The Storm Of Echoes Quotes

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I am not a graceful person. I am not a Sunday morning or a Friday sunset. I am a Tuesday 2 a.m., gunshots muffled by a few city blocks, I am a broken window during February. My bones crack on a nightly basis. I fall from elegance with a dull thud, and I apologize for my awkward sadness. I sometimes believe that I don’t belong around people, that I belong to all the leap days that didn’t happen. The way light and darkness mix under my skin has become a storm. You don’t see the lightning, but you hear the echoes.
Anna Peters
For a moment everything was clear, and when that happens you see that the world is barely there at all. Don't we all secretly know this? It's a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark.
Stephen King (11/22/63)
Sometimes big things happen, and they echo. Those echoes crash across worlds. They are the ripples in the fabric of things. Often they manifest as storms. Reality is a fragile thing, after all.
Neil Gaiman (The Sandman, Vol. 8: Worlds' End)
I am not delicate. I am skinny dipping at 2am; I am dancing naked under the full moon and playing in the mud. I am the reverberating echoes of a curse word ricocheting off the steeply sloping mountain you thought I couldn’t climb; I am bare skin in the deepest depths of winter; I am the song of courage, and the melody of freedom you long to sing. I am a fearless mother. I am a passionate lover; a devoted friend. I am the healer, the witch, the nurturing of your wounds. I am the heat of a wildfire, the rage of a storm. I am strong. Delicate things are pretty-cute, even. But I am not delicate. I am wild, fierce and unpredictable. I am breathtaking. I am beautiful. I am sacred.
Brooke Hampton
I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases.
Virginia Woolf (The Waves)
A little more than that, even.
Christelle Dabos (The Storm of Echoes (The Mirror Visitor Quartet #4))
In a dark time, the eye begins to see, I meet my shadow in the deepening shade; I hear my echo in the echoing wood-- A lord of nature weeping to a tree. I live between the heron and the wren, Beasts of the hill and serpents of the den. What's madness but nobility of soul At odds with circumstance? The day's on fire! I know the purity of pure despair, My shadow pinned against a sweating wall. That place among the rocks--is it a cave, Or winding path? The edge is what I have. A steady storm of correspondences! A night flowing with birds, a ragged moon, And in broad day the midnight comes again! A man goes far to find out what he is-- Death of the self in a long, tearless night, All natural shapes blazing unnatural light. Dark, dark my light, and darker my desire. My soul, like some heat-maddened summer fly, Keeps buzzing at the sill. Which I is I? A fallen man, I climb out of my fear. The mind enters itself, and God the mind, And one is One, free in the tearing wind.
Theodore Roethke
I took my time walking down to the lake, hoping that somehow the ache in my heart would ease. My joy at the success on the roof had drained away, leaving me hollow, like a well someone could shout down and hear nothing back but echoes.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
We must understand the creatures, fey or human, who populate our tales. Respect them. Love them, despite the villainous things they do. We must see them. Else how will our stories echo in the hearts of those who hear them? How will the stories survive beyond one telling?
Sabaa Tahir (A Sky Beyond the Storm (An Ember in the Ashes, #4))
Finally, she took him in, all wet and sexy beneath her. Every breath and groan echoed over the water. She alternated her gaze from the stars in heaven to the rock star that was currently her heaven.
Lisa Gillis (Weathering Jack Storm (Silver Strings G, #2))
She’d always adored autumn storms, from the quiet that came before the rain, when the birds and bugs went silent, to the raucous cracks and grumbles that echoed between the clouds, rife with the possibility of goblins and ghosts.
Ami McKay (The Witches of New York)
Me, too,” he said, after clearing his throat. “I like us not being conventional. A little more than that, even.
Christelle Dabos (The Storm of Echoes (The Mirror Visitor Quartet #4))
Here sighs and cries and shrieks of lamentation echoed throughout the starless air of Hell; at first these sounds resounding made me weep: tongues confused, a language strained in anguish with cadences of anger, shrill outcries and raucous groans that joined with sounds of hands, raising a whirling storm that turns itself forever through that air of endless black, like grains of sand swirling when a whirlwind blows. And I, in the midst of all this circling horror, began, "Teacher, what are these sounds I hear? What souls are these so overwhelmed by grief?" And he to me: "This wretched state of being is the fate of those sad souls who lived a life but lived it with no blame and with no praise. They are mixed with that repulsive choir of angels neither faithful nor unfaithful to their God, who undecided stood but for themselves. Heaven, to keep its beauty, cast them out, but even Hell itself would not receive them, for fear the damned might glory over them." And I. "Master, what torments do they suffer that force them to lament so bitterly?" He answered: "I will tell you in few words: these wretches have no hope of truly dying, and this blind life they lead is so abject it makes them envy every other fate. The world will not record their having been there; Heaven's mercy and its justice turn from them. Let's not discuss them; look and pass them by...
Dante Alighieri
Ye who love the haunts of Nature, Love the sunshine of the meadow, Love the shadow of the forest, Love the wind among the branches, And the rain-shower and the snow-storm, And the rushing of great rivers Through their palisades of pine-trees, And the thunder in the mountains, Whose innumerable echoes Flap like eagles in their eyries;- Listen to these wild traditions, To this Song of Hiawatha!
Henry Wadsworth Longfellow
Sometimes the signs were subtle, like a fleeting shadow or an echo in the trees. Other times, the island wasn’t gentle with her words. This wasn’t like the gentle shift of wind before a storm. Something dead had woken.
Adrienne Young (Spells for Forgetting)
For a moment everything was clear, and when that happens, you see that the world is barley there at all. Don’t we all secretly know this? It’s a perfectly balanced mechanism of shouts and echoes, pretending to be wheels and cogs. A dream clock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate, and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark.
Stephen King (11/22/63)
With her whole body, Ophelia sensed what he had become to her, what she had become to him, and nothing in the world seemed as solid.
Christelle Dabos (De storm van de echo's (De spiegelpassante #4))
If, at any time, something doesn’t suit you . . . a gesture I make, a word I don’t say . . . you must tell me so. I don’t want to have to wonder why I can’t manage to make my wife happy.
Christelle Dabos (The Storm of Echoes (The Mirror Visitor Quartet #4))
Nightbringer was the name humans gave him. Along with the King of No Name. But before that, he had another name. “Meherya,” I say. “Beloved.” He howls then, an echoing cry that breaks something inside me. But still, he hides away, for he is not the Beloved anymore either. He has turned his back on his duty and humanity. On Mauth. But in truth, humanity turned against him first. And Mauth, who should have loved the Meherya best, did nothing when his son and all that he cherished were destroyed. The Nightbringer gave Mauth everything—and Mauth repaid him with a thousand years of torment... “Nirbara,” I whisper. “Forsaken.” He turns. “Forsaken by humans and by Mauth,” I say, and the maelstrom grows more violent with each word. “Forsaken by the Scholars, who you sought only to help and who stole all that you loved. Forsaken by Rehmat, who left you alone with all your pain.
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))
That afternoon the sky was scattered with black clouds galloping in from the sea and clustering over the city. Flashes of lightening echoed on the horizon and a charged warm wind smelling of dust announced a powerful summer storm. When I reached the station I noticed the first few drops, shiny and heavy, like coins falling from heaven...Night seemed to fall suddenly, interrupted only by the lightning now bursting over the city, leaving a trail of noise and fury.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
When all seems hopeless and all has gone silent, that’s Destiny turning down the music so that all may hear our response to life’s great storms, giving our response the chance to echo throughout eternity with the level of greatness it deserves.
