Thief Of Night Quotes

We've searched our database for all the quotes and captions related to Thief Of Night. Here they are! All 200 of them:

She wanted none of those days to end, and it was always with disappointment that she watched the darkness stride forward.
Markus Zusak (The Book Thief)
Dear parents, Jasmine was in a relationship with a dirty homeless boy named Aladdin. Snow White lived alone with 7 men. Pinnochio was a liar. Robin Hood was a thief. Tarzan walked around without clothes on. A stranger kissed sleeping beauty and she married him. Cinderella lied and snuck out at night to attend a party. You can't blame us. We were taught to rebel since a young age.
Walt Disney Company
On many counts, taking a boy like Rudy Steiner was robbery--so much life, so much to live for--yet somehow, I'm certain he would have loved to see the frightening rubble and the swelling of the sky on the night he passed away. He'd have cried and turned and smiled if only he could have seen the book thief on her hands and knees, next to his decimated body. He'd have been glad to witness her kissing his dusty, bomb-hit lips. Yes, I know it. In the darkness of my dark-beating heart, I know. He'd have loved it all right. You see? Even death has a heart.
Markus Zusak (The Book Thief)
Make no mistake, the woman had a heart. She had a bigger one that people would think. There was a lot in it, stored up, high in miles of hidden shelving. Remember that she was the woman with the instrument strapped to her body in the long, moon-slit night.
Markus Zusak (The Book Thief)
O me, you juggler, you canker-blossom, you thief of love!
William Shakespeare (A Midsummer Night’s Dream)
It was one of those moments of perfect tiredness, of having conquered not only the work at hand, but the night who had blocked the way.
Markus Zusak (The Book Thief)
his hair was permed and gelled like a New Jersey girl's on homecoming night. Percy Jackson
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Each night, Liesel would step outside, wipe the door, and watch the sky. Usually it was like spillage - cold and heavy, slippery and gray - but once in a while some stars had the nerve to rise and float, if only for a few minutes. On those nights, she would stay a little longer and wait. Hello, stars.
Markus Zusak (The Book Thief)
With her enchanting songs, her rare beauty, and clever tricks, this wild 'wanderess' ensnared my soul like a gypsy-thief, and led me foolish and blind to where you find me now. The first time I saw her, fires were alight. It was a spicy night in Barcelona. The air was fragrant and free.
Roman Payne (The Wanderess)
Death’s a funny thing. I used to think it was a big, sudden thing, like a huge owl that would swoop down out of the night and carry you off. I don’t anymore. I think it’s a slow thing. Like a thief who comes to your house day after day, taking a little thing here and a little thing there, and one day you walk round your house and there’s nothing there to keep you, nothing to make you want to stay. And then you lie down and shut up forever. Lots of little deaths until the last big one.
Neil Gaiman (The Sandman, Vol. 10: The Wake)
One day you will wonder what was so important that you put off doing the most important things. 'Someday' can be a thief in the night.
Deborah Brown
Erotic play discloses a nameless world which is revealed by the nocturnal language of lovers. Such language is not written down. It is whispered into the ear at night in a hoarse voice. At dawn it is forgotten.
Jean Genet (The Thief's Journal)
He shook his head pityingly. “This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.” “Not all men are destined for greatness,” I reminded him. “Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?” “This is philosophy, Fool. I have never had time to study such things.” “No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
I am a good enough thief to steal a shadow from a tower," she told him. "I can steal back your heart.
Holly Black (Book of Night (Book of Night, #1))
Brand a man as a thief and no one will ever hire him for honest labor - he will be a hardened robber within weeks. The brand does not reveal a person's nature, it shapes it.
Frances Hardinge (Fly by Night)
Crooked Warden, I will fear no darkness for the night is yours," muttered Locke, pointing the first two fingers of his left hand into the darkness. The Dagger of the Thirteenth, a thief's gesture against evil. "Your night is my cloak, my shield, my escape from those who hunt to feed the noose. I will fear no evil, for you have made the night my friend." "Bless the Benefactor," said Jean, squeezing Locke's left forearm. "Peace and profit to his children.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
Possibly the only good to come out of these nightmares was that it brought Hans Hubermann, her new papa, into the room, to soothe her, to love her. He came every night and sat with her. The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered, "Shhh, I'm here, it's all right." After three weeks he held her. Trust was accumulated quickly, due primarily to the brute strength of the man's gentleness, his thereness. The girl knew from the outset that Hans Hubermann would always appear midscream, and he would not leave. (36)
Markus Zusak (The Book Thief)
Maybe I am the monster. After all, I come out to play at night. But so do you, little one. You’re out in the darkness, too.
L.J. Shen (The Kiss Thief)
Well I see you there with the rose in your teeth One more thin gypsy thief Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried. And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear
Leonard Cohen
I want a dyke for president. I want a person with AIDS for president and I want a fag for vice president and I want someone with no health insurance and I want someone who grew up in a place where the earth is so saturated with toxic waste that they didn’t have a choice about getting leukemia. I want a president that had an abortion at sixteen and I want a candidate who isn’t the lesser of two evils and I want a president who lost their last lover to AIDS, who still sees that in their eyes every time they lay down to rest, who held their lover in their arms and knew they were dying. I want a president with no air-conditioning, a president who has stood in line at the clinic, at the DMV, at the welfare office, and has been unemployed and laid off and sexually harassed and gaybashed and deported. I want someone who has spent the night in the tombs and had a cross burned on their lawn and survived rape. I want someone who has been in love and been hurt, who respects sex, who has made mistakes and learned from them. I want a Black woman for president. I want someone with bad teeth and an attitude, someone who has eaten that nasty hospital food, someone who crossdresses and has done drugs and been in therapy. I want someone who has committed civil disobedience. And I want to know why this isn’t possible. I want to know why we started learning somewhere down the line that a president is always a clown. Always a john and never a hooker. Always a boss and never a worker. Always a liar, always a thief, and never caught.
Zoe Leonard
Sophos, you sleep with a knife under your pillow? I'm hurt." "I'm sorry," said Sounis, afraid that he had made contact with his wild swing. "I was joking. Wake up the rest of the way, would you?" "Gen, it's the middle of the night." "I know," said the king of Attolia. Sounis tried to rub the sleep out of his eyes. He was sitting up in his bed. The sky was still entirely dark, and he couldn't have been asleep for long. He suspected that he had just dropped off. The bare knife was still in his hand, he realized, and he rooted under his pillow for the sheath. "Don't you trust my palace security?" "Yes, of course," Sounis said, trying to think of some other reason besides mistrust to sleep with a knife. He heard Eugenides laugh. "My queen and I sleep with a matched set under our pillows, as well as handguns in pockets on the bedposts. Don't be embarrassed.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
Anya looked upon Nin admirably. Having him as a partner-in-crime—if only on this one occasion, which she hoped would only be the start of something more—was more revitalizing than the cheap thrills of a cookie-cutter shallow, superficial romance, where the top priority was how beautiful a person was on the outside.
Jess C. Scott (The Other Side of Life)
Yet are you so certain, good mistress, you wish to be free of this mist? Is it not better some things remain hidden from our minds?" "It may be for some, father, but not for us. Axl and I wish to have again the happy moments we shared together. To be robbed of them is as if a thief came in the night and took what's most precious from us." "Yet the mist covers all memories, the bad as well as the good. Isn't that so, mistress?" "We'll have the bad ones come back too, even if they make us weep or shake with anger. For isn't it the life we've shared?
Kazuo Ishiguro (The Buried Giant)
Time is wicked. It comes and goes like a thief in the night, stealing our youth, our beauty, and our bodies.
Robert Dugoni (The Extraordinary Life of Sam Hell)
Moments from their life together flickered: their first time making love. Eating pizza on the floor of their city apartment. The way he gently laid his thumb to still her wildly twitching eye. Who was he now? Who was she? What was happening? … Yes, my partner is a thief. A thief in the night.
Amy L. Bernstein (The Potrero Complex)
She was a Jew feeder without a question in the world on that man's first night in Molching. She was an arm reacher, deep into a mattress, to deliver a sketchbook to a teenage girl. (84.25)
Markus Zusak (The Book Thief)
I only know that all of those people would have sensed me that night, excluding the youngest of the children. I was the suggestion. I was the advice, my imagined feet walking into the kitchen and down the corridor.
Markus Zusak (The Book Thief)
I'll never look at you in any way but complete admiration.” He stroked her hair soothingly. “You will never be a millstone about my neck. Rather you're the sunshine that brightens my day.” He swallowed. “Don't you see? You brought me into the daylight. You've embraced parts of me that I was never able to let see light. Don't make me retreat again into the night. (Winter Makepeace)
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revelers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.
Edgar Allan Poe
You’re a collected debt, a retaliation, and, quite frankly, pretty decent arm candy. Good night, Miss Rossi.
L.J. Shen (The Kiss Thief)
He assumed that Audun, who obviously knew whether or not he had murdered Holger, believed it was possible that Arvid’s nephew was guilty. There were two problems with this: first, of course, Raimund knew that the blood-soaked clothes came from the unsolved murder of a jeweller four years earlier, a crime that Arvid was guilty of. Secondly, Arvid had not seen the boy since that bloody night in 1505. Back then the boy had been ten years old; now he would be fourteen and probably more man than boy. Arvid wondered if he would recognise Raimund even if he saw him. Nonetheless, given the circumstances, he knew he had better be helpful, not least because he was somewhat scared of the huntsman.
Robert Reid (The Thief (The Emperor, the Son and the Thief, #3))
I love you, Eve.” She looked away from the sun, the ocean, and into his eyes. And it was wonderful, and for the moment, it was simple. “I missed you.” She pressed her cheek to his and held him tightly. “I really missed you. I wore one of your shirts.” She could laugh at herself now because he was here. She could smell him, touch him. “I actually went into your closet and stole one of your shirts—one of the black silk ones you have dozens of. I put it on, then snuck out of the house like a thief so Summerset wouldn’t catch me.” Absurdly touched, he nuzzled her neck. “At night, I’d play your transmissions over, just so I could look at you, hear your voice.” “Really?” She giggled, a rare sound from her. “God, Roarke, we’ve gotten so sappy.” “We’ll keep it our little secret.” “Deal.” She leaned back to look at his face.
J.D. Robb (Glory in Death (In Death, #2))
For a long while I have believed – this is perhaps my version of Sir Darius Xerxes Cama’s belief in a fourth function of outsideness – that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as “natural” a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity. And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers’ seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
Salman Rushdie (The Ground Beneath Her Feet)
The Standover Man. all my life, I've been scared of men standing over me. I suppose my first standover man was my father, but he vanished before I could remember him. For some reason when I was a boy, I liked to fight. a lot of the time, I lost. Another boy, sometimes with blood falling from his nose, would be standing over me. Many years later, I needed to hide. I tried not to sleep because I as afraid of who might be there when I woke up. But I was lucky. It was always my friend.When I was hiding. I dreamed of a certain man. The hardest was when I traveled to find him. Out of sheer luck and many footsteps, I made it. I slept there for a long time. Three days, they told me...and what did I find when I woke up? Not a man, but someone else standing over me. As time passed by the girl and I realized we had things in common. But there is one strange thing. The girl says I look like something else. Now I live in a basement. Bad dreams still live in my sleep. One night, after my usual nightmare, a shadow stood above me. She said, "Tell me what you dream of." So I did. In return, she explained what her own dreams were made of. Now I think we are friends, this girl and me. It was she who gave me a gift - to me. It makes me understand that the best standover man I've ever known is not a man at all...
