β
Stars are important," I say, laughing.
"Sure, but why not more poems about the sun? The sun is also a star, and it's our most important one. That alone should be worth a poem or two.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Thereβs a Japanese phrase that I like: koi no yokan. It doesnβt mean love at first sight. Itβs closer to love at second sight. Itβs the feeling when you meet someone that youβre going to fall in love with them. Maybe you donβt love them right away, but itβs inevitable that you will.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Maybe part of falling in love with someone else is also falling in love with yourself.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
We are capable of big lives. A big history. Why settle? Why choose the practical thing, the mundane thing? We are born to dream and make the things we dream about.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I don't believe in love."
"It's not a religion," he says. "It exists whether you believe in it or not.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Sometimes your world shakes so hard, it's difficult to imagine that everyone else isn't feeling it too.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Growing up and seeing your parents' flaws is like losing your religion. I don't believe in God anymore. I don't believe in my father either.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
The thing about falling is you don't have any control on your way down.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I didn't know you this morning, and now I don't remember not knowing you.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
How can you trust something that can end as suddenly as it begins?
β
β
Nicola Yoon (The Sun Is Also a Star)
β
The trouble with getting your hopes too far up is: it's a long way down.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I wonder if she realizes how passionate she is about not being passionate.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
People just want to believe. Otherwise they would have to admit that life is just a random series of good and bad things that happen until one day you die.
β
β
Nicola Yoon (The Sun is Also a Star)
β
Desperation translates into every language.
β
β
Nicola Yoon (The Sun is Also a Star)
β
You have to take risks, he said. We will only understand the miracle of life fully when we allow the unexpected to happen. Every day, God gives us the sun--and also one moment in which we have the ability to change everything that makes us unhappy. Every day, we try to pretend that we haven't perceived that moment, that it doesn't exist--that today is the same as yesterday and will be the same as tomorrow. But if people really pay attention to their everyday lives, they will discover that magic moment. It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us. But that moment exists--a moment when all the power of the stars becomes a part of us and enables us to perform miracles.
β
β
Paulo Coelho (By the River Piedra I Sat Down and Wept)
β
It's not up to you to help other people fit you into a box.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Observable Fact: People arenβt logical.
β
β
Nicola Yoon (The Sun is Also a Star)
β
Observable Fact: I don't believe in magic.
Observable Fact: We are magic.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I love this part of getting to know someone. How every new piece of information, every new expression, seems magical. I can't imagine this becoming old and boring. I can't imagine not wanting to hear what she has to say.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
People make mistakes all the time. Small ones, like you get in the wrong checkout line. The one with the lady with a hundred coupons and a checkbook.
Sometimes you make medium-sized ones. You go to medical school instead of pursuing you passion.
Sometimes you make big ones.
You give up.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Itβs hard trying to hold on to a place that doesnβt want you.
β
β
Nicola Yoon (The Sun is Also a Star)
β
Having dreams never killed anybody.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
People spend their whole lives looking for love. Poems and songs and entire novels are written about it. But how can you trust something that can end as suddenly as it begins?
β
β
Nicola Yoon (The Sun is Also a Star)
β
Some people exist in your life to make it better. Some people exist to make it worse.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
We're kindling amid lightning strikes, a lit match and dry wood, fire danger signs and a forest waiting to be burned.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I think all the good parts of us are connected on some level. The part that shares the last double chocolate chip cookie or donates to charity or gives a dollar to a street musician or becomes a candy striper or cries at Apple commercials or says I love you or I forgive you. I think that's God. God is the connection of the very best parts of us.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
If people who were actually born here had to prove they were worthy enough to live in America, this would be a much less populated country.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I kiss him to get him to stop talking. If he keeps talking I will love him, and I don't want to love him. I really don't. As strategies go, it's not my finest. Kissing is just another way of talking except without the words.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Do you think it's funny that both of our favourite memories are about the people we like the least now?" I ask.