A.J. Darkholme (Rise of the Morningstar (The Morningstar Chronicles, #1))
Perfection" Every oak will lose a leaf to the wind. Every star-thistle has a thorn. Every flower has a blemish. Every wave washes back upon itself. Every ocean embraces a storm. Every raindrop falls with precision. Every slithering snail leaves its silver trail. Every butterfly flies until its wings are torn. Every tree-frog is obligated to sing. Every sound has an echo in the canyon. Every pine drops its needles to the forest floor. Creation's whispered breath at dusk comes with a frost and leaves within dawn's faint mist, for all of existence remains perfect, adorned, with a dead sparrow on the ground. (Poem titled : 'Perfection' by R.H.Peat)
R.H. Peat
Liberty On my notebooks from school On my desk and the trees On the sand, on the snow I write your name On every page read On all the white sheets Stone blood paper or ash I write your name On the golden images On the soldier’s weapons On the crowns of kings I write your name On the jungle, the desert The nests and the bushes On the echo of childhood I write your name On the wonder of nights On the white bread of days On the seasons engaged I write your name On all my blue rags On the pond mildewed sun On the lake living moon I write your name On the fields, the horizon The wings of the birds On the windmill of shadows I write your name On the foam of the clouds On the sweat of the storm On dark insipid rain I write your name On the glittering forms On the bells of colour On physical truth I write your name On the wakened paths On the opened ways On the scattered places I write your name On the lamp that gives light On the lamp that is drowned On my house reunited I write your name On the bisected fruit Of my mirror and room On my bed’s empty shell I write your name On my dog greedy tender On his listening ears On his awkward paws I write your name On the sill of my door On familiar things On the fire’s sacred stream I write your name On all flesh that’s in tune On the brows of my friends On each hand that extends I write your name On the glass of surprises On lips that attend High over the silence I write your name On my ravaged refuges On my fallen lighthouses On the walls of my boredom I write your name On passionless absence On naked solitude On the marches of death I write your name On health that’s regained On danger that’s past On hope without memories I write your name By the power of the word I regain my life I was born to know you And to name you LIBERTY
Paul Éluard
But these events had touched her so little - like the echo of thunder from the mountains after a storm had passed over the countryside and was far away.
Sigrid Undset (Kristin Lavransdatter)
Since those two are involving me in their crimes, I take it personally.” “We.
Christelle Dabos (The Storm of Echoes (The Mirror Visitor Quartet #4))
I wish there were some middle ground.” A place where our names and our blood and our pasts don’t matter. A place without weight. A place that has never been and will never exist. “Good night, Tiberias.” Hissing, he clenches a fist. “I really need you to stop calling me that.” And I really need you. I turn and walk toward my room, my footsteps echoing and alone.
Victoria Aveyard (War Storm (Red Queen, #4))
For a moment everything was clear, and when that happens you see that the world is barely there at all. Don't we all secretly know this? It's a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chimney beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark.
Stephen King (11/22/63)
In every step, in every breath of yours, you’ll feel me… I will always be in every sight you see, in ever voice you hear… Your ears will be always filled with my whispers, my laughter and my cries… My fights and tantrums will never leave your mind… My footsteps, my shadow, will haunt you in every corner you go… I will be your mornings, your days and nights… I am the breeze that wraps your body in the morning… I am the moonlight that bathes your body at night… I am the fire that will burn you. I am the storm that you cannot handle… I am the rain that will wash away the dust from your soul… I am in your reflection. I am your shadow… Your heart whispers my name in every beat… Every word you say, echoes my name… I am the secret you want to hide, but the secret that the world knows… I am your dream… I am your nightmare… I am your darkest sin... I am you…
Ama H. Vanniarachchy
You think The Darkling is powerful?" I asked, startled by the icy clarity of my voice. "You have no idea what he is capable of. Only I have seen what he can do. Only I have faced him and lived to tell about it." I sounded like a stranger to my own ears, but I felt the echo of my power vibrating through me, and I pushed on. I turned slowly, meeting each stunned gaze. "I don't care if you think I'm a Saint or a fool or the Darkling's whore. If you want to remain at the Little Palace, you will follow me. And if you don't like it, you will be gone by tonight, or I will have you in chains. I am a soldier. I am the Sun Summoner. And I'm the only chance you have.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
There were strange noises in the room, great bellowing sobs that did not sound like anything human. They bounced off the wals, echoing in her ears. Stop! she wanted to cry at the person who was making the noise. Then she realised that it was her.
Kate Williams (The Storms of War (The Storms of War #1))
The tenth lesson of wizard training is to pay attention to warning signals in your life. Become alert to what the universe is trying to point you away from. If you can wake up fast enough, certain tragedies (though not all) can be avoided. And for those times when you don't manage to wake up fast enough, be kind to yourself in the storm that will follow.
Echo Brown (Black Girl Unlimited)
What we do in life echoes in eternity.
Tim Tebow (Shaken: Discovering Your True Identity in the Midst of Life's Storms)
Sometimes, you have to let people be sad. At least until they’re ready to come out of that sadness.
Nalini Singh (Storm Echo (Psy-Changeling Trinity, #6; Psy-Changeling, #21))
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)
So he went down through the house, its silence alive with clocks, suggestions of subterfuge, the blatant echoes of downright lies, together with hints of the exasperating, unknowable truth.
Patrick White (The Eye of the Storm)
ON THE DEATH OF THE BELOVED Though we need to weep your loss, You dwell in that safe place in our hearts Where no storm or night or pain can reach you. Your love was like the dawn Brightening over our lives, Awakening beneath the dark A further adventure of color. The sound of your voice Found for us A new music That brightened everything. Whatever you enfolded in your gaze Quickened in the joy of its being; You placed smiles like flowers On the altar of the heart. Your mind always sparkled With wonder at things. Though your days here were brief, Your spirit was alive, awake, complete. We look toward each other no longer From the old distance of our names; Now you dwell inside the rhythm of breath, As close to us as we are to ourselves. Though we cannot see you with outward eyes, We know our soul’s gaze is upon your face, Smiling back at us from within everything To which we bring our best refinement. Let us not look for you only in memory, Where we would grow lonely without you. You would want us to find you in presence, Beside us when beauty brightens, When kindness glows And music echoes eternal tones. When orchids brighten the earth, Darkest winter has turned to spring; May this dark grief flower with hope In every heart that loves you. May you continue to inspire us: To enter each day with a generous heart. To serve the call of courage and love Until we see your beautiful face again In that land where there is no more separation, Where all tears will be wiped from our mind, And where we will never lose you again.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Never allow the words of others to steal your worth—always remember that it is the weak and cowardly who attempt to devalue others. The strong uplift without fear, share their knowledge to help others grow.
Nalini Singh (Storm Echo (Psy-Changeling Trinity, #6; Psy-Changeling, #21))
When The Lamp Is Shattered When the lamp is shattered, The light in the dust lies dead; When the cloud is scattered, The rainbow's glory is shed; When the lute is broken, Sweet tones are remembered not; When the lips have spoken, Loved accents are soon forgot. As music and splendor Survive not the lamp and the lute, The heart's echoes render No song when the spirit is mute:-- No song but sad dirges, Like the wind through a ruined cell, Or the mournful surges That ring the dead seaman's knell. When hearts have once mingled, Love first leaves the well-built nest; The weak one is singled To endure what it once possessed. O Love! who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bier? Its passions will rock thee, As the storms rock the ravens on high; Bright reason will mock thee, Like the sun from a wintry sky. From thy nest every rafter Will rot, and thine eagle home Leave thee naked to laughter, When leaves fall and cold winds come. When The Lamp Is Shattered
Percy Bysshe Shelley
For a moment everything was clear, and when that happens you see that the world is barely there at all. Don’t we all secretly know this? It’s a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where
Stephen King (11/22/63)
I was like everyone else. We all hoped the storm would knock things over, fuck things up enough but not too much. We hoped the damage was bad enough to cancel work the next morning but not so bad that we couldn’t go to brunch instead. Brunch? he echoed skeptically. Okay, maybe not brunch, I conceded. If not brunch, then something else. A day off meant we could do things we’d always meant to do. Like go to the Botanical Garden, the Frick Collection, or something. Read some fiction. Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn’t get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.
Ling Ma (Severance)
For a moment everything was clear, and when that happens you see that the world is barely there at all. Don’t we all secretly know this? It’s a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark.
Stephen King (11/22/63)
No one moved. No one spoke. They seemed be riveted by whatever it was they saw in his eyes. “Place me like a seal over your heart, like a seal on your arm; for love is as strong as death, its jealousy unyielding as the grave.” A few gasps erupted. His voice rang out, bold, clear. “It burns like blazing fire, like a mighty flame. Many waters cannot quench love; rivers cannot wash it away.” It was safe to say everyone was awake now. He’d startled most of his parishioners and aroused the rest of them. “Evie Duggan …” And all the heads official swiveled to follow the beam of the reverend’s gaze. Then swiveled back to him. Then back to Eve. Whose heart was in her eyes. “ … You are the seal upon my heart. You are the fire and flame that warms me, heals me, burns me. You are the river that cools me and carries me. I love you. And love may be as strong as death, but you … I know now you are my life.” A pin would have echoed like a dropped kettle in the church then. Eve was absolutely riveted. Frozen, her eyes burning into his. “And though I wish I could have protected you and kept you safe from some of the storms of your life, I find cannot regret any part of your past. For it has made you who you are. Loyal, passionate, brave, kind, remarkable. You need repent nothing.” The last word fell like a gavel. Not a single person moved or breathed. “There are those who think good is a pastime, to engage in like embroidery or target shooting. There are those who think beauty is a thing of surface, and forget that it’s really of the soul. But good is something you are, not something you do. And by that definition, I stand before you today and declare that Evie Duggan is one of the best people I have ever had the privilege of knowing.