Markus Zusak (The Book Thief)
I am made to sow the thistle for wheat; the nettle for a nourishing dainty I have planted a false oath in the earth, it has brought forth a poison tree I have chosen the serpent for a councellor & the dog for a schoolmaster to my children I have blotted out from light & living the dove & the nightingale And I have caused the earthworm to beg from door to door I have taught the thief a secret path into the house of the just I have taught pale artifice to spread his nets upon the morning My heavens are brass my earth is iron my moon a clod of clay My sun a pestilence burning at noon & a vapor of death in night
William Blake (The Complete Poems)
For the hundredth time, she closed her eyes so she could see another room in her mind's eye, one with a curtain full of stars, and a mattress surrounded by books that whispered their stories to her at night. – Pg. 235
Cornelia Funke (The Thief Lord)
You know,” I saw, leaning across the table and taking her hand. “I could have sex with a thousand women, and it wouldn’t feel like it did that night in the orange grove.
Tarryn Fisher (Thief (Love Me with Lies, #3))
Is that what you wanted to hear?" "No." The man reached over, took hold of the lantern and blew it out. Night enveloped the barn. "Well," he said at last to the darkness between them, "that's when you know it's the truth.
Hannah Tinti (The Good Thief)
The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered “Shhh, I’m here, its alright.” After three weeks, he held her. Trust was accumulated quickly, due primarily to the brute strength of the man’s gentleness, his thereness.
Markus Zusak (The Book Thief)
Then Olivia came back. She came back, dancing like a siren. I knew exactly what she was doing the night she came to my frat house and cocked her finger at me from the dance floor. If she hadn’t come to me, I would have gone to her. Forget all you know — I said to myself. This is the one you belong with. I don’t know how I knew that. Maybe our souls touched underneath that tree. Maybe I decided to love her. Maybe love wasn’t our choice. But when I looked at that woman, I saw myself differently. And it wasn’t in a good light. Not a thing would keep me from her. And that could make a person do things they never thought themselves capable of. What I felt for her scared the hell out of me. It was a consuming obsession. In truth, I’d barely touched on the obsession. That was still coming.
Tarryn Fisher (Thief (Love Me with Lies, #3))
Blessed is the one who aids a thief, hides a thief, revenges a thief, and remembers a thief, for they shall inherit the night.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
The moon was sewn into the sky that night
Markus Zusak (The Book Thief)
Enlightenment arrives like a thief in the middle of the dark night of the soul.
Stefan Emunds
I like accuracy for its own sake, strive after it myself, and am sometimes guilty of forcing it upon others. -Bunny
E.W. Hornung (A Thief in the Night (Raffles, #3))
Where did this love come from? I don't know; it came to me like a thief in the night, and now I love her so much my heart is bursting with it.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
Darker thoughts crowded in during the deepest hours of the night when he woke listening to the secret mystifying sounds of the sleeping palace. Many nights, the king was there. Pleasant, irrelevant, and distracting, he eased Relius past nightmares and self-recrimination. Some nights he said nothing at all, just comforted with his presence. Other nights he related the events of his day, spewing out his insights and analyses of the Attolian court in a devastatingly funny critique.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
The night before brain surgery, I thought about death. I searched out my larger values, and I asked myself, if I was going to die, did I want to do it fighting and clawing or in peaceful surrender? What sort of character did I hope to show? Was I content with myself and what I had done with my life so far? I decided that I was essentially a good person, although I could have been better--but at the same time I understood that the cancer didn't care. I asked myself what I believed. I had never prayed a lot. I hoped hard, I wished hard, but I didn't pray. I had developed a certain distrust of organized religion growing up, but I felt I had the capacity to be a spiritual person, and to hold some fervent beliefs. Quite simply, I believed I had a responsibility to be a good person, and that meant fair, honest, hardworking, and honorable. If I did that, if I was good to my family, true to my friends, if I gave back to my community or to some cause, if I wasn't a liar, a cheat, or a thief, then I believed that should be enough. At the end of the day, if there was indeed some Body or presence standing there to judge me, I hoped I would be judged on whether I had lived a true life, not on whether I believed in a certain book, or whether I'd been baptized. If there was indeed a God at the end of my days, I hoped he didn't say, 'But you were never a Christian, so you're going the other way from heaven.' If so, I was going to reply, 'You know what? You're right. Fine.' I believed, too, in the doctors and the medicine and the surgeries--I believed in that. I believed in them. A person like Dr. Einhorn [his oncologist], that's someone to believe in, I thought, a person with the mind to develop an experimental treatment 20 years ago that now could save my life. I believed in the hard currency of his intelligence and his research. Beyond that, I had no idea where to draw the line between spiritual belief and science. But I knew this much: I believed in belief, for its own shining sake. To believe in the face of utter hopelessness, every article of evidence to the contrary, to ignore apparent catastrophe--what other choice was there? We do it every day, I realized. We are so much stronger than we imagine, and belief is one of the most valiant and long-lived human characteristics. To believe, when all along we humans know that nothing can cure the briefness of this life, that there is no remedy for our basic mortality, that is a form of bravery. To continue believing in yourself, believing in the doctors, believing in the treatment, believing in whatever I chose to believe in, that was the most important thing, I decided. It had to be. Without belief, we would be left with nothing but an overwhelming doom, every single day. And it will beat you. I didn't fully see, until the cancer, how we fight every day against the creeping negatives of the world, how we struggle daily against the slow lapping of cynicism. Dispiritedness and disappointment, these were the real perils of life, not some sudden illness or cataclysmic millennium doomsday. I knew now why people fear cancer: because it is a slow and inevitable death, it is the very definition of cynicism and loss of spirit. So, I believed.
Lance Armstrong (It's Not About the Bike: My Journey Back to Life)
moon was sewn into the sky that night. Clouds were stitched around it.
Markus Zusak (The Book Thief)
Time is wicked. It comes and goes like a thief in the night, stealing
Robert Dugoni (The Extraordinary Life of Sam Hell)
When did this fiend strike last?" Ah . . . The last report was from the Dominican Republic. That was, let me see, two nights ago." Dominican Republic! Why in the world would he go there?" Exactly what I would like to know.
Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
Cultures of honor tend to take root in highlands and other marginally fertile areas, such as Sicily or the mountainous Basque regions of Spain. If you live on some rocky mountainside, the explanation goes, you can't farm. You probably raise goats or sheep, and the kind of culture that grows up around being a herdsman is very different from the culture that grows up around growing crops. The survival of a farmer depends on the cooperation of others in the community. But a herdsman is off by himself. Farmers also don't have to worry that their livelihood will be stolen in the night, because crops can't easily be stolen unless, of course, a thief wants to go to the trouble of harvesting an entire field on his own. But a herdsman does have to worry. He's under constant threat of ruin through the loss of his animals. So he has to be aggressive: he has to make it clear, through his words and deeds, that he is not weak.
Malcolm Gladwell (Outliers: The Story of Success)
This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.
Robin Hobb
The truth is sealed. Life goes on. Till one day, history changed... Like thief in the night, aliens invade human. Chaos happens prior to the new order of coexistence. The truth is sealed. Life goes on. Till one day, history changed.
Toba Beta (My Ancestor Was an Ancient Astronaut)
He looked up at her. “I can’t tell you why. She may be a fiend from hell to make me feel this way, but even if I have to hate myself for the rest of my life, this is what I want.” He shook his head, perhaps in self-contempt, and shrugged. “I dream about her at night.” Eddis looked down at him and said dryly, “We have heard you screaming.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
Grim Reaper stole her heart a long time ago and all these years later, he came back… and like a thief in the night, he took the rest of her with him.
Michelle Gross ('Til Death We Meet Again (A Grim Awakening, #3))
Success followed as it will, when one longs to fail. --Bunny
E.W. Hornung (A Thief in the Night (Raffles, #3))
It still amazed me sometimes when I caught sight of myself in a mirror. I would be startled to see the stranger there, as if still expecting to see my blond hair and tight skin, my hands with long, straight fingers. Age was a thief, an insidious one who instead of robbing you at night while you slept took all of your possessions one by one and forced you to watch.
Karen White (The Time Between)
For I have indeed been torn from all my roots, even from the earth that nourished them, more entirely than most in our times. I was born in 1881 in the great and mighty empire of the Habsburg Monarchy, but you would look for it in vain on the map today; it has vanished without trace. I grew up in Vienna, an international metropolis for two thousand years, and had to steal away from it like a thief in the night before it was demoted to the status of a provincial German town. My literary work, in the language in which I wrote it, has been burnt to ashes in the country where my books made millions of readers their friends. So I belong nowhere now, I am a stranger or at the most a guest everywhere. Even the true home of my heart’s desire, Europe, is lost to me after twice tearing itself suicidally to pieces in fratricidal wars. Against my will, I have witnessed the most terrible defeat of reason and the most savage triumph of brutality in the chronicles of time. Never—and I say so not with pride but with shame—has a generation fallen from such intellectual heights as ours to such moral depths.
Stefan Zweig (The World of Yesterday)
If the other novice wizards on the row hadn't broken into Raeshaldis's rooms, pissed on her bed and written WHORE and THIEF on the walls, she probably would have been killed on the night of the full moon.
Barbara Hambly (Sisters of the Raven (Sisters of the Raven, #1))
...for those who value stability, who fear transience, uncertainty, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers' seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celbrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or movie theatre, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveller, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
Salman Rushdie (The Ground Beneath Her Feet)
Your Majesty!" Hilarion was close to begging. "Everyone is waiting." "Tell them I died." "Your Majesty..." "Died, Hilarion. In the night, peacefully." "Why would I do that?" "Because then you could all go away and leave me alone.
Megan Whalen Turner (Return of the Thief (The Queen's Thief, #6))
From beggar to thief is one step, but a step in two directions at the same time, for what a beggar loses in morality when he becomes a thief he regains in self-respect.
Angela Carter (Nights at the Circus)
She gave a low and delighted chuckle. Her eyes were black as a moonless December night and reflected the electric lights like stars.
Elizabeth Wein (The Pearl Thief)
Brand a man as a thief and no one will ever hire him for honest labour – he will be a hardened robber within weeks. The brand does not reveal a person’s nature, it shapes it.
Frances Hardinge (Fly by Night)
Words are so heavy, she thought, but as the night wore on, she was able to complete eleven pages
Markus Zusak (The Book Thief)
he'd thought of fate as something hostile, a thief moving soundlessly in the night
Kay Hooper (What Dreams May Come (Once Upon A Time, #3))
You are an absolute heart attack of a person, Charlie Hall.
Holly Black (Thief of Night (Book of Night, #2))
People observe the colors of a day at its beginnings and ends, but to me it's quiet clear that a day merges through a multitude of shades and intonations, with each passing moment.
Markus Zusak
Complacency is a slow gas leak, not a bomb blast. Like being robbed by a thief in the night who only steals a penny at a time, we awake to find the days have all gone somewhere. Things
Jon Acuff (Do Over: Rescue Monday, Reinvent Your Work, and Never Get Stuck)
I'd meet the women the first night and get the obligatory phone number and then after another couple of days, making them sweat a little, I'd call and be all nervous. They loved that. I'd ask them out and pretend I hardly ever did "this kind of thing', I hadn't been out a lot in London because I didn't really know the scene.
