The Night Clerk Quotes

We've searched our database for all the quotes and captions related to The Night Clerk. Here they are! All 92 of them:

I felt a haunting loneliness sometimes, and felt it in others--young clerks in the dusk, wasting the most poignant moments of night and life.
F. Scott Fitzgerald (The Great Gatsby)
I like to change liquor stores frequently because the clerks got to know your habits if you went in night and day and bought huge quantities. I could feel them wondering why I wasn't dead yet and it made me uncomfortable. They probably weren't thinking any such thing, but then a man gets paranoid when he has 300 hangovers a year.
Charles Bukowski (Women)
There's a bluebird in my heart that wants to get out but I'm too tough for him, I say, stay in there, I'm not going to let anybody see you. there's a bluebird in my heart that wants to get out but I pur whiskey on him and inhale cigarette smoke and the whores and the bartenders and the grocery clerks never know that he's in there. there's a bluebird in my heart that wants to get out but I'm too tough for him, I say, stay down, do you want to mess me up? you want to screw up the works? you want to blow my book sales in Europe? there's a bluebird in my heart that wants to get out but I'm too clever, I only let him out at night sometimes when everybody's asleep. I say, I know that you're there, so don't be sad. then I put him back, but he's singing a little in there, I haven't quite let him die and we sleep together like that with our secret pact and it's nice enough to make a man weep, but I don't weep, do you?
Charles Bukowski
If I were a poet, that’s what I’d write about. People who worked in the middle of the night. Men who loaded trains, emergency room nurses with their gentle hands. Night clerks in hotels, cabdrivers on graveyard, waitresses in all-night coffee shops. They knew the world, how precious it was when a person remembered your name, the comfort of a rhetorical question, “How’s it going, how’s the kids?” They knew how long the night was. They knew the sound life made as it left. It rattled, like a slamming screen door in the wind. Night workers lived without illusions, they wiped dreams off counters, they loaded freight. They headed back to the airport for one last fare.
Janet Fitch (White Oleander)
I began to like New York, the racy, adventurous feel of it at night and the satisfaction that the constant flicker of men and women and machines gives to the restless eye. I like to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter their lives, and no one would ever know or disapprove. Sometimes, in my mind, I followed them to their apartments on the corners of hidden streets, and they turned and smiled back at me before they faded through a door into warm darkness. At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others—poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner—young clerks in the dusk, wasting the most poignant moments of night and life.
F. Scott Fitzgerald (The Great Gatsby)
At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others - poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner - young clerks in the dusk, wasting the most poignant moments of night and life.
F. Scott Fitzgerald (The Great Gatsby)
I like to change liquor stores frequently because the clerks got to know your habits if you went in night and day and bought huge quantities. I could feel them wondering why I wasn't dead yet and it made me feel uncomfortable. They probably weren't thinking any such thing, but then a man gets paranoid when he has 300 hangovers a year.
Charles Bukowski (Women)
The Blue Bird from The Last Night of the Earth Poems there’s a bluebird in my heart that wants to get out but I’m too tough for him, I say, stay in there, I’m not going to let anybody see you. there’s a bluebird in my heart that wants to get out but I pour whiskey on him and inhale cigarette smoke and the whores and the bartenders and the grocery clerks never know that he’s in there. there’s a bluebird in my heart that wants to get out but I’m too tough for him, I say, stay down, do you want to mess me up? you want to screw up the works? you want to blow my book sales in Europe? there’s a bluebird in my heart that wants to get out but I’m too clever, I only let him out at night sometimes when everybody’s asleep. I say, I know that you’re there, so don’t be sad. then I put him back, but he’s still singing a little in there, I haven’t quite let him die and we sleep together like that with our secret pact and it’s nice enough to make a man weep, but I don’t weep, do you?
Charles Bukowski
Okay, outside," the clerk said. "Conversation outside. Bye! Have a nice night!
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Happiness There's just no accounting for happiness, or the way it turns up like a prodigal who comes back to the dust at your feet having squandered a fortune far away. And how can you not forgive? You make a feast in honor of what was lost, and take from its place the finest garment, which you saved for an occasion you could not imagine, and you weep night and day to know that you were not abandoned, that happiness saved its most extreme form for you alone. No, happiness is the uncle you never knew about, who flies a single-engine plane onto the grassy landing strip, hitchhikes into town, and inquires at every door until he finds you asleep midafternoon as you so often are during the unmerciful hours of your despair. It comes to the monk in his cell. It comes to the woman sweeping the street with a birch broom, to the child whose mother has passed out from drink. It comes to the lover, to the dog chewing a sock, to the pusher, to the basket maker, and to the clerk stacking cans of carrots in the night. It even comes to the boulder in the perpetual shade of pine barrens, to rain falling on the open sea, to the wineglass, weary of holding wine.
Jane Kenyon
There were three of them outside the mercantile—women—and one of them was juggling. I blinked, thinking the magistrate had made a mistake. This was a girl I might have eagerly bought a drink for last night, but there was no mistaking she was outfitted for trouble, a sword hanging from one hip and two knives from the other. Her long black hair hung loosely over her shoulders, and she laughed and chatted with the store clerk as she continued to juggle, and then— I jabbed Mason. “Did you see that?” “See what?” “She just nicked an orange!
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
Stalin is one of the most extraordinary figures in world history. He began as a small clerk, and he has never stopped being a clerk. Stalin owes nothing to rhetoric. He governs from his office, thanks to a bureaucracy that obeys his every nod and gesture. It's striking that Russian propaganda, in the criticisms it makes of us, always holds itself within certain limits. Stalin, that cunning Caucasian, is apparently quite ready to abandon European Russia, if he thinks that a failure to solve her problems would cause him to lose everything. Let nobody think Stalin might reconquer Europe from the Urals! It is as if I were installed in Slovakia, and could set out from there to reconquer the Reich. This is the catastrophe that will cause the loss of the Soviet Empire.
Adolf Hitler
there's a bluebird in my heart that, wants to get out but I'm too tough for him I say, stay in there, I'm not going to let anybody see you there's a bluebird in my heart that, wants to get out but I pur whiskey on him and inhale cigarette smoke and the whores and the bartenders and the grocery clerks never know that he's in there there's a bluebird in my heart that, wants to get out but I'm too tough for him I say, stay down, do you want to mess me up? you want to screw up the works? you want to blow my book sales in Europe? there's a bluebird in my heart that, wants to get out but I'm too clever, I only let him out at night sometimes when everybody's asleep I say, I know that you're there, so don't be sad. then I put him back, but he's singing a little in there I haven't quite let him die. and we sleep together like that with our secret pact and it's nice enough to make a man weep but I don't weep, do you?
Charles Bukowski
In the main street of Winesburg crowds filled the stores and sidewalks. Night came on, horses whinnied, the clerks in stores ran madly about, children became lost and cried lustily, an American town worked terribly at the task of amusing itself.
Sherwood Anderson (Winesburg, Ohio)
On our first night in the house, we ripped up every square inch of the new green carpeting and dragged it to the curb. Where the carpet had been, we discovered a pristine oak plank floor that, as best as we could tell, had never suffered the scuff of a single shoe. We painstakingly sanded and varnished it to a high sheen. Then we went out and blew the better part of two week's pay for a handwoven Persian rug, which we unfurled in the living room in front of the fireplace. Over the months, we repainted every green surface and replaced every green accessory. The postal clerk's house was slowly becoming our own. Once we got the joint just right, of course, it only made sense that we bring home a large, four-legged roommate with sharp toenails, large teeth, and exceedingly limited English-language skills to start tearing it apart again.
John Grogan (Marley and Me)
But most days, if you’re aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-lady who just screamed at her little child in the checkout line — maybe she’s not usually like this; maybe she’s been up three straight nights holding the hand of her husband who’s dying of bone cancer, or maybe this very lady is the low-wage clerk at the Motor Vehicles Dept. who just yesterday helped your spouse resolve a nightmarish red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it’s also not impossible — it just depends on what you want to consider. If you’re automatically sure that you know what reality is and who and what is really important — if you want to operate on your default-setting — then you, like me, will not consider possibilities that aren’t pointless and annoying. But if you’ve really learned how to think, how to pay attention, then you will know you have other options. It will actually be within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars — compassion, love, the sub-surface unity of all things. Not that that mystical stuff’s necessarily true: The only thing that’s capital-T True is that you get to decide how you’re going to try to see it. You get to consciously decide what has meaning and what doesn’t. You get to decide what to worship…
David Foster Wallace
But most days, if you're aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she's not usually like this. Maybe she's been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it's also not impossible. It just depends what you want to consider. If you're automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won't consider possibilities that aren't annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down. Not that that mystical stuff is necessarily true. The only thing that's capital-T True is that you get to decide how you're gonna try to see it. This, I submit, is the freedom of a real education, of learning how to be well-adjusted. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.
David Foster Wallace (This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life)
At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others--poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner--young clerks in the dusk, wasting the most poignant moments of night and life.
F. Scott Fitzgerald's The Great Gatsby
[Women] complain about many clerks who attribute all sorts of faults to them and who compose works about them in rhyme, prose, and verse, criticizing their conduct in a variety of different ways. They then give these works as elementary textbooks to their young pupils at the beginning of their schooling, to provide them with exempla and received wisdom, so that they will remember this teaching when they come of age ... They accuse [women] of many ... serious vice[s] and are very critical of them, finding no excuse for them whatsoever. This is the way clerks behave day and night, composing their verse now in French, now in Latin. And they base their opinions on goodness only knows which books, which are more mendacious than a drunk. Ovid, in a book he wrote called Cures for Love, says many evil things about women, and I think he was wrong to do this. He accuses them of gross immorality, of filthy, vile, and wicked behaviour. (I disagree with him that they have such vices and promise to champion them in the fight against anyone who would like to throw down the gauntlet ...) Thus, clerks have studied this book since their early childhood as their grammar primer and then teach it to others so that no man will undertake to love a woman.
