These Infinite Threads Quotes

Every bird that flies has the thread of the infinite in its claw.

No experience has been too unimportant, and the smallest event unfolds like a fate, and fate itself is like a wonderful, wide fabric in which every thread is guided by an infinitely tender hand and laid alongside another thread and is held and supported by a hundred others

I hate you," he whispered. "I hate everything about you. Your eyes. Your lips. Your smile." His words grazed her skin when he said, softly, "I find your presence insufferable.

God, you’re so beautiful,” he said, his smile vanishing. “Even when you lie to me.

She saw an intensity in his stunning irises, something desperate straining against his control, and she swore in that moment she could almost feel his soul pressing against hers.

Your name,” he said, and closed his eyes. He nearly fell over, catching himself at the last second. “I didn’t know your name for so long, angel. I love the way it feels in my mouth.

Take care, Cyrus," she chided him. "If you keep laughing like that, I'm liable to think you have a heart." "Oh, you needn't worry," he said, his smile fading. "I most certainly don't." The nosta went cold.

I would marry you,” he said, stepping closer again, coming dangerously within reach. “I’d marry you tomorrow. And then I’d take you to bed. For weeks.

You have no idea what I want. I have been in agony for eight months, Alizeh. Do you know how hard it’s been to pretend I don’t know you? To pretend I don’t want you? To act as if I haven’t known every inch of your body in my dreams? To learn that your heart has been entangled elsewhere? I look at you and I can’t breathe. In my mind, you are already mine.

Oh, she had never feared death. No, it was life that scared her, life that scarred her. It was the slow torture of consciousness that had done its utmost to crush her.

Alizeh was so powerful she claimed the devil as a friend, knew the sovereign of an enemy nation as an ally.

Just when I seemed about to learn! Where is the thread now? Off again! The old trick! Only I discern - Infinite passion, and the pain Of finite hearts that yearn.

Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere. I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light. The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite." But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while? That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.

I need you," he said roughly. "Don't run away from me." "How can you expect me not to run from you," said Alizeh, still trying to shake off her apprehension, "when you threatened just hours ago to have my eyes sewn shut?" He looked sharply away from her then, a muscle jumping in his jaw. "I shouldn't have said that." "And then you threw me off a cliff," she said, her voice a bit breathless even to her own ears. "You wouldn't stop threatening to kill me," he said angrily, turning back to face her. "I was merely trying to change the subject.

Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.

With all due offense, sire, please fuck off.

I hate you,” he whispered. Alizeh blinked, her heart pounding too hard in her chest. “I know.” He leaned in then, his throat working, his gaze fixed entirely on her mouth. “I hate everything about you. Your eyes. Your lips. Your smile.” His words grazed her skin when he said, softly, “I find your presence insufferable.

My kingdom," he said softly. "For your hand.

You act as if I’m intentionally cruel. As if I’m indifferent to you.” “Aren’t you?” “No,” she whispered, her eyes filling with tears. “Of course not.” Cyrus stared at her from where he stood, his chest heaving with barely leashed intensity. He devastated her with that look, even as he seemed planted in the ground, immovable. “Then be with me,” he said softly. “Let me worship you.

All for you. Do you really not see what you’ve done to me? In a matter of days you’ve stripped me down and upended my world. My hours are in disarray, my future is in chaos, and my head—my head—

He shook his head and took a deep, shuddering breath, unselfconsciously inhaling the scent of her. “Don’t be afraid of me, angel. I won’t hurt you. I’ll never hurt you.

The woman he had loved most (he was thirty at the time) would tell him (he was nearly in despair when he heard it) that she held on to life by a thread. Yes, she did want to live, life gave her great joy, but she also knew that her 'i want to live' was spun from the threads of a spiderweb. It takes so little, so infinitely little, for someone to find himself on the other side of the border, where everything-- love, convictions, faith, history-- no longer has meaning. The whole mystery of human life resides in the fact that it is spent in the immediate proximity of, and even in direct contact with, that border, that it is separated from it not by kilometers but by barely a millimeter.

So beautiful I could hardly look at you, even in my dreams. I thought my mind had magicked you to life as an antidote to my nightmares. I never dared to believe you might exist in real life.

From the window, I watch the city and the freeway. In the distance, the sky-rises look like mystic spires, unbearably close and far. I want to pick them up and eat them. I want to scream out loud sometimes, but I never do.

