The Solace Of Open Spaces Quotes

Autumn teaches us that fruition is also death; that ripeness is a form of decay. The willows, having stood for so long near water, begin to rust. Leaves are verbs that conjugate the seasons.

Everything in nature invites us constantly to be what we are. We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still.

True solace is finding none, which is to say, it is everywhere.

The truest art I would strive for in any work would be to give the page the same qualities as earth: weather would land on it harshly; light would elucidate the most difficult truths; wind would sweep away obtuse padding.

The toughness I was learning was not a martyred doggedness, a dumb heroism, but the art of accommodation. I thought: to be tough is to be fragile; to be tender is to be truly fierce.

All through autumn we hear a double voice: one says everything is ripe; the other says everything is dying. The paradox is exquisite. We feel what the Japanese call "aware"--an almost untranslatable word meaning something like "beauty tinged with sadness.

The lessons of impermanence taught me this: loss constitutes an odd kind of fullness; despair empties out into an unquenchable appetite for life.

The truest art I would strive for in any work would be to give the page the same qualities as earth: weather would land on it harshly, light would elucidate the most difficult truths; wind would sweep away obtuse padding. Finally, the lessons of impermanence taught me this: loss constitutes an odd kind of fullness; despair empties out into an unquenchable appetite for life.

Leaves are verbs that conjugate the seasons.

people are blunt with one another, sometimes even cruel, believing honesty is stronger medicine than sympathy, which may console but often conceals.

From the clayey soil of northern Wyoming is mined bentonite, which is used as filler in candy, gum, and lipstick. We Americans are great on fillers, as if what we have, what we are, is not enough. We have a cultural tendency toward denial, but being affluent, we strangle ourselves with what we can buy. We gave only to look at the houses we build to see how we build *against* space, the way we drink against pain and loneliness. We fill up space as if it were a pie shell, with things whose opacity further obstructs our ability to see what is already there.

Ranchers are midwives, hunters, nurturers, providers, and conservationists all at once. What we’ve interpreted as toughness—weathered skin, calloused hands, a squint in the eye and a growl in the voice—only masks the tenderness inside.

Instead of the macho, trigger-happy man our culture has perversely wanted him to be, the cowboy is more apt to be convivial, quirky, and softhearted. To be "tough" on a ranch has nothing to do with conquests and displays of power. More often than not, circumstances - like the colt he's riding or an unexpected blizzard - are overpowering him. It's not toughness but "toughing it out" that counts. In other words, this macho, cultural artifact the cowboy has become is simply a man who possesses resilience, patience, and an instinct for survival. "Cowboys are just like a pile of rocks - everything happens to them. They get climbed on, kicked, rained and snowed on, scuffed up by wind. Their job is 'just to take it,' " one old-timer told me.

We assimilate a little this way, and a little that way. Life is only mutation.

We fill up space as if it were a pie shell, with things whose opacity further obstructs our ability to see what is already there. OBITUARY One of the largest sheep ranches in northern Wyoming went under this week.

A day goes by. Every shiver of grass counts. The shallows and dapples in air that give grass life are like water. The bobcat returns nightly. During easy jags of sleep the dog’s dream-paws chase coyotes. I ride to the sheep. Empty sky, an absolute blue. Empty heart. Sunburned face blotches brown. Another layer of skin to peel, to meet myself again in the mirror. A plane passes overhead—probably the government trapper. I’m waving hello, but he speeds away.

It had occurred to me that comfort was only a disguise for discomfort; reference points, a disguise for what will always change.

Finally, the lessons of impermanence taught me this: loss constitutes an odd kind of fullness; despair empties out into an unquenchable appetite for life.

Loss constitutes an odd kind of fullness; despair empties out into an unquenchable appetite for life.

There’s so little to do except work that people wind up in a state of idle agitation that becomes fatalistic, as if there were nothing to be done about all this untapped energy.