Christine de Pizan (Der Sendbrief vom Liebesgott / The Letter of the God of Love (L'Epistre au Dieu d'Amours))
I discovered our dear poet in my office, a simple clerk.
Bertolt Brecht (Brecht Collected Plays: 1: Baal; Drums in the Night; In the Jungle of Cities; Life of Edward II of England & 5 One Act Plays)
The kinder we, to give them thanks for nothing. Our sport shall be to take what they mistake, And what poor duty cannot do, Noble respect takes it in might, not merit. Where I have come, great clerks have purposed To greet me with premeditated welcomes, Where I have seen them shiver and look pale, Make periods in the midst of sentences, Throttle their practised accent in their fears, And in conclusion dumbly have broke off, Not paying me a welcome. Trust me, sweet, Out of this silence yet I picked a welcome, And in the modesty of fearful duty I read as much as from the rattling tongue Of saucy and audacious eloquence. Love, therefore, and tongue-tied simplicity In least speak most, to my capacity
William Shakespeare (A Midsummer Night’s Dream)
And across the water, you would swear you could sniff it all; the cinnamon and the cloves, the frankincense and the honey and the licorice, the nutmeg and citrons, the myrrh and the rosewater from Persia in keg upon keg. You would think you could glimpse, heaped and glimmering, the sapphires and the emeralds and the gauzes woven with gold, the ostrich feathers and the elephant tusks, the gums and the ginger and the coral buttons mynheer Goswin the clerk of the Hanse might be wearing on his jacket next week. . . . The Flanders galleys put into harbor every night in their highly paid voyage from Venice, fanned down the Adriatic by the thick summer airs, drifting into Corfu and Otranto, nosing into and out of Sicily and round the heel of Italy as far as Naples; blowing handsomely across the western gulf to Majorca, and then to the north African coast, and up and round Spain and Portugal, dropping off the small, lucrative loads which were not needed for Bruges; taking on board a little olive oil, some candied orange peel, some scented leather, a trifle of plate and a parrot, some sugar loaves.
Dorothy Dunnett (Niccolò Rising (The House of Niccolò, #1))
The quavering, sensual voice of Elvis Presley is coming from the juke-box in lonesome, sad, sustained, orgasmic moans: The bell-hop’s tears keep flowing The desk clerk’s dressed in black. …
John Rechy (City of Night (Independent Voices))
It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling
Pablo Neruda
There were moments of racial unity. Lawrence Goodwyn found in east Texas an unusual coalition of black and white public officials: it had begun during Reconstruction and continued into the Populist period. The state government was in the control of white Democrats, but in Grimes County, blacks won local offices and sent legislators to the state capital. The district clerk was a black man; there were black deputy sheriffs and a black school principal. A night-riding White Man’s Union used intimidation and murder to split the coalition, but Goodwyn points to “the long years of interracial cooperation in Grimes County” and wonders about missed opportunities.
Howard Zinn (A People's History of the United States)
Bluebird there's a bluebird in my heart that wants to get out but I'm too tough for him, I say, stay in there, I'm not going to let anybody see you. there's a bluebird in my heart that wants to get out but I pour whiskey on him and inhale cigarette smoke and the ****s and the bartenders and the grocery clerks never know that he's in there. there's a bluebird in my heart that wants to get out but I'm too tough for him, I say, stay down, do you want to mess me up? you want to screw up the works? you want to blow my book sales in Europe? there's a bluebird in my heart that wants to get out but I'm too clever, I only let him out at night sometimes when everybody's asleep. I say, I know that you're there, so don't be sad. then I put him back, but he's singing a little in there, I haven't quite let him die and we sleep together like that with our secret pact and it's nice enough to make a man weep, but I don't weep, do you?
Charles Bukowski
And I could hardly have resigned myself to the simple, vulgar, direct debauchery of a clerk and have endured all the filthiness of it. What could have allured me about it then and have drawn me at night into the street? No, I had a lofty way of getting out of it all.
Fyodor Dostoevsky (Notes From The Underground (Phoenix Classics))
Once my father checked into a hotel during a shoe-selling trip and a clerk told him: “You’ll like it here, Mr. Reagan, we don’t permit a Jew in the place.” My father, who told us the story later, said he looked at the clerk angrily and picked up his suitcase and left. “I’m a Catholic,” he said. “If it’s come to the point where you won’t take Jews, then some day you won’t take me either.” Because it was the only hotel in town, he spent the night in his car during a winter blizzard and I think it may have led to his first heart attack.
Ronald Reagan (An American Life: The Autobiography)
Hotel’s full up, I’m afraid, Mr. Roper, Jonathan rehearsed in another last-ditch effort to fend off the inevitable. Herr Meister is desolated. A temporary clerk has made an unpardonable error. However, we have managed to obtain rooms for you at the Baur au Lac, et cetera.
John Le Carré (The Night Manager)
At the enchanted metropolitan twilight, I felt a haunting loneliness sometimes, and felt it in others - poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner - young clerks in the dusk, wasting the most poignant moments of night and life.
F.Scott Fitzgerald (The Great Gatsby)
Sing of disappointments more repeated than the batter of the sea, of lives embittered by resentments so ubiquitous the ocean’s salt seems thinly shaken, of letdowns local as the sofa where I copped my freshman’s feel, of failures as frequent as first love, first nights, last stands; do not warble of arms or adventurous deeds or shepherds playing on their private fifes, or of civil war or monarchies at swords; consider rather the slightly squinkered clerk, the soul which has become as shabby and soiled in its seat as worn-out underwear, a life lit like a lonely room and run like a laddered stocking.
William H. Gass (The Tunnel)
White women—feminists included—have revealed a historical reluctance to acknowledge the struggles of household workers. They have rarely been involved in the Sisyphean task of ameliorating the conditions of domestic service. The convenient omission of household workers’ problems from the programs of “middle-class” feminists past and present has often turned out to be a veiled justification—at least on the part of the affluent women—of their own exploitative treatment of their maids. In 1902 the author of an article entitled “A Nine-Hour Day for Domestic Servants” described a conversation with a feminist friend who had asked her to sign a petition urging employers to furnish seats for women clerks. “The girls,” she said, “have to stand on their feet ten hours a day and it makes my heart ache to see their tired faces.” “Mrs. Jones,” said I, “how many hours a day does your maid stand upon her feet?” “Why, I don’t know,” she gasped, “five or six I suppose.” “At what time does she rise?” “At six.” “And at what hour does she finish at night?” “Oh, about eight, I think, generally.” “That makes fourteen hours …” “… (S)he can often sit down at her work.” “At what work? Washing? Ironing? Sweeping? Making beds? Cooking? Washing dishes? … Perhaps she sits for two hours at her meals and preparing vegetables, and four days in the week she has an hour in the afternoon. According to that, your maid is on her feet at least eleven hours a day with a score of stair-climbings included. It seems to me that her case is more pitiable than that of the store clerk.” My caller rose with red cheeks and flashing eyes. “My maid always has Sunday after dinner,” she said. “Yes, but the clerk has all day Sunday. Please don’t go until I have signed that petition. No one would be more thankful than I to see the clerks have a chance to sit …
Angela Y. Davis (Women, Race & Class)
The local people whipped themselves into a mold of cruelty. Then they formed units, squads, and armed them—armed them with clubs, with gas, with guns. We own the country. We can’t let these Okies get out of hand. And the men who were armed did not own the land, but they thought they did. And the clerks who drilled at night owned nothing, and the little storekeepers possessed only a drawerful of debts. But even a debt is something, even a job is something. The clerk thought, I get fifteen dollars a week. S’pose a goddamn Okie would work for twelve? And the little storekeeper thought, How could I compete with a debtless man?
John Steinbeck (The Grapes of Wrath)
My parents constantly drummed into me the importance of judging people as individuals. There was no more grievous sin at our household than a racial slur or other evidence of religious or racial intolerance. A lot of it, I think, was because my dad had learned what discrimination was like firsthand. He’d grown up in an era when some stores still had signs at their door saying, NO DOGS OR IRISHMEN ALLOWED. When my brother and I were growing up, there were still ugly tumors of racial bigotry in much of America, including the corner of Illinois where we lived. At our one local movie theater, blacks and whites had to sit apart—the blacks in the balcony. My mother and father urged my brother and me to bring home our black playmates, to consider them equals, and to respect the religious views of our friends, whatever they were. My brother’s best friend was black, and when they went to the movies, Neil sat with him in the balcony. My mother always taught us: “Treat thy neighbor as you would want your neighbor to treat you,” and “Judge everyone by how they act, not what they are.” Once my father checked into a hotel during a shoe-selling trip and a clerk told him: “You’ll like it here, Mr. Reagan, we don’t permit a Jew in the place.” My father, who told us the story later, said he looked at the clerk angrily and picked up his suitcase and left. “I’m a Catholic,” he said. “If it’s come to the point where you won’t take Jews, then some day you won’t take me either.” Because it was the only hotel in town, he spent the night in his car during a winter blizzard and I think it may have led to his first heart attack.