Julie Anne Long (A Notorious Countess Confesses (Pennyroyal Green, #7))
But, the very neatness and the sameness of the corridors and the men made them troubling: I might have been taken on the same plain route ten times over, I should never have known it. Unnerving, too, is the dreadful clamour of the place. Where the warders stand there are gates, that must be unfastened, and swung on grinding hinges, and slammed and bolted; and the empty passages, of course, echo with the sounds of other gates, and other locks and bolts, distant and near. The prison seems caught, in consequence, at the heart of some perpetual private storm, that left my ears ringing.
Sarah Waters (Affinity)
We’re almost there, Gabriel,” he whispered, feeling quite certain without knowing why. “I remember this place, Gabe.” And it was true. But it was not a grasping of a thin and burdensome recollection; this was different. This was something that he could keep. It was a memory of his own. He hugged Gabriel and rubbed him briskly, warming him, to keep him alive. The wind was bitterly cold. The snow swirled, blurring his vision. But somewhere ahead, through the blinding storm, he knew there was warmth and light. Using his final strength, and a special knowledge that was deep inside him, Jonas found the sled that was waiting for them at the top of the hill. Numbly his hands fumbled for the rope. He settled himself on the sled and hugged Gabe close. The hill was steep but the snow was powdery and soft, and he knew that this time there would be no ice, no fall, no pain. Inside his freezing body, his heart surged with hope. They started down. Jonas felt himself losing consciousness and with his whole being willed himself to stay upright atop the sled, clutching Gabriel, keeping him safe. The runners sliced through the snow and the wind whipped at his face as they sped in a straight line through an incision that seemed to lead to the final destination, the place that he had always felt was waiting, the Elsewhere that held their future and their past. He forced his eyes open as they went downward, downward, sliding, and all at once he could see lights, and he recognized them now. He knew they were shining through the windows of rooms, that they were the red, blue, and yellow lights that twinkled from trees in places where families created and kept memories, where they celebrated love. Downward, downward, faster and faster. Suddenly he was aware with certainty and joy that below, ahead, they were waiting for him; and that they were waiting, too, for the baby. For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps it was only an echo.
Lois Lowry (The Giver (The Giver, #1))
These echoes could be mere coincidence, of course, but the great Greek biographer Plutarch certainly believed it possible that “if, on the other hand, there is a limited number of elements from which events are interwoven, the same things must happen many times, being brought to pass by the same agencies.
Mike Duncan (The Storm Before the Storm: The Beginning of the End of the Roman Republic)
When The Lamp Is Shattered When the lamp is shattered, The light in the dust lies dead; When the cloud is scattered, The rainbow's glory is shed; When the lute is broken, Sweet tones are remembered not; When the lips have spoken, Loved accents are soon forgot. As music and splendor Survive not the lamp and the lute, The heart's echoes render No song when the spirit is mute:-- No song but sad dirges, Like the wind through a ruined cell, Or the mournful surges That ring the dead seaman's knell. When hearts have once mingled, Love first leaves the well-built nest; The weak one is singled To endure what it once possessed. O Love! who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bier? Its passions will rock thee, As the storms rock the ravens on high; Bright reason will mock thee, Like the sun from a wintry sky. From thy nest every rafter Will rot, and thine eagle home Leave thee naked to laughter, When leaves fall and cold winds come.
Percy Bysshe Shelley
It’s all of a piece, I thought. It’s an echo so close to perfect you can’t tell which one is the living voice and which is the ghost-voice returning. For a moment everything was clear, and when that happens you see that the world is barely there at all. Don’t we all secretly know this? It’s a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark. Mike
Stephen King (11/22/63)
In every step, in every breath of yours, you’ll feel me… I am in every sight you see, in every voice you hear… Your ears will be filled with my whispers, my laughter and my cries… My fights and tantrums will never leave you… My footsteps, my shadow, will haunt you in every corner you go… I will be your mornings, your days and nights… I am the breeze that wraps your body in the morning… I am the moonlight that bathes your body at night… I am the fire that will burn you. I am the storm that you cannot handle… I am the rain that will wash away the dust from your soul… I am in your reflection. I am your shadow… Your heart whispers my name in every beat… Every word you say, echoes my name… I am the secret you want to hide, but the secret that the world knows… I am your dream… I am your nightmare… I am your darkest sin... I am you…
Ama H. Vanniarachchy
The storms of doubt, the quick cloudings of hypersensitivity, the bursts of laughter, the wet furred voice charged with electrical vibrations, the resonant quality of her movements, left many echoes and vibrations in the air. The curtains continued to move after she left. The furniture was warm, the air was whirling, the mirrors were scarred from the exigent way she extracted from them an ever unsatisfactory image of herself.
Anaïs Nin (Ladders to Fire (Cities of the Interior #1))
A wave formed, swelling around Ariel's body. It lifted her up higher and higher- or maybe she herself was growing: it was hard to tell. She held the trident aloft. Storm clouds raced to her from all directions like a lost school of cichlid babies flicking to their father's mouth for protection. Lightning coursed through the sky and danced between the trident's tines. Ariel sang a song of rage. Notes rose and fell discordantly, her voice screeching at times like a banshee from the far north. She sang, and the wind sang with her. It whipped her hair out of its braids and pulled tresses into tentacles that billowed around her head. She sang of the unfairness of Eric's fate and her own, of her father's torture as a polyp, even of Scuttle's mortal life, slowly but visibly slipping away. Mostly she sang about Ursula. She sang about everyone whose lives had been touched and destroyed by evil like coral being killed and bleached, like dead spots in the ocean from algae blooms, like scale rot. She sang about what she would do to anyone who threatened those she loved and protected. And then, with her final note, she made a quick thrust as if to throw the trident toward the boats in the bay, pulling it back at the last moment. A clap louder than thunder echoed across the ocean. A wave even larger than the one she rode roared up from the depths of the open sea. It smashed through and around her, leaving her hair and body white with foam. She grinned fiercely at the power of the moment. The tsunami continued on, making straight for Tirulia. But... despite her rage... underneath it all the queen was still Ariel. Her momentary urge to destroy everything came and went like a single flash of summer lightning.
Liz Braswell (Part of Your World)
Bearded Oaks" The oaks, how subtle and marine, Bearded, and all the layered light Above them swims; and thus the scene, Recessed, awaits the positive night. So, waiting, we in the grass now lie Beneath the languorous tread of light: The grassed, kelp-like, satisfy The nameless motions of the air. Upon the floor of light, and time, Unmurmuring, of polyp made, We rest; we are, as light withdraws, Twin atolls on a shelf of shade. Ages to our construction went, Dim architecture, hour by hour: And violence, forgot now, lent The present stillness all its power. The storm of noon above us rolled, Of light the fury, furious gold, The long drag troubling us, the depth: Dark is unrocking, unrippling, still. Passion and slaughter, ruth, decay descend, minutely whispering down, Silted down swaying streams, to lay Foundation for our voicelessness. All our debate is voiceless here, As all our rage, the rage of stone; If hope is hopeless, then fearless is fear, And history is thus undone. Our feet once wrought the hollow street With echo when the lamps were dead All windows, once our headlight glare Disturbed the doe that, leaping fled. I do not love you less that now The caged heart makes iron stroke, Or less that all that light once gave The graduate dark should now revoke. We live in time so little time And we learn all so painfully, That we may spare this hour's term To practice for eternity.
Robert Penn Warren (The Collected Poems of Robert Penn Warren)
Please don’t look at me like that. He lowers his gaze, picks up a strand of my hair and twirls it around his finger. “I miss you,” he says to it. It’s barely audible over the sound of the storm raging outside, but in here, it’s like a roaring crescendo. Why do his words have the power to turn my world upside down? Why do will and shame and guilt and sense fall by the wayside when I’m with him? Because you love him, comes the answer. You love him. You love him. It echoes like the clap of distant thunder.
