The View From Ninety Quotes

A lady?' Jem raised his head. His face was scarlet. 'After all those things she said about you, a lady?' 'She was. She had her own views about things, a lot different from mine, maybe... son, I told you that if you hadn't lost your head I'd have made you go read to her. I wanted you to see something about her- I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do. Mrs. Dubose won, all ninety-eight pounds of her. According to her views, she died beholden to nothing and nobody. She was the bravest person I ever knew.

His view of the world is one that keeps his blood pressure low, sweeping the cholesterol from his relaxed, freeway-sized arteries. Everyone knows he is going to live till age ninety, although the question that goes begging is, “for what?

My father, who lived to ninety-four, often said that the eighties had been one of the most enjoyable decades of his life. He felt, as I begin to feel, not a shrinking but an enlargement of mental life and perspective. One has had a long experience of life, not only one’s own life, but others’ too. One has seen triumphs and tragedies, booms and busts, revolutions and wars, great achievements and deep ambiguities. One has seen grand theories rise, only to be toppled by stubborn facts. One is more conscious of transience and, perhaps, of beauty. At eighty, one can take a long view and have a vivid, lived sense of history not possible at an earlier age. I can imagine, feel in my bones, what a century is like, which I could not do when I was forty or sixty. I do not think of old age as an ever grimmer time that one must somehow endure and make the best of, but as a time of leisure and freedom, freed from the factitious urgencies of earlier days, free to explore whatever I wish, and to bind the thoughts and feelings of a lifetime together. I am looking forward to being eighty.

The same source that tipped us off about her and Wu at Kvarnen says that she used to hang out with a bunch of girls there a while back. Some kind of girl band called Evil Fingers." "Evil fingers?" Bublanski repeated. "Seems to be something occult." "Don't tell me Salander is some damned Satanist too," Bublanski said. "The media are going to go nuts." "Lesbian Satanists," Faste said helpfully. "Hans, you've got a view of women from the Middle Ages," Modig said. "Even I've heard of Evil Fingers." "You have?" Bublanski said. "It was a girl rock band in the late nineties. No superstars, but they were pretty famous for a while." "So hard-rocking lesbian Satanists," Faste said.

The desire to make art begins early. Among the very young this is encouraged (or at least indulged as harmless) but the push toward a 'serious' education soon exacts a heavy toll on dreams and fantasies....Yet for some the desire persists, and sooner or later must be addressed. And with good reason: your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are. Life and Art, once entwined, can quickly become inseparable; at age ninety Frank Lloyd Wright was still designing, Imogen Cunningham still photographing, Stravinsky still composing, Picasso still painting. But if making art gives substance to your sense of self, the corresponding fear is that you're not up to the task -- that you can't do it, or can't do it well, or can't do it again; or that you're not a real artist, or not a good artist, or have no talent, or have nothing to say. The line between the artist and his/her work is a fine one at best, and for the artist it feels (quite naturally) like there is no such line. Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. For many people, that alone is enough to prevent their ever getting started at all -- and for those who do, trouble isn't long in coming. Doubts, in fact, soon rise in swarms: "I am not an artist -- I am a phony. I have nothing worth saying. I'm not sure what I'm doing. Other people are better than I am. I'm only a [student/physicist/mother/whatever]. I've never had a real exhibit. No one understands my work. No one likes my work. I'm no good. Yet viewed objectively, these fears obviously have less to do with art than they do with the artist. And even less to do with the individual artworks. After all, in making art you bring your highest skills to bear upon the materials and ideas you most care about. Art is a high calling -- fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others -- indeed anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit. Each step in the artmaking process puts that issue to the test.

For he did not, he would have said, care for women; he never felt at home or at ease with them; and that monstrous creature beginning to be talked about, the New Woman of the nineties, filled him with horror. He was a quiet, conventional person, and the world, viewed from the haven of Brookfield, seemed to him full of distasteful innovations; there was a fellow named Bernard Shaw who had the strangest and most reprehensible opinions; there was Ibsen, too, with his disturbing plays; and there was this new craze for bicycles which was being taken up by women equally with men. Chips did not hold with all this modern newness and freedom. He had a vague notion, if he ever formulated it, that nice women were weak, timid, and delicate, and that nice men treated them with a polite but rather distant chivalry.