Anonymous (Diary of an Oxygen Thief)
The old orchid hunter lay back on his pillow, his body limp... 'You'll curse the insects,' he said at least, 'and you'll curse the natives... The sun will burn you by day and the cold will shrivel you by night. You'll be racked by fever and tormented by a hundred discomforts, but you'll go on. For when a man falls in love with orchids, he'll do anything to possess the one he wants. It's like chasing a green-eyed woman or taking cocaine... it's a sort of madness...
Susan Orlean (The Orchid Thief)
Mummy dying with it; Christ dying with it, nailed hand and foot; hanging over the bed in the night-nursery; hanging year after year in the dark little study at Farm Street with the shining oilcloth; hanging in the dark church where only the old charwoman raises the dust and one candle burns; hanging at noon, high among the crowds and the soldiers; no comfort except a sponge of vinegar and the kind words of a thief; hanging for ever; never the cool sepulchre and the grave clothes spread on the stone slab, never the oil and spices in the dark cave; always the midday sun and the dice clicking for the seamless coat.
Evelyn Waugh (Brideshead Revisited)
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
***A LATE-NIGHT EXCERPT*** I realized much later that I actually visited 33 Himmel Street in that period of time. It must have been one of the few moments when the girl was not there with him, for all I saw was a man in bed. I Knelt. I readied myself to insert my hands through the blankets. Then there was a resurgence - an immense struggle against my weight. I withdrew, and with so much work ahead of me, it was nice to be fought off in that dark little room. I even managed a short, close-eyed pause of serenity before I made my way out.
Markus Zusak (The Book Thief)
They had been flirting earlier—for fun, for no real reason other than that they could—but now the night pressed down on them, soft and serious. Stockholm, in the low light, was a beginning. What would happen if they pulled this off?
Grace D. Li (Portrait of a Thief)
The most jealous and insecure are the ones who are guilty of betrayal. The ones who are the angriest are those who are pulling cons themselves, only to find out they’re being conned as well. A thief hates to be robbed, and a cheater always wants you to be loyal while they are being unfaithful. When suspicions arise and the questions start, they are always defensive, always volatile. A thief takes being robbed personally, the same way a player falls apart when he finds out he is being played.
Eric Jerome Dickey (One Night)
Theft is punished by Your law, O Lord, and by the law written in men's hearts, which iniquity itself cannot blot out. For what thief will suffer a thief? Even a rich thief will not suffer him who is driven to it by want. Yet had I a desire to commit robbery, and did so, compelled neither by hunger, nor poverty through a distaste for well-doing, and a lustiness of iniquity. For I pilfered that of which I had already sufficient, and much better. Nor did I desire to enjoy what I pilfered, but the theft and sin itself. There was a pear-tree close to our vineyard, heavily laden with fruit, which was tempting neither for its colour nor its flavour. To shake and rob this some of us wanton young fellows went, late one night (having, according to our disgraceful habit, prolonged our games in the streets until then), and carried away great loads, not to eat ourselves, but to fling to the very swine, having only eaten some of them; and to do this pleased us all the more because it was not permitted.Behold my heart, O my God; behold my heart, which You had pity upon when in the bottomless pit. Behold, now, let my heart tell You what it was seeking there, that I should be gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved to perish. I loved my own error— not that for which I erred, but the error itself. Base soul, falling from Your firmament to utter destruction— not seeking anything through the shame but the shame itself!
Augustine of Hippo (Confessions)
Christmas Day has come and gone, the New Year lies ahead. Strange things happen Between the Years, in the days outside of time. Minutes go wild, hours vanish. Idleness becomes a clever thief, stealing the names of the days of the week, muting the steady tick of watches and clocks. These are the hours when angels, ghosts, demons and meddlers ride howling wind and flickering candlelight, keen to stir unguarded hearts and restless minds.
Ami McKay (Half Spent Was the Night (Witches of New York, #2))
No, Charlie wanted to insist. People only love you if you make it worth their while. No one loves you once they see your weaknesses. No one loved your flaws. No one loves your ugly, broken parts. No one love you and expects nothing more than your love in return.
Holly Black (Thief of Night (Book of Night, #2))
Sometimes, when I’m bored, I can’t help but think what my life would be like if I hadn’t written the book. Monday, I would’ve played bridge. And tomorrow night, I’d be going to the League meeting and turning in the newsletter. Then on Friday night, Stuart would take me to dinner and we’d stay out late and I’d be tired when I got up for my tennis game on Saturday. Tired and content and . . . frustrated. Because Hilly would’ve called her maid a thief that afternoon, and I would’ve just sat there and listened to it. And Elizabeth would’ve grabbed her child’s arm too hard and I would’ve looked away, like I didn’t see it. And I’d be engaged to Stuart and I wouldn’t wear short dresses, only short hair, or consider doing anything risky like write a book about colored housekeepers, too afraid he’d disapprove. And while I’d never lie and tell myself I actually changed the minds of people like Hilly and Elizabeth, at least I don’t have to pretend I agree with them anymore.
Kathryn Stockett (The Help)
the moon was sewn into the sky that night. Clouds were stitched around it.
Markus Zusak (The Book Thief)
No, I'm pretty sure no one wants to explain last night's oh-so-fucking-fun events to this stodgy-as-hell crowd, who all look like they took a major pill of stick-up-their-asses.
Scarlett Dawn (Chosen Thief (Forever Evermore, #4))
Though thereafter we may walk in the shadows, I will not go forth as a thief in the night.
J.R.R. Tolkien
As soon as you start slacking, the clean-up woman will swoop in like a thief in the night and be cooking in your kitchen.
Mz. Lady P. (Remy and Rose)
I just told you that I used to be a thief, a beggar, and a whore. Is it really fair for you to cry foul over my question? - Bones
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Nobody is fully ready for paradise. That is why 'the kingdom come' will be like thief in the night.
Toba Beta (My Ancestor Was an Ancient Astronaut)
He brings the greatest conflict into the history of mankind. He will come soon to our world just like a thief in the night.
Toba Beta
Father of the fatherless son, you are like a thief in the night, because you robbed your son’s and daughter's peace.
Charlena E. Jackson (Dear fathers of the fatherless children)
I had a dream about you last night... in it, I tried to sell a squirrel a deposit box to store his nuts in. He stole my cashews in the complimentary snack basket.
Marshall Ramsay (Dreaming is for lovers)
I’m afraid to lose what little self I have. I am afraid that everything you like in me isn’t me at all.
Holly Black (Thief of Night (Book of Night, #2))
That’s what Alzheimer’s does: it’s a thief in the night, stealing precious pictures from our lives while we sleep.
Wendy Mitchell (Somebody I Used to Know)
INTERVIEWER You’re self-educated, aren’t you? BRADBURY Yes, I am. I’m completely library educated. I’ve never been to college. I went down to the library when I was in grade school in Waukegan, and in high school in Los Angeles, and spent long days every summer in the library. I used to steal magazines from a store on Genesee Street, in Waukegan, and read them and then steal them back on the racks again. That way I took the print off with my eyeballs and stayed honest. I didn’t want to be a permanent thief, and I was very careful to wash my hands before I read them. But with the library, it’s like catnip, I suppose: you begin to run in circles because there’s so much to look at and read. And it’s far more fun than going to school, simply because you make up your own list and you don’t have to listen to anyone. When I would see some of the books my kids were forced to bring home and read by some of their teachers, and were graded on—well, what if you don’t like those books? I am a librarian. I discovered me in the library. I went to find me in the library. Before I fell in love with libraries, I was just a six-year-old boy. The library fueled all of my curiosities, from dinosaurs to ancient Egypt. When I graduated from high school in 1938, I began going to the library three nights a week. I did this every week for almost ten years and finally, in 1947, around the time I got married, I figured I was done. So I graduated from the library when I was twenty-seven. I discovered that the library is the real school.
Ray Bradbury
Lord Ranmaru, traitor and thief, will you marry a fallen woman with no chance of redemption in the eyes of our court?” Ōkami laughed before he swept Mariko into his arms. “Yes,” he whispered in her ear. The feeling of warmth as his breath passed over her skin sent a thrill up Mariko’s spine. “And will you swear never to interfere when I experiment with strange chemicals at all hours of the night?” “Of course.” Ōkami framed her face between his hands. “Upon who else would I rely for exploding gourds and crystals that burn brighter than flame?
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
I’m completely library educated. I’ve never been to college. I went down to the library when I was in grade school in Waukegan, and in high school in Los Angeles, and spent long days every summer in the library. I used to steal magazines from a store on Genesee Street, in Waukegan, and read them and then steal them back on the racks again. That way I took the print off with my eyeballs and stayed honest. I didn’t want to be a permanent thief, and I was very careful to wash my hands before I read them. But with the library, it’s like catnip, I suppose: you begin to run in circles because there’s so much to look at and read. And it’s far more fun than going to school, simply because you make up your own list and you don’t have to listen to anyone. When I would see some of the books my kids were forced to bring home and read by some of their teachers, and were graded on—well, what if you don’t like those books? I am a librarian. I discovered me in the library. I went to find me in the library. Before I fell in love with libraries, I was just a six-year-old boy. The library fueled all of my curiosities, from dinosaurs to ancient Egypt. When I graduated from high school in 1938, I began going to the library three nights a week. I did this every week for almost ten years and finally, in 1947, around the time I got married, I figured I was done. So I graduated from the library when I was twenty-seven. I discovered that the library is the real school.
Ray Bradbury
I'd been awake for thirty-six hours and driving for ten. Restless weeks, sleepless nights, and the decision stole into me like a thief. I never planned to go back to North Carolina- I'd buried it- but I blinked and found my hands on the wheel, Manhattan a sinking island to the north. I wore a week-old beard and three day denim, felt stretched by an edginess that bordered on pain, but no one here would fail to recognize me. That's what home was all about, for good or bad.
John Hart (Down River)
Miles was well aware that “yes” meant nothing when you couldn’t say “no”. If Toby wasn’t in a position to refuse, he wasn’t in a position to consent, and there was no more to be said on the subject.
K.J. Charles (A Thief in the Night)
Sir?" "Yes" "Where do you go at night?" Winter paused and glanced over his shoulder. Joseph was watching him with perceptive eyes for one so young. In that instant, Winter grew tired of lies. "I right wrongs." He expect more questions--Joseph was usually full of them and his answer was too obscure--but the boy merely nodded. "Will you teach me how sometime?" Winter's eyes widened. Teach him to...? His mind instantly balked at the thought of putting Joseph in danger. But were he ever to ask for an apprentice to his Ghost, he knew instinctively that he could find no one with more courage than the lad.
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
Medicine is a thankless profession. When you get paid by the rich, you feel like a flunky, by the poor like a thief. How can you take a fee from people who can’t afford to eat or go to the movies? Especially when they’re at their last gasp. It’s not easy. You let it ride. You get soft-hearted. And your ship goes down.
