Therapeutic Smile Quotes

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It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
There are times like that, Bailey. Times you don't think you can take it anymore. But then you discover that you can. You always do. You're tough. You'll take a deep breath, swallow just a little bit more, endure just a little longer, and eventually you'll get your second wind,” Fern said, her smile wobbly and her teary eyes contradicting her encouraging words. Bailey nodded, agreeing with her, but there were tears in his eyes too. “But there are times when you just need to acknowledge the shit, Fern, you know?” Fern nodded, squeezing his hand a little tighter. “Yep. And that's okay, too.” “You just need to acknowledge it. Face the shit.” Bailey's voice grew stronger, strident even. “Accept the truth in it. Own it, wallow in it, become one with the shit.” Bailey sighed, the heavy mood lifting with his insistence on profanity. Swearing could be very therapeutic. Fern smiled wanly. “Become one with the shit?” “Yes! If that's what it takes.
Amy Harmon (Making Faces)
What is hope? Is it the ambition of discovering for the first time what the carnal definition of physical love is without understanding the concept of true passion? Or is it imagination running wild and free fueled by the dram that tonight will last forever and tomorrows will always come as you are blinded by the brilliance of another's smile? Is it a theory of inevitability that relies on fate or destiny bringing two souls together for their one shot at true and unbridled happiness? Or is it a plea to erase a past that used to hold the potential for limitless smiles and endless laughs? I define hope as a narcotic. It courses through our veins, igniting ideas and feelings and emotions that all work in collaboration to produce a better tomorrow, while leaving today, but a distant memory. The essence of its unknown and unseen promise is beautiful and addicting to those who are in need of its satiating grace. The dependence on the idea of possibility can become a crutch however; an excuse for ignoring the here and now. It can swiftly morph from a therapeutic escape to an addictive obsession that somewhere over the rainbow lies the answer that will make everything right again. I am thankful to call myself a true addict to hope's mind altering panacea. It's blissful nirvana can seem both inconceivably irrational yet entirely fathomable to anyone lost in a sea of uncertainty. Just as age brings wisdom, experience brings the understanding that no matter what pot of gold lies at the end of your hopeful rainbow, the relief it casts over tragedy and heartache is the power behind it's true magic. To the hope that resides in the depths of my being, thank you.......
Ivan Rusilko (Entrée (The Winemaker's Dinner, #2))
He had only smiled, condescendingly and therapeutically. “No, Leland, not you. You, and in fact quite a lot of your generation, have in some way been exiled from that particular sanctuary. It’s become almost impossible for you to ‘go mad’ in the classical sense. At one time people conveniently ‘went mad’ and were never heard from again. Like a character in a romantic novel. But now”—And I think he even went so far as to yawn—“you are too hip to yourself on a psychological level. You all are too intimate with too many of the symptoms of insanity to be caught completely off your guard.
Ken Kesey (Sometimes a Great Notion)
He had only smiled, condescendingly and therapeutically. "No, Leland, not you. You, and in fact quite a lot of your generation, have in some way been exiled from that particular sanctuary. It's become almost impossible for you to 'go mad' in the classical sense. At one time people conveniently 'went mad' and were never heard from again. Like a character in a romantic novel. But now"--And I think he even went so far as to yawn--"you are too hip to yourself on a psychological level. You are all too intimate with too many of the symptoms of insanity to be caught completely off your guard. Another thing: all of you have a talent for releasing frustration through clever fantasy. And you, you are the worst of the lot on that score. So... you may be neurotic as hell for the rest of your life, and miserable, maybe even do a short hitch at Bellvue and certainly good for another five years as a paying patient--but I'm afraid never completely out." He leaned back in his elegant Lounge-o-Chair. "Sorry to disappoint you but the best I can offer is plain old schizophrenia with delusional tendencies.
Ken Kesey (Sometimes a Great Notion)
But there are times when you just need to acknowledge the shit, Fern, you know?” Fern nodded, squeezing his hand a little tighter. “Yep. And that's okay, too.” “You just need to acknowledge it. Face the shit.” Bailey's voice grew stronger, strident even. “Accept the truth in it. Own it, wallow in it, become one with the shit.” Bailey sighed, the heavy mood lifting with his insistence on profanity. Swearing could be very therapeutic. Fern smiled wanly. “Become one with the shit?” “Yes! If that's what it takes.” “I've got Rocky Road ice cream. It looks a little like poop. Can we become one with the Rocky Road instead?” “It does look a little like shit. Nuts and everything. Count me in.” “Sick, Bailey!
Amy Harmon (Making Faces)
I don't really like being around so many people. I find it kind of overwhelming," I say truthfully. It's surprisingly therapeutic talking to someone so drunk. Adam pushes his mouth forward like he's sneering and nods. "I get that. It gets boring after a while, the same old thing. It's just, like, every day is the same and it never changes. I'm not sure he got me at all, but his loopy train of thought makes me smile. He notices. "You're different. I like that." Different. The word makes me feel jittery and nervous, like there's suddenly a spotlight glaring down on me, announcing to the entire room that I'm not like everyone else. It doesn't matter how many red cups I hold—I'll always be different.