Leylah Attar (53 Letters for My Lover (53 Letters for My Lover, #1))
She squints into the shadows between the trees, but there is no shape, no god to be found—only that voice, close as a breath against her cheek. “Adeline, Adeline,” it says, mocking, “… they are calling for you.” She turns again, finding nothing but deep shadow. “Show yourself,” she orders, her own voice sharp and brittle as a stick. Something brushes her shoulder, grazes her wrist, drapes itself around her like a lover. Adeline swallows. “What are you?” The shadow’s touch withdraws. “What am I?” it asks, an edge of humor in that velvet tone. “That depends on what you believe.” The voice splits, doubles, rattling through tree limbs and snaking over moss, folding over on itself until it is everywhere. “So tell me—tell me—tell me,” it echoes. “Am I the devil—the devil—or the dark—dark—dark? Am I a monster—monster—or a god—god—god—or…” The shadows in the woods begin to pull together, drawn like storm clouds. But when they settle, the edges are no longer wisps of smoke, but hard lines, the shape of a man, made firm by the light of the village lanterns at his back. “Or am I this?” The voice spills from a perfect pair of lips, a shadow revealing emerald eyes that dance below black brows, black hair that curls across his forehead, framing a face Adeline knows too well. One that she has conjured up a thousand times, in pencil and charcoal and dream. It is the stranger. Her stranger. She knows it is a trick, a shadow parading as a man, but the sight of him still robs her breath. The darkness looks down at his shape, seeing himself as if for the first time, and seems to approve. “Ah, so the girl believes in something after all.” Those green eyes lift. “Well now,” he says, “you have called, and I have come.” Never pray to the gods that answer after dark.
V.E. Schwab (The Invisible Life of Addie LaRue)
Have you ever watched a storm approaching on a hot summer’s day? It’s especially spectacular in the mountains. At first there’s nothing to see, but you feel a sort of weariness that tells you something is in the air. Then you hear thunder - just a rumble here and there- you can’t quite tell where it is coming from. All of a sudden, the mountains seem strangely near. There isn't a breath of wind, yet dense clouds pile up in the sky. And now the mountains have almost vanished behind a wall of haze. Clouds rush in from all sides, but still there’s no wind. There’s more thunder now, and everything around looks eir and menacing. You wait and wait. And then, suddenly, it erupts. At first it is almost a release. The storm descends into the valley. There’s thunder and lightning everywhere. The rain clatters down in huge drops. The storm is trapped in the narrow cleft of the valley and thunderclaps echo and reverberate off the steep mountain sides. The wind buffets you from every angle. And when the storm finally moves away, leaving in its place a clear, still, starlit night, you can hardly remember where those thunderclouds were, let alone which thunderclap belonged to which flash of lightning.
E.H. Gombrich (A Little History of the World)
The explosion was deafening; a huge cloud of fire rolled out the window after us, its immense heat brushing my face as we tumbled into the snow. We hit the ground and rolled. Flaming debris from the house came down around us; Griffin shoved me flat on my back, covering us both with his heavy coat. The echoes of the explosion reflected back across the river, then slowly dwindled away, like dying thunder. The leaping flames threw warm light onto the falling snow, turning it into a storm of sparks pouring down from the heavens. Griffin started to push himself off of me, then stoped. His hands were braced on either side of my shoulders, his legs twined with mine. Mt heart pounded, my palms sweated, and I was suddenly, acutely aware of how close his face was to mine. "You're a madman," he whispered. "An utter madman." "Perhaps," I allowed. "But it worked." The leaping light from the burning house painted his features in gold, highlighting his patrician nose and finding threads of brown and blue in his green eyes. His pupils widened, the irises contracting to silver. "Whatever am I going to do with you?" he murmured. The warmth of his breath feathered over my skin. Heat collected in my groin, my lips. My mouth was dry, my voice hoarse, and perhaps he was right and it was madness when I whispered, "Whatever you want." A shiver went through his body, perhaps because we were lying on the cold ground. But instead of getting up, he leaned closer, his overlong hair tumbling over his forehead. He paused, his mouth almost touching mine, his eyes seeming to ask a question. It was madness; it was folly; it was sheer selfishness. I was delusional, misguided, wrong, out of control. I needed to pull back, to say something sane, to re-establish mastery over myself. I could not do this. I could not take the risk. Later tonight, I'd relive this moment in my lonely bed and wonder if I'd done the right thing. But at least that would be familiar, would be something I knew how to cope with. And yet the very thought felt like dying. I surged forward, crossing the final, tiny gap and pressing my lips to his. It was awkward and desperate and frantic, but the feel of his mouth against mine sent a bolt of electricity straight down my spine. Just a moment, just this one kiss, surely that would be enough... Then he kissed me back, and it would never be enough, a thousand years of this would not be enough. His mouth was hungry and insistent, his tongue probing my lips, asking for greater intimacy. I granted it, tongues swirling together, mine followed his when it retreated and tasting him in return. There came the clanging of bells in the distance, the fire company alerted to the explosion. Griffin drew back a fraction. His breath was as raged as mine, which left me dazed with wonder. "My dear," he whispered against my lips. Then he swallowed convulsively. "We should leave, before the fire companies come." "Y-Yes." It was amazing I managed that much coherence. He closed his eyes and leaned his forehead against mine, our breaths mingling. "Will you come home with me?" Was he asking...? "Yes." Oh, God, yes. His lips curved into a smile.
Jordan L. Hawk (Widdershins (Whyborne & Griffin, #1))
Hammacher Schlemmer is selling a shelter, worthy of Kubla Khan's Xanadu dome; Plushy and swanky, with posh hanky panky that affluent Yankees can really call home. Hammacher Schlemmer is selling a shelter, a push-button palace, fluorescent repose; Electric devices for facing a crisis with frozen fruit ices and cinema shows. Hammacher Schlemmer is selling a shelter all chromium kitchens and rubber-tiled dorms; With waterproof portals to echo the chortles of weatherproof mortals in hydrogen storms. What a great come-to-glory emporium! To enjoy a deluxe moratorium, Where nuclear heat can beguile the elite in a creme-de-la-creme crematorium.
E.Y. Harburg
suddenly, a shadow fell over us. It was a storm, and it was mine. Startled, Irrikus raised a forearm in defense from the swirling mass of clouds. I poured every ounce of anger into it. Thick red clouds, far greater than anything I’d yet produced in the Immortal Plane, pooled overhead like the swirling hint of tornado. Irrikus's brows knit together with concentration. A rumbling thunder echoed through the air. Sweat dripped from the nape of my neck down my rigid body as I channeled everything into this emotional storm. For the first time in my experience with Irrikus, I saw a brief, fleeting flicker of fear in his face. Blasts of crimson light tumbled
Bella Forrest (Darklight 7: Darkfall)
remember how we used to play" in the upper atmosphere in the vertical climb in the sky above the clouds remember how we used to play in the nautical dusk along the radians of midheaven… out there amid the scattered wavelengths within the aerosols of a meteorological meadow we tread upon the aether side by side the ampere and the joule the whisper and the gleam borne along effervescent freeways remember how we came to rest inside the amethyst auditorium of a storm there - suspended in an echo-plex of thunder you drew me close and I tasted the voltage of your skin the radiometry of your eyes the amphetamine of your lips the flushed cushion of your tongue
Alice Evermore
Her heart strained, and she pulled back to lift a hand to his face. Rowan read the softness in her eyes, her body, and his own inherent fierceness slipped into a gentleness that so few would ever see. Her throat ached with the effort of keeping the words in. She’d been in love with him for a while now. Longer than she wanted to admit. She tried not to think about it, whether he felt the same. Those things—those wishes—were at the bottom of a very, very long and bloody priority list. So Aelin kissed Rowan gently, his hands again locking around her hips. “Fireheart,” he said onto her mouth. “Buzzard,” she murmured onto his. Rowan laughed, the rumble echoing in her chest.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
It’s all of a piece, I thought. It’s an echo so close to perfect you can’t tell which one is the living voice and which is the ghost-voice returning. For a moment everything was clear, and when that happens you see that the world is barely there at all. Don’t we all secretly know this? It’s a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark.