Louis-Ferdinand Céline (Journey to the End of the Night)
I asked her to leave with me on our wedding night.” “What?” my grandfather said, his composure further weakened. He too had believed this was all a childish bluff and suddenly felt the ground shifting under his feet. “Oh, yes. We could have been in the Epidi Islands by now, or Mur. I would have taken her anywhere she wanted,” Eugenides assured him. “She wouldn’t abandon her people—she knew how Erondites would rule if she did.
Megan Whalen Turner (Return of the Thief (The Queen's Thief, #6))
I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness.... I wanted him to find no good in me and he didn't. There is none. But I love Lyra. Where did this love come from? I don't know; it came to me like a thief in the night, and now I love her so much my heart is bursting with it. All I could hope was that my crimes were so monstrous that the love was no bigger than a mustard seed in the shadow of them, and I wished I'd committed even greater ones to hide it more deeply still...
Philip Pullman
2PE3.10 But the day of the Lord will come as a thief in the night; in the which the heavens shall pass away with a great noise, and the elements shall melt with fervent heat, the earth also and the works that are therein shall be burned up.
Anonymous (The Holy Bible, King James Version (KJV))
Make no mistake, the woman had a heart. She had a bigger one than people would think. There was a lot in it, stored up, high in miles of hidden shelving. Remember that she was the woman with the instrument strapped to her body in the long, moon-slit night.
Markus Zusak (The Book Thief)
It would be nice to say that after this small breakthrough, neither Liesel nor Max dreamed their bad visions again. It would be nice but untrue. The nightmares arrived like they always did, much like the best player in the opposition when you’ve heard rumors that he might be injured or sick—but there he is, warming up with the rest of them, ready to take the field. Or like a timetabled train, arriving at a nightly platform, pulling the memories behind it on a rope. A lot of dragging. A lot of awkward bounces.
Markus Zusak (The Book Thief)
Death — the aftermath of it — is a strange thing to watch from the pedestal of immortality. I've seen death in every way: as a thief in the night, as the heat of fever, as the lust of a warrior. Yet I've never really understood grief, or what it does to those left behind. But seeing Richard alone in the dark. It breaks away pieces of me. I'm a glacier, plunging, falling apart against the sea.
Ryan Graudin (All That Glows (All That Glows, #1))
She would say 'Bucket moon' he would answer 'Ladle moon.' Night after night sky revealed a bitten moon, a butcher's moon, an apple moon, a thief's moon, a rabbit--- 'Rabbit moon?' 'Don't you see it?' 'I used to chase rabbits,' she had said, her voice sweet and tired.
Toby Barlow
The depth of night always felt adjacent to real life, a fourth dimension of the world that allowed the honesty and courage that daylight forbade. Perhaps it was that the moon and stars reminded people of their finite lives in the margins of the universe’s story—what did it matter what human beings did or didn’t do? Or perhaps it was only the clock losing its tether to the day’s routines and yielding to pure time.
Megha Majumdar (A Guardian and a Thief)
In his view of what he wanted from the world, there were an infinity of moments that were beautiful, as this one was beautiful, with the light from the town hall gilding her jawline and shining off her hair in the cold northern night that made him want to pull her in and warm them both. “And
Laura Florand (The Chocolate Thief)
Tristran and Yvaine were happy together. Not forever-after, for Time, the thief, eventually takes all things into his dusty storehouse, but they were happy, as these things go, for a long while. And then Death came in the night and whispered her secret into the ear of the eighty-second Lord of Stormhold, and he nodded his grey head and he said nothing more, and his people took his remains to the Hall of Ancestors where they lie to this day.
Neil Gaiman (Stardust)
Your friend's been awake all night," she tells me in Basean, touching my wrist and nodding at the display. She raises an eyebrow at me. "She came knocking on my door at some ungodly hour. I almost hit her with a pan before I realized she wasn't a soldier or a thief. It's as if I have two daughters.
Marie Lu (Skyhunter (Skyhunter, #1))
Love, comes to steal you like a thief in the night. It aims to take your most precious from you. It gags, you, binds you, cripples you to keep you from running away, rips off your skin making you raw, and holds you ransomed asking for so much wealth one is forced into imprisonment…isn’t is beautiful?
Nicolenya Caltman
Time is wicked. It comes and goes like a thief in the night, stealing our youth, our beauty, and our bodies.” I had watched Grandma O’Malley, a proud and simple woman, shrink and wrinkle and turn white over the years. But we expect that of our grandparents. Not our parents. For some reason, we think our parents will never grow old, perhaps because when they do, we are forced to acknowledge that we will one day grow old, and we face our own mortality.
Robert Dugoni (The Extraordinary Life of Sam Hell)
The book thief lay in bed that night, and the boy only came before she closed her eyes. He was one member of a cast, for Liesel was always visited in that room. Her papa stood and called her half a woman. Max was writing The Word Shaker in the corner. Rudy was naked by the door. Occasionally her mother stood on a bedside train platform. And far away, in the room that stretched like a bridge to a nameless town, her brother, Werner, played in the cemetery snow.
Markus Zusak (The Book Thief)
when at night I walk barefoot in my sandals across fields of snow at the Austrian border, I shall not flinch, but then, I say to myself, this painful moment must concur with the beauty of my life, I refuse to let this moment and all the others be waste matter; using their suffering, I project myself to the mind’s heaven.
Jean Genet (The Thief's Journal)
Tristan and Yvaine were happy together. Not forever-after, for Time, the thief, eventually takes all things into his dusty storehouse, but they were happy, as these things go, for a long while. And then Death came in the night and whispered her secret into the ear of the eighty second Lord of Stormhold, and he nodded his grey head and said nothing more
Neil Gaiman (Stardust)
When you is precious to God, you become important to Satan. Watch your back, Mr. Ron. Somethin bad gettin ready to happen to Miss Debbie. The thief comes in the night.
Ron Hall (Same Kind of Different As Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
And even though rain was a miracle because this was the desert, that night it was not a miracle because the rain sounded like a thief trying to break into the house.
Benjamin Alire Sáenz (In Perfect Light)
It was one of those moments of perfect tiredness, of having conquered not only the work at hand, but the night who had blocked the way. Papa
Markus Zusak (The Book Thief)
Most people, aware of the number of difficulties already present in a thief's life, were kind enough to use the same few hiding places.
Brent Weeks (The Way of Shadows (Night Angel, #1))
moments of perfect tiredness, of having conquered not only the work at hand, but the night who had blocked the way.
Markus Zusak (The Book Thief)
Love can be weakened by time or forgotten for the sake of another. Love can disappear, without a cause or an explanation, like a thief crept in and stole it in the night.
Asha Lemmie (Fifty Words for Rain)
A few nights later, however, Hans Hubermann came home with a box of eggs. “Sorry, Mama.” He placed them on the table. “They were all out of shoes.
Markus Zusak (The Book Thief)
The sunshine coming through your window isn’t a thief, but a special guest.
Michael Bassey Johnson (Night of a Thousand Thoughts)
Perhaps, for some, love strikes like lightning, but for me, it crept upon me like a thief in the night. A very handsome thief, who has quite stolen my once-lonely heart.
Nancy Campbell Allen (The Matchmaker's Lonely Heart (Matchmakers, #1))
Night, G'rard." " 'Night, mouse.
Teresa Medeiros (Thief of Hearts)
So much life- so much to live for- yet somehow, I'm certain he would have loved to see the frightening rubble and the swelling of the sky on the night he passed away.
Markus Zusak (The Book Thief)
Why should I not, had I the heart to do it, Like to the Egyptian thief at point of death, Kill what I love? —A savage jealousy That sometimes savors nobly.
William Shakespeare (Twelfth Night, or What you Will)
And fear can inflict some ugly consequences on our lives. It is perhaps the world’s most pernicious thief. It steals our joy in the present and robs us of our hope for the future.
Pete Wilson (What Keeps You Up at Night?: How to Find Peace While Chasing Your Dreams)
I don’t think you ought to be alone. I know about being lonely, and I don’t like it. If nothing else, could we at least be lonely together?
K.J. Charles (A Thief in the Night)
She'd pushed it down, crushed it beneath the weight of stubborn determination, but still it haunted her at night, when such terrors shamble from their dens to torment innocent insomniacs.
Ari Marmell (Thief's Covenant (Widdershins Adventure #1))
Sometimes you got to lie on the outside to keep your voice loud on the inside. We don’t owe the master the truth. He owes us. Nothing comes from the master. He is the thief in the night. He steals it all. And every time we have to say ‘yes sir’ and ‘no sir,’ he steals some more. But we can survive it, if we stay loud in here,” she said, throwing a fist hard against her breast.
Jonathan Odell (The Healing)
But time and love are criminals who spare no one -- not even the most desiring. Time is the thief who comes in the night, silently chipping away at the present. And love is the killer of hearts.
Keri Lake (Calico Descending (Juniper Unraveling, #2))
Wha Is That At My Bower-Door 1783 Wha is that at my bower-door? O wha is it but Findlay! Then gae your gate, ye'se nae be here: Indeed maun I, quo' Findlay; What mak' ye, sae like a thief? O come and see, quo' Findlay; Before the morn ye'll work mischief: Indeed will I, quo' Findlay. Gif I rise and let you in- Let me in, quo' Findlay; Ye'll keep me waukin wi' your din;" Indeed will I, quo' Findlay; In my bower if ye should stay- Let me stay, quo' Findlay; I fear ye'll bide till break o' day; Indeed will I, quo' Findlay. Here this night if ye remain- I'll remain, quo' Findlay; I dread ye'll learn the gate again; Indeed will I, quo' Findlay. What may pass within this bower- Let it pass, quo' Findlay; Ye maun conceal till your last hour: Indeed will I, quo' Findlay.
Robert Burns
My ducks are being snatched one by one in the dark of night by a stealthy predator, probably a bobcat. To show this thief he is not welcome, I have posted a No Trespassing sign. That ought to stop him.
Jarod Kintz (BearPaw Duck And Meme Farm presents: Two Ducks Brawling Is A Pre-Pillow Fight)
Just holding each other. Just hanging on, because it was strange to discover the world was a better place that you’d believed. Because kindness was hard to bear, and sometimes you needed to hold on tight.
K.J. Charles (A Thief in the Night)
To most people, Hans Hubermann was barely visible. An un-special person. Certainly, his painting skills were excellent. His musical ability was better than average. Somehow, though, and I’m sure you’ve met people like this, he was able to appear as merely part of the background, even if he was standing at the front of a line. He was always just there. Not noticeable. Not important or particularly valuable. The frustration of that appearance, as you can imagine, was its complete misleadence, let’s say. There most definitely was value in him, and it did not go unnoticed by Liesel Meminger. (The human child—so much cannier at times than the stupefyingly ponderous adult.) She saw it immediately. His manner. The quiet air around him. When he turned the light on in the small, callous washroom that night, Liesel observed the strangeness of her foster father’s eyes. They were made of kindness, and silver. Like soft silver, melting. Liesel, upon seeing those eyes, understood that Hans Hubermann was worth a lot.
Markus Zusak (The Book Thief)
I am Delilah Bard, she thought as the ropes cut into her skin. I am a thief and a pirate and a traveler. I have set foot in three different worlds, and lived. I have shed the blood of royals and held magic in my hands. And a ship full of men cannot do what I can. I don’t need any of you. I am one of a damned kind. Feeling suitably empowered, she set her back to the ship, and gazed out at the sprawling night ahead.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
Make no mistake, this woman had a heart. She had a bigger one than people would think. There was a lot in it, stored up, high in miles of hidden shelving. Remember that she was the woman with the instrument strapped to her body in the long, moon-slit night. She was a Jew feeder without a question in the world on a man’s first night in Molching. And she was an arm reacher, deep into a mattress, to deliver a sketchbook to a teenage girl.
