Theme Park Quotes

We've searched our database for all the quotes and captions related to Theme Park. Here they are! All 163 of them:

A library in the middle of a community is a cross between an emergency exit, a life-raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen instead
Caitlin Moran
But that was life: Nobody got a guided tour to their own theme park. You had to hop on the rides as they presented themselves, never knowing whether you would like the one you were in line for...or if the bastard was going to make you throw up your corn dog and your cotton candy all over the place.
J.R. Ward (Crave (Fallen Angels, #2))
A library in the middle of a community is a cross between an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination.
Caitlin Moran (Moranthology)
Lots of people think things would be better some other way. That's why the world's lousy with theme parks. --Feeney in Naked in Death
J.D. Robb
Life is not a theme park, and if it is, the theme is death.
Russell Brand
All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or Ancient Egypt, is re-assimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonize past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality, in attractive and instantly appealing forms.
J.G. Ballard (The Atrocity Exhibition)
She loved airports. She loved the smell, she loved the noise, and she loved the whole atmosphere as people walked around happily tugging their luggage, looking forward to going on their holidays or heading back home. She loved to see people arriving and being greeted with a big cheer by their families and she loved to watch them all giving each other emotional hugs. It was a perfect place for people-spotting. The airport always gave her a feeling of anticipation in the pit of her stomach as though she were about to do something special and amazing. Queuing at the boarding gate, she felt like she was waiting to go on a roller coaster ride at a theme park, like an excited little child.
Cecelia Ahern
Because I hate the ocean, theme parks and airplanes, talking with strangers, waiting in line. I'm through with these pills that make me sit still, are you feeling fine? Yes, I feel just fine.
Aurelien Budynek (Best of Motion City Soundtrack)
And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs, and the countryside will be mostly shopping centers and theme parks. Forgive me. I don't mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
Bill Bryson (The Lost Continent: Travels in Small Town America)
In Europe and Japan, bourgeois life lingers on. In Britain and America it has become the stuff of theme parks. The middle class is a luxury capitalism can no longer afford.
John N. Gray (Straw Dogs: Thoughts on Humans and Other Animals)
If I couldn't be a fiction writer, I would be a roller coaster designer for theme parks
Mike Wells
Native Americans are not and must not be props in a sort of theme park of the past, where we go to have a good time and see exotic cultures. “What we have done to the peoples who were living in North America” is, according to anthropologist Sol Tax, “our Original Sin.
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that's not exactly the same thing as quiet enjoyment. Americans work harder and longer and more stressful hours than anyone in the world today. But...we seem to like it. Alarming statistics back this observation up, showing that many Americans feel more happy and fulfilled in their offices than they do in their own homes. Of course, we all inevitably work too hard, then we get burned out and have to spend the whole weekend in our pajamas, eating cereal straight out of the box and staring at the TV in a mild coma (which is the opposite of working, yes, but not exactly the same thing as pleasure). Americans don't really know how to do NOTHING. This is the cause of that great sad American stereotype-the overstressed executive who goes on vacation but who cannot relax.
Elizabeth Gilbert (Eat, Pray, Love)
Now get inside and take off your clothes. I’ve had a whole day to dream up the theme park I’m going to make of your body tonight, girl.
Penelope Douglas (Birthday Girl)
The life's work of Walt Disney and Ray Kroc had come full-circle, uniting in perfect synergy. McDonald's began to sell its hamburgers and french fries at Disney's theme parks. The ethos of McDonaldland and of Disneyland, never far apart, have finally become one. Now you can buy a Happy Meal at the Happiest Place on Earth.
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
Life's like a roller coaster till it drops, but what should I scream for? This is my theme park.
Dwayne Carter
I avoided any theme parks or museums where the employees dressed true to period. Complete nightmare. I also spent a lot of time trying not to touch people.Unless they were wearing a hoop skirt. And they were standing in my way.
Myra McEntire (Hourglass (Hourglass, #1))
One thing which even the most seasoned and discerning masters of the art of choice do not and cannot choose, is the society to be born into - and so we are all in travel, whether we like it or not. We have not been asked about our feelings anyway. Thrown into a vast open sea with no navigation charts and all the marker buoys sunk and barely visible, we have only two choices left: we may rejoice in the breath-taking vistas of new discoveries - or we may tremble out of fear of drowning. One option not really realistic is to claim sanctuary in a safe harbour; one could bet that what seems to be a tranquil haven today will be soon modernized, and a theme park, amusement promenade or crowded marina will replace the sedate boat sheds. The third option not thus being available, which of the two other options will be chosen or become the lot of the sailor depends in no small measure on the ship's quality and the navigation skills of the sailors. Not all ships are seaworthy, however. And so the larger the expanse of free sailing, the more the sailor's fate tends to be polarized and the deeper the chasm between the poles. A pleasurable adventure for the well-equipped yacht may prove a dangerous trap for a tattered dinghy. In the last account, the difference between the two is that between life and death.
Zygmunt Bauman (Globalization: The Human Consequences)
Florida is a theme park,” said Serge. “And the theme is weirdness.
Tim Dorsey (Electric Barracuda: A Novel (Serge Storms))
There are miracles and glory in every child. Our glory lies in empowering them to flourish their glory.
Amit Ray
We went on every single ride and loved every minute of it!
Khloé Kardashian
The sixties are like a theme park to them. They wear the costume, buy their tickets, and they have the experience.
Douglas Coupland (Shampoo Planet)
It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you've got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch. -- Co.Create Online, 2-14-12
Alan Moore
In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation. Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each other—not 'mad'—and where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT?
Boris Johnson
I am drawn to Tom Sawyer Island because a tribute to Mark Twain would not be out of place in a theme park of my own design. Should Vowell World ever get enough investors, I'm going to stick my Tom Sawyer Island in Love and Death in the American Novel Land right between the Jay Gatsby Swimming Pool and Tom Joad's Dust Bowl Lanes, a Depression-themed bowling alley renting artfully worn-out shoes.
Sarah Vowell (Take the Cannoli)
We are animals. We are free animals with a divine spark, we're not in a farm or a zoo or a theme park, we're free. We've forgotten that we're free...
Russell Brand (Revolution)
But where will this mania for entertainment end? What will people do when they get tired of television? When they get tired of movies? We already know the answer—they go into participatory activities: sports, theme parks, amusement rides, roller coasters. Structured fun, planned thrills. And what will they do when they tire of theme parks and planned thrills? Sooner or later, the artifice becomes too noticeable. They begin to realize that an amusement park is really a kind of jail, in which you pay to be an inmate. ‘This artifice will drive them to seek authenticity. Authenticity will be the buzzword of the twenty-first century. And what is authentic? Anything that is not devised and structured to make a profit. Anything that is not controlled by corporations. Anything that exists for its own sake and assumes its own shape. But of course, nothing in the modern world is allowed to assume its own shape. The modern world is the corporate equivalent of a formal garden, where everything is planted and arranged for effect. Where nothing is untouched, where nothing is authentic.
Michael Crichton (Timeline)
Compared with Baltimore, New York feels like a city-themed theme park. The difference between the two places is the difference between affectation and insanity, the eccentric and the grotesque.
Tim Kreider
Why do I think these particular books have been popular? Two reasons. First, I think it is because they involve no harsh, garish violence at all. They involve game playing, really. No one is burned or cut or hurt. Certainly no one is killed. Indeed the whole sadomasochistic predicament is presented as a glorified game played out in luxurious rooms and with very attractive people, and involving very attractive slaves. There are endless motifs offered for dominance and submission, for surrender and love. It’s like a theme park of dominance and submission, a place to go to enjoy the fantasy of being overpowered by a beautiful man or woman and delightfully compelled to surrender and feel keening pleasure, without the slightest serious harm. I think it’s authentic to the way many who share this kind of fantasy really feel. I think what makes it work for people is the combination of the very graphic and unsparing sexual details mixed with the elegant fairy-tale world. Unfortunately a lot of hackwork pornography is written by those who don’t share the fantasy, and they slip into hideous violence and ugliness, thinking the market wants all that, when the market never really did. Second, this is shamelessly erotic. It pulls no punches at being what it is. It’s excessive and it is erotica. Before these books, a lot of women read what were called “women’s romances” where they had to mark the few “hot pages” in the book. I said, well, look, try this. Maybe this is what you really want, and you don’t have to mark the hot pages because every page is hot. Every page is about sexual fulfillment. Every page is meant to give you pleasure. There are no boring parts. Yet it’s very “romantic.” And well, I think this worked.
A.N. Roquelaure (The Claiming of Sleeping Beauty)
Then Belmont discovered the carnival world of Louisiana politics, in the way a mental patient might wander into a theme park for the insane and realize that life held more promise than he had ever dreamed. Burke, James Lee. Purple Cane Road (Dave Robicheaux Book 11)
James Lee Burke (Purple Cane Road (Dave Robicheaux, #11))
Unlike cinema and theatre, in which audience members passively watch the action on the screen or stage, and unlike the narratives of television and books, which are static, the theme park uses the immersion of the individual inside an unfolding and evolving drama as the basis of its unique form.
Scott A. Lukas (Theme Park (Objekt))
Full disclosure: I would have patented that vaccine and not felt guilty about it for a second. I suspect I would have used the money to do dumb stuff I thought was awesome, like start an F. Scott Fitzgerald theme park. I assume everyone else would also do that. Why doesn’t a theme park devoted to books exist? It would be so much fun.
Jennifer Wright (Get Well Soon: History's Worst Plagues and the Heroes Who Fought Them)
You're going to turn it into a fascist corporate theme park where the few people who can still afford the price of admission no longer have an ounce of freedom.
Ernest Cline (Ready Player One (Ready Player One, #1))
Some theme parks could take a few hints from this place
Samantha Boyette (Morning Rising (The Guardian of Morning, #1))
I noticed something: if I put a theme park in a story, my prose improved.
