The Witcher Time Of Contempt Quotes

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That’s the role of poetry, Ciri. To say what others cannot utter.
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
always takes action. Wrongly or rightly; that is revealed later. But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
We know little about love. Love is like a pear. A pear is sweet and has a distinct shape. Try to define the shape of a pear. Dandelion,
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Nature doesn’t know the concept of philosophy, Geralt of Rivia. The pathetic – ridiculous – attempts which people undertake to try to understand nature are typically termed philosophy. The results of such attempts are also considered philosophy.
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
Yes, we are corpses. But you are death. Ciri
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
It’s as though a cabbage tried to investigate the causes and effects of its existence,
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
They didn’t teach me how to tend wounds,’ she said bitterly. ‘They taught me how to kill, telling me that’s how I could save people. It was one big lie, Little Horse. They deceived me.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
He was calm and cold. And killed calmly and coldly.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
It may turn out,’ said the white-haired man a moment later, ‘that their comrades or cronies may ask what befell these evil men. Tell them the Wolf bit them. The White Wolf. And add that they should keep glancing over their shoulders. One day they’ll look back and see the Wolf.’ When,
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Hmm…’ Ciri bit her lower lip, then leaned over and put her eye closer to the hole. ‘Madam Yennefer is standing by a willow… She’s plucking leaves and playing with her star. She isn’t saying anything and isn’t even looking at Geralt… And Geralt’s standing beside her. He’s looking down and he’s saying something. No, he isn’t. Oh, he’s pulling a face… What a strange expression…’ ‘Childishly simple,’ said Dandelion, finding an apple in the grass, wiping it on his trousers and examining it critically. ‘He’s asking her to forgive him for his various foolish words and deeds. He’s apologising to her for his impatience, for his lack of faith and hope, for his obstinacy, doggedness. For his sulking and posing; which are unworthy of a man. He’s apologising to her for things he didn’t understand and for things he hadn’t wanted to understand—’ ‘That’s the falsest lie!’ said Ciri, straightening up and tossing the fringe away from her forehead with a sudden movement. ‘You’re making it all up!’ ‘He’s apologising for things he’s only now understood,’ said Dandelion, staring at the sky, and he began to speak with the rhythm of a balladeer. ‘For what he’d like to understand, but is afraid he won’t have time for… And for what he will never understand. He’s apologising and asking for forgiveness… Hmm, hmm… Meaning, conscience, destiny? Everything’s so bloody banal…’ ‘That’s not true!’ Ciri stamped. ‘Geralt isn’t saying anything like that! He’s not even speaking. I saw for myself. He’s standing with her and saying nothing…’ ‘That’s the role of poetry, Ciri. To say what others cannot utter.’ ‘It’s a stupid role. And you’re making everything up!’ ‘That is also the role of poetry. Hey, I hear some raised voices coming from the pond. Have a quick look, and see what’s happening there.’ ‘Geralt,’ said Ciri, putting her eye once more to the hole in the wall, ‘is standing with his head bowed. And Yennefer’s yelling at him. She’s screaming and waving her arms. Oh dear… What can it mean?’ ‘It’s childishly simple.’ Dandelion stared at the clouds scudding across the sky. ‘Now she’s saying sorry to him.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Fifty for a werewolf. That was plenty, for the work had been easy. The werewolf hadn’t even fought back. Driven into a cave from which there was no escape, it had knelt down and waited for the sword to fall. The Witcher had felt sorry for it. But he needed the money.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Geralt had discovered, many times, that all mechanisms are unreliable. They only worked when they ought not to work, and vice versa.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
We know little about love. Love is like a pear. A pear is sweet and has a distinct shape. Try to define the shape of a pear. Dandelion, Half a Century of Poetry
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Give me my sword, Geralt.’ He looked at her. Ciri stepped back involuntarily. She had never seen him with an expression like that before. ‘If you had a sword, you might have to kill with it. Can you do it?’ ‘I don’t know. Give me my sword.’ ‘Run. And don’t look back.’ Horses
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
