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let me live, love, and say it well in good sentences
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Sylvia Plath (The Unabridged Journals of Sylvia Plath)
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I don't mean to be rude—" he began, in a tone that threatened rudeness in every syllable.
"Yet, sadly, accidental rudeness occurs alarmingly often," Dumbledore finished the sentence gravely.
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J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
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Last night I dreamt I went to Manderley again.
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Daphne du Maurier (Rebecca)
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I know all those words, but that sentence makes no sense to me.
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Matt Groening
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Words, I think, are such unpredictable creatures.
No gun, no sword, no army or king will ever be more powerful than a sentence. Swords may cut and kill, but words will stab and stay, burying themselves in our bones to become corpses we carry into the future, all the time digging and failing to rip their skeletons from our flesh.
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Tahereh Mafi (Ignite Me (Shatter Me, #3))
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No live organism can continue for long to exist sanely under conditions of absolute reality.
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Shirley Jackson (The Haunting of Hill House)
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I am writing because they told me to never start a sentence with because. But I wasn't trying to make a sentence—I was trying to break free. Because freedom, I am told, is nothing but the distance between the hunter and its prey.
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Ocean Vuong (On Earth We're Briefly Gorgeous)
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I loved how a book, a story, a set of words in a sentence organized in the exact right order, made you miss places you’ve never visited, and people you’ve never met.
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Ashley Poston (The Seven Year Slip)
Herman Melville (Moby-Dick or, The Whale)
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Because when I read, I don't really read; I pop a beautiful sentence into my mouth and suck it like a fruit drop, or I sip it like a liqueur until the thought dissolves in me like alcohol, infusing brain and heart and coursing on through the veins to the root of each blood vessel.
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Bohumil Hrabal (Too Loud a Solitude)
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Why do girls always feel like they have to apologize for giving an opinion or taking up space in the world? Have you ever noticed that?" Nicole asked. "You go on websites and some girl leaves a post and if it's longer than three sentences or she's expressing her thoughts about some topic, she usually ends with, 'Sorry for the rant' or 'That may be dumb, but that's what I think.
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Libba Bray (Beauty Queens)
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Ludicrous? Seems like wherever you go, trouble follows you.”
“Look, Deputy Lawson. I had nothing to do with all this. I was just have a beer and minding my own business until this woman sat down next to me and said, ‘Can you help me, Mr. Ludef…’ She didn’t even finish the sentence. The next thing I know she’s laying on the deck. I don’t know who she is or why she sought me out.”
“Seems like I’ve heard this story before. You have a nasty reputation of people dying around you.”
“You know better. That comes with the occupation.”
“And you know the drill. Don’t leave town until we get to the bottom of this.
”
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Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
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But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.
”
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Ernest Hemingway (A Moveable Feast)
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He was doing quite well until the last sentence, but if you bare your arse to a vengeful unicorn, the number of possible outcomes dwindles to one.
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David Mitchell (The Bone Clocks)
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Freedom is not a reward or a decoration that you toast in champagne. On the contrary, it's hard graft and a long-distance run, all alone, very exhausting. Alone in a dreary room, alone in the dock before the judges, and alone to make up your mind, before yourself and before the judgement of others. At the end of every freedom there is a sentence, which is why freedom is too heavy to bear.
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Albert Camus (The Fall)
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Everest silences you...when you come down, nothing seems worth saying, nothing at all. You find the nothingness wrapping you up, like a sound. Non-being. You can't keep it up, of course. the world rushes in soon enough. What shuts you up is, I think, the sight you've had of perfection: why speak if you can't manage perfect thoughts, perfect sentences? It feels like a betrayal of what you've been through. But it fades; you accept that certain compromises, closures, are required if you're to continue.
”
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Salman Rushdie (The Satanic Verses)
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Maggie, I don't read." The combination of these four words create the saddest sentence I'd ever heard.