George Saunders (CivilWarLand in Bad Decline)
The five of us were squeezed into Dad’s little Toyota, on our way to spend the day at Zoo Gardens Theme Park. Dad had messed up and left the map at home. But Mom said the park would be real easy to find.
R.L. Stine
Hazel Grace, like so many children before you—and I say this with great affection—you spent your Wish hastily, with little care for the consequences. The Grim Reaper was staring you in the face and the fear of dying with your Wish still in your proverbial pocket, ungranted, led you to rush toward the first Wish you could think of, and you, like so many others, chose the cold and artificial pleasures of the theme park.
John Green (The Fault in Our Stars)
Since its founding in 1965, the theme park has provided Americans and the rest of the world with a compelling model of a particular kind of modern mythology: that of apparent harmony between animals and human beings.
John Hargrove (Beneath the Surface: Killer Whales, SeaWorld, and the Truth Beyond Blackfish)
What each of the early Coney Island parks offered was conceptual travel. A visitor from Manhattan could travel just a short distance to experience pleasures and sights that had normally been possible only on the Grand Tour. As
Scott A. Lukas (Theme Park (Objekt))
Athens, while remaining nominally independent, no longer commanded its lifelines or its fate. Just as it had invented many Western institutions and intellectual and artistic endeavors, so did it pioneer a less glorious tradition. In the centuries following the Peloponnesian war, Athens became the first in a long line of senescent Western empires to suffer the ignominious transformation from world power to open-air theme park, famous only for its arts, its architecture, its schools, and its past.
William J. Bernstein (A Splendid Exchange: How Trade Shaped the World from Prehistory to Today)
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
Someday you will rejoice your brave decision to come into the theme park of life refusing to settle for a mediocre ride on the merry-go-round. You chose to go on the big loop roller-coaster instead. So, stop sulking, raise up your hands and enjoy the thrill of the ride!
Anthon St. Maarten
It's not the theme parks of Paradiso and Inferno that I dread most - the heavenly rides, the hellish crowds - and I could live with the insult of eternal oblivion. I don't even mind not knowing which it will be. What I fear is missing out. Health desire or mere greed, I want my life first, my due, my infinitesimal slice of endless time and one reliable chance of a consciousness. I'm owed a handful of decades to try my luck on a freewheeling planet. That's the ride for me - the Wall of Life. I want my go. I want to become. Put another way, there's a book I want to read, not yet published, not yet written, though a start's been made. I want to read to the end of My History of the Twenty-First Century. I want to be there, on the last page, in my early eighties, frail but sprightly, dancing a jig on the evening of December 31, 2099.
Ian McEwan (Nutshell)
If you're bored with something, act as if you're seeing it for the first time. Look at it with new eyes. Pretend you're seeing it as a film director, theme park designer or your Aunt Josie—anything that provides a change in perspective. To beat boredom, make the familiar unfamiliar.
Sam Harrison
Like the careful attention to the field of vision and landscape in pleasure gardens the tower uses vision as an apparatus to generate amusement, but it does so with a twist. By merging height and field of vision the Iron Tower allows the amusement patron to see everything that is happening below. Just
Scott A. Lukas (Theme Park (Objekt))
Perhaps it was that I wanted to see what I had learned, what I had read, what I had imagined, that I would never be able to see the city of London without seeing it through the overarching scrim of every description of it I had read before. When I turn the corner into a small, quiet, leafy square, am I really seeing it fresh, or am I both looking and remembering? [...] This is both the beauty and excitement of London, and its cross to bear, too. There is a tendency for visitors to turn the place into a theme park, the Disney World of social class, innate dignity, crooked streets, and grand houses, with a cavalcade of monarchs as varied and cartoony as Mickey Mouse, Snow White, and, at least in the opinion of various Briths broadhseets, Goofy. They come, not to see what London is, or even what it was, but to confirm a kind of picture-postcard view of both, all red telephone kiosks and fog-wreathed alleyways.
Anna Quindlen (Imagined London: A Tour of the World's Greatest Fictional City)
We pass the apartment we rented five years ago, when I swore off Florence. In summer, wads of tourists clog the city as if it's a Renaissance theme park. Everyone seems to be eating. That year, a garbage strike persisted for over a week and I began to have thoughts of plague when I passed heaps of rot spilling out of bins. I was amazed that long July when waiters and shopkeepers remained as nice as they did, given what they had to put up with. Everywhere I stepped I was in the way. Humanity seemed ugly—the international young in torn T-shirts and backpacks lounging on steps, bewildered bus tourists dropping ice cream napkins in the street and asking, “How much is that in dollars?” Germans in too-short shorts letting their children terrorize restaurants. The English mother and daughter ordering lasagne verdi and Coke, then complaining because the spinach pasta was green. My own reflection in the window, carrying home all my shoe purchases, the sundress not so flattering. Bad wonderland. Henry James in Florence referred to “one's detested fellow-pilgrim.” Yes, indeed, and it's definitely time to leave when one's own reflection is included. Sad that our century has added no glory to Florence—only mobs and lead hanging in the air.
Frances Mayes (Under the Tuscan Sun)
It wasn’t a party that a Republican could understand--the marijuana smoke sweet on the air, the occasional cocaine sniffle, cold Mexican beer, good food, great conversation, and laughter--but a Parisian deconstructionist scholar might find it about as civilized as America gets. Or at least the one I met, who was visiting at UTEP, maintained. Somewhere along the way, he claimed, Americans had forgotten how to have a good time. In the name of good health, good taste, and political correctness from both sides of the spectrum, we were being taught how to behave. America was becoming a theme park, not as in entertainment, but as in a fascist Disneyland.
James Crumley (The Mexican Tree Duck (C.W. Sughrue #2))
Everything I am is based on this ugly building on its lonely lawn—lit up during winter darkness; open in the slashing rain—which allowed a girl so poor she didn’t even own a purse to come in twice a day and experience actual magic: traveling through time, making contact with the dead—Dorothy Parker, Stella Gibbons, Charlotte Brontë, Spike Milligan. A library in the middle of a community is a cross be-tween an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold, rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen, instead. A human with a brain and a heart and a desire to be uplifted, rather than a customer with a credit card and an inchoate “need” for “stuff.” A mall—the shops—are places where your money makes the wealthy wealthier. But a library is where the wealthy’s taxes pay for you to become a little more extraordinary, instead. A satisfying reversal. A balancing of the power.
Caitlin Moran (Moranthology)
Walt Disney often spoke of architecture and technology as functioning in the form of a ‘weenie’ – as something that would beckon the customer to go inside a space or cause the customer to go in a particular direction in a theme park. The weenie acts as a ‘reward. If you have a corridor, at the end there has to be something to justify you going that distance.
Scott A. Lukas (Theme Park (Objekt))
Ed, once called Aladdin, is the first artificial intelligence I’ve ever known. Maybe if Harry can kill Hiskott and if then I live long enough to see the world become the total science-fiction theme park it seems to be headed toward, I’ll probably know dozens of them one day. Let me tell you, if they’re all as nice as Ed has turned out to be, that’s okay with me.
Dean Koontz (Odd Interlude: A Special Odd Thomas Adventure)
We live in every moment but this one Why don’t we recognize the faces loving us so What’s God if not the spark that started life Smile of a stranger Sweet music, starry skies Wonder, mystery, wherever my road goes Early wake-ups in a moving home Scent of fresh-mown grass in the morning sun Open theme park gates waiting for Riding the day, every day into sunset Finding the way back home
Tuomas Holopainen of "Nightwish"
In a very conceptual moment, John Allen, former president of the famed Philadelphia Toboggan Company, once said that ‘the ultimate roller coaster is built when you send out twenty-four people and they all come back dead. This
Scott A. Lukas (Theme Park (Objekt))
I've been frozen solid against the wall in Mazzo's, staring at my index finger for a couple of hours, when my dead brother Morton shows up. He does that literally. I mean, I look down on one side and see him coming up through the floor. Nothing special about that. People have been showing up through the floor all evening. They pop up and mushroom in bursts, clumps of people that explode and disappear. In the Mazzo theme park it's another of those acid nights.
John David Morley (The Anatomy Lesson)
These days, things were different. Much different. For the most part, what fun there was to be had at Upton Park came from the cat and mouse side of the contest. Thinking on your feet and trying to outwit old bill while still trying to get one over on the opposition. It was like a real life computer game, Theme Hooligan. He still got a buzz from it though, but not the same buzz. And he wasn’t alone. The scene was dying on its arse although that wasn’t always down to the police.
Dougie Brimson (Top Dog)
Three postcards await our perusal, yea, three visions of a world. One: I see a theme park where there are lots of rides, but there is nobody who can control them and nobody who knows how the rides end. Grief counseling, however, is included in the price of admission. Two: I see an accident. An explosion of some kind inhabited by happenstantial life forms. A milk spill gone bacterial, only with more flame. It has no meaning or purpose or master. It simply is. Three: I see a stage, a world where every scene is crafted. Where men act out their lives within a tapestry, where meaning and beauty exist, where right and wrong are more than imagined constructs. There is evil. There is darkness. There is the Winter of tragedy, every life ending, churned back into the soil. But the tragedy leads to Spring. The story does not end in frozen death. The fields are sown in grief. The harvest will be reaped in joy. I see a Master's painting. I listen to a Master's prose. When darkness falls on me, when I stand on my corner of the stage and hear my cue, when I know my final scene has come and I must exit, I will go into the ground like corn, waiting for the Son.
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
In the twenty-first century, the visions of J.C. Nichols and Walt Disney have come full circle and joined. “Neighborhoods” are increasingly “developments,” corporate theme parks. But corporations aren’t interested in the messy ebb and flow of humanity. They want stability and predictable rates of return. And although racial discrimination is no longer a stated policy for real estate brokers and developers, racial and social homogeneity are still firmly embedded in America’s collective idea of stability; that’s what our new landlords are thinking even if they are not saying it. (138)
Tanner Colby (Some of My Best Friends Are Black: The Strange Story of Integration in America)
one of the most notable architectural aspects of the world’s fair was the attention to symbolism. The way in which each nation presented itself at the fair was through the realm of the symbolic, not the actual. The architecture of the exposition was ‘used to connote symbolic meanings, minimizing its primary utilitarian functions’.
