will nearly always find a thread by which the dream has connected itself with the experience of the previous day.

With every sunrise, a better person can emerge, for every day presents a new chance. There will always be many mistakes and there will be some regrets as sure as there will always be countless joys and as many moments to take pride in. There will be contentment. Contentment that you have done your very best. And no one will begrudge your that.

You'll hate me in the morning. You. Don't. Really. Want. This.' He punctuates each word with a kiss along my jaw, making his way to my ear. He bites the lobe, and my core liquifies, going molten. 'Stop telling me what I want.' I breathe raggedly and thread my fingers through the short strands of his hair, tilt my head, giving him better access.

The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.

I never knew what Mother knowed, Like how a thread and needle sewed, And how a kiss healed boo-boos fast. Why family knots were made to last. I never knew how Mother saw A caring man in angry pa, A smile beneath the teary gloom, A game inside a messy room. I never knowed what Mother knew, Like how to smile when days were blue, And how to laugh for laughter’s sake, While giving up her slice of cake. I never saw what Mother see’d Like honor pulling garden weeds, Or deep confessions in a look, And hope alive in storybooks. I never knew how Mother knowed To hand out carrots when it snowed, And why hot cocoa liked the rain, While naptime kept a person sane. For mother knowed and see’d it all. A winner in a strike-out ball. A 'yes, please' in a shoulder shrug. A 'love you mostest' in a hug. Perhaps, someday, I’ll come to know What Mother saw and knowed as so. Like how 'I’m right' can be all wrong, And why the night requires a song. But of the things I learned and knew I never doubted one thing true. My mother made it crystal clear, she knowed and loved me ever dear.

There are little wisps of jelly in a living brain. Deagle knows this well: neurons, transmitting signals - and the soul, so to speak, is somewhere in those flashes. He heard once on a science program that the spindle cell - present in humans, whales, some apes, elephants - may be at the heart of what we call our "selves." What we recognize in the mirror - that thread we follow through time that we call "me"? It's just a diatom, a paramecium, a bit of ganglia that branches and shudders assertively. A brief brain orgasm, like lightning. In short, it's all chemicals. You can regiment it easily enough: fluoxetine, sertraline, paroxetine, escitalopram, citalopram - the brain can be washed clean, and you can reset yourself, Ctrl+Alt+Del. You don't have to be a prisoner of your memories and emotions.

Goodness gracious, Benny, why on earth would you hide this beautiful head of hair all the time?" He looks down sheepishly, sending a couple of dark curls tumbling over his forehead. The top of his head is covered in a thick layer of them, shiny and perfectly tousled in spite of his best efforts to crush them in a structured fabric dome day in and day out. The sides are cut short, which makes it harder to tell that he's hiding anything this gorgeous under those caps of his. "Maybe I thought it'd be too much for you to handle. I didn't even own a hat before this summer," he jokes with a sideways smirk. I bring my hands up and thread them both through his curls slowly before grabbing hold and pulling his head back to mine. Brushing his lips with mine, I say, "On second thought, you might've been onto something.

The thread between these two goals—remembering now and remembering later—starts small and grows rapidly. You’ll begin with short intervals (two to four days) between practice sessions. Every time you successfully remember, you’ll increase the interval (e.g., nine days, three weeks, two months, six months, etc.), quickly reaching intervals of years. This keeps your sessions challenging enough to continuously drive facts into your long-term memory.

The Wheel of Time weaves the Pattern of the Ages, and lives are the threads it weaves. No one can tell how the thread of his own life will be woven into the Pattern, or how the thread of a people will be woven. It gave us the Breaking of the World, and the Exile, and Stone, and the Longing, and eventually it gave us back the stedding before we all died. Sometimes I think the reason you humans are the way you are is because your threads are so short.

No matter how awful it is to be sitting in this Terrible magazine office, and talking to this Circular-saw-voiced West side girl in a dirt- Stiff Marimekko and lavender glasses, and this Cake-bearded boy in short-rise Levi’s, and hearing The drip and rasp of their tones on the softening Stone of my brain, and losing The thread of their circular words, and looking Out through their faces and soot on the window to Winter in University Place, where a blue- Faced man, made of rags and old newspapers, faces A horrible grill, looking in at the food and the faces It disappears into, and feeling, Perhaps, for the first time in days, a hunger instead Of a thirst; where two young girls in peacoats and hair As long as your arm and snow-sanded sandals Proceed to their hideout, a festering cold-water flat Animated by roaches, where their lovers, loafing in wait To warm and be warmed by brainless caresses, Stake out a state Of suspension; and where a black Cadillac 75 Stands by the curb to collect a collector of rents, Its owner, the owner of numberless tenement flats; And swivelling back To the editorial pad Of Chaos, a quarter-old quarterly of the arts, And its brotherly, sisterly staff, told hardly apart In their listlessly colored sackcloth, their ash-colored skins, Their resisterly sullenness, I suddenly think That no matter how awful it is, it’s better than it Would be to be dead. But who can be sure about that?

I stick to the road out of habit, but it’s a bad choice, because it’s full of the remains of those who tried to flee. Some were incinerated entirely. But others, probably overcome with smoke, escaped the worst of the flames and now lie reeking in various states of decomposition, carrion for scavengers, blanketed by flies. I killed you, I think as I pass a pile. And you. And you. Because I did. It was my arrow, aimed at the chink in the force field surrounding the arena, that brought on this firestorm of retribution. That sent the whole country of Panem into chaos. In my head I hear President Snow’s words, spoken the morning I was to begin the Victory Tour. “Katniss Everdeen, the girl who was on fire, you have provided a spark that, left unattended, may grow to an inferno that destroys Panem.” It turns out he wasn’t exaggerating or simply trying to scare me. He was, perhaps, genuinely attempting to enlist my help. But I had already set something in motion that I had no ability to control. Burning. Still burning, I think numbly. The fires at the coal mines belch black smoke in the distance. There’s no one left to care, though. More than ninety percent of the district’s population is dead. The remaining eight hundred or so are refugees in District 13 — which, as far as I’m concerned, is the same thing as being homeless forever. I know I shouldn’t think that; I know I should be grateful for the way we have been welcomed. Sick, wounded, starving, and empty-handed. Still, I can never get around the fact that District 13 was instrumental in 12’s destruction. This doesn’t absolve me of blame — there’s plenty of blame to go around. But without them, I would not have been part of a larger plot to overthrow the Capitol or had the wherewithal to do it. The citizens of District 12 had no organized resistance movement of their own. No say in any of this. They only had the misfortune to have me. Some survivors think it’s good luck, though, to be free of District 12 at last. To have escaped the endless hunger and oppression, the perilous mines, the lash of our final Head Peacekeeper, Romulus Thread. To have a new home at all is seen as a wonder since, up until a short time ago, we hadn’t even known that District 13 still existed.

The only thing that [Amaranta] did not keep in mind in her fearsome plan was that in spite of her pleas to God she might die before Rebeca. That was, in fact, what happened. At the final moment, however, Amaranta did not feel frustrated, but, on the contrary, free of all bitterness because death had awarded her the privilege of announcing itself several years ahead of time. She saw it on one burning afternoon sewing with her on the porch a short time after Meme had left for school. She saw it because it was a woman dressed in blue with long hair, with a sort of antiquated look, and with a certain resemblance to Pilar Ternera during the time when she had helped with the chores in the kitchen. Fernanda was present several times and did not see her, in spite of the fact that she was so real – so human and on one occasion asked of Amaranta the favor of threading a needle. Death did not tell her when she was going to die or whether her hour was assigned before that of Rebeca, but ordered her to begin sewing her own shroud on the next sixth of April. She was authorized to make it as complicated and as fine as she wanted, but just as honestly executed as Rebeca's, and she was told that she would die without pain, fear, or bitterness at dusk on the day that she finished it. Trying to waste the most time possible, Amaranta ordered some rough flax and spun the thread herself. She did it so carefully that the work alone took four years. Then she started the sewing. As she got closer to the unavoidable end she began to understand that only a miracle would allow her to prolong the work past Rebeca's death, but the very concentration gave her the calmness that she needed to accept the idea of frustration.

After a moment the small man came in carrying his bag, and Forlesen’s son placed a chair close to the coffin for him and went into the bedroom. “Well, what’s it going to be,” the small man asked, “or is it going to be nothing?” “I don’t know,” Forlesen said. He was looking at the weave of the small man’s suit, the intertwining of the innumerable threads, and realizing that they constituted the universe in themselves, that they were serpents and worms and roots, the black tracks of forgotten rockets across a dark sky, the sine waves of the radiation of the cosmos. “I wish I could talk to my wife.

We would do well, as Orwell counselled, to see the traces of the dystopian around us, to find the ends of those threads and how far along we are; the most accurate prophecy being that people, and the allure of domination, never really change. We can Copenhagenise our future cities, make them as green and smart as we can, but provided we are still embedded in systems that reward cronyism, exploitation and short-term profiteering, that require poverty and degradation, it will be mere camouflage. Dystopias will have cycle lanes and host World Cups. What may save us is, in Orwell’s words, a dedication to ‘common decency’ and the perpetual knowledge that it need not be like this.