She was. She had her own views about things, a lot different from mine, maybe . . . son, I told you that if you hadn’t lost your head I’d have made you go read to her. I wanted you to see something about her—I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do. Mrs. Dubose won, all ninety-eight pounds of her. According to her views, she died beholden to nothing and nobody. She was the bravest person I ever knew.” Jem

Something is happening in Memphis; something is happening in our world. And you know, if I were standing at the beginning of time, with the possibility of taking a kind of general and panoramic view of the whole of human history up to now, and the Almighty said to me, "Martin Luther King, which age would you like to live in?" I would take my mental flight by Egypt and I would watch God's children in their magnificent trek from the dark dungeons of Egypt through, or rather across the Red Sea, through the wilderness on toward the promised land. And in spite of its magnificence, I wouldn't stop there. I would move on by Greece and take my mind to Mount Olympus. And I would see Plato, Aristotle, Socrates, Euripides and Aristophanes assembled around the Parthenon. And I would watch them around the Parthenon as they discussed the great and eternal issues of reality. But I wouldn't stop there. I would go on, even to the great heyday of the Roman Empire. And I would see developments around there, through various emperors and leaders. But I wouldn't stop there. I would even come up to the day of the Renaissance, and get a quick picture of all that the Renaissance did for the cultural and aesthetic life of man. But I wouldn't stop there. I would even go by the way that the man for whom I am named had his habitat. And I would watch Martin Luther as he tacked his ninety-five theses on the door at the church of Wittenberg. But I wouldn't stop there. I would come on up even to 1863, and watch a vacillating President by the name of Abraham Lincoln finally come to the conclusion that he had to sign the Emancipation Proclamation. But I wouldn't stop there. I would even come up to the early thirties, and see a man grappling with the problems of the bankruptcy of his nation. And come with an eloquent cry that we have nothing to fear but "fear itself." But I wouldn't stop there.

From the age of six I had a mania for drawing the shape of things. When I was fifty I had published a universe of drawings. But all I have done before the age of seventy is not worth bothering with. At seventy three I have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am eighty you will see real progress. At ninety I will have cut my way deeply into the mystery of life itself. At one hundred, I will be a marvellous artist. At one hundred and ten, everything I create - a dot, a line - will come alive. I call on those who still may be alive to see if I keep my word. Signed: The Old Man Mad About Art.

A lady?” Jem raised his head. His face was scarlet. “After all those things she said about you, a lady?” “She was. She had her own views about things, a lot different from mine, maybe . . . son, I told you that if you hadn’t lost your head I’d have made you go read to her. I wanted you to see something about her—I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do. Mrs. Dubose won, all ninety-eight pounds of her. According to her views, she died beholden to nothing and nobody. She was the bravest person I ever knew.

But Hock Seng doesn’t contest the foreigner’s words. He’ll put out the bounty, regardless. If the cats are allowed to stay, the workers will start rumors that Phii Oun the cheshire trickster spirit has caused the calamity. The devil cats flicker closer. Calico and ginger, black as night—all of them fading in and out of view as their bodies take on the colors of their surroundings. They shade red as they dip into the blood pool.  Hock Seng has heard that cheshires were supposedly created by a calorie executive—some PurCal or AgriGen man, most likely—for a daughter’s birthday. A party favor for when the little princess turned as old as Lewis Carroll’s Alice.  The child guests took their new pets home where they mated with natural felines, and within twenty years, the devil cats were on every continent and Felis domesticus was gone from the face of the world, replaced by a genetic string that bred true ninety-eight percent of the time. The Green Headbands in Malaya hated Chinese people and cheshires equally, but as far as Hock Seng knows, the devil cats still thrive there. 

Senator Lieberman took it as a call to arms. "After watching these society. violent video games," he said, "I personally believe it is irresponsible for some in the video game industry to produce them. I wish we could ban them." This wasn't the first time that America's political and moral estab lishment had tried to save youth from their own burgeoning culture. Shortly after the Civil War, religious leaders assailed pulp novels as "Satan's efficient agents to advance his kingdom by destroying the young. rupter "In the twenties, motion pictures were viewed as the new cors/ of children, inspiring sensational media-effects research that would be cited for decades. In the fifties, Elvis was shown only from the waist up on television; AD magazine's publisher, William Gaines. was brought before Congress. In the seventies, Dungeons and Dragons with all its demons and sorcery, became associated with Satanist particularly after a player enacting the game disappeared under the steam tunnels of a Michigan university. In the eighties, heavy metal artists like Judas Priest and Ozzy Osbourne were sued for allegedly invoking young listeners to commit suicide. In the nineties, video games were the new rock 'n' roll-dangerous and uncontrolled.