Scott A. Lukas (Theme Park (Objekt))
I hadn’t seen him in quite a while and he’d grown at least four inches in the months between our visits. With his perfect teeth and constant huge smile I found myself looking at him in a whole new way. Gone was the skinny kid whose birthday was the day before my own and loved saying we were the same age for that twenty four hour period before I officially turned a year older than him. He wasn’t that twelve year old who’d yanked on my hair and put baby oil in the sunblock so I got a nasty burn when we visited a theme park together. Suddenly I saw Jim wasn’t a little kid anymore. He was a guy—a hot guy at that. A hot guy who spent the entire day glued to my side.
Melissa Simmons (Best Thing I Never Had (Anthology))
What remains of the old Protestant fundamentalism is politics: abortion, gays, evolution. these issues are what binds congregations together. but even here things have changed as Americans have become more tolerant of many of these social taboos. Today many fundamentalist churches take nominally tough positions on, say, homosexuality but increasingly do little else for fear of offending the average believer, whom one schollar calls the "unchurched Harry". All it really takes to be a fundamentalist these days is to watch the TV shows, go to the theme parks, buy Christian rock, and vote Republican. The Sociologist Mark Shilbey, calls it the Californication of conservative Protestantism.
Fareed Zakaria (The Future of Freedom: Illiberal Democracy at Home and Abroad)
No one said a word, and I waited a beat, then pushed forward. Screw Kevin. Screw Maggie. Screw whatever happened to them now. I went after Caden. He didn’t have to push his way through the crowd. It automatically opened for him. Not so much for me. I was at a disadvantage, and when I ran to the parking lot, he was already in the car and peeling past me. “HEY!” I yelled, raising my hands in the air. He braked, a little too close for comfort, right next to me. The passenger window rolled down. “What?” I reached for the door. “Let me in.” His eyebrows pinched together. “Why?” “Let me in.” He unlocked the door. I opened it and climbed in. “Okay. I’m with you.” I had no idea what I was doing. “Excuse me?” “I’m with you.” I clapped the dashboard, pointing ahead. “Whatever you’re going to do, I’m in. You seem to need a friend. You’re in luck. I could use one myself. So I’m in.” “I’m going to get drunk and have sex.” “Oh.” He cocked an eyebrow. “You still in?” He was laughing now. He was still mad, but he was laughing. For whatever reason—maybe I did want to go with him, or maybe I heard my own voice calling me boring and pathetic again—I sat back and folded my hands in my lap. “I’m in.” He shook his head. “You have no idea what you’re getting yourself into..” He shifted his Land Rover into drive and started forward. “But that’s your problem, not mine.” He careened out of the parking lot, and I fell against the door. I grabbed the oh shit handle above my head, and I had a feeling that was going to be the theme for the rest of the night: Oh, shit.
Tijan (Anti-Stepbrother)
The male staff all wore gorgeous colored loin cloths that always seem to be about to fall off they’re wonderful hips. Their upper bodies were tanned sculpted and naked. The female staff wore short shorts and silky flowing tops that almost but didn’t expose their young easy breasts. I noticed we only ever encountered male staff, and the men walking through the lobby were always greeted by the female staff. Very ingenious, as Rebecca said later - if we had ticked Lesbians on the form I wonder what would have happened? -There was a place to tick for Lesbians, I said ? -Sexual Persuasion- it was on all the forms -Really. And, how many options were there? -You’re getting the picture, said Jillian. This was not your basic check in procedure as at say a Best Western. Our Doormen/Security Guards , held out our chairs for us to let us sit at the elegant ornate table. Then they poured us tea, and placed before each of us a small bowl of tropical fruit, cut into bite size pieces. Wonderful! Almost immediately a check in person came and sat opposite us at the desk. Again a wonderful example of Island Male talent. (in my mind anyway) We signed some papers, and were each handed an immense wallet of information passes, electronic keys, electronic ID’s we would wear to allow us to move through the park and its ‘worlds’ and a small flash drive I looked at it as he handed it to me, and given the mindset of the Hotel and the murals and the whole ambiance of the place, I was thinking it might be a very small dildo for, some exotic move I was unaware of. -What’s this? I asked him -Your Hotel and Theme Park Guide I looked at it again, huh, so not a dildo.
Germaine Gibson (Theme Park Erotica)
They are taking away all the nice things there because they are impractical, as if that were reason enough – the red phone-boxes, the pound note, those open London buses that you can leap on and off. There is almost no experience in life that makes you look and feel more suave than jumping on or off a moving London bus. But they aren’t practical. They require two men (one to drive and one to stop thugs from kicking the crap out of the Pakistani gentleman at the back) and that is uneconomical, so they have to go. And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs and the countryside will be mostly shopping centres and theme parks. Forgive me. I don’t mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
Bill Bryson (The Lost Continent: Travels in Small Town America)
-Now the paperwork – -What if I don’t want to do the Ultimate, right away? Maybe I want to ease into this thing gently. -No you don’t. -I might. I might just want to ease into the activity, the idea of it. -it’ll be fine, said Rebecca. -you will be fine, and no regrets, honestly. Jillian took me over to the desk. -No possible regrets, said Rebecca, just sign this, she handed me a sheaf of forms. -Jesus I don’t want to buy the place, I scanned the pages – 45 pages. -just fill in page 25 through28 and sign. -Pages 25 through 28, what is this? Rebecca took the pages of forms from my hand – look its simple stuff, here we’ll read it through. Jillian looked over her shoulder at the pages -weight? -what? - Say 110, Jillian said. -Height? -5’ 8’’, Jillian again. -Hair length? -What? Why? -Long, Jillian again. -Cup size? - O come on. - say C -how about say nothing, I was getting angry -Shaved or bikini or natural? -Fuck off Rebecca ticked a box anyway – well she was at the waxing too. Why ask in fact? -Last menstrual cycle? - enough, enough, give me those papers -Yes ignore that, said Rebecca taking the pages away from my grasping hand -Tested? she said this to Jillian -Tested? What tested? What do you mean tested? -Yes, said Jillian, I forwarded a blood sample from the main island -You what! -You were sleeping. -Great now sign here, Rebecca handed me a page and a pen -Who has blood samples for a theme park? -Everyone -especially the staff, can’t have mi’lady getting STDs I took a breath -This is getting a bit weird guys are you sure? I mean, well this is a bit, weird. -We’re 100 and a million per cent sure, said Jillian - 100 million per cent, said Rebecca
Germaine Gibson (Theme Park Erotica)
I spent a great deal of my youth fantasizing about entertaining. In my early twenties I would spend hours poring over cookbooks at the Seventh Avenue Barnes & Noble in Park Slope, planning elaborate parties that I would throw when I was older and had money. Now I am older and have money, but I almost never entertain. I have yet to throw my Great Gatsby–themed Super Bowl viewing party, but when I do, it will be a big hit, as will be my Daisy Buchanan slow-cooker chicken enchiladas.
Mindy Kaling (Why Not Me?)
The virtuality of war is not, then, a metaphor. It is the literal passage from reality into fiction, or rather the immediate metamorphosis of the real into fiction. The real is now merely the asymptotic horizon of the Virtual. And it isn't just the reality of the real that's at issue in all this, but the reality of cinema. It's a little like Disneyland: the theme parks are now merely an alibi - masking the fact that the whole context of life has been disneyfied. It's the same with the cinema: the films produced today are merely the visible allegory of the cinematic form that has taken over everything - social and political life, the landscape, war, etc. - the form of life totally scripted for the screen. This is no doubt why cinema is disappearing: because it has passed into reality. Reality is disappearing at the hands of the cinema and cinema is disappearing at the hands of reality. A lethal transfusion in which each loses its specificity. If we view history as a film - which it has become in spite of us - then the truth of information consists in the postsynchronization, dubbing and sub-titling of the film of history.
Jean Baudrillard (The Intelligence of Evil or the Lucidity Pact)
Well this wasn’t Vegas, and this wasn’t Disneyland, this was ‘Erotica- The Theme Park – featuring Femdom World, Slave World, Bondage World, Spanking World – and so much more!’ -according to the brochure Jillian and Rebecca handed me with great fanfare the next day. -This is a beautiful brochure, I said – very- -Glossy , said Rebecca. -Right, I studied it some more – so is this…I mean – legal? I mean, is it for real? -O yes, they said. -Well. Wow, I guess. -Wow is right, they said. Jillian had been on some trip with one of her many very rich and very ugly men friends, and they had shown her the place. (no she didn’t say to what extent she was ’shown’ the place. She was very tight lipped about it, -wanted everything to be a surprise, she said) To be aware of Erotica-The Theme Park, and its Hotel Ecstasy you need money, connections, and more. In fact you need at least a 100 ft yacht to dock at its private Marina. And no I can’t tell you where it is, otherwise they will revoke my membership pass and kill my first born. But let’s say - it’s on an island, with warm water ,pure white sand beaches, it’s for the very rich, and it’s not far , by private helicopter from certain well known islands in let’s say, the Caribbean.