Akemi Dawn Bowman (Starfish)
Doctor … I’m going mad; the final complete flip, it’s swooping down out of the hills at me!” He had only smiled, condescendingly and therapeutically. “No, Leland, not you. You, and in fact quite a lot of your generation, have in some way been exiled from that particular sanctuary. It’s become almost impossible for you to ‘go mad’ in the classical sense. At one time people conveniently ‘went mad’ and were never heard from again. Like a character in a romantic novel. But now”—And I think he even went so far as to yawn—“you are too hip to yourself on a psychological level. You all are too intimate with too many of the symptoms of insanity to be caught completely off your guard. Another thing: all of you have a talent for releasing frustration through clever fantasy. And you, you are the worst of the lot on that score. So … you may be neurotic as hell for the rest of your life, and miserable, maybe even do a short hitch at Bellevue and certainly good for another five years as a paying patient—but I’m afraid never completely out.
Ken Kesey (Sometimes a Great Notion)
The asphalt was agonizing but also therapeutic in a way. A Southern antidepressant.
Jennifer Jaynes (Never Smile at Strangers (Strangers #1))
Rosebush by Maisie Aletha Smikle I am a flower I am a thorn I am beautiful I am ugly I can make you happy I can make you sad I can make you smile I can make you cry A rosebush I am With aromatic titillating fragrances Scented to warm the heart And stimulate the senses Like a coat of many colors I come Adorned with needle sharp thorns Designed to prick and puncture For natural therapeutic acupuncture My thorns the Master carried on His head That pricked Him sore till He bled A crown of rosebuds was withheld A crown of thorns was used instead Lovely beautiful prickly rosebush Designed by God the Father With thorns to make its stalks complete Without which the rosebush would be incomplete If one desires a rosebush Be prepared for the thorns For a rose is not a rose Without its prickly thorns The rosebush endowed With its attributes intricately woven Has proven not to deceive But to intrigue mesmerize and hypnotize
Maisie Aletha Smikle
I don't really like being around so many people. I find it kind of overwhelming," I say truthfully. It's surprisingly therapeutic talking to someone so drunk. Adam pushes his mouth forward like he's sneering and nods. "I get that. It gets boring after a while, the same old thing. It's just, like, every day is the same and it never changes. I'm not sure he got me at all, but his loopy train of thought makes me smile. He notices. "You're different. I like that." Different. The word makes me feel jittery and nervous, like there's suddenly a spotlight glaring down on me, announcing to the entire room that I'm not like everyone else. It doesn't matter how many red cups I hold—I'll always be different.
Akemi Dawn Bowman (Starfish)
At the lab my professor suggested that, since it was such an amazing day, perhaps I could take the exam outside in the wetland wilderness reserve that surrounded the lab. The view of the swamp was stunning! Somehow it had never seemed beautiful to me before. She asked that I take my notebook and pencil out. “Please draw for me the complete development of the chick from fertilization to hatching. That is the only question.” I gasped, “But that is the entire course!” “Yes, I suppose it is, but make-up exams are supposed to be harder than the original, aren’t they?” I couldn’t imagine being able to regurgitate the entire course. As I sat there despondently, I closed my eyes and was flooded with grief. Then I noticed that my inner visual field was undulating like a blanket that was being shaken at one end. I began to see a movie of fertilization! When I opened my eyes a few minutes later, I realized that the movie could be run forward and back and was clear as a bell in my mind’s eye, even with my physical eyes open. Hesitantly, I drew the formation of the blastula, a hollow ball of cells that develops out of the zygote (fertilized egg). As I carefully drew frame after frame of my inner movie, it was her turn to gape! The tiny heart blossomed. The formation of the notochord, the neural groove, and the beginnings of the nervous system were flowing out of my enhanced imagery and onto the pages. A stupendous event—the animated wonder of embryonic growth and the differentiation of cells—continued at a rapid pace. I drew as quickly as I could. To my utter amazement, I was able to carefully and completely replicate the content of the entire course, drawing after drawing, like the frames of animation that I was seeing as a completed film! It took me about an hour and a quarter drawing as fast as I could to reproduce the twenty-one-day miracle of chick formation. Clearly impressed, my now suddenly lovely professor smiled and said, “Well, I suppose you deserve an A!” The sunlight twinkled on the water, the cattails waved in the gentle breeze, and the gentle wonder of life was everywhere. Reports:
James Fadiman (The Psychedelic Explorer's Guide: Safe, Therapeutic, and Sacred Journeys)
I was not sad or afraid—I was indignant. How dare she smile and spew out those horrible statistics? And scare me with chemoprevention and prophylactic surgery? Mastectomy? Was she out of her mind? And how dare she make me feel like I was in some kind of danger? That was supposed to be therapeutic?
