The Originals Always And Forever Quotes

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Kitty's always saying how origin stories are important. At college, when people ask us how we met, how will we answer them? The short story is, we grew up together. But that's more Josh's and my story. High school sweet-hearts? That's Peter and Gen's story. So what's ours, then? I suppose I'll say it all started with a love letter.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
There have been hermaphrodites around forever, Cal. Forever. Plato said that the original human being was a hermaphrodite. Did you know that? The original person was two halves, one male, one female. Then these got separated. That's why everybody's always searching for their other half. Except for us. We've got both halves already.
Jeffrey Eugenides (Middlesex)
Ian: I don't believe in luck. I do believe we've known each other since forever, though. Sofi: Really? Ian: Yeah. You know how? When the big bang happened, all the atoms in the universe, they were all smashed together into one little dot that exploded outward. So my atoms and your atoms were certainly together then, and, who knows, probably smashed together several times in the last 13.7 billion years. So my atoms have known your atoms and they've always known your atoms. My atoms have always loved your atoms.
I Origin
One whose path has taken a new turn is often initially disoriented. But as time passes, and the path continues steadily in its new direction, there is a tendency to believe that it will remain so forever, with no further turns. Nothing is further from the truth. A path once bent is always susceptible to new changes. Particularly when the original change came from manipulation by an outside force.
Timothy Zahn
There are people who cannot say good-bye They are born this way/this is how they die They are the keepers of promises/what moves them does not wear out Their loyalty will tear apart your clocks These are the people who can hear the music in songs They are the Vow carriers The grandmothers who always leave the porchlight on No one is lost to the one who sees These are the women widowed by men they never married These are the girls who wait even when you don't come These are the mothers of orphans/They can turn a fake into an original They will hear the prayer in your self-contempt As distance is measured/people do not end It is one of those stories that cannot be written down except across a lifetime of open doors There is a holding on beyond the letting go There is a reunion in everybody's chest This is how we come to make a family from strangers This is how we light candles These are people who will remember you when you meet them These are the people you can always call at night They are humans turned angels by your asking With each separation they go to seed again. These are the men who carried you on their shoulders This is the one your are lonely for the one who begins and ends your hunger This is the man who said "Always" There is something that does not wear out It is the third part of any two people who join It opens and closes There are people who are alone who are not apart This is why we listen to the madman when he speaks People change but they do not stop This is how we learn "Forever" There are people you can count on/They are the keepers of promises They are candles lit from each other They can teach us eternity We can get what we can give/This is the instruction There are people who do not say goodbye As distance is measured You are one of them
Merrit Malloy (The People Who Didn't Say Goodbye)
Daily I walk a high wire, always in danger of losing my balance. The essence of my life is supernatural, which I must respect if I am to make the best use of my gift. Yet I live in the rational world and am subject to its laws. The temptation is to be guided entirely by impulses of an otherworldly origin-but in this world a long fall will always end in a hard impact.
Dean Koontz (Forever Odd (Odd Thomas, #2))
Auxochrome — Chromophore. Diego. She who wears the color. He who sees the color. Since the year 1922. Until always and forever. Now in 1944. After all the hours lived through. The vectors continue in their original direction. Nothing stops them. With no more knowledge than live emotion. With no other wish than to go on until they meet. Slowly. With great unease, but with the certainty that all is guided by the “golden section.” There is cellular arrangement. There is movement. There is light. All centers are the same. Folly doesn’t exist. We are the same as we were and as we will be. Not counting on idiotic destiny.
Frida Kahlo
Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists who, goaded by unknown impulses, take the lifeless mass of humanity and by the fever and ferment with which they imbue it turn this soggy dough into bread and the bread into wine and the wine into song. Out of the dead compost and the inert slag they breed a song that contaminates. I see this other race of individuals ransacking the universe, turning everything upside down, their feet always moving in blood and tears, their hands always empty, always clutching and grasping for the beyond, for the god out of reach: slaying everything within reach in order to quiet the monster that gnaws at their vitals. I see that when they tear their hair with the effort to comprehend, to seize this forever unattainable, I see that when they bellow like crazed beasts and rip and gore, I see that this is right, that there is no other path to pursue. A man who belongs to this race must stand up on the high place with gibberish in his mouth and rip out his entrails. It is right and just, because he must! And anything that falls short of this frightening spectacle, anything less shuddering, less terrifying, less mad, less intoxicated, less contaminating, is not art. The rest is counterfeit. The rest is human. The rest belongs to life and lifelessness.
Henry Miller (Tropic of Cancer (Tropic, #1))
The moon occurs more frequently than the sun as an image in lyric poetry. There is a greater contrast between the moon and the night sky than there is between the sun and the daytime sky. And this contrast is more conducive to sorrow, which always separates or isolates itself, than it is to happiness, which always joins or blends. And to stand face-to-face with the sun is preposterous -- it would blind you. The moon has no light of its own; our apprehension of it is but a reflection of the sun. And some believe artists reflect the creative powers of some original impulse too great to name. The moon is the incunabulum of photography, the first photograph, the first stilled moment, the first study in contrasts. Me here -- you there. Between 1969 and 1972, six missions left for the moon and six missions came back. The men who went to the moon who were forever altered without exception all say the same thing -- it was not being on the moon that profoundly affected them as much as it was looking at the earth from the vantage point of the moon. You there -- me here.
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
Given their automatic tuning out, ADD children forever find themselves being told to “pay attention”—a demand that completely misunderstands both the nature of the child and the nature of attention. The obvious monetary connotation of “pay” is that attention is something the child owes the adult, that the child’s attention belongs to the adult by right. The phrase takes for granted that being attentive is always a consciously chosen act, subject to one’s will. Both of these assumptions are faulty.
Gabor Maté (Scattered Minds: The Origins and Healing of Attention Deficit Disorder)
I have always been told that a person has to accept that the illness is chronic," she says, at the end of our interview. "You can be 'in recovery,' but you can never be 'recovered.' But I don't want to be on disability forever, and I have started to question whether depression is really a chemical thing. What are the origins of my despair? How can I really help myself? I want to honor the other parts of me, other than the sick part that I'm always thinking about. I think that depression is like a weed that I have been watering, and I want to pull up that weed, and I am starting to look to people for solutions. I really don't know what the drugs did for me all these years, but I do know that I am disappointed in how things have turned out." Such is Melissa Sances's story. Today it is a fairly common one. A distressed teenager is diagnosed with depression and put on an antidepressant, and years later he or she is still struggling with the condition. But if we return to the 1950s, we will discover that the depression rarely struck someone as young as Melissa, and it rarely turned into the chronic suffering that she has experienced. Her course of illness is, for the most part, unique to our times.