I have cancer,” Agnes announced. She hadn’t been able to contain her rage after all. She didn’t expect it to come out that way—it just had. Her hands rose to the sides of her rib cage, a gesture left over from when there had been drains there. “You got the flowers we sent?” He’d been coming straight toward her but stopped, as if she’d announced a contagion. “Probably. Did I write a note?” He laughed. “Probably! How did this happen, though?” He shifted gears, stepped closer to her, looked her in the eye, and asked—intimately, wittily—“Have you been smoking, Cousin Nessie?” “Wouldn’t that be nice!” “Yes. I’d love to myself. I always say I’ll pick it up again at eighty. But you are eighty!” “And now I’m saying I’ll start at ninety.” “Oh, is that how it goes? I don’t know if I’ll last that long.” “That makes two of us.” His face crumpled. A little boy again. “Oh come on, Archie, if you can’t laugh at death, what can you laugh at?” She gave him a light punch on the arm. “I’ll be lucky to live to the age you are now,” he said awkwardly. “Yes. It is fortunate. Everything becomes very clear.” “But you still feel young, don’t you?” “Are you kidding? I feel old as the hills and twice as dusty, as my mother would say.” “You better come see the view immediately, in that case.” He hovered his hand under her elbow and moved her forward.

But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.

In one of her most influential studies, she and her team tracked the emotional experiences of nearly two hundred people over years of their lives. The subjects spanned a broad range of backgrounds and ages. (They were from eighteen to ninety-four years old when they entered the study.) At the beginning of the study and then every five years, the subjects were given a beeper to carry around twenty-four hours a day for one week. They were randomly paged thirty-five times over the course of that week and asked to choose from a list all the emotions they were experiencing at that exact moment. If Maslow’s hierarchy was right, then the narrowing of life runs against people’s greatest sources of fulfillment and you would expect people to grow unhappier as they age. But Carstensen’s research found exactly the opposite. The results were unequivocal. Far from growing unhappier, people reported more positive emotions as they aged. They became less prone to anxiety, depression, and anger. They experienced trials, to be sure, and more moments of poignancy—that is, of positive and negative emotion mixed together. But overall, they found living to be a more emotionally satisfying and stable experience as time passed, even as old age narrowed the lives they led. The findings raised a further question. If we shift as we age toward appreciating everyday pleasures and relationships rather than toward achieving, having, and getting, and if we find this more fulfilling, then why do we take so long to do it? Why do we wait until we’re old? The common view was that these lessons are hard to learn. Living is a kind of skill. The calm and wisdom of old age are achieved over time. Carstensen was attracted to a different explanation. What if the change in needs and desires has nothing to do with age per se? Suppose it merely has to do with perspective—your personal sense of how finite your time in this world is. This idea was regarded in scientific circles as somewhat odd. But Carstensen had her own reason for thinking that one’s personal perspective might be centrally important

In a rather simple way. It merely required the use of that much-neglected commodity—common sense. You see, there is a branch of human knowledge known as symbolic logic, which can be used to prune away all sorts of clogging deadwood that clutters up human language.” “What about it?” said Fulham. “I applied it. Among other things, I applied it to this document here. I didn’t really need to for myself because I knew what it was all about, but I think I can explain it more easily to five physical scientists by symbols rather than by words.” Hardin removed a few sheets of paper from the pad under his arm and spread them out. “I didn’t do this myself, by the way,” he said. “Muller Holk of the Division of Logic has his name signed to the analyses, as you can see.” Pirenne leaned over the table to get a better view and Hardin continued: “The message from Anacreon was a simple problem, naturally, for the men who wrote it were men of action rather than men of words. It boils down easily and straightforwardly to the unqualified statement, which in symbols is what you see, and which in words, roughly translated, is, ‘You give us what we want in a week, or we take it by force.’ ” There was silence as the five members of the Board ran down the line of symbols, and then Pirenne sat down and coughed uneasily. Hardin said, “No loophole, is there, Dr. Pirenne?” “Doesn’t seem to be.” “All right.” Hardin replaced the sheets. “Before you now you see a copy of the treaty between the Empire and Anacreon—a treaty, incidentally, which is signed on the Emperor’s behalf by the same Lord Dorwin who was here last week—and with it a symbolic analysis.” The treaty ran through five pages of fine print and the analysis was scrawled out in just under half a page. “As you see, gentlemen, something like ninety percent of the treaty boiled right out of the analysis as being meaningless, and what we end up with can be described in the following interesting manner: “Obligations of Anacreon to the Empire: None!” “Powers of the Empire over Anacreon: None!” Again the five followed the reasoning anxiously, checking carefully back to the treaty, and when they were finished, Pirenne said in a worried fashion, “That seems to be correct.