Stephen King (11/22/63 上)
native nostalgia, a prelude to the now when will we ever feel safe in the Mother City’s nest? Neng? Nini? i long for a time when harmony between humans and nature was not a utopian dream scattered by the patter of raindrops that threaten rooftops. the rain that is no longer euphony or lullaby to hush you to slumber. a storm is fast approaching, stay on higher ground, dig up trenches and unclog the drains wailing voices choking within the Mother City echo code red, declare this a national emergency belligerent tempest(s) warn of a time to come, a treaty between the mortals and the natural environment is needed! displaced, confused, we’ve become strangers to the Mother City are you going to listen to the wind, or are you going to wait for floating lilies to deliver seeds of condolences?
Malebo Sephodi
down. Even with the extra time outside Bobby couldn’t help but storm down the hallway boiling with rage as he made his way back to Jules. “I’ve told you so many times it’s not safe to be here by yourself with the door unlocked. You need to change your schedule so that you’re not a sitting duck in this big building. Someone could come in here, murder you, and no one would even hear you scream. This is the last time I’m going to warn you about it. You’re smarter than this, Jules.” Bobby’s face was red and his voice was a booming echo in the large empty building. Jules had initially jumped at the sound of Bobby’s voice but her fear turned quickly to annoyance. They’d had this argument many times before, but it was the first time Bobby had been so resolute about it. She rolled her eyes and returned
Danielle Stewart (Chasing Justice (Piper Anderson, #1))
The feeling of being trapped, of being helpless against his strength, his lust, and what my body needed was almost overwhelming. My eyes shuttered closed at the effort of not struggling in his harsh grasp. He whispered against my face, and I could not focus enough to see him. “Do you want to ride the storm?” His breath was hot against my skin. His voice promised no gentleness, no compromise. I knew the kind of sex he was offering, and the thought of it tightened things low in my body, drew another small sound from my throat. “Yes,” I whispered, “yes.” The roll of thunder echoed down the hallway, shuddering between the stone walls. The sound seemed to vibrate out of his body and into mine as if my body were a tuning fork struck against the rim of some great metal cup. His voice growled against my skin, with the taste of thunder in it. “Good,” he said and forced me to my knees.
Laurell K. Hamilton (A Stroke of Midnight (Meredith Gentry, #4))
Rosie flicks out her second knife and takes aim. It spins out of her hand like a star, straight at the Alpha’s chest. But the Alpha knocks it away easily. He raises a clawed hand at my sister and I feel a scream erupting in my throat, recognizing the motion from seven years ago. The swing will take my sister’s eye. I storm through the still-transforming Fenris, swinging my hatchet as if I’m hacking at tree limbs. Rosie’s eyes widen in horror as the Alpha’s claws being to descend. I grit my teeth and force my body forward, now ignoring the other wolves, desperate to reach her. A roaring scream, all human but as fierce as any Fenris howl, echoes through the parking lot. My head snaps to see its source: Silas is running toward Rosie, hunting knives in one hand, axe aloft in the other. His eyes burn brighter than any hellfire. He swings out just as the Alpha’s claws are about to reach Rosie’s face, knocking the monster out of the way.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
Euterpe,” he blurted, and I stopped dead, jarred to the backbone. “What?” I whispered. “What?” “Lost,” he said, in a voice that wasn’t his own. “Lost. With all hands.” “No,” I said, trying for reason. “No, it’s not.” He looked at me directly then, for the first time, and seized me by the forearm. “Listen to me,” he said, and the pressure of his fingers terrified me. I tried to jerk away but couldn’t. “Listen,” he said again. “I heard it this morning from a naval captain I know. I met him at the coffeehouse, and he was recounting the tragedy. He saw it.” His voice trembled, and he stopped for a moment, firming his jaw. “A storm. He had been chasing the ship, meaning to stop and board her, when the storm came upon them both. His own ship survived and limped in, badly damaged, but he saw the Euterpe swamped by a broaching wave, he said—I have no notion what that is—” He waved away his own digression, annoyed. “She went down before his eyes. The Roberts—his ship—hung about in hopes of picking up survivors.” He swallowed. “There were none.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
You’re good at this,” said Ronan. “What?” He leaned to touch the baby’s head. “Being a mother.” “What is that supposed to mean?” Ronan looked awkward. Then he said glibly, “Nothing, if you don’t like it.” He glanced at Benix, Faris, and the others, but they were discussing thumbscrews and nooses. “It didn’t mean anything. I take it back.” Kestrel set the baby on the grass next to Faris. “You cannot take it back.” “Just this once,” he said, echoing her earlier words during the game. She stood and walked away. He followed. “Come, Kestrel. I spoke only the truth.” They had entered the shade of thickly grown laran trees, whose leaves were a bloody color. They would soon fall. “It’s not that I wouldn’t want to have a child someday,” Kestrel told Ronan. Visibly relieved, he said, “Good. The empire needs new life.” It did. She knew this. As the Valorian empire stretched across the continent, it faced the problem of keeping what it had won. The solutions were military prowess and boosting the Valorian population, so the emperor prohibited any activities that unnecessarily endangered Valorian lives--like dueling and the bull-jumping games that used to mark coming-of-age ceremonies. Marriage became mandatory by the age of twenty for anyone who was not a soldier. “It’s just--” Kestrel tried again: “Ronan, I feel trapped. Between what my father wants and--” He held up his hands in flat-palmed defense. “I am not trying to trap you. I am your friend.” “I know. But when you are faced with only two choices--the military or marriage--don’t you wonder if there is a third, or a fourth, or more, even, than that?” “You have many choices. The law says that in three years you must marry, but not whom. Anyway, there is time.” His should grazed hers in the teasing push of children starting a mock fight. “Time enough for me to convince you of the right choice.” “Benix, of course.” She laughed. “Benix.” Ronan made a fist and shook it at the sky. “Benix!” he shouted. “I challenge you to a duel! Where are you, you great oaf?” Ronan stormed from the laran trees with all the flair of a comic actor. Kestrel smiled, watching him go. Maybe his silly flirtations disguised something real. People’s feelings were hard to know for certain. A conversation with Ronan resembled a Bite and Sting game where Kestrel couldn’t tell if the truth looked like a lie, or a lie like the truth. If it was true, what then?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
All Night, All Night Rode in the train all night, in the sick light. A bird Flew parallel with a singular will. In daydream's moods and attitudes The other passengers slumped, dozed, slept, read, Waiting, and waiting for place to be displaced On the exact track of safety or the rack of accident. Looked out at the night, unable to distinguish Lights in the towns of passage from the yellow lights Numb on the ceiling. And the bird flew parallel and still As the train shot forth the straight line of its whistle, Forward on the taut tracks, piercing empty, familiar -- The bored center of this vision and condition looked and looked Down through the slick pages of the magazine (seeking The seen and the unseen) and his gaze fell down the well Of the great darkness under the slick glitter, And he was only one among eight million riders and readers. And all the while under his empty smile the shaking drum Of the long determined passage passed through him By his body mimicked and echoed. And then the train Like a suddenly storming rain, began to rush and thresh-- The silent or passive night, pressing and impressing The patients' foreheads with a tightening-like image Of the rushing engine proceeded by a shaft of light Piercing the dark, changing and transforming the silence Into a violence of foam, sound, smoke and succession. A bored child went to get a cup of water, And crushed the cup because the water too was Boring and merely boredom's struggle. The child, returning, looked over the shoulder Of a man reading until he annoyed the shoulder. A fat woman yawned and felt the liquid drops Drip down the fleece of many dinners. And the bird flew parallel and parallel flew The black pencil lines of telephone posts, crucified, At regular intervals, post after post Of thrice crossed, blue-belled, anonymous trees. And then the bird cried as if to all of us: 0 your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do with your life before death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feel the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way that night passes by, this Is the overnight endless trip to the famous unfathomable abyss.
Delmore Schwartz
On July 6, 2016, a month after my statement was released, Philando Castile, a young black man, was driving home from the grocery store when a police officer pulled him over pulled him over for a broken taillight and shot him seven times. His fiancee in the passenger seat recorded him slumping over, his white shirt stained red like a Japanese flag, while a four-year old girl sat in the back. I thought, Evidence, this is it, the case that gets the verdict. It's right there, you can't turn away from it, can't reason your way out. But on June 16, 2018, the jury returned a not guilty verdict. In Oakland, people stormed the highways. Some called it chaos, but I saw reason. My testimony was incomplete because I'd blacked out. Philando couldn't testify because he was dead, couldn't even attend his own trial. I wish the prosecutor had called Philando to the stand, forced the jury to stare at the empty witness box, his name echoing into the silence, proceeded with questions. What were your nicknames for the little girl? Did your arms get tired when you carried her? Did you know, while getting dressed that morning, those were the clothes you would die in? What kind of cake did you want at your wedding?