It’s incredible,’ the Witcher smiled hideously, ‘how much my neutrality outrages everybody. How it makes me subject to offers of pacts and agreements, offers of collaboration, lectures about the necessity to make choices and join the right side.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Say something.’ ‘I wouldn’t like to lose you, Yen.’ ‘But you have me.’ ‘The night will end.’ ‘Everything ends.’ No
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
Verily I say unto you, the era of the sword and axe is nigh, the era of the wolf’s blizzard. The Time of the White Chill and the White Light is nigh, the Time of Madness and the Time of Contempt: Tedd Deireádh, the Time of End. The world will die amidst frost and be reborn with the new sun. It will be reborn of the Elder Blood, of Hen Ichaer, of the seed that has been sown. A seed which will not sprout but will burst into flame. Ess’tuath esse! Thus it shall be! Watch for the signs! What signs these shall be, I say unto you: first the earth will flow with the blood of Aen Seidhe, the Blood of Elves… Aen Ithlinnespeath, Ithlinne Aegli aep Aevenien’s prophecy
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
A most deplorable sight," she said, folding her arms across her chest. "Someone who has lost everything. You know, minstrel, it is interesting. Once, I thought it was impossible to lose everything, that something always remains. Always. Even in times of contempt, when naivety is capable of backfiring in the cruellest way, one cannot lose everything. But he... he lost several pints of blood, the ability to walk properly, partial use of his left hand, his witcher's sword, the woman he loves, the daughter he had gained by a miracle, his faith... Well, I thought, he must have been left with something. But I was wrong. He has nothing now. Not even a razor." Dandelion remained silent. The dryad did not move. "I asked if you had a hand in this," she began a moment later. "But I think there was no need. It's obvious you had a hand in it. It's obvious you are his friend. And if someone has friends, and he loses everything in spite of that, it's obvious the friends are to blame. For what they did, or for what they didn't do.
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
Everything ends.’ No, he thought. I don’t want it to be like that. I’m tired. Too tired to accept the perspective of endings which are beginnings, and starting everything over again. I’d like …
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
And only then did I understand how stupid I was.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Geralt . . . Listen to me—’ ‘Listen to what?’ shouted the Witcher, before his voice suddenly faltered. ‘I can’t leave— I can’t just leave her to her fate. She’s completely alone . . . She cannot be left alone, Dandelion. You’ll never understand that. No one will ever understand that, but I know. If she remains alone, the same thing will happen to her as once happened to me . . . You’ll never understand that . .
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
I wonder what else you dreamed about. That you’re a frog? Calm down. You aren’t. Did you dream that you’re a chump? Well, that dream might have been prophetic.
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
I love you, my daughter,’ she said indistinctly. ‘Run.’ They
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
Playing the bagpipes – as everyone knows – is the best remedy for depression
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Ha, ha. I, my dear Ciri, am a poet. Poets know everything about things like this. I’ll tell you something else; poets know more about this sort of thing than the people involved do.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Don’t mock me, Witcher. The matter is becoming serious. It’s becoming ever less clear what this is all about, and when no one knows what something’s about it’s sure to be all about money.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Nature doesn’t know the concept of philosophy, Geralt of Rivia. The pathetic–ridiculous–attempts which people undertake to try to understand nature are typically termed philosophy. The results of such attempts are also considered philosophy. It’s as though a cabbage tried to investigate the causes and effects of its existence, called the result of these reflections “an eternal and mysterious conflict between head and root”, and considered rain an unfathomable causative power.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
You can’t afford the luxury of spurning contempt. A time of contempt is approaching, Witcher, my friend, a time of great and utter contempt. You have to adapt.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Those are just stories, Codringher.’ ‘You’re right: stories. But do you know when stories stop being stories? The moment someone begins to believe in them.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Oh, you men,’ said Philippa. ‘You don’t understand anything. How can you show off your dress or your figure if you’re hiding behind a table in the gloom and smoke?
