Thesis Italics Or Quotes

Rose’s dreams are primarily visions of a personal future, but they are linked to a social vision and to a larger mythos of America by an offhand remark Herbie makes. He tells Rose that when he first saw her, she “looked like a pioneer woman without a frontier.”11 The frontier thesis, as articulated by Frederick Jackson Turner, is a particular manifestation of the American Dream in which the continual movement west in the nineteenth century was a means both of personal advancement (owning land, expanding business, starting over, striking it rich) and of societal evolution (claiming territory, controlling it, exploiting it—all justified and mandated by the guiding master narrative of Manifest Destiny). But by the 1920s, when pioneer woman Rose and her brood set out in pursuit of her dream, there is no more frontier—the West Coast, where the action of the play’s first scenes takes place, is settled. It seems significant that Rose’s father worked for the railroad, that key player in the expansion westward, but is now retired.12 No longer able to head west toward a frontier, Rose loops back into already settled America, Manifest Destiny’s straight, east-to-west line now giving way to a circle, the vaudeville circuit. Gypsy makes use of dreams in multiple senses to articulate a vision of an American society folding back on itself entropically and becoming an image—a dream—of its own myths.