Chanel Miller (Know My Name)
Call to mind how Jesus used to forgive men's sins, thus lifting from their hearts the crushing load that paralyzed all their efforts. Recall the tenderness with which he received those from whom the religious of his day turned aside—the repentant women who wept sore-hearted from very love, the publicans who knew they were despised because they were despicable. With him they sought and found shelter. He was their saviour from the storm of human judgment and the biting frost of public opinion, even when that opinion and that judgment were re-echoed by the justice of their own hearts. He received them, and the life within them rose up, and the light shone—the conscious light of light, despite even of shame and self-reproach. If God be for us who can be against us? In his name they rose from the hell of their own hearts' condemnation, and went forth to do the truth in strength and hope. They heard and believed and obeyed his words. And of all words that ever were spoken, were ever words gentler, tenderer, humbler, lovelier—if true, or more arrogant, man-degrading, God-defying—if false, than these, concerning which, as his, I now desire to speak to you: 'Come unto me, all ye that labour and are heavy-laden, and I will give you rest.
George MacDonald (Thomas Wingfold, Curate)
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say. “I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.” Camille tried to edge by him, but Oscar held her back with his arm. “Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.” She parted her lips to insist he was wrong. He cut her off. “If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?” Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life. “I don’t have a choice-“ He slammed his fist against the pantry shelf behind her. “I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.” She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away. “You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?” He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything. “Please, Oscar, wait, if you’ll just listen-“ The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down. “I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days. Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar. “Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak. “Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her. “Save it, Ira,” she echoed, and resumed scrubbing the floor.
Angie Frazier (Everlasting (Everlasting, #1))
Time changed in an instant. One minute, you’re drinking a beer with your friends, talking about the increasingly scary storm outside; the next, you’re flying through the air with your body slamming into the nearest wall when lightning strikes. Or rather, when lightning strikes inside the room and hits you and six of your friends dead center. Eliana Sawyer’s life changed the moment she felt the energy of the gods ricochet through her body. The world as she knew it became grey, and the things that went bump in the night became all too real. The paranormal world wasn’t that of fiction anymore; now, she lived it. The way she saw the world, the way she saw life and fate changed. She couldn’t plan a future the same way she had. She couldn’t fall in love the way she’d thought to in the past. After the lightning strike, six of her friends had found out the hard way what happened when they fell in love with someone paranormal—they became paranormal themselves. Now, years later, here Eliana was—alone, all too human, and on the outside looking in. Of course, she wasn’t that alone anymore. She never would be again. While her friends had fallen for angels, demons, dragons, and wolves, she’d fallen for a mere human. A human that had taken her heart and shattered it into a thousand pieces, all the while leaving her with nothing but an echo of what he had once been, what they had once been together. That wasn’t the only thing he’d left her with. He’d also left the life currently growing in her womb.
Carrie Ann Ryan (Prowled Darkness (Dante's Circle, #7))
The summer king customarily delivers a brief poem or statement before he convenes the special sessions. Enki gives them quite a bit more than that. “In the verde,” says Enki, as serious as I’ve ever seen him, “we love the storms. Sometimes, when we see one come in, the blocos will set up in the terraces and play until the rain drives us inside.” He pauses here, as though considering his next words, though I can tell he’s just savoring the moment. My last present from the verde must have gone through. Everyone in the audience shuffles uncomfortably. Nostrils flair, discreet coughs echo through the chamber. Some look at Enki, others at one another or the doorways. Enki takes a deep breath, as though he doesn’t notice a thing. “We have a saying,” he says as murmurs from his audience rise to a wave, “you can’t smell the catinga until it comes back home.” In the background, I can just make out several guards hurrying through the doors. Enki surveys his work and smiles, a sun breaking through clouds. “I hereby convene parliament.” As he saunters back to his seat, Auntie Isa rushes the podium with a handkerchief covering her nose and murder in her eyes. People stand up and hurry to the doors. They don’t know the smell will be even worse in the hallway. Our transport pods are all connected to the ventilation system. It’s meant to help refresh the air supply in the tunnels, but it can go the other direction. It can carry the fetid stink of the verde straight to the noses of people who pretend it doesn’t exist.
Alaya Dawn Johnson (The Summer Prince)
Raging storm. The universe booms around me. She approaches. Frightfully, I stand. Yes. Stuck. Stuck in wonderment. Something so strong, so beautiful. Swirling around me. Will it absorb me? Maybe. Or might it pass by? It could. Rolling waves of rage and chaos. Cracks of thunder echo in my chest. I am in the storm now. How? Dancing in the wind. In her chaos. Can I become a part of her forever? I must be able to. This feeling, so wonderful. Maybe she will only pass me by. Leave me to fall from the sky? I hope not. This raging storm around me. So dangerous. So pure. Nothing but nature in her utter glory. Pushing me into motion. I spin in the midst of her, taking in the power. The walls of motion. Confusion surrounds me. Particles forcing together and cracking apart. I’m frightful again, the noise overpowering me. I hunch into a ball, scared of what will become of me. Still suspended in the air. But she silences. The sky clears around me. It must be the eye of the storm. The center of everything. The center of her. Yes. The sunshine blinds me. I raise my hand to shield my face. The silence a melody in my ear. Ah, finally soothed. How extraordinary this is, floating and rising. It overcomes me. This space. Joy? But then I feel the air shift. The power making my hair rise. And suddenly, I’m moving again. She moves along. This raging, rolling storm. The air sucking me up and down. Ripping me apart. Spinning. Spinning. Spinning. Fear consumes me again as the storm takes hold. Confusion. So much confusion. I cry, thinking I might die. But it’s over. I look at my hands. My feet. Back on the ground. She rolls away. Spinning beautifully onward. My, the power. But the question. Always the question. Do I love? Do I hate? Her beautiful, frightening glory. My dear raging storm. I drop the note into my lap. My hand comes up, covering my mouth in shock. I blink down at the note, trying to slow down my heart rate. Because Noah wrote this. He wrote all of this. And he wrote it about me. About how I make him feel. I think back to his project. How he told me it was about me. The eye of the storm. Chaos. Confusion. Awe.
Jillian Dodd (The Party (London Prep #5))
who nodded as well. The relief hit Clearsight so hard, she nearly had to lie down again. But the dragons beckoned her to follow them, and they all took off, flying cautiously through the storm-tossed treetops. Dragons appeared between the leaves as she swept through the forest with her two companions, all of them watching her with startled curiosity. Most of them were dark green and brown with leaf-shaped wings. That’s their name in Dragon, she realized from a new cascade of visions. LeafWings. But about a quarter of them were the other tribe, the one Clearsight didn’t have a name for yet, and those glittered like jewels on the branches: gold and blue and purple and orange and every color of the rainbow. She saw a tiny lavender dragonet clinging to a branch, and for a moment Clearsight was alarmed to see that she didn’t have any wings. Then she spotted little wingbuds on the dragonet’s back and remembered—or foresaw, or remembered foreseeing—that the glittering tribe grew their wings a few years after hatching. Growing up wingless . . . that must be so strange. Clearsight’s mind flashed to that other vision, the horrible one, where this dragonet had been one of the many bodies left in the hurricane wreckage. But instead, tomorrow the little dragon would wake up and chase butterflies in the sunlight, complaining that she wanted blackberries for breakfast. I saved her. I did something right. The green dragon called out in a booming voice like a bell tolling. Whatever he said, the dragons around them repeated it, passing it along. Clearsight could hear the echoes of other dragon voices rolling through the forest. She felt the drumming wingbeats behind her as both tribes rose into the air and followed them to safety. “You save us,” said the shimmering dragon, looping around to fly beside Clearsight. He smiled at her again. “You safe now, too.” Maybe I am, she thought. I stopped Darkstalker. I saved Fathom, and the NightWings, and my parents. And now I’ve found a new home, with new dragons to save. I can help them with my visions. I can do everything right this time. New futures exploded in her mind. She might marry this kind, funny dragon, whose name would turn out to be Sunstreak. Or she could end up with a dragon she’d meet in three days, while helping to clean up the forest, whose gentle green eyes were nothing like Darkstalker’s.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
With the relief of knowing I had passed through a crisis, I sighed because there was nothing to hold me back. It was no time for fear or pretense, because it could never be this way with anyone else. All the barriers were gone. I had unwound the string she had given me, and found my way out of the labyrinth to where she was waiting. I loved her with more than my body. I don’t pretend to understand the mystery of love, but this time it was more than sex, more than using a woman’s body. It was being lifted off the earth, outside fear and torment, being part of something greater than myself. I was lifted out of the dark cell of my own mind, to become part of someone else—just as I had experienced it that day on the couch in therapy. It was the first step outward to the universe—beyond the universe—because in it and with it we merged to recreate and perpetuate the human spirit. Expanding and bursting outward, and contracting and forming inward, it was the rhythm of being—of breathing, of heartbeat, of day and night—and the rhythm of our bodies set off an echo in my mind. It was the way it had been back there in that strange vision. The gray murk lifted from my mind, and through it the light pierced into my brain (how strange that light should blind!), and my body was absorbed back into a great sea of space, washed under in a strange baptism. My body shuddered with giving, and her body shuddered its acceptance. This was the way we loved, until the night became a silent day. And as I lay there with her I could see how important physical love was, how necessary it was for us to be in each other’s arms, giving and taking. The universe was exploding, each particle away from the next, hurtling us into dark and lonely space, eternally tearing us away from each other—child out of the womb, friend away from friend, moving from each other, each through his own pathway toward the goal-box of solitary death. But this was the counterweight, the act of binding and holding. As when men to keep from being swept overboard in the storm clutch at each other’s hands to resist being torn apart, so our bodies fused a link in the human chain that kept us from being swept into nothing. And in the moment before I fell off into sleep, I remembered the way it had been between Fay and myself, and I smiled. No wonder that had been easy. It had been only physical. This with Alice was a mystery. I leaned over and kissed her eyes. Alice knows everything about me now, and accepts the fact that we can be together for only a short while. She has agreed to go away when I tell her to go. It’s painful to think about that, but what we have, I suspect, is more than most people find in a lifetime.
