β
Twenty years from now you will be more disappointed by the things that you didn't do than by the ones you did do. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.
β
β
H. Jackson Brown Jr. (P.S. I Love You)
β
I'm not upset that you lied to me, I'm upset that from now on I can't believe you.
β
β
Friedrich Nietzsche
β
All you need is love. But a little chocolate now and then doesn't hurt.
β
β
Charles M. Schulz
β
What you're supposed to do when you don't like a thing is change it. If you can't change it, change the way you think about it. Don't complain.
β
β
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
β
The saddest aspect of life right now is that science gathers knowledge faster than society gathers wisdom.
β
β
Isaac Asimov
β
I wish I could freeze this moment, right here, right now and live in it forever.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye.
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
I believe in everything until it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. Who's to say that dreams and nightmares aren't as real as the here and now?
β
β
John Lennon
β
The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater.
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
You may not be her first, her last, or her only. She loved before she may love again. But if she loves you now, what else matters? She's not perfectβyou aren't either, and the two of you may never be perfect together but if she can make you laugh, cause you to think twice, and admit to being human and making mistakes, hold onto her and give her the most you can. She may not be thinking about you every second of the day, but she will give you a part of her that she knows you can breakβher heart. So don't hurt her, don't change her, don't analyze and don't expect more than she can give. Smile when she makes you happy, let her know when she makes you mad, and miss her when she's not there.
β
β
Bob Marley
β
And now these three remain: faith, hope and love. But the greatest of these is love.
β
β
Anonymous (The Holy Bible: King James Version)
β
I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle, and end. Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what's going to happen next.
Delicious Ambiguity.
β
β
Gilda Radner
β
I did then what I knew how to do. Now that I know better, I do better.
β
β
Maya Angelou
β
Sometimes crying or laughing are the only options left, and laughing feels better right now.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
I can feel Peeta press his forehead into my temple and he asks, 'So now that you've got me, what are you going to do with me?' I turn into him. 'Put you somewhere you can't get hurt.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
If you want to be happy, do not dwell in the past, do not worry about the future, focus on living fully in the present.
β
β
Roy T. Bennett (The Light in the Heart)
β
Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric.
β
β
Bertrand Russell
β
Investigation?" Isabelle laughed. "Now we're detectives? Maybe we should all have code names."
"Good idea," said Jace. "I shall be Baron Hotschaft Von Hugenstein.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
If pain must come, may it come quickly. Because I have a life to live, and I need to live it in the best way possible. If he has to make a choice, may he make it now. Then I will either wait for him or forget him.
β
β
Paulo Coelho (By the River Piedra I Sat Down and Wept)
β
Right now Iβm having amnesia and dΓ©jΓ vu at the same time. I think Iβve forgotten this before.
β
β
Steven Wright
β
Don't." Clary raised a warning hand. "I'm not really in the mood right now."
"That's got to be the first time a girl's ever said that to me," Jace mused.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Forever is composed of nows.
β
β
Emily Dickinson
β
And now that you don't have to be perfect, you can be good.
β
β
John Steinbeck (East of Eden)
β
I have heard there are troubles of more than one kind. Some come from ahead and some come from behind. But I've bought a big bat. I'm all ready you see. Now my troubles are going to have troubles with me!
β
β
Dr. Seuss
β
They say when you are missing someone that they are probably feeling the same, but I don't think it's possible for you to miss me as much as I'm missing you right now
β
β
Edna St. Vincent Millay
β
Goodbye," said the fox. "And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye.
β
β
Antoine de Saint-ExupΓ©ry
β
And now Iβm looking at you,β he said, βand youβre asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before β bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it β but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
Live in the present, remember the past, and fear not the future, for it doesn't exist and never shall. There is only now.
β
β
Christopher Paolini (Eldest (Inheritance, #2))
β
Now, you two β this year, you behave yourselves. If I get one more owl telling me you've β you've blown up a toilet or β"
"Blown up a toilet? We've never blown up a toilet."
"Great idea though, thanks, Mum.
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
I realize now that dying is easy. Living is hard.
β
β
Gayle Forman (If I Stay (If I Stay #1))
β
Maybe...you'll fall in love with me all over again."
"Hell," I said, "I love you enough now. What do you want to do? Ruin me?"
"Yes. I want to ruin you."
"Good," I said. "That's what I want too.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Would it save you a lot of time if I just gave up and went mad now?
β
β
Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
β
Every now and then I like to do as I'm told, just to confuse people.
β
β
Tamora Pierce (Melting Stones (Circle Reforged, #2))
β
There are good days and hard days for meβeven now. Donβt let the hard days win.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
Remember, remember, this is now, and now, and now. Live it, feel it, cling to it. I want to become acutely aware of all Iβve taken for granted.
