Thistle Flower Quotes

Die when I may, I want it said of me by those who knew me best, that I always plucked a thistle and planted a flower where I thought a flower would grow.

Common thistle is everywhere,” she said. “Which is perhaps why human beings are so relentlessly unkind to one another.

عشرون عاما من الحب تجعل المرأة وردا بلا شوك،عشون عاما من الزواج تجعل المرأة شوكا بلا ورد

Still must the poet as of old, In barren attic bleak and cold, Starve, freeze, and fashion verses to Such things as flowers and song and you; Still as of old his being give In Beauty's name, while she may live, Beauty that may not die as long As there are flowers and you and song.

I'm more of a thistle-peony-basil kind of girl.

Rich folks get a paved road with flowers growing along the sides. Poor folks get a bumpy, rocky cow path with thorns and thistles that slow them down. That’s just how it is. Now I’m not complaining but we need to even out those roads, some, Russell Ray.” - Opal Davis

Perfection" Every oak will lose a leaf to the wind. Every star-thistle has a thorn. Every flower has a blemish. Every wave washes back upon itself. Every ocean embraces a storm. Every raindrop falls with precision. Every slithering snail leaves its silver trail. Every butterfly flies until its wings are torn. Every tree-frog is obligated to sing. Every sound has an echo in the canyon. Every pine drops its needles to the forest floor. Creation's whispered breath at dusk comes with a frost and leaves within dawn's faint mist, for all of existence remains perfect, adorned, with a dead sparrow on the ground. (Poem titled : 'Perfection' by R.H.Peat)

What will your help cost me?” “Did I say I would help you?” His eyes went to the cream ribbons trailing up from her shoes to wrap around her ankles until they disappeared under the hem of her eyelet dress. It was one of her mother’s old gowns, covered in a stitched pattern of pale purple thistles, tiny yellow flowers, and little foxes.

You're very ugly for fairies," she said. "Aye, well, the ones you gen'rally see are for the pretty flowers, ye ken," said Rob Anybody, inventing desperately. "We're more for the stingin' nettles and bindweed an' Old Man's Troosers an' thistles, okay? It wouldna be fair for only the bonny flowers tae have fairies noo, would it? It'd prob'ly be against the law, eeh?...

Some stories last many centuries, others only a moment. All alter over that lifetime like beach-glass, grow distant and more beautiful with salt. Yet even today, to look at a tree and ask the story Who are you? is to be transformed. There is a stage in us where each being, each thing, is a mirror. Then the bees of self pour from the hive-door, ravenous to enter the sweetness of flowering nettles and thistle. Next comes the ringing a stone or violin or empty bucket gives off -- the immeasurable's continuous singing, before it goes back into story and feeling. In Borneo, there are palm trees that walk on their high roots. Slowly, with effort, they lift one leg then another. I would like to join that stilted transmigration, to feel my own skin vertical as theirs: an ant-road, a highway for beetles. I would like not minding, whatever travels my heart. To follow it all the way into leaf-form, bark-furl, root-touch, and then keep walking, unimaginably further.

He gripped her chin and forced her to look at him. “You’re a thistle, Helen. Tough and spiky and able to flourish in a rocky, brutal place. You draw blood with your prickers. But a thistle also has a flower. A rich, purple, majestic flower, like a crown.

If I could, I would choose every day another form, plant or animal, I would be all the flowers one by one: weed, thistle or rose; a tropical tree with a tangle of branches, seaweed cast by the shore, or mountain whipped by winds; bird of prey, a croaking bird, or a bird with a melodious song; beast of the forest or tame animal. Let me live the life of every species , wildly and un-self-consciously, let me try out the entire spectrum of nature, let me change gracefully, discreetly, as if it were the most natural procedure.

I want it said of me by those who know me best that I always plucked a thistle and planted a flower where I thought a flower would grow.

Count the thistles ,one ,two ,three, soon the Imps will all be free. Count the thistles , four, five, six, Take up your guns, your stones and sticks. The ash trees turn from green to red, Spring has gone, the summer's dead. Count the minutes, not the hours, 'Cause hope starts as a little flower.