Daniel Keyes (Flowers for Algernon)
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
In the dark, in no starlight at all, the blocks hurtled invisibly by, ejected into the night air; he heard them break but he believed it was only the echoes of broken windows, not even his broken windows but someone else’s in some other city, people all over the night searching madly for those who transmitted the vague and unpersuasive frequency of destiny, not even this night but some other night that came before, from which the sound of breaking windows reached him only now like the light of novae. Ice busting in the dirt. The storm turned north.
Steve Erickson (Tours of the Black Clock)
Reveille echoed in the first light of dawn. Susannah opened one eye to see Jesse blowing on a bugle formed with his two fists. She pulled the covers over her head and rolled into a ball. “None of that, slugabed.” He lifted the quilts from her legs. Air chilled by yesterday’s storm hit her feet and she squeaked. He yanked the covers off. “Atten’hut!” She glared at him. “What rank did you attain?” “Oh, I’ve held a number of ranks. Busted out of a few too. This morning I’m your sergeant. Fall in!” He saluted her, then pulled her into his arms. “Soldiers aren’t this beautiful to roust. Men look their worst in the morning, a night’s growth of beard scabbing their faces, hair sticking up like rabid porcupines.” Susannah snuggled into the curve of his arm. “That so?” “Whereas women look all soft and lazy in the morning. Especially lazy.” He set her upright. “Private Mason, you have stable duty this morning.” Susannah groaned. “I liked you better when your orders were for bed rest.” “Maybe later.” He patted her backside. “Now I’ll show you why our door opens inward.
Catherine Richmond (Spring for Susannah)
The word ghost is only used in the Bible a few times, but nonetheless it is mentioned. Several passages include: Matt. 14:26; Mark 6:49; Isaiah. 29:14; and Luke 24:37-39. The Bible references the disciples witnessing Jesus walking on the water during a storm. What they believed they were seeing was a ghost, rather than Jesus walking on the water. After the resurrection, his disciples thought he was ghost, but he let them touch him,
Larry Wilson (Echoes from the Grave: Exploring the Mysteries of the Supernatural in Illinois, Indiana and Kansas)
Talis searched the steamy swamplands for prey, hoping to make his father proud, no matter what the cost. His father’s words echoed in his mind, “Your brother hunted big game when he was twelve.” Why did his words stain his mind like ink on a page? His brother had hunted with a team of men and merely managed to bounce his spear off a deer. Talis was thirteen now and though he’d tried, had been spurned by every hunting trip his father’s men had pursued. Lad, don’t want you dying like your brother, you’re the last son of the Storm family lineage, and all.  Finding nothing
John Forrester (Fire Mage (Blacklight Chronicles, #1))
I didn’t think things through, you know. I just rushed out and rescued you. I caused you great suffering.” Her large green eyes fastened on his face. Storm clouds gathered instantly when she felt his faint, mocking amusement echoing through her mind. “What? What’s so funny? Some idiot tried to put a stake through your heart, and he didn’t even hit the darn thing!” For which I am grateful. And I am even more grateful that you rescued me. I did not like being imprisoned and in such pain. “I guess I’m glad I rescued you, too, but the truth is, Jacques, I have watched you healing faster than is possible. You’re even more dangerous now. You are, aren’t you?” Never to you, he denied.
Christine Feehan (Dark Desire (Dark, #2))
I manage a low growl, then stop when a sigh echoes in my head. “Hey,” I say softly. “I appreciate what you’ve done. When I’m yelling at the face in the mirrors, I’m not yelling at you. It’s not you I’m angry at. You know that, right?” I know it now. A pause. I am, essentially, the metal and circuitry you persist in seeing. Sometimes it is difficult for me to tell at whom you are directing your disgust and hatred. I thank you for considering my feelings. Is that what I just did? Yeah, I guess it was. I’ve acknowledged VC1’s capacity for emotions in the past, but I don’t think I’ve ever taken them into consideration when I’ve acted before now. I allow myself a small grin. “I’ll try to do better with that. You are so much more than metal and circuitry.” So are you.
Elle E. Ire (Woven (Storm Fronts Book 3))
Eeeeeeeeeeeeeeeeee,” Lisa shrilled as she was interrupted by a loud crashing sound coming from the hall way, followed by a sound like water gushing. We both jumped into each other’s arms again and screamed. “EEEEEEEEEEEEEEEEEEK!” “It’s ok,” I said to Lisa. “It’s probably just a roof beam falling in letting the rain come in. There’s nothing to be worried about. We need to find somewhere safe to hide.” “Safe? Where is safe? Safe from the storm or safe from the ghosts.” “There are no ghosts here. Ghosts DON’T exist!” I didn’t know who I was trying to convince, Lisa or myself. “This is a haunted house. Why wouldn’t ghosts exist?” she challenged. “Because, because….I don’t know, they just don’t that’s all. It’s just a tourist attraction.” “Well what about the boy on the swing out there?” Lisa was determined to scare us both. “We don’t know that there’s a boy on the swing out there. Our eyes aren’t seeing right in the storm,” but before I could continue reassuring Lisa, I heard a high pitched melodic sound coming from somewhere in the house, echoing
Kate Cullen (Game on Boys 5: House of Horrors : Funny, action packed chapter book for Middle grade (Game on Boys Series))
was once caught in a downpour on my way into a prison. As I waited to pass through a set of doors, I groused to an inmate on work duty who was mopping the hallway that even my socks were soaked. “They cancel outdoor rec in storms,” the man said to me with a soft smile. “I haven’t been in a rainstorm in eighteen years.”)
Christine Montross (Waiting for an Echo: The Madness of American Incarceration)
His home was a wondrous palace, wrought of light and sound, where every room had a mysterious tale to tell and strange aethers roamed the tall, echoing corridors.
Storm Constantine
The second experiential pillar—idealizing—is the process by which we identify figures who are powerful in their stability, wisdom, and goodness. These ideal figures provide a port in the storm during turbulent times, and they also model key organizing principles of life: how to maintain purpose and meaning even in the midst of distress.
Christine Montross (Waiting for an Echo: The Madness of American Incarceration)
The eagle of the Alps is sometimes beaten down by the tempest into the narrow defiles of the mountains. Storm clouds shut in this mighty bird of the forest, their dark masses separating her from the sunny heights where she has made her home. Her efforts to escape seem fruitless. She dashes to and fro, beating the air with her strong wings, and waking the mountain echoes with her cries. At length, with a note of triumph, she darts upward, and, piercing the clouds, is once more in the clear sunlight, with the darkness and tempest far beneath. So we may be surrounded with difficulties, discouragement, and darkness. Falsehood, calamity, injustice, shut us in. There are clouds that we cannot dispel. We battle with circumstances in vain. There is one, and but one, way of escape. The mists and fogs cling to the earth; beyond the clouds God’s light is shining. Into the sunlight of His presence we may rise on the wings of faith.—Education, p. 118.