Ronald Reagan (An American Life: The Autobiography)
The Mad Gardener's Song He thought he saw an Elephant, That practised on a fife: He looked again, and found it was A letter from his wife. 'At length I realise,' he said, 'The bitterness of Life!' He thought he saw a Buffalo Upon the chimney-piece: He looked again, and found it was His Sister's Husband's Niece. 'Unless you leave this house,' he said, 'I'll send for the Police!' He thought he saw a Rattlesnake That questioned him in Greek: He looked again, and found it was The Middle of Next Week. 'The one thing I regret,' he said, 'Is that it cannot speak!' He thought he saw a Banker's Clerk Descending from the bus: He looked again, and found it was A Hippopotamus. 'If this should stay to dine,' he said, 'There won't be much for us!' He thought he saw a Kangaroo That worked a coffee-mill: He looked again, and found it was A Vegetable-Pill. 'Were I to swallow this,' he said, 'I should be very ill!' He thought he saw a Coach-and-Four That stood beside his bed: He looked again, and found it was A Bear without a Head. 'Poor thing,' he said, 'poor silly thing! It's waiting to be fed!' He thought he saw an Albatross That fluttered round the lamp: He looked again, and found it was A Penny-Postage Stamp. 'You'd best be getting home,' he said: 'The nights are very damp!' He thought he saw a Garden-Door That opened with a key: He looked again, and found it was A Double Rule of Three: 'And all its mystery,' he said, 'Is clear as day to me!' He thought he saw a Argument That proved he was the Pope: He looked again, and found it was A Bar of Mottled Soap. 'A fact so dread,' he faintly said, 'Extinguishes all hope!
Lewis Carroll (Sylvie and Bruno)
George meanwhile, with his hat on one side, his elbows squared, and his swaggering martial air, made for Bedford Row, and stalked into the attorney’s offices as if he was lord of every pale-faced clerk who was scribbling there. He ordered somebody to inform Mr. Higgs that Captain Osborne was waiting, in a fierce and patronizing way, as if the pekin of an attorney, who had thrice his brains, fifty times his money, and a thousand times his experience, was a wretched underling who should instantly leave all his business in life to attend on the Captain’s pleasure. He did not see the sneer of contempt which passed all round the room, from the first clerk to the articled gents, from the articled gents to the ragged writers and white-faced runners, in clothes too tight for them, as he sate there tapping his boot with his cane, and thinking what a parcel of miserable poor devils these were. The miserable poor devils knew all about his affairs. They talked about them over their pints of beer at their public-house clubs to other clerks of a night. Ye gods, what do not attorneys and attorneys’ clerks know in London! Nothing is hidden from their inquisition, and their families mutely rule our city.
William Makepeace Thackeray (Vanity Fair)
For the middle majority of us all, knowledge of Negroes firsthand is probably limited—limited to the colored cleaning woman, who comes twice a week, limited to the colored baseball player who saves or loses a home game, limited to the garage mechanic, or dime-store clerk, or blues singer seen and heard on a Saturday night. To this white majority, the black man is as unknown as once was the heart of the Dark Continent of Africa.
Irving Wallace (The Man)
We blame ourselves, our boss, the mortgage, the government, the school system. But it’s not really their fault. It’s the modern deal that we all signed up for on the day we were born. In the premodern world, people were akin to lowly clerks in a socialist bureaucracy. They punched their cards, and then waited for somebody else to do something. In the modern world, we humans run the business, so we are under constant pressure day and night.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Sometimes, in my mind, I followed them to their apartments on the corners of hidden streets, and they turned and smiled back at me before they faded through a door into warm darkness. At the enchanted metropolitan twilight I felt a haunting loneliness sometimes, and felt it in others—poor young clerks who loitered in front of windows waiting until it was time for a solitary restaurant dinner—young clerks in the dusk, wasting the most poignant moments of night and life.
F. Scott Fitzgerald (The Great Gatsby)
Up here, in the hills round Zaragoza, it was simply the mingled boredom and discomfort of stationary warfare. A life as uneventful as a city clerk's, and almost as regular. Sentry-go, patrols, digging; digging, patrols, sentry-go. On every hill-top. Fascist or Loyalist, a knot of ragged, dirty men shivering round their flag and trying to keep warm. And all day and night the meaningless bullets wandering across the empty valleys and only by some rare improbable chance getting home on a human body.
George Orwell (Homage to Catalonia)
The office was the first door on the left, on the ground floor. There was a clerk behind the desk. He was a short old guy with a big belly and what looked like a glass eye. He gave the woman the key for room 214, and she walked out without another word. Reacher asked him for a rate, and the guy said, “Sixty bucks.” Reacher said, “A week?” “A night.” “I’ve been around.” “What’s that supposed to mean?” “I’ve been in plenty of motels.” “So?” “I don’t see anything here worth sixty bucks. Twenty, maybe.
Lee Child (Make Me (Jack Reacher, #20))
[H]e stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been at the end of a dock. "I felt a haunting loneliness sometimes, and felt it in others — young clerks in the dusk, wasting the most poignant moments of night and life." "In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.
F. Scott Fitzgerald (The Great Gatsby)
Which brings me to the final aspect of the problem of Industrial Tourism: the Industrial Tourists themselves. They work hard, these people. They roll up incredible mileages on their odometers, rack up state after state in two-week transcontinental motor marathons, knock off one national park after another, take millions of square yards of photographs, and endure patiently the most prolonged discomforts: the tedious traffic jams, the awful food of park cafeterias and roadside eateries, the nocturnal search for a place to sleep or camp, the dreary routine of One-Stop Service, the endless lines of creeping traffic, the smell of exhaust fumes, the ever-proliferating Rules & Regulations, the fees and the bills and the service charges, the boiling radiator and the flat tire and the vapor lock, the surly retorts of room clerks and traffic cops, the incessant jostling of the anxious crowds, the irritation and restlessness of their children, the worry of their wives, and the long drive home at night in a stream of racing cars against the lights of another stream racing in the opposite direction, passing now and then the obscure tangle, the shattered glass, the patrolman’s lurid blinker light, of one more wreck.
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
If I were a poet, that's what I'd write about. People who worked in the middle of the night. Men who loaded trains, emergency room nurses with their gentle hands. Night clerks in hotels, cabdrivers on graveyard, waitresses in all-night coffee shops. They knew the world, how precious it was when a person remembered your name, the comfort of a rhetorical question, 'How's it going, how's the kids?' They knew how long the night was. They knew the sound life made as it left. It rattled, like a slamming screen door in the wind. Night workers lived without illusions, they wiped dreams off counters, they loaded freight. They headed back to the airport for one last fare.
Janet Fitch (White Oleander)
Lincoln’s liberal use of his pardoning power created the greatest tension between the two men (Lincoln and Edwin Stanton, Secretary of War). Stanton felt compelled to protect military discipline by exacting proper punishment for desertions or derelictions of duty, while Lincoln looked for any “good excuse for saving a man’s life.” When he found one, he said, “I go to bed happy as I think how joyous the signing of my name will make him and his family and his friends.” Stanton would not allow himself such leniency. A clerk recalled finding Stanton one night in his office, “the mother, wife, and children of a soldier who had been condemned to be shot as a deserter, on their knees before him pleading for the life of their loved one. He listened standing, in cold and austere silence, and at the end of their heart-breaking sobs and prayers answered briefly that the man must die. The crushed and despairing little family left and Mr. Stanton turned, apparently unmoved, and walked into his private room.” The clerk thought Stanton an unfeeling tyrant, until he discovered him moments later, “leaning over a desk, his face buried in his hands and his heavy frame shaking with sobs. ‘God help me to do my duty; God help me to do my duty!’ he was repeating in a low wail of anguish.” On such occasions, when Stanton felt he could not afford to set a precedent, he must have been secretly relieved that the president had the ultimate authority.
Doris Kearns Goodwin (仁者无敌:林肯的政治天才)
Niagara Falls! Hordes of us! Husbands! Wives! Flowers! Chocolates! All streaming into cozy hotels All going to do the same thing tonight The indifferent clerk he knowing what was going to happen The lobby zombies they knowing what The whistling elevator man he knowing The winking bellboy knowing Everybody knowing! I'd be almost inclined not to do anything! Stay up all night! Stare that hotel clerk in the eye! Screaming: I deny honeymoon! I deny honeymoon! running rampant into those almost climatic suites yelling Radio belly! Cat shovel! O I'd live in Niagara forever! in a dark cave beneath the Falls I'd sit there the Mad Honeymooner devising ways to break marriages, a scourge of bigamy a saint of divorce--
Gregory Corso
He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.
Arthur Machen (The Secret Glory)
First Churchill and company went to the city’s Grand Hotel. The building had survived the night’s raid unscathed, but prior raids had inflicted considerable damage. “It had a sense of lean to it, as if it needed shoring up in order to stay in business,” wrote Inspector Thompson. Churchill requested a bath. “Yes, sir!” the desk manager said brightly, as if this posed no challenge whatsoever—when, in fact, prior raids had left the hotel with no hot water. “But somehow, somewhere, in but a few minutes,” Thompson said, “an amused procession of guests, clerks, cooks, maids, soldiers, and walking wounded materialized out of some mystery in the back part of the building, and went up the stairs with hot water in all types of containers, including a garden sprinkler, and filled the tub in the Prime Minister’s room.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
There's a bluebird in my heart that Wants to get out but I'm too tough for him I say, stay in there, I'm not going To let anybody see you There's a bluebird in my heart that Wants to get out But I pour whiskey on him and inhale Cigarette smoke And the whores and the bartenders And the grocery clerks never know that He's in there There's a bluebird in my heart that Wants to get out but I'm too tough for him I say, Stay down, do you want to mess Me up? You want to screw up the Works? You want to blow my book sales in Europe? There's a bluebird in my heart that Wants to get out But I'm too clever, I only let him out At night sometimes when everybody's asleep I say, I know that you're there So don't be sad Then I put him back But he's singing a little In there, I haven't quite let him die And we sleep together like that With our secret pact And it's nice enough to make a man Weep, but I don't weep, do You?
