The Painters Keys Art Quotes

The canvas is the door to another dimension. The paintbrush is the key.

Changing the subject is one of the most difficult arts to master, the key to almost all the others.

She had never seen me draw–because not drawing and forgetting everything I knew about art, I thought, was the magic key to my becoming a serious painter.

Sometimes my soul feels very peaceful, happy to be contained. Other times it has the urge to send envoys into the world, and I find myself sending unguarded passionate messages, voice notes and even recordings of me singing to my friends. It makes me think of the bit in the song where Joni breaks into the Canadian national anthem. I find the whole song moving, but this particular part, her 'o Canada', sounds like a moment where she forgets the audience and performs in the way you might in a private scene with a lover, family member or friend. No one wants to be a lonely soul, only filled up with yourself and the abstractions of the soul in art. Like a squid stuffed with its own tentacles. A lonely painter, living in a box of paints. But, it occurs to me, needing to identify what or who the 'you' is when I sing Joni's song is another example of my ego troubling with a convention I don't really believe in. My 'you' could be liquid, flowing from one thing to another. It could contain many people and things, be so vast as to be God-sized, an oceanic you. Or it could be small and exact like a square of pure pigment, with a startling itselfness, which once it goes beyond me can transform all it touches.

All through my keys that gave their sounds to a wish of my soul, All through my soul that praised as its wish flowed visibly forth, All through music and me! For think, had I painted the whole, Why, there it had stood, to see, nor the process so wonder-worth: Had I written the same, made verse—still, effect proceeds from cause, Ye know why the forms are fair, ye hear how the tale is told; It is all triumphant art, but art in obedience to laws, Painter and poet are proud in the artist-list enrolled:— But here is the finger of God, a flash of the will that can, Existent behind all laws, that made them and, lo, they are! And I know not if, save in this, such gift be allowed to man, That out of three sounds he frame, not a fourth sound, but a star. Consider it well: each tone of our scale in itself is nought; It is everywhere in the world—loud, soft, and all is said: Give it to me to use! I mix it with two in my thought: And, there! Ye have heard and seen: consider and bow the head! Well, it is gone at last, the palace of music I reared; Gone! and the good tears start, the praises that come too slow; For one is assured at first, one scarce can say that he feared, That he even gave it a thought, the gone thing was to go. Never to be again! But many more of the kind As good, nay, better, perchance: is this your comfort to me? To me, who must be saved because I cling with my mind To the same, same self, same love, same God: ay, what was, shall be.

Barbara Hyman was born in Philadelphia, and is now a New York, and Key West based painter. After receiving her B.A. in Art History, Barbara continued her studies in fine art. Barbara studied privately at the Atelier of Daniel Bennet Schwartz, NYC, The National Academy of Design, NYC, the Art Students League of New York, and the Saci School, Florence, Italy. She is also Certified in Appraising Fine Art. Barbara Hyman's paintings and drawings hang in collections in Pennsylvania and New York.

As the triumphant French crusaders began to march from victory to victory, in France, echoing the march of the columns in Algeria, the ‘greatness’ of the Crusades was revived in arts, expressing past French glories. Highly popular amongst artists were Louis IX’s two crusades (1248-50; 1270), which symbolised successes of French history. Exhibitions of sculptures and paintings and tapestries of scenes from his life abounded. Thus was organised in the Salles des Croisades at Versailles a festival as part of King Louis Phillipe's (King 1830-1848) programme to turn the palace into a museum ‘dedicated to the glories of France.’ The five crusade rooms displayed each a key crusade events and individuals and the coats of arms of their participants. In total, there were 120 paintings of individual crusaders and scenes of battles and sieges in which French crusaders played a leading role.761 Louis Philippe employed no less than fifty painters for such an enterprise.762 Correspondingly, in the Musée, three rooms were dedicated to the war in the colony, which were called the Salles d’Afrique. The Salles d’Afrique were built exactly above the Salles des Croisades, which symbolically linked the conquest of Algeria to the Crusades.763