Alizeh,” he whispered. “Let me make you my queen.

Cyrus had looked at her many times since she'd met him, and always with varying levels of intensity, but never quite like this. Never like he wanted to fall to his knees before her.

I want to understand the strings that are tied between me and certain other people and if they really can stretch through infinite time and space without ever breaking. Are soul mates real, and is my life ever going to make sense?

Cyrus," she said patiently, "you can't just ask a girl to marry you and then decline to answer a single question about yourself." "Try me.

Humans find unity in chaos, purpose in war, honor in battle. It is their curse that they cannot flourish without conflict.

What worlds he might be inspired to give up, he wondered, in the pursuit of knowing more of her mind.

Should you marry me, it would be in title only. I have no interest in your companionship.” The nosta went cold.

It’s my own fault,” he said, and dragged both hands down his face. “I have only myself to blame. I knew better; I knew you were dangerous. You’ve had the upper hand from the moment I laid eyes on you. I saw you and saw right away that I was in hell, and I hated you for it, because I realized even then that you would be the end of me.

Her heart was beating so hard she could hardly hear her own thoughts. Cyrus had looked at her many times since she'd met him, and always with varying levels of intensity, but never quite like this. Never like he wanted to fall to his knees before her.

He laughed a little, like he was drunk. "I do say it a lot." "What?" she said, going briefly still. "Your name," he said, and closed his eyes. He nearly fell over, catching himself at the last second. "I didn't know your name for so long, angel. I love the way it feels in my mouth.

And when you're ancient, then if you still want me to, I swear on every thread of the multiverse that I will bring you back to me.

God, you're so beautiful," he said, his smile vanishing. "Even when you lie to me.

Don't be afraid of me, angel. I won't hurt you. I'll never hurt you.

I need your help, sleepy boy. Can you do something for me? "Anything.

Cyrus leaned in. “Relinquish the dream,” he said softly. “You have no hope of mastering me.

He leaned in, so close that he could feel his whisper against her lips as he spoke. "Try to weaponize those eyes against me again and I will have them permanently sewn shut.

Never before had he been so consumed by the thoughts of anyone.

Say you came back for me," he whispered. There was a thread of desire in his voice that threatened the good sense in her head, her very composure. "Tell me you came to find me. That you changed your mind." "How--how can you even say such things," she said, her hands beginning to tremble, "on an evening you are meant to choose another as your bride?" "I choose you," he said simply. "I want you.

I always thought you were some kind of an angel.

Ultimately, nothing in this life is “commonplace,” nothing is “in between.” The threads that join your every act, your every thought, are infinite. All paths of mastery eventually merge.

And I have a theory," she went on, "that if I were badly wounded, you would help me. True or false?" He went silent. He was silent so long Alizeh had time enough to watch a drop of dew drip off a glossy green leaf. "True or false, Cyrus?" She heard his uneven exhale, the raw edge to his voice when he said, irritably, "False." The nosta flashed cold. "Liar," she whispered.

The truth, even more, is that life is perpetually weaving fresh threads which link one individual and one event to another, and that these threads are crossed and recrossed, doubled and redoubled to thicken the web, so that between any slightest point of our past and all the others a rich network of memories gives us an almost infinite variety of communicating paths to choose from.

I fear you might regret saying that,” he said, even as he almost smiled. “Be warned, Kamran. The terms of our agreement are nonnegotiable. Lift a finger against her prematurely and I won’t hesitate to kill you myself.

Tell me your name," he whispered. Slowly, very slowly, Alizeh touched her fingers to his waist, anchored herself to his body. She heard his soft intake of breath. "Why?" she asked. He hesitated, briefly, before he said, "I begin to fear you've done me irreparable damage. I should like to know who to blame.

Through creativity, we are seamlessly connected and sustained as we pull back the veil, revealing beneath our differences and distinctive characteristics, human expression and the human experience are universal. It is the greatness of this experience that connects us together by infinite invisible threads strewn across the globe. This is my responsibility, passion and desire as an artist—my soul purpose.

But life- I'd come to find out- was pretty damn large. It coiled and wove and spun its own story, threading together tales to create an intricate, confusing saga. We didn't get our own book. We were all part of the same infinite one..... We weren't chapters. We weren't even sentences. My part in it was as insignificant as a letter on a page.