Germaine Gibson (Theme Park Erotica)
GCHQ has traveled a long and winding road. That road stretches from the wooden huts of Bletchley Park, past the domes and dishes of the Cold War, and on towards what some suggest will be the omniscient state of the Brave New World. As we look to the future, the docile and passive state described by Aldous Huxley in his Brave New World is perhaps more appropriate analogy than the strictly totalitarian predictions offered by George Orwell's Nineteen Eighty-Four. Bizarrely, many British citizens are quite content in this new climate of hyper-surveillance, since its their own lifestyle choices that helped to create 'wired world' - or even wish for it, for as we have seen, the new torrents of data have been been a source of endless trouble for the overstretched secret agencies. As Ken Macdonald rightly points out, the real drives of our wired world have been private companies looking for growth, and private individuals in search of luxury and convenience at the click of a mouse. The sigint agencies have merely been handed the impossible task of making an interconnected society perfectly secure and risk-free, against the background of a globalized world that presents many unprecedented threats, and now has a few boundaries or borders to protect us. Who, then, is to blame for the rapid intensification of electronic surveillance? Instinctively, many might reply Osama bin Laden, or perhaps Pablo Escobar. Others might respond that governments have used these villains as a convenient excuse to extend state control. At first glance, the massive growth of security, which includes includes not only eavesdropping but also biometric monitoring, face recognition, universal fingerprinting and the gathering of DNA, looks like a sad response to new kinds of miscreants. However, the sad reality is that the Brave New World that looms ahead of us is ultimately a reflection of ourselves. It is driven by technologies such as text messaging and customer loyalty cards that are free to accept or reject as we choose. The public debate on surveillance is often cast in terms of a trade-off between security and privacy. The truth is that luxury and convenience have been pre-eminent themes in the last decade, and we have given them a much higher priority than either security or privacy. We have all been embraced the world of surveillance with remarkable eagerness, surfing the Internet in a global search for a better bargain, better friends, even a better partner. GCHQ vast new circular headquarters is sometimes represented as a 'ring of power', exercising unparalleled levels of surveillance over citizens at home and abroad, collecting every email, every telephone and every instance of internet acces. It has even been asserted that GCHQ is engaged in nothing short of 'algorithmic warfare' as part of a battle for control of global communications. By contrast, the occupants of 'Celtenham's Doughnut' claim that in reality they are increasingly weak, having been left behind by the unstoppable electronic communications that they cannot hope to listen to, still less analyse or make sense of. In fact, the frightening truth is that no one is in control. No person, no intelligence agency and no government is steering the accelerating electronic processes that may eventually enslave us. Most of the devices that cause us to leave a continual digital trail of everything we think or do were not devised by the state, but are merely symptoms of modernity. GCHQ is simply a vast mirror, and it reflects the spirit of the age.
Richard J. Aldrich (GCHQ)
Lots To Do In Line" will help you and your child experience the Disneyland theme park queues actively,turning the wait into a game.
Meredith Lyn Pierce not a Disney theme park, but is a incredible force that when unleashed...can help greatly better humanity.
Timothy Pina
These mega-churches are springing up all over the country—especially in the suburbs of large cities. And they all follow the same formula: A charismatic, self-anointed pastor starts a church by holding services in a home, then in a school. He targets the young professionals, who make good salaries—although the poorer folks are welcome too, as long as they’re willing to pay their fair share. When there are enough members, the pastor proposes buying land, then buildings, then more buildings, asking the people to give sacrificially to do God’s work. The pastor uses outrageous gimmicks in the worship services to create a massive word-of-mouth campaign for the church. Everybody’s excited about going to the big show on Sundays. For the children and youth, church is like going to a theme park. And what kid wouldn’t want to do that? A local TV ministry is added. Then it goes national. Then global. Services are streamed live to the internet. A satellite campus is opened, then another, and so on. Ministries are established in foreign countries. But whose church is it? The pastor’s. Whose ministry is it? The pastor’s. What is everything built on? The pastor. It is his church. His ministry. His empire. -- Hal, the mega-church blogger
Robert Burton Robinson (Deadly Commitment (John Provo Thriller Series #1))
And that question is, is San Francisco just a boutique city? A theme park? Or do creative forces still coalesce there?
Kevin Starr
Well, this is only a story, isn't it? I mean, our patrons, anyone who comes to this park, are they going to take this to heart, Mister Shake?' They'll take what pieces they want, and everything gets a little skewed. That's how these things work, Freddy. Who knows? In ten years' time, Elijah Zallman Ickack may see through walls. Once in the park, they're locked into some idea of what made it, and that's the thing. In the meantime, the long-lost-nephew must have something to say.
Pam Jones (The Biggest Little Bird)
Her occupation was the worst that anyone could think of. No guest in the park had to think of it because, unlike the wandering dwarf women, her job had no bearing on paper.
Pam Jones (The Biggest Little Bird)
On the day the park opened, half the state must have turned up. California weddings that June were small in attendance, the bride, groom, and guests quitting the ceremony for their cars after the second "I do"; especially hasty couples did away with the festivities altogether and simply took their vows en route to the park.
Pam Jones (The Biggest Little Bird)
Sometimes,” Gerald pushes his glasses up with a dirty finger and pulls the spade from the ground, nodding a little sadly. “You treat the real world like a theme park.
Stories are a kind of theme park of mortality. Deadnyland.
James W. Blinn (The Aardvark Is Ready For War)
Creativity is merely the arrangement of existing forms into new relationships.
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
Every culture elects some central virtues, and creativity is one of ours. In fact, right now, we’re living through a creativity boom. Few qualities are more sought after, few skills more envied. Everyone wants to be more creative—how else, we think, can we become fully realized people?
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
believe one of the best models for creativity is found in the design and development of Disney theme parks, a practice better known as Imagineering.
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
and just as the first Imagineers adopted techniques and practices from animation and movie-making to develop the craft of Imagineering, we can borrow (and steal) principles, practices, and processes from Imagineering and apply them in other creative endeavors.
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
It is an iterative process that goes something like this: * Screen it * Discuss it * Get the feeling that you don’t know what you’re doing * Weep openly * Tear it apart * Correct it * Re-board it * Rebuild it * Screen it again * Repeat as necessary
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
There’s really no secret about our approach. We keep moving forward–opening new doors and doing new things—because we’re curious. And curiosity keeps leading us down new paths. We’re always exploring and experimenting…we call it “Imagineering”—the blending of creative imagination and technical know-how.
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
Walt Disney defined Imagineering as the blending of creative imagination and technical know-how. I like
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
Why settle for the ordinary when the extraordinary is only a little dreaming and doing away?
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
In the twentieth century, Kansas City produced two uniquely American geniuses who would both forever alter the physical and cultural landscape of the country. One of these men built a magic kingdom, a fantasy world that offered nonstop, wholesome family fun and a complete escape from reality. The other one moved to Hollywood and opened a theme park.
Tanner Colby (Some of My Best Friends Are Black: The Strange Story of Integration in America)
Mickey and Minnie, Disney’s King and Queen, were there to greet us on the fifth floor of the Grand Floridian Beach Resort when we arrived on that afternoon. Harry’s face lit up. Not that he was interested in being cuddled by people dressed as two giant cartoon characters – he wanted to get to the rides. Diana was thrilled too, but for different reasons. Her sons, instead of being at Balmoral with their father, as they usually were in August, were free, free to do what other children did on holiday. My reconnaissance some weeks earlier had proved invaluable. I advised Diana in my briefing memo that the fact that Disney is spread over 43 square miles was to our advantage in our habitual battle to outwit the media because Disney, unlike any other theme park, has a VIP package which uses reserved routes to rides and attractions, along a predetermined course. A network of restricted paths and tunnels, not accessible to the public, enabled special guests literally to pop up at the front of queues and go straight on the ride without anyone elsewhere in the park knowing which attraction they were on. Moreover, conscious of Diana’s fear of being criticised for using her royal status to secure star treatment, my memo, dated 2 August 1993, reassured her because I had recommended the VIP package for security reasons: ‘At this time of the year up to 1 million people could be using the complex. Many rides and attractions will have queues of 2 to 3 hours’ waiting. The VIP method is not queue jumping, and will not be seen by others so to be.’ The note was returned with a huge tick from her pen through that section.
Ken Wharfe (Diana - A Closely Guarded Secret)
When Walt became all wrapped up in the theme parks and live-action films, we tried to get him interested in animation again," recalls Frank Thomas, one of the Studio's "Nine Old Men." "Walt said, 'If I ever do go back, there are only two subjects I would want to do. One of them is Beauty and the Beast.' For the life of me, I can't remember what the other one was.
Charles Solomon (Tale as Old as Time: The Art and Making of Beauty and the Beast)
The venerable Walt Disney commercial empire had established around the turn of the century one of the largest "theme parks" in the country, on a bulldozed, reclaimed piece of New York City that had once been a slum.
Gerard K. O'Neill (2081)
Dear friends and enemies, Season’s greetings! It’s me, Serge! Don’t you just hate these form letters people stuff in Christmas cards? Nothing screams “you’re close to my heart” like a once-a-year Xerox. Plus, all the lame jazz that’s going on in their lives. “Had a great time in Memphis.” “Bobby lost his retainer down a storm drain.” “I think the neighbors are dealing drugs.” But this letter is different. You are special to me. I’m just forced to use a copy machine and gloves because of advancements in forensics. I love those TV shows! Has a whole year already flown by? Much to report! Let’s get to it! Number one: I ended a war. You guessed correct, the War on Christmas! When I first heard about it, I said to Coleman, “That’s just not right! We must enlist!” I rushed to the front lines, running downtown yelling “Merry Christmas” at everyone I saw. And they’re all saying “Merry Christmas” back. Hmmm. That’s odd: Nobody’s stopping us from saying “Merry Christmas.” Then I did some research, and it turns out the real war is against people saying “Happy holidays.” The nerve: trying to be inclusive. So, everyone … Merry Christmas! Happy Hannukah! Good times! Soul Train! Purple mountain majesties! The Pompatus of Love! There. War over. And just before it became a quagmire. Next: Decline of Florida Roundup. —They tore down the Big Bamboo Lounge near Orlando. Where was everybody on that one? —Remember the old “Big Daddy’s” lounges around Florida with the logo of that bearded guy? They’re now Flannery’s or something. —They closed 20,000 Leagues. And opened Buzz Lightyear. I offered to bring my own submarine. Okay, actually threatened, but they only wanted to discuss it in the security office. I’ve been doing a lot of running lately at theme parks. —Here’s a warm-and-fuzzy. Anyone who grew up down here knows this one, and everyone else won’t have any idea what I’m talking about: that schoolyard rumor of the girl bitten by a rattlesnake on the Steeplechase at Pirate’s World (now condos). I’ve started dropping it into all conversations with mixed results. —In John Mellencamp’s megahit “Pink Houses,” the guy compliments his wife’s beauty by saying her face could “stop a clock.” Doesn’t that mean she was butt ugly? Nothing to do with Florida. Just been bugging me. Good news alert! I’ve decided to become a children’s author! Instilling state pride in the youngest residents may be the only way to save the future. The book’s almost finished. I’ve only completed the first page, but the rest just flows after that. It’s called Shrimp Boat Surprise. Coleman asked what the title meant, and I said life is like sailing on one big, happy shrimp boat. He asked what the surprise was, and I said you grow up and learn that life bones you up the ass ten ways to Tuesday. He started reading and asked if a children’s book should have the word “motherfucker” eight times on the first page. I say, absolutely. They’re little kids, after all. If you want a lesson to stick, you have to hammer it home through repetition…In advance: Happy New Year! (Unlike 2008—ouch!)