Mindful of you the sodden earth in spring, And all the flowers that in the springtime grow, And dusty roads, and thistles, and the slow Rising of the round moon, all throats that sing The summer through, and each departing wing, And all the nests that the bared branches show, And all winds that in any weather blow, And all the storms that the four seasons bring. You go no more on your exultant feet Up paths that only mist and morning knew, Or watch the wind, or listen to the beat Of a bird’s wings too high in air to view,— But you were something more than young and sweet And fair,—and the long year remembers you.

The path remained steady for a time before dwindling down to dusty silt. The sky opened above as trees fell away on either side. To their right, the land dipped down into a tiny, almost impossibly beautiful valley. A stream ran through its lowest point, its bank lined in pink lupine. Before that, tall, dark green grass sparkled with white flashes in the sunlight. Late season dandelions and breathy, tiny white flowers on slender stems were avoided by bees, while purple thistles and asters thronged with them. "I could do with a little bit of a break," she said, looking longingly at the soft, moss-covered braes above the tinkling water. The prince made a big show of cautiously surveying the scene. Aurora Rose hid a smile. Nothing seemed harmful. "All right," he finally said. "My face could definitely do with a wash. Feels all dusty." They stepped down into the quiet valley that smelled like all of summer crushed into a single flower.

There are strawberries growing among my bulbs. Wild ones, seeded from God knows where, poking their pale little fingers among the tulips and crocuses. Wild strawberries are invasive; not quite as invasive as dandelions, but those little heart-shaped leaves conceal a powerful hunger for conquest, sending their runners everywhere, each one an outpost preparing itself for a future invasion. And yet I cannot bring myself, père, to curb their cheery exuberance. Though more or less worthless in terms of fruit, the little white flowers and pretty leaves make excellent ground count cover, keeping the thistles and ragwort at bay without suppressing my daffodils. And besides, in summer, there may be enough of the tiny red berries to put on a tart, or flavor a glassful of sweet white wine. That is, if the birds do not steal them first. They too enjoy their sweetness. Those strawberries will creep, Reynaud, said Narcisse's voice in my mind. Let them stay, and in a month, your beds will be nothing but strawberries.

Die when I may, I want it said of me by those who knew me best, that I always plucked a thistle and planted a flower where I thought a flower would grow.   —Abraham Lincoln (1809–1865) American President (1861–1865)

For eight years I dreamed of fire. Trees ignited as I passed them; oceans burned. The sugary smoke settled in my hair as I slept, the scent like a cloud left on my pillow as I rose. Even so, the moment my mattress started to burn, I bolted awake. The sharp, chemical smell was nothing like the hazy syrup of my dreams; the two were as different as Carolina and Indian jasmine, separation and attachment. They could not be confused. Standing in the middle of the room, I located the source of the fire. A neat row of wooden matches lined the foot of the bed. They ignited, one after the next, a glowing picket fence across the piped edging. Watching them light, I felt a terror unequal to the size of the flickering flames, and for a paralyzing moment I was ten years old again, desperate and hopeful in a way I had never been before and never would be again. But the bare synthetic mattress did not ignite like the thistle had in late October. It smoldered, and then the fire went out. It was my eighteenth birthday.

Each living wall was formed of different rare flowers. Burning orange starfire lilies. Deep purple twilight thistles. Brilliant gold creeping faisies. Champagne delights. Scorching red feverbells. All of which grew and stretched with every person that stepped inside.

Final Disposition Others divided closets full of mother's things. From the earth, I took her poppies. I wanted those fandango folds of red and black chiffon she doted on, loving the wild and Moorish music of them, coating her tongue with the thin skin of their crimson petals. Snapping her fingers, flamenco dancer, she'd mock the clack of castanets in answer to their gypsy cadence. She would crouch toward the flounce of flowers, twirl, stamp her foot, then kick it out as if to lift the ruffles, scarlet along the hemline of her yard. And so, I dug up, soil and all, the thistle-toothed and gray-green clumps of leaves, the testicle seedpods and hairy stems both out of season, to transplant them in my less-exotic garden. There, they bloom her blood's abandon, year after year, roots holding, their poppy heads nodding a carefree, opium-ecstatic, possibly forever sleep.