"Maybe that's why we dislike them," she says. "The distance between who they were and who they are is so wide, we have no hope of getting them back.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
We have big, beautiful brains. We invent things that fly. Fly. We write poetry. You probably hate poetry, but itβs hard to argue with βShall I compare thee to a summerβs day? Thou art more lovely and more temperateβ in terms of sheer beauty. We are capable of big lives. A big history. Why settle? Why choose the practical thing, the mundane thing? We are born to dream and make the things we dream about.
β
β
Nicola Yoon (The Sun is Also a Star)
β
You're just looking for someone to save you. Save yourself.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
The universe stops and waits for us.
β
β
Nicola Yoon (The Sun is Also a Star)
β
Hearts don't break. They just stop working. An old watch from another time and no parts to fix it.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I know thereβs no such thing as meant-to-be, and yet here I am wondering if maybe Iβve been wrong.
β
β
Nicola Yoon (The Sun is Also a Star)
β
It's a long life to spend doing something you're only meh about.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
"Hope" is the thing with feathers.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Maybe part of falling in love with someone else is also falling in love with yourself. I like who I am with her.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
love is just chemicals and coincidence.
β
β
Nicola Yoon (The Sun is Also a Star)
β
Why not more poems about the sun? The sun is also a star, and it's our most important one. That alone should be worth a poem or two.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
But time and distance are loveβs natural enemies.
β
β
Nicola Yoon (The Sun is Also a Star)
β
I am really not a girl to fall in love with. For one thing, I donβt like temporary, nonprovable things, and romantic love is both temporary and nonprovable.
β
β
Nicola Yoon (The Sun is Also a Star)
β
We think we want all the time in the world with the people we love, but maybe what we need is the opposite. Just a finite amount of time, so we still think the other person is interesting. Maybe we don't need acts two and three. Maybe love is best in act one.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I know for sure that I will always compare every city skyline to New York's. Just as I will always compare every boy to Daniel.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Human beings are not reasonable creatures. Instead of being rule by logic, we are ruled by emotions. The world would be a happier place if the opposite were true.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I want things that I can name, and some things that I canβt. I want this one moment to last forever, but I donβt want to miss all the other moments to come. I want our entire future together, but I want it here and now.
β
β
Nicola Yoon (The Sun is Also a Star)
β
All of which isnβt to say that Jeremy Fitzgerald did the right thing or the wrong thing. Itβs only to say this: love always changes everything.
β
β
Nicola Yoon (The Sun is Also a Star)
β
...all teenagers do this. All teenagers separate from their parents. To grow up is to grow apart.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
You can't persuade someone to love you.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Dark matter is love. It's the attracting force.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
It's better to see life as it is, not as you wish it to be. Things don't happen for a reason. They just happen.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
What if we are just a digression in someone else's history?
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Who are we if not a product of our parents and their histories?
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I love the way she seems to feel things with her entire body. I wonder why a girl who is so obviously passionate is so adamantly against passion.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Observable Fact: You should never take long shots. Better to study the odds and take the probable shot. However, if the long shot is your only shot, then you have to take it.
β
β
Nicola Yoon (The Sun is Also a Star)
β
Thereβs a pure kind of joy in the certainty of belief. The certainty that your life has purpose and meaning. That, though your earthly life may be hard, thereβs a better place in your future, and God has a plan to get you there.
β
β
Nicola Yoon (The Sun is Also a Star)
β
Names are powerful things. They act as an identity marker and a kind of map, locating you in time and geography. More than that, they can be a compass.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
...no one can put a price on losing everything.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
People in love want everyone else to be in love.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
When Natasha thinks about love, this is what she thinks: nothing lasts forever. Like hydrogen-7 or lithium-5 or boron-7, love has an infinitesimally small half-life that decays to nothing. And when its gone, its like it was never there at all.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
If snow falls in a city and no one is around to feel it, is it still cold?