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
He would not even have declined had she suggested they walked into hell to drink a cup of boiling tar with some fiery demons.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Yes, he answered in his thoughts, you’re not mistaken. There is only she, Yennefer, at my side, here and now, and only she matters. Here and now. And what she was long ago, where she was long ago and who she was with long ago doesn’t have any, doesn’t have the slightest, importance. Now she’s with me, here, among you all. With me, with no one else. That’s what I’m thinking right now, thinking only about her, thinking endlessly about her, smelling the scent of her perfume and the warmth of her body. And you can all choke on your envy.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
I do, too! Just imagine, I’d have a private practice now, like Yenna. I wouldn’t have to sweat with novices. I wouldn’t have to wipe the noses of the blubbering ones or lock horns with the cheeky ones. Ciri, listen to me and learn. An enchantress always takes action. Wrongly or rightly; that is revealed later. But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
It soon transpired, however, that the unicorn only approached youthful maidens, paying absolutely no attention to older ones. Being a wise creature, the unicorn indubitably knows that remaining too long in the state of maidenhood is suspicious and counter to the natural order. Physiologus
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
An enchantress always takes action. Wrongly or rightly; that is revealed later. But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
mistook stars reflected in a pond at night for those in the sky.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
No', he thought. 'I don't want it to be like that. I'm tired. Too tired to accept the perspective of endings which are beginnings, and starting everything over again.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
The fair-haired maid of Cintra, who for some unknown reason had not killed him, seemed insane. The white-haired fiend was not insane. He was calm and cold. And killed calmly and coldly.
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
Will you drink a glass of wine with me?’ ‘The gnat’s piss they serve here?’ smiled Geralt pleasantly. ‘With the greatest revulsion. Well, but if you like it . . . then I’ll force myself.
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
The unicorn discovered several clumps of yellowed thistles and ate them with relish. This time Ciri did not join him. But when Little Horse found some lizard’s eggs in the sand, she ate and he watched her.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
The blades were positioned at an angle–and as they entered his body, the arrow rotated and bored in like a screw, mutilating the tissue, cutting through blood vessels and shattering bone. Aplegatt lurched forward onto his horse’s neck and slid to the ground, limp as a sack of wool. The sand on the road was hot, heated up so much by the sun that it was painful to the touch. The messenger didn’t feel it. He died at once.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
He embraced her. And touched her. And found her. Yennefer, in some astonishing way hard and soft at the same time, sighed loudly. The words they had uttered broke off, perished among the sighs and quickened breaths, ceased to have any meaning and were dissipated. So they remained silent, and focused on the search for one another, on the search for the truth. They searched for a long time, lovingly and very thoroughly, fearful of needless haste, recklessness and nonchalance. They searched vigorously, intensively and passionately, fearful of needless self-doubt and indecision. They searched cautiously, fearful of needless tactlessness.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
But were you only to have the sensation of taste, you’d lose the pleasure the activity offers. The process, the accompanying ritual movements, the gestures, the conversation and eye contact which accompanies the process…
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Nature doesn’t know the concept of philosophy, Geralt of Rivia. The pathetic–ridiculous–attempts which people undertake to try to understand nature are typically termed philosophy. The results of such attempts are also considered philosophy. It’s as though a cabbage tried to investigate the causes and effects of its existence, called the result of these reflections “an eternal and mysterious conflict between head and root”, and considered rain an unfathomable causative power. We, sorcerers, don’t waste time puzzling out what nature is. We know what it is; for we are nature ourselves. Do you understand?’ ‘I’m trying to, but please talk more slowly. Don’t forget you’re talking to a cabbage.’ ‘Have
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret. -Margarita / The Time of Contempt
Andrzej Sapkowski (The Witcher)
Geralt,' said the lawyer, closing his eyes. 'What drives you? If you want to save Ciri . . . I wouldn't have thought you could afford the luxury of contempt. No, that was badly expressed. You can't afford the luxury of spurning contempt. A time of contempt is approaching, Witcher, my friend, a time of great and utter contempt. You have to adapt. What I'm proposing is a simple solution. Someone will die, so someone else can live. Someone you love will survive. A girl you don't know, and whom you've never seen, will die—' 'And who am I free to despise?' interrupted the Witcher. 'Am I to pay for what I love with contempt for myself?