β
β
Sylvia Plath
β
I have learned now that while those who speak about one's miseries usually hurt, those who keep silence hurt more.
β
β
C.S. Lewis
β
I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle, and end.
β
β
Gilda Radner
β
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way
Where many paths and errands meet.
And whither then? I cannot say
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
Whatever you're meant to do, do it now. The conditions are always impossible.
β
β
Doris Lessing
β
Albus Severus," Harry said quietly, so that nobody but Ginny could hear, and she was tactful enough to pretend to be waving to Rose, who was now on the train, "you were named for two headmasters of Hogwarts. One of them was a Slytherin and he was probably the bravest man I ever knew.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
It's all in the view. That's what I mean about forever, too. For any one of us our forever could end in an hour, or a hundred years from now. You never know for sure, so you'd better make every second count.
β
β
Sarah Dessen (The Truth About Forever)
β
I hope you're pleased with yourselves. We could all have been killed - or worse, expelled. Now if you don't mind, I'm going to bed.
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
Do not spoil what you have by desiring what you have not; remember that what you now have was once among the things you only hoped for.
β
β
Epicurus
β
Nothing in life is to be feared, it is only to be understood. Now is the time to understand more, so that we may fear less.
β
β
Marie Curie
β
I love you, not just for now, but for always, and I dream of the day that youβll take me in your arms again.
β
β
Nicholas Sparks (Dear John)
β
The future is now. It's time to grow up and be strong. Tomorrow may well be too late.
β
β
Neil LaBute (Reasons to Be Pretty)
β
Mom. I have something to tell you. Iβm undead. Now, I know you may have some preconceived notions about the undead. I know you may not be comfortable with the idea of me being undead. But Iβm here to tell you that undead are just like you and me β¦ well, okay. Possibly more like me than you.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
The things you used to own, now they own you.
β
β
Chuck Palahniuk (Fight Club)
β
You're the first Shadowhunter I've ever met."
βThatβs too bad,β said Jace, βsince all the others you meet from now on will be a terrible letdown.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
A bit of trash now and then is good for the severest reader. It provides the necessary roughage in the literary diet.
β
β
Phyllis McGinley
β
You must make a decision that you are going to move on. It wont happen automatically. You will have to rise up and say, βI donβt care how hard this is, I donβt care how disappointed I am, Iβm not going to let this get the best of me. Iβm moving on with my life.
β
β
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
β
Do not set aside your happiness. Do not wait to be happy in the future. The best time to be happy is always now.
β
β
Roy T. Bennett
β
Now that she had nothing to lose, she was free.
β
β
Paulo Coelho (Eleven Minutes)
β
I guess by now I should know enough about loss to realize that you never really stop missing someone-you just learn to live around the huge gaping hole of their absence.
β
β
Alyson Noel (Evermore (The Immortals, #1))
β
I felt like crying but nothing came out. it was just a sort of sad sickness, sick sad, when you can't feel any worse. I think you know it. I think everybody knows it now and then. but I think I have known it pretty often, too often.
β
β
Charles Bukowski (Tales of Ordinary Madness)
β
Oh, we're playing nice now? Shall we have tea first? Brew up a nice pot of kiss-my-ass?
β
β
Julie Kagawa (The Iron King (The Iron Fey, #1))
β
My grandmother started walking five miles a day when she was sixty. She's ninety-seven now, and we don't know where the heck she is.
β
β
Ellen DeGeneres
β
Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.
β
β
Rainer Maria Rilke
β
We need to talk. All of us About what we're going to do now."
"I was going to watch Project Runway.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
If there's anything more important than my ego around, I want it caught and shot now.
β
β
Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
β
The best moments in reading are when you come across something β a thought, a feeling, a way of looking at things β which you had thought special and particular to you. Now here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out and taken yours.
β
β
Alan Bennett (The History Boys)
β
Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.
β
β
Donna Tartt (The Secret History)
β
Every couple needs to argue now and then. Just to prove that the relationship is strong enough to survive. Long-term relationships, the ones that matter, are all about weathering the peaks and the valleys.
β
β
Nicholas Sparks (Safe Haven)
β
Jane, be still; don't struggle so like a wild, frantic bird, that is rending its own plumage in its desperation."
"I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
Will rolled up his sleeves. "We'll probably have to knock down the door--"
"Or," said Jem, reaching out and giving the knob a twist, "not."
The door swung open onto a rectangle of darkness.