Just think! The only reason the world knows anything about them [Jesus’ Apostles] is because having met the Savior, they made Him their guide in life. If they hadn’t, nobody now would know that such men had ever lived. They would have lived and died and been forgotten just as thousands of other men in their day lived and died and nobody knows or cares anything about them; just as thousands and thousands are living today, wasting their time and energy in useless living, choosing the wrong kind of men for their ideals, turning their footsteps into the road of Pleasure and Indulgence instead of the road of Service. Soon they will reach the end of their journey in life, and nobody can say that the world is any better for their having lived in it. At the close of each day such men leave their pathway as barren as they found it—they plant no trees to give shade to others, nor rose-bushes to make the world sweeter and brighter to those who follow—no kind deeds, no noble service—just a barren, unfruitful, desert-like pathway, strewn, perhaps, with thorns and thistles. Not so with the disciples who chose Jesus for their Guide. Their lives are like gardens of roses from which the world may pluck beautiful flowers forever.

THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".

Kore stood amidst the the sheaves of barley to wave Demeter over, then crouched again and poked her finger into the soil. Dark green leaves shot out in every direction, and she circled her wrist upward, raising a stalk out of the earth. She stood slowly. The plant crept toward her hand. Kore splayed her fingers wide and a purple blossom sprang from the thorny stalk. "Oh, Kore, if you grow a thistle in the barley field, someone might prick their finger." "Wait," Kore said, smiling. "Just watch." A fiery copper butterfly fluttered on the warm breeze and alighted on the blossom. Demeter smiled. "You see? I saw her wandering in the barley and made her a home. You don't mind, do you?" "My sweet, clever girl, of course I don't." Demeter hugged Kore. The butterfly folded its wings, fed and content. "My thistle won't interfere with the harvest, will it?" Kore knit her brows. "Not in the slightest." The butterfly spread its wings, sunlight catching them as they fanned. "I don't think she will be alone for long. Surely a good mate will come looking for her.

Now Flush knew what men can never know—love pure, love simple, love entire; love that brings no train of care in its wake; that has no shame; no remorse; that is here, that is gone, as the bee on the flower is here and is gone. Today the flower is a rose, tomorrow a lily; now it is the wild thistle on the moor, now the pouched and portentous orchid of the conservatory. So variously, so carelessly Flush embraced the spotted spaniel down the alley, and the brindled dog and the yellow dog—it did not matter which. To Flush it was all the same. He followed the horn wherever the horn blew and the wind wafted it. Love was all; love was enough. No one blamed him for his escapades.

{From Luther Burbank's funeral. He was loved until he revealed he was an atheist, then he began to receive death threats. He tried to amiably answer them all, leading to his death} It is impossible to estimate the wealth he has created. It has been generously given to the world. Unlike inventors, in other fields, no patent rights were given him, nor did he seek a monopoly in what he created. Had that been the case, Luther Burbank would have been perhaps the world's richest man. But the world is richer because of him. In this he found joy that no amount of money could give. And so we meet him here today, not in death, but in the only immortal life we positively know--his good deeds, his kindly, simple, life of constructive work and loving service to the whole wide world. These things cannot die. They are cumulative, and the work he has done shall be as nothing to its continuation in the only immortality this brave, unselfish man ever sought, or asked to know. As great as were his contributions to the material wealth of this planet, the ages yet to come, that shall better understand him, will give first place in judging the importance of his work to what he has done for the betterment of human plants and the strength they shall gain, through his courage, to conquer the tares, the thistles and the weeds. Then no more shall we have a mythical God that smells of brimstone and fire; that confuses hate with love; a God that binds up the minds of little children, as other heathen bind up their feet--little children equally helpless to defend their precious right to think and choose and not be chained from the dawn of childhood to the dogmas of the dead. Luther Burbank will rank with the great leaders who have driven heathenish gods back into darkness, forever from this earth. In the orthodox threat of eternal punishment for sin--which he knew was often synonymous with yielding up all liberty and freedom--and in its promise of an immortality, often held out for the sacrifice of all that was dear to life, the right to think, the right to one's mind, the right to choose, he saw nothing but cowardice. He shrank from such ways of thought as a flower from the icy blasts of death. As shown by his work in life, contributing billions of wealth to humanity, with no more return than the maintenance of his own breadline, he was too humble, too unselfish, to be cajoled with dogmatic promises of rewards as a sort of heavenly bribe for righteous conduct here. He knew that the man who fearlessly stands for the right, regardless of the threat of punishment or the promise of reward, was the real man. Rather was he willing to accept eternal sleep, in returning to the elements from whence he came, for in his lexicon change was life. Here he was content to mingle as a part of the whole, as the raindrop from the sea performs its sacred service in watering the land to which it is assigned, that two blades may grow instead of one, and then, its mission ended, goes back to the ocean from whence it came. With such service, with such a life as gardener to the lilies of the field, in his return to the bosoms of infinity, he has not lost himself. There he has found himself, is a part of the cosmic sea of eternal force, eternal energy. And thus he lived and always will live. Thomas Edison, who believes very much as Burbank, once discussed with me immortality. He pointed to the electric light, his invention, saying: 'There lives Tom Edison.' So Luther Burbank lives. He lives forever in the myriad fields of strengthened grain, in the new forms of fruits and flowers, plants, vines, and trees, and above all, the newly watered gardens of the human mind, from whence shall spring human freedom that shall drive out false and brutal gods. The gods are toppling from their thrones. They go before the laughter and the joy of the new childhood of the race, unshackled and unafraid.