In addition to the ax, knife, quiver, and arrows, Ötzi had shoes, clothing, two birchbark canisters, a sheath, a bowstave, miscellaneous small tools, some berries, a piece of ibex meat, and two spherical lumps of birch fungus, each about the size of a large walnut and carefully threaded with sinew. One of the canisters had contained glowing embers wrapped in maple leaves, for starting fires. Such an assemblage of personal effects was unique. Some of the items were, as it were, really unique in that they had never been imagined, much less seen. The birch fungus was a particular mystery because it was obviously treasured, and yet birch fungus is not known to be good for anything.

Tiny threads of time are the warp and woof of God’s redemptive tapestry: a series of todays, used well or poorly. God has ordained that the physical universe be composed of atoms, so also has God ordained that history be composed of moments. Personal and world history is an accumulation of todays, and how they were spent. At death, our window of opportunity will be closed, our time on earth finished. We can no longer store up treasure in heaven. We can no longer lead people to Christ. We can no longer suffer gladly for Christ. The time for all these things will be past. The call to every Christian is to make the most of this short segment of time, to make every day count for eternity.

I had opened the obvious drawer, the top drawer of the room's only dresser, and found myself gazing into a masculine cache of compressed, crumpled things. Wash-worn Brooks Brothers white cotton shorts now a pale shade of gray. Snake-tangled, unpaired argyle socks, all in bright Easter colors like clover ad mauve which still showed fairly crisp near the tops, but down toward the heels were marred by thread pills and snags, and at the toes by the outright abjection of holes. To see laid bare in their entirety those socks, of which I'd heretofore glimpsed only brief merry stripes, when a pant cuff rose up from the rim of a shoe, was like seeing the man himself fully exposed to me--naked.

Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.

I pulled at the knot again and heard threads begin to pop. “Allow me, Miss Jones,” said Armand, right at my back. There was no gracious way to refuse him. Not with Mrs. Westcliffe there, too. I exhaled and dropped my arms. I stared at the lotus petals in my painting as the new small twists and tugs of Armand’s hands rocked me back and forth. Jesse’s music began to reverberate somewhat more sharply than before. “There,” Armand said, soft near my ear. “Nearly got it.” “Most kind of you, my lord.” Mrs. Westcliffe’s voice was far more carrying. “Do you not agree, Miss Jones?” Her tone said I’d better. “Most kind,” I repeated. For some reason I felt him as a solid warmth behind me, behind all of me, even though only his knuckles made a gentle bumping against my spine. How blasted long could it take to unravel a knot? “Yes,” said Chloe unexpectedly. “Lord Armand is always a perfect gentleman, no matter who or what demands his attention.” “There,” the gentleman said, and at last his hands fell away. The front of the smock sagged loose. I shrugged out of it as fast as I could, wadding it up into a ball. “Excuse me.” I ducked a curtsy and began my escape to the hamper, but Mrs. Westcliffe cut me short. “A moment, Miss Jones. We require your presence.” I turned to face them. Armand was smiling his faint, cool smile. Mrs. Westcliffe looked as if she wished to fix me in some way. I raised a hand instinctively to my hair, trying to press it properly into place. “You have the honor of being invited to tea at the manor house,” the headmistress said. “To formally meet His Grace.” “Oh,” I said. “How marvelous.” I’d rather have a tooth pulled out. “Indeed. Lord Armand came himself to deliver the invitation.” “Least I could do,” said Armand. “It wasn’t far. This Saturday, if that’s all right.” “Um…” “I am certain Miss Jones will be pleased to cancel any other plans,” said Mrs. Westcliffe. “This Saturday?” Unlike me, Chloe had not concealed an inch of ground. “Why, Mandy! That’s the day you promised we’d play lawn tennis.” He cocked a brow at her, and I knew right then that she was lying and that she knew that he knew. She sent him a melting smile. “Isn’t it, my lord?” “I must have forgotten,” he said. “Well, but we cannot disappoint the duke, can we?” “No, indeed,” interjected Mrs. Westcliffe. “So I suppose you’ll have to come along to the tea instead, Chloe.” “Very well. If you insist.” He didn’t insist. He did, however, sweep her a very deep bow and then another to the headmistress. “And you, too, Mrs. Westcliffe. Naturally. The duke always remarks upon your excellent company.” “Most kind,” she said again, and actually blushed. Armand looked dead at me. There was that challenge behind his gaze, that one I’d first glimpsed at the train station. “We find ourselves in harmony, then. I shall see you in a few days, Miss Jones.” I tightened my fingers into the wad of the smock and forced my lips into an upward curve. He smiled back at me, that cold smile that said plainly he wasn’t duped for a moment. I did not get a bow. Jesse was at the hamper when I went to toss in the smock. Before I could, he took it from me, eyes cast downward, no words. Our fingers brushed beneath the cloth. That fleeting glide of his skin against mine. The sensation of hardened calluses stroking me, tender and rough at once. The sweet, strong pleasure that spiked through me, brief as it was. That had been on purpose. I was sure of it.

Well, now, if I didn’t think you sewed his collar with white thread, but it’s black.” “Why, I did sew it with white! Tom!” But Tom did not wait for the rest. As he went out at the door he said: “Siddy, I’ll lick you for that.” In a safe place Tom examined two large needles which were thrust into the lapels of his jacket, and had thread bound about them—one needle carried white thread and the other black. He said: “She’d never noticed if it hadn’t been for Sid. Confound it! sometimes she sews it with white, and sometimes she sews it with black. I wish to geeminy she’d stick to one or t’other—I can’t keep the run of ’em. But I bet you I’ll lam Sid for that. I’ll learn him!” He was not the Model Boy of the village. He knew the model boy very well though—and loathed him. Within two minutes, or even less, he had forgotten all his troubles. Not because his troubles were one whit less heavy and bitter to him than a man’s are to a man, but because a new and powerful interest bore them down and drove them out of his mind for the time—just as men’s misfortunes are forgotten in the excitement of new enterprises. This new interest was a valued novelty in whistling, which he had just acquired from a negro, and he was suffering to practise it undisturbed. It consisted in a peculiar bird-like turn, a sort of liquid warble, produced by touching the tongue to the roof of the mouth at short intervals in the midst of the music—the reader probably remembers how to do it, if he has ever been a boy. Diligence and attention soon gave him the knack of it, and he strode down the street with his mouth full of harmony and his soul full of gratitude. He felt much as an astronomer feels who has discovered a new planet—no doubt, as far as strong, deep, unalloyed pleasure is concerned, the advantage was with the boy, not the astronomer. The summer evenings were long. It was not dark, yet.

The Two Towers especially, and the first part of The Return of the King, have a structure reminiscent on a large scale of ‘The Council of Elrond’ on a small one. The word that describes the structure is ‘interlace’. Tolkien certainly knew the word, for it has become a commonplace of Beowulf-criticism, but he may not have liked it much: it is associated also with the structure of French prose romance, in which he took little interest. However, Tolkien certainly also knew that the Icelandic word for a short story is a Þáttr, literally a thread. One could say that several Þættir, or threads, twisted round each other, make up a saga; and Gandalf comes close to saying something like that when he says to Théoden, ‘There are children in your land who, out of the twisted threads of story, could pick the answer to your question’ (my emphasis). Tolkien may have felt that there had been all along a native version of the French technique of entrelacement, even if we no longer know the native word for it. But word, or no word, he was going to do it.

I am Fenris,” said the man. He started to say something more, to add another name or rank, but cut himself short. “Fenris,” he repeated. “Marra.” “Fenris,” said the dust-wife. She snorted, looking over at Marra. “So you built yourself a dog and found yourself a wolf. If a fox shows up looking for you, we’ll have a proper fairy tale and I’ll start to worry.” “Why?” asked Marra. “If I’m in a fairy tale, I might actually have a chance.” “Fairy tales,” said the dust-wife heavily, “are very hard on bystanders. Particularly old women. I’d rather not dance myself to death in iron shoes, if it’s all the same to you.” “Perhaps you’re the fox,” said Marra. “Ha!” the dust-wife’s laugh really did have a bit of a fox’s bark to it. “I deserved that.” “Do you have a name, Lady Fox?” asked Fenris. Marra could not tell if he was amused or irked by the conversation. “Yes,” said the dust-wife. The silence stretched out. Marra picked at a thread of the nettle cloak, waiting. If there was a battle of wills, the dust-wife won. Fenris’s laugh was not terribly unlike the dust-wife’s, the short, self-deprecating sound of a man who could still recognize absurdity. “What do you wish me to call you, ma’am?” “Ma’am will work very well indeed. I am a dust-wife.