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
Bachelor life is like a walk in a theme park. Married life is also like a walk in a park but that the park is called 'Jurassic Park'.
Ricky Saikia
Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that’s not exactly the same thing as quiet enjoyment.
Elizabeth Gilbert (Eat, Pray, Love)
When the ride was being designed, it was assumed that Kuka’s robotic programming could easily produce the various movements called for in each scene. What nobody considered, however, is that the program was designed for maximum industrial efficiency. If, to correspond to the action in a given scene, the Kuka arm had to simulate 22 different motions, the software—not knowing a theme park ride from a diesel assembly line—would think, “OK, let’s knock these 22 movements down to 13 and save half a minute.” Because this would throw the timing of everything out of whack, Universal ended up having to create a program that would behave as it was told and not be so anal about efficiency. Luckily for us, Universal worked out the kinks, and Forbidden Journey is now remarkably reliable for such an advanced attraction.
Seth Kubersky (The Unofficial Guide to Universal Orlando)
The Quintessential American Who best exemplifies the American mentality and American culture? Walt Disney. America is a theme park, a dreamland, in perpetual denial of reality. The religious fanatics who fled to America from Europe hundreds of years ago were those who had the most fantastical and unrealistic beliefs. America, ever since, has waged war on reality. It’s the home of Baudrillardian hyperreality where fact and fantasy have become indissolubly compounded.
Mike Hockney (The Noosphere (The God Series))
Margaret Crawford, “The World in a Shopping Mall,” in Variations on a Theme Park: The New American City and the End of Public Space, ed. Michael Sorkin (New York: Noonday Press, 1992), p.
Brandon LaBelle (Background Noise, Second Edition: Perspectives on Sound Art)
Training your students to use each other as a resource keeps them actively involved in problem solving. When students are talking with each other about a problem, they are both learning. When a student has a hand raised, staring at the busy teacher and waiting for help, the learning has stopped. The classroom is not a theme park; no one should be waiting in line to learn.
Sam Patterson (Programming in the Primary Grades: Beyond the Hour of Code)
Tokyo boasts similar food theme parks devoted to ramen, gyōza, ice cream, and desserts. If you don't like takoyaki, you're not entirely out of luck: the stand we visited, Aizuya, also offers radioyaki. You would think radioyaki would mean "takoyaki that grows arms and legs after exposure to nuclear radiation," but no, it replaces the octopus with konnyaku and beef gristle. Konnyaku is a noncaloric gelatin made from the root of a plant closely related to the stinking corpseflower.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
If they can’t get to Europe, they’ll find their way to a local theme-park Eiffel Tower. Even a place that we write off as “inauthentic,” they realize, can arouse emotions that are entirely authentic.
Pico Iyer (A Beginner's Guide to Japan: Observations and Provocations)
If you're bored with something, act as if you're seeing it for the first time. Look at it with new eyes. Pretend you're seeing it as a film director, theme park designer or your Aunt Josie—anything that provides a change in perspective. To beat boredom, make the familiar unfamiliar.
Creative Zing! Spark Your Creativity & Powerfully Present Your Ideas
The ragged bohemian life holds no charm for you anymore. But would you have reached your current position if you had not lived that life when you were younger?” “Now that you put it that way,” Carl said, “I agree that we might try to make some provision, in the future, for young bohemians—” “It wouldn't work,” Finkle-McGraw said. “I've been thinking about this for years. I had the same idea: Set up a sort of young artistic bohemian theme park, sprinkled around in all the major cities, where young New Atlantans who were so inclined could congregate and be subversive when they were in the mood. The whole idea was self-contradictory. Mr. Hollywood, I have devoted much effort, during the last decade or so, to the systematic encouragement of subversiveness.
Neal Stephenson (The Diamond Age)
To keep your kid safe from polar bears in the Arctic Circle, don't take your kids to the Arctic Circle. Seriously, what kind of vacation is that? There are no major theme parks, and Santa's workshop is just one big tourist trap. Try Hawaii instead.
James Breakwell (How to Save Your Child from Ostrich Attacks, Accidental Time Travel, and Anything Else that Might Happen on an Average Tuesday)
Here’s an absolute truth about opening any new theme park or attraction: you’re never ready.
Ron Schneider (From Dreamer to Dreamfinder)
His brain is as empty as a theme park in January.
Steven Colbert
Consider an actual city park in contrast to a faux public space like Universal CityWalk, which one passes through upon leaving the Universal Studios theme park. Because it interfaces between the theme park and the actual city, CityWalk exists somewhere in between, almost like a movie set, where visitors can consume the supposed diversity of an urban environment while enjoying a feeling of safety that results from its actual homogeneity. In an essay about such spaces, Eric Holding and Sarah Chaplin call CityWalk “a ‘scripted space’ par excellence, that is, a space which excludes, directs, supervises, constructs, and orchestrates use.”13 Anyone who has ever tried any funny business in a faux public space knows that such spaces do not just script actions, they police them. In a public space, ideally, you are a citizen with agency; in a faux public space, you are either a consumer or a threat to the design of the place.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
It’s like a movie adaptation of your favorite novel, a theme park ride version of your favorite movie. It’s a Xerox of a Xerox, a shadow of a ghost. It’s gluten-free pasta, this. But at least it’s pasta.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
engineer, along with a hundred others, began his hike that night near Samsung’s Everland theme park, traversing the mountains around Yongin—a distance of sixty-four kilometers (about forty miles)—through the day and overnight. The hike was designed to test the team’s mental toughness as they prepared to race forward making a 64K DRAM chipset, an early semiconductor used in calculators.
Geoffrey Cain (Samsung Rising: The Inside Story of the South Korean Giant That Set Out to Beat Apple and Conquer Tech)
There is a boat ride at Epcot across the World Showcase Lagoon and some could argue this is an attraction. However, there is a boat ride from the International Gateway at Epcot that goes all the way to Disney’s Hollywood Studios. The ride consists of stops at Epcot, Disney’s Boardwalk, Yacht and Beach Club, Swan and Dolphin Hotel, and Disney’s Hollywood Studios. It’s a lovely cruise that connects the two theme parks. Most folks who are not staying in the resorts have no idea this 30-minute ride even exists. It is a fun way to see the different parts of the resort and it gives everyone an idea of how close Epcot and Disney’s Hollywood Studios really is (if you don’t have to drive.) For those adventurous types, there is a walkway too and along the way you could check out the interesting architecture of the buildings.
Jodi Jill (Disney Freebies: 35 Freebies to Grab on Your Disneyland and Disney World Vacation)
Of the 30 living whales that SeaWorld currently owns, I’ve worked with 12 of them. Of the 12, I did waterwork with 10. To return as a visitor to a theme park, to see them presented in a show as if I had never been part of their lives, would be too painful to endure.
John Hargrove (Beneath the Surface: Killer Whales, SeaWorld, and the Truth Beyond Blackfish)
WHEN I STILL USED, I WAS ONCE WORKING IN IBIZA, HEDONISM capital of the nineties and the turn of the millennium. People swayed in sweaty swathes and stayed, pilled-up for days. I couldn’t participate, because I was too shy or broken, caught on some taut barbed wire in my mind. Me and my mate Matt, high one night, lost ourselves, found ourselves in a wood and pretended to be animals. It was just us, and we prowled and circled around. We locked eyes and growled and danced. “Let’s pretend we’re animals” was forgotten, and we were animals. We are animals. We are free animals with a divine spark, we’re not in a farm or a zoo or a theme park, we’re free. We’ve forgotten that we’re free.
Russell Brand
can’t run scared and succeed in show business.”13 Dr. Jules Stein lived by this motto and taught his people to follow this and two other sayings: “Watch the pennies, and the dollars will take of themselves,” and “when you start a business, do whatever it takes to be second to no one.