"Now, that's simply laziness," said Will.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
There is no point treating a depressed person as though she were just feeling sad, saying, 'There now, hang on, you'll get over it.' Sadness is more or less like a head cold- with patience, it passes. Depression is like cancer.
β
β
Barbara Kingsolver (The Bean Trees (Greer Family, #1))
β
Don't let the expectations and opinions of other people affect your decisions. It's your life, not theirs. Do what matters most to you; do what makes you feel alive and happy. Don't let the expectations and ideas of others limit who you are. If you let others tell you who you are, you are living their reality β not yours. There is more to life than pleasing people. There is much more to life than following others' prescribed path. There is so much more to life than what you experience right now. You need to decide who you are for yourself. Become a whole being. Adventure.
β
β
Roy T. Bennett
β
Well, now
If little by little you stop loving me
I shall stop loving you
Little by little
If suddenly you forget me
Do not look for me
For I shall already have forgotten you
If you think it long and mad the wind of banners that passes through my life
And you decide to leave me at the shore of the heart where I have roots
Remember
That on that day, at that hour, I shall lift my arms
And my roots will set off to seek another land
β
β
Pablo Neruda (Selected Poems)
β
The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only.
β
β
Victor Hugo (Les MisΓ©rables)
β
If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet now as it was before.
O spirit of love! how quick and fresh art thou,
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price,
Even in a minute: so full of shapes is fancy
That it alone is high fantastical.
β
β
William Shakespeare (Twelfth Night)
β
Usually we walk around constantly believing ourselves. "I'm okay" we say. "I'm alright". But sometimes the truth arrives on you and you can't get it off. That's when you realize that sometimes it isn't even an answer--it's a question. Even now, I wonder how much of my life is convinced.
β
β
Markus Zusak (The Book Thief)
β
We can't be afraid of change. You may feel very secure in the pond that you are in, but if you never venture out of it, you will never know that there is such a thing as an ocean, a sea. Holding onto something that is good for you now, may be the very reason why you don't have something better.
β
β
C. JoyBell C.
β
What's your name,' Coraline asked the cat. 'Look, I'm Coraline. Okay?'
'Cats don't have names,' it said.
'No?' said Coraline.
'No,' said the cat. 'Now you people have names. That's because you don't know who you are. We know who we are, so we don't need names.
β
β
Neil Gaiman (Coraline)
β
Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from themβif you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry.
β
β
J.D. Salinger (The Catcher in the Rye)
β
You wonβt understand what I mean now, but someday you will: the only trick of friendship, I think, is to find people who are better than you areβnot smarter, not cooler, but kinder, and more generous, and more forgivingβand then to appreciate them for what they can teach you, and to try to listen to them when they tell you something about yourself, no matter how badβor goodβit might be, and to trust them, which is the hardest thing of all. But the best, as well.
β
β
Hanya Yanagihara (A Little Life)
β
Do you think, because I am poor, obscure, plain and little, I am soulless and heartless? You think wrong! - I have as much soul as you, - and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you!
β
β
Charlotte BrontΓ« (Jane Eyre)
β
Do you think I am an automaton? β a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! β I have as much soul as you β and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal β as we are!
β
β
Charlotte BrontΓ« (Jane Eyre)
β
THE FIRST TEN LIES THEY TELL YOU IN HIGH SCHOOL
1. We are here to help you.
2. You will have time to get to your class before the bell rings.
3. The dress code will be enforced.
4. No smoking is allowed on school grounds.
5. Our football team will win the championship this year.
6. We expect more of you here.
7. Guidance counselors are always available to listen.
8. Your schedule was created with you in mind.
9. Your locker combination is private.
10. These will be the years you look back on fondly.
TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL
1. You will use algebra in your adult lives.
2. Driving to school is a privilege that can be taken away.
3. Students must stay on campus during lunch.
4. The new text books will arrive any day now.
5. Colleges care more about you than your SAT scores.
6. We are enforcing the dress code.
7. We will figure out how to turn off the heat soon.
8. Our bus drivers are highly trained professionals.
9. There is nothing wrong with summer school.
10. We want to hear what you have to say.
β
β
Laurie Halse Anderson (Speak)
β
That was enterprising," Will sounded nearly impressed.
Nate smiled. Tess shot him a furious look. "Don't look pleased with yourself. When Will says 'enterprising' he means 'morally deficient.'"
"No, I mean enterprising," said Will. "When I mean morally deficient, I say, 'Now, that's something I would have done'.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
You are okay?" he asked. "Not eaten by monsters?"
"Not even a little bit." I showed him that I still had both arms and both legs, and Tyson clapped happily.
"Yay!" he said. "Now we can eat peanut butter sandwiches and ride fish ponies! We can fight monsters and see Annabeth and make things go BOOM!"