The imperialist found it useful to incorporate the credible and seemingly unimpeachable wisdom of science to create a racial classification to be used in the appropriation and organization of lesser cultures. The works of Carolus Linnaeus, Georges Buffon, and Georges Cuvier, organized races in terms of a civilized us and a paradigmatic other. The other was uncivilized, barbaric, and wholly lower than the advanced races of Europe. This paradigm of imaginatively constructing a world predicated upon race was grounded in science, and expressed as philosophical axioms by John Locke and David Hume, offered compelling justification that Europe always ought to rule non-Europeans. This doctrine of cultural superiority had a direct bearing on Zionist practice and vision in Palestine. A civilized man, it was believed, could cultivate the land because it meant something to him; on it, accordingly, he produced useful arts and crafts, he created, he accomplished, he built. For uncivilized people, land was either farmed badly or it was left to rot. This was imperialism as theory and colonialism was the practice of changing the uselessly unoccupied territories of the world into useful new versions of Europe. It was this epistemic framework that shaped and informed Zionist attitudes towards the Arab Palestinian natives. This is the intellectual background that Zionism emerged from. Zionism saw Palestine through the same prism as the European did, as an empty territory paradoxically filled with ignoble or, better yet, dispensable natives. It allied itself, as Chaim Weizmann said, with the imperial powers in carrying out its plans for establishing a Jewish state in Palestine. The so-called natives did not take well to the idea of Jewish colonizers in Palestine. As the Zionist historians, Yehoshua Porath and Neville Mandel, have empirically shown, the ideas of Jewish colonizers in Palestine, this was well before World War I, were always met with resistance, not because the natives thought Jews were evil, but because most natives do not take kindly to having their territory settled by foreigners. Zionism not only accepted the unflattering and generic concepts of European culture, it also banked on the fact that Palestine was actually populated not by an advanced civilization, but by a backward people, over which it ought to be dominated. Zionism, therefore, developed with a unique consciousness of itself, but with little or nothing left over for the unfortunate natives. In fact, I would go so far as to say that if Palestine had been occupied by one of the well-established industrialized nations that ruled the world, then the problem of displacing German, French, or English inhabitants and introducing a new, nationally coherent element into the middle of their homeland would have been in the forefront of the consciousness of even the most ignorant and destitute Zionists. In short, all the constitutive energies of Zionism were premised on the excluded presence, that is, the functional absence of native people in Palestine; institutions were built deliberately shutting out the natives, laws were drafted when Israel came into being that made sure the natives would remain in their non-place, Jews in theirs, and so on. It is no wonder that today the one issue that electrifies Israel as a society is the problem of the Palestinians, whose negation is the consistent thread running through Zionism. And it is this perhaps unfortunate aspect of Zionism that ties it ineluctably to imperialism- at least so far as the Palestinian is concerned. In conclusion, I cannot affirm that Zionism is colonialism, but I can tell you the process by which Zionism flourished; the dialectic under which it became a reality was heavily influenced by the imperialist mindset of Europe. Thank you. -Fictional debate between Edward Said and Abba Eban.

Daniel could feel ir,like a layer of skin was lifting off his bones. His past self's body was slowly cleaving from his own.The venom of separation coursed through him,threading deep into the fibers of his wings.The pain was so raw it was nauseating, roiling deep inside him with great tidal swells. His vision clouded; ringing filled his ears.The starshot in his hand tumbled to the ground.Then,all at once, he felt a great shove and a sharp,cold breath of air.There was a long grunt and two thuds,and then- His vision cleared.The ringing ceased. He felt lightness, simplicity. Free. Miles lay on the ground below him, chest heaving. The starshot in Daniel's hand disappeared. Daniel spun around to find a specter of his past self standing behind him,his skin gray and his body wraithlike,his eyes and teeth coal-black,the starshot grasped in his hand. His profile wobbled in the hot wind,like the picture on a shorted-out television. "I'm sorry," Daniel said,reaching forward and clutching his past self at the base of his wings.When Daniel lifted the shadow of himself off the ground, his body felt scant and insufficient.His fingers found the graying portal of the Announcer through which both Daniels had traveled just before it fell apart. "Your day will come," he said. Then he pitched his past self back into the Announcer. He watched the void fading in the hot sun. The body made a drawn-out whistling sound as it tumbled into time, as if it were falling off a cliff. The Announcer split into infinitesimal traces,and was gone.

She stole surreptitious glances at Christopher, as she had been doing all evening, mesmerized by the sight of him. He was tawny and sun glazed, the candlelight finding threads of gold in his hair. The yellow glow struck sparkling glints in the new growth of bristle on his face. She was fascinated by the raw, restless masculinity beneath his quietness. She wanted to revel in him as one might dash out-of-doors in a storm, letting the elements have their way. Most of all she longed to talk with him…to pry each other open with words, share every thought and secret. “My sincere thanks for your hospitality,” Christopher finally said at the conclusion of the meal. “It was much needed.” “You must return soon,” Cam said, “especially to view the timber yard in operation. We have installed some innovations that you may want to use at Riverton someday.” “Thank you. I would like to see them.” Christopher looked directly at Beatrix. “Before I depart, Miss Hathaway, I wonder if you would introduce me to this notorious mule of yours?” His manner was relaxed…but his eyes were those of a predator. Beatrix’s mouth went dry. There would be no escaping him. That much was clear. He wanted answers. He would have them either now or later. “Now?” she asked wanly. “Tonight?” “If you don’t mind,” he said in a far too pleasant tone. “The barn is but a short walk from the house, is it not?” “Yes,” Beatrix said, rising from her chair. The men at the table stood obligingly. “Excuse us, please. I won’t be long.” “May I go with you?” Rye asked eagerly. “No, darling,” Amelia said, “it’s time for your bath.” “But why must I wash if I can’t see any dirt?” “Those of us who have a difficult time with godliness,” Amelia replied with a grin, “must settle for cleanliness.

In consequence of the inevitably scattered and fragmentary nature of our thinking, which has been mentioned, and of the mixing together of the most heterogeneous representations thus brought about and inherent even in the noblest human mind, we really possess only *half a consciousness*. With this we grope about in the labyrinth of our life and in the obscurity of our investigations; bright moments illuminate our path like flashes of lighting. But what is to be expected generally from heads of which even the wisest is every night the playground of the strangest and most senseless dreams, and has to take up its meditations again on emerging from these dreams? Obviously a consciousness subject to such great limitations is little fitted to explore and fathom the riddle of the world; and to beings of a higher order, whose intellect did not have time as its form, and whose thinking therefore had true completeness and unity, such an endeavor would necessarily appear strange and pitiable. In fact, it is a wonder that we are not completely confused by the extremely heterogeneous mixture of fragments of representations and of ideas of every kind which are constantly crossing one another in our heads, but that we are always able to find our way again, and to adapt and adjust everything. Obviously there must exist a simple thread on which everything is arranged side by side: but what is this? Memory alone is not enough, since it has essential limitations of which I shall shortly speak; moreover, it is extremely imperfect and treacherous. The *logical ego*, or even the *transcendental synthetic unity of apperception*, are expressions and explanations that will not readily serve to make the matter comprehensible; on the contrary, it will occur to many that “Your wards are deftly wrought, but drive no bolts asunder.” Kant’s proposition: “The *I think* must accompany all our representations ,” is insufficient; for the “I” is an unknown quantity, in other words, it is itself a mystery and a secret. What gives unity and sequence to consciousness, since by pervading all the representations of consciousness, it is its substratum, its permanent supporter, cannot itself be conditioned by consciousness, and therefore cannot be a representation. On the contrary, it must be the *prius* of consciousness, and the root of the tree of which consciousness is the fruit. This, I say, is the *will*; it alone is unalterable and absolutely identical, and has brought forth consciousness for its own ends. It is therefore the will that gives unity and holds all its representations and ideas together, accompanying them, as it were, like a continuous ground-bass. Without it the intellect would have no more unity of consciousness than has a mirror, in which now one thing now another presents itself in succession, or at most only as much as a convex mirror has, whose rays converge at an imaginary point behind its surface. But it is *the will* alone that is permanent and unchangeable in consciousness. It is the will that holds all ideas and representations together as means to its ends, tinges them with the colour of its character, its mood, and its interest, commands the attention, and holds the thread of motives in its hand. The influence of these motives ultimately puts into action memory and the association of ideas. Fundamentally it is the will that is spoken of whenever “I” occurs in a judgement. Therefore, the will is the true and ultimate point of unity of consciousness, and the bond of all its functions and acts. It does not, however, itself belong to the intellect, but is only its root, origin, and controller.