Robert Whitaker (Anatomy of an Epidemic: Magic Bullets, Psychiatric Drugs, and the Astonishing Rise of Mental Illness in America)
The first sixth-grade assembly.” I look up at him. “Huh?” “That’s the first time I saw you. You were sitting in the row in the front of me. I thought you were cute.” I laugh. “Nice try.” It’s so endearingly Peter to make up stuff to try and sound romantic. He keeps going. “Your hair was really long and you had a headband with a bow. I always liked your hair, even back then.” “Okay, Peter,” I say, reaching up and patting him on his cheek. He ignores me. “Your backpack had your name written on it in glitter letters. I’d never heard of the name Lara Jean before.” My mouth falls open. I hot-glued those glitter letters to my backpack myself! It took me forever trying to get them straight enough. I’d forgotten all about that backpack. It was my prized possession. “The principal started picking random people to come on stage and play a game for prizes. Everybody was raising their hands, but your hair got caught in your chair and you were trying to untangle it, so you didn’t get picked. I remember thinking maybe I should help you, but then I thought that would be weird.” “How do you remember all that?” I ask in amazement. Smiling, he shrugs. “I don’t know. I just do.” Kitty’s always saying how origin stories are important. At college, when people ask us how we met, how will we answer them? The shorty story is, we grew up together. But that’s more Josh’s and my story. High school sweethearts? That’s Peter and Gen’s story. So what’s ours, then? I suppose I’ll say it all started with a love letter.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The story of June and Mick Riva seemed like a tragedy to their oldest child, Nina. It felt like a comedy of errors to their first son, Jay. It was an origin story for their second son, Hud. And a mystery to the baby of the family, Kit. To Mick himself it was just a chapter of his memoir. But to June, it was, always and forever, a romance.
Taylor Jenkins Reid (Malibu Rising)
[The Devil] "This legend is about paradise. There was, they say, a certain thinker and philospher here on your earth, who 'rejected all--laws, conscience faith, and, above all, the future life. He died and thought he'd go straight into darkness and death, but no--there was the future life before him. He was amazed and indignant. 'This,' he said, 'goes against my convictions.' So for that he was sentenced...I mean, you see, I beg your pardon, I'm repeating what I heard, it's just a legend...you see, he was sentenced to walk in darkness a quadrillion kilometers (we also use kilometers now), and once he finished that quadrillion, the doors of paradise would be open to him and he would be forgiven everything...Well, so this man sentenced to the quadrillion stood a while, looked, and then lay down across the road: 'I dont want to go, I refuse to go on principle!' Take the soul of an enlightened Russian atheist and mix it with the soul of the prophet Jonah, who sulked in the belly of a whale for three days and three nights--you'll get the character of this thinker lying in the road...He lay there for nearly a thousand years, and then got up and started walking." "What an ass!" Ivan exclaimed, bursting into nervous laughter, still apparently trying hard to figure something out. "isn't it all the same whether he lies there forever or walks a quadrillion kilometers? It must be about a billion years' walk!" "Much more, even. If we had a pencil and paper, we could work it out. But he arrived long ago, and this is where the anecdote begins." "Arrived! But where did he get a billion years?" "You keep thinking about our present earth! But our present earth may have repeated itself a billion times; it died out, lets say, got covered with ice, cracked, fell to pieces, broke down into its original components, again there were the waters above the firmament, then again a comet, again the sun, again the earth from the sun--all this development may already have been repeated an infinite number of times, and always in the same way, to the last detail. A most unspeakable bore... "Go on, what happened when he arrived?" "The moment the doors of paradise were opened and he went in, before he had even been there two seconds--and that by the watch--before he had been there two seconds, he exclaimed that for those two seconds it would be worth walking not just a quadrillion kilometers, but a quadrillion quadrillion, even raised to the quadrillionth power! In short, he sang 'Hosannah' and oversweetened it so much that some persons there, of a nobler cast of mind, did not even want to shake hands with him at first: he jumped over to the conservatives a bit too precipitously. The Russian character. I repeat: it's a legend.
Fyodor Dostoevsky (The Brothers Karamazov)
We therefore conclude that no philosophy and no system of life produced by human thought can have the characteristic of "comprehensiveness." At most, it can cover a segment of human life and can be valid for a temporary period. Because of its limited scope, it is always deficient in many respects, and because of its temporariness it is bound to cause problems that require modifications and changes in the original philosophy or system of life. Peoples and nations basing their social, political, and economic systems on human philosophies are forever confronted with contradictions and "dialectics." The history of European peoples is an example of such a process.
Sayyid Qutb
In order to know something, you must go back to the source. You have to be critical and wise what are the original roots and not the corrupted outcome but in order to know the truth, you have to examine all angles, all sides, all possible traces of deception, the fortress of protection of hidden elements camouflaged with what it seemed overlapping masks along a river of clear or dirty water. The water flows in varying speed depending on the atmospheric factors and men’s interventions in using the flowing water however, the stone remains. Think of the truth: many would hide it, distort it, change it, bury it, or even destroy it but the uncorrupted truth, the unparalleled truth shall always come out. How do you seek the truth? When you seek for the truth, are you guided with an honest heart? Why do you seek the truth? Or, are you among those folks who prefer to hide or bury the truth thinking that the majority won’t find it out? If and when the truth comes out, are you among those persons who will target sacrificial lambs for scapegoats? It is wise to remember that the truth however hidden shall eventually come out. A Cameroonian proverb says, "Water always finds a way out." The same thing I can say about the truth: the truth however hidden shall eventually come out. The water flows, the stones remain. The lies flow, the truth remains. The truth thrives forever." ~ Angelica Hopes, an excerpt from K.H. Trilogy
Angelica Hopes
It seems wrong to call it "business". It seems wrong to throw all those hectic days and sleepless nights, all those magnificent triumphs and desperate struggles, under that bland, generic banner: business. What we were doing felt like so much more. Each new day brought fifty new problems, fifty tough decisions that needed to be made, right now, and we were always acutely aware that one rash move, one wrong decision could be the end. The margin for error was forever getting narrower, while the stakes were forever creeping higher–and none of us wavered in the belief that "stakes" didn't mean "money". For some, I realize, business is the all-out pursuit of profits, period, full stop, but for use business was no more about making money than being human is about making blood. Yes, the human body needs blood. It needs to manufacture red and white cells and platelets and redistribute them evenly, smoothly, to all the right places, on time, or else. But that day-to-day of the human body isn't our mission as human beings. It's a basic process that enables our higher aims, and life always strives to transcend the basic processes of living–and at some point in the late 1970s, I did, too. I redefined winning, expanded it beyond my original definition of not losing, of merely staying alive. That was no longer enough to sustain me, or my company. We wanted, as all great business do, to create, to contribute, and we dared to say so aloud. When you make something, when you improve something, when you deliver something, when you add some new thing or service to the life of strangers, making them happier, or healthier, or safer, or better, and when you do it all crisply and efficiently, smartly, the way everything should be done but so seldom is–you're participating more fully in the whole grand human drama. More than simply alive, you're helping other to live more fully, and if that's business, all right, call me a businessman.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
Despite shared language, ethnicity, and culture, alliances nurtured deep, long-standing hostilities toward one another, the original source of which was often unknown. They had always been enemies, and so they remained enemies. Indeed, hostility between alliances defined the natives’ lives. If covered by a glass roof, the valley would’ve been a terrarium of human conflict, an ecosystem fueled by sunshine, river water, pigs, sweet potatoes, and war among neighbors. Their ancestors told them that waging war was a moral obligation and a necessity of life. Men said, “If there is no war, we will die.” War’s permanence was even part of the language. If a man said “our war,” he structured the phrase the same way he’d describe an irrevocable fact. If he spoke of a possession such as “our wood,” he used different parts of speech. The meaning was clear: ownership of wood might change, but wars were forever. When compared with the causes of World War II, the motives underlying native wars were difficult for outsiders to grasp. They didn’t fight for land, wealth, or power. Neither side sought to repel or conquer a foreign people, to protect a way of life, or to change their enemies’ beliefs, which both sides already shared. Neither side considered war a necessary evil, a failure of diplomacy, or an interruption of a desired peace. Peace wasn’t waiting on the far side of war. There was no far side. War moved through different phases in the valley. It ebbed and flowed. But it never ended. A lifetime of war was an inheritance every child could count on.