Far more damaging to Calvin’s reputation was the case of Michael Servetus. An accomplished physician, skilled cartographer, and eclectic theologian from Spain, Servetus held maverick (and sometimes unbalanced) views on many points of Christian doctrine. In 1531, he published Seven Books on the Errors of the Trinity, enraging both Catholics and Protestants, Calvin among them. At one point, Servetus took up residence in Vienne, a suburb of Lyon about ninety miles from Geneva, where, under an assumed name, he began turning out heterodox books while also practicing medicine. His magnum opus, The Restitution of Christianity—a rebuttal of Calvin’s Institutes—rejected predestination, denied original sin, called infant baptism diabolical, and further deprecated the Trinity. Servetus imprudently sent Calvin a copy. Calvin sent back a copy of his Institutes. Servetus filled its margins with insulting comments, then returned it. A bitter exchange of letters followed, in which Servetus announced that the Archangel Michael was girding himself for Armageddon and that he, Servetus, would serve as his armor-bearer. Calvin sent Servetus’s letters to a contact in Vienne, who passed them on to Catholic inquisitors in Lyon. Servetus was promptly arrested and sent to prison, but after a few days he escaped by jumping over a prison wall. After spending three months wandering around France, he decided to seek refuge in Naples. En route, he inexplicably stopped in Geneva. Arriving on a Saturday, he attended Calvin’s lecture the next day. Though disguised, Servetus was recognized by some refugees from Lyon and immediately arrested. Calvin instructed one of his disciples to file capital charges against him with the magistrates for his various blasphemies. After a lengthy trial and multiple examinations, Servetus was condemned for writing against the Trinity and infant baptism and sentenced to death. He asked to be beheaded rather than burned, but the council refused, and on October 27, 1553, Servetus, with a copy of the Restitution tied to his arm, was sent to the stake. Shrieking in agony, he took half an hour to die. Calvin approved. “God makes clear that the false prophet is to be stoned without mercy,” he explained in Defense of the Orthodox Trinity Against the Errors of Michael Servetus. “We are to crush beneath our heel all affections of nature when his honor is involved. The father should not spare the child, nor the brother his brother, nor the husband his own wife or the friend who is dearer to him than life.

He was the leader of the Prophet David’s army,’ said the Sheikh. ‘David had him killed so that he could marry Nebi Uri’s beautiful wife. Two angels, Mikhail and Jibrael, appeared and asked David why he needed an extra wife when he already had ninety-nine others. You know this story?’ ‘Yes. I think we Christians know Nebi Uri as Uriah the Hittite.’ It was an unlikely tangle of tales: a medieval Muslim saint buried in a much older Byzantine tomb tower had somehow been confused with the Biblical and Koranic Uriah; perhaps the saint’s name was Uriah, and over the passage of time his identity had been merged with that of his scriptural namesake. More intriguing still was the fact that in this city, long famed for the shrines of its Christian saints, the Muslim Sufi tradition had directly carried on from where Theodoret’s Christian holy men had left off. Just as the Muslim form of prayer, with its bowings and prostrations, appears to derive from the older Syriac Christian tradition that I had seen performed at Mar Gabriel, and just as the architecture of the earliest minarets unmistakably derives from the square late-antique Syrian church towers, so the roots of Islamic mysticism and Sufism lie with the Byzantine holy men and desert fathers who preceded them across the Near East. Today the West often views Islam as a civilisation very different from and indeed innately hostile to Christianity. Only when you travel in Christianity’s Eastern homelands do you realise how closely the two religions are really linked. For the former grew directly out of the latter and still, to this day, embodies many aspects and practices of the early Christian world now lost in Christianity’s modern Western incarnation. When the early Byzantines were first confronted by the Prophet’s armies, they assumed that Islam was merely a heretical form of Christianity, and in many ways they were not so far wrong: Islam accepts much of the Old and New Testaments, and venerates both Jesus and the ancient Jewish prophets. Certainly if John Moschos were to come back today it is likely that he would find much more that was familiar in the practices of a modern Muslim Sufi than he would with those of, say, a contemporary American Evangelical. Yet this simple truth has been lost by our tendency to think of Christianity as a Western religion rather than the Oriental faith it actually is. Moreover the modern demonisation of Islam in the West, and the recent growth of Muslim fundamentalism (itself in many ways a reaction to the West’s repeated humiliation of the Muslim world), have led to an atmosphere where few are aware of, or indeed wish to be aware of, the profound kinship of Christianity and Islam.