A cowboy is someone who loves his work. Since the hours are long—ten to fifteen hours a day—and the pay is $30 he has to. What's required of him is an odd mixture of physical vigor and maternalism. His part of the beef-raising industry is to birth and nurture calves and take care of their mothers. For the most part his work is done on horseback and in a lifetime he sees and comes to know more animals than people. The iconic myth surrounding him is built on American notions of heroism: the index of a man's value as measured in physical courage. Such ideas have perverted manliness into a self-absorbed race for cheap thrills. In a rancher's world, courage has less to do with facing danger than with acting spontaneously—usually on behalf of an animal or another rider. If a cow is stuck in a bog hole he throws a loop around her neck, takes his dally (a half hitch around the saddle horn), and pulls her out with horsepower. If a calf is born sick, he may take her home, warm her in front of the kitchen fire, and massage her legs until dawn. One friend, whose favorite horse was trying to swim a lake with hobbles on, dove under water and cut her legs loose with a knife, then swam her to shore, his arm around her neck lifeguard-style, and saved her from drowning. Because these incidents are usually linked to someone or something outside himself, the westerner's courage is selfless, a form of compassion.

But ranchers who cherish the western life and its values also pray for oil wells in their calving pasture or a coal lease on prime grassland. Economics has pressed them into such a paradoxical state. For years, they've borrowed $100,000 for operating costs; now they can't afford interest. Disfigurement is synonymous with the whole idea of a frontier. As soon as we lay our hands on it, the freedom we thought it represented is quickly gone.

There was no solace in the openness of the land, just as there was no healing in the isolation he sought in the barren plain of winter-killed grasses. The prairie seemed nothing more than an extension of the boundless emptiness that had opened inside him. Neither his mount nor his packhorse seemed a companion—but victims of his own aimlessness. The voiceless plain only provided a silent space for his demons to follow and murmur in his ear. Rilla’s bloodied body shadowed him as vividly as if dragged behind his horse on a travois, scraping a scar across the dry land. The child was not real. There were no memories attached to a nameless son to haunt him, save the mental picture of that inanimate thing tucked against its dead mother’s ribs. The child had seemed more an extension of Rilla’s suffering, giving her death a measurable size and shape. Mother and son comprised a common image rendered in scarlet, and the image had been painted on a permanent altar inside Wyatt’s mind.

Statement Preliminary to the Invention of Solace Whether they bend as compliantly as black leaves Curved and hanging in the heavy dew in the grey dawn, Or whether they wait as motionless as ice-coated Insects and spears of roots on a northern cliff; Whether they tighten once like the last white edge Of primrose taken suddenly skyward By a gust of frost, or swallow as hard as stones Careened and scattered by a current of river; Whether they mourn by the bright light of grief Running like a spine of grass straight through the sound Of their songs, or whether they fall quietly Through indefinite darkness like a seed of sorrel Bound alive beneath snow; whether they mourn in multitudes, blessed like a congregation of winter forest moaning for the white drifting children of storms they can never remember, or whether they grieve separately, divided even from themselves, parted like golden plovers blown and calling over a buffeted sea; something must come to them, something as clear and fair and continuous as the eye of the bluegill open in calm water, something as silent as the essential spaces of breath heard inside the voice naming all of their wishes, something touching them in the same way the sun deep in the pit of the pear touches the spring sky by the light of its own leaf. A comfort understood like that must be present now and possible.

Thank you...Sir.” I tried a simple word myself, and it rolled nicely out of my mouth and fell into the space between us like an intricately wrapped gift. I wasn’t sure if either of us needed to open it, but it was there. He

Angle of Repose by Wallace Stegner; Some Horses: Essays by Thomas McGuane; Legends of the Fall by Jim Harrison; Lonesome Dove by Larry McMurtry; The Border Trilogy by Cormac McCarthy; The Wild Marsh: Four Seasons at Home in Montana by Rick Bass; The Solace of Open Spaces by Gretel Ehrlich; She Had Some Horses: Poems by Joy Harjo; The Meadow by James Galvin; The Whistling Season by Ivan Doig; The Last Stand: Custer, Sitting Bull, and the Battle of the Little Bighorn by Nathaniel Philbrick; The Cave Painters: Probing the Mysteries of the World’s First Artists by Gregory Curtis; From the Heart of the Crow Country: The Crow Indians’ Own Stories by Joseph Medicine Crow; The Basque History of the World: The Story of a Nation by Mark