Mitchell Zuckoff (Lost in Shangri-la)
He fell into fitful sleep and had an awful vision of himself as he truly was, shriveled and hopeless and small. He understood suddenly that he would never transform like a chrysalis into the perfect person he’d always longed to be, confident, charming, at home in every situation, but would probably remain forever as crippled and half-formed as he was now, closed off in his little paranoias and depressions and fears. Citizen of the World. That was what Trudeau had had pinned to his dorm room door at Harvard. But Alex was not up to that standard.
Nino Ricci (The Origin of Species)
Would you like to know what it’s like to have your wings again? Imagine falling, except instead of hitting the ground, you soar. Imagine beginning to believe that love is never a lie, even if there are liars. Imagine recalling that cracked bone grows back stronger. That scars are beautiful. You might not be quite who you were when you lost the power of flight. But it is only in having your wings resting heavy on your back again that you realize you always and forever belonged to the sky. You were always strong and fierce and full of magic. Even when you were stranded on the ground.
Holly Black (Heart of the Moors: An Original Maleficent: Mistress of Evil Novel)
R. D. Laing wrote somewhere that there are three things human beings are afraid of: death, other people and their own minds. Terrified of my mind, I had always dreaded spending a moment alone with it. There always had to be a book in my pocket as an emergency kit in case I was ever trapped waiting anywhere, even for one minute, be it a bank lineup or supermarket checkout counter. I was forever throwing my mind scraps to feed on, as if to a ferocious and malevolent beast that would devour me the moment it was not chewing on something else. All my life I had known no other way to be.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
The evolutionary process of productive adaption and ascent—the process of seeking, obtaining, and pursuing more and more ambitious goals—does not just pertain to how individuals and society move forward. It is equally relevant when dealing with setbacks, which are inevitable. At some point in your life you will crash in a big way. You might fail at your job or with your family, lose a loved one, suffer a serious accident or illness, or discover the life you imagined is out of reach forever. There are a whole host of ways that something will get you . At such times, you will be in pain and might think that you don’t have the strength to go on. You almost always do, however; your ultimate success will depend on you realizing that fact, even though it might not seem that way at the moment. This is why many people who have endured setbacks that seems devastating at the time ended up happy as (or even happier than) they originally were after they successfully adapted to them. The quality of your life will depend on the choices you make at those painful moments. The faster one appropriately adapts, the better. No matter what you want out of life, your ability to adapt and move quickly and efficiently through the process of personal evolution will determine your success and your happiness. If you do it well, you can cahnge your psychological reaction to it so that what was painful can become something you crave.
Ray Dalio (Principles: Life and Work)
Darkness Always Ends No matter how your day goes, the sun always rises the next day. You get a fresh start. Likewise, I’ve learned every dark season in life comes to an end. If you hang in there long enough, you’ll reach the dawn. I believe God created that sunrise-sunset pattern as a reminder for us when life gets difficult. For official records, we measure time by the midnight hour. Our calendar days go from midnight to midnight. We begin and end our days in darkness. And when we consider our days, we split them into two parts: daytime first, followed by nighttime. Light first, then the darkness. But not everyone views the cycle that way. The biblical account of creation reverses our cycle: “And there was evening and there was morning, one day” (Genesis 1:5). The Jewish calendar follows suit with that original creation account. That calendar runs from sunset to sunset. The full hours of darkness come first, followed by the full hours of light. In other words, from God’s perspective, each day ends with light. Year after year, I’ve derived such encouragement from that picture. I believe this is why the psalmist David wrote, “Weeping may last for the night, but a shout of joy comes in the morning” (Psalm 30:5). You have every reason to believe for a miracle. You have every reason to believe God won’t abandon you. Nothing in this life lasts forever. Your dark season will come to an end. And chances are, it won’t take until your dying day. It won’t kill you. Things might look bleak at first, but they can improve. With night and day, God has given us a picture of hope. The sun always rises. Things will always get brighter. “The end of a matter is better than its beginning” (Ecclesiastes 7:8). Whether it’s a day or a season in your life, it doesn’t matter how things look in the midst of it. What matters is how it ends. Oftentimes, for the circumstances to improve, we must take particular steps along the way. A bright outcome might depend, in part, on how we choose to respond to what has occurred. Or preemptive steps might put us at an advantage down the road. God give us a role to perform. But the breakthrough is available.
John Herrick (8 Reasons Your Life Matters)
My hypothesis is mimetic: because humans imitate one another more than animals, they have had to find a means of dealing with contagious similarity, which could lead to the pure and simple disappearance of their society. The mechanism that reintroduces difference into a situation in which everyone has come to resemble everyone else is sacrifice. Humanity results from sacrifice; we are thus the children of religion. What I call after Freud the founding murder, in other words, the immolation of a sacrificial victim that is both guilty of disorder and able to restore order, is constantly re-enacted in the rituals at the origin of our institutions. Since the dawn of humanity, millions of innocent victims have been killed in this way in order to enable their fellow humans to live together, or at least not to destroy one another. This is the implacable logic of the sacred, which myths dissimulate less and less as humans become increasingly self-aware. The decisive point in this evolution is Christian revelation, a kind of divine expiation in which God through his Son could be seen as asking for forgiveness from humans for having revealed the mechanisms of their violence so late. Rituals had slowly educated them; from then on, humans had to do without. Christianity demystifies religion. Demystification, which is good in the absolute, has proven bad in the relative, for we were not prepared to shoulder its consequences. We are not Christian enough. The paradox can be put a different way. Christianity is the only religion that has foreseen its own failure. This prescience is known as the apocalypse. Indeed, it is in the apocalyptic texts that the word of God is most forceful, repudiating mistakes that are entirely the fault of humans, who are less and less inclined to acknowledge the mechanisms of their violence. The longer we persist in our error, the stronger God’s voice will emerge from the devastation. […] The Passion unveiled the sacrificial origin of humanity once and for all. It dismantled the sacred and revealed its violence. […] By accepting crucifixion, Christ brought to light what had been ‘hidden since the foundation of the world,’ in other words, the foundation itself, the unanimous murder that appeared in broad daylight for the first time on the cross. In order to function, archaic religions need to hide their founding murder, which was being repeated continually in ritual sacrifices, thereby protecting human societies from their own violence. By revealing the founding murder, Christianity destroyed the ignorance and superstition that are indispensable to such religions. It thus made possible an advance in knowledge that was until then unimaginable. […] A scapegoat remains effective as long as we believe in its guilt. Having a scapegoat means not knowing that we have one. Learning that we have a scapegoat is to lose it forever and to expose ourselves to mimetic conflicts with no possible resolution. This is the implacable law of the escalation to extremes. The protective system of scapegoats is finally destroyed by the Crucifixion narratives as they reveal Jesus’ innocence, and, little by little, that of all analogous victims. The process of education away from violent sacrifice is thus underway, but it is going very slowly, making advances that are almost always unconscious. […] Mimetic theory does not seek to demonstrate that myth is null, but to shed light on the fundamental discontinuity and continuity between the passion and archaic religion. Christ’s divinity which precedes the Crucifixion introduces a radical rupture with the archaic, but Christ’s resurrection is in complete continuity with all forms of religion that preceded it. The way out of archaic religion comes at this price. A good theory about humanity must be based on a good theory about God. […] We can all participate in the divinity of Christ so long as we renounce our own violence.