Andrzej Sapkowski (Witcher Series 6 Books Set Collection (The Witcher #1-6))
He embraced her. And touched her. And found her. Yennefer, in some astonishing way hard and soft at the same time, sighed loudly. The words they had uttered broke off, perished among the sighs and quickened breaths, ceased to have any meaning and were dissipated. So they remained silent, and focused on the search for one another, on the search for the truth. They searched for a long time, lovingly and very thoroughly, fearful of needless haste, recklessness and nonchalance. They searched vigorously, intensively and passionately, fearful of needless self-doubt and indecision. They searched cautiously, fearful of needless tactlessness. They found one another, conquered their fear and, a moment later, found the truth, which exploded under their eyelids with a terrible, blinding clarity, tore apart the lips pursed in determination with a moan. Then time shuddered spasmodically and froze, everything vanished, and touch became the only functioning sense. An eternity passed, reality returned and time shuddered once more and set off again, slowly, ponderously, like a great, fully laden cart. Geralt looked through the window. The moon was still hanging in the sky, although what had just happened ought in principle to have struck it down from the sky. ‘Oh heavens, oh heavens,’ said Yennefer much later, slowly wiping a tear from her cheek. They lay still among the dishevelled sheets, among thrills, among steaming warmth and waning happiness and among silence, and all around whirled vague darkness, permeated by the scent of the night and the voices of cicadas. Geralt knew that, in moments like this, the enchantress’s telepathic abilities were sharpened and very powerful, so he thought about beautiful matters and beautiful things. About things which would give her joy. About the exploding brightness of the sunrise. About fog suspended over a mountain lake at dawn. About crystal waterfalls, with salmon leaping up them, gleaming as though made of solid silver. About warm drops of rain hitting burdock leaves, heavy with dew. He thought for her and Yennefer smiled, listening to his thoughts. The smile quivered on her cheek along with the crescent shadows of her eyelashes.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
May Ye All Wail, for the Destroyer of Nations is upon us. Your lands shall they trample and divide with rope. Your cities razed shall be, their dwellers expelled. The bat, owl and raven your homes shall infest, and the serpent will therein make its nest . . . Aen Ithlinnespeath     The
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
So the officer gets pissed off and says tough luck, it’s a witcher’s fate to risk his neck, and that a witcher is perfectly suited to it, like an arse is perfectly suited to shitting.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
She watched halflings at work creating ornate wineskins from goat’s hide in full view of the public, and she was delighted by the beautiful dolls on display at a stall run by a pair of half-elves. She looked at wares made of malachite and jasper, which a gruff, gloomy gnome was offering for sale. She inspected the swords in a swordsmith’s workshop with interest and the eye of an expert. She watched girls weaving wicker baskets and concluded that there was nothing worse than work.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
for verily I do say to you that those magicians are like whitened graves, beautiful on the outside but full of putrefaction and rotten bones on the inside!
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Money has no fatherland, Geralt. The merchants don’t care whose rule they make their money under.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Is there still good sense in the world? Or do only contemptibility and contempt remain?
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
It’s as though a cabbage tried to investigate the causes and effects of its existence, called the result of these reflections “an eternal and mysterious conflict between head and root”, and considered rain an unfathomable causative power. We, sorcerers, don’t waste time puzzling
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
There may no longer be faith nor truth in the world, but surely good sense still exists.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
In each of us lies a creditor and a debtor at once and the art is for the reckoning to tally inside us.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
To cap it all, someone hidden in the crowd was blowing a brass trumpet incessantly.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
The sun shines differently, but it will continue to shine, and jumping at it with a hoe isn't going to do anything. We've got to accept the facts, elf. That's what we've got to learn.