Today I had a lively discussion with a merchant in Fez with a view to finding out what the Moors think of European civilization.... He was a fine man, about forty years old, with an honest and serious face, who had made business visits to the most important cities in Western Europe and had lived for a long time in Tangier, where he learnt Spanish.... I asked him therefore what kind of impression the large cities of Europe had made on him.... He looked hard at me and answered coldly: “Large streets, fine shops, beautiful palaces, good workshops, everything clean.” He gave the impression that with these words, he had mentioned everything in our countries that was worthy of praise. “Have you not found anything else in Europe that is beautiful and good?” I asked. He looked at me questioningly. “Is it possible,” I went on, “that an intelligent man like you, who has visited several countries so marvelously superior to your own can speak about them without astonishment, or at least without the emotion of a country boy who has seen the pasha’s palace? What can you possibly admire in the world? What sort of people are you? Who can possibly understand you?” “Perdone Usted”, he answered coldly, “it is for me to say that I cannot understand you. I have told you all the things which I consider to be better in Europe. What more can I say? Have I to say something that I do not believe to be true? I repeat that your streets are larger than ours, your shops finer, that you have workshops such as we do not have, and also rich palaces. That is all. I can only add one more thing: that you know more than we do, because you have many books, and read more.” I became impatient. “Do not lose patience, Caballero,” he said, “let us speak together calmly. Is not a man’s first duty honesty? Is it not honesty more than anything else that makes a man worthy of respect, and one country superior to another? Very well, then. As far as honesty is concerned, your countries are certainly not better than ours. That much I can say right away.” “Gently, gently!” I said, “Tell me first what you mean by honesty!” “Honesty in business, Caballero. The Moors, for example, sometimes cheat the Europeans in trade, but you Europeans cheat the Moors much more often.” “There must be a few cases,” I replied, in order to say something. “Casos raros?” he exclaimed angrily. “It happens every day! Proof: I go to Marseilles. I buy cotton. I choose a particular thread, give the exact reference number and brand-name, as well as the amount required. I ask for it to be sent, I pay, and I return home. Back in Morocco, I receive the cotton. I open the consignment, and take a look. I find the same number, the same brand-name, and a thread that is of one third the thickness! This is anything but good, and I lose thousands of francs! I rush to the consulate, but in vain. Another case: A merchant from Fez places an order in Europe for blue cloth, so many pieces, of such and such a length and breadth. He pays for it when the bargain is made. In due course he receives the cloth, opens the package, and checks the measurements. The first pieces are all right, those underneath are shorter, and those lowest down are half a meter too short! The cloth cannot be used for cloaks, and the merchant is ruined. . . . And so on and so on!

Lady Thornton, how very good of you to find the time to pay us a social call! Would it be too pushing of me to inquire as to your whereabouts during the last six weeks?” At that moment Elizabeth’s only thought was that if Ian’s barrister felt this way about her, how much more hatred she would face when she confronted Ian himself. “I-I can imagine what you must be thinking,” she began in a conciliatory manner. He interrupted sarcastically, “Oh, I don’t think you can, madam. If you could, you’d be quite horrified at this moment.” “I can explain everything,” Elizabeth burst out. “Really?” he drawled blightingly. “A pity you didn’t try to do that six weeks ago!” “I’m here to do it now,” Elizabeth cried, clinging to a slender thread of control. “Begin at your leisure,” he drawled sarcastically. “here are only three hundred people across the hall awaiting your convenience.” Panic and frustration made Elizabeth’s voice shake and her temper explode. “Now see here, sir, I have not traveled day and night so that I can stand here while you waste time insulting me! I came here the instant I read a paper and realized my husband is in trouble. I’ve come to prove I’m alive and unharmed, and that my brother is also alive!” Instead of looking pleased or relieved he looked more snide than before. “Do tell, madam. I am on tenterhooks to hear the whole of it.” “Why are you doing this?” Elizabeth cried. “For the love of heaven, I’m on your side!” “Thank God we don’t have more like you.” Elizabeth steadfastly ignored that and launched into a swift but complete version of everything that had happened from the moment Robert came up behind her at Havenhurst. Finished, she stood up, ready to go in and tell everyone across the hall the same thing, but Delham continued to pillory her with his gaze, watching her in silence above his steepled fingertips. “Are we supposed to believe that Banbury tale?” he snapped at last. “Your brother is alive, but he isn’t here. Are we supposed to accept the word of a married woman who brazenly traveled as man and wife with another man-“ “With my brother,” Elizabeth retorted, bracing her palms on the desk, as if by sheer proximity she could make him understand. “So you want us to believe. Why, Lady Thornton? Why this sudden interest in your husband’s well-being?” “Delham!” the duchess barked. “Are you mad? Anyone can see she’s telling the truth-even I-and I wasn’t inclined to believe a word she said when she arrived at my house! You are tearing into her for no reason-“ Without moving his eyes from Elizabeth, Mr. Delham said shortly, “Your grace, what I’ve been doing is nothing to what the prosecution will try to do to her story. If she can’t hold up in here, she hasn’t a chance out there!” “I don’t understand this at all!” Elizabeth cried with panic and fury. “By being here I can disprove that my husband has done away with me. And I have a letter from Mrs. Hogan describing my brother in detail and stating that we were together. She will come here herself if you need her, only she is with child and couldn’t travel as quickly as I had to do. This is a trial to prove whether or not my husband is guilty of those crimes. I know the truth, and I can prove he isn’t.” “You’re mistaken, Lady Thornton,” Delham said in a bitter voice. “Because of its sensational nature and the wild conjecture in the press, this is no longer a quest for truth and justice in the House of Lords. This is now an amphitheater, and the prosecution is in the center of the stage, playing a starring role before an audience of thousands all over England who will read about it in the papers. They’re bent on giving a stellar performance, and they’ve been doing just that. Very well,” he said after a moment. “Let’s see how well you can deal with them.

it grows. When a larva pops out of its last skin, it becomes a pupa. The pupa stage is a short "rest stop" before it becomes an adult. Pupas don't eat, they just rest. Maybe they're saving up energy to fly. The complete change from larva to adult happens while it is a pupa. When a butterfly caterpillar sheds its last skin, its inner skin hardens into a chrysalis. A moth caterpillar doesn't make a chrysalis. It makes a cocoon. First, it hooks a silk strand to the top of twig. Next, it fastens that same thread to the bottom of the twig. Then it hangs head-down and spins threads across for the rest of the cocoon. Find a chrysalis or cocoon and watch the new butterfly or moth emerge! What It Looks Like The cabbage caterpillar is green or tan. Its skinny body grows no longer than your thumb. It looks like a tiny cucumber, so it can easily hide on a plant, and is hard to find. It is the first bug of spring, and can be found in any garden cabbage patch. What It Eats The cabbage caterpillar was named for its favorite food. It also eats broccoli,

pupa stage is a short "rest stop" before it becomes an adult. Pupas don't eat, they just rest. Maybe they're saving up energy to fly. The complete change from larva to adult happens while it is a pupa. When a butterfly caterpillar sheds its last skin, its inner skin hardens into a chrysalis. A moth caterpillar doesn't make a chrysalis. It makes a cocoon. First, it hooks a silk strand to the top of twig. Next, it fastens that same thread to the bottom of the twig. Then it hangs head-down and spins threads across for the rest of the cocoon. Find a chrysalis or cocoon and watch the new butterfly or moth emerge! What It Looks Like

Patches of hair stuck to his wet cheekbones. His ears were threaded with tiny little wampum earrings, except at the cartilage, where the rings were turquoise. His stubby nose ended abruptly at the bottom of a short bridge. His face tapered with a round chin, a white birthmark under his jaw. He was my favorite picture. He burned into the backs of my eyes.

In Schubert, for instance, say, in Wiegenleid D867 or Der Wanderer and den Mond D870 one finds perhaps the ultimate listening experience, the composer attaining to that invisible thread which we call the 'muse', a trajectory that descries a perfect line of profitable endeavour, a teetering edge where perfection of .... tone, I think, must be the word - occupies a faltering, infinitesimally narrow arris – short of it and you fail, further and you fall – the arc of the something profound yet beyond rationalization Yeah but, no but - bleedin' classical music

Oh, yes," Father Mancuso nodded. "As Father Ryan mentioned, I've seen and heard many who've come to me as a psychotherapist and as a parish priest." Chancellor Ryan picked up the thread. "Then there are the so-called extraordinary activities of the devil in the world. Usually these are material things around a person that are affected; that might be what you're up against. We call it infestation. It breaks down into different categories which we'll explain in a minute." "Obsession," Father Nuncio put in, "is the next step, in which the person is affected either internally or externally. And finally there is possession, by which the person temporarily loses control of his faculties and the devil acts in and through him." When Father Mancuso had come to the Chancellors' office to keep his appointment, he had been somewhat embarrassed as to how to approach his problem. But he relaxed as the two priests had shown keen interest. Now with their spelling out the guidelines he must take in this kind of situation, Father Mancuso raised his hopes for deliverance from this evil. "In investigating cases of possible diabolical interference," Chancellor Ryan went on, "we must consider the following: One, fraud and deception. Two, natural scientific causes. Three, parapsychological causes. Four, diabolical influences. And five, miracles. In this case, fraud and trickery don't seem plausible. George and Kathleen Lutz seem to be normal, balanced individuals. We think you are too. The possibilities therefore are reduced to psychological, parapsychological, or diabolical influences." "We'll exclude the miraculous," Father Nuncio broke in, "because the Divine would not involve itself in the trivial and foolish." "True," said Father Ryan. "Therefore the explanation would seem to include hallucination and autosuggestion - you know, like the invisible touches Kathy experienced - and when George thought he heard that marching band. But let's take the parapsychological line. Parapsychologists like Dr. Rhine, who works at Duke University in Durham, North Carolina, define four main operations in the science. The first three come under the general heading of ESP-extrasensory perception. They are mental telepathy, clairvoyance, and precognition, which could explain George's visions and 'picking up' information that seems to coincide with known facts about the DeFeos. The fourth parapsychological area is psychokinesis, where objects move by themselves. That would be the case with the Lutzes' ceramic lion - if it did move," he added. Father Nuncio got up to refill his cup. "All of what we've said, Frank, is part of the suggestion we have for the Lutzes. Have them contact some investigative organization like Dr. Rhine's to come in and look at the house. They'll do extensive testing and I'm sure they can come to some conclusion short of diabolical influence.