You have no idea what I could give you," he said, his own eyes blazing. "You have no idea what I want. I have been in agony for eight months, Alizeh. Do you know how hard it's been to pretend I don't know you? To pretend I don't want you? To act as if I haven't known every inch of your body in my dreams? To learn that your heart has been entangled elsewhere? I look at you and I can't breathe. In my mind, you are already mine.

Cyrus stared at her for a full second before he finally broke, and laughed out loud. "I tell you a single sad story and your defenses weaken that easily? Against me? You lovely little fool, you're going to get yourself killed." "Oh shut up." She crossed her arms.

to an infinite artist, a Creator in love with His craft, there is no unimportant corner, there is no thrown-away image, no tattered thread in the novel left untied.

The sky, too, is soft,” she said. “Yet all who fall into its arms will perish.

Oh, she had never feared death. No, it was life that scared her, life that scarred her.

Still, I'm not convinced that you were right, Dai--that it's such a bad thing, a useless enterprise to reel and reel out my memory at night. Some part of me, the human part of me, is kept alive by this, I think. Like water flushing a wound, to prevent it from closing. I am a lucky one, like Chiyo says. I made a terrible mistake. In Gifu, in my raggedy clothes, I had an unreckonable power. I didn't know it at the time. But when I return to the stairwell now, I can feel them webbing around me: my choices, their infinite variety, spiraling out of my hands, my invisible thread. Regret is a pilgrimage back to the place where I was free to choose. It's become my sanctuary here in Nowhere Mill. A threshold where I still exist.

There is no future, Loki,” said Frigga. “Only possibilities that become more and more likely probabilities, and probabilities that become realities.” The queen smiled down at him. “Although some people say that with each choice we make a new thread is spun, and from all our choices a new universe is born. Our fate is not one single strand of thread, but an infinite spider web.

She saw an intensity in his stunning irises, something desperate straining against his control, and she swore in that moment she could almost feel his soul pressing against hers. Even then, he was breathtaking.

You work that you may keep pace with the earth and the soul of the earth. For to be idle is to become a stranger unto the seasons, and to step out of life's procession, that marches in majesty and proud submission towards the infinite. When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison? Always you have been told that work is a curse and labour a misfortune. But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born, And in keeping yourself with labour you are in truth loving life, And to love life through labour is to be intimate with life's inmost secret. But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written. You have been told also that life is darkness, and in your weariness you echo what was said by the weary. And I say that life is indeed darkness save when there is urge, And all urge is blind save when there is knowledge, And all knowledge is vain save when there is work, And all work is empty save when there is love; And when you work with love you bind yourself to yourself, and to one another, and to God. And what is it to work with love? It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as if your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit. It is to charge all things you fashion with a breath of your own spirit, And to know that all the blessed dead are standing about you and watching. Often have I heard you say, as if speaking in sleep, "He who works in marble, and finds the shape of his own soul in the stone, is nobler than he who ploughs the soil. And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet." But I say, not in sleep but in the overwakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass; And he alone is great who turns the voice of the wind into a song made sweeter by his own loving. Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger. And if you grudge the crushing of the grapes, your grudge distils a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.

The tapestry of the universe is vast and complex, with infinite patterns. While threads of tragedy may form the primary weave, humanity with its undaunted optimism still manages to embroider small designs of happiness and love.

How do we know that the creation of worlds is not determined by the fall of grains of sand? Who knows the reciprocal ebb and flow of the infinitely great and the infinitely little, the reverberations of causes in the precipices of being, and the avalanches of creation? The tiniest worm is of importance; the great is little, the little is great; everything is balanced in necessity; alarming vision for the mind. There are marvelous relations between beings and things; in that inexhaustible whole, from the sun to the grub, nothing despise the other; all have need of each other. The light does not bear away terrestrial perfumes into the azure depths, without knowing what it is doing; the night distributes stellar essences to the sleeping flowers. All birds that fly have round their the thread of the infinite. Germination is complicated with the bursting forth of a meteor and with the peck of a swallow cracking its egg, and it places on one level the birth of an earthworm and the advent of Socrates. Where telescopes end, the microscopes begin. Which of the two possesses the larger field of vision? Choose. A bit of mould is a pleiad of flowers; a nebula is an ant hill of stars.