Yes. The answer to that question is yes.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
For most immigrants, moving to the new country is an act of faith. Even if you've heard stories of safety, opportunity, and prosperity, it's still a leap to remove yourself from your own language, people, and country. Your own history. What if the stories weren't true? What if you couldn't adapt? What if you weren't wanted in the new country?
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Growing up and seeing your parents' flaws like is losing your religion. I don't believe in God anymore. I don't believe in my father either.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
You can be cynical all you want, but many a life can be saved by poetry.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
How can this be the same day? How can all these people be going about their lives totally oblivious to whatβs been happening to mine? Sometimes your world shakes so hard, itβs difficult to imagine that everyone else isnβt feeling it too.
β
β
Nicola Yoon (The Sun is Also a Star)
β
When they say the heart wants what it wants, theyβre talking about the poetic heartβthe heart of love songs and soliloquies, the one that can break as if it were just-formed glass. Theyβre not talking about the real heart, the one that only needs healthy foods and aerobic exercise. But the poetic heart is not to be trusted. It is fickle and will lead you astray. It will tell you that all you need is love and dreams. It will say nothing about food and water and shelter and money. It will tell you that this person, the one in front of you, the one who caught your eye for whatever reason, is the One. And he is. And she is. The Oneβfor right now, until his heart or her heart decides on someone else or something else. The poetic heart is not to be trusted with long-term decision-making.
β
β
Nicola Yoon (The Sun is Also a Star)
β
And what about the lovers who spend hours staring into each other's eyes? Is it a display of trust? I will let you in close and trust you not to hurt me while I'm in this vulnerable position. And if trust is one of the foundations of love, perhaps the staring is a way to build or reinforce it. Or maybe it's simpler than that.
A simple search for connection.
To see.
To be seen.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
He thinks my hair smells like spring rain. I'm really trying to remain stoic and unaffected. I remind myself that I don't like poetic language. I don't like poetry. I don't even like people who like poetry.
But I'm not dead inside either.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I have gone around observing your activities from the outside. Because of this I have also been able to see things to which you have been blind... Every morning you have gone to work, but you have never been fully awake. Of course, you have seen the sun and the moon, the stars in the sky, and everything that moves, but you haven't really seen it at all. It is different for the Joker, because he was put into this world with a flaw: He sees too clearly and too much.
β
β
Jostein Gaarder (The Solitaire Mystery)
β
Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many waysβthe strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled daysβthat's something else.
β
β
Ernest Becker (The Denial of Death)
β
It's hard to love someone who doesn't love you back.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
If the person whoβs meant to love you forever can suddenly stop, then what is there to believe in?
β
β
Nicola Yoon (The Sun is Also a Star)
β
No one needs to get bruised up falling in love. I just want to fall the way everybody else gets to.
β
β
Nicola Yoon (The Sun is Also a Star)
β
What a difference a day makes.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Her world is bigger than him and the things he taught her to be interested in. He doesn't know when she outgrew him.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Iβm glad you think this is funny,β he says. βCome on,β I say. βTragedy is funny.β βAre we in a tragedy?β he asks, smiling broadly now. βOf course. Isnβt that what life is? We all die at the end.
β
β
Nicola Yoon (The Sun is Also a Star)
β
And then I realize what Charlie's problem with Daniel is. He hates that Daniel doesn't hate himself. For all his uncertainties, Daniel is still more comfortable in his skin than Charlie will ever be in his.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
As our eyes meet, I get a kind of deja vu, but instead of feeling like I'm repeating something in the past, it feels like I'm experiencing something that will happen in my future...It's like knowing all the words to a song but still finding them beautiful and surprising.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Better to have a tragic and sudden end than to have a long drawn-out one where we realize that we're just too different, and that love alone is not enough to bind us.