Charles Bukowksi (Flinke Killer)
Every day the Queen held audience. Seeing the Hall filled with women, I did not understand at first that she was doing all the kingdom’s business without me. But the women were heads of families; they came about land disputes, or taxes, or marriage portions. Fathers were nobody in Eleusis, and could not choose wives for their own sons, or leave them a name, let alone property. The men stood at the back till the women had been heard; and if she wanted a man’s advice, she sent for Xanthos. One night at bedtime, I asked her if there was nothing in Eleusis for the King to do. She smiled and said, “Oh, yes. Undo this necklace; it is caught in my hair.” I did not move at once, but looked at her. She said, “Why should the King sit at clerk’s business with ugly old men?” Then she let fall her belt and petticoat and said, coming nearer, “See, it is pulling here. It hurts me.” And there was no more talk that night.
Mary Renault (The King Must Die (Theseus, #1))
Somewhere in the city, an orange cat finished chewing on a marjoram plant next to his studio apartment's door and leapt purring onto the shoulder of his owner, home early from work. Somewhere in the city, a young Chinese pianist sat down at a rehearsal hall and let his fingers play the first opening notes of the Emperor Concerto, notes that would envelop the small girl in row D of the Philharmonic that night in a shimmering cloud. A boy in Staten Island touched his finger to the lower back of the girl who had been just a friend until then. A woman in Hell's Kitchen stood in her dark attic garret, her paintbrush in hand, and stepped back from the painting of chartreuse highway and forest-green sky that had taken her two years to complete. A clerk in a Brooklyn bodega tapped her crimson fingernail on a box of gripe water, reassuring the new mother holding a wailing baby, and the mother's grateful smile almost made both of them cry themselves.
Stephanie Clifford
With his Don Juan Mozart enters the little immortal circle of those whose names, whose works, time will not forget, because eternity remembers them. And though it is a matter of indifference, when one has found entrance there, whether one stands highest or lowest, because in a certain sense all stand equally high, since all stand infinitely high, and though it is childish to dispute over the first and the last place here, as it is when children quarrel about the order assigned to them in the church at confirmation, I am still too much of a child, or rather I am like a young girl in love with Mozart, and I must have him in first place, cost what it may. And I will appeal to the parish clerk and to the priest and to the dean and to the bishop and to the whole consistory, and I will implore and adjure them to hear my prayer, and I will invoke the whole congregation on this matter, and if they refuse to hear me, if they refuse to grant my childish wish, I excommunicate myself, and renounce all fellowship with their modes of thought; and I will form a sect which not only gives Mozart first place, but which absolutely refuses to recognize any artist other than Mozart; and I shall beg Mozart to forgive me, because his music did not inspire me to great deeds, but turned me into a fool, who lost through him the little reason I had, and spent most of my time in quiet sadness humming what I do not understand, haunting like a specter day and night what I am not permitted to enter. Immortal Mozart! Thou, to whom I owe everything; to whom I owe the loss of my reason, the wonder that caused my soul to tremble, the fear that gripped my inmost being; thou, to whom I owe it that I did not pass through life without having been stirred by something. Thou, to whom I offer thanks that I did not die without having loved, even though my love became unhappy. Is it strange then that I should be more concerned for Mozart's glorification than for the happiest moment of my life, more jealous for his immortality than for my own existence? Aye, if he were taken away, if his name were erased from the memory of men, then would the last pillar be overthrown, which for me has kept everything from being hurled together into boundless chaos, into fearful nothningness.
Søren Kierkegaard
The Late Night Traveler It was late and a traveler was looking for a room to spend the night.  He had stopped at every hotel and motel and there were no rooms available. At the far edge of town, he spotted one last motel.  It was his only hope. Unfortunately, the traveler was told by the clerk at this motel they had no rooms available also. “What am I to do?”  the traveler asked.  “Please, please you have to help me.  I have tried all the other places and there are no rooms and you are my last resort.”  ‘Well I do have a double room with only one occupant in it.  He stays here all the time. He probably won’t mind you staying in there and splitting the cost.  But I have to tell you, he snores very loud.  You may not get much sleep.” “Sounds great,” the traveler said and he took the room. The next morning when he was checking out, the clerk asked how he slept. “I slept very well, thank you,” the traveler said. “How were you able to sleep with all the snoring?” the clerk asked. “It wasn’t a problem at all,” the man said.  “When I got to the room I got undressed, walked over, gave him a little kiss on the cheek and said ‘goodnight,’ and he sat up all night watching me.
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
The one-eyed guy waited thirty seconds, and then dialed his desk phone, and when it was answered he said, “She met a guy off the train. It was late. She waited five hours for it. She brought the guy here and he took a room.” There was the plastic crackle of a question, and the one-eyed clerk said, “Another big guy. A mean son of a bitch. He busted my balls on the room rate. I gave him 106, in the back corner.” Another crackling question, and another answer: “Not from here. I’m in the office.” Another crackle, but this time a different tone and a different cadence. An instruction, not a question. The one-eyed guy said, “OK.” And he put the phone down and struggled to his feet, and stepped out of the office, and took the lawn chair from outside 102, which was empty, and dragged it to a spot on the blacktop where he could see his own door and 106’s equally. Can you see his room from there? had been the question, and Move your ass somewhere you can watch him all night had been the instruction, and the one-eyed guy always obeyed instructions, if sometimes a little reluctantly, as at that point, as he adjusted his angle and dumped his bulk down on the uncomfortable plastic. Outside, in the nighttime air. Not his preferred way of doing things.
Lee Child (Make Me (Jack Reacher, #20))
It didn’t take long for us to realize, though, that we hadn’t eaten since the eggs twenty-four hours earlier. Eating was the one desire of the flesh we hadn’t fulfilled. I remembered seeing a McDonald’s near the entrance of our hotel, and since I needed a little exercise I offered to dart out for some safe and predictable American food, which would tide us over till the dinner we had reservations for that night. Our blood sugar was too low to comb the city, looking for a place to have a quick lunch. I knew Marlboro Man was a ketchup-only guy when it comes to burgers, and that’s what I ordered when I approached the counter: “Hamburger, ketchup only, please.” “Sar…you only want kitchipinmite?” the innocent clerk replied. “Excuse me?” “Kitchipinmite?” “Uh…pardon?” “You jis want a hamburger with kitchipinmite?” “Uh…what?” I had no idea what the poor girl was saying. It took me about ten minutes to realize the poor Australian woman behind the counter was merely repeating and confirming my order: kitchip (ketchup) inmite (and meat). It was a traumatic ordering experience. I returned to the hotel room, and Marlboro Man and I dug into our food like animals. “This tastes a little funny,” my new husband said. I concurred. The mite was not right. It didn’t taste like America.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
A reply dated 13 May finally arrived from the town clerk. Mr Mottershead could open the zoo subject to: 1) the type of animals being limited to those already described in previous correspondence; 2) the estate should not be used as an amusement park, racing track or public dance hall; and 3) no animals were to be kept within a distance of a hundred feet from the existing road. This necessitated the purchase of an additional strip of land between the road and the estate, which would have to be securely enclosed, but which couldn't be used for animals. (First it was used as a children's playground and later became a self-service cafe.) Somehow my dad managed to get a further mortgage of £350 to pay for the land and fencing. Of all the conditions, the most damaging in the long term was the last: the zoo was allowed 'no advertisement, sign or noticeboard which can be seen from the road above-mentioned'. Only a small sign at the entrance to the estate would be permitted, which meant the lodge, which was a good twenty-five yards from the road was completely invisible to any passing car. This would remain a problem for a very long time. For many years, the night before bank holidays, Dad and his friends would have to go out and hang temporary posters under the official road signs on the Chester bypass. The police turned a blind eye as long as they were taken down shortly afterwards.
June Mottershead (Our Zoo)
In the West there was panic when the migrants multiplied on the highways. Men of property were terrified for their property. Men who had never been hungry saw the eyes of the hungry. Men who had never wanted anything very much saw the flare of want in the eyes of the migrants. And the men of the towns and of the soft suburban country gathered to defend themselves; and they reassured themselves that they were good and the invaders bad, as a man must do before he fights. They said, These goddamned Okies are dirty and ignorant. They’re degenerate, sexual maniacs. These goddamned Okies are thieves. They’ll steal anything. They’ve got no sense of property rights. And the latter was true, for how can a man without property know the ache of ownership? And the defending people said, They bring disease, they’re filthy. We can’t have them in the schools. They’re strangers. How’d you like to have your sister go out with one of ’em? The local people whipped themselves into a mold of cruelty. Then they formed units, squads, and armed them—armed them with clubs, with gas, with guns. We own the country. We can’t let these Okies get out of hand. And the men who were armed did not own the land, but they thought they did. And the clerks who drilled at night owned nothing, and the little storekeepers possessed only a drawerful of debts. But even a debt is something, even a job is something. The clerk thought, I get fifteen dollars a week. S’pose a goddamn Okie would work for twelve? And the little storekeeper thought, How could I compete with a debtless man?