She ignored the boy’s protest and kept walking. He shouldn’t be watching street fights at his age, impressionable as he was. Uncle and Auntie Yin had enough to complain about without her being a bad influence on her little cousin. The swordsman caught up with her easily, keeping an arm’s length between them while they walked together down the dusty street. There was none of the posturing and swagger she’d come to expect from Zhou’s lackeys. From outward appearances, they could have been joining one another for an afternoon stroll. “Those are exquisite.” He was talking about the swords. Twin blades; short, light and quick. Many called them butterfly swords, but there was nothing delicate about them. They were ideal weapons for a woman fighting a larger opponent. Heaven forbid he’d look at her with the same interest. She sniffed, but a thread of doubt worked loose inside her. He was the first to be interested in her skill rather than the novelty of this odd girl who dared to challenge men. “You don’t seem like one of Zhou’s thugs,” she said.

Most conversations drift.  You need to steer.  Assume the task of cutting boring threads of conversation and of offering new options.  Encourage people to tell stories they mention in passing.  Don’t wait to be invited into a group, introduce yourself.  In short: lead.

It was worse than she’d expected. “None?” she asked. “No fresh boot prints anywhere around the perimeter of the house,” Sheriff Coughlin confirmed. “It was windy last night. Maybe the drifting snow filled in the prints?” Even before she finished speaking, the sheriff was shaking his head. “With the warm temperatures we’ve been having, the snow is either frozen or wet and heavy. If someone had walked through that yard last night, there would’ve been prints.” Daisy hid her wince at his words, even though they hit as hard as an elbow to the gut, and struggled to keep her voice firm. “There was someone walking around the outside of that house last night, Sheriff. I don’t know why there aren’t any boot prints, but I definitely saw someone.” He was giving her that look again, but it was worse, because she saw a thread of pity mixed in with the condescension. “Have you given more thought to starting therapy again?” The question surprised her. “Not really. What does that have to do…?” As comprehension dawned, a surge of rage shoved out her bewilderment. “I didn’t imagine that I saw someone last night. There really was a person there, looking in the side window.” All her protest did was increase the pity in his expression. “It must get lonely here by yourself.” “I’m not making things up to get attention!” Her voice had gotten shrill, so she took a deep breath. “I even said there was no need for you to get involved. I only suggested one of the on-duty deputies drive past to scare away the kid.” “Ms. Little.” His tone made it clear that impatience had drowned out any feelings of sympathy. “Physical evidence doesn’t lie. No one was in that yard last night.” “I know what I saw.” The sheriff took a step closer. Daisy hated how she had to crane her neck back to look at him. It made her feel so small and vulnerable. “Do you really?” he asked. “Eyewitness accounts are notoriously unreliable. Even people without your issues misinterpret what they see all the time. The brain is a tricky thing.” Daisy set her jaw as she stared back at the sheriff, fighting the urge to step back, to retreat from the man looming over her. There had been someone there, footprints or no footprints. She couldn’t start doubting what she’d witnessed the night before. If she did, then that meant she’d gone from mildly, can’t-leave-the-house crazy, to the kind of crazy that involved hallucinations, medications, and institutionalization. There had to be some other explanation, because she wasn’t going to accept that. Not when her life was getting so much better. She could tell by looking at his expression that she wasn’t going to convince Coughlin of anything. “Thank you for checking on it, Sheriff. I promise not to bother you again.” Although he kept his face impassive, his eyes narrowed slightly. “If you…see anything else, Ms. Little, please call me.” That wasn’t going to happen, especially when he put that meaningful pause in front of “see” that just screamed “delusional.” Trying to mask her true feelings, she plastered on a smile and turned her body toward the door in a not-so-subtle hint for him to leave. “Of course.” Apparently, she needed some lessons in deception, since the sheriff frowned, unconvinced. Daisy met his eyes with as much calmness as she could muster, dropping the fake smile because she could feel it shifting into manic territory. She’d lost enough credibility with the sheriff as it was. The silence stretched until Daisy wanted to run away and hide in a closet, but she managed to continue holding his gaze. The memory of Chris telling her about the sheriff using his “going to confession” stare-down on suspects helped her to stay quiet. Finally, Coughlin turned toward the door. Daisy barely managed to keep her sigh of relief silent. “Ms. Little,” he said with a short nod, which she returned. “Sheriff.” Only when he was through the doorway with the door locked behind him did Daisy’s knees start to shake.

All went smoothly for the first fifteen minutes--my mother was, after all, very adept at making people comfortable. She chatted, though not excessively, primarily with me. As I had predicted, Narian was silent and observant, letting me carry the conversation while he tried to get a feel for the woman across from us, not quite trusting that she was on our side. He was never rude, and never short with her; he simply hid himself behind good etiquette. During a natural pause in conversation, my mother perused Narian and me, and her mood became contemplative. “When was it that you fell in love?” she asked. “Was it right under our noses?” “More or less,” I said with a laugh, glancing at Narian. “We became friends when he first came to Hytanica. All those trips Miranna and I made to Baron Koranis’s estate were really so I could see him.” Mother smiled and Narian glanced at me as if this were news to him. Then she picked up the thread of the conversation. “I remember falling in love,” she mused, and I wondered how far she would venture into her story, knowing it was not a wholly happy one. “I was fifteen, going through the very difficult experience of losing my family in a fire. I was brought to live in the palace, for I’d been betrothed for years to Andrius, Alera’s uncle, who later died in the war before we could be married.” I realized she was not talking to me, and that, though he was still aloof, she had captured Narian’s interest, for his deep blue eyes were resting attentively upon her. “At the time, I was so lost and alone and frightened. And then Andrius and I grew close. With him, my life made sense again. I had something to hold on to, something to steady me. What was the worst time of my life became the best.” There was a pause, and she innocently met Narian’s gaze. But her story was not innocent at all. If I could recognize the parallel she was drawing to his life in the aftermath of learning of his Hytanican heritage, then he surely could, as well. He didn’t say a word, however, and she dropped the veiled attempt to connect with him before it became awkward, turning to me instead. “I’ve told you before, Alera--Andrius lives on in you. I see him in you every day.” I smiled, tipping my head in acceptance of the compliment. “And in you--” she said, once more turning to Narian, tapping a finger against her lips in thought “--I see Cannan.” She was lightly cajoling him, exactly as a parent would do. I couldn’t imagine what was going on in his mind, but he was no longer eager to leave, his eyes never once flicking toward me or the door.

My banner was behind me and that banner would attract ambitious men. They wanted my skull as a drinking cup, my name as a trophy. They watched me as I watched them and they saw a man covered in mud, but a warlord with a wolf-crested helmet and arm rings of gold and with close-linked mail and a cloak of darkest blue hemmed with golden threads and a sword that was famous throughout Britain. Serpent-Breath was famous, but I sheathed her anyway, because a long blade is no help in the shield wall’s embrace, and instead I drew Wasp-Sting, short and lethal. I kissed her blade then bellowed my challenge at the winter wind. “Come and kill me! Come and kill me!” And they came.

The clurichaun wasn’t going to be winning any beauty contests. Not only was he short—four feet at best—but he was rather squat. Not brawny, but of a sturdy build with shorter-than-average legs and overly long arms. His face, which could best be described as having been sculpted by a young child, didn’t improve upon his unusual proportions. His nose was bulbous and lumpy, his ears stuck out from his head, and his short hair shot out from his head in uneven spikes. His clothes were another matter entirely. The stained and ripped jeans were held up by a twine belt, and the faded plaid shirt was half-untucked, missing buttons, and one arm was holding on to the body of the shirt by a thread. “Oh,

We equate being smart and being driven as the ways to get ahead. But sometimes, an attitude of alert watchfulness is far wiser and more effective. Learning to follow your nose, pulling on threads of curiosity or interest, may take you places that being driven will never lead you to.