His first breach with the Church did not come with his famous Ninety-five Theses, which he posted on the Wittenberg church door on October 31, 1517. It came almost two months earlier, on September 4, when he published another set of theses, Disputation Against Scholastic Theology, which are less well-known but nearly as explosive. They asserted that a Christianity founded on the spiritual power of God’s grace—in effect Christianity in its Platonized form as received from Saint Augustine—and the view of law and nature derived from Aristotle could never be reconciled. “The whole Aristotelian ethic,” Luther wrote, “is grace’s worst enemy.” And so as the tidal wave of Reformation overwhelmed the heart of Europe and changed its religious and cultural contours forever, it also swept Aristotle almost out of sight.

From the age of six I had a mania for drawing the shape of things. When I was fifty I had published a universe of drawings. But all I have done before the age of seventy is not worth bothering with. At seventy three I have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am eighty you will see real progress. At ninety I will have cut my way deeply into the mystery of life itself. At one hundred, I will be a marvellous artist. At one hundred and ten, everything I create - a dot, a line - will come alive. I call on those who still may be alive to see if I keep my word.

And contrary to the stereotype of quiet Asians, I could see that we like to fight. That we were in a fight to tell our own stories, to decide which images and narratives defined us. Decades of racist imagery, from Hollywood movies to political propaganda, informed by racism, colonialism, and conquest, have seeped their way into the consciousness of what the West views as “Asian.

Life would be dull indeed if you did not have the companionship of people with strong views, talking shoes, and ninety-seven per cent in their final examinations.

Invocation of Ya Hafiz is useful for all who need protection from fear, despair, and hopelessness.

Repetition of Ya Mughni is a remedy for dependence and neediness on another. It serves to give contentment, protection, and guidance from the essence of reality. We recommend pairing it in recitation: Ya Ghaniyy, Ya Mughni. In this way it can serve to bring fullness to the process of actualizing happiness.

A quality that indicates al-Matin in your life is the presence of rhythm, daily rhythm. The power that comes from this rhythmic existence is a kind of balance, harmony, and wholeness. Al-Matin gives you the strength to handle both success and failure. It is the strength to balance and harmonize your individual needs with the needs of the group.

The combination of these Names in repetition helps to protect you from your own spiritual greed or desire, and to protect you from going too high too fast when you are not prepared. Repetition of Ya Khafid may also be an antidote for spiritual burnout, especially when a person feels that spiritual practices are not working to change their condition.

disaster that never occurred. In 2000, the emotional relationship to the internet was reversed from the way it is now: Those who viewed the internet as positive were the people using it the most, while those who hated the internet tended to be people using it the least.

You should invoke Ya Ra’uf to overcome the deep place that an accuser is coming from, and not as an effort to overcome their accusations against you. It allows you to become capable of getting into the heart of the one who is directing the hostility toward you. You recognize the negative environment but get past that by penetrating deeply inside.

By invoking Ya Wahhab you become identified with a stream flowing continuously from the divine source, and everything you need in life is already fully present and flowing in that stream.