John Steinbeck (The Grapes of Wrath)
Quite simple,” said the chairman, “you haven’t really come into contact with our authorities. All those contacts are merely apparent, but in your case, because of your ignorance of the situation here, you think they’re real. As for the telephone: look, in my own house, though I certainly deal often with the authorities, there’s no telephone. At inns and in places like that it may serve a useful purpose, along the lines, say, of an automated phonograph, but that’s all. Have you ever telephoned here, you have? Well then, perhaps you can understand me. At the Castle the telephone seems to work extremely well; I’ve been told the telephones up there are in constant use, which of course greatly speeds up the work. Here on our local telephones we hear that constant telephoning as a murmuring and singing, you must have heard it too. Well, this murmuring and singing is the only true and reliable thing that the local telephones convey to us, everything else is deceptive. There is no separate telephone connection to the Castle and no switchboard to forward our calls; when anyone here calls the Castle, all the telephones in the lowest-level departments ring, or all would ring if the ringing mechanism on nearly all of them were not, and I know this for certain, disconnected. Now and then, though, an overtired official needs some diversion—especially late in the evening or at night—and turns on the ringing mechanism, then we get an answer, though an answer that’s no more than a joke. That’s certainly quite understandable. For who can claim to have the right, simply because of some petty personal concerns, to ring during the most important work, conducted, as always, at a furious pace? Nor can I understand how even a stranger can believe that if he calls Sordini, for instance, it really is Sordini who answers. Quite the contrary, it’s probably a lowly filing clerk from an entirely different department. But it can happen, if only at the most auspicious moment, that someone telephones the lowly filing clerk and Sordini himself answers. Then of course it's best to run from the telephone before hearing a sound.
Franz Kafka (The Castle)
to exonerate him. Given the personalities involved, Skarpellos and Lama, I would suddenly discover that Tony was playing cribbage with a dozen elderly matrons the night Ben was killed. “Suspects are your job,” I tell Nelson. “I think we’re satisfied with the defendant we have. All we need to know is who helped her. Who carried the body, used the shotgun,” he says. “It’s an offer made to fail. Even if she were willing to enter a plea to a crime she didn’t commit in order to save her life, she can’t fulfill the terms.” He looks at me, like “Nice story, but it won’t wash.” Lama kicks in. “Have you heard,” he says, “we got a photo ID party goin’ down at the office? Seems the lady was a creature of habit. Ended up at the same place every night. A motel clerk from hell says she brought her entire stable of studs to his front door. We got him lookin’ at pictures of all her friends. Only a matter of time. Then the deal’s off.” Harry meets this with some logic. “To listen to you, our client already had all the freedom she could ask for. Lovers on every corner, and a cozy home to come home to when she got tired,” says Harry. “Why would she want to kill the meal ticket?” “Seems the victim was getting a little tired of her indiscretions. He was considering a divorce,” says Nelson. “You have read the prenuptial agreement? A divorce, and it was back to work for your client.” Harry and I look at one another. “Who told you Ben was considering a divorce?” I ask. “We have a witness,” says Nelson. He is not the kind to gloat over bad news delivered to an adversary. “You haven’t disclosed him to us.” “True,” he says. “We discovered him after the prelim. We’re still checking it out. When we have everything we’ll pass it along. But I will tell you, it sounds like gospel.” Lama’s expression is Cheshire cat-like, beaming from the corner of the couch. I sense that this is his doing. “I think you should talk to your client. I’m sure she’ll see reason,” says Nelson. “If you move, I think I can convince the judge to go along with the deal.” “I’ll have to talk to her,” I tell him, “but I can’t hold out much hope.” “Talk,” he says. “But let me know your answer soon. If we’re going to trial, I intend to ask for an early date.
Steve Martini (Compelling Evidence (Paul Madriani, #1))
With his Don Juan Mozart enters the little immortal circle of those whose names, whose works, time will not forget, because eternity remembers them. And though it is a matter of indifference, when one has found entrance there, whether one stands highest or lowest, because in a certain sense all stand equally high, since all stand infinitely high, and though it is childish to dispute over the first and the last place here, as it is when children quarrel about the order assigned to them in the church at confirmation, I am still too much of a child, or rather I am like a young girl in love with Mozart, and I must have him in first place, cost what it may. And I will appeal to the parish clerk and to the priest and to the dean and to the bishop and to the whole consistory, and I will implore and adjure them to hear my prayer, and I will invoke the whole congregation on this matter, and if they refuse to hear me, if they refuse to grant my childish wish, I excommunicate myself, and renounce all fellowship with their modes of thought; and I will form a sect which not only gives Mozart first place, but which absolutely refuses to recognize any artist other than Mozart; and I shall beg Mozart to forgive me, because his music did not inspire me to great deeds, but turned me into a fool, who lost through him the little reason I had, and spent most of my time in quiet sadness humming what I do not understand, haunting like a specter day and night what I am not permitted to enter. Immortal Mozart! Thou, to whom I owe everything; to whom I owe the loss of my reason, the wonder that caused my soul to tremble, the fear that gripped my inmost being; thou, to whom I owe it that I did not pass through life without having been stirred by something. Thou, to whom I offer thanks that I did not die without having loved, even though my love became unhappy. Is it strange then that I should be more concerned for Mozart's glorification than for the happiest moment of my life, more jealous for his immortality than for my own existence? Aye, if he were taken away, if his name were erased from the memory of men, then would the last pillar be overthrown, which for me has kept everything from being hurled together into boundless chaos, into fearful nothingness.
Søren Kierkegaard
Twas the night before Christmas and in SICU All the patients were stirring, the nurses were, too. Some Levophed hung from an IMED with care In hopes that a blood pressure soon would be there. One patient was resting all snug in his bed While visions—from Versed—danced in his head. I, in my scrubs, with flowsheet in hand, Had just settled down to chart the care plan. Then from room 17 there arose such a clatter We sprang from the station to see what was the matter. Away to the bedside we flew like a flash, Saved the man from falling, with restraints from the stash. “Do you know where you are?” one nurse asked while tying; “Of course! I’m in France in a jail, and I’m dying!” Then what to my wondering eyes should appear? But a heart rate of 50, the alarm in my ear. The patient’s face paled, his skin became slick And he said in a moment, “I’m going to be sick!” Someone found the Inapsine and injected a port, Then ran for a basin, as if it were sport. His heart rhythm quieted back to a sinus, We soothed him and calmed him with old-fashioned kindness. And then in a twinkling we hear from room 11 First a plea for assistance, then a swearing to heaven. As I drew in my breath and was turning around, Through the unit I hurried to respond to the sound. “This one’s having chest pain,” the nurse said and then She gave her some nitro, then morphine and when She showed not relief from IV analgesia Her breathing was failing: time to call anesthesia. “Page Dr. Wilson, or May, or Banoub! Get Dr. Epperson! She ought to be tubed!” While the unit clerk paged them, the monitor showed V-tach and low pressure with no pulse: “Call a code!” More rapid than eagles, the code team they came. The leader took charge and he called drugs by name: “Now epi! Now lido! Some bicarb and mag! You shock and you chart it! You push med! You bag!” And so to the crash cart, the nurses we flew With a handful of meds, and some dopamine, too! From the head of the bed, the doc gave his call: “Resume CPR!” So we worked one and all. Then Doc said no more, but went straight to his work, Intubated the patient, then turned with a jerk. While placing his fingers aside of her nose, And giving a nod, hooked the vent to the hose. The team placed an art-line and a right triple-lumen. And when they were through, she scarcely looked human: When the patient was stable, the doc gave a whistle. A progress note added as he wrote his epistle. But I heard him exclaim ere he strode out of sight, “Merry Christmas to all! But no more codes for tonight!” Jamie L. Beeley Submitted by Nell Britton
Jack Canfield (Chicken Soup for the Nurse's Soul: Stories to Celebrate, Honor and Inspire the Nursing Profession)
Miklos said he's applied to be night clerk at a Ramada Inn near the beach. He said the waiting list was two pages long. 'But I got more experience than most.' 'You're not kidding,' Garcia said. 'Good luck with that job.' 'Thank you,' Miklos said. 'Good luck with your murder.
Carl Hiaasen (Strip Tease)
Nykyrian hung back in the crowd, but not quite enough to keep her from hearing and seeing how he was mistreated. She felt so bad for him, and yet, true to Jayne’s words, he seemed completely oblivious to it all. It took several minutes before Kiara could find a clerk who would wait on her. “Excuse me,” she finally said, cornering one before the woman could escape to another department. “Do you have this in a size thirty?” The clerk’s eyes drifted over her shoulder to where Nykyrian was eyeing the crowd and Kiara wanted to shake the woman for the unwarranted fear. The clerk’s gaze returned to Kiara and the jacket. “I think so.” She took it from Kiara’s hand and disappeared into the back. Kiara’s eyes narrowed in anger. After a minute, the clerk returned with the right size. “Will this be all, ma’am?” Kiara nodded, her teeth clenched. Jayne said nothing as she remained by her side. After ringing the order, the clerk leaned over the counter and whispered, “Where did you find an Andarion? I’ve never seen one on Gouran before. Aren’t you afraid to be with him?” Kiara tossed a strand of hair over her shoulder as if she were completely vacuous. “Why no, I’m not afraid. He’s already had his daily feeding.” “What do you feed him?” the clerk asked with an audible gulp. Kiara narrowed her gaze on the idiot. “Babies. Lots and lots of babies.” The clerk shrank back. Jayne laughed. Kiara glared, unable to believe the nerve. Snatching up her package, she left the store with Jayne, who was still laughing, in tow. “Babies,” Jayne repeated. “I have got to remember that one. Oh, I definitely like you, princess.