What are you talking about?" she asked, alarmed. "You speak as if I harmed you-" He laughed then, laughed like he might be coming unhinged. "Of course you don't know. Why would you? How could you pssoibly know the truth? That you've been haunting me for so long-tormenting me every night-" "Cyrus, stop it," she said. "You're not being fair-I never even knew you-" "You don't understand," he said, tortured. "I've been dreaming about you for months.

...You've known from the first that I am yoked to a ruthless master, that in fact I sought you out under his orders, that I disrupted my life and dishonored my home and tore myself open at his behest, all for you." He swallowed. "All for you. Do you really not see what you've done to me? In a matter of days you've stripped me down and upended my world. My hours are in disarray, my future is in chaos, and my head--my head--" He turned away and grimaced, his fists clenching, and Alizeh thought her heart might stop. "And instead of being angry," he went on, "instead of driving you away, instead of wishing we've never met--I keep staring at that fucking cut on your neck, Alizeh, and I want to die.

A precious something dropped into the dark beneath a subway grate. A tangled mess of infinite possibilities, countless threads, cut at the quick by silver scissors.

I LIVED IN the home of the man I’d killed.

I thought you’d never match up to the figment of my dreams, and I was wrong. You are far more enchanting in real life. Far more exquisite.

Instead, he said, quite calmly: “What took you so long?” Hazan, in response, broke down the door.

No?” he said, still smiling. Not trusting herself to speak, she shook her head. “God, you’re so beautiful,” he said, his smile vanishing. “Even when you lie to me.

There was a flicker in those blue irises, and for a second Cyrus betrayed himself. Beneath his placid surface was something desperate and unrestrained, if not broken.

there’s nothing even remotely priest-like about you.

As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.

Do you really not see what you've done to me? In a matter of days you've stripped me down and upended my world. My hours are in disarray, my future is in chaos, and my head--my head--

I spoke of disintegrating, dissolving into your surroundings. About atoms coming undone from each other, and being freed from yourself. She was free. She was free to float upward. There was nothing to stop her. She was floating up through the roof of the car, through the atmosphere, through the stratosphere, into the stars. Into outer space. Her atoms were intermingling with stardust. She was floating up here because this was where she belonged. Her atoms were weaving like thread into the fabric of the universe. Together, they formed a tapestry - a great, infinite tapestry - of stars and nebulae, of death and darkness, of life and creation. Swirling together. Endless. She was the universe. And the universe accepted her.

Every living soul in this universe should be given a chance at love – their personal shot at having the most powerful and mysterious thing that ever existed. You could love forever, or your love could burn short and bright for just a few moments in the history of time. But however you did it, I supposed the idea was to make it count; to create a story worthy of a new fairytale, a poem, or a new constellation that would wind itself into an infinite thread of light in your name. Maybe that was the whole point of love – to create an eternal story of your own.

When he threaded his fingers through her hair and tugged her lips to his, she had melted in his arms, crumbled into infinite pieces, and allowed every single one of them to merge into him. Her

I knew, somehow, that it would come to this,” he said, looking away. “I just thought I was stronger. I thought it would take longer. Instead, you’ve managed to sever me in half with astonishing speed.

Suddenly, she couldn't breathe. He was close now, his eyes bright, burning. She'd never seen such tightly restrained emotion in his face or in the lines of his body. His desire was so potent it was intoxicating; she felt herself tremble under the weight of it. He wanted to touch her--she knew this, she saw it in the rigid control he maintained over his hands, in the stiffness of his stance, in the way he moved incrementally closer until she saw nothing but him. His eyes dropped to her lips and his own lips parted, drew breath. He exhaled shakily. She worried that if she said a word, she might combust.

I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.

Alizeh was no longer smiling. Her heart was beating so hard she thought it might bruise. "What shall I say, then?" "Your name. I want to hear it from your lips." She took a breath. Released it slowly. "My name," she said, "is Alizeh. I am Alizeh of Saam, the daughter of Siavosh and Kiana. Though you may know me better as the lost queen of Arya." He stiffened at that, went silent. Finally he moved, one hand capturing her face, his thumb grazing her cheek in a fleeting moment, there and gone again. His voice was a whisper when he said, "Do you wish to know my name, too, Your Majesty?" "Kamran," she said softly, "I already know who you are." She was unprepared when he kissed her, for the darkness had denied her a warning before their lips met, before he claimed her mouth with a need that stole from her an anguished sound, a faint cry that shocked her.