PERSONAL IDENTITY AUDIT How do you think the world views you? How do you view yourself? How is the “public you” different from the “private you”? What conditions produce the BEST VERSION OF YOU? (The version of you who competes and gets the highest results.) Competition Fear of loss A setback A victory Having someone believe in you A point to prove Name a ninety-day period of your career during which you were the hungriest to succeed. What drove you? How do you handle a public loss? Do you feel you’re entitled to things without earning them? How difficult a personality do you have? Do you have a tendency of blaming others for your lack of effort or discipline? If yes, why? Very difficult Difficult Somewhat difficult Easygoing Very easygoing Do you get along with people like yourself or can there be only one of you in the room? Who do you speak to the most when you’re losing? People ahead of you People at the same level as you People not yet at your level No one Who are you secretly envious of that no one knows about?Don’t worry about writing this one down. No one will know youranswer but you. How is your relationship with the person you’remost envious of? How much of that envy is due to your not willing to do the work that the other individual is willing to do? What type of people annoy you the most and why? What type of people do you like the most and why? Who do you collaborate with the most? What qualities and traits do you admire most in others? How do you handle pressure? How often do you challenge your own vision to help improve your perspective? What brings out the worst side of you? Why? What brings out the best side of you? Why? What do you value the most in business and in life? What do you fear the most in your line of business? What accomplishment are you most proud of and why? Who do you want to be? What kind of life do you want to live?

Next Day Moving from Cheer to Joy, from Joy to All, I take a box And add it to my wild rice, my Cornish game hens. The slacked or shorted, basketed, identical Food-gathering flocks Are selves I overlook. Wisdom, said William James, Is learning what to overlook. And I am wise If that is wisdom. Yet somehow, as I buy All from these shelves And the boy takes it to my station wagon, What I’ve become Troubles me even if I shut my eyes. When I was young and miserable and pretty And poor, I’d wish What all girls wish: to have a husband, A house and children. Now that I’m old, my wish Is womanish: That the boy putting groceries in my car See me. It bewilders me he doesn’t see me. For so many years I was good enough to eat: the world looked at me And its mouth watered. How often they have undressed me, The eyes of strangers! And, holding their flesh within my flesh, their vile Imaginings within my imagining, I too have taken The chance of life. Now the boy pats my dog And we start home. Now I am good. The last mistaken, Ecstatic, accidental bliss, the blind Happiness that, bursting, leaves upon the palm Some soap and water-- It was so long ago, back in some Gay Twenties, Nineties, I don’t know . . . Today I miss My lovely daughter Away at school, my sons away at school, My husband away at work--I wish for them. The dog, the maid, And I go through the sure unvarying days At home in them. As I look at my life, I am afraid Only that it will change, as I am changing: I am afraid, this morning, of my face. It looks at me From the rear-view mirror, with the eyes I hate, The smile I hate. Its plain, lined look Of gray discovery Repeats to me: “You’re old.” That’s all, I’m old. And yet I’m afraid, as I was at the funeral I went to yesterday. My friend’s cold made-up face, granite among its flowers, Her undressed, operated-on, dressed body Were my face and body. As I think of her I hear her telling me How young I seem; I am exceptional; I think of all I have. But really no one is exceptional, No one has anything, I’m anybody, I stand beside my grave Confused with my life, that is commonplace and solitary.

Alhamdulillah can be seen in the phenomenon of the arc of ascent and descent, how everything returns to the source, and how boundless gratitude from the source flows into all of creation. Subhanallah offers us the image of swimming around the central still point in spiraling circles of light. All beings and all realms of being constantly circumambulate and interpenetrate that heart center. Allahu Akbar appears to be even greater than the other two because it leads our process to go beyond concepts. The mind falls away and is led into essence. There is not a trace left of the conceptual.

wall while swinging from the rope bridge. At the top of the wall was a zip line with handlebars you had to grab. After that point, it was difficult to see the rest of the course. There were walls among walls blocking the view. It looked like there were spinning pillars scattered throughout it. I saw other pools of water and mud that the runner would have to avoid or worse yet, swim across. At the end of the course, there was a flat open space with barriers scattered throughout. High above the open space was a gun that shot tennis balls the runner had to avoid. The course was a monster. “Beauty, ain’t she?” Mr. Cooper said proudly as he approached us. “Just got her imported from Norway. The pamphlet said it was something that the Vikings themselves trained with, but somehow I doubt that. It also says ninety nine percent of students who attempt it can’t make it past the first rope bridge.” “What’s it doing here?” Carlyle asked. “Will students be running it today?” Mr. Cooper shook his head. “Oh no, it’s not ready by any means, legally I mean, buuuuut…,” the gym teacher trailed off as he glanced over his shoulder. “I didn’t see nothin’.” “Race ya,” Brayden said as he smiled at me. “How can I possibly say no?” I asked as I started running toward the obstacle course at full speed. When I reached the rope bridge, I didn’t hesitate and started climbing. Grabbing the ropes, I balanced myself and walked as quickly as possible over the pool of water. I