I think all these things. I believe none of them.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
The thing about being a fish on a hook is the more you try to get off, the more trapped you are. The hook just buries itself deeper and you bleed a little more. You can't get off the hook. You can only go through it. Said another way: the hook has to go through you, and it's gonna hurt like a motherfucker.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I really don't know. I guess I'm more interested in why people feel like they have to believe in God. Why can't it just be science? Science is wondrous. The night sky? Amazing. The inside of a human cell? Incredible. Something that tells us we're born bad and that people use to justify all their petty prejudices and awfulness? I dunno. I guess I believe in science. Science is enough.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
It seems like such a long time ago when I thought the world of him. He was some exotic planet and I was his favorite satellite. But he's no planet, just the final fading light of an already dead star.
And I'm not a satellite. I'm space junk, hurtling as far as I can away from him.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
He remembers another moment: They'd just found each other again after their fight. She'd talked about the number of events that had to exactly right to form their universe. She'd said falling in love couldn't compete.
He's always thought she was wrong about that.
Because everything looks like chaos up close. Daniel thinks it's a matter of scale. If you pull back far enough and wait for long enough, then order emerges.
Maybe their universe is just taking longer to form.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
SUN, MOON, AND STARRY SKY
Early summer evenings, when the first stars come out, the warm glow of sunset still stains the rim of the western sky.
Sometimes, the moon is also visible, a pale white slice, while the sun tarries.
Just think -- all the celestial lights are present at the same time!
These are moments of wonder -- see them and remember.
β
β
Vera Nazarian (The Perpetual Calendar of Inspiration)
β
They kiss, and kiss again. When they do finally pull apart, it's with a new knowledge. They have a sense that the length of a day is mutable, and you can never see the end from the beginning. They have a sense that love changes all things all the time.
That's what love is for.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Hearts donβt break.
Itβs just another thing the poets say.
Hearts are not made
Of glass
Or bone
Or any material that could
Splinter
Or Fragment
Or Shatter.
They donβt
Crack Into Pieces.
They donβt
Fall Apart.
Hearts donβt break.
They just stop working.
An old watch from another time and no parts to fix it.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
But you see, the thing about stars is that in another galaxy, that star is also a sun. βIf it wasnβt him, it would be you,β I tell him, for better and for worse. He blows some more air out of his mouth and catches my eye. βIn another life, yeah?β I nod and offer him a weak smile. βIβll meet you there.
β
β
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
β
This is where I would've taken Daniel. I would've told him to write poetry about space rocks and impact craters. The sheer number of actions and reactions it's taken to form our solar system, our galaxy, our universe, is astonishing. The number of things that had to go exactly right is overwhelming.
Compared to that, what is falling in love? A series of small coincidences that we say means everything because we want to believe that our tiny lives matter on a galactic scale. But falling in love doesn't even begin to compare to the formation of the universe.
It's not even close
β
β
Nicola Yoon (The Sun Is Also a Star)
β
CARL SAGAN SAID that if you want to make an apple pie from scratch, you must first invent the universe. When he says βfrom scratch,β he means from
nothing. He means from a time before the world even existed. If you want to make an apple pie from nothing at all, you have to start with the Big Bang and expanding universes, neutrons, ions, atoms, black holes, suns, moons, ocean tides, the Milky Way, Earth, evolution, dinosaurs, extinction- level events, platypuses,
Homo erectus, Cro- Magnon man, etc. You have to start at the beginning. You must invent fire. You need water and fertile soil and seeds. You need cows and people to milk them and more people to churn that milk into butter. You need wheat and sugar cane and apple trees. You need chemistry and biology. For a really good apple pie, you need the arts. For an apple pie that can last for generations, you need the printing press and the Industrial Revolution and maybe even a poem.To make a thing as simple as an apple pie, you have to create the whole wide world.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
Star friendship.β We were friends and have become estranged. But this was right, and we do not want to conceal and obscure it from ourselves as if we had reason to feel ashamed. We are two ships each of which has its goal and course; our paths may cross and we may celebrate a feast together, as we didβand then the good ships rested so quietly in one harbor and one sunshine that it may have looked as if they had reached their goal and as if they had one goal. But then the almighty force of our tasks drove us apart again into different seas and sunny zones, and perhaps we shall never see one another again,βperhaps we shall meet again but fail to recognize each other: our exposure to different seas and suns has changed us! That we have to become estranged is the law above us: by the same token we should also become more venerable for each other! And thus the memory of our former friendship should become more sacred! There is probably a tremendous but invisible stellar orbit in which our very different ways and goals may be included as small parts of this path,βlet us rise up to this thought! But our life is too short and our power of vision too small for us to be more than friends in the sense of this sublime possibility.β Let us then believe in our star friendship even if we should be compelled to be earth enemies.