Ellen Gould White (The Book of Job E. G. White Notes 4Q 2016)
... Blood pounded inside his skull. The pounding became more distinct. A thundering and a racing of hoofs, rising like a storm over the hills to the north. The triumphant baying of the Saxon war-horns was echoed by others, more distant. These were higher, shriller, the prelude to the storm. Cavalry bugles. Bedwyr's lungs were full of smoke and blood, else he would have laughed. The dragon had come at last.
David Pilling (Artorius (Leader of Battles #2))
The Empress Dowager, the man continued, was much distressed, and had given orders to stop the fighting; the Boxers were fools... Then the soldier waved a farewell, and retreated cautiously, picking his way back through the ruins and débris. Several times he stopped no raised the head of some dead man that lay there, victim to our rifles, and peered at the face to see if it was recognisable. In five days we have accounted for very many killed and wounded, and numbers still lie in the exposed positions where they fell. The disappearing figure of that man was the end to the last clue we came across regarding the meaning of this sudden quiet. The shadows gradually lengthened and night suddenly fell, and around us there was nothing but these strangely silent ruins. There was barricade for barricade, loophole for loophole, and sandbag for sandbag. What has been levelled to the ground by fire has been heaped up once more so that the ruins themselves may bring more ruin! But although we exhausted ourselves with questions, and many of us hoped against hope, the hours sped slowly by and no message came. The Palace, enclosed in its pink walls, had sunk to sleep, or forgotten us - or, perhaps, had even found that there could be no truce. Then midnight came, and as we were preparing, half incredulously, to go to sleep, we truly knew. Crack, crack, went the first shots from some distant barricade, and bang went an answering rifle on our side. Awakened by these echoes, the firing grew naturally and mechanically to the storm of sound we have become so accustomed to, and the short truce was forgotten. It is no use; we must go through to the end.
B.L. Putnam Weale
Aelin lifted onto her toes. She felt Rowan’s eyes on her the whole time, felt his body go still with predatory focus, as she kissed the corner of his mouth, the bow of his lips, the other corner. Soft, taunting kisses. Designed to see which one of them yielded first. Rowan did. With a sharp intake of breath, he gripped her hips, tugging her against him as he slanted his mouth over hers, deepening the kiss until her knees threatened to buckle. His tongue brushed hers—lazy, deft strokes that told her precisely what he was capable of doing elsewhere. Embers sparked in her blood, and the moss beneath them hissed as rain turned to steam. Aelin broke the kiss, breathing ragged, satisfied to find Rowan’s own chest rising and falling in an uneven rhythm. So new—this thing between them was still so new, so … raw. Utterly consuming. The desire was only the start of it. Rowan made her magic sing. And maybe that was the carranam bond between them, but … her magic wanted to dance with his. And from the frost sparkling in his eyes, she knew his own demanded the same. Rowan leaned forward until they were brow-to-brow. “Soon,” he promised, his voice rough and low. “Let’s get somewhere safe—somewhere defensible.” Because her safety always would come first. For him, keeping her protected, keeping her alive, would always come first. He’d learned it the hard way. Her heart strained, and she pulled back to lift a hand to his face. Rowan read the softness in her eyes, her body, and his own inherent fierceness slipped into a gentleness that so few would ever see. Her throat ached with the effort of keeping the words in. She’d been in love with him for a while now. Longer than she wanted to admit. She tried not to think about it, whether he felt the same. Those things—those wishes—were at the bottom of a very, very long and bloody priority list. So Aelin kissed Rowan gently, his hands again locking around her hips. “Fireheart,” he said onto her mouth. “Buzzard,” she murmured onto his. Rowan laughed, the rumble echoing in her chest.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
The sound of sporadic gunfire echoing through the narrow streets of Dublin sounded to ten-year-old Patrick Murphy like the rolling thunder from a summer storm brewing somewhere in the distance. Patrick peered around
Richard Turner (Goliath (Ryan Mitchell, #1))
Chimes at the Edge of Hearing (2011) Chimes in the heavens sound so fine, Whither does it go; how it chimes the time. Tumultuous river of colored tinselly sounds, Their music brasses forth, it has no bounds. Tinkle clackle tinke koo, How infinite the melody with notes so few. Chimes clanging silent at the edge of hearing, Does it not sound so jingly and endearing? Klankle ping chinkle cree, Quite the sound of discordant harmony. Pakkle kikkle ringly kat, Chimes echo out; they drift cackling back. A cacophony of clingles, pims and tinkle-ets, Chimes shinkle loud at the crescendo of their octets. Pakickle tamtankle jjingling kites, They fly into darkness on the clatter of midnight. Chimes symphonic at the coming black storm, Upon the shrieks their shimmering rrrings are born. Sounds and silences; the glistening chimes adorn, Haunting images of sounds so distant and forlorned. Cymbal they together; the sound of crackly glass, They remind of the times and rattles of the past. Metals on metals trinklelink clapping down the time, Their clittering rhythms broke, raw and refined. Concerto of jangles jinkles and dings, See their sound, how pleasant they dream. Off they go, winds klickle on smooth breeze, And chinkle and pinkle through my melodic tree. dlaurent
Douglas M. Laurent
There were too many unexplained noises, too many echoes, too many vacilliating shadows.
Storm Constantine (Calenture)
Adams drew from the War of 1812 the disconcerting conclusion that occasional wars are indispensable for the inculcation of civic virtue and hence long-term health of republican government. Adams to Rush, "Wars at times are as necessary for the preservation and perfection, the prosperity, Liberty, happiness, Virtue, & independence of Nations as Gales of wind to the Saluburity of the Atmosphere, or the agitations of the Ocean to prevent its stagnation and putrefaction." There is a definite echo here of Jefferson's famous claim that "a little rebellion now and then is a good thing, and as necessary in the political world as storms in the physical," as well well as Adam's own hope during the Revolution that "the Furnace of Affliction" would help to purify the nation, ridding it of its softness and selfishness." Adams, "We all regret or affect to regret War...There never was a Republick; no nor any other People, under whatever Government, that could maintain their Independence, much less grow and propser, without it." ... "What horrid Creatures we Men are," he mused, " that we cannont be virtuous without murdering one another." Chapter 9, page 139-140
Dennis C. Rasmussen (Fears of a Setting Sun: The Disillusionment of America's Founders)
What if the plot you think you see is but an echo of your own fears projected onto an innocent act?
Ken Liu (The Wall of Storms (The Dandelion Dynasty, #2))
The federal government will have become their enemy...” Thomas echoed in a disbelieving voice. “I fear there is no turning back from the
Virginia Gaffney (Storm Clouds Rolling In (Bregdan Chronicles, #1))
If you can wake up fast enough, certain tragedies (though not all) can be avoided. And for those times when you don’t manage to wake up fast enough, be kind to yourself in the storm that will follow.
Echo Brown (Black Girl Unlimited)
The sounds he had perceived were no more than rogue emotions and memories, echoing from wall to wall.
Storm Constantine (Calenture)
and with a terrible lowing sound that echoed across the shallow poisoned tarns and endless peat hags of the continental waste, Benedict Paucemanly plunged into the full nightmare of his own decay.
M. John Harrison (A Storm of Wings)
And yet, though his eyes shone with the thrill of his discovery, he suffered at the same time a pang of resentment - a resentment that this alien realm should be able to exist in a world that appeared to have no reference to his home and which seemed, in fact, supremely self-sufficient. A region that had never heard of Fuchsia and her death, nor of her father, the melancholy earl, nor of his mother the countess with her strange liquid whistle that brought wild birds to her from distant spinneys. Were they coeval; were they simultaneous? These worlds; these realms - could they both be true? Were there no bridges? Was there no common land? Did the same sun shine upon them? Had they the constellations of the night in common? When the storm came down upon these crystal structures, and the sky was black with rain, what of Gormenghast? Was Gormenghast dry? And when the thunder growled in his ancient home was there never any echo hereabouts? What of the rivers? Were they separate? Was there no tributary, even, to feel its way into another world? Where lay the long horizons? Where throbbed the frontiers? O terrible division! The near and the far. The night and the day. The yes and the no.
Mervyn Peake (Titus Alone (Gormenghast, #3))