Most people relate to themselves as storytellers. They usually have no use for poems, and although the occasional “because” or “in order that” gets knotted into the thread of life, they generally detest any brooding that goes beyond that; they love the orderly sequence of facts because it has the look of necessity, and the impression that their life has a “course” is somehow their refuge from chaos. It now came to Ulrich that he had lost his elementary, narrative mode of thought to which private life still clings, even though everything in public life has already ceased to be narrative and no longer follows a thread, but instead spreads out as an infinitely interwoven surface.

typical sentient’s psyche is a spiderweb. Pull on the right thread and you will get the desired result. Praise them and they will like you. Ridicule them and they’ll hate you. Greedy can be bought, timid can be frightened, smart can be persuaded, but the zealots are immune to money, fear, or reason. A zealot’s psyche is a tightrope. They have severed everything else in favor of their goal. They will pay any price for their victory, and that makes them infinitely more dangerous.

He wrapped an arm around her waist and pulled her into another kiss, and she melted into him, pressing as close as she could, and still he wanted to be closer. Her fingers threading into his hair, his around her waist, moving, exploring. Calculations had no room here, probability and chances washed away to a deeper longing. His tongue traced the contour of her lips, memorizing her taste, her motion, her method. The kiss lit a million suns in between his zeroes and ones, and made him infinite. He did not want to let go. He did not want to leave--he WOULD not. It was that voice that cried this, deep inside him, growing louder and louder. It was selfish. It was damning. But he did not want to forget the taste of her, her warmth, her curves, her smell. It was selfish and it was human. And for a moment he allowed himself to be. Until finally, she slid away, coming up for air. "You, too?" she whispered, her breath hot against his lips, hopeful, her eyes blazing like suns rising for him. He pressed his forehead against hers. "On iron and stars," he promised.

all the types of beings one finds oneself dealing with, the true believers are the worst. A typical sentient’s psyche is a spiderweb. Pull on the right thread and you will get the desired result. Praise them and they will like you. Ridicule them and they’ll hate you. Greedy can be bought, timid can be frightened, smart can be persuaded, but the zealots are immune to money, fear, or reason. A zealot’s psyche is a tightrope. They have severed everything else in favor of their goal. They will pay any price for their victory, and that makes them infinitely more dangerous.

In the heaven of the great god Indra is said to be a vast and shimmering net, finer than a spider’s web, stretching to the outermost reaches of space. Strung at the each intersection of its diaphanous threads is a reflecting pearl. Since the net is infinite in extent, the pearls are infinite in number. In the glistening surface of each pearl are reflected all the other pearls, even those in the furthest corners of the heavens. In each reflection, again are reflected all the infinitely many other pearls, so that by this process, reflections of reflections continue without end.

This was a habit Alizeh had mastered long ago. Cataloging moments of grace even in the midst of disaster often helped steady her mind; indeed there had been days in her life so bleak that Alizeh had resorted to counting her teeth if only to prove she still owned something of value. Just then she forced herself to listen to the susurrations of the wind, to appreciate that she'd never seen the moon so close, in all its unobstructed glory. She drew in a deep breath at the thought, tasting pure cold on her tongue, and lifted a searching hand to the night. The skies passed under her fingertips much like a cat, demanding to be pet.

but just the very tips of the fingers, here, the most sensitive parts, the parts bathed in warm oil, the whorled pads, I feel them singing with nerves and blood I let them extend… further than the warm silver hip-flask’s cap’s very top down its broadening cone where to where the threads around the upraised little circular mouth lie hidden while with the other warm singing hand I gently grip the leather holster so I can feel the way the whole flask feels as I guide… guide the cap around on its silver threads, hear that? stop that and listen, hear that? the sound of threads moving through well-machined grooves, with great care, a smooth barbershop spiral, my whole hand right through the pads of my fingertips less… less unscrewing, here, than guiding, persuading, reminding the silver cap’s body what it’s built to do, machined to do, the silver cap knows, Jim, I know, you know, we’ve been through this before, leave the book alone, boy, it’s not going anywhere, so the silver cap leaves the flask’s mouth’s warm grooved lips with just a snick, hear that? that faintest snick? not a rasp or a grinding sound or harsh, not a harsh brutal Brando-esque rasp of attempted domination but a snick a… nuance, there, ah, oh, like the once you’ve heard it never mistakable ponk of a true-hit ball, Jim, well pick it up then if you’re afraid of a little dust, Jim, pick the book up if it’s going

Now there is no music other than that of words, and these, especially those in books, are discreet, and even if curiosity should bring someone from the building to listen at the door, they would hear only a solitary murmur, that long thread of sound that can last into infinity, because the books of this world, all together, are, as they say the universe is, infinite.