Markus Zusak (The Book Thief)
Is that what you wanted to hear?” “No.” The man reached over, took hold of the lantern, and blew it out. Night enveloped the barn. “Well,” he said at last to the darkness between them, “that’s when you know it’s the truth.
Hannah Tinti (The Good Thief)
I still remember staying up all night to get it done, and I realize that's always the best time to finish a book. The sun is yet to come up. It seems the whole world is asleep, and there you are, on your own, with the pages set before you.
Markus Zusak (The Book Thief)
Mosca felt filled with panic. She was an arsonist, runaway, thief, spy and murderer’s accomplice, and here she was of her own free will taking step after weak-kneed step towards the prison. She turned a final corner, and now she could see the prison waiting to pounce on her, crouched behind the watch house like a panther behind a mound. The prison – the ‘louse house’, the ‘tribulation’, the ‘stone jug’, the ‘naskin’. It would put out a great paw to pin her, and she would never escape it again.
Frances Hardinge (Fly by Night)
It was a lot easier to seem tough when there was no one watching you lie in bed all day, too depressed to take a shower. To let people believe you were on a bender when you didn’t show up for work instead of having to admit you couldn’t make yourself get up off the couch. A lot easier to allow yourself to descend into hysterical sobbing when there was no one else to witness it, no less a terrifying Blight. She supposed her own shadow had always been there, though she hadn’t given it much thought.
Holly Black (Thief of Night (Book of Night, #2))
The night was waiting for me as always. And my thirst could wait no longer. I stood for a moment, head thrown back, eyes closed, and mouth open, feeling that thirst, and wanting to roar like a hungry beast. Yes, blood again when there is nothing else. When the world seems in all its beauty to be empty and heartless and I myself am utterly lost. Give me my old friend, death, and the blood that rushes with it. The Vampire Lestat is here, and he thirsts, and tonight of all nights, he will not be denied.
Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
It would be years before she understood the technique he'd used to draw her in. The quicksand of cons, transitioning from having something small on someone to having them over a barrel. You start with blackmail. A little thing, maybe, so long as a person would put in some effort to make it go away. Maybe they would be willing to swipe something for you, fudge some numbers, change a grade, take a little cash out of the till, whatever. But that's when they were sunk. Because if they gave in, they were no longer just hiding whatever their initial indiscretion was, but what they'd done to cover it up. And the more they tried to dig themselves out, the deeper they sank. There is nothing as instructive for learning how to get someone on the ropes as being put there yourself.
Holly Black (Book of Night (Book of Night, #1))
Amongst my growing list of flaws is cowardice,” Pestilence says in the darkness. “I come to you now like a thief in the night, for I fear you’ll never listen to me under the light of day,” his voice is whisper soft, “and I must confess all the things in my heart.
Laura Thalassa (Pestilence (The Four Horsemen, #1))
On Himmel Street, he was considered a little crazy. This was on account of an event that was rarely spoken about but widely regarded as “The Jesse Owens Incident,” in which he painted himself charcoal black and ran the 100 meters at the local playing field one night.
Markus Zusak (The Book Thief)
What have I done? Sweet Jesus, what have I done? Become a thief in the night, Become a dog on the run And have I fallen so far, And is the hour so late That nothing remains but the cry of my hate, The cries in the dark that nobody hears, Here where I stand at the turning of the years? If there's another way to go I missed it twenty long years ago My life was a war that could never be won They gave me a number and murdered Valjean When they chained me and left me for dead Just for stealing a mouthful of bread Yet why did I allow that man To touch my soul and teach me love? He treated me like any other He gave me his trust He called me brother My life he claims for God above Can such things be? For I had come to hate the world This world that always hated me Take an eye for an eye! Turn your heart into stone! This is all I have lived for! This is all I have known! One word from him and I'd be back Beneath the lash, upon the rack Instead he offers me my freedom I feel my shame inside me like a knife He told me that I have a soul, How does he know? What spirit comes to move my life? Is there another way to go? I am reaching, but I fall And the night is closing in And I stare into the void To the whirlpool of my sin I'll escape now from the world From the world of Jean Valjean Jean Valjean is nothing now Another story must begin!
Claude-Michel Schönberg
You stupid cow!” He laughed at her behind those icicle eyes. “You really think anyone is better than you? Everyone’s a thief, woman! Waiting for the next terrible thing to do to get ahead of their neighbor. Forty of us around a table weren’t enough to convince you of that?
Devon Trevarrow Flaherty (The Night of One Hundred Thieves)
Silent as specters, the tall and the fat thief edged past the dead, noose-strangled watch-leopard, out the thick, lock-picked door of Jengao the Gem Merchant, and strolled east on Cash Street through the thin black night-smog of Lankhmar, City of Sevenscore Thousand Smokes.
Fritz Leiber (Swords and Deviltry (Lankhmar, 1))
His first plan of attack was to plant the words in as many areas of his homeland as possible. He planted them day and night, and cultivated them. He watched them grow, until eventually, great forests of words had risen throughout Germany.... it was a nation of farmed thoughts.
Markus Zusak (The Book Thief)
God, San Francisco was such a thief. A lady of the night, a sorceress with her hands out. Every time, all my years as a child, that we crossed the bridge, we had to pay to get in, pay to get out, pay for every little thing. Oakland was free, San Francisco was not. Pay me, pay me. Pay for the Pacific Ocean and the beach. I am expensive, the city always said, so pay me for my wonderful dark treats like the Steinhart Aquarium, with its dark wide hall lit up by tank after tank of bright gold green blue sharks dolphins whales stinger fish, cold-eyed still-as-a-corpse fish that didn't blink or budge when we tapped the thick glass with our fingernails. Pay, the voice said, to whomever took us on Saturday to the Fleischacker Zoo ... the hand of San Francisco reaches out to grab your stupid little nickels and dimes. Pay. Even as I stood in front of the Fat Lady, whose cackling gap-toothed twelve-feet-high, three-feet-wide body made me laugh for a solid hour, even as I collapsed in tears driven out of my eyes by laughter, I understood that the other name for San Francisco wasn't Frisco; it was pay you dumb jerks from Oakland pay.
Judy Juanita
To his Own Beloved Self The Author Dedicates These Lines" Six. Ponderous. The chimes of a clock. “Render unto Caesar ... render unto God...” But where’s someone like me to dock? Where’11 I find a lair? Were I like the ocean of oceans little, on the tiptoes of waves I’d rise, I’d strain, a tide, to caress the moon. Where to find someone to love of my size, the sky too small for her to fit in? Were I poor as a multimillionaire, it’d still be tough. What’s money for the soul? – thief insatiable. The gold of all the Californias isn’t enough for my desires’ riotous horde. I wish I were tongue-tied, like Dante or Petrarch, able to fire a woman’s heart, reduce it to ashes with verse-filled pages! My words and my love form a triumphal arch: through it, in all their splendour, leaving no trace, will pass the inamoratas of all the ages! Were I as quiet as thunder, how I’d wail and whine! One groan of mine would start the world’s crumbling cloister shivering. And if I’d end up by roaring with all of its power of lungs and more – the comets, distressed, would wring their hands and from the sky’s roof leap in a fever. If I were dim as the sun, night I’d drill with the rays of my eyes, and also all by my lonesome, radiant self build up the earth’s shriveled bosom. On I’ll pass, dragging my huge love behind me. On what feverish night, deliria-ridden, by what Goliaths was I begot – I, so big and by no one needed?
Vladimir Mayakovsky
That night the guard brought down Mauricio Babilonia as he was lifting up the tiles to get into the bathroom where Meme was waiting for him, naked and trembling with love among the scorpions and the butterflies as she had done almost every night for the past few months. A bullet lodged in his spinal column reduced him to his bed for the rest of his life. He died of old age in solitude, without a moan, without a protest, without a single moment of betrayal, tormented by memories and by the yellow butterflies, who did not give him a moment's peace, and ostracized as a chicken thief.
Gabriel García Márquez (One Hundred Years of Solitude)
even if you’re an A-plus parent who does everything “right,” your child might still grow up to be a thief, slacker, cheat, liar, addict, abuser… all these things we stay awake at night worrying about. Yep, it’s entirely true; you can do everything absolutely right, and your children still might not turn out the way you planned!
Sara Wiseman (Your Psychic Child: How to Raise Intuitive & Spiritually Gifted Kids of All Ages (Spiritual Intuition Book 6))
One night my old man left the day’s receipts settin on top of the safe, plumb forgot. What happened—a thief came in the night, acetylene torch and all, broke open the safe, riffled up the papers, kicked over a few chairs, and left. And that thousand dollars was settin right there on top of the safe, what do you know about that?
Jack Kerouac (On the Road)
She had also heard other things, scary things, things that made no sense to her. Some said her father had murdered King Robert and been slain in turn by Lord Renly. Others insisted that Renly had killed the king in a drunken quarrel between brothers. Why else should he have fled in the night like a common thief? One story said the king had been killed by a boar while hunting, another that he’d died eating a boar, stuffing himself so full that he’d ruptured at the table. No, the king had died at table, others said, but only because Varys the Spider poisoned him. No, it had been the queen who poisoned him. No, he had died of a pox. No, he had choked on a fish bone.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Every night, Liesel made her way down to the basement. She kept the book with her at all times. For hours, she wrote, attempting each night to complete ten pages of her life. There was so much to consider, so many things in danger of being left out. Just be patient, she told herself, and with the mounting pages, the strength of her writing fist grew.
Markus Zusak (The Book Thief)
If there’s one thing I regret it’s not having told my father how much I admired and loved him. My only gesture of affection was a quick kiss on the forehead two days before he died. The kiss tasted like sugar and I felt like a thief who furtively stole something that no longer belong to anybody. Why do we hide our feelings? Out of cowardice? Out of egotism? With a mother it’s different: we cover her with flowers, gifts and sweet phrases. What is it that prevents us from affectionately confronting our father and telling him, face to face, how much we love or admire him? On the other hand, why do we curse him under our breath when he puts us in our place? Why do we react with wickedness and not affection when the occasion presents itself? Why are we brave with taunts and cowards with affection? Why did I never tell my father these things but I tell them to you, who are probably too young to understand them yet? One night I wanted to speak to my father ion his room but found him asleep. As I quietly began to leave the room, I heard my sleeping father, in a desperate voice, say: “No, papa, no!” What strange, agitated dream was my father experiencing with his father? And if one thing caught my attention, beyond the enigma of the dream, was that my father was seventy-eight years old at that time and my grandfather had been dead for at least a quarter of a century. Does a man have to die to speak to his father?
Juan Gabriel Vásquez (La forma de las ruinas)
The kitchen cabinets were all open, half their contents haphazardly piled into cardboard boxes with wildly random, yet highly specific Sharpie’d labels—TINY UMBRELLAS, MUGS, SPATULA, TONGS & PASTA STRAINER or LEMON SQUEEZER, KNIVES, TIARA & COFFEE GRINDER. Their cat, Lucipurrr, was in the box marked WORM BUCKET, barely visible except for the shine of her green eyes.