β
β
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
β
Maybe we're just falling stars, we once danced in the same skyline looking down at the world. And we've fallen like all others, from near and far, we've gathered together, but separated by time and space, keeping a part of that light that we've came with and spreading it in this dark world that we've chosen to live in, in order to shine some light and love around. Maybe we've chosen to believe one truth today, and find it to be false tomorrow. Maybe we're trying to not get attached to the idea that we now know it all. At night, we see the truth of where we've fallen from, gazing in that night sky full of distant stars, constellations, planets, the reflection of the sun on the moon, all with their own stories to tell. Sometimes we wonder why would we leave such a mysterious place, with an infinite amount of stories and wonders. Maybe it's because as stars we could've only seen each other's light from afar, but here we can listen more carefully to each other's story, embrace each other and kiss, discover more and more of what can be seen when infinite star dust potential is put into one body and given freedom to walk the Earth and wander, love and enjoy every moment until coming back. Maybe in the morning, we'll only see one star shining up there and forget the others. Maybe that is also how life and death is, and the beauty of the sunrise and sunset that come in between, our childhood years and old years, when we reflect on the stars that we once were and that we will once again be. Maybe, just maybe.
β
β
Virgil Kalyana Mittata Iordache
β
I saw thee once - only once - years ago:
I must not say how many - but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared stir, unless on tiptoe -
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death -
Fell on the upturn'd faces of these roses
That smiled and died in the parterre, enchanted
By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell upon the upturn'd faces of the roses,
And on thine own, upturn'd - alas, in sorrow!
Was it not Fate, that, on this July midnight -
Was it not Fate, (whose name is also Sorrow,)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footsteps stirred: the hated world all slept,
Save only thee and me. (Oh, Heaven! - oh, G**!
How my heart beats in coupling those two words!)
Save only thee and me. I paused - I looked -
And in an instant all things disappeared.
(Ah, bear in mind the garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All - all expired save thee - save less than thou:
Save only divine light in thine eyes -
Save but the soul in thine uplifted eyes.
I saw but them - they were the world to me.
I saw but them - saw only them for hours -
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a wo! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep -
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go - they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me - they lead me through the years.
They are my ministers - yet I their slave.
Their office is to illumine and enkindle -
My duty, to be saved by their bright fire,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope,)
And are far up in Heaven - the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still - two sweetly scintillant
Venuses, unextinguished by the sun!
β
β
Edgar Allan Poe (The Raven and Other Poems)
β
To Helen
I saw thee once-once only-years ago;
I must not say how many-but not many.
It was a july midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light
Thier odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses
And on thine own, upturn'd-alas, in sorrow!
Was it not Fate that, on this july midnight-
Was it not Fate (whose name is also sorrow)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred; the hated world all slept,
Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out;
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me.
I saw but them- saw only them for hours-
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition!yet how deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go- they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me- they lead me through the years.
They are my ministers- yet I thier slave
Thier office is to illumine and enkindle-
My duty, to be saved by thier bright light,
And purified in thier electric fire,
And sanctified in thier Elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in heaven- the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
β
β
Edgar Allan Poe
β
Aeneas' mother is a star?"