Within it grew such a variety of plants as Elizabeth had ever seen: white roses, carnations, lobelias, mimosas, even sweet peas tumbling over each other in vigorous abandon. At one end was an herb garden, and Elizabeth recognized rue, fennel, caraway, sage, thyme and mint. Through a doorway at the rear of the courtyard she could see a grove of olive and lemon trees and on the short walk from the harbor to the house she had spotted tall, spiky thistle-like plants, palms and trees covered in white flowers. She was seized with an immediate desire to open her sketchbook and take out the magnifying glass from the pocket of her cloak, to capture the intricate detail of an almond blossom, its calyx and corolla, stamens and carpel, or perhaps to draw the curl of a vine tendril or a spiky aloe leaf

The rapid growth of Message- combined with an outpouring of florists offering consultations in the language of flowers to the streams of brides Marlena and I turned away- caused a subtle but concrete shift in the Bay Area flower industry. Marlena reported that peony, marigold, and lavender lingered in their plastic buckets at the flower market while tulips, lilac, and passionflower sold out before the sun rose. For the first time anyone could remember, jonquil became available long after its natural bloom season had ended. By the end of July, bold brides carried ceramic bowls of strawberries or fragrant clusters of fennel, and no one questioned their aesthetics but rather marveled at the simplicity of their desire. If the trajectory continued, I realized, Message would alter the quantities of anger, grief, and mistrust growing in the earth on a massive scale. Farmers would uproot fields of foxglove to plant yarrow, the soft clusters of pink, yellow, and cream the cure to a broken heart. The prices of sage, ranunculus, and stock would steadily increase. Plum trees would be planted for the sole purpose of harvesting their delicate, clustered blossoms and sunflowers would fall permanently out of fashion, disappearing from flower stands, craft stores, and country kitchens. Thistle would be cleared compulsively from empty lots and overgrown gardens.