Andrzej Sapkowski (The Witcher Boxed Set: The Last Wish, Sword of Destiny, Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of The Swallow, The Lady of the Lake, Season of Storms)
asked if you had a hand in this,’ she began a moment later. ‘But I think there was no need. It’s obvious you had a hand in it. It’s obvious you are his friend. And if someone has friends, and he loses everything in spite of that, it’s obvious the friends are to blame. For what they did, or for what they didn’t do.’ ‘What could I have done?
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
We know little about love. Love is like a pear. A pear is sweet and has a distinct shape. Try to define the shape of a pear. Dandelion, Half a Century of Poetry CHAPTER THREE Geralt had reason to suspect–and had long suspected–that sorcerers’ banquets differed from the feasts of ordinary mortals.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
...А на нас ни остава само отмъщението. Да отмъстим кърваво и жестоко, така че и след сто години да се говори за това в легендите. Легенди, които хората ще се страхуват да слушат след залез-слънце. А на онези, които поискат да повторят това престъпление, ще им се разтреперят ръцете само при мисълта за нашето отмъщение.
Andrzej Sapkowski (The Tower of the Swallow / Time of Contempt / Blood of Elves / Baptism of Fire / The Last Wish / Sword of Destiny (The Witcher, #1-6))
However, when it’s time to get back in the saddle after resting, it’s as though your arse were shouting, ‘Help! Murder!
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
He’s overexcited. After he releases, he trembles and shakes like a woman with a slug wriggling up her arse.
Andrzej Sapkowski (The Saga of the Witcher: Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of the Swallow and The Lady of the Lake)
Una maga agisce sempre. Se male o bene si scopre poi. Ma bisogna agire, prendere la vita per i capelli. Credimi, piccola, ci si rammarica solo dell'inattività, dell'irresolutezza, dell'esitazione. Delle azioni compiute e delle decisioni prese, sebbene a volte siano causa di tristezza e dolore, non ci si rammarica.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Proprio in questo consiste il ruolo della poesia, Ciri. Parlare di ciò di cui gli altri tacciono.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Dell'amore sappiamo poco. Con l'amore è come con una pera. La pera è dolce e ha una forma. Provate un po' a definire la forma della pera.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Il vigliacco muore cento volte. L'uomo coraggioso una volta sola.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Non mi hanno insegnato a curare. Mi hanno insegnato a uccidere, spiegandomi che in questo modo avrei potuto salvare delle vite. Era una grossa menzogna, Cavallino. Mi hanno ingannato.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
È davvero uno spettacolo molto brutto vedere qualcuno che ha perso tutto. Sai, cantore, è curioso. A suo tempo, mi sembrava che non si potesse perdere tutto, che rimanesse sempre qualcosa. Sempre. Perfino nei tempi del disprezzo, in cui l'ingenuità sa vendicarsi nel modo più spietato, non si può perdere tutto. Ma lui... Lui ha perso un'infinità di sangue, la possibilità di camminare agilmente, l'uso parziale della mano sinistra, la spada da strigo, la donna che amava, la figlia recuperata per miracolo, la fede... Be', ho pensato, qualcosa deve pur essergli rimasto. Mi sbagliavo. Non ha più nulla. Neppure un rasoio. Ti ho chiesto se eri tra quelli che lo hanno ridotto così. Ma forse è una domanda inutile. È chiaro che la risposta è sì. È evidente che sei suo amico. E, se si hanno degli amici, e ciononostante si perde tutto, è chiaro che gli amici ne hanno colpa. Per ciò che hanno fatto o non hanno fatto. Per non aver visto cosa andava fatto.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
And you’re hopping about like a slug’s crawled into your arse crack.
Andrzej Sapkowski (The Saga of the Witcher: Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of the Swallow and The Lady of the Lake)
They are not demons, not devils . . . Worse than that. They are people.
Andrzej Sapkowski (The Saga of the Witcher: Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of the Swallow and The Lady of the Lake)
Gramps is going to fuck you, miss!’ he howled wildly. ‘Even if Gramps has to chop you up into pieces first. It’s all the same to Gramps if you’re in one piece, or in portions.