She saw an intensity in his stunning irises, something desperate straining against his control, and she swore in that moment she could almost feel his soul pressing against hers. Even then, he was breathtaking. Some quiet, foolish part of her wanted to rest her bones against his powerful body, feel the weight of his arms around her. She wanted to stroke his cheek one last time.

After all this – after everything I’ve shared with you tonight – you would become my wife,” he said, his voice ragged, “in title only?” “Yes,” she said quietly. “You wouldn’t touch me. Or laugh with me. You wouldn’t share my bed.” Her heart was beating in her throat. “No.” “Alizeh, you would make me the most wretched man alive.” “I’m sorry,” she said, shaking her head as she spoke. “I’m desperately sorry.

You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind.

Competition is the spice of sports; but if you make spice the whole meal you'll be sick. The simplest single-celled organism oscillates to a number of different frequencies, at the atomic, molecular, sub-cellular, and cellular levels. Microscopic movies of these organisms are striking for the ceaseless, rhythmic pulsation that is revealed. In an organism as complex as a human being, the frequencies of oscillation and the interactions between those frequencies are multitudinous. -George Leonard Learning any new skill involves relatively brief spurts of progress, each of which is followed by a slight decline to a plateau somewhat higher in most cases than that which preceded it…the upward spurts vary; the plateaus have their own dips and rises along the way…To take the master’s journey, you have to practice diligently, striving to hone your skills, to attain new levels of competence. But while doing so–and this is the inexorable–fact of the journey–you also have to be willing to spend most of your time on a plateau, to keep practicing even when you seem to be getting nowhere. (Mastery, p. 14-15). Backsliding is a universal experience. Every one of us resists significant change, no matter whether it’s for the worse or for the better. Our body, brain and behavior have a built-in tendency to stay the same within rather narrow limits, and to snap back when changed…Be aware of the way homeostasis works…Expect resistance and backlash. Realize that when the alarm bells start ringing, it doesn’t necessarily mean you’re sick or crazy or lazy or that you’ve made a bad decision in embarking on the journey of mastery. In fact, you might take these signals as an indication that your life is definitely changing–just what you’ve wanted….Be willing to negotiate with your resistance to change. Our preoccupation with goals, results, and the quick fix has separated us from our own experiences…there are all of those chores that most of us can’t avoid: cleaning, straightening, raking leaves, shopping for groceries, driving the children to various activities, preparing food, washing dishes, washing the car, commuting, performing the routine, repetitive aspects of our jobs….Take driving, for instance. Say you need to drive ten miles to visit a friend. You might consider the trip itself as in-between-time, something to get over with. Or you could take it as an opportunity for the practice of mastery. In that case, you would approach your car in a state of full awareness…Take a moment to walk around the car and check its external condition, especially that of the tires…Open the door and get in the driver’s seat, performing the next series of actions as a ritual: fastening the seatbelt, adjusting the seat and the rearview mirror…As you begin moving, make a silent affirmation that you’ll take responsibility for the space all around your vehicle at all times…We tend to downgrade driving as a skill simply because it’s so common. Actually maneuvering a car through varying conditions of weather, traffic, and road surface calls for an extremely high level of perception, concentration, coordination, and judgement…Driving can be high art…Ultimately, nothing in this life is “commonplace,” nothing is “in between.” The threads that join your every act, your every thought, are infinite. All paths of mastery eventually merge. [Each person has a] vantage point that offers a truth of its own. We are the architects of creation and all things are connected through us. The Universe is continually at its work of restructuring itself at a higher, more complex, more elegant level . . . The intention of the universe is evolution. We exist as a locus of waves that spreads its influence to the ends of space and time. The whole of a thing is contained in each of its parts. We are completely, firmly, absolutely connected with all of existence. We are indeed in relationship to all that is.