Holly Black (Thief of Night (Book of Night, #2))
What Can Be Learned From a Thief The saintly Rabi Zusya was originally a disciple of the tsaddik Rabbi Dov Baer of Mezritsh. Once he asked his master to teach him the secret of worshipping the Creator. “There’s no need for me to teach you,” replied Rabbi Dov Baer, “because you can learn it from any child or thief.” “Why, how can I learn it from a child?” asked the astounded disciple. “In three ways,” replied his master. “First, a child needs no reason to be happy. Second, a child always keeps busy. And third, when a child wants something, it screams until it gets it.” “And what,” asked Rabbi Zusya, “can I learn from a thief?” “From a thief,” answered Rabbi Dov Baer, “you can learn seven things. First, to apply yourself by night and not just by day. Second, to try again if at first you don’t succeed. Third, to love your comrades. Fourth, to be ready to risk your life, even for a small thing. Fifth, to attach so little value to what you have that you will sell it for a pittance. Sixth, not to be put off by hardship and blows. And seventh, to be glad you are what you are instead of wanting to be something else.
Pinhas Sadeh (Jewish Folktales)
He looked across at the huge warrior beside him. ‘What’s your name at least?’ The giant glanced at him. ‘Yes,’ he said with a sharp nod. ‘I am Karsa Orlong of the Teblor. Toblakai. And you?’ ‘Crokus. Crokus Younghand.’ He hesitated, then said, ‘I was once a thief.’ ‘Be one again,’ said Karsa, teeth bared, ‘and steal me a Hound’s life this night.’ Shit. ‘I’ll try.’ ‘That will do,’ the Toblakai replied.
Steven Erikson (The Complete Malazan Book of the Fallen)
He was walking around in circles, the smell of the old furniture suddenly very distinct. There was a newspaper in his hand and he started reading it, paying particular attention to the headlines which seemed to be floating towards him so that now a band of black print encircled his forehead. He was curled upon the bed, hugging his knees, when the next horror came upon him: those who heard him last night would now have to report his theft, and his employer would call the police. He saw how the policeman took the telephone call at the station; how his name and address were spoken out loud; how he looked down at the floor as they led him away; how he was in the dock, forced to answer questions about himself, and now he was in a cell and had lost control of his own body. He was staring out of the window at the passing clouds when it occurred to him that he should write to his employer, explaining his drunkenness and confessing that he invented the story of theft; but who would believe him? It was always said that in drink there was truth, and perhaps it was true that he was a convicted thief. He began to sing, One fine day in the middle of the night, Two dead men got up to fight and then he knew what was meant by madness.
Peter Ackroyd (Hawksmoor)
On a spring day in 1988…a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as “a Bostonian.” He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sotheby’s, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poe’s first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than they’d like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000.
Allison Hoover Bartlett (The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession)
This time, Mr. Steiner placed his hand on Rudy’s head and explained, “I know, son —but you’ve got beautiful blond hair and big, safe blue eyes. You should be happy with that; is that clear?” But nothing was clear. Rudy understood nothing, and that night was the prelude of things to come. Two and a half years later, the Kaufmann Shoe Shop was reduced to broken glass, and all the shoes were flung aboard a truck in their boxes.
Markus Zusak (The Book Thief)
You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man’s fortune for the night may turn upon one hand. But a man’s whole life, you sniff at, and say, what, this nought of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draught.
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
Yes, I read it,” she replies. “I most certainly did read it. It kept me up all night, I was so angry with it. At this stage of my life, I would rather not be kept up all night. Nor do I wish to have my tears jerked at the rate at which this novel jerked them. The next time you recommend a book to me, I hope you’ll keep that in mind, Mr. Fikry.” “I will,” he says. “And I do apologize, Mrs. Cumberbatch. Most of our customers have rather liked The Book Thief.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Mark had never seen her as a real con artist, like him. She was a woman and if a woman made a target want them, even love them, that’s what women did, right? It didn’t make her slick the way it did when a beautiful, rogue-hearted man came to town and stole hearts. Women were supposed to be chameleons, formless and shapeless until the world told them their shape, so it didn’t impress him when she slipped into a role. Maybe he thought all women were con artists.
Holly Black (Thief of Night (Book of Night, #2))
Maybe she won’t be so mad. I think she’s happy with Bob—” “The Magic card guy?” Red asked. It always threw Charlie that Vince had paid attention to the little things. The throwaway comments she made about people or her past. The gossip that flowed around Rapture. She’s never had a boyfriend do that before and it was alarming and gratifying in equal measure. He saw her, but sometimes she felt safer not being seen. Red did it too and it unnerved her all over again.
Holly Black (Thief of Night (Book of Night, #2))
Worse than the smugglers of the Falkyn guild were the damn king and queen. The recovered circlet in hand, I made my way toward the great hall only to collide with my disheveled mother and father emerging from one of the chambers. “What the hells are you doing?” Heat boiled in my face when my bleeding father spun around, still adjusting his damn belt. “You couldn’t wait a night, perhaps a day, before defiling the linens?” “Jonas, really. Emotions run high during a fight. It isn’t all that scandalous.” My mother had the decency to flush as she smoothed her hair. Daj patted my cheek. Hard. “I expected a quiet reprieve when you all were going to the South. You think I would let something as trivial as battles stop me from claiming that with my wife?” “I’m never looking at you again. You’re heathens. No regal blood in your veins.” “Thank you,” both said in the same breath. “Hopeless.” I shoved into the great hall. “Bleeding hopeless.
L.J. Andrews (The Mist Thief (The Ever Seas, #3))
The demons, they return to haunt the crimp in my heart. No amount of burning herbs, or magic spells and bitter potions cast the beasts away. Garlic rosaries won't remove the black infection slowly devouring within. Only love, perfect love, casts out the monsters and the fiends that invade like a thief in the night infecting and destroying, attempting to steal my joy. But love is life and I choose life. I choose love. Throw away the herbs, release the spells, let me swallow love's divinity.
Melody Lee (Moon Gypsy)
Is it true that you left Tamlin because he locked you up in his house?' I tried to block out the memory, the terror and agony of my heart breaking apart. But I nodded. 'And is it true that you were saved from confinement by the Night Court?' I nodded again. Tarquin said, 'The Spring Court is my southern neighbour. I have tenuous ties with them. But unless asked, I will not mention that you were here.' Thief, liar, manipulator. I didn't deserve his alliance. But I bowed my head in thanks.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
He came in every night and sat with her. The first couple of times, he simply stayed—a stranger to kill the aloneness. A few nights after that, he whispered, “Shhh, I’m here, it’s all right.” After three weeks, he held her. Trust was accumulated quickly, due primarily to the brute strength of the man’s gentleness, his thereness. The girl knew from the outset that Hans Hubermann would always appear midscream, and he would not leave.  A DEFINITION NOT FOUND  IN THE DICTIONARY Not leaving: an act of trust and love, often deciphered by children
Markus Zusak (The Book Thief)
On many counts, taking a boy like Ruby was robbery - so much life, so much to live for - yet somehow, I'm certain he would have loved to see the frightening rubble and the swelling of the sky on the night he passed away. He'd have cried and turned and smiled if only he could have seen the book thief on her hands and knees, next to his lifeless body. He'd have been glad to witness her kissing his dusty, bombhit lips. Yes, I know it. In the darkness of my dark-beating heart, I know. He'd have loved it all right. You see? Even death has a heart.
Markus Zusak (The Book Thief)
Arin nearly got his throat cut. “The god of life preserve you,” Cheat gasped. He staggered back, his knife glinting in the shadows of his small bedroom. “What the hell are you doing here? Breaking into my home like a thief in the night. Climbing through the window. You’re lucky I saw your face in time.” “There’s something I have to tell you.” “Start with why you couldn’t come by the auction house at a decent hour. I thought you had a free pass. What about the girl’s seal ring?” “Unavailable.” Cheat squinted up at Arin, tapping the flat of the short blade against his thigh. In the dim light of a streetlamp, a slow grin spread across his face. “Had a falling-out with your lady, did you? A lovers’ quarrel?” Arin felt his face go dark and tight. “Easy, lad. Just tell me: are the rumors true?” “No.” “All right.” Cheat held up his hands as if in surrender, the knife held loosely. “If you say they’re not, they’re not.” “Cheat. I broke curfew, scaled the general’s wall, and stole through a guarded city to speak with you. Don’t you think we have more important things to discuss than Valorian gossip?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Mad, you must see me mad; your opinion is awash to me as long as I am crazed by love. I welcome this folly that you give to me with great estate. Thief? Rascal? I did what others did and what others had me do and we are all doomed, but I do not regret for one instant the coming of events of this most splendid night. You should have seen how carefully I proceeded and how I found love in the most dreadful of streets, during my most mourning of states and on the most propitious of nights. Play samartian to the fool, champion to the underdog. So to speak, I am a hubris acolyte of love.
Benarrioua Aniss (Sons of Algiers)
What's the matter, MacLean? Are you afraid?" His brows snapped down, his eyes glinting dangerously. "What did you say?" She lifted her chin. "I asked if you were afraid. If that is why you're sneaking out like a thief in the night?" "It's morning,and I'm no thief." "No,but you are afraid,aren't you? Afraid of me." Dougal's expression darkened even more. "You don't know what you're saying." "Yes,I do." She leaned close to say dismissively, "You are afraid of what our card games might cause you to lose." Dougal's body tensed at the words, making Poseidon jolt forward. How dare she accuse him of being afraid? The thought of it raged through him. Yet in the back of his mind, a small voice whispered, She's right. You are afraid of what you'll lose, only it's not about the house. It's about your self-control. Dougal slung himself down from the horse and faced Sophia. She refused to back away but stood her ground so that he was but a few inches from her. She glared at him. "I saw your face last night. You want me, MacLean. Admit it. You're afraid I'll offer myself for the house, and you won't be able to resist it.And then..." She smiled smugly. "And the you'll lose.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
Probably, it was when I noticed the guy standing next to me at VR sharpshooters. He was about thirteen, I guess, but his clothes were weird. I thought he was some Elvis impersonator’s son. He wore bell-bottom jeans and a red T-shirt with black piping, and his hair was permed and gelled like a New Jersey girl’s on homecoming night. We played a game of sharpshooters together and he said, “Groovy, man. Been here two weeks, and the games keep getting better and better.” Groovy? Later, while we were talking, I said something was “sick,” and he looked at me kind of startled, as if he’d never heard the word used that way before.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I remember when Vianne Rocher first moved into town all those years ago. That window, papered in orange and gold, just like a Chinese lantern. That scent of spices, and incense smoke, like something from the Arabian Nights. So many things have changed since then: now Vianne and I are almost friends. But how I resented that little shop, with its brightly colored awning, and the scent of vanilla and allspice and the bitter rasp of raw cacao drifting out into the air. How I longed to step in, to taste the wares in those glass cases! Now, I tell myself, I could. But though I do not fast for Lent, chocolate still seems one indulgence too far.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
THESSALONIANS 5 Now concerning  w the times and the seasons, brothers, [1]  x you have no need to have anything written to you. 2For you yourselves are fully aware that  y the day of the Lord will come like a thief in the night. 3While people are saying, “There is peace and security,” then  z sudden destruction will come upon them  a as labor pains come upon a pregnant woman, and they will not escape. 4But you  b are not in darkness, brothers, for that day to surprise you like a thief. 5For you are all  c children [2] of light, children of the day. We are not of the night or of the darkness. 6So then  d let us not sleep, as others do, but let us  e keep awake and  f be sober.