René Girard (Battling to the End: Conversations with Benoît Chantre)
What constitutes the pleasure of the traveler is the obstacle, the fatigue, the peril itself. What pleasure can there be in an excursion where one is always sure of arriving, finding ready horses, a soft bed, an excellent supper, and all the comforts one can enjoy at home. One of the great misfortunes of modern life is the lack of the sudden surprise, the absence of all adventures. Everything is so well regulated, so well meshed, so well labeled, that chance is no longer possible; another century of perfection, and each one will be able to foresee, from the day of his birth, what will happen to him until the day of his death. Human will will be completely annihilated. No more crimes, no more virtues, no more physiognomies, no more originality. It will become impossible to distinguish a Russian from a Spaniard, an Englishman from a Chinese, a Frenchman from an American. People will not even be able to recognize one another, for everyone will be same. Then an immense boredom will seize the universe, and suicide will decimate the population of the globe, for the principal spring of life—curiosity—will have been destroyed forever.
Théophile Gautier
If talking pictures could be said to have a father, it was Lee De Forest, a brilliant but erratic inventor of electrical devices of all types. (He had 216 patents.) In 1907, while searching for ways to boost telephone signals, De Forest invented something called the thermionic triode detector. De Forest’s patent described it as “a System for Amplifying Feeble Electric Currents” and it would play a pivotal role in the development of broadcast radio and much else involving the delivery of sound, but the real developments would come from others. De Forest, unfortunately, was forever distracted by business problems. Several companies he founded went bankrupt, twice he was swindled by his backers, and constantly he was in court fighting over money or patents. For these reasons, he didn’t follow through on his invention. Meanwhile, other hopeful inventors demonstrated various sound-and-image systems—Cinematophone, Cameraphone, Synchroscope—but in every case the only really original thing about them was their name. All produced sounds that were faint or muddy, or required impossibly perfect timing on the part of the projectionist. Getting a projector and sound system to run in perfect tandem was basically impossible. Moving pictures were filmed with hand-cranked cameras, which introduced a slight variability in speed that no sound system could adjust to. Projectionists also commonly repaired damaged film by cutting out a few frames and resplicing what remained, which clearly would throw out any recording. Even perfect film sometimes skipped or momentarily stuttered in the projector. All these things confounded synchronization. De Forest came up with the idea of imprinting the sound directly onto the film. That meant that no matter what happened with the film, sound and image would always be perfectly aligned. Failing to find backers in America, he moved to Berlin in the early 1920s and there developed a system that he called Phonofilm. De Forest made his first Phonofilm movie in 1921 and by 1923 he was back in America giving public demonstrations. He filmed Calvin Coolidge making a speech, Eddie Cantor singing, George Bernard Shaw pontificating, and DeWolf Hopper reciting “Casey at the Bat.” By any measure, these were the first talking pictures. However, no Hollywood studio would invest in them. The sound quality still wasn’t ideal, and the recording system couldn’t quite cope with multiple voices and movement of a type necessary for any meaningful dramatic presentation. One invention De Forest couldn’t make use of was his own triode detector tube, because the patents now resided with Western Electric, a subsidiary of AT&T. Western Electric had been using the triode to develop public address systems for conveying speeches to large crowds or announcements to fans at baseball stadiums and the like. But in the 1920s it occurred to some forgotten engineer at the company that the triode detector could be used to project sound in theaters as well. The upshot was that in 1925 Warner Bros. bought the system from Western Electric and dubbed it Vitaphone. By the time of The Jazz Singer, it had already featured in theatrical presentations several times. Indeed, the Roxy on its opening night in March 1927 played a Vitaphone feature of songs from Carmen sung by Giovanni Martinelli. “His voice burst from the screen with splendid synchronization with the movements of his lips,” marveled the critic Mordaunt Hall in the Times. “It rang through the great theatre as if he had himself been on the stage.
Bill Bryson (One Summer: America, 1927)
In what way can it act as master? Through scores of incarnations, the ‘self ’ we end up with is derived from the attributes with which we endow our God, the abstract Ego or conceptive principles. All conception is a denial of the Kiã, and hence we human beings are its opposition, our own evil. As we are the offspring of ourselves, we are the conflict between whatever we deny and assert of the Kiã. It would seem that we cannot be too careful in our choice, for it determines the body we inhabit. Thus forever from ‘self ’ do I fashion the Kiã, which may be without likeness, but which may be regarded as the truth. From this process is the bondage made, and not through intellect shall we be free from it. The law of Kiã is always its own original purpose, undetermined by anything else, and its emanations are unchanging. Through our own conceptive process things materialize, and take their nature from that duality. Human beings take their law from this refraction, and their ideas create their reality. With what do they balance their ecstasy? They pay measure for measure with intense pain, sorrow, and miseries. With what do they balance their rebellion? Of necessity, with slavery! Duality is the law, and realization by experience relates and opposes by units of time. Ecstasy for any length of time is difficult to obtain, and takes a lot of work. The conditions of consciousness and existence would seem to be various degrees of misery alternating with gusts of pleasure and some more subtle emotions. Consciousness of existence consists of duality in some form or other. From it are created the illusions of time, size, entity, etc.: the world’s limit. The dual principle is the quintessence of all experience, and no ramification has enlarged its primordial simplicity, but can only be its repetition, modification or complexity: its evolution can never be complete. It can never go further than the experience of self, so returns and unites again and again, ever an anti-climax. Its evolution consists of forever returning to its original simplicity by infinite complication. No man shall understand its ‘reason why’ by looking at its workings. Know it as the illusion that embraces the learning of all existence. It is the most aged one who grows no wiser, and is the mother of all things. Therefore believe all ‘experience’ to be an illusion, and the result of the law of duality. Just as space pervades an object both inside and outside it, similarly within and beyond this ever-changing cosmos, there is this single principle.
Austin Osman Spare (Book of Pleasure in Plain English)
It seems wrong to call it “business.” It seems wrong to throw all those hectic days and sleepless nights, all those magnificent triumphs and desperate struggles, under that bland, generic banner: business. What we were doing felt like so much more. Each new day brought fifty new problems, fifty tough decisions that needed to be made, right now, and we were always acutely aware that one rash move, one wrong decision could be the end. The margin for error was forever getting narrower, while the stakes were forever creeping higher—and none of us wavered in the belief that “stakes” didn’t mean “money.” For some, I realize, business is the all-out pursuit of profits, period, full stop, but for us business was no more about making money than being human is about making blood. Yes, the human body needs blood. It needs to manufacture red and white cells and platelets and redistribute them evenly, smoothly, to all the right places, on time, or else. But that day-to-day business of the human body isn’t our mission as human beings. It’s a basic process that enables our higher aims, and life always strives to transcend the basic processes of living—and at some point in the late 1970s, I did, too. I redefined winning, expanded it beyond my original definition of not losing, of merely staying alive. That was no longer enough to sustain me, or my company. We wanted, as all great businesses do, to create, to contribute, and we dared to say so aloud. When you make something, when you improve something, when you deliver something, when you add some new thing or service to the lives of strangers, making them happier, or healthier, or safer, or better, and when you do it all crisply and efficiently, smartly, the way everything should be done but so seldom is—you’re participating more fully in the whole grand human drama. More than simply alive, you’re helping others to live more fully, and if that’s business, all right, call me a businessman. Maybe it will grow on me.