The only point that everyone I spoke with in Rome agrees upon is that Armando al Pantheon is one of the city's last true trattorie. Given the location, Claudio and his family could have gone the way of the rest of the neighborhood a long time ago and mailed it in with a handful of fresh mozzarella and prosciutto. But he's chosen the opposite path, an unwavering dedication to the details- the extra steps that make the oxtail more succulent, the pasta more perfectly toothsome, the artichokes and favas and squash blossoms more poetic in their expression of the Roman seasons. "I experiment in my own small ways. I want to make something new, but I also want my guests to think of their mothers and grandmothers. I want them to taste their infancy, to taste their memories. Like that great scene in Ratatouille." I didn't grow up on amatriciana and offal, but when I eat them here, they taste like a memory I never knew I had. I keep coming back. For the cacio e pepe, which sings that salty-spicy duet with unrivaled clarity, thanks to the depth charge of toasted Malaysian peppercorns Claudio employs. For his coda alla vaccinara, as Roman as the Colosseum, a masterpiece of quinto quarto cookery: the oxtail cooked to the point of collapse, bathed in a tomato sauce with a gentle green undertow of celery, one of Rome's unsung heroes. For the vegetables: one day a crostini of stewed favas and pork cheek, the next a tumble of bitter puntarelle greens bound in a bracing anchovy vinaigrette. And always the artichokes. If Roman artichokes are drugs, Claudio's are pure poppy, a vegetable so deeply addictive that I find myself thinking about it at the most inappropriate times. Whether fried into a crisp, juicy flower or braised into tender, melting submission, it makes you wonder what the rest of the world is doing with their thistles.

A beautiful flower is worth more than an ugly thistle.

An ugly flower is still worth more than a beautiful thistle.

One flower is worth more than ten thousand thistles.

Emeline couldn't remember when, exactly, things changed. Only that a moment ago she was walking down palace halls and now she walked a dirt path beneath a midnight sky. Tulip trees lined the path, their flowers unfolding like burning yellow crowns among their green leaves. The farther they walked, the taller the trees grew, until they were impossibly tall. So tall, they seemed to brush the stars. The path ended in a grove of silver birches. Moonlight pooled in from the canopy above, illuminating a bone-white throne and a man seated upon it. Atop his head sat a crown of rosebud thorns. His skin was sunbrowned, his hair moon pale; and instead of robes, water adorned him. It flowed in rivers from his hair, over his neck and shoulders where it began to gush, like a waterfall, down the rest of his body. Emeline could see no glimpse of skin beyond the cascade, but at his feet water pooled and sank into the brown earth. Wherever it touched, gray and purple thistles grew. The Wood King.

In high summer males can be very common. They sit around on flowers drinking nectar. They prefer flowers with big sturdy heads such as thistles and natweeds and gangs of males can often be seen clustered together, reminiscent of a group of men propping up the bar in a pub.

Black-Eyed Susans, Cosmos, Globe Amaranth, Phlox, Daylilies, and Shasta Daisies Daylilies, Taro, Coneflower, Black-Eyed Susan, Yarrow, and Lavender Global Thistle, Silver Sage, Columbine, and Bee Balm Tulips, Daffodils, Hosta, Grape Hyacinth, and Asters

michinobe no / mukuge wa uma ni / kuware keri16 The roadside thistle, eager To see the travellers pass, Was eaten by the passing ass! CHP Mallow flowers By the side of the road — Devoured by my horse. DK

The Fall of humankind means that the original design of the world is broken. In the Garden, men and women were called to work- to care for and cultivate the earth. When Adam and Eve sinned, part of the curse was that now "thorns and thistles" would grow out of the ground as well as flowers and food. This means that the good pattern of the life God created here is not completely eradicated, but it now falls far short of its original intent. It should be that hard work would always lead to prosperity, but now sometimes you can work hard and injustice or disaster wipes it away.

die when I may, I want it said of me by those who know me best that I always plucked a thistle and planted a flower where I thought a flower would grow.”   Late

Isobel?" Why on earth would she open the door and allow the winter wind to blast into the cottage, especially wearing naught but her underclothing? Dirk hurried across the room, drew her back and closed the door. "What are you doing?" Her eyes were open but she wasn't looking at him. Was she asleep? "Go back to bed, Isobel." With his hands on her upper arms, he gently turned her toward the bed. She resisted and reached for the door. "Going home." He could understand that, for he wanted to go home, himself. But neither of them could do that at the moment. Knowing she wasn't going to obey him, he lifted her into his arms. She was light as a wee thistle flower but not near as prickly. He'd helped her mount the horse a few times, but he'd never held her like this, in his arms with her curvy body leaning against him. When he turned with her, she giggled. The playful sound wound through his body in a heated swirl of excitement. She slid her arms 'round his neck and held on tightly while he carried her back to the bed. She snuggled her face against his neck, her warm breath teasing his skin. Arousal surged through him, but when she kissed his throat, he thought he might go up in flames. Saints! He wanted to do the same to her, trail kisses down her throat, untie her smock and… He shook his head, trying to clear it. Standing by the bed, he remained still, though his instincts raged at him to crush her sweet body beneath his on the mattress. He drew in a deep breath, fighting to calm his desires. "Are you awake?" he whispered. She hummed a sleepy sound and placed another wee kiss against his neck. Restraining a moan, he glanced down at her. In the dimness, he couldn't see if her eyes were open or closed. But she smelled heavenly, like lavender and woman. Just put her in the bed and leave her be! He lowered her to the mattress but she did not relinquish her hold on his neck. He knew he should simply remove her slender arms, but he couldn't seem to make himself do it. Her breath tickled his face. Her mouth, no less than an inch or two from his, tempted him, made him crave just one taste.