Sherrilyn Kenyon (Born of Night (The League, #1))
I pulled off the highway and found a motel. The room stunk of cigarettes and the shower was caked in mildew. I pulled the brown and maroon paisley comforter off, threw it on the floor, and doused my hands in sanitizer. I slept on top of towels I laid across the sheets. In the morning I grabbed a stale doughnut and weak coffee from the free continental breakfast in the lobby and headed out to my truck, where I discovered my bike had been stolen from the back. In my sleep-deprived state the night before, I hadn’t even thought about the possibility of my bike being stolen. I slumped into the driver’s seat and finished my disgusting doughnut. Still in the motel parking lot, I shaved with an electric shaver using the side mirror of the truck. After one half of my face was shaved, the batteries died. There are just certain times in life when every fucking thing we do seems so arbitrary. Why in the world did I shave my face to begin with? I drove to a drugstore and got more batteries and a lot of weird looks from shoppers. At checkout, the gum-popping, teenage female clerk smirked at me. I decided to let humor prevail. “Do you like this look?” I smiled and pointed to my face. “That’s dope.” “Thanks, dawg.” “Peace out,” she said, and I walked out. I didn’t turn around but I held up a peace sign and said, “Word.
Renee Carlino (After the Rain)
I'm not convinced," Dodds said. It was Thursday morning, just six hours after Bosch and Chu had ended their surveillance of Chang, with the suspect going to an apartment in Monterey Park and apparently retiring for the night. "Well, Cap, you shouldn't be convinced yet," Bosch said. "That's why we want to continue the surveillance and get the wire." "What I mean is, I'm not convinced it's the way to go," Dodds said, "Surveillance is fine. But a wire is a lot of work and effort for long-shot results." Bosch understood. Dodds had an excellent repu tation as a detective, but he was now an administrator and about as far removed from the detective work in his division as a Houston oil executive is from the gas pump, He now worked with personnel numbers and budgets, He had to find ways of doing more with less and never allowing a dip in the statistics of arrests made and cases closed. That made him a realist and the reality was that electronic surveillance was very expensive. Not only did it take double-digit man hours to carefully draft a fifty plus-page affidavit secking court permission, but once permission was granted, a wiretap room had to be staffed twenty-four hours a day with a detective monitoring the line. Often a single-number tap led to other numbers needing to be tapped and under the law each line had to have its own monitor. Such an operation quickly sucked up overtime like a giant sponge. With the RHD's OT budget seriously down because of economic constraints on the department, Dodds was reluctant to give any of it up for what amounted to an investigation of the mur der of a South Side liquor store clerk. He would rather save it for a rainy day-a big-time media case that might come up and that would demand it.
Michael Connelly (Nine Dragons (Harry Bosch, #14; Harry Bosch Universe, #21))
several of the clerks would look up from their work from time to time, and direct apprehensive glances over towards the seated figure, as if, sitting there tapping his foot impatiently as he waited for Jukes to return, he was about to weigh the feather of truth in the scales of justice against their sinful hearts.
Michael Cox (The Meaning of Night)
But if God is behind, under, and throughout all good work and every moment of our lives, prayer is never a merely “spiritual” act of piety, a few feet off the ground, divorced from the real work of the world. When we pray for healing or redemption or peace or justice, we are praying for those who work—for scientists, doctors, poets, potters, researchers, retail clerks, farmers, politicians, and pilots—these actual and limited men and women through whom God is bringing renewal.
Tish Harrison Warren (Prayer in the Night: For Those Who Work or Watch or Weep)
I think all God really expects is a little common sense and kindness out of us. Surely He’s too busy to keep a tally of all our misdeeds. That would make Him nothing more than a sort of junior clerk with a very important sense of Himself, wouldn’t it?
Deanna Raybourn (Night of a Thousand Stars)
Of course, I know many fine rich people,” the Governor said, perhaps thinking of his campaign contributors. “But most of them are like a rich old feller I know down in Plaquemines Parish, who died one night and never done nobody no good in his life, and yet, when the Devil come to get him, he took an appeal to St. Peter. “’I done some good things on earth,’ he said. ‘Once, on a cold day in about 1913, I gave a blind man a nickel.’ St. Peter looked all through the records, and at last, on page four hundred and seventy-one, he found the entry. ‘That ain’t enough to make up for a misspent life,’ he said. ‘But, wait,’ the rich man says. ‘Now I remember, in 1922 I give five cents to a poor widow woman that had no carfare.’ St. Peter’s clerk checked the book again, and on page thirteen hundred and seventy-one, after pages and pages of this old stump-wormer loan-sharked the poor, he found the record of that nickel. “’That ain’t neither enough,’ St. Peter said. But the mean old thing yelled, ‘Don’t, sentence me yet. In about 1931 I give a nickel to the Red Cross.’ The clerk found that entry, too. So he said to St. Peter, ‘Your Honor, what are we going to do with him?’” The crowd hung on Uncle Earl’s lips the way the bugs hovered in the light. “You know what St. Peter said?” The Governor, the only one in the courthouse square who knew the answer, asked. There was, naturally, no reply. “He said: ‘Give that man back his fifteen cents and tell him to go to Hell.
A.J. Liebling, The Earl of Louisiana
Surprised at Kaye’s belated display of maternal instincts, Sean relented, promising he’d get in touch with Lily. Besides, he knew his own mother would never forgive him if he refused such a simple request. As he made his way down the narrow streets to the pensione opposite the Pantheon, where Lily and her roommate were staying, Sean steadfastly refused to acknowledge any other reason for agreeing to take Lily out. It had been three years since they’d left for college, not once had she come home to visit. But Sean still couldn’t look at a blonde without comparing her to Lily. He’d mounted the four flights of narrow, winding stairs, the sound of his steps muffled by red, threadbare carpet. At number seventeen, he’d stopped and stood, giving his racing heart a chance to quiet before he knocked. Calm down, he’d instructed himself. It’s only Lily. His knock echoed loudly in the empty hall. Through the door he heard the sound of approaching footsteps. Then it opened and there she was. She stood with her mouth agape. Her eyes, like beacons of light in the obscurity of the drab hallway, blinked at him with astonishment. “What are you doing here?” The question ended on a squeak. As if annoyed with the sound, she shut her mouth with an audible snap. Was it possible Kaye hadn’t bothered to tell Lily he’d be coming? “I heard you were spending a few days in Rome.” Sean realized he was staring like a dolt, but couldn’t help himself. It rattled him, seeing Lily again. A barrage of emotions and impressions mixed and churned inside him: how good she looked, different somehow, more self-confident than in high school, how maybe this time they might get along for more than 3.5 seconds. He became aware of a happy buzz of anticipation zinging through him. He was already picturing the two of them at a really nice trattoria. They’d be sitting at an intimate corner table. A waiter would come and take their order and Sean would impress her with his flawless Italian, his casual sophistication, his sprezzatura. By the time the waiter had served them their dessert and espresso, she’d be smiling at him across the soft candlelight. He’d reach out and take her hand. . . . Then Lily spoke again and Sean’s neat fantasy evaporated like a puff of smoke. “But how did you know I was here?” she’d asked, with what he’d conceitedly assumed was genuine confusion—that is, until a guy their age appeared. Standing just behind Lily, he had stared back at Sean through the aperture of the open door with a knowing smirk upon his face. And suddenly Sean understood. Lily wasn’t frowning from confusion. She was annoyed. Annoyed because he’d barged in on her and Lover Boy. Lily didn’t give a damn about him. At the realization, his jumbled thoughts at seeing her again, all those newborn hopes inside him, faded to black. His brain must have shorted after that. Suave, sophisticated guy that he was, Sean had blurted out, “Hey, this wasn’t my idea. I only came because Kaye begged me to—” Stupendously dumb. He knew better, had known since he was eight years old. If you wanted to push Lily Banyon into the red zone, all it took was a whispered, “Kaye.” The door to her hotel room had come at his face faster than a bullet train. He guessed he should be grateful she hadn’t been using a more lethal weapon, like the volleyball she’d smashed in his face during gym class back in eleventh grade. Even so, he’d been forced to jump back or have the number seventeen imprinted on his forehead. Their last skirmish, the one back in Rome, he’d definitely lost. He’d stood outside her room like a fool, Lover Boy’s laughter his only reply. Finally, the pensione’s night clerk had appeared, insisting he leave la bella americana in peace. He’d gone away, humiliated and oddly deflated.