Phil Knight (Shoe Dog)
This evolutionary process of productive adaptation and ascent—the process of seeking, obtaining, and pursuing more and more ambitious goals—does not just pertain to how individuals and society move forward. It is equally relevant when dealing with setbacks, which are inevitable. At some point in your life you will crash in a big way. You might fail at your job or with your family, lose a loved one, suffer a serious accident or illness, or discover the life you imagined is out of reach forever. There are a whole host of ways that something will get you. At such times, you will be in pain and might think that you don’t have the strength to go on. You almost always do, however; your ultimate success will depend on you realizing that fact, even though it might not seem that way at the moment. This is why many people who have endured setbacks that seemed devastating at the time ended up as happy as (or even happier than) they originally were after they successfully adapted to them. The quality of your life will depend on the choices you make at those painful moments. The faster one appropriately adapts, the better.24 No matter what you want out of life, your ability to adapt and move quickly and efficiently through the process of personal evolution will determine your success and your happiness. If you do it well, you can change your psychological reaction to it so that what was painful can become something you crave. 1.8 Weigh second- and third-order consequences. By recognizing the higher-level consequences nature optimizes for, I’ve come to see that people who overweigh the first-order consequences of their decisions and ignore the effects of second- and subsequent-order consequences rarely reach their goals. This is because first-order consequences often have opposite desirabilities from second-order consequences, resulting in big mistakes in decision making. For example, the first-order consequences of exercise (pain and time spent) are commonly considered undesirable, while the second-order consequences (better health and more attractive appearance) are desirable. Similarly, food that tastes good is often bad for you and vice versa. Quite often the first-order consequences are
Ray Dalio (Principles: Life and Work)
All this shows a very mediocre idea of oneself - always imputing misfortune to some objective cause. Once it has been exorcized by causes, misfortune is no longer a problem: it becomes susceptible of a causal solution and, above all, it originates elsewhere - in original sin, in history, in the social order, or in natural perversion. In short, it originates in an objectivity into which we exile it the better to be rid of it. Once again, this bespeaks very little pride and self-respect. In the past, what struck you down was your destiny, your personal fatum. You didn't look for some 'objective' cause of this or some attenuating circumstance, which would amount to saying we have no part in what happens to us. There is something humiliating in that. The intelligence of evil begins with the hypothesis that our ills come to us from an evil genius that is our own. Let us be worthy of our 'perversity' of our evil genius, let us measure up to our tragic involvement in what happens to us (including good fortune). In a word, let us not be imbeciles, for imbecility in the literal sense lies in the superficial reference to misfortune and exemption from evil. This is how we make imbeciles of the victims themselves, by confining them to their condition of victim. And by the compassion we show them we engage in a kind of false advertising for them. We take no account of what degree of choice and defiance, of connivence with oneself, of - unconscious or quasi-deliberate - provocative relation to evil there may be in AIDS, in drug-taking, in suffering and alienation, in voluntary servitude - in this acting-out in the fatal zone. It is the same with suicide, which is always ascribed to depressive motivations with no account taken of an originality of, an original will to commit, the act itself (Canetti speaks in the same way of the interpretation of dreams as a violence done to dreams that takes no account of their literalness). So, the understanding of misfortune is everywhere substituted for the intelligence of evil. Now, unlike the former, this latter rests on the rejection of the presumption of innocence. By contrast with that understanding, we are all presumptive wrongdoers - but not responsible ones, for, in the last instance, we do not have to answer for ourselves - that is the business of destiny or of the divinity. For the act we commit, it is right we should be dealt with - and indeed punished - accordingly. We are never innocent of that act in the sense of having nothing to do with it or being victims of it. But this does not mean we are answerable for it either, as that would suppose we were answerable for ourselves, that we were invested with total power over ourselves, which is a subjective illusion. It's a good thing we don't possess that power or that responsibility. A good thing we are not the causes of ourselves - that at least confers some degree of innocence on us. For the rest, we are forever complicit in what we do, even if we are not answerable to anyone. So we are both irresponsible and without excuses. Never explain, never complain.
Jean Baudrillard (The Intelligence of Evil or the Lucidity Pact (Talking Images))
The popular notion that man, once escaped from the confinement of the body, does nothing except sit...rests upon no evidence, whether of reason or revelation....Why should we not work forever as well as now? If man can live again, and grow in that new life, and exert himself to carry out the always hidden, but necessarily magnificent purpose of the Creator, then indeed, his existence may have some importance, and the insignificance of his place of origin be forgotten. For he has an inherent quality which does not belong, so far as the mind can see what must always remain partially dark, even the Divine; he is capable of effort, and in the effort and through the effort, not only of growing greater than before, but of adding force to an inanimate thing like his own body. What if that power of effort should be slowly aggrandized until man, now a little higher than the monkey, became a really great being?
Robert Ball
He says that fashion happens because people what to define themselves. He says that the desire to define oneself will last forever, not just one year. He says that the easiest way to give a definition to oneself will always be to play a role. He says, "People stop asking themselves whether they are enjoying what they are doing or wearing, and instead ask themselves whether they are supposed to be enjoying what they are doing or wearing. They ask whether they are in role." ...He says, "Think of all the human types. We all play a few dozen types at any time, giving the illusion of originality, but most of us are no more unique than a spread of tarot cards is unique. Most of us are nothing more than a recombination of the same old cards." ...He says, "But people do enjoy the sense that they are playing a role. 'Oh my god, he took me on such an amazing date!' 'Dude--a beer in a chair on the beach.' 'Oh, we just love going to the Met.'" He says, "And that's how you achieve immortality. You achieve immortality by being a cliche. Because if you are a cliche, then even though you may die, you have lived on.
Rudolph Delson (Maynard and Jennica)
Our soul is a lot like the African elephant’s memory. Our soul intuitively remembers where it has buried the richest part of our life’s story even in the future chapters that haven’t been written yet by the light of our awareness. The soul knows. It remembers. It never forgets. The process of remembering becomes a lesson for us in the power of surrendering our limited perspective that only see what’s in front of us, and what we think may be waiting for us in some future moment. However, our soul sees deep into the distance of some future horizon of a time period that is waiting on the gift of time to mature to its fullness, to blossom on its own – outside of our own expectations and envisioned dreams because it is all part of our life’s predetermined story; a script carved in infinite time. That process of remembering becomes a lesson in the divine gift of believing, believing that the next moment is there waiting on us because our soul has already visited this path before, yet the lesson in it for us is that any future moment remains always just out of our reach, as we entrust our soul’s strength of memory to guide us on blind faith and firm footing to where our story needs to go to encourage our highest learning potential. We will thus forever be known by the tracks that we refollow when we follow the memory of our soul’s original path left on the dust of time. A lesson inspired by the mighty African elephant in what it means to surrender to life...
hlbalcomb
My short time in Pretoria made me realize that it can best be described as that place where the brushstrokes of life blend the old with the new in a way that helps to create a story of a place that will forever be deeply tucked into the breathing spaces of my heart, as a place of fondness. A reminder that even when the lessons doesn’t go according to plan, there are always chances to be like the statue of President Nelson Mandela, open arms – embracing the future and using the past, especially the most difficult chapters, to help to infuse new life through the wisdom gained by being like the middle part of the Union Buildings, a space of collaboration. In the words of South African British poet William Polmer, “Creativity is the power to connect the seemingly unconnected.” And when the connection is made, that place is simply called Pretoria. And if one should look a little deeper at the connection, you’ll understand that Pretoria is simply a word with a Latin origin, Praetor, that means Leader, a perfect place to house the Union Buildings, the place where our difference becomes one, and that knowledge becomes the spectrum of where the old and the new intersect, and we call that… Pretoria…Leader within.