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Brittainy C. Cherry (The Silent Waters (Elements, #3))
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Lila was able to speak through writing; unlike me when I wrote, unlike Sarratore in his articles and poems, unlike even many writers I had read and was reading, she expressed herself in sentences that were well constructed, and without error, even though she had stopped going to school, but–further–she left no trace of effort, you weren't aware of the artifice of the written word. I read and I saw her, I heard her. The voice set in the writing overwhelmed me, enthralled me even more than when we talked face to face; it was completely cleansed of the dross of speech, of the confusion of the oral; it had the vivid orderliness that I imagined would belong to conversation if one were so fortunate as to be born from the head of Zeus and not from the Grecos, the Cerullos.
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Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
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A mental health diagnosis is not a death sentence.
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Freida McFadden (Ward D)
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People say, when I complain of being less lively, less energetic, less high - spirited, "Well, now you're just like the rest of us," meaning, among other things to be reassuring. But I compare myself with my former self, not with the others. Not only that, I tend to compare my current self with the best I have been, which is when I have been mildly manic. When I am my present "normal" self, I am far removed from when I have been my liveliest, most productive, most intense, most outgoing and effervescent. In short, for myself, I am a hard act to follow.
And I miss Saturn very much." An Unquiet Mind by Kay Redfield Jamison page 92, paragraph 1 sentence 2 -4 and paragraph 2
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Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
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Less than 1 percent of lynchers were ever convicted of a crime. Only a fraction of those ever served a sentence. Teddy Roosevelt claimed the main cause of lynching was Black men raping White women. You know what? That didn’t happen.” “Why do you think White people are so afraid of that?” “Who knows. Sexual inadequacy, maybe. An amplification of their own desire to rape, which they did.” Mama Z puffed out smoke. “But I think rape was just an excuse.” “You think Whites are just afraid of Black men?” “I think it’s sport.” 73 Sheriff Red Jetty sat in a booth in the back of the Dinah.
”
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Percival Everett (The Trees)
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As Umber taught me, the Quran is teeming with queer possibilities. Now I’m not saying that the Quran is a guidebook to a queer utopia, because, like many religious texts, it has its fair share of hegemonic rules and restrictions. But it is also an extraordinarily poetic work, with a diverse range of thoughts, many of which feel compatible with being queer. Prophet Muhammed once said, ‘Islam began as something strange and will return to being something strange, so give blessings to those who are strange.’ Amen Muhammed! If you replace the world Islam with ‘people’, the sentence could feasibly be the slogan for a queer sex-positive disco in Berlin.
”
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Amrou Al-Kadhi (Life as a Unicorn: A Journey from Shame to Pride and Everything in Between)
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It happens to be the case that we cannot, in our language, refer to the sensible properties of a thing without introducing a word or phrase which appears to stand for the thing itself as opposed to anything which may be said about it. And, as a result of this, those who are infected by the primitive superstition that to every name a single real entity must correspond assume that it is necessary to distinguish logically between the thing itself and any, or all, of its sensible properties. And so they employ the term “substance” to refer to the thing itself. But from the fact that we happen to employ a single word to refer to a thing, and make that word the grammatical subject of the sentences in which we refer to the sensible appearances of the thing, it does not by any means follow that the thing itself is a “simple entity,” or that it cannot be defined in terms of the totality of its appearances. It is true that in talking of “its” appearances we appear to distinguish the thing from the appearances, but that is simply an accident of linguistic usage. Logical analysis shows that what makes these “appearances” the “appearances of” the same thing is not their relationship to an entity other than themselves, but their relationship
to one another. The metaphysician fails to see this because he is misled by a superficial grammatical feature of his language.
”
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Alfred Jules Ayer (Language, Truth and Logic)
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Some of these sentences were written downstairs before the kids woke. Others were scribbled on a pad when I should have been clearing the table. Some were typed at the office while I snoozed a couple of client emails, and some were hastily tapped out on my phone in the middle of a backyard fire conversation among friends sharing our mutual parenting struggles. But all of them come from the fray, and all of them are much more scuffed up by failure than they are polished up by success. I find I am drawn to write about things I struggle with, and habits of the household are no different. I’m qualified to write about this stuff not because I’m so good at it, I’m qualified to write about this stuff because I need it so badly.
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Justin Whitmel Earley (Habits of the Household: Practicing the Story of God in Everyday Family Rhythms)
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Need more blogs or something else? Just ask!
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”
”
Kevin (Livre de coloriage de nourriture Kawaii: Contient 48 dessins (French Edition))