Jessica Queller (Pretty Is What Changes: Impossible Choices, The Breast Cancer Gene, and How I Defied My Destiny)
And we're cheerful, too. You can count on that.' Obligingly she smiled in a neighbourly way at him. 'It will be a relief to leave Earth with its repressive legislation. We were listening OH the FM to the news about the McPhearson Act.' 'We consider it dreadful,' the adult male said. 'I have to agree with you,' Chic said. 'But what can one do?' He looked around for the mail; as always it was lost somewhere in the mass of clutter. 'One can emigrate,' the adult male simulacrum pointed out. 'Um,' Chic said absently. He had found an unexpected heap of recent-looking bills from parts suppliers; with a feeling of gloom and even terror he began to bills from parts suppliers; with a feeling of gloom and even terror he began to sort through them. Had Maury seen these? Probably. Seen them and then pushed them away immediately, out of sight. Frauenzimmer Associates functioned better if it was not reminded of such facts of life. Like a regressed neurotic, it had to hide several aspects of reality from its percept system in order to function at all. This was hardly ideal, but what really was the alternative? To be realistic would be to give up, to die. Illusion, of an infantile nature was essential for the tiny firm's survival, or at least so it seemed to him and Maury. In any case both of them had adopted this attitude. Their simulacra -- the adult ones -- disapproved of this; their cold, logical appraisal of reality stood in sharp contrast, and Chic always felt a little naked, a little embarrassed, before the simulacra; he knew he should set a better example for them. 'If you bought a jalopy and emigrated to Mars,' the adult male said, 'We could be the famnexdo for you.' 'I wouldn't need any family next-door,' Chic said, 'if I emigrated to Mars. I'd go to get away from people. 'We'd make a very good family next-door to you,' the female said. 'Look,' Chic said, 'you don't have to lecture me about your virtues. I know more than you do yourselves.' And for good reason. Their presumption, their earnest sincerity, amused but also irked him. As next-door neighbours this group of sims would be something of a nuisance, he reflected. Still, that was what emigrants wanted, in fact needed, out in the sparsely-populated colonial regions. He could appreciate that; after all, it was Frauenzimmer Associates' business to understand. A man, when he emigrated, could buy neighbours, buy the simulated presence of life, the sound and motion of human activity -- or at least its ​mechanical nearsubstitute to bolster his morale in the new environment of unfamiliar stimuli and perhaps, god forbid, no stimuli at all. And in addition to this primary psychological gain there was a practical secondary advantage as well. The famnexdo group of simulacra developed the parcel of land, tilled it and planted it, irrigated it, made it fertile, highly productive. And the yield went to the it, irrigated it, made it fertile, highly productive. And the yield went to the human settler because the famnexdo group, legally speaking, occupied the peripheral portions of his land. The famnexdo were actually not next-door at all; they were part of their owner's entourage. Communication with them was in essence a circular dialogue with oneself; the famnexdo, it they were functioning properly, picked up the covert hopes and dreams of the settler and detailed them back in an articulated fashion. Therapeutically, this was helpful, although from a cultural standpoint it was a trifle sterile.
Philip K. Dick (The Simulacra)
She looked at me tiredly. “I bet you wish you would have kicked the tires before falling for this hot mess.” She smiled weakly. “Aren’t you glad I saved you from yourself?” I shook my head. “No, that’s not how that works, Kristen. Love is for better or worse. It’s always and no matter what. The no-matter-what just happened first for us.” Her eyes teared up and she pressed her lips together. “I miss you.” My throat got tight. “Then be with me, Kristen. Right now. We can move in together, today. Sleep in the same bed. Just say okay. That’s all you have to say. Just say okay.” I wanted it so badly my heart felt like it was screaming. I wanted to shake her, kidnap her and hold her hostage until she stopped this crap. But she shook her head. “No.” I let go of her hand and leaned away from her against the door, my fingers to the bridge of my nose. “You’re killing both of us.” “One day—” “Stop talking to me about one day.” I turned to her. “I’m never going to feel differently about this.” She waited a beat. “Neither am I.” We sat in silence for a moment, and I closed my eyes. I felt her move across the seat, and then her body was pressed against my side. I wrapped an arm around her and let her tuck her head under my chin. The feel of her was therapeutic. I think it was for both of us. A warm compress for my soul. I’d never had all of her at once. I’d only ever gotten pieces. Her friendship without her body. Her body without her love. And now her love without any of the rest of it. But even with what little fragments I’d had, it was enough to tell me I would never stop chasing all of her. Never. Not if I lived to be a hundred. She was it. She just was. “Kristen, you’re the woman I’m supposed to spend the rest of my life with,” I whispered. “I know it in my fucking soul.” She sniffed. “I know it too, Josh. But that was before.” “Before what?” I wrapped my arms around her tighter, tears pricking my eyes. “Before I broke inside. Before my body made me wrong for you. Sometimes soul mates don’t end up together, Josh. They marry other people. They never meet. Or one of them dies.” I squeezed my eyes shut and felt the lump in my throat get bigger. Just to have her admit it, to have her acknowledge that’s what we were to each other, was the most validating thing she’d ever given me.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))