How will that infrastructure, that secret of secrets this side of our theses and our theory, be able in turn to rest upon the acts of absolute consciousness? Does the descent into the realm of our 'archeology' leave our analytical tools intact? Does it make no changes at all in our conception of noesis, noema, and intentiomality--in our ontology? After we have made this descent, are we still entitled to seek in an analytics of acts what upholds our own and the world's life without appeal? We know that Husserl never made himself too clear about these questions. A few words are there like indicators pointing to the problem--signaling unthought-of elements to think about. To begin with, the element of a 'pre-theoretical constitution,' which is charged with accounting for 'pre-givens,' those kernels of meaning about which man and the world gravitate. We may with equal truth say of these pre-givens (as Husserl says of the body) either that they are always 'already constituted' for us or that they are 'never completely constituted'—in short, that consciousness is always behind or ahead of them, never contemporaneous. Husserl was undoubtedly thinking of these singular beings when in another connection he evoked a constitution which would not proceed by grasping a content as an exemplification of a meaning or an essence (Auffassungsinhalt-Auffassung als . . .) , an operating or latent intentionality like that which animates time, more ancient than the intentionality of human acts. There must be beings for us which are not yet kept in being by the centrifugal activity of consciousness: significations it does not spontaneously confer upon contents, and contents which participate obliquely in a meaning in the sense that they indicate a meaning which remains a distant meaning and which is not yet legible in them as the monogram or stamp of thetic consciousness. In such cases we do still have a grouping of intentional threads around certain knots which govern them, but the series of retro-references (Rückdeutungen) which lead us ever deeper could not possibly reach completion in the intellectual possession of a noema. There is an ordered sequence of steps, but it is without end as it is without beginning.

Expressive speech does not simply choose a sign for an already defined signification, as one goes to look for a hammer in order to drive a nail or for a claw to pull it out. It gropes around a significative intention which is not guided by any text, and which is precisely in the process of writing the text. If we want to do justice to expressive speech, we must evoke some of the other expressions which might have taken its place and were rejected, and we must feel the way in which they might have touched and shaken the chain of language in another manner and the extent to which this particular expression was really the only possible one if that signification was to come into the world. In short, we must consider speech before it is spoken, the background of silence which does not cease to surround it and without which it would say nothing. Or to put the matter another way, we must uncover the threads of silence that speech is mixed together with.

the forms of the landscape – like the identities and capacities of its human inhabitants – are not imposed upon a material substrate but rather emerge as condensations or crystallizations of activity within a relational field. As people, in the course of their everyday lives, make their way by foot around a familiar terrain, so its paths, textures and contours, variable through the seasons, are incorporated into their own embodied capacities of movement, awareness and response – or into what Gaston Bachelard calls their ‘muscular consciousness’. But conversely, these pedestrian movements thread a tangled network of personalized trails through the landscape itself. Through walking, in short, landscapes are woven into life, and lives are woven into the landscape, in a process that is continuous and never-ending.

Baron Otto von Bismarck-Schönhausen had just returned from St. Petersburg, where he had been Prussian ambassador. He was a conservative of the extreme type, hated and feared by the liberal and national party no less than Metternich. But no man better than he comprehended the policy of Austria, and all the complicated threads composing

I want you, and you say you want me, and the only thing standing in our way is you. Don’t tell me that you survived all those battles, and suffered through so much, merely to come home for this--” He laid his fingers against her mouth. “Quiet. Let me think.” “What is there to--” “Beatrix,” he warned. She fell silent, her gaze locked on his severe features. Christopher frowned, weighing possibilities, inwardly debating the issue without seeming to come to any satisfactory conclusion. In the silence, Beatrix rested her head on his shoulder. His body was warm and comforting, the deep-flexing muscles easily accommodating her weight. She wriggled to press closer to him, until she felt the satisfying hardness of his chest against her breasts. And she adjusted her position as she felt the firm pressure of him lower down. Her body ached to gather him in. Furtively she brushed her lips against the salt-scented skin of his neck. He clamped his hand on her hip. Amusement threaded through his voice. “Stop squirming. There is no possible way a man can think when you’re doing that.” “Haven’t you finished thinking yet?” “No.” But she felt him smile as he kissed her forehead. “If you and I marry,” he said eventually, “I would be put in the position of trying to protect my wife against myself. And your well-being and happiness are everything to me.” If…Beatrix’s heart leaped into her throat. She began to speak, but Christopher nudged his knuckles beneath her chin, gently closing her mouth. “And regardless of what fascinating ideas your family may have about the marital relationship,” he continued, “I have a traditional view. The husband is master of the household.” “Oh, absolutely,” Beatrix said, a bit too quickly. “That’s what my family believes, too.” His eyes narrowed skeptically. Perhaps that had been taking it a bit far. Hoping to distract him, Beatrix nuzzled her cheek into his hand. “Could I keep my animals?” “Of course.” His voice softened. “I would never deny something so important to you. Although I can’t help but ask…is the hedgehog negotiable?” “Medusa? Oh, no, she couldn’t survive on her own. She was abandoned by her mother as kit, and I’ve taken care of her ever since. I suppose I could try to find a new home for her, but for some reason people don’t take readily to the idea of pet hedgehogs.” “How odd of them,” Christopher said. “Very well, Medusa stays.” “Are you proposing to me?” Beatrix asked hopefully. “No.” Closing his eyes, Christopher let out a short sigh. “But I’m considering it against all better judgment.

My eyes wandered over the wall of pines circling the water. A short walk through these woods can yield tales as ancient as the glaciers that carved its fertile floor and as new as each thin green thing that threads its way through it to be born above. But the ponds that lace this place tell a different story; their absence is their power. Every silver surface is an empty page waiting to ripple with the truth the wind writes about the wild world around it. I

Slowly, carefully, she threaded her arms around his neck and hugged him. Under her touch, his muscles were rigid, bunched, braced. But then it was like he melted, and his arms came around her in return. For a long moment, he held on tight, like she was his anchor. And then he pulled back enough to rest his forehead on her shoulder, the pain that had rolled off of him moments before replaced by a heavy weariness. She stroked the back of his head and neck, soft caresses meant to comfort. She loved holding this big man in her arms, loved knowing that maybe she wasn’t the only one in need of some comfort and protection and reassurance. “Know what’ll make you feel better?” she said after a little while. “You?” Her heart literally panged in her chest at the sweetness of that single word. She kissed the side of his head, his super short hair tickling her lips. “Besides me.” Reaching out with her hand, she grabbed the milk-shake glass and her spoon. Easy sat up, an eyebrow arched as he looked between her and the ice cream. She scooped some onto the spoon and held it out to him. “Trust me.” Skepticism plain on his face, he ate what she offered. Jenna couldn’t keep from grinning at his lack of reaction. “You clearly need more. Here.” He swallowed the second spoonful, too, but still wasn’t looking particularly better. “This is a very serious case,” she said playfully. “Better make it a double this time.” The spoon nearly overflowed. A smile played around the corners of Easy’s lips, and it filled her chest with a warm pressure. He ate it just before it dripped, humor creeping into his dark eyes. “See? It’s working. I knew it.” This time he stole the spoon right out of her fingers. “Problem is, you aren’t administering this medicine the proper way,” he said as he filled the spoon himself. Jenna grinned again, happy to see lightness returning to his expression. “I’m not?” “Nope,” he said, shaking his head. “This is what will really help.” He held the spoon up to her lips. “How will me taking it—” “No questioning. Just obeying.” There was that cocked eyebrow again. “Oh, is that how it is?” she asked, smirking. When he just stared at her, she gave in and ate the ice cream. Next thing she knew, his lips were on hers. Avoiding the cut on her lip, Easy’s cool tongue slowly snaked over her lips and stroked at her tongue. He grasped the back of her head as he kissed and nibbled at her. The rich flavor of the chocolate combined with another taste that was all Easy and made her moan in appreciation. His grip tightened, his tongue stroked deeper, and a throaty groan spilled from his lips. One more soft press of his lips against hers, and he pulled away. Jenna was nearly panting, and very definitely wanting more. “You’re right,” she said, “that is much more effective.” He gave a rare, open smile, and it made her happy to see it after how sad he’d seemed a few minutes before. “Told ya,” he said with a wink. She nodded. “But, you know, that could’ve been a fluke. Just to be sure it really worked, maybe you should, um, give me another dose?” Easy looked at her a long moment, then leaned in and scooped another spoonful from her nearly empty glass. He held it out to her, making her heart flutter in anticipation. When she tilted her head toward the spoon, he yanked it away and ate the ice cream himself. “No fair,” Jenna sputtered, reaching for the spoon. “That is not what the doctor prescribed.” Holding the spoon above his head put it out of Jenna’s reach, even with them sitting on the bed. She pushed to her knees, grabbed hold of his shoulder, and lunged for it. Laughing, he banded an arm around her lower back and held her in place, easily avoiding her grabs. Jenna couldn’t stop laughing as they wrestled for the spoon. It was stupid and silly and childish . . . and exactly what she needed. And it seemed he did, too. It was perfect.