February 16 MORNING “I have learned, in whatever state I am, therewith to be content.” — Philippians 4:11 THESE words show us that contentment is not a natural propensity of man. “Ill weeds grow apace.” Covetousness, discontent, and murmuring are as natural to man as thorns are to the soil. We need not sow thistles and brambles; they come up naturally enough, because they are indigenous to earth: and so, we need not teach men to complain; they complain fast enough without any education. But the precious things of the earth must be cultivated. If we would have wheat, we must plough and sow; if we want flowers, there must be the garden, and all the gardener’s care. Now, contentment is one of the flowers of heaven, and if we would have it, it must be cultivated; it will not grow in us by nature; it is the new nature alone that can produce it, and even then we must be specially careful and watchful that we maintain and cultivate the grace which God has sown in us. Paul says, “I have learned . . . to be content;” as much as to say, he did not know how at one time. It cost him some pains to attain to the mystery of that great truth. No doubt he sometimes thought he had learned, and then broke down. And when at last he had attained unto it, and could say, “I have learned in whatsoever state I am, therewith to be content,” he was an old, grey-headed man, upon the borders of the grave — a poor prisoner shut up in Nero’s dungeon at Rome. We might well be willing to endure Paul’s infirmities, and share the cold dungeon with him, if we too might by any means attain unto his good degree. Do not indulge the notion that you can be contented with learning, or learn without discipline. It is not a power that may be exercised naturally, but a science to be acquired gradually. We know this from experience. Brother, hush that murmur, natural though it be, and continue a diligent pupil in the College of Content.

Have you ever given anyone a red rose?" Grant asked. I looked at him as if he was trying to force-feed me foxglove. "Moss rose? Myrtle? Pink?" he pressed. "Confession of love? Love? Pure love?" I asked, to make sure we shared the same definitions. He nodded. "No, no, and no." I picked a pale blush-colored bud and shredded the petals one at a time. "I'm more of a thistle-peony-basil kind of girl," I said. "Misanthropy-anger-hate," said Grant. "Hmm." I turned away. "You asked," I said. "It's kind of ironic, don't you think?" he asked, looking around us at the roses. They were all in bloom, and not one was yellow. "Here you are, obsessed with a romantic language- a language invented for expression between lovers- and you use it to spread animosity.

The more I read, the more I felt my understanding of the universe slip away from me. Columbine symbolized both 'desertion' and 'folly'; poppy, 'imagination' and 'extravagance'. The almond blossom, listed as 'indiscretion' in Elizabeth's dictionary, appeared in others as 'hope' and occasionally 'thoughtlessness'. The definitions were not only different, they were often contradictory. Even common thistle- the staple of my communication- appeared as 'misanthropy' only when it wasn't defined as 'austerity'.

Thistles and dandelions, They are my flowers. Burdock and tangleweed, Blackberries sour,

In these days of living in a dry land that wants fire, we need to find words, or burn. 'I dreamt of rain last night.' Mai stood near my skin, on the bank of the American River, her flesh wet with simplicity. The scent of star thistle mixed with river mud. ' I met people in my dreams who had never known the inside of a lotus flower. Ever.' In the center of each word another word unfolded. Our ankles cold from the river. Her hands trembled. Bewildered fingers. Be careful around those who claim to know the history of fire and yet remain unafraid of rain.