"No; a goddess."
I said cautiously, "Venus is the power that we invoke in spring, in the garden, when things begin growing. And we call the evening star Venus."
He thought it over. Perhaps having grown up in the country, among pagans like me, helped him understand my bewilderment. "So do we, he said. "But Venus also became more...With the help of the Greeks. They call her Aphrodite...There was a great poet who praised her in Latin. Delight of men and gods, he called her, dear nurturer. Under the sliding star signs she fills the ship-laden sea and the fruitful earth with her being; through her the generations are conceived and rise up to see the sun; from her the storm clouds flee; to her the earth, the skillful maker, offers flowers. The wide levels of the sea smile at her, and all the quiet sky shines and streams with light..."
It was the Venus I had prayed to, it was my prayer, though I had no such words. They filled my eyes with tears and my heart with inexpressible joy.
β
β
Ursula K. Le Guin (Lavinia)
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CAUSE AND EFFECT
You can give a man who has never given you a good word,
Volumes of knowledge.
And you can give a man who has never given you a gift,
A thousand gifts.
You can give that same man who has never given you a blessing,
A thousand blessings.
And you can offer that same man who has never
Offered a hand to help you grow,
Seeds to help him grow a garden.
And while you have never seen true kindness from his direction,
You still offer to help push him up.
And in the end,
He only wants to be the hand that pulls you down.
Do not worry, my friends.
Cause and effect was written by the stars of the universe.
He who passes suffering onto others
Will also have that suffering passed onto his own children.
Gifts he feels he should have in the next lifetime will be unobtainable.
And the help he needs to grow in the next lifetime will be unavailable.
And the people he cuts down that were good to him,
Will cut him down in the next lifetime.
What goes around does come back again,
Even through your children.
There is a vibrational effect
In every action,
Just as there is
A vibration that rings
From every letter
In every word.
No cause occurs without effect
And no effect occurs without cause.
No unjust action goes without penalty
And no action or thought
Flows unnoticed
Throughout
The universe.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
You have to take risks. We will only understand the miracle of life fully when we allow the unexpected to happen.
Every day, God gives us the sun - and also one moment when we have the ability to change everything that makes us unhappy. Every day, we try to pretend that we haven't perceived that moment, that it doesn't exist - that today is the same as yesterday and will be the same as tomorrow. But if people really pay attention to their everyday lives, they will discover that magic moment. It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us. But that moment exists - a moment when all the power of the stars becomes a part of us and enables us to perform miracles.
Joy is sometimes a blessing, but it is often a conquest. Our magic moment helps us to change and sends us off in search of our dreams. Yes, we are going to suffer, we will have difficult times, and we will experience many disappointments - but all of these are transitory; it leaves no permanent mark. And one day we will look back with pride and faith at the journey we have taken.
Pitiful is the person who is afraid of taking risks. Perhaps, this person would never be disappointed or disillusioned; perhaps she won't suffer the way people do when they have a dream to follow. But when the person looks back - she will never hear her heart saying 'What have you done with the miracles that God planted in your days? What have you done with the talents God has bestowed upon you? You buried yourself in a cave because you were fearful of losing those talents. So this is your heritage, the certainty that you wasted your life.'
Pitiful are the people who must realize this. Because when they are finally able to believe in miracles, their life's magic moments will have already passed them by.
β
β
Paulo Coelho (By the River Piedra I Sat Down and Wept)
β
According to scientists, there are three stages of love: lust, attraction, and attachment. And, it turns out, each of the stages is orchestrated by chemicalsβneurotransmittersβin the brain.
As you might expect, lust is ruled by testosterone and estrogen.
The second stage, attraction, is governed by dopamine and serotonin. When, for example, couples report feeling indescribably happy in each otherβs presence, thatβs dopamine, the pleasure hormone, doing its work.