Loretta awoke shortly after dawn, alone in a cocoon of fur. She had only the haziest memory of Hunter carrying her to bed after making love to her last night. She sat up, clutching the buffalo robe to her naked breasts. Her clothing lay neatly folded on the foot of the bed, the rawhide wrappings for her braids resting on top. Her blond hair fascinated Hunter, and he had never yet made love to her without first unfastening her braids. A sad smile touched her mouth. Hunter, the typical slovenly Indian, picking up after his tosi wife. She had been so wrong about so many things. She hugged her knees and rested her chin on them, gazing sightlessly into the shadows, listening to the village sounds. A woman was calling her dog. Somewhere a child was crying. The smell of roasting meat drifted on the breeze. Familiar sounds, familiar smells, the voices of friends. When had the village begun to seem like home? Loretta closed her eyes, searching desperately within herself for her own identity and memories, but white society was no longer a reality to her. Hunter had become the axis of her world, Hunter and his people. Amy lay sleeping on her pallet a short distance away. Loretta listened to her even breathing. Amy, Aunt Rachel, home. Could she return there now and pick up the threads of her old life? The answer wasn’t long in coming. Life without Hunter would be no life at all.

A rat, Evie,” she murmured. “A rat on my table . . . gnaws the threads . . . the salamander stares at me from the shadows . . . the serpent coils around the tree . . . and chokes its roots.” How had she gotten so much worse in such a short time? Her gaze darted. “Spite couldn’t spit . . . and the Devil knew his verses. The cups see the future . . . in a chalice of blood.” ...“Only you can bring us back. You must win . . . the earth depends on it. Cards know it . . . beware the Fool . . . dark dealings. The dark calling, the calling dark.” When she started on another rant, I touched her arm. “What about the Fool?” “The wild card! The game keeper.”... “You have to kill Death. He will turn on you—they all will. Death is poisoning me!” I read until her chest no longer rose and fell. My grandmother was at peace. For some reason, I turned to the last page. Gran had updated the chronicles. The first entry: The cunning Empress has beguiled Death, until all he can see is her. He reunites an Arcana with her Tarasova, courting his own destruction. Another entry: They are murdering me, but the Empress turns a blind eye. Though they have tricked her, I see clearly. She won’t do what’s necessary, so I have put the end into motion. She can never be with him. She has no idea what Life and Death become. . . . What had she meant by that? And what “necessary” thing had she put into motion? I left you clues, Evie. Nothing is as it seems. Midnight serpents choke the roots. The Agent. The ro—

I prefer to travel alone." "But was that always the way? In your dreams is that the way still? Or do you wish to go back a ways? To twist a thread whole that cruel Atropos cut so short?

The very short version of my own response is that we separated ourselves from nature at some point in our history, and eventually developed a view of ourselves as creatures that need to be controlled in order for society to exist at all. The result is the world in which we live, which is based on separation, scarcity, and powerlessness.

Grassroots leaders must weave a hundred voices and wills into a single, strong thread to wind with others into a cable that can, with more cables, hold up a bridge in partnership with bigger forces. Reverend Johnny Ray Youngblood and Yolanda Garcia, for example, weren’t afraid to hold power. They understood that for all the danger it presents, sometimes the righteous must wrap their hands around the live wire in order to achieve the greater good. In short, people have to step up and find the courage to lead, but no one can lead all the time. They must also let themselves be led by others.

a thousand things that can become a metaphor for our existence in our lives and a thousand to live, die and be reborn. Everyone is intertwined in the threads of purpose and existence. Each of us is a character in a cosmic play. Some acts are short, others long.

Why, Neph, do they live on? Isn’t it better to be dead, to die quickly and with some honour than to be worked and beaten to death like a beast?” “No,” Neph answered shortly. “I don’t understand. I would die and welcome the dark lord Osiris.” “No, you wouldn’t,” Neph said. “But I tell you I would!” “Ah, yes, you tell me that. When life is full and sweet and young, as it is with a prince of the Great House, then the thought of surrendering it becomes an easy abstraction. You have so much life that you can be prodigal with it, Moses. But when life hangs by a thread, then by all the gods that be, it is nothing you give up easily! Life is the reason for life, as you will some day learn, and reason enough, you may be sure.

In the detailed account of the years gone by, we are so far from finding a guiding principle, or even a general orientation, the irregular thread that would allow us to follow the course of the past and to appreciate its relative coherence retrospectively. Instead we find ourselves confronted with a fluid, composite mass where, among certain factual elements in our memories, which are also the memories of our hopes, expectations, and disappointments, there are a few holes that give a strange inconsistency to the days past, an awareness of external constraints of all kinds that weighed on our lives to the point of making us sometimes doubt that they were really ours. And finally there is the premonition that our future will not follow in an orderly way from our present any more than our present has from our past, which precedes but escapes it. In short, exactly the opposite of a curriculum vitae or a career plan, and sometimes the shadow of a doubt about our singular, individual identity.

vice president, and secretary of the treasury beam down from the walls. Visitors pass a sequence of photographs and paintings detailing the history of paper money in the United States and culminating with a life-size re-creation of President Lincoln signing the legislation authorizing the federal government to print money. At the end of the long corridor, visitors watch a short video on the history of paper money, after which guides divide them into small groups before they enter the work area. These small groups wend their way through the carefully marked visitors’ corridors past glass-enclosed galleries from which they can watch the sheets of dollars being printed, examined, cut, and stacked as the guides dispense a constant flow of facts about America’s money: The dollar is printed on textile paper made by the Crane Company using a mixture of 75 percent cotton and 25 percent linen with a polyester security thread. The printing machines are made by Germans and Italians. Nearly half of the bills printed in a day are one-dollar notes, and 95 percent of the bills are used to replace worn-out bills. The average life span of a bill varies from eighteen months for the one-dollar note to an ancient nine years for a one-hundred-dollar note. A bill can be folded four thousand times before it tears.

Gossamer threads from spiderwebs draped the branches like silvery lace.

And who shall tell the history of his bright young jailers at the mill? Little is known but this: the pestilence born of the flies alighted on that home, and when the grim one left it there were two new mounds, short mounds in the sleeping ground that is overlooked by the wooden tower. Who can tell us what snowflake set the avalanche a-rolling, or what was the one, the very spark which, quenched, had saved the royal city from the flames. This only did we know: that the Bats were destroying the bearers of the plague about that house; many Bats had fallen by the gun, and the plague struck in that house where the blow was hardest to be borne. We do not know. It is a chain with many links; we have not the light to see; and the only guide that is always safe to follow in the gloom is the golden thread of kindness, the gospel of Assisi’s Saint.

The Short, Uneventful Life of Spike Furious Alex paled. His hands rose to his forehead, his fingers threading through and gripping his hair. “What is it, Spike? What’s wrong?” Spike’s eyes rolled back and her lids closed. Her sides heaved, and a moan came from somewhere deep inside her.

She hopped off the counter, ducked her head under me to catch my gaze, and palmed my face. “No, he was angry and provoked. You took a bullet for me, Romeo.” I scowled. “Don’t be dramatic.” “Thank you.” Since I’d made no progress finding the starting point to stitch myself, I cleared my throat, stepping back. “You’re welcome. Now leave.” “I want you.” Her hand ran the length of my chest up to my shoulder. I want you, too, which is why I need you to get the hell away from here.I no longer recognize myself or my actions where you’re concerned. You’ve become a liability I cannot afford. Rather than kick her out, I set the needle and thread down. “You can ride my thigh.” “I want to ride your cock.” She teased up the short hem of her olive satin dress. “When you forced me to tag along to Le Bleu, didn’t you say you’ll fuck me if I behave? I behaved.” “I said I’ll fuck you when you’re on your period.” “I interpreted that differently.” “It’s not a Benedict de Spinoza book. It was not open to different interpretations.” “Whatever. That last time wasn’t so great anyway.” Contrary to her words, her dress inched up, flirting with the border of her lace panties. “It happened so long ago that I don’t even remember much. Was I even there? Were you?” Egging me on wouldn’t work. Sadly for her, I was more sophisticated than that. She continued, undeterred. “Oliver told me you’re a born-again virgin. You know your pee pee has other functions, right?” “Leave, Dallas.” (Chapter 55)

We haven’t met properly,” I said, as she threaded me through housekeeping carts vomiting fluffy white towels. “People call me Ern.” “As in, cremated?” “It’s short for Ernest.