Andrzej Sapkowski (The Saga of the Witcher: Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of the Swallow and The Lady of the Lake)
I won’t put up with such remarks, particularly from spies, of all people! I’m the king, for fuck’s sake!
Andrzej Sapkowski (The Saga of the Witcher: Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of the Swallow and The Lady of the Lake)
To say I knew her would be an exaggeration. I think that, apart from the Witcher and the enchantress, no one really knew her. When I saw her for the first time she did not make a great impression on me at all, even in spite of the quite extraordinary accompanying circumstances. I have known people who said that, right away, from the very first encounter, they sensed the foretaste of death striding behind the girl. To me she seemed utterly ordinary, though I knew that ordinary she was not; for which reason I tried to discern, discover–sense–the singularity in her. But I noticed nothing and sensed nothing. Nothing that could have been a signal, a presentiment or a harbinger of those subsequent, tragic events. Events caused by her very existence. And those she caused by her actions. Dandelion, Half a Century of Poetry
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
A coward,’ he declared with dignity, when he’d stopped coughing and had got his breath back, ‘dies a hundred times. A brave man dies but once.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
The pathetic – ridiculous – attempts which people undertake to try to understand nature are typically termed philosophy. The results of such attempts are also considered philosophy
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
You had the courage to commit those deeds, now have courage when your pursuers and justice are close at hand.
Andrzej Sapkowski (The Saga of the Witcher: Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of the Swallow and The Lady of the Lake)
I’m trying to, but please talk more slowly. Don’t forget you’re talking to a cabbage.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
To bite a witch beside a path, Some vipers did contrive. The snakes all perished one by one, The witch is still alive.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Thus do I take you, to have and to hold, for the most wondrous and terrible of times, for the best and the worst of times, by day and by night, in sickness and in health. For I love you with all my heart and swear to love you eternally, until death do us part. Traditional marriage vows
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
I’ll pay back what I owe,’ he said quietly. ‘I won’t forget. It may happen that one day you’ll be in need of help. Or support. A shoulder to lean on. Then call out, call out in the night. And I’ll come.
Andrzej Sapkowski (The Saga of the Witcher: Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of the Swallow and The Lady of the Lake)
Thus do I take you, to have and to hold, for the most wondrous and terrible of times, for the best and the worst of times, by day and by night, in sickness and in health. For I love you with all my heart and swear to love you eternally, until death do us part.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Soon there won’t be any strigas, wyverns, endriagas or werewolves left in the world. But there’ll always be whoresons.
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
You mistook the stars reflected in a pond at night for the sky.
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
And companions. Comrades. Mates. Because the one who is alone will perish; from hunger, from the sword, from the arrow, from makeshift peasant clubs, from the noose, or in flames. The one who is alone will perish; stabbed, beaten or kicked to death, defiled, like a toy passed from hand to hand.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Te aseguro, Ciri, que es mejor pertenecer a los algunos que no a los todos.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Ser neutral no significa ser indiferente e insensible. No hay que matar el sentimiento dentro de uno mismo. Basta con matar el odio dentro de uno mismo.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
El cobarde muere cien veces. El hombre valiente muere sólo una vez. Pero la Señora Fortuna al atrevido ayuda, al cobarde siempre despreció tiene.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
El cobarde muere cien veces. El hombre valiente muere sólo una vez. Pero la Señora Fortuna al atrevido ayuda, al cobarde siempre desprecio tiene.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
For a man can bear a great deal, but a horse less. However, when it’s time to get back in the saddle after resting, it’s as though your arse were shouting, “Help! Murder!