Taking cocaine fosters the same level of euphoria. In fact, scientists who study both the brains of new lovers and cocaine addicts are hard-pressed to tell the difference.
The second chemical of the attraction phase is serotonin. When couples confess that they canβt stop thinking about each other, itβs because their serotonin level has dropped. People in love have the same low serotonin levels as people with OCD. The reason they canβt stop thinking about each other is that they are literally obsessed.
Oxytocin and vasopressin control the third stage: attachment or long-term bonding. Oxytocin is released during orgasm and makes you feel closer to the person youβve had sex with. Itβs also released during childbirth and helps bond mother to child. Vasopressin is released postcoitally.
Natasha knows these facts cold. Knowing them helped her get over Robβs betrayal. So she knows: love is just chemicals and coincidence.
So why does Daniel feel like something more?
β
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Nicola Yoon (The Sun Is Also a Star)
β
Fate has always been the realm of the gods, though even the gods are subject to it.
In ancient Greek mythology, the Three Sisters of Fate spin out a person's destiny within three nights of their birth. Imagine your newborn child in his nursery. It's dark and soft and warm, somewhere between two and four a.m., one of those hours that belong exclusively to the newly born or the dying.
The first sister - Clotho - appears next to you. She's a maiden, young and smooth. In her hands she holds a spindle, and on it she spins the thrads of your child's life.
Next to her is Lachesis, older and more matronly than her sister. In her hands, she holds the rod used to mesure the thread of life. The length and destiny of your child's life is in her hands.
Finally we have Atropos - old, haggardly. Inevitable. In her hands she holds the terrible shears she'll use to cut the thread of your child's life. She determines the time and manner of his or her death.
Imagine the awesome and awful sight of these three sisters pressed together, presiding over his crib, dermining his future.
In modern times, the sisters have largely disappeared from the collective consiousness, but the idea of Fate hasn't. Why do we still believe? Does itmake tragedy more bearable to believe that we ourselves had no hand in it, that we couldn't have prevented it? It was always ever thus.
Things happen for a reason, says Natasha's mother. What she means is Fate has a Reason and, though you may not know it, there's a certain comfort in knowing that there's a Plan.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day.
I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him.
Options skim through my head like a flip book.
Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus.
Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious.
Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all.
For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands.
Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now.
I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic.
"Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest.
I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me.
"Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand.
"I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?"
He blinks, gives a slight nod.
Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
β
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Anna Banks (Of Poseidon (The Syrena Legacy, #1))
β
Have you ever heard of the madman who on a bright morning lighted a lantern and ran to the market-place calling out unceasingly: "I seek God! I seek God!"βAs there were many people standing about who did not believe in God, he caused a great deal of amusement. Why! is he lost? said one. Has he strayed away like a child? said another. Or does he keep himself hidden? Is he afraid of us? Has he taken a sea-voyage? Has he emigrated?βthe people cried out laughingly, all in a hubbub. The insane man jumped into their midst and transfixed them with his glances. "Where is God gone?" he called out. "I mean to tell you! We have killed him,βyou and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Back-wards, sideways, forewards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?βfor even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,βwho will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,βand on account of it, all who are born after us belong to a higher history than any history hitherto!"βHere the madman was silent and looked again at his hearers; they also were silent and looked at him in surprise. At last he threw his lantern on the ground, so that it broke in pieces and was extinguished. "I come too early," he then said, "I am not yet at the right time. This prodigious event is still on its way, and is travelling,βit has not yet reached men's ears. Lightning and thunder need time, the light of the stars needs time, deeds need time, even after they are done, to be seen and heard. This deed is as yet further from them than the furthest star,βand yet they have done it!"βIt is further stated that the madman made his way into different churches on the same day, and there intoned his Requiem Γ¦ternam deo. When led out and called to account, he always gave the reply: "What are these churches now, if they are not the tombs and monuments of God?
β
β
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
β
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell β
rain enters it β
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
β
β
Anne Sexton