hlbalcomb
The Nemo contra hominem nisi homo ipse could not be in sharper conflict with the doctrine of original sin, and the way in which the Promethean self-authorization and self-salvation attacked by Schmitt behaves towards it is no less evident; for the will of man to lead his life based entirely on his own resources and his own efforts, following reason alone and his own judgment—that is the original sin: man's impudence does not begin when he believes that he can make anything and everything, but rather when he forgets that there is nothing that he may do on his own authority, i.e., outside of the realm of obedience. The romantic is defined by Schmitt as the virtual embodiment of the incapacity to make the demanding moral decision; the romantic, like the bourgeois in general, would like to adjourn and postpone the decision forever; the "higher third" to which he appeals when confronted with a choie is in truth "not a higher but another third, i.e., always the way out in the fact of the Either-Or"; however, the matter does not rest there: religion, morality, and politics are for him nothing but "vehicles for his romantic interests" or just so many occasions to develop comprehensively his brilliant ego, which he raises to the "absolute center"; the romantic wants to defend the sovereignty of his limitless subjectivism against the seriousness of the political-theological reality inasmuch as he plays off one reality against the other, "never deciding in this intrigue of realities"; the romantic ego, which usurps God's place as the "final instance," lives in a "world without substance and without functional commitment, without firm guidance, without conclusion, and without definition, without decision, without a last judgment, continuing on without end, led only by the magic hand of chance"; the "secularization of God as a brilliant subject" conjures up a world in which all religious, moral, and political distinctions dissolve "into an interesting multitude of interpretations" and certainty evaporates into arbitrariness.
Heinrich Meier (The Lesson of Carl Schmitt: Four Chapters on the Distinction between Political Theology and Political Philosophy)
I, inside you! ( Part 2 ) ................So time waited at the door and the destiny knocked too, But the ones they had been sent for had become something else, So time asked destiny,” if still it could do what it was meant to do?” And it replied, “Only if they wink I can fulfil your wish. Until then there is nothing else I can do, nothing else!” But for her kiss, for her embrace, for the rhythm of her heart beats, I never winked my eyes, Even though many sunshines had passed and the walls had witnessed million moonlights, The time waits there, the destiny is tired too, to be the joy of the Cupid who lives in the skies, And had granted us the dreams made of lights, So, there was no need to wink, There was no need to wake up, And time that steals moments whenever lovers blink, Had become the Destiny’s Atlas, bearing our yoke, because we had poured ourselves into the depths of love cup, Where time disappeared and never found its end, There, there in the depths of the love cup, I love my darling Irma forever, And for her smiles, her kisses, I had compelled the destiny to bend, Because fate too favours the destiny of the wish, of a true lover, And in the room of love walls, we lie submersed in the love cup, She and I caught in the eternal embrace, Where time waits, destiny waits too, and we neither wink nor look up, Because I am caught in the moment of her eternal grace, Her beauty, her heart beat and her face, And I want to be in this place just with her, Away from the disturbances of time, worries of destiny, just with her and her beautiful face, Where she belongs to me and I belong to her, So, let the time wait till the end of everything, Then when time does not exist destiny would cease to be, Then Irma, we shall arise from the state of nothing, And the universe shall be just you, and me, With no curtains, no walls, no time, no destiny, Your heart beats, your beautiful face and our eternal embrace, Then maybe we shall be the darlings of divinity, Because in the wide and infinitely empty space, it shall be left with no choice, but to feed your grace, Then as a lover I shall be truly jovial, Because now, Irma, everything would lie at your feet, Destiny, time, eternity, and that instinct original and primeval, Where only you and I shall be destined to meet! With the cup of love always full, Of your beauty, your feelings, your smiles, and you, Then I shall dive into it and let it cover me full, And disappear forever somewhere inside you, only you!
Javid Ahmad Tak (They Loved in 2075!)
The third Preface for Easter tells us that Jesus is ‘still our priest, our advocate who always pleads our cause. Christ is the victim who dies no more, the Lamb once slain who lives forever.’ The original Latin is more paradoxical: Jesus is ‘agnus qui vivit semper occisus’; the lamb who lives forever slain.’ If the risen Lord did not still have his wounds, then he would not have much to do with us now. The resurrection might promise us some future healing and eternal life, but it would leave us now alone in our present hurting. But because of Easter Day we already share in the victory. He still shares our wounds and we share his victory of death. We too are now wounded and healed. When Brian Pierce OP first went to Peruvian Andes, he was surprised by the ubiquitous images of the crucified Christ, covered with blood. It seemed as if the faith of these indigenous people stopped prior to the resurrection and they were left only with images of defeat. But he learned that he was wrong. These crosses are signs of how the risen Christ is now sharing their crucifixion. We can have courage and risk getting hurt. Charles Peguy, the French writer, told the story of a man who died and went to heaven. When he met the recording angel he was asked, ‘Show me your wounds.’ And he replied, ‘Wounds? I have not got any.’ And the angel said, ‘Did you never think that anything was worth fighting for?
Timothy Radcliffe (What Is the Point of Being a Christian?)
The world is determined by its essence (the Universal Mind's “immaterial substance”) and by its universal laws, which are the same everywhere and are determined. If they are determined, that implies no uncertainty, but this conclusion is incorrect. Regardless of the essence from which everything comes to be (or is transformed), its manifestation, or its material substance, the world (Universe) will constantly evolve differently in any particular manifestation. The starting point, if nothing else, will always be different and form different universes in every specific manifestation. Both the Being and Nonbeing are limitless, which makes them “infinite,” and infinity is zero. Their frame is the Absolute itself, simultaneously providing the absolute limit and potential (infinity). The purpose of the world and the Absolute is not one particular existence and one particular world (Universe) or one life but a continuation of existence (universes) ad infinitum. Without infinity, there would be no real life because, at one point, existence would cease to exist forever, and it would be as if it had never existed. But infinity (although never reachable) secures continuation. Any manifestation of the Absolute, in the form of the World, follows the uncertainty principle, preserving the youth of the Absolute and originality (uniqueness) of any or all universes existing simultaneously or at any past or future time. The “Dimensions” we can never explore are not some exotic dimensions of the string theory but rather the “dimensions” of the micro-micro and macro-macro-level that humans will probably never reach. We can bypass the laws of physics only if we bypass the consequences of physical transformation. If we could operate on the level of pure information and return to the material form, not only would time travel be possible, but more valuable and fundamental endeavors would also be possible. When we say time travel, we do not mean traveling to the past or future using a time machine. That would be something similar to alchemy. Perhaps humankind, or any other species, can never achieve this level of science and technology except God. But we can imagine Beings transcending their physical existence and becoming immaterial. We can also imagine such beings on other levels beyond the “physical” world and existence known to us. The Ultimate Source, the Universal Mind, is the Ultimate Alchemist of Reality and the Universe.