Set aside a half hour to picture yourself at age ninety and to put yourself in the mind of ninety-year-old you. What does your life look like when you view it from that vantage point? What have you accomplished? What have you contributed? What are your regrets? This isn’t an easy exercise—neither intellectually nor emotionally. But it can be enormously valuable. And it can help you satisfy one of Viktor Frankl’s most powerful imperatives: “Live as if you were living for the second time and had acted as wrongly the first time as you are about to act now.

These kinds of misperceptions are known as “false positives”; from natural selection’s point of view, they’re a feature, not a bug. Though your brief conviction that you’ve seen a rattlesnake may be wrong ninety-nine times out of a hundred, the conviction could be lifesaving the other one time in a hundred. And in natural selection’s calculus, being right 1 percent of the time in matters of life or death can be worth being wrong 99 percent of the time, even if in every one of those ninety-nine instances you’re briefly terrified.

The word “Allah,” according to some scholars, comes from the root waliha, and this root combines the vast concepts of total love and being passionately beyond all the constraints of mind. Combining these, we get the meaning “to fall madly in love, to utterly dissolve in an insane yearning.

For two decades, our escape defined me. It dominated my personality and compelled my every decision. By college, half my life had led up to our escape and the other half was spent reliving it, in churches and retreats where my mother made it a hagiograpihc journey, on college applications where it was a plea, at sleepovers where it was entertainment, and in discussion groups after public viewings of xenophobic melodrama like China Cry and Not Without my Daughter, films about Christian women facing death and escaping to America. Our story was a sacred thread woven into my identity. Sometimes people asked, But don't a lot of Christians live there? or Couldn't your mother just say she was Muslim? It would take me a long time to get over those kinds of questions. They felt like a bad grade, like a criticism of my face and body...Once in an Oklahoma church, a woman said, "Well, I sure do get it. You came for a better life." I thought I'd pass out -- a better life? In Isfahan, we had yellow spray roses, a pool. A glass enclosure shot up through our living room, and inside that was a tree. I had a tree inside my house; I had the papery hand of Morvarid, my friend nanny, a ninety-year-old village woman; I had my grandmother's fruit leather and Hotel Koorosh schnitzels and sour cherries and orchards and a farm - life in Iran was a fairytale. In Oklahoma, we lived in an apartment complex for the destitute and disenfranchised. Life was a big gray parking lot with cigarette butts baking in oil puddles, slick children idling in the beating sun, teachers who couldn't do math. I dedicated my youth and every ounce of my magic to get out of there. A better life? The words lodged in my ear like grit. Gradually, all those retellings felt like pandering. The skeptics drew their conclusions based on details that I had provided them: my childhood dreams of Kit Kats and flawless bananas. My academic ambitions. I thought of how my first retelling was in an asylum office in Italy: how merciless that with the sweat and dust of escape still on our brows, we had to turn our ordeal into a good, persuasive story or risk being sent back. Then, after asylum was secured, we had to relive that story again and again, to earn our place, to calm casual skeptics. Every day of her new life, the refugee is asked to differentiate herself from the opportunist, the economic migrant... Why do the native-born perpetuate this distinction? Why harm the vulnerable with the threat of this stigma? ...To draw a line around a birthright, a privilege. Unlike economic migrants, refugees have no agency; they are no threat. Often, they are so broken, they beg to be remade into the image of the native. As recipients of magnanimity, they can be pitied. But if you are born in the Third World, and you dare to make a move before you are shattered, your dreams are suspicious. You are a carpetbagger, an opportunist, a thief. You are reaching above your station.

Invocation of Ya Rahman is a healing remedy for all who feel disconnected from God and for those marked by a wound of self-loathing. See Ya Rahim (2), with which it is paired in repetition.