When I thought of my ancestors, if I thoughts of them at all, as some sort of vague and amorphous collection of dead people with no solid connection to me or the modern world and certainty no real relevance to either. It was interesting enough to read about the Cro Magnons got up to all those years ago but nothing much to do with me. But once I had realised through genetics that one of my ancestors was actually there taking part is was no longer merely interesting it is overwhelming. DNA is the messenger to luminate that connection, handed down generation to generation, carried, literally, in the bodies of my ancestors. Each message traces a journey through time and space, a journey made by the long lines that springs from the ancestral mothers. We will never know all the details of these journeys over thousands of years and thousands of miles, but we can at least imagine them. I am on a stage. Before me, in the dim light are all who have ever lives are lined up - rank upon rank, stretching far into the distance. They make no sound that I can hear but they are talking to each other. I have in my hand the end of a thread which connects me to my ancestral mother, way at the back. I pull on the thread and one woman's face in every generation, feeling the tug, looks up at me. Their faces stand out from the crowd and they are illuminated by a strange light. These are my ancestors. I recognise my grandmother in the front row, but the faces in the generations behind her are unfamiliar to me. I look down the line. The women do not all look the same. Some are tall, some are short, some are beautiful, some are plain, some look wealthy, others poor. I want to ask them each in turn about their lives, their hopes, their disappointments, their joys and their sacrifices. I speak but they cannot hear. I feel a strong connection. These are all my mothers who passed this precious message from one to another through a thousand births, a thousand screams, a thousand embraces, a thousand new born babies. The thread becomes an umbilical cord. A thousand rows back stands Tara herself, the ancestral mother of my clan. She pulls on the cord. In the great throng, a million ancestors feel the tug in lines that radiate out from her source.

Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008

No last words for your Muse?

Unfortunately, marriageable daughters are men's favoured trading coin.

Somewhere deep inside, a sharp jolt reminds her of another boy with laughter in his eyes.

It is needless to day, therefore, that when someone mentioned I was blind - and I was old enough to fully understand the implications of such a statement - it caught me quite by surprise. I had never before suspected to miss some vital experience. It had never even occurred to me that other people experienced the world in a different way than I did. (...) I am relieved to say that colours did not lose their beauty to me despite my failing to percieve them as normal people did.

If someone had told her seven years ago that she would love so fiercely again, that there would be a person so dear to her the very thought oof losing them would make her cry like a maidenn again, she would have laughed in their face. But here she is, knowing she wouldn't want it any other way.

They say old men are wise, but I am not one of them. I am a madman.

If she wins, then what? It will not change anything. It will not mean anything, not really. She will still be married off to a man twice her age. She will still be confined, she will still be but a vessel of memories. What does she care for the approval of her father, for glory? Glory will not sustain her. Glory will not love her. She stops.

Philomena and I look at each other, Itys' corpse splayed on both our laps. There is no guilt or regret on our faces. This had to be done. He was his father's son.

Through the tapestry of time, love and death stand as the master weavers, altering the threads of our destinies with a tenderness that mends and a cruelty that rends, leaving no heart untouched by their transformative touch.

For a split second, Az thought Madi might tell him to move so he could slide in behind him, but after a moment's hesitation, he stepped into the oval-shaped tub and sat, moving until he was flush against Az, leaning back tentatively, shoulders up around his ears. Az chuckled. “At ease, motek. I simply want your company. I’m not waiting here with a weapon under the bubbles.” Madi relaxed visibly, resting his head against Az’s shoulder. “That’s better.” Az let his hands roam along Madi’s chest and torso. It seemed the best way to appreciate Madi’s form: slick, soapy fingers playing at his nipples, slipping along the ridges of his abdomen, threading through the hair just beneath his navel, stopping just short of his cock before slowly traveling upward again. Madi gave a sigh that sounded almost content. Az nuzzled behind his ear and along the curve of his throat, enjoying the salty tang of Madi’s skin on his lips. The longer Az caressed him, the more tranquil Madi seemed to grow, his chest rising and falling beneath Az’s hands. “Why didn’t you let me answer the question?” he finally asked. “What?” Madi asked, voice husky. “Earlier. Why didn’t you let me answer the question the therapist asked? What I admired about you? Did you think I’d have nothing to say?” Madi hesitated. “I don’t know. Maybe. Maybe I don’t want to know. Maybe once it’s out there, there’s no taking it back.” Az threaded wet fingers through Madi’s hair, murmuring, “And if I don’t want to take it back?” Madi took a deep breath, shaking his head. “What is there for men like us? Just this. Fighting. Fucking. Killing. Mistrust. Misunderstandings.” “Is that all this is to you?” Az asked, knowing in his heart that wasn’t how Madi truly saw them, even if it would make things easier for the both of them if he did. Madi was quiet, but his hand caught Az’s wrist, sliding to tangle their fingers together. This gesture spoke the words it seemed Madi could not, causing a warmth to spread through Az that rivaled the bath water. Az spoke before he could stop himself. “The first thing I admired about you was your beauty. You were a sight for sore eyes that night in the bar, and I was shocked you wanted me.” This time, it was Madi who turned his head, nosing under Az’s chin in a barely-there touch. “When I realized why you were there after a bit of shameless snooping, I dismantled your weapon, not because you were the competition, but because I realized after the night we spent together, the only way I’d ever see you again was if I did something to make you angry enough to want to get even.” Madi didn’t answer but squeezed Az’s hand. Az could feel the uptick in his breaths, which told him Madi was listening. “I admire your skill with a weapon, motek, your precision. The way you kill is art. Truly. But you fucked like you killed…from a safe distance, where nobody can harm you. I needed you closer to me. At the core of every stupid decision I’ve made, every backwards plan, it was always just that. I wanted you—the real you—as close as I could get you.” “Why?” Madi asked, voice raw. “Because I knew, even then I think, that I could love you, but I wasn’t sure I could ever break down your walls enough to get you to love me.” “Yet here I am.” Az raised their intertwined fingers to kiss Madi’s palm. “Yes, here you are.

For a split second, Az thought Madi might tell him to move so he could slide in behind him, but after a moment's hesitation, he stepped into the oval-shaped tub and sat, moving until he was flush against Az, leaning back tentatively, shoulders up around his ears. Az chuckled. “At ease, motek. I simply want your company. I’m not waiting here with a weapon under the bubbles.” Madi relaxed visibly, resting his head against Az’s shoulder. “That’s better.” Az let his hands roam along Madi’s chest and torso. It seemed the best way to appreciate Madi’s form: slick, soapy fingers playing at his nipples, slipping along the ridges of his abdomen, threading through the hair just beneath his navel, stopping just short of his cock before slowly traveling upward again. Madi gave a sigh that sounded almost content. Az nuzzled behind his ear and along the curve of his throat, enjoying the salty tang of Madi’s skin on his lips. The longer Az caressed him, the more tranquil Madi seemed to grow, his chest rising and falling beneath Az’s hands. “Why didn’t you let me answer the question?” he finally asked. “What?” Madi asked, voice husky. “Earlier. Why didn’t you let me answer the question the therapist asked? What I admired about you? Did you think I’d have nothing to say?” Madi hesitated. “I don’t know. Maybe. Maybe I don’t want to know. Maybe once it’s out there, there’s no taking it back.” Az threaded wet fingers through Madi’s hair, murmuring, “And if I don’t want to take it back?” Madi took a deep breath, shaking his head. “What is there for men like us? Just this. Fighting. Fucking. Killing. Mistrust. Misunderstandings.” “Is that all this is to you?” Az asked, knowing in his heart that wasn’t how Madi truly saw them, even if it would make things easier for the both of them if he did. Madi was quiet, but his hand caught Az’s wrist, sliding to tangle their fingers together. This gesture spoke the words it seemed Madi could not, causing a warmth to spread through Az that rivaled the bath water. Az spoke before he could stop himself. “The first thing I admired about you was your beauty. You were a sight for sore eyes that night in the bar, and I was shocked you wanted me.” This time, it was Madi who turned his head, nosing under Az’s chin in a barely-there touch. “When I realized why you were there after a bit of shameless snooping, I dismantled your weapon, not because you were the competition, but because I realized after the night we spent together, the only way I’d ever see you again was if I did something to make you angry enough to want to get even.” Madi didn’t answer but squeezed Az’s hand. Az could feel the uptick in his breaths, which told him Madi was listening. “I admire your skill with a weapon, motek, your precision. The way you kill is art. Truly. But you fucked like you killed…from a safe distance, where nobody can harm you. I needed you closer to me. At the core of every stupid decision I’ve made, every backwards plan, it was always just that. I wanted you—the real you—as close as I could get you.” “Why?” Madi asked, voice raw. “Because I knew, even then I think, that I could love you, but I wasn’t sure I could ever break down your walls enough to get you to love me.” “Yet here I am.” Az raised their intertwined fingers to kiss Madi’s palm. “Yes, here you are.

Sustained strength is different from short-burst strength. Sustained strength is an athletic attribute particularly prized by wrestlers, boxers, mixed martial artists, football, basketball, hockey and lacrosse players. The common thread is participation in athletic events of long duration where last minute flurries make the difference between winning and losing, between 1st and 8th.