There is not one self. There are infinite selves, infinite embedded patterns of interference you can move into and express in your waking world, and that You are actually right now simultaneously expressing, extending as, and projecting into various creative platforms across the vast creative oceans of Void-ness. There isn't one world. There are infinite worlds, infinite patterns of grid like platforms you move in and out of to form the threads of your various “lives” and the experience of your apparently singular storyline. These selves and these worlds all exist simultaneously as streams of information in the undifferentiated oceans of Infinite Being.

But trivial as are the topics they are not utterly without a connecting thread of motive. As the reader's eye strays, with hearty relief, from these pages, it probably alights on something, a bed-post or a lamp-post, a window blind or a wall. It is a thousand to one that the reader is looking at something that he has never seen: that is, never realised. He could not write an essay on such a post or wall: he does not know what the post or wall mean. He could not even write the synopsis of an essay; as "The Bed-Post; Its Significance—Security Essential to Idea of Sleep—Night Felt as Infinite—Need of Monumental Architecture," and so on. He could not sketch in outline his theoretic attitude towards window-blinds, even in the form of a summary. "The Window-Blind—Its Analogy to the Curtain and Veil—Is Modesty Natural?—Worship of and Avoidance of the Sun, etc., etc." None of us think enough of these things on which the eye rests. But don't let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows; but anyone else may do it better, if anyone else will only try.

Tiny threads of time are the warp and woof of God’s redemptive tapestry: a series of todays, used well or poorly. God has ordained that the physical universe be composed of atoms, so also has God ordained that history be composed of moments. Personal and world history is an accumulation of todays, and how they were spent. At death, our window of opportunity will be closed, our time on earth finished. We can no longer store up treasure in heaven. We can no longer lead people to Christ. We can no longer suffer gladly for Christ. The time for all these things will be past. The call to every Christian is to make the most of this short segment of time, to make every day count for eternity.

Said by whom? Said to whom? Not by a mind to a mind, but by a being who has body and language to a being who has body and language, each drawing the other by invisible threads like those who hold the marionettes-making the other speak, think, and become what he is but never would have been by himself. Thus things are said and are thought by a Speech and by a Thought which we do not have but which has us. There is said to be a wall between us and others, but it is a wall we build together, each putting his stone in the niche left by the other. Even reason's labors presuppose such infinite conversations. All those we have loved, detested, known, or simply glimpsed speak through our voice.

I was disappointed when he resumed the thread of his narrative. Whenever he spoke of something whose beauty had until then remained hidden from me, of pine-forests or of hailstorms, of Notre-Dame Cathedral, of Athalie or of Phèdre, by some piece of imagery he would make their beauty explode into my consciousness. And so, realising that the universe contained innumerable elements which my feeble senses would be powerless to discern did he not bring them within my reach, I longed to have some opinion, some metaphor of his, upon everything in the world, and especially upon such things as I might some day have an opportunity of seeing for myself But, alas, upon almost everything in the world his opinion was unknown to me. I had no doubt that it would differ entirely from my own, since his came down from an unknown sphere towards which I was striving to raise myself; convinced that my thoughts would have seemed pure foolishness to that perfected spirit, I had so completely obliterated them all that, if I happened to find in one of his books something which had already occurred to my own mind, my heart would swell as though some deity had, in his infinite bounty, restored it to me, had pronounced it to be beautiful and right. It happened now and then that a page of [my favourite writer] would express precisely those ideas which I often used to write to my grandmother and my mother at night, when I was unable to sleep, so much so that this page of his had the appearance of a collection of epigraphs for me to set at the head of my letters. And so too, in later years, when I began to write a book of my own, and the quality of some of my sentences seemed so inadequate that I could not make up my mind to go on with the undertaking, I would find the equivalent in [my favourite writer].

The causal relationship between factors in nature are just too entangled for man to unravel through research and analysis. Perhaps science succeeds in advancing one slow step at a time, but because it does so while groping in total darkness along a road without end, it is unable to know the real truth of things. This is why scientists are pleased with partial explications and see nothing wrong with pointing a finger and proclaiming this to be the cause and that the effect. The more research progresses, the larger the body of scholarly data grows. The antecedent causes of causes increase in number and depth, becoming incredibly complex, such that, far from unraveling the tangled web of cause and effect, science succeeds only in explaining in ever greater detail each of the bends and kinks in the individual threads. There being infinite causes for an event or action, there are infinite solutions as well, and these together deepen and broaden to infinite complexity.