Time is up – the sun is coming one more time and a shank of silver skewers open the night. For the crew there’ve been thousands of sunrises while they’ve been in space, and of those they’ve watched hundreds, and if they were awake now they’d float from their quarters and watch another. They don’t know how it can be that their view is so endlessly repetitive and yet each time, every single time, newly born. They’d open the shutters of the domed windows, and become aware of themselves as a solitary head and torso in the vacuum of space. Suspended in a little pocket of breathable air. A sense of gratitude so overwhelming that there’d be nothing they could do with or about it, no word or thought that could be its equal, so for a moment they’d close their eyes. The earth would still be there on the inside of the eyelids, a vivid and geometrically perfect sphere, and they’d have no idea if this was simply an after-image or a projection of the mind, which knew that planet so well by now that it could draw it without reference. With each sunrise nothing is diminished or lost and every single one staggers them. Every single time that blade of light cracks open and the sun explodes from it, a momentary immaculate star, then spills its light like a pail upended, and floods the earth, every time night becomes day in a matter of a minute, every time the earth dips through space like a creature diving and finds another day, day after day after day from the death of space, a day every ninety minutes, every day brand new and of infinite supply, it staggers them.

The second fundamental misconception in inductivism is that scientific theories predict that ‘the future will resemble the past’, and that ‘the unseen resembles the seen’ and so on. (Or that it ‘probably’ will.) But in reality the future is unlike the past, the unseen very different from the seen. Science often predicts – and brings about – phenomena spectacularly different from anything that has been experienced before. For millennia people dreamed about flying, but they experienced only falling. Then they discovered good explanatory theories about flying, and then they flew – in that order. Before 1945, no human being had ever observed a nuclear-fission (atomic-bomb) explosion; there may never have been one in the history of the universe. Yet the first such explosion, and the conditions under which it would occur, had been accurately predicted – but not from the assumption that the future would be like the past. Even sunrise – that favourite example of inductivists – is not always observed every twenty-four hours: when viewed from orbit it may happen every ninety minutes, or not at all. And that was known from theory long before anyone had ever orbited the Earth.

Seventy-seven pf the ninety children who sailed on the City of Benares did not return home. How they must have wondered, in their final moments, why they were being made to die. How might any of us answer their question, then or now? Our adult wars are incomprehensible from anything but the stratospheric vantage point. There, where the grotesque detail of war's human impact--the blitzed nursery, the mother's hysterical phone calls, the lifeboats filled with slipper-less corpses--can no longer be made out, a war can be viewed as a conflict of ideas. Close up, however, war is senseless.

Lack of originality has always, everywhere, in the whole world, from time immemorial, been considered the primary quality and finest recommendation of the efficient, businesslike and practical man, and at least ninety-nine per cent of men (at the very least) have always shared this view, while only one per cent has viewed, and continues to view, the matter differently. At the beginning of their careers (and very often at the end of them, too), inventors and geniuses have always been considered in society as not much more than fools - that is really a most routine observation, all too familiar to everyone. If, for example, for scores of years everyone put their money into a loan bank, depositing billions there at four per cent interest, then, of course, when the loan bank folded and everyone was left to act on their own initiative, the greater part of those billions would be bound to perish in the stock-market fever and the hands of swindlers - and this would even be demanded by decency and decorum. Precisely by decorum; if decorous shyness and a decent lack of originality have until now constituted for us, according to generally received opinion, the inalienable qualities of the businesslike and respectable man, it would be most indecorous and even indecent to so suddenly change it all. What mother, for example, tenderly loving her child, would not be dismayed and sick with fear if her son or daughter were to go off the rails by even the smallest of margins: ‘No, let him be happy and live comfortably, without originality,’ thinks every mother, as she rocks her child. And our nurses, as they rock their children, have wailed and intoned from time immemorial: ‘One day you’ll walk about in gold, the rank of general you’ll hold!’ Thus, even among our nurses the rank of general was considered the acme of Russian happiness and has therefore been the most popular national ideal of peaceful, radiant bliss. And indeed, having passed the examination and served for thirty-five years - which of us would not be able to become generals and amass a certain amount in a loan bank? In this way the Russian, almost without any effort, has at last attained the designation of a businesslike and practical man.

Differences can also make a big difference in the workplace. Take Margaret Thatcher and Abraham Lincoln. When Thatcher formed a Cabinet, she wanted people who thought the same way she did – were ‘one of us’, as she put it. That meant she could be guaranteed a harmonious discussion. So much so, I was told, that she felt able to sum it up before it started and challenge anyone to disagree with her. Of course this led to tyranny, which always ends in disaster – in her case with her decision to introduce the unpopular Poll Tax that led to the end of her reign.