Anonymous (Holy Bible: English Standard Version (ESV))
And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I supposeyou'dsay that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
A ninja or shinobi is a mixture of spy, guerrilla tactician, night time infiltration agent, explosives expert, thief and arsonist. The ninja have been named in various ways in many parts of Japan, however, historically they were known as ‘shinobi’ before they became ninja. Both of the names ‘shinobi’ (also shinobi no mono) and ninja come, in the main, from the same combination of Chinese ideograms , which can be read in the two ways described above. It is a misconception that the ninja are a separate force outside of the samurai, as they are in fact a subgroup of the samurai with some members being from the foot soldier or Ashigaru class; this will be discussed in depth later in this volume. A ninja could come from any class in Japan but many were low level samurai retainers.
Antony Cummins (In Search of the Ninja: The Historical Truth of Ninjutsu)
8. Such is the lowliness of our condition in this life; for we think others are like ourselves and we judge others according to what we ourselves are, since our judgment arises from within us and not outside us. Thus the thief thinks others also steal; and the lustful think others are lustful too; and the malicious think others also bear malice, their judgment stemming from their own malice; and the good think well of others, for their judgment flows from the goodness of their own thoughts; and to those who are careless and asleep, it seems that others are too. Hence it is that when we are careless and asleep in God's presence, it seems to us it is God who is asleep and neglectful of us, as is seen in psalm 43 where David calls to him: Arise, Lord, why do you sleep? Arise [Ps. 44:23].
Juan de la Cruz (The Collected Works of St. John of the Cross (includes The Ascent of Mount Carmel, The Dark Night, The Spiritual Canticle, The Living Flame of Love, Letters, and The Minor Works) [Revised Edition])
Money, dished out in quantities fitting the context, is a social lubricant here. It eases passage even as it maintains hierarchies. Fifty naira for the man who helps you back out from the parking spot, two hundred naira for the police officer who stops you for no good reason in the dead of night, ten thousand for the clearing agent who helps you bring your imported crate through customs. For each transaction, there is a suitable amount that helps things on their way. No one else seems to worry, as I do, that the money demanded by someone whose finger hovers over the trigger of a AK-47 is less a tip than a ransom. I feel that my worrying about it is a luxury that few can afford. For many Nigerians, the giving and receiving of bribes, tips, extortion money, or alms--the categories are fluid--is not thought of in moral terms. It is seen either as a mild irritant or as an opportunity. It is a way of getting things done, neither more nor less than what money is there for.
Teju Cole (Every Day Is for the Thief)
From other shelters, there were stories of singing “Deutschland über Alles” or of people arguing amid the staleness of their own breath. No such things happened in the Fiedler shelter. In that place, there was only fear and apprehension, and the dead song at Rosa Hubermann’s cardboard lips. Not long before the sirens signaled the end, Alex Steiner—the man with the immovable, wooden face—coaxed the kids from his wife’s legs. He was able to reach out and grapple for his son’s free hand. Kurt, still stoic and full of stare, took it up and tightened his grip gently on the hand of his sister. Soon, everyone in the cellar was holding the hand of another, and the group of Germans stood in a lumpy circle. The cold hands melted into the warm ones, and in some cases, the feeling of another human pulse was transported. It came through the layers of pale, stiffened skin. Some of them closed their eyes, waiting for their final demise, or hoping for a sign that the raid was finally over. Did they deserve any better, these people? How many had actively persecuted others, high on the scent of Hitler’s gaze, repeating his sentences, his paragraphs, his opus? Was Rosa Hubermann responsible? The hider of a Jew? Or Hans? Did they all deserve to die? The children? The answer to each of these questions interests me very much, though I cannot allow them to seduce me. I only know that all of those people would have sensed me that night, excluding the youngest of the children. I was the suggestion. I was the advice, my imagined feet walking into the kitchen and down the corridor. As is often the case with humans, when I read about them in the book thief’s words, I pitied them, though not as much as I felt for the ones I scooped up from various camps in that time. The Germans in basements were pitiable, surely, but at least they had a chance. That basement was not a washroom. They were not sent there for a shower. For those people, life was still achievable.
Markus Zusak (The Book Thief)
On the bus, I pull out my book. It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e. Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie. Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway. Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple. That's as far as I've gotten... Diving back into Jane Eyre... Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so. Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all... Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester. Miss Ingram's portrait is soft and pink and silky. Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown. Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time. Everyone needs a strategy, even Jane Eyre... Mr. Rochester loves Jane Eyre and asks her to marry him. Strange and serious, brown dress and all, he loves her. How wonderful, how impossible. Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible. Just like in Jane Eyre, the story would end badly. Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her. Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces... Oh right, I forgot. Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself. When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle. He is maimed, blind, unkempt. And she still loves him. He can't believe it. Neither can I. Something like that would never happen in real life. Would it? ... You'll see, the story ends well.
Fanny Britt (Jane, the Fox & Me)
Muhammad once was talking to a crowd of chieftains, princes with great influence, when a poor blind man interrupted him. Muhammad frowned and said to the man, "Let me attend to these visitors. This is a rare chance, whereas you are already my friend. We'll have ample time." Then somebody nearby said, "That blind man may be worth a hundred kings. Remember the proverb, Human beings are mines." World-power means nothing. Only the unsayable, jeweled inner life matters. Muhammad replied, "Do not think that I'm concerned with being acknowledged by these authorities. If a beetle moves toward rosewater, it proves that the solution is diluted. Beetles love dung, not rose essence. If a coin is eager to be tested by the touchstone, that coin itself may be a touchstone. A thief loves the night. I am day. I reveal essences. A calf thinks God is a cow. A donkey's theology changes when someone new pets it and gives it what it wants. I am not a cow, or thistles for camels to browse on. People who insult me are only polishing the mirror
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I suppose you'd say that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
When He Returns The iron hand it ain’t no match for the iron rod The strongest wall will crumble and fall to a mighty God For all those who have eyes and all those who have ears It is only He who can reduce me to tears Don’t you cry and don’t you die and don’t you burn For like a thief in the night, He’ll replace wrong with right When He returns Truth is an arrow and the gate is narrow that it passes through He unleashed His power at an unknown hour that no one knew How long can I listen to the lies of prejudice? How long can I stay drunk on fear out in the wilderness? Can I cast it aside, all this loyalty and this pride? Will I ever learn that there’ll be no peace, that the war won’t cease Until He returns? Surrender your crown on this blood-stained ground, take off your mask He sees your deeds, He knows your needs even before you ask How long can you falsify and deny what is real? How long can you hate yourself for the weakness you conceal? Of every earthly plan that be known to man, He is unconcerned He’s got plans of His own to set up His throne When He returns
Bob Dylan (Lyrics:1962-2012: 1961-2012)
Don't you be wasting of me good time in the numbering of me hands," cried Freckles. "The stringth of me cause will make up for the weakness of me mimbers, and the size of a cowardly thief doesn't count. You'll think all the wildcats of the Limberlost are turned loose on you whin I come against you, and as for me cause----I slept with you, Wessner, the night I came down the corduroy like a dirty, friendless tramp, and the Boss was for taking me up, washing, clothing, and feeding me, and giving me a home full of love and tinderness, and a master to look to, and good, well-earned money in the bank. He's trusting me his heartful, and here comes you, you spotted toad of the big road, and insults me, as is an honest Irish gintleman, by hinting that you concaive I'd be willing to shut me eyes and hold fast while you rob him of the thing I was set and paid to guard, and then act the sneak and liar to him, and ruin and eternally blacken the soul of me. You damned rascal," raved Freckles, "be fighting before I forget the laws of a gintlemin's game and split your dirty head with me stick!
Gene Stratton-Porter (Freckles (Limberlost, #1))
Do you know the fairy tale about the boy who doesn’t know fear? Its bizarre. A boy who has never been afraid leaves home to seek his fortune and is challenged to spend the night in some haunted house. Many headless ghosts and other things try to scare him to death the way they’ve done to everyone else, but he’s not scared because, well, no fear. He gets his reward and winds up marrying a princess—and on his wedding night, his new wife learns about his lack of fear. To teach him, she pours a bucket of eels on him in their marriage bed. The squirming of the eels is so strange that he shivers and shakes and believes that he has finally felt fear. Fiona read that to Remy when we were children and I thought it was the weirdest story I’d ever heard. For a long time, I thought eels had something to do with marriage.” Charlie raised her eyebrows. “So what does it mean?” “Look, it’s still bizarre. But I think the fairy tale is about how desire is terrifying. Love is terrifying.” He shook his head. “And for someone who has tried not to feel for a long time, it’s threatening. It feels like an attack.
Holly Black (Thief of Night (Book of Night, #2))
THESSALONIANS 5 Now concerning  wthe times and the seasons, brothers, [1]  xyou have no need to have anything written to you. 2For you yourselves are fully aware that  ythe day of the Lord will come like a thief in the night. 3While people are saying, “There is peace and security,” then  zsudden destruction will come upon them  aas labor pains come upon a pregnant woman, and they will not escape. 4But you  bare not in darkness, brothers, for that day to surprise you like a thief. 5For you are all  cchildren [2] of light, children of the day. We are not of the night or of the darkness. 6So then  dlet us not sleep, as others do, but let us  ekeep awake and  fbe sober. 7For those who sleep, sleep at night, and those who get drunk,  gare drunk at night. 8But since we belong to the day, let us be sober,  hhaving put on the breastplate of  ifaith and love, and for a helmet the hope of salvation. 9For God has not destined us for  jwrath, but  kto obtain salvation through our Lord Jesus Christ, 10 lwho died for us so that whether we are awake or asleep we might live with him. 11Therefore encourage one another and build one another up, just as you are doing.
Anonymous (Holy Bible: English Standard Version (ESV))
Legends told that in the Dark Days, when the Graces walked the earth and inspired humanity to rise up and fight back against the Demons who ruled over them, the Grace of Luck would sometimes appear at people’s doors in disguise—be their homes ever so humble or ever so proud—and beg for food or shelter. Those who offered hospitality were rewarded with Her blessing, and received great fortune; and as such, on the Night of Masks, every household must offer hospitality to any masked reveler who showed up at their door. This custom had, naturally, evolved in Raverra to the throwing of lavish masquerades, made all the more exciting by the possibility that anyone could turn up at one’s party, from the doge himself to a notorious jewel thief. So long as they wore an acceptable mask, they could join the festivities. Most Raverrans flitted from ball to ball throughout the night, and the revelry poured out into the streets and canals. It was a day of mysteries and surprises, of charity and cunning, of terrible mistakes to be regretted the next morning and wondrous coincidences to transform one’s life. A night of intrigue and enchantment, of romance and adventure.