I hoped he didn't mean all at the same time, but I told him absolutely, we'd have a lot of fun this summer.
β
β
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
β
I hope you will have a wonderful year, that you'll dream dangerously and outrageously, that you'll make something that didn't exist before you made it, that you will be loved and that you will be liked, and that you will have people to love and to like in return. And, most importantly (because I think there should be more kindness and more wisdom in the world right now), that you will, when you need to be, be wise, and that you will always be kind.
β
β
Neil Gaiman
β
Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.
β
β
Madeline Miller (The Song of Achilles)
β
There are so many ways to be brave in this world. Sometimes bravery involves laying down your life for something bigger than yourself, or for someone else. Sometimes it involves giving up everything you have ever known, or everyone you have ever loved, for the sake of something greater.
But sometimes it doesn't.
Sometimes it is nothing more than gritting your teeth through pain, and the work of every day, the slow walk toward a better life.
That is the sort of bravery I must have now.
β
β
Veronica Roth (Allegiant (Divergent, #3))
β
You're a guardian angel now." I was still too much in awe to wrap my mind around it, but at the same time I felt amazement, curiosity...happiness.
"I'm your guardian angel," he said.
"I get my very own guardian angel? What, exactly, is your job description?"
"Guard your body." His smile tipped higher. "I take my job seriously, which means I'm going to need to get acquainted with the subject matter on a personal level.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
There are three questions every woman should be able to answer yes to before they commit to a man. If you answer no to any of the three questions, run like hell."
[...]
"Does he treat you with respect at all times? That's the first question. The second question is, if he is the exact same person twenty years from now that he is today, would you still want to marry him? And finally, does he inspire to be a better person? You find someone you can answer yes to all three, then you've found a good man.
β
β
Colleen Hoover (Slammed (Slammed, #1))
β
Be like water making its way through cracks. Do not be assertive, but adjust to the object, and you shall find a way around or through it. If nothing within you stays rigid, outward things will disclose themselves.
Empty your mind, be formless. Shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle and it becomes the bottle. You put it in a teapot, it becomes the teapot. Now, water can flow or it can crash. Be water, my friend.
β
β
Bruce Lee
β
Did you know that for pretty much the entire history of the human species, the average life span was less than thirty years? You could count on ten years or so of real adulthood, right? There was no planning for retirement, There was no planning for a career. There was no planning. No time for plannning. No time for a future. But then the life spans started getting longer, and people started having more and more future. And now life has become the future. Every moment of your life is lived for the future--you go to high school so you can go to college so you can get a good job so you can get a nice house so you can afford to send your kids to college so they can get a good job so they can get a nice house so they can afford to send their kids to college.
β
β
John Green (Paper Towns)
β
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
"Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!"
Ron and Hermione broke apart, their arms still around each other.
"I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?"
"Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?"
"Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
She is my mate. And my spy,' I said too quietly. 'And she is the High Lady of the Night Court.'
'What?' Mor whsipered.
I caressed a mental finger down that bond now hidden deep, deep within us, and said, 'If they had removed her other glove, they would have seen a second tatoo on her right arm. The twin to the other. Inked last night, when we crept out, found a priestess, and I swore her in as my High Lady.' (...) 'Not consort, not wife. Feyre is High Lady of the Night Court.' My equal in every way; she would wear my crown, sit on a throne beside mine. Never sidelined, never designated to breeding and parties and child rearing. My queen.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
He was gone, and I did not have time to tell him what I had just now realized: that I forgave him, and that she forgave us, and that we had to forgive to survive in the labyrinth. There were so many of us who would have to live with things done and things left undone that day. Things that did not go right, things that seemed okay at the time because we could not see the future. If only we could see the endless string of consequences that result from our smallest actions. But we canβt know better until knowing better is useless. And as I walked back to give Takumiβs note to the Colonel, I saw that I would never know. I would never know her well enough to know her thoughts in those last minutes, would never know if she left us on purpose. But the not-knowing would not keep me from caring, and I would always love Alaska Young, my crooked neighbor, with all my crooked heart.
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John Green (Looking for Alaska)
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We teach girls to shrink themselves, to make themselves smaller. We say to girls, you can have ambition, but not too much. You should aim to be successful, but not too successful. Otherwise, you would threaten the man. Because I am female, I am expected to aspire to marriage. I am expected to make my life choices always keeping in mind that marriage is the most important. Now marriage can be a source of joy and love and mutual support but why do we teach girls to aspire to marriage and we donβt teach boys the same? We raise girls to see each other as competitors not for jobs or accomplishments, which I think can be a good thing, but for the attention of men. We teach girls that they cannot be sexual beings in the way that boys are.