Laura Moore (Night Swimming: A Novel)
This story created a sensation when it was first told. It appeared in the papers and many big Physicists and Natural Philosophers were, at least so they thought, able to explain the phenomenon. I shall narrate the event and also tell the reader what explanation was given, and let him draw his own conclusions. This was what happened. A friend of mine, a clerk in the same office as myself, was an amateur photographer; let us call him Jones. Jones had a half plate Sanderson camera with a Ross lens and a Thornton Picard behind lens shutter, with pneumatic release. The plate in question was a Wrattens ordinary, developed with Ilford Pyro Soda developer prepared at home. All these particulars I give for the benefit of the more technical reader. Mr. Smith, another clerk in our office, invited Mr. Jones to take a likeness of his wife and sister-in-law. This sister-in-law was the wife of Mr. Smith's elder brother, who was also a Government servant, then on leave. The idea of the photograph was of the sister-in-law. Jones was a keen photographer himself. He had photographed every body in the office including the peons and sweepers, and had even supplied every sitter of his with copies of his handiwork. So he most willingly consented, and anxiously waited for the Sunday on which the photograph was to be taken. Early on Sunday morning, Jones went to the Smiths'. The arrangement of light in the verandah was such that a photograph could only be taken after midday; and so he stayed there to breakfast. At about one in the afternoon all arrangements were complete and the two ladies, Mrs. Smiths, were made to sit in two cane chairs and after long and careful focussing, and moving the camera about for an hour, Jones was satisfied at last and an exposure was made. Mr. Jones was sure that the plate was all right; and so, a second plate was not exposed although in the usual course of things this should have been done. He wrapped up his things and went home promising to develop the plate the same night and bring a copy of the photograph the next day to the office. The next day, which was a Monday, Jones came to the office very early, and I was the first person to meet him. "Well, Mr. Photographer," I asked "what success?" "I got the picture all right," said Jones, unwrapping an unmounted picture and handing it over to me "most funny, don't you think so?" "No, I don't ... I think it is all right, at any rate I did not expect anything better from you ...", I said. "No," said Jones "the funny thing is that only two ladies sat ..." "Quite right," I said "the third stood in the middle." "There was no third lady at all there ...", said Jones. "Then you imagined she was there, and there we find her ..." "I tell you, there were only two ladies there when I exposed" insisted Jones. He was looking awfully worried. "Do you want me to believe that there were only two persons when the plate was exposed and three when it was developed?" I asked. "That is exactly what has happened," said Jones. "Then it must be the most wonderful developer you used, or was it that this was the second exposure given to the same plate?" "The developer is the one which I have been using for the last three years, and the plate, the one I charged on Saturday night out of a new box that I had purchased only on Saturday afternoon." A number of other clerks had come up in the meantime, and were taking great interest in the picture and in Jones' statement. It is only right that a description of the picture be given here for the benefit of the reader. I wish I could reproduce the original picture too, but that for certain reasons is impossible. When the plate was actually exposed there were only two ladies, both of whom were sitting in cane chairs. When the plate was developed it was found that there was in the picture a figure, that of a lady, standing in the middle. She wore a broad-edged dhoti (the reader should not forget that all the characters are Indians), only the upper half of her
Anonymous
The Adopted Baby A young married couple learned early on they could not have children naturally so they decided to adopt. They had to go through quite a lengthy process, but one day they received great news.  Their adoption had gone through and they were to get a baby boy.  The young couple was overjoyed. A few days later they stopped by a community college and enrolled in a Japanese language night class. The clerk that registered the couple was curious and asked, “I’m just wondering why you want to study Japanese?” “Well, we just adopted a Japanese baby,” the father said, “and when he gets old enough to talk we want to be able to understand him.
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
The Deliverator does not know for sure what happens to the driver in such cases, but he has heard some rumors. Most pizza deliveries happen in the evening hours, which Uncle Enzo considers to be his private time. And how would you feel if you bad to interrupt dinner with your family in order to call some obstreperous dork in a Burbclave and grovel for a late fucking pizza? Uncle Enzo has not put in fifty years serving his family and his country so that, at the age when most are playing golf and bobbling their granddaughters, he can get out of the bathtub dripping wet and lie down and kiss the feet of some sixteenyear- old skate punk whose pepperoni was thirty-one minutes in coming. Oh, God. It makes the Deliverator breathe a little shallower just to think of the idea. But he wouldn't drive for CosaNostra Pizza any other way. You know why? Because there's something about having your life on the line. It's like being a kamikaze pilot. Your mind is clear. Other people -- store clerks, burger flippers, software engineers, the whole vocabulary of meaningless jobs that make up Life in America -- other people just rely on plain old competition. Better flip your burgers or debug your subroutines faster and better than your high school classmate two blocks down the strip is flipping or debugging, because we're in competition with those guys, and people notice these things. What a fucking rat race that is. CosaNostra Pizza doesn't have any competition. Competition goes against the Mafia ethic. You don't work harder because you're competing against some identical operation down the street. You work harder because everything is on the line. Your name, your honor, your family, your life. Those burger flippers might have a better life expectancy -- but what kind of life is it anyway, you have to ask yourself. That's why nobody, not even the Nipponese, can move pizzas faster than CosaNostra. The Deliverator is proud to wear the uniform, proud to drive the car, proud to march up the front walks of innumerable Burbclave homes, a grim vision in ninja black, a pizza on his shoulder, red LED digits blazing proud numbers into the night: 12:32 or 15:15 or the occasional 20:43.
Neal Stephenson (Snow Crash)
He put one of the platters in front of Liv, forcing her to get up-close and personal with his dinner creation. It looked even worse on her plate than it had from a distance. Liv was glad she had a strong stomach. She’d seen some fairly disgusting things during nursing school, especially during her surgery rotation and in the burn unit, but none of them were quite as nasty as Baird’s “pizza.” “Well, go ahead. I thought you were starving.” She looked up to see him watching her, black eyebrows raised in anticipation. Oh my God, I’m actually going to have to eat it! Her stomach rolled at the thought. “You, uh, gave me so much I don’t know where to begin,” she lied weakly. “Only one piece.” He frowned. “Is it too much?” “It’s just a little more than I’m used to. Uh, on Earth we cut a pizza into eight or ten wedges.” And we don’t top it with fruit cocktail! “I can cut it into smaller pieces if you want,” he offered. “No, no. That’s okay. I’ll make do.” There was no putting it off anymore. Taking a deep breath, Liv lifted the huge sloppy slice and forced herself to take a bite. “You like it?” Baird stared at her suspiciously. “Mmm, delicious,” Liv mumbled, fighting her gag reflex. Inside her mouth the flavors of canned salmon, lima beans, and fruit cocktail were fighting and she wondered how in the world she would swallow without throwing up. But the big warrior was still watching her carefully for her reaction and she didn’t want to insult him. With a monumental effort she choked down the mess and prayed it wouldn’t come back up. “So it’s good?” he asked again. “Unforgettable,” Liv assured him which for once was the absolute truth. “Glad you like it.” Baird lifted his own piece of pizza and, keeping his eyes on her the entire time, took a huge bite. But when he started to chew, his face turned a peculiar shade of red. “Gods!” Getting up from the table in a hurry, he ran to the sink and spat out the mouthful. Then he turned back to Liv. “That was fuckin’ horrible. Why didn’t you tell me?” Liv shrugged, not sure if she should laugh or feel sorry for him. “I didn’t want to hurt your feelings.” “I’d rather have my feelings hurt than eat that slop.” Baird frowned. “I don’t understand what you humans see in that dish anyway.” “Well…” Liv tried to think of a way to put it tactfully. “We don’t always make it exactly like that.” She nodded at the half a pizza she’d put back down on the metal serving tray. “But I did everything the clerk told me to,” Baird protested. “He said it was mistake proof. That anyone could do it.” “Anyone can do it. You just put a little too much on it, that’s all.” “Damn it to hell.” Baird sighed. “I’m sorry, Olivia. I wanted to make all your favorites—the things I saw you eating in my dreams. It was between this and that other stuff you like with the raw sea creatures rolled in the white grains. I thought this would be easier.” “Sushi?” Liv bit her lip to keep from laughing. “You were going to try and make me sushi?” As badly as he’d screwed up the pizza, she couldn’t imagine what his version of sushi would look like. Visions of a whole dead fish coated in sticky rice and rolled in peas and carrots instead of roe rose to mind. Ugh. Baird shrugged. “I wanted to. I wanted to make you something special every night. But I guess I’m not very good at cooking human food. Sorry.” He sounded so crestfallen and his broad shoulders slumped so sadly that Liv couldn’t help but feel sorry for him. She rose and went to put a hand lightly on his arm. “Hey, don’t worry about it. I’m sure if I tried to make Kindred cuisine I wouldn’t do any better.” Baird
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
intelligent. I cannot stop to write more now but will try to find a moment soon. Your very own, Malama. He sealed the note and hurried to the postal clerk’s tent to send it, still feeling discomfited. How could Tatiana not see through such a ruffian? Was she so lacking in judgement? He pondered the question as he lay in bed that night, unable to sleep, and it came to him that her very limited exposure to the outside world must mean she did not have well-tuned instincts about human nature. She was a good creature who saw only good in everyone she met. It would be his role gently to teach her more of the world. As soon as he realised this, he regretted the pompous tone of his note and hoped it would not upset her or even change her opinion of him. He lay awake long into the night worrying and as soon as the camp awoke the following morning he rushed to the postal tent to retrieve his letter, only to find it had
Gill Paul (The Secret Wife)
CASE 116. L., aged thirty-seven, clerk, from tainted family, had his first erection at five years, when he saw his bed-fellow—an aged relative—put on his night-cap.
Richard von Krafft-Ebing (Psychopathia Sexualis: A Medico-Legal Study)
It seems that a little ditty has arisen from the ashes of our current national—nay, even international—epidemic, and it goes like this: I had a little bird, Its name was Enza. I opened the window, and in flew Enza. “The now popular ditty originated in our grand state of Washington, in the Hotel Colville, to be precise. As the story goes, a little feathered visitor flew in through an open window of the hotel where it made itself at home among the potted plants in the lobby. Thus far, no one has had the heart to shoo the little fellow outdoors again, and in fact, the hotel staff have put out birdseed and are calling their winged guest by the name of Enza. When asked why they chose that name, the night clerk explained that he opened the window and ‘in-flew-Enza.’ “Whether or not this story is apocryphal, it demonstrates the American spirit of cheerfulness and perseverance in the midst of national hardship. It is this very perseverance, the refusal to give up, that will get us through this epidemic and back on our feet as a nation.” Uncle
Ann Tatlock (The Names of the Stars)
The judge then read the verdict sheets, announced they were in order, and gave them to Clerk Josephine Williams to be read out loud. Beginning with the Vincow charge, the jury voted guilty on every one of the forty-six counts.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
She looked around and wouldn't understand how she'd reached this point, by what sum of errors, as if after a long, difficult journey she found herself in the wrong station, her suitcases on the ground, the train she'd been on disappearing in the distance and no other in sight, and nobody in the station, not even an open clerk's window where she could consult timetables or buy another ticket.