Sam Gennawey (Universal versus Disney: The Unofficial Guide to American Theme Parks' Greatest Rivalry)
He comes to a stop, plants one foot on the ground firmly, and uses his other foot to kick start his bike. He revs the throttle back a few times and looks over at me with complete excitement in his eyes as he kicks the start back into place. He nods his head back over his shoulder. “Hop on behind me and wrap your arms around my waist. You’re going to want to scoot close up against me and hold on tight, but not so tight that I can’t move freely.” I step up beside him and he reaches out his hand for me to take hold as I throw my leg up and over the seat. I scoot forward enough that my center is pressed tightly up against his rear end, and wrap my arms around his waist. Even if we didn’t move any further than this position right here, I would be a very happy girl. Adam lets out a laugh. “Even though I’m really enjoying you being this close, you might need to scoot yourself back just a bit so you can actually lean and move with me. Having you’re coochie pressed against my body has crossed my mind, but it might have to wait until later. Right now, you’re just going to manage pushing me forward.” My cheeks feel like they are on fire and my mouth drops open. I release my arms from around Adam’s waist and scoot back on the seat. “Did you just call my woman parts a coochie, and should I even ask about the wait until later comment?” I’m not going to tell him right now, but with that one simple sentence Adam has gotten me very worked up, in a very good way. Adam looks back over his shoulder and I can tell he’s smiling by the look in his eyes. “Well, I wasn’t sure what type of girl you were as far as vagina terminology goes? Coochie seemed like a safe word, but I have many options you can choose from that you might prefer. There is always the common pussy and cunt terms, then there are the more original ones like; cockpit, mud flaps, love tunnel, bone cave, meat massager, theme park, dick mitten….” I start shaking my head back and forth. “Ok, Ok, I got it. Coochie will do for now, I guess, and I will give it some more thought later as to a term I more prefer. I don’t think we need to keep talking about this right now if you plan on actually showing me why I should be your biggest fan and you my favorite rider out at the races. This is just a big distraction instead.” Adam reaches back and places his hand on my knee. “Maybe it’s a major part of making you my biggest fan as well as showing you that I’m meant to be your favorite rider. It can wait, though. Hold on and we can head on out toward the field.” I grab back hold of Adam and keep my coochie slid back further on the seat this time. “That might be a very strong incentive, Adam, for us both. I agree. Oh and you forgot to mention; purple people penis eater, honey pot, poody tat, stop-n-pop….” Adam releases my leg and grabs back hold of the handle. “Ok, you’re right; we will continue this conversation later on.
Joan Duszynski (In The Now (In The Moments, #2))
Too late for that now,” the Eldest Leprechaun said. “The damage is done. Give the thing a name, and it takes shape. They gave a name and a shape to the force that’s always hated us. It’s everything we’re not. It’s New Ireland, it’s money for money’s sake, brown paper envelopes stuffed full of bribes—the turn of mind that says that the old’s only good for theme parks, and the new is all there needs to be. It’s been getting stronger and stronger all this while.And now that it’s more important to the people living in the city than we are, it’s become physically real.
Andrew M. Greeley (Emerald Magic: Great Tales of Irish Fantasy)
I have a complicated spiritual history. Here's the short version: I was born into a Mass-going Roman Catholic family, but my parents left the church when I was in the fifth grade and joined a Southern Baptist church—yes, in Connecticut. I am an alumnus of Wheaton College—Billy Graham's alma mater in Illinois, not the Seven Sisters school in Massachusetts—and the summer between my junior and senior year of (Christian) high school, I spent a couple of months on a missions trip performing in whiteface as a mime-for-the-Lord on the streets of London's West End. Once I left home for Wheaton, I ended up worshiping variously (and when I could haul my lazy tuckus out of bed) at the nondenominational Bible church next to the college, a Christian hippie commune in inner-city Chicago left over from the Jesus Freak movement of the 1960s, and an artsy-fartsy suburban Episcopal parish that ended up splitting over same-sex issues. My husband of more than a decade likes to describe himself as a “collapsed Catholic,” and for more than twenty-five years, I have been a born-again Christian. Groan, I know. But there's really no better term in the current popular lexicon to describe my seminal spiritual experience. It happened in the summer of 1980 when I was about to turn ten years old. My parents had both had born-again experiences themselves about six months earlier, shortly before our family left the Catholic church—much to the shock and dismay of the rest of our extended Irish and/or Italian Catholic family—and started worshiping in a rented public grade school gymnasium with the Southern Baptists. My mother had told me all about what she'd experienced with God and how I needed to give my heart to Jesus so I could spend eternity with him in heaven and not frying in hell. I was an intellectually stubborn and precocious child, so I didn't just kneel down with her and pray the first time she told me about what was going on with her and Daddy and Jesus. If something similar was going to happen to me, it was going to happen in my own sweet time. A few months into our family's new spiritual adventure, after hearing many lectures from Mom and sitting through any number of sermons at the Baptist church—each ending with an altar call and an invitation to make Jesus the Lord of my life—I got up from bed late one Sunday night and went downstairs to the den where my mother was watching television. I couldn't sleep, which was unusual for me as a child. I was a champion snoozer. In hindsight I realize something must have been troubling my spirit. Mom went into the kitchen for a cup of tea and left me alone with the television, which she had tuned to a church service. I don't remember exactly what the preacher said in his impassioned, sweaty sermon, but I do recall three things crystal clearly: The preacher was Jimmy Swaggart; he gave an altar call, inviting the folks in the congregation in front of him and at home in TV land to pray a simple prayer asking Jesus to come into their hearts; and that I prayed that prayer then and there, alone in the den in front of the idiot box. Seriously. That is precisely how I got “saved.” Alone. Watching Jimmy Swaggart on late-night TV. I also spent a painful vacation with my family one summer at Jim and Tammy Faye Bakker's Heritage USA Christian theme park in South Carolina. But that's a whole other book…
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
Unless you’re an amusement park owned by terribly influential corporations who get to bend and twist laws to suit their whims. The world renowned Movieland theme park is known for bending and twisting laws to suit their whims. They basically write copyright laws. They’ve redistricted their property to make sure not a single police precinct has jurisdiction inside the park.
David A. Hill Jr. (#iHunt: Mayhem in Movieland)
A library in the middle of a community is a cross between an emergency exit, a life raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination.
Alan Bennett (The Library Book)
Disney has diversified not through its key skills—after all, running a theme park or a cruise ship has little in common with making a cartoon—but through its audience. The people who go to Disney’s theme parks or buy its branded clothes are the same people who enjoy watching its cartoons and movies. This strategy—launching completely different products, aimed at existing customers—is horizontal diversification in action. How
Tom Wainwright (Narconomics: How To Run a Drug Cartel)
2. Core purpose is an organization’s most fundamental reason for being. It should not be confused with the company’s current product lines or customer segments. Rather, it reflects people’s idealistic motivations for doing the company’s work. Disney’s core purpose is to make people happy—not to build theme parks and make cartoons. An
James C. Collins (HBR's 10 Must Reads on Strategy (including featured article “What Is Strategy?” by Michael E. Porter))
With this project, Plato bears witness to an intellectual unrest in the human park, which could never again be entirely pacified. Ever since the Politikos and the Politeia [The Republic], there have been discourses in the world that speak of the human community as of a zoological park that is at the same time a theme park. Keeping human beings in parks or cities from now on appears to be a zoöpolitical task. Whatever purports to be a reflection on politics is in truth a fundamental reflection on rules for the operation of human parks. If there is a dignity of the human being that merits being expressed in philosophical reflection, then this is above all because human beings are not only kept in political theme parks, but keep themselves there. Human beings are self-nurturing, self-tending beings that—wherever they live—produce parks around themselves. Whether in city parks, national parks, state parks, or eco-parks—everywhere, human beings must form an opinion about how their self-maintenance is to be regulated.
Peter Sloterdijk (Not Saved: Essays After Heidegger)
Deanna was up and out of her chair like it was spring-loaded.Thankfully, Lucky had excellent reflexes. It also didn’t hurt that he’d already been anticipating her quick departure, so he was right behind her. As soon as they made it outside, her phone buzzed in her purse. She pulled it out and said, “Shit!” “Everything okay?” he asked. Apparently, she hadn’t realized he was hot on her tail, because she screamed and threw her arms up in the air, sending her phone flying. Thanks to his aforementioned great reflexes, he caught it in midair. Gripping her chest, she asked, wild-eyed, “What are you doing?” “I want to talk to you.” “I don’t want to talk to you,” her response was so fast, it felt like it’d been rehearsed. Maybe it had. Maybe she’d planned on saying that if he ever showed interest in having a conversation with her. Handing her phone back, he ignored her protest and repeated, “Everything okay?” Looking flustered, Deanna replied, “I just… I forgot that Eli is my ride.” “I’ll take you home,” Lucky offered. Pulling her head back, she scoffed. “What? No. Thanks, but no. I’ll walk.” Then she turned on her heel and started hightailing out of the parking lot. In two strides, he was beside her. “What are you doing?” Deanna asked, which was becoming a running theme in their relationship. Lucky smiled. “Walking you home.” “Thanks, but I’m fine. This is Hope Falls.” She dramatically stretched her arms out. “Seriously, I can take care of myself.” “Really?” He continued walking beside her. “Yes, really.” Her feet moved faster. “Like you did back there when you screamed and threw your phone in the air?” Stopping, she spun towards him and crossed her arms. She was mad—or, at the very least, irritated—so he tried not to let the fact that she looked cuter than anything he’d ever seen in his life show on his face. “I didn’t know you were there,” she said in a defiant explanation. He knew that he might just piss her off more, but that didn’t stop him from saying, “Oh, right. And I guess most attackers announce their presence. Give you plenty of time to prepare your retaliation.” Taking a deep breath, she tried to calm down. Or stay mad. He couldn’t really tell, but he was enjoying the show. Between her arms pushing her breasts up so they were spilling over her revealing neckline, and the motion of her chest rising and falling, he could’ve stood there and watched her breathe all night and not get bored. “Look, this is a safe town. I’ve studied self-defense, and I was just distracted.” “Okay,” he agreed. She narrowed her gaze as if she didn’t accept his easy answer. “Okay?” Shrugging casually, he repeated, “Okay.” Nodding, she smoothed her hands over her dress and started walking again. So, naturally, he followed. “You said okay!” she exclaimed indignantly as she once again stopped. “Yes, I did. Just because I agreed with the points you made doesn’t mean I’m going to let you walk home alone.” He grinned, trying to disguise the fact that she was so damn adorable when flustered from irritation.