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Chimamanda Ngozi Adichie (We Should All Be Feminists)
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Demon pox, oh demon pox
Just how is it acquired?
One must go down to the bad part of town
Until one is very tired.
Demon pox, oh demon pox, I had it all alongβ
Not the pox, you foolish blocks,
I mean this very songβ
For I was right, and you were wrong!"
"Will!" Charlotte shouted over the noise, "Have you LOST YOUR MIND? CEASE THAT INFERNAL RACKET! Jemβ"
Jem, rising to his feet, clapped his hands over Will's mouth. "Do you promise to be quiet?" he hissed into his friend's ear.
Will nodded, blue eyes blazing. Tessa was staring at him in amazement; they all were. She had seen Will many thingsβamused, bitter, condescending, angry, pityingβbut never giddy before.
Jem let him go. "All right, then."
Will slid to the floor, his back against the armchair, and threw up his arms. "A demon pox on all your houses!" he announced, and yawned.
"Oh, God, weeks of pox jokes," said Jem. "We're in for it now.
β
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Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd!
β
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William Shakespeare (Hamlet)
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Tessa craned her head back to look at Will. βYou know that feeling,β she said, βwhen you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.β His blue eyes were dark with understanding β of course Will would understand β and she hurried on. βI feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.β
βYou fear for Jem,β Will said.
βYes,β she said. βAnd I fear for you, too.β
βNo,β Will said, hoarsely. βDonβt waste that on me, Tess.
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Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Tess, Tess, Tessa.
Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isnβt it β a heart ringing β but when you touch me that is what it is like: as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.
Why have I written these words in this book? Because of you. You taught me to love this book where I had scorned it. When I read it for the second time, with an open mind and heart, I felt the most complete despair and envy of Sydney Carton. Yes, Sydney, for even if he had no hope that the woman he loved would love him, at least he could tell her of his love. At least he could do something to prove his passion, even if that thing was to die.
I would have chosen death for a chance to tell you the truth, Tessa, if I could have been assured that death would be my own. And that is why I envied Sydney, for he was free.
And now at last I am free, and I can finally tell you, without fear of danger to you, all that I feel in my heart.
You are not the last dream of my soul.
You are the first dream, the only dream I ever was unable to stop myself from dreaming. You are the first dream of my soul, and from that dream I hope will come all other dreams, a lifetimeβs worth.
With hope at least,
Will Herondale
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Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
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We're so self-important. So arrogant. Everybody's going to save something now. Save the trees, save the bees, save the whales, save the snails. And the supreme arrogance? Save the planet! Are these people kidding? Save the planet? We don't even know how to take care of ourselves; we haven't learned how to care for one another. We're gonna save the fuckin' planet? . . . And, by the way, there's nothing wrong with the planet in the first place. The planet is fine. The people are fucked! Compared with the people, the planet is doin' great. It's been here over four billion years . . . The planet isn't goin' anywhere, folks. We are! We're goin' away. Pack your shit, we're goin' away. And we won't leave much of a trace. Thank God for that. Nothing left. Maybe a little Styrofoam. The planet will be here, and we'll be gone. Another failed mutation; another closed-end biological mistake.
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George Carlin
β
Laugh, even when you feel too sick or too worn out or tired.
Smile, even when you're trying not to cry and the tears are blurring your vision.
Sing, even when people stare at you and tell you your voice is crappy.
Trust, even when your heart begs you not to.
Twirl, even when your mind makes no sense of what you see.
Frolick, even when you are made fun of. Kiss, even when others are watching. Sleep, even when you're afraid of what the dreams might bring.
Run, even when it feels like you can't run any more.
And, always, remember, even when the memories pinch your heart. Because the pain of all your experience is what makes you the person you are now. And without your experience---you are an empty page, a blank notebook, a missing lyric. What makes you brave is your willingness to live through your terrible life and hold your head up high the next day. So don't live life in fear. Because you are stronger now, after all the crap has happened, than you ever were back before it started.
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Alysha Speer
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Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door β
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; β vainly I had sought to borrow
From my books surcease of sorrow β sorrow for the lost Lenore β
For the rare and radiant maiden whom the angels name Lenore β
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me β filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door β
Some late visitor entreating entrance at my chamber door; β
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"β here I opened wide the door; β
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" β
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore β
Let my heart be still a moment and this mystery explore; β
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door β
Perched upon a bust of Pallas just above my chamber door β
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore β
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaningβ little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door β
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
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Edgar Allan Poe (The Raven)
β
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain personβs back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you donβt see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
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Lemony Snicket