Melissa Caruso (The Unbound Empire (Swords and Fire, #3))
A question shot through his brain. “Can this be me?” For a thirteen-year-old who had just labeled his religious leader a bastard, twice, it was not an improper question. Louder and louder the question came to him–“Is it me? Is it me?”–until he discovered himself no longer kneeling, but racing crazily towards the edge of the roof, his eyes crying, his throat screaming, and his arms flying every whichway as though not his own. “Is it me? Is it me Me Me Me Me? It has to be me–but is it!” It is a question a thief must ask himself the night he jimmies open his first window, and it is said to be the question with which bridegrooms quiz themselves before the altar. In the few wild seconds it took Ozzie’s body to propel him to the edge of the roof, his self-examination began to grow fuzzy. Gazing down at the street, he became confused as to the problem beneath the question: was it, is-it-me-who-called-Binder-a-bastard? or, is-it-me-prancing-around-on-the roof? However, the scene below settle all, for there is an instant in any action when whether it is you or somebody else is academic. The thief crams in the money in his pockets and scoots out the window. The bridegroom signs the hotel register for two. And the boy on the roof finds a streetful of people gaping at him, necks stretched backwards, faces up, as though he was the ceiling of the Hayden Planetarium. Suddenly you know it’s you.
Philip Roth (Goodbye, Columbus and Five Short Stories / Letting Go)
Sentenced to a nineteen-year term of hard labor for the crime of stealing bread, Jean Valjean gradually hardened into a tough convict. No one could beat him in a fistfight. No one could break his will. At last Valjean earned his release. Convicts in those days had to carry identity cards, however, and no innkeeper would let a dangerous felon spend the night. For four days he wandered the village roads, seeking shelter against the weather, until finally a kindly bishop had mercy on him. That night Jean Valjean lay still in an overcomfortable bed until the bishop and his sister drifted off to sleep. He rose from his bed, rummaged through the cupboard for the family silver, and crept off into the darkness. The next morning three policemen knocked on the bishop’s door, with Valjean in tow. They had caught the convict in flight with the purloined silver, and were ready to put the scoundrel in chains for life. The bishop responded in a way that no one, especially Jean Valjean, expected. “So here you are!” he cried to Valjean. “I’m delighted to see you. Had you forgotten that I gave you the candlesticks as well? They’re silver like the rest, and worth a good 200 francs. Did you forget to take them?” Jean Valjean’s eyes had widened. He was now staring at the old man with an expression no words can convey. Valjean was no thief, the bishop assured the gendarmes. “This silver was my gift to him.
Philip Yancey (What's So Amazing About Grace?)
The Flash of Understanding I do not know if you have noticed that there is understanding when the mind is very quiet, even for a second; there is the flash of understanding when the verbalization of thought is not. Just experiment with it and you will see for yourself that you have the flash of understanding, that extraordinary rapidity of insight, when the mind is very still, when thought is absent, when the mind is not burdened with its own noise. So, the understanding of anything—of a modern picture, of a child, of your wife, of your neighbor, or the understanding of truth, which is in all things—can only come when the mind is very still. But such stillness cannot be cultivated because if you cultivate a still mind, it is not a still mind, it is a dead mind. The more you are interested in something, the more your intention to understand, the more simple, clear, free the mind is. Then verbalization ceases. After all, thought is word, and it is the word that interferes. It is the screen of words, which is memory, that intervenes between the challenge and the response. It is the word that is responding to the challenge, which we call intellection. So, the mind that is chattering, that is verbalizing, cannot understand truth—truth in relationship, not an abstract truth. There is no abstract truth. But truth is very subtle…. Like a thief in the night, it comes darkly, not when you are prepared to receive it.
J. Krishnamurti (The Book of Life: Daily Meditations with Krishnamurti)
When great and wise men had proved to their satisfaction that it was impossible for the world to be destroyed by water, when [104] the fears of the people were quieted, when all regarded Noah’s prophecy as a delusion, and looked upon him as a fanatic—then it was that God’s time had come. “The fountains of the great deep” were “broken up, and the windows of heaven were opened,” and the scoffers were overwhelmed in the waters of the Flood. With all their boasted philosophy, men found too late that their wisdom was foolishness, that the Lawgiver is greater than the laws of nature, and that Omnipotence is at no loss for means to accomplish his purposes. “As it was in the days of Noah,” “even thus shall it be in the days when the Son of man is revealed.” Luke 17:26, 30. “The day of the Lord will come as a thief in the night; in the which the heavens shall pass away with a great noise, and the elements shall melt with fervent heat, the earth also and the works that are therein shall be burned up.” 2 Peter 3:10. When the reasoning of philosophy has banished the fear of God’s judgments; when religious teachers are pointing forward to long ages of peace and prosperity, and the world are absorbed in their rounds of business and pleasure, planting and building, feasting and merrymaking, rejecting God’s warnings and mocking his messengers—then it is that sudden destruction cometh upon them, and they shall not escape. 1 Thessalonians 5:3. [105]
Ellen Gould White (Patriarchs and Prophets)
The Blessed I am in the darkness and alone. In front of me stands the door. When I open it, I am bathed in light. There are a father, a mother and sister, A dog, which, dumb, still barks in friendliness. How can I lie, and how can I say That I, hidden there in darkness, have not come to harm them? I drag myself over the threshold. Snow blossoms in my eyes. I saw him bowing to me courteously; How much that hurt me. How could my heart find peace, When round it raced the voice of the old man? I live in coldness. I dried my tears and went To where the man was eating with his family. It was so calm and loving a reception. I felt the violins sounding inside me At first, so sweetly, so gently. They will never sound again, when I have finished. Fear drenched my hands. Beneath me I could almost taste my womb. A sneer seemed to say: 'Have you no shame? What have you done with the wedding-ring on your finger? Terrible thief, where did you hide your courage? Does the nakedness of my right hand mean so little to me?' I felt so poor and naked. I wriggled in my chair And trembled to think what I must do. Pity clawed at my heart and shook my body Like a tree in a winter field blown by the wind Shedding leaves. I told myself it was time to go, Scolding my wan, faded self for my little worries. Pleased with myself again, I steeled myself for the torture. The joy of it! Oh, how I want to be Just like an animal and be happy again! I sharpen my claws with a knife. It is still night, and that thing called shame, I may not let it show itself. I know the train that tears through the woods. I go out to the unfeeling rails. Weary, I am glad to go to bed, Running across two flat sticks of iron.
Gertrud Kolmar
North American LGBT activists, wedded to epistemologies of the closet, often implicitly or explicitly equate this culture of semivisibility with the Global South’s lack of progress. In Sirena Selena, the Puerto Rican novelist Mayra Santos-Febres parodies the North’s conflation of “developing” nations’ electrical power outages and their lack of sexual enlightenment through the words of a Canadian tourist in Santo Domingo. He sighs, “I don’t want to criticize, you know — with all the problems these islands have, it’s understandable that they’re less evolved. . . . You can’t compare our problems with the atrocities a gay man has to face in these countries. . . . It’s all hanky-panky in the dark, like in the fifties in Canada.”5 But the “dark” or semivisibility of Caribbean same-sex sexuality can be something other than a blackout. It can also read as the “tender and beautiful” night that Ida Faubert imagines in “Tropical Night,” a space of alternative vision that nurtures both eroticism and resistance. The tactically obscured has been crucial to Caribbean and North American slave societies, in which dances, ceremonies, sexual encounters, abortions, and slave revolts all took place under the cover of night. Calling on this different understanding of the half seen, Édouard Glissant exhorts scholars engaging Caribbean cultures to leave behind desires for transparency and instead approach with respect for opacity: a mode of seeing in which the difference of the other is neither completely visible nor completely hidden, neither overexposed nor erased.6 The difference that Glissant asks us to (half ) look at is certainly not that of sexuality (since it is never mentioned) nor of gender (since he includes in his work a diatribe against feminism).
Omise'eke Natasha Tinsley (Thiefing Sugar: Eroticism between Women in Caribbean Literature (Perverse Modernities))
Celebrating something?” she asked. A wicked smile formed on his lips, showing off his dimples. “Just a good night’s sleep.” She smiled, too, though not without some reservation. Just what kind of person had they partnered with? A thief and an arsonist? Camille placed a napkin in her lap and devoured a slice of buttered toast. Oscar hadn’t returned from his walk until well after dark the night before. Camille had already turned down the lamps, pulled the blankets up to her ears, and buried her head in her pillow to avoid having to speak to or see him. “Oscar.” She felt her pulse rise. “What I said to you yesterday was miserable.” He kept his attention on his eggs. “I didn’t mean to be so thoughtless. I was just trying to avoid your question.” Oscar finished chewing. “I’m sorry, too,” he whispered. “So what about Randall don’t you want to talk about?” The fork slipped between her damp fingers, and she set it on the rim of the plate. “It’s just…I haven’t talked about it with anyone. I don’t really know how to put it.” She wanted to be desperately in love with Randall and not just fond of him. She didn’t want to need to marry Randall; she just wanted to want to. It had been her father’s greatest hope for her-and for the company. There was no way to explain it all to Oscar, though, without going into her father’s poor finances. As she drew her palm into her lap, it left a handprint of sweat on the lacquered cherry table. Oscar eyed the evaporating mark. “What are you so nervous about?” She massaged the healed wound on her temple. It still ached, but she couldn’t stop feeling for it each time she thought of her father. “If you were about to be married, wouldn’t you be nervous?” she asked. He took a sip of his black tea. “Nothing to be nervous about if you’re marrying the right person.” Camille dumped a spoonful of sugar into her tea. She knew she shouldn’t have bothered asking anyone, especially not a man. Oscar stopped, his forkful of eggs halfway to his mouth. “Are you rethinking the wedding?” Camille choked on a bite of toast. “No!” she said, hammering out a cough. “Of course not.
Angie Frazier (Everlasting (Everlasting, #1))
Everything has already been caught, until my death, in an icefloe of being: my trembling when a piece of rough trade asks me to brown him (I discover that his desire is his trembling) during a Carnival night; at twilight, the view from a sand dune of Arab warriors surrendering to French generals; the back of my hand placed on a soldier's basket, but especially the sly way in which the soldier looked at it; suddenly I see the ocean between two houses in Biarritz; I am escaping from the reformatory, taking tiny steps, frightened not at the idea of being caught but of being the prey of freedom; straddling the enormous prick of a blond legionnaire, I am carried twenty yards along the ramparts; not the handsome football player, nor his foot, nor his shoe, but the ball, then ceasing to be the ball and becoming the “kick-off,” and I cease being that to become the idea that goes from the foot to the ball; in a cell, unknown thieves call me Jean; when at night I walk barefoot in my sandals across fields of snow at the Austrian border, I shall not flinch, but then, I say to myself, this painful moment must concur with the beauty of my life, I refuse to let this moment and all the others be waste matter; using their suffering, I project myself to the mind's heaven. Some negroes are giving me food on the Bordeaux docks; a distinguished poet raises my hands to his forehead; a German soldier is killed in the Russian snows and his brother writes to inform me; a boy from Toulouse helps me ransack the rooms of the commissioned and non-commissioned officers of my regiment in Brest: he dies in prison; I am talking of someone–and while doing so, the time to smell roses, to hear one evening in prison the gang bound for the penal colony singing, to fall in love with a white-gloved acrobat–dead since the beginning of time, that is, fixed, for I refuse to live for any other end than the very one which I found to contain the first misfortune: that my life must be a legend, in other words, legible, and the reading of it must give birth to a certain new emotion which I call poetry. I am no longer anything, only a pretext.
Jean Genet (The Thief's Journal)
The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle
Lauren Royal (Alexandra (Regency Chase Brides #1))