Dejan Stojanovic (ABSOLUTE (THE WORLD IN NOWHERENESS))
Early July 2012 In one of my email response to Andy, I wrote: Hi beloved ex-Valet, I’m glad you expressed interest in co-writing one of the five A Harem Boy Saga books. The fourth book will be the best to commence our collaboration if you are serious about working on this joint project with me. I’ll be more than delighted to incorporate your valuable opinions and I’m positive your voice will add credence to the series. The first 3 books center on our first three Arab Household experiences and the numerous interesting and varied characters we encountered during our services. The fourth book is devoted solely to our loving relationship and functioning as a gay couple within the E.R.O.S. context in the late sixties and early seventies epoch. This will be “our” book; a tell-all about our love, our heartaches, our separation and our recent reconnection. This will also give us time to map-out and brainstorm the topics we’ll like to include in the manuscript. Are you are open to my suggestions? I have a few chapters left to complete A Harem Boy Saga – Book II that I had originally considered titling Passion. Recently a more appropriate word has manifested and that word is Unbridled. Maybe we can use Passion for the book we’ll co-write together? Tell me more about your life in New Zealand. As always I love to catch up on your news after our separation. I eagerly await your next correspondance. Forever Yours, Young.
Young (Unbridled (A Harem Boy's Saga, #2))
Whichever or however, the origin went down, this was the site where Candice made things ultimately happen to the family and made Gray all that he was now and always will be, which seemed like a little longer than forever.  
Douglas B. Rasmussen (Poison Forests: Deadly Tales of Redemption)
Be like the koru; as you go forward into the forever-changing future, always remain faithful to the point of origin.
Lauren Lola (A Moment's Worth)
Let there be light. Gen. 1:3 Let there be enlightenment; let there be understanding. Darkness. Gen. 1:4 Ignorance; lack of enlightenment and understanding. Eden. Gen. 2:8 A delightful place; temporal life. Garden. Gen. 2:8 Metaphorically—a wife; a family. Tree of life in the midst of the garden. Gen. 2:9 Sex; posterity, progeny. The tree of the knowledge of good and evil. Gen. 2:9 Moral law; the knowledge of good and evil. The tree of life. Gen. 2:9 Eternal life. The tree of good and evil. Gen. 2:17 Metaphorically—sexual relationship. Good. Gen. 2:17 Anything perfect. Evil. Gen. 2:17 Anything imperfect; contrary to good; immature. Naked. Gen. 2:25 Exposed; ashamed. Serpent. Gen. 3:1 An enemy; deception. Thorns and thistles. Gen. 3:18 Grievances and difficulties. Sent forth from the garden. Gen. 3:23 A loss of harmony; a lost paradise. God took him away. Gen. 5:24 He died painlessly. He had a heart attack. Sons of God. Gen. 6:2 Good men; the descendants of Seth. My spirit shall not dwell in man forever. Gen. 6:3 I have become weary and impatient. (A scribal note.) The Lord was sorry that He made man. Gen. 6:6 (A scribal note. See Old Testament Light—Lamsa.) I set my bow in the clouds. Gen. 9:13 I set the rainbow in the sky. I have lifted up my hands. Gen. 14:22 I am taking a solemn oath. Thy seed. Gen. 17:7 Your offspring; your teaching. Angels. Gen. 19:1 God’s counsel; spirits; God’s thoughts. Looking behind. Gen. 19:17 Regretting; wasting time. A pillar of salt. Gen. 19:26 Lifeless; stricken dead. As the stars of heaven. Gen. 22:17 Many in number; a great multitude. Went in at the gate. Gen. 23:18 Mature men who sat at the counsel. Hand under thigh. Gen. 24:2 Hand under girdle; a solemn oath. Tender eyed. Gen. 29:17 Attractive eyes. He hath sold us. Gen. 31:15 He has devoured our dowry. Wrestling with an angel. Gen. 32:24 Being suspicious of a pious man. Coat of many colors. Gen. 37:23 A coat with long sleeves meaning learning, honor and a high position. Spilling seed on the ground. Gen. 38:9 Spilling semen on the ground. (An ancient practice of birth control.) No man shall lift up his hand or foot. Gen. 41:44 No man shall do anything without your approval. Put his hand upon thine eyes. Gen. 46:4 Shall close your eyes upon your death bed. Laying on of hands. Gen. 48:14 Blessing and approving a person. His right hand upon the head. Gen. 48:17 A sincere blessing. Unstable as water. Gen. 49:4 Undecided; in a dilemma. The sceptre shall not depart from Judah. Gen. 49:10 There shall always be a king from the lineage of Judah. Washed his garments in wine. Gen. 49:11 He will become an owner of many vineyards. His teeth white with milk. Gen. 49:12 He will have abundant flocks of sheep. His bow abode in strength. Gen. 49:24 He will become a valiant warrior. The stone of Israel. Gen. 49:24 The strong race of Israel. He gathered up his feet. Gen. 49:33 He stretched out his feet—He breathed his last breathe; he died.
George M. Lamsa (Idioms in the Bible Explained and a Key to the Original Gospels)
These “green revolutionaries” do not believe that we must forever impotently fall short of the bull’s-eye. They refuse to admit original sin, or inborn neuroses, or even the theosophists’ “Lurker at the Threshold” (one who supposedly eats the heads of those people rash enough to invade the higher planes without an invitation). They will not accept the perpetual barrier between desire and reality lamented by T.S. Eliot in his poem “The Hollow Men.” According to Eliot’s quite orthodox Christian view, there is a “Shadow” that always falls between “the idea and the reality,” “the desire and the spasm,” “the motion and the Act.” This Shadow is, of course, Original Sin and by definition no man or woman can remove it.
Robert Anton Wilson (Sex, Drugs & Magick – A Journey Beyond Limits)
This, then, is my life as a fat person. I am expected to absorb the discomfort and outright bias against my body in a world built for thin people. The responsibility is mine and mine alone. Should my body cost an airline more, it is my responsibility to pay them. Should my body cause discomfort for anyone around me, it is my responsibility to apologize and to comfort them. Should I begin to question why my body is forever a problem, it is my responsibility to keep quiet. And should these problems become untenable for me, it is my responsibility to “just lose weight.” The decent thing, after all, is to transform my body for the sake of those around me. It is no one’s responsibility to hear me. It is no one’s responsibility to care for my body. It is no one’s responsibility to ask about my comfort. At times, someone may do me the service of offering “tough love,” berating the body I have always had and the practices they assume created it, but I am never owed consideration, much less an apology. If there is a problem, I caused it with my gluttony and sloth. My body is my original sin. Every road leads back to the penance I must do for the body I have always had. No matter the problem, no matter the actions of an aggressor, the fault is mine. Regardless of the politics or life experience of the person I am talking to, the answer comes like clockwork. I guess if you hate it that much, you should just lose weight.
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
For two hundred thousand years, the light from the origin of the universe had bathed us, without any awareness on our part, but then, via the power of thought, the entire fourteen billion years of creativity came alive in Hubble. The whole story had always been there, showering down on us, but so much had been required to develop the mental space to allow it in. Now that a pathway had been constructed into our awareness, we would be changed forever. That’s what I needed to get across. Give them one whiff of that and watch them go wild with wonder. I would make this a moment they would not forget.