Melanie Shawn
The queue also answers a question for curious theme park guests. Look for it the next time you are there. In Walt Disney’s Enchanted Tiki Room, the lead parrot Jose asks a question during the show: “Whatever happened to Rosita?” The answer to this question can be found just to the left of the Autocanary Air Quality Analyzers in the Ventilation Room, where you’ll see a golden cage hanging above three burlap sacks. The name on the cage is marked with Rosita, who apparently became a canary in the mine. What
Jeff Dixon (The Disney-Driven Life: Inspiring Lessons from Disney History (Dixon on Disney, #1))
I thought. You’re going to turn it into a fascist corporate theme park
Ernest Cline (Ready Player One (Ready Player One, #1))
a fascist corporate theme park where the few people who can still afford the price of admission no longer have an ounce of freedom.
Ernest Cline (Ready Player One)
Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that’s not exactly the same thing as quiet enjoyment. Americans work harder and longer and more stressful hours than anyone in the world today. But as Luca Spaghetti pointed out, we seem to like it. Alarming statistics back this observation up, showing that many Americans feel more happy and fulfilled in their offices than they do in their own homes. Of course, we all inevitably work too hard, then we get burned out and have to spend the whole weekend in our pajamas, eating cereal straight out of the box and staring at the TV in a mild coma (which is the opposite of working, yes, but not exactly the same thing as pleasure). Americans don’t really know how to do nothing. This is the cause of that great sad American stereotype—the overstressed executive who goes on vacation, but who cannot relax.
Elizabeth Gilbert (Eat, Pray, Love)
I’ve always had the ability to memorize complicated things and remember them. I mastered the Rubik’s Cube by reading a book on it and memorizing the patterns and methods of aligning the colors quickly. I entered a contest at Magic Mountain theme park with a hundred other kids. I did it in 60 seconds, but the kid who won did it in 23. Same for the video games I played. I read a book on how to master Pac-Man. The book had drawings of the patterns he could take in the maze. There were dozens of boards to memorize, but once I did, I could play the game for hours on a single quarter at Chuck E. Cheese.
Kirk Cameron (Still Growing: An Autobiography)
The architectural uniformity, down to plantings and the color of curtains seen from the street, was ridiculed. Jokes were made about residents being required to wear Mickey Mouse ears and practice aggressive friendliness that is the hallmark of the theme parks. At one point in the town's early days, the Orlando Sentinel ran a spoof about Disney extras being paid to walk dogs in Celebration to create a homey feeling. It was perhaps an early indication of the town's growing sensitivity that not many living there were amused.
Douglas Frantz (Celebration, U.S.A.: Living in Disney's Brave New Town)
Certainly no corporation in the world is better than Nick-believe then the Walt Disney Company, which had built this town of celebration in large part as a way to sell off nearly 5000 acres deemed unsuitable for yet another addition to its nearby theme parks. The company is made attractions, Disneyland and what Disney World or marvels of escapism.
Douglas Frantz (Celebration, U.S.A.: Living in Disney's Brave New Town)
You'll be in good hands with the colonel, you'll see." The colonel? Okay, I was obviously stuck in a Gone With the Wind theme park. Or maybe a Kentucky Fried Chicken farm. Or I was simply hallucinating...
J.R. Rain (Moon Bayou (Samantha Moon Case Files, #1))
You can get popcorn in all four theme parks, and at several other locations as well. Although it tastes buttery, the popcorn sold in the parks is vegan.
Rick Killingsworth (Dining at Walt Disney World: The Definitive Guide)
we’re way past the turnstiles at that theme park.
Tim Dorsey (Nuclear Jellyfish (Serge Storms Mystery, #11))
So we’re going to SeaWorld,” she told me. “Part Eleven.” “What, are we going to Free Willy or something?” “No,” she said. “We’re just going to go to SeaWorld, that’s all. It’s the only theme park I haven’t broken into yet.
John Green (Paper Towns)
You always knew at a park when someone threw up.
Pam Jones (The Biggest Little Bird)
I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .
Tim Dorsey (Electric Barracuda: A Novel (Serge Storms))
But there is no McTheory when it comes to persuasion. There is no such thing as McApologetics, though it is significant that the nearest one-size-fits-all approach—the Four Spiritual Laws—was also created at the same time and in the same place as the first flourishing of McDonald’s as we know it and the first theme park run by Walt Disney: 1950s California.
Os Guinness (Fool's Talk: Recovering the Art of Christian Persuasion)
The International Herald Tribune reported on April 21, 2006, that the “crumbling mud-brick buildings” in the area Hussein was trying to re-build in Babylon, “look like smashed sandcastles at the beach. The newspaper observed that Babylon had been “ransacked, looted, torn up, paved over, neglected and roughly occupied…soldiers had even used soil thick with priceless artifacts to stuff sandbags”. The Mayor of a nearby village, Hilla, told the newspaper that he still had hopes that Babylon could someday have “restaurants, gift shops, long parking lots…and maybe even a Holiday Inn.” Iraqi officials are quoted as saying they would still like to turn Babylon into “a cultural center and possibly even an Iraqi theme park.” In spite of this, one Bible commentator wrote recently, that it was “enormously significant” that the U.S. had agreed to invest $700,000 (that’s thousands, not millions or billions – enough to buy a couple of nice houses) into re-building Babylon as a ‘tourist attraction.’ He wrote that ancient Babylon would become “the wealthiest and most powerful city on the face of the planet.” In arriving at this conclusion he has interpreted the Bible’s Daughter of Babylon verses as applying to the site of ancient Babylon.
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
John, in Revelation 18:9 prophecies that when Babylon falls, “the kings of the earth…shall bewail her, and lament for her, when they shall see the smoke of her burning,” and in 18:11, “the merchants of the earth shall weep and mourn over her; for no man buyeth their merchandise anymore.” Obviously, if the entire nation of Iraq, let alone Babylon (whether with a Holiday Inn or even a full theme park), were to fall today, the kings and the merchants of the world would not be shedding tears and mourning over the loss. Even if Iraq stabilized, it would have a long way to go. Ancient Babylon is not the Daughter of Babylon
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
Ah, the French Quarter! Museum, theme park, bordello, midway, haunted house, shrine; tacky in its inimitably stylish way, Paris, Hong Kong, Tokyo, New York City, Port-au-Prince, Rio, Heaven, and Hell, all packed into a square mile, an international heroin of beauty and dementia.
Jimmy Fox (Deadly Pedigree: A Nick Herald Genealogical Mystery)
Walt Disney was turned down for a loan for Disney theme parks 300 times.
Sahar Hashemi (Switched On: You have it in you, you just need to switch it on)
In the midst of this scoured landscape, on a suburban street, I saw the church steeple, and Lucille slowed down and pointed, and waved me on. As I passed her to enter the parking lot, I thanked her, and she gave me a wonderful smile, and just before she drove on she said, “Be blessed.” That seemed to be the theme in the Deep South: kindness, generosity, a welcome. I had found it often in my traveling life in the wider world, but I found so much more of it here that I kept going, because the good will was like an embrace. Yes, there is a haunted substratum of darkness in Southern life, and though it pulses through many interactions, it takes a long while to perceive it, and even longer to understand.
Paul Theroux (Deep South: Four Seasons on Back Roads)
I’d heard rumors of “love hotels”—which are what they sound like: hotels specifically built for hooking up. But, of course, this being Japan, they sometimes have really amazing decor—there’s even a Jurassic Park–themed one. Seriously, this exists. I am not joking.
Aziz Ansari (Modern Romance: An Investigation)
Life is not a theme park and if it is the theme is death.
by best of luck, I mean I hope that one day you’ll meet someone amazing, text them a thoughtful message, take them to a monster truck rally, and then hopefully at some point, after a bowl of delicious ramen, make love to them in a Jurassic Park–themed love hotel in Tokyo.
Aziz Ansari (Modern Romance: An Investigation)
LUCAS THANKED HER, prompted her for better directions to the bar—“Go straight out to 83 and hook a left, it’s three or four miles out there, look for the eyesore.” He checked the car clock: not yet eleven in the morning. Five minutes later, he was looking at Winn’s, a low rambling place that was a few asbestos shingles short of a full set of siding, that might once have been a motel, and maybe still rented out a few rooms. A yellow plastic roller-sign in the gravel parking lot said “Happy Hour, 4–6” and in smaller letters, “Free First D ink For Ladies.” A dive, Lucas thought. Not a dive-themed bar, but the real thing, and as the woman had said, a genuine eyesore. He took a moment to hope that “D ink” was simply “Drink” with a missing letter. He got out of the truck and went inside.
John Sandford (Extreme Prey (Lucas Davenport, #26))
Following the shocking death of a trainer working with one of the killer whales just after a performance in February 2010, SeaWorld withdrew its orca trainers from the tanks at all of its parks. Now, no trainers will be in the water during any killer whale performances—at any SeaWorld park. Yet the theme of this show, One Ocean, which debuted in April 2011, is that humans and animals are connected, that ours is “one world united by one ocean,” the narration says.
Bob Sehlinger (Beyond Disney: The Unofficial Guide to Universal Orlando, SeaWorld & the Best of Central Florida)
Because part of the ride takes place within the penguins’ habitat, usually maintained around 30°F, the park is boasting that it is the coldest temperature for any theme park ride anywhere.
Bob Sehlinger (Beyond Disney: The Unofficial Guide to Universal Orlando, SeaWorld & the Best of Central Florida)
If theme parks, with their pasteboard main streets, reek of a bland, safe, homogenized, whitebread America, the Renaissance Faire is at the other end of the social spectrum, a whiff of the occult, a flash of danger and a hint of the erotic. Here, they let you throw axes. Here are more beer and bosoms than you’ll find in all of Disney World. —Neil Steinberg, Chicago Sun-Times
Rachel Lee Rubin (Well Met: Renaissance Faires and the American Counterculture)
She wondered if he thought this was all a lark, a game. She'd been to Disney World once. There the fairies were cute and sweet and didn't attempt to kill the visitors. Living here wasn't anything like the human faerie fairs or theme parks.