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
They rode straight from Hirundum to Thanedd: Geralt, Yennefer, Ciri and Dandelion.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
Geralt knew what to expect, so with stoical calm he endured the glances of the enchantresses, brimming with insalubrious curiosity, and the enigmatic smirks of the sorcerers. Although Yennefer assured him that propriety and tact forbade the use of magic at this kind of event, he didn’t believe the mages were capable of restraining themselves, particularly since Yennefer was provocatively thrusting him into the limelight. And he was right not to believe. He felt his medallion vibrating several times, and the pricking of magical impulses. Some sorcerers, or more precisely some enchantresses, brazenly tried to read his thoughts. He was prepared for that, knew what was happening, and knew how to respond. He looked at Yennefer walking alongside him, at white-and-black-and-diamond Yennefer, with her raven hair and violet eyes, and the sorcerers trying to sound him out became unsettled and disorientated; confronted with his blissful satisfaction, they were clearly losing their composure and poise. Yes, he answered in his thoughts, you’re not mistaken. There is only she, Yennefer, at my side, here and now, and only she matters. Here and now. And what she was long ago, where she was long ago and who she was with long ago doesn’t have any, doesn’t have the slightest, importance. Now she’s with me, here, among you all. With me, with no one else. That’s what I’m thinking right now, thinking only about her, thinking endlessly about her, smelling the scent of her perfume and the warmth of her body. And you can all choke on your envy. The enchantress squeezed his forearm firmly and moved closer to his side. “Thank you,” she murmured, guiding him towards the tables once again. “But without such excessive ostentation, if you don’t mind.” “Do you mages always take sincerity for ostentation? Is that why you don’t believe in sincerity, even when you read it in someone’s mind?” “Yes. That is why.” “But you still thank me?” “Because I believe you,” she said, squeezing his arm even tighter
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
To cap it all, every stop at the food table carried with it social obligations. Someone would notice you, express their joy at the fact and then approach and offer their greetings, which were as effusive as they were disingenuous. After the compulsory air kisses or unpleasantly weak handshakes, after the insincere smiles and even less sincere, although well-concocted, compliments, followed a brief and tediously banal conversation about nothing.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
I did a variety of things. I’m still ashamed of some of them. I finally became a mercenary. My life after that unfolded, as you might imagine, predictably. Victorious soldier, defeated soldier, marauder, robber, rapist, murderer, and finally a fugitive fleeing the noose. I fled to the ends of the world. And there, at the end of the world, I met a woman. A sorceress.” “Be careful,” whispered the Witcher, and his eyes narrowed. “Be careful, Vilgefortz, that the similarities you’re desperately searching for don’t lead you too far.” “The similarities are over,” said the sorcerer without lowering his gaze, “since I couldn’t cope with the feelings I felt for that woman. I couldn’t understand her feelings, and she didn’t try to help me with them. I left her. Because she was promiscuous, arrogant, spiteful, unfeeling and cold. Because it was impossible to dominate her, and her domination of me was humiliating. I left her because I knew she was only interested in me because my intelligence, personality and fascinating mystery obscured the fact that I wasn’t a sorcerer, and it was usually only sorcerers she would honour with more than one night. I left her because… because she was like my mother. I suddenly understood that what I felt for her was not love at all, but a feeling which was considerably more complicated, more powerful but more difficult to classify: a mixture of fear, regret, fury, pangs of conscience and the need for expiation, a sense of guilt, loss, and hurt. A perverse need for suffering and atonement. What I felt for that woman was hate.” Geralt remained silent. Vilgefortz was looking to one side. “I left her,” he said after a while. “And then I couldn’t live with the emptiness which engulfed me. And I suddenly understood it wasn’t the absence of a woman that causes that emptiness, but the lack of everything I had been feeling. It’s a paradox, isn’t it? I imagine I don’t need to finish; you can guess what happened next. I became a sorcerer. Out of hatred. And only then did I understand how stupid I was. I mistook stars reflected in a pond at night for those in the sky.” “As you rightly observed, the parallels between us aren’t completely parallel,” murmured Geralt. “In spite of appearances, we have little in common, Vilgefortz. What did you want to prove by telling me your story? That the road to wizardly excellence, although winding and difficult, is available to anyone? Even—excuse my parallel—to bastards or foundlings, wanderers or witchers—” “No,” the sorcerer interrupted. “I didn’t mean to prove this road is open to all, because that’s obvious and was proved long ago. Neither was there a need to prove that certain people simply have no other path.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))