Algebra applies to the clouds; the radiance of the star benefits the rose; no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small; all is balanced in necessity: frightening vision for the mind. There are marvelous relations between beings and things; in this inexhaustible whole, from sun to grub, there is no scorn; each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of an earthworm and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has the greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars.

Absorbingly articulate and infinitely intelligent . . . There is nothing pop about Kahneman's psychology, no formulaic story arc, no beating you over the head with an artificial, buzzword -encrusted Big Idea. It's just the wisdom that comes from five decades of honest, rigorous scientific work, delivered humbly yet brilliantly, in a way that will forever change the way you think about thinking:' -MARIA POPOVA, The Atlantic "Kahneman's primer adds to recent challenges to economic orthodoxies about rational actors and efficient markets; more than that, it's a lucid, mar- velously readable guide to spotting-and correcting-our biased misunder- standings of the world:' -Publishers Weekly (starred review) "The ramifications of Kahneman's work are wide, extending into education, business, marketing, politics ... and even happiness research. Call his field 'psychonomics: the hidden reasoning behind our choices. Thinking, Fast and Slow is essential reading for anyone with a mind:' -KYLE SMITH,NewYorkPost "A stellar accomplishment, a book for everyone who likes to think and wants to do it better." - E. JAMES LIEBERMAN ,Libraryfournal "Daniel Kahneman demonstrates forcefully in his new book, Thinking, Fast and Slow, how easy it is for humans to swerve away from rationality:' -CHRISTOPHER SHEA , The Washington Post "A tour de force .. . Kahneman's book is a must-read for anyone interested in either human behavior or investing. He clearly shows that while we like to think of ourselves as rational in our decision making, the truth is we are subject to many biases. At least being aware of them will give you a better chance of avoiding them, or at least making fewer of them:' -LARRY SWEDROE, CBS News "Brilliant .. . It is impossible to exaggerate the importance of Daniel Kahne- man's contribution to the understanding of the way we think and choose. He stands among the giants, a weaver of the threads of Charles Darwin, Adam Smith and Sigmund Freud. Arguably the most important psycholo- gist in history, Kahneman has reshaped cognitive psychology, the analysis of rationality and reason, the understanding of risk and the study of hap pi- ness and well-being ... A magisterial work, stunning in its ambition, infused

I gathered Amar in my arms. For the first time, there was no nagging absence in the seams of my soul. I was whole. All the frayed patches of my spirit mended. The tapestry’s glittering threads had climbed through the fissures of memory and half-dreams and filled them with color. I looked at him and love filled me. I loved him with the force of a thousand lifetimes, made greater by the fact that my love was returned. I clasped his hands around the noose. A touch of color returned to his cheeks. “You are my life too,” I said and then I pressed my lips to his. A burst of heat met my hands before it tempered to something cool and distant. Amar stirred on my lap, solid hands reaching to clasp my fingers. He blinked, shaking his head. Slowly, as if he was approaching something fragile and hallowed, he traced the length of our tangled fingers before his gaze trailed past my arm, my neck, before fixing on my eyes. We were truly, finally visible to one another. Neither the secret whirring song of the stars nor the sonorous canticles of the earth knew the language that sprang up in the space between us. It was a dialect of heartbeats, strung together with the lilt of long suffering and the incandescent hope of an infinite future. Amar searched my face, his fingers hovering over my jawline, lips and collarbones. But he didn’t touch me. Instead, he took in a shuddering breath. “Are you real?” he managed, his voice a shadow. “Or are you an illusion? Some final punishment for losing my way?” “I’m no illusion,” I said, staring into his eyes. The ferocity of his stare laid my soul bare for him to judge. “I thought I would be lost forever,” he said hoarsely, pulling me to him. His hands tangled in my hair, the kiss resonating at my core. He pressed his lips to mine with the intensity of lifetimes and when we finally broke apart, his lips curved into a fragile smile. “You’ve saved me.” “Did you have any doubts that I could?” He hesitated. “Your abilities are something I could never doubt. Your will, however, I was unsure of. When I could finally bring you back, I thought you would leave again. I’d never have a chance to explain. Forgive me--” I stopped him. “I will not let us be beings of regret. I know my past. What I want is my future.