Brian Thomas Swimme (Cosmogenesis: An Unveiling of the Expanding Universe)
It seems wrong to call it "business." It seems wrong to throw all those hectic days and sleepless nights, all those magnificent triumphs and desperate struggles, under that bland, generic banner. business. What we were doing felt like so much more. Each new day brought fifty new problems, fifty tough decisions that needed to be made, right now, and we were always acutely aware that one rash move, one wrong decision could be the end. The margin for error was forever getting narrower, while the stakes were forever creeping higher — and none of us wavered in the belief that "stakes'' didn't mean "money." For some, I realize, business is the all-out pursuit of profits, period, full stop, but for us business was no more about making money than being human is about making blood. Yes, the human body needs blood. It needs to manufacture red and white cells and platelets and redistribute them evenly, smoothly, to all the right places, on time, or else. But that day-to-day business of the human body isn't our mission as human beings. It’s a basic process that enables our higher aims, and life always strives to transcend the basic processes of living- and at some point in the late 1970s, I did, too. I redefined winning, expanded it beyond my original definition of not losing, of merely staying alive. That was no longer enough to sustain me, or my company. We wanted, as all great businesses do, to create, to contribute, and we dared to say so aloud. When you make something, when you improve something, when you deliver something, when you add some new thing or service to the lives of strangers, making them happier, or healthier, or safer, or better, and when you do it all crisply and efficiently, smartly, the way everything should be done but so seldom is — you’re participating more fully in the whole grand human drama. More than simply alive, you're helping others to live more fully, and if that’s business, all right, call me a businessman. Maybe it will grow on me.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
It won’t be long now.” Such an odd old holy man, young Scytale thought. Even compared to the smells of disinfectant, medicine, and sickness, he’d always had an odd smell about him. Sounding compassionate, Yueh said, “There isn’t much we can do.” Gasping for air, old Scytale croaked out, “A Tleilaxu Master should not be so weak and decrepit. It is . . . unseemly.” His youthful counterpart tried again to trigger the flow of memories, to squeeze them into his brain by sheer force of will, as he had attempted to do countless times before. The essential past must be in there somewhere, buried deep. But he felt no tickle of possibilities, no glimmer of success. What if they are not there at all? What if something had gone terribly wrong? His pulse pounded as the panic began to rise. Not much time. Never enough time. He tried to cut off the thought. The body provided a wealth of cellular material. They could create more Scytale gholas, try again and again if necessary. But if his own memories had failed to resurface, why should an identical ghola have any better luck without the guidance of the original? I am the only one who knew the Master so intimately. He wanted to shake Yueh, demand to know how he had managed to remember his past. Tears were in full flow now, falling onto the old man’s hand, but Scytale knew they were inadequate. His father’s chest spasmed in an almost imperceptible death rattle. The life-support equipment hummed with more intensity, and the instrument readings fluctuated. “He’s slipped into a coma,” Yueh reported. The Rabbi nodded. Like an executioner announcing his plans, he said, “Too weak. He’s going to die now.” Scytale’s heart sank. “He has given up on me.” His father would never know if he succeeded now; he would perish wondering and worrying. The last great calamity in a long line of disasters that had befallen the Tleilaxu race. He gripped the old man’s hand. So cold, too cold. He felt the life ebbing. I have failed! As if felled by a stunner, Scytale dropped to his knees at the bedside. In his crashing despair, he knew with absolute certainly that he could never resurrect the recalcitrant memories. Not alone. Lost! Forever lost! Everything that comprised the great Tleilaxu race. He could not bear the magnitude of this disaster. The reality of his defeat sliced like shattered glass into his heart. Abruptly, the Tleilaxu youth felt something changing inside, followed by an explosion between his temples. He cried out from the excruciating pain. At first he thought he was dying himself, but instead of being swallowed in blackness, he felt new thoughts burning like wildfire across his consciousness. Memories streamed past in a blur, but Scytale locked onto each one, absorbing it again and reprocessing it into the synapses of his brain. The precious memories returned to where they had always belonged. His father’s death had opened the barriers. At last Scytale retrieved what he was supposed to know, the critical data bank of a Tleilaxu Master, all the ancient secrets of his race. Instilled with pride and a new sense of dignity, he rose to his feet. Wiping away warm tears, he looked down at the discarded copy of himself on the bed. It was nothing more than a withered husk. He no longer needed that old man.
Brian Herbert (Sandworms of Dune (Dune, #8))
In Southern California it didn't make any difference anyhow where you went; there was always the same McDonaldburger place over and over, like a circular strip that turned past you as you pretended to go somewhere. And when finally you got hungry and went to the McDonaldburger place and bought a McDonald's hamburger, it was the one they sold you last time and the time before that and so forth, back to before you were born, and in addition bad people—liars—said it was made out of turkey gizzards anyhow. They had by now, according to their sign, sold the same original burger fifty billion times. He wondered if it was to the same person. Life in Anaheim, California, was a commercial for itself, endlessly replayed. Nothing changed; it just spread out farther and farther in the form of neon ooze. What there was always more of had been congealed into permanence long ago, as if the automatic factory that cranked out these objects had jammed in the on position. How the land became plastic, he thought, remembering the fairy tale "How the Sea Became Salt." Someday, he thought, it'll be mandatory that we all sell the McDonald's hamburger as well as buy it; we'll sell it back and forth to each other forever from our living rooms. That way we won't even have to go outside.
Philip K. Dick (A Scanner Darkly)
There are two possibilities: one where the universe is eternal, one where it had a beginning. That's because the Schrödinger equation of quantum mechanics turns out to have two very different kinds of solutions, corresponding to two different kinds of universes. One possibility is that time is fundamental, and the universe changes as time passes. In that case, the Schrödinger equation is unequivocal: time is infinite. If the universe truly evolves, it always has been evolving and always will evolve. There is not starting and stopping. There may have been a moment that looks like our Big Bang, but it would have only been a temporary phase, and there would be more universe that was there even before the event. The other possibility is that time is not truly fundamental, but rather emergent. Then, the universe can have a beginning. The Schrödinger equation has solutions describing universes that don't evolve at all: they just sit there, unchanging. You might think that's simply a mathematical curiosity, irrelevant to our actual world. After all, it seems pretty obvious that time does exist, and that it's passing all around us. In a classical world, you'd be right. Time either passes or it doesn't; since time seems to pass in our world, the possibility of a timeless universe isn't very physically relevant. Quantum mechanics is different. It describes the universe as a superposition of various classical possibilities. It's like we take different ways a classical world could be and stack them on top of each other to create a quantum world. Imagine that we take a very specific set of ways the world could be: configurations of an ordinary classical universe, but at different moments in time. The whole universe at 12:00, the whole universe at 12:01, the whole universe at 12:02, and so on – but at moments that are much closer together than a minute apart. Take those configurations and superimpose them to create a quantum universe. That's a universe that is not evolving in time – the quantum state itself simply is, unchanging and forever. But in any one part of the state, it looks like one moment of time in a universe is evolving. Every element in the quantum superposition looks like a classical universe that came from somewhere, and is going somewhere else. If there were people in that universe, at every part of the superposition they would all think that time was passing, exactly as we actually do think. That's the sense in which time can be emergent in quantum mechanics. Quantum mechanics allows us to consider universes that are fundamentally timeless, but in which time emerges at a coarse-grained level of description. And if that's true, then there's no problem at all with there being a first moment in time. The whole idea of 'time' is just an approximation anyway.
Sean Carroll (The Big Picture: On the Origins of Life, Meaning, and the Universe Itself)
Pain is always the origin of the ecstatic, that first spilling out of the body. We spill out of our mothers—bloodly, screaming, and then forever after are trying to keep ourselves un-spilled, untainted by great and breaking pain (and thus love, and thus joy).
Sondra Charbadze