Terry Spear (Hawk Fae (The World of Fae, #6))
Carlton Church review – Why Tokyo is populated? How Tokyo became the largest city? Apparently Tokyo Japan has been one of the largest global cities for hundreds of years. One of the primary reasons for its growth is the fact that it has been a political hotspot since they Edo period. Many of the feudal lords of Japan needed to be in Edo for a significant part of the year and this has led to a situation where increasing numbers of the population was attracted to the city. There were many people with some power base throughout Japan but it became increasingly clear that those who have the real power were the ones who were residing in Edo. Eventually Tokyo Japan emerged as both the cultural and the political center for the entire Japan and this only contributed to its rapid growth which made it increasingly popular for all people living in Japan. After World War II substantial rebuilding of the city was necessary and it was especially after the war that extraordinary growth was seen and because major industries came especially to Tokyo and Osaka, these were the cities where the most growth took place. The fact remains that there are fewer opportunities for people who are living far from the cities of Japan and this is why any increasing number of people come to the city. There are many reasons why Japan is acknowledged as the greatest city The Japanese railways is widely acknowledged to be the most sophisticated railway system in the world. There is more than 100 surface routes which is operated by Japan’s railways as well as 13 subway lines and over the years Japanese railway engineers has accomplished some amazing feats which is unequalled in any other part of the world. Most places in the city of Tokyo Japan can be reached by train and a relatively short walk. Very few global cities can make this same boast. Crossing the street especially outside Shibuya station which is one of the busiest crossings on the planet with literally thousands of people crossing at the same time. However, this street crossing symbolizes one of the trademarks of Tokyo Japan and its major tourism attractions. It lies not so much in old buildings but rather in the masses of people who come together for some type of cultural celebration. There is also the religious centers in Japan such as Carlton Church and others. Tokyo Japan has also been chosen as the city that will host the Olympics in 2020 and for many reasons this is considered to be the best possible venue. A technological Metropolitan No other country exports more critical technologies then Japan and therefore it should come as no surprise that the neighborhood electronics store look more like theme parks than electronic stores. At quickly becomes clear when one looks at such a spectacle that the Japanese people are completely infatuated with technology and they make no effort to hide that infatuation. People planning to visit Japan should heed the warnings from travel organizations and also the many complaints which is lodged by travelers who have become victims of fraud. It is important to do extensive research regarding the available options and to read every possible review which is available regarding travel agencies. A safe option will always be to visit the website of Carlton Church and to make use of their services when travelling to and from Japan.
jessica pilar
Disney, meanwhile, had been toying with the idea of basing a theme park at its Burbank movie studio even before it built Disneyland. Imagineers even proposed an entertainment-centered pavilion for EPCOT Center. Eisner suggested expanding the idea into a separate movie studio park. Beating Universal to the punch shouldn’t be difficult, since Disney World had ample land and, thanks to Reedy Creek, was guaranteed an expedited approval and construction process.
David Koenig (Realityland: True-Life Adventures at Walt Disney World)
There is no old age like anxiety,” said one of the monks I met in India. “And there is no freedom from old age like the freedom from anxiety.” In desperate love, we always invent the characters of our partners, demanding that they be what we need of them, and then feeling devastated when they refuse to perform the role we created in the first place. Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that’s not exactly the same thing as quiet enjoyment. The beauty of doing nothing is the goal of all your work, the final accomplishment for which you are most highly congratulated. The more exquisitely and delightfully you can do nothing, the higher your life’s achievement. You don’t necessarily need to be rich in order to experience this, either. I am having a relationship with this pizza, almost an affair. Without seeing Sicily one cannot get a clear idea of what Italy is. “No town can live peacefully, whatever its laws,” Plato wrote, “when its citizens…do nothing but feast and drink and tire themselves out in the cares of love.” In a world of disorder and disaster and fraud, sometimes only beauty can be trusted. Only artistic excellence is incorruptible. Pleasure cannot be bargained down. And sometimes the meal is the only currency that is real. The idea that the appreciation of pleasure can be an anchor of one’s humanity. You should never give yourself a chance to fall apart because, when you do, it becomes a tendency and it happens over and over again. You must practice staying strong, instead. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. They break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life. The Zen masters always say that you cannot see your reflection in running water, only in still water. Your treasure—your perfection—is within you already. But to claim it, you must leave the busy commotion of the mind and abandon the desires of the ego and enter into the silence of the heart. Balinese families are always allowed to eat their own donations to the gods, since the offering is more metaphysical than literal. The way the Balinese see it, God takes what belongs to God—the gesture—while man takes what belongs to man—the food itself.) To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver. Practice tonight at hotel. Not to hurry, not to try too hard. Too serious, you make you sick. You can calling the good energy with a smile. The word paradise, by the way, which comes to us from the Persian, means literally “a walled garden.” The four virtues a person needs in order to be safe and happy in life: intelligence, friendship, strength and (I love this one) poetry. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. Once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it.
Elizabeth Gilbert (Eat, Pray, Love)
The rise of original, risk-taking television is directly tied to the decline of original, risk-taking filmmaking and the dawn of the franchise age of film—one in which studios no longer coddle creative talent, release movies of every type for everyone, or pride themselves for taking risks on quality and new ideas. Instead, movie studios now exist primarily for the purpose of building and supporting branded franchises that continue in sequels, toys, and theme-park attractions.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
He looked down again. He was completely exposed. Alex took a deep breath, counted down to ten in his head, and then opened his mouth… … and screamed so loud that it echoed across the entire theme park.
Brandon Varnell (A Most Unlikely Hero, Vol. 7 (A Most Unlikely Hero, #7))
Isn’t it too bad Walt Disney didn’t live to see this?” “He did see it,” Vance replied simply. “That’s why it’s here.
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
An instructional coach needs to propose not impose. Because that which you impose will be opposed.
John Meehan (EDrenaline Rush: Game-changing Student Engagement Inspired by Theme Parks, Mud Runs, and Escape Rooms)
On the least eventful days, this job requires an ability to constantly adapt and re-adapt. You go from plotting growth strategy with investors, to looking at the design of a giant new theme-park attraction with Imagineers, to giving notes on the rough cut of a film, to discussing security measures and board governance and ticket pricing and pay scale. The days are challenging and dynamic, but they're also a never-ending exercise in compartmentalization.
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
Blue Sky is the stage where you develop a vision to address that Need and identify what you’re going to create. Put another way, the objective of the Blue Sky stage is to create a vision with enough detail to be able to explain, present, and sell it to others.
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
The goal of the Concept Development stage is to develop and flesh out your vision with enough additional detail to explain what needs to be designed and built.
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
good rule of thumb is to ask yourself, “Do I have enough information to actually build this project?” If not, keep asking more questions and doing more research until you do.
Louis J. Prosperi (The Imagineering Process: Using the Disney Theme Park Design Process to Bring Your Creative Ideas to Life (The Imagineering Toolbox Series Book 2))
overindulgent (the theme park parent who is good for the big moments; the parent who purchases all of the latest electronic gadgets) but emotionally underindulgent or altogether absent (has no interest in really noticing or listening to the child when it is about feelings, vulnerabilities, or anything else that is not gratifying for the parent).
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
Why should idiots keep hairdryers away from their ears? Because they’ll blow their mind! What do you call a theme park for kittens? A mews-ment park! Why are chickens so rude? Because they’re all fowl-mouthed! What do you call a cow for sale? Afford-a-bull! What do you call a cow with plastic horns? Like-a-bull! Who are the most patient people in the world? Queue-waitees!
Mat Waugh (More Awesome Jokes Every 8 Year Old Should Know!: Fully charged with oodles of fresh and fabulous funnies! (Awesome Jokes for Kids))
I looked over the side of the roller coaster as it climbed to the top of the first hill with a series of loud clacks. The night was dark and cold, but the theme park was lit up with fairy lights and neon arcade games below. The nippy breeze flirted with the hems of sweaters and blew hats off the heads of unsuspecting park guests. Soon, the seasonal theme park would close, as it would be too cold to run the rides, but for now, I could enjoy the brief view of Denver from one hundred feet above the ground. Screams built around me—some scared, others excited—as the first car of the coaster crested the top of the hill. I craned my neck, savoring the liberation of the sky, even if I was strapped into a padded harness, and put my hands up. My boyfriend, Jacob, reached up and linked our fingers together
Carter Woods (The Cabin on the Mountain)
ONCE, WHEN I WAS THIRTEEN YEARS old, my parents moved me from the land of flat, grassy prairies and towering, angry tornadoes and life-giving cool country air to the mysterious land of suffocating dust and prickly cactus and life-sucking desert heat to lord over a park of western-themed amusements that bring delight to many young children and a handful of immature grown-ups. In other words, we moved from Kansas to Arizona to run a theme park, but it sounds much more exciting when I say it the other way, and I want you to think this is going to be an exciting story. What I mean is, it’s absolutely going to be an exciting story. Prepare yourselves accordingly.
Dusti Bowling (Momentous Events in the Life of a Cactus)
Disney’s mission isn’t to build theme parks. It’s to “create happiness.” The Ritz-Carlton isn’t in the business of providing beds for heads, but it’s in the business of fulfilling the expressed and unexpressed wishes of their guests. Starbucks isn’t in the business of coffee as much as it’s in the business to inspire and nurture the human spirit.
Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
[L]ike everybody, held hospitals in the highest, purest, dread and loathing. To come in with a bump and leave with the baby – this is the only grace available in the hospital. Other than that, there is only pain. The concentration of pain. Hospitals are unique in this concentration. There are no areas in the world dedicated to the concentration of pleasure (theme parks and their like are concentration of the symbols of pleasure, not pleasure itself), there are no buildings dedicated to laughter, friendship or love.
Zadie Smith (The Autograph Man)