Antonio Muñoz Molina (In the Night of Time)
At the liquor store, Buster, emboldened by the feeling that he had made friends for the first time in years, used almost the absolute last of the cash in his wallet to buy all the alcohol the soldiers wanted. He felt warm and authentic inside his new clothes and thought, handing over all he owned to the liquor-store clerk, that he could live here forever. Now it was Buster’s turn. He leaned over a massive air cannon mounted on a tripod, which the soldiers referred to as Air Force One. Instead of potatoes, the gun used two-liter soda bottles as ammunition. “See, we don’t like to call them spud guns,” said David, who seemed, as the night progressed, to become more tightly wound. “Some shoot ping-pong balls and some shoot soda bottles and some shoot tennis balls that you fill with pennies.
Kevin Wilson (The Family Fang)
The distribution of tasks amongst the various employees follows a simple rule, which is that the duty of the members of each category is to do as much work as they possibly can, so that only a small part of that work need be passed to the category above. This means the clerks are obliged to work without cease from morning to night, whereas senior clerks do so only now and then, the deputies very rarely, and the Registrar almost never.
José Saramago (All the Names)
In Paradise what have I to do? I care not to enter, but only to have Nicolette, my very sweet friend, whom I love so dearly well. For into Paradise go none but such people as I will tell you of. There go those aged priests, and those old cripples, and the maimed who all day long and all night long cough before the altars, and in the crypts beneath the Churches; those who go in worn old mantles and old tattered habits; who are naked and barefoot, and full of sores; who are dying of hunger and thirst, of cold and wretchedness. Such as these enter Paradise and with them I have nought to do. But in Hell I will go. For to Hell go the fair clerks and the fair knights who are slain in the tourney and the great wars, and the stout archer and the loyal man. With them I will go. And there go the fair and the courteous ladies, who have friends, two or three, together with their wedded lords. And there pass the gold and the silver, the ermine and all rich furs, harpers and minstrels, and the happy of the world. With these will I go, so only that I have Nicolette, my very sweet friend, by my side.
Anonymous (Aucassin et nicolette)
Etymologically, paroikia (a compound word from para and oikos) literally means “next to” or “alongside of the house” and, in a technical sense, meant a group of resident aliens. This sense of “parish” carried a theological context into the life of the Early Church and meant a “Christian society of strangers or aliens whose true state or citizenship is in heaven.” So whether one’s flock consists of fifty people in a church which can financially sustain a priest or if it is merely a few people in a living room whose priest must find secular employment, it is a parish. This original meaning of parish also implies the kind of evangelism that accompanies the call of a true parish priest. A parish is a geographical distinction rather than a member-oriented distinction. A priest’s duties do not pertain only to the people who fill the pews of his church on a Sunday morning. He is a priest to everyone who fills the houses in the “cure” where God as placed him. This ministry might not look like choir rehearsals, rector’s meetings, midweek “extreme” youth nights, or Saturday weddings. Instead, it looks like helping a battered wife find shelter from her abusive husband, discretely paying a poor neighbor’s heating oil bill when their tank runs empty in the middle of a bitter snow storm, providing an extra set of hands to a farmer who needs to get all of his freshly-baled hay in the barn before it rains that night, taking food from his own pantry or freezer to help feed a neighbor’s family, or offering his home for emergency foster care. This kind of “parochial” ministry was best modeled by the old Russian staretzi (holy men) who found every opportunity to incarnate the hands and feet of Christ to the communities where they lived. Perhaps Geoffrey Chaucer caught a glimpse of the true nature of parish life through his introduction of the “Parson” in the Prologue of The Canterbury Tales. Note how the issues of sacrifice, humility, and community mentioned above characterize this Parson’s cure even when opportunities were available for “greater” things: "There was a good man of religion, a poor Parson, but rich in holy thought and deed. He was also a learned man, a clerk, and would faithfully preach Christ’s gospel and devoutly instruct his parishioners. He was benign, wonderfully diligent, and patient in adversity, as he was often tested. He was loath to excommunicate for unpaid tithes, but rather would give to his poor parishioners out of the church alms and also of his own substance; in little he found sufficiency. His parish was wide and the houses far apart, but not even for thunder or rain did he neglect to visit the farthest, great or small, in sickness or misfortune, going on foot, a staff in his hand… He would not farm out his benefice, nor leave his sheep stuck fast in the mire, while he ran to London to St. Paul’s, to get an easy appointment as a chantry-priest, or to be retained by some guild, but dwelled at home and guarded his fold well, so that the wolf would not make it miscarry… There was nowhere a better priest than he. He looked for no pomp and reverence, nor yet was his conscience too particular; but the teaching of Christ and his apostles he taught, and first he followed it himself." As we can see, the distinction between the work of worship and the work of ministry becomes clear. We worship God via the Eucharist. We serve God via our ministry to others. Large congregations make it possible for clergy and congregation to worship anonymously (even with strangers) while often omitting ministry altogether. No wonder Satan wants to discredit house churches and make them “odd things”! Thus, while the actual house church may only boast a membership in the single digits, the house church parish is much larger—perhaps into the hundreds as is the case with my own—and the overall ministry is more like that of Christ’s own—feeding, healing, forgiving, engaging in all the cycles of community life, whether the people attend
Alan L. Andraeas (Sacred House: What Do You Need for a Liturgical, Sacramental House Church?)
On the night that the Ministry of the Interior was bombed, the then Deputy Minister Mohammed bin Naif called the parents of the dead suicide bombers so that they would not first learn of their sons’ deaths on TV. He did not delegate the task to a clerk or a minor official, he telephoned the parents himself. He described the young men who had just tried to kill him as victims and apologized for not having been able to stop them before they began their bombing run.
David Rundell (Vision or Mirage: Saudi Arabia at the Crossroads)
the chain-of-custody document to the back of the search warrant application and was ready to go. “I’m out of here,” she announced. “You ever want to get together after work, I’m here, Amy. At least until the late show starts.” “Thanks,” Dodd said, seeming to pick up on Ballard’s worry. “I might take you up on that.” Ballard took the elevator down and then crossed the front plaza toward her car. She checked the windshield and saw no ticket. She decided to double down on her luck and leave the car there. The courthouse was only a block away on Temple; if she was fast and Judge Thornton had not convened court, she could be back to the car in less than a half hour. She quickened her pace. Judge Billy Thornton was a well-regarded mainstay in the local criminal justice system. He had served both as a public defender and as a deputy district attorney in his early years, before being elected to the bench and holding the position in Department 107 of the Los Angeles Superior Court for more than a quarter century. He had a folksy manner in the courtroom that concealed a sharp legal mind—one reason the presiding judge assigned wiretap search warrants to him. His full name was Clarence William Thornton but he preferred Billy, and his bailiff called it out every time he entered the courtroom: “The Honorable Billy Thornton presiding.” Thanks to the inordinately long wait for an elevator in the fifty-year-old courthouse, Ballard did not get to Department 107 until ten minutes before ten a.m., and she saw that court was about to convene. A man in blue county jail scrubs was at the defense table with his suited attorney sitting next to him. A prosecutor Ballard recognized but could not remember by name was at the other table. They appeared ready to go and the only party missing was the judge on the bench. Ballard pulled back her jacket so the badge on her belt could be seen by the courtroom deputy and went through the gate. She moved around the attorney tables and went to the clerk’s station to the right of the judge’s bench. A man with a fraying shirt collar looked up at her. The nameplate on his desk said ADAM TRAINOR. “Hi,” Ballard whispered, feigning breathlessness so Trainor would think she had run up the nine flights of steps and take pity. “Is there any chance I can get in to see the judge about a wiretap warrant before he starts court?” “Oh, boy, we’re just waiting on the last juror to get here before starting,” Trainor said. “You might have to come back at the lunch break.” “Can you please just ask him? The warrant’s only seven pages and most of it’s boilerplate stuff he’s read a million times. It won’t take him long.” “Let me see. What’s your name and department?” “Renée Ballard, LAPD. I’m working a cold case homicide. And there is a time element on this.” Trainor picked up his phone, punched a button, and swiveled on his chair so his back was to Ballard and she would have difficulty hearing the phone call. It didn’t matter because it was over in twenty seconds and Ballard expected the answer was no as Trainor swiveled toward her. But she was wrong. “You can go back,” Trainor said. “He’s in his chambers. He’s got about ten minutes. The missing juror just called from the garage.” “Not with those elevators,” Ballard said. Trainor opened a half door in the cubicle that allowed Ballard access to the rear door of the courtroom. She walked through a file room and then into a hallway. She had been in judicial chambers on other cases before and knew that this hallway led to a line of offices assigned to the criminal-court judges. She didn’t know whether to go right or left until she heard a voice say, “Back here.” It was to the left. She found an open door and saw Judge Billy Thornton standing next to a desk, pulling on his black robe for court. “Come in,” he said. Ballard entered. His chambers were just like the others she had been
Michael Connelly (The Night Fire (Renée Ballard, #3; Harry Bosch, #22; Harry Bosch Universe, #33))
[P]lease don’t think that I’m giving you moral advice, or that I’m saying you are supposed to think this way, or that anyone expects you to just automatically do it. Because it’s hard. It takes will and effort, and if you are like me, some days you won’t be able to do it, or you just flat out won’t want to. But most days, if you’re aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she’s not usually like this. Maybe she’s been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it’s also not impossible. It just depends what you want to consider. If you’re automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won’t consider possibilities that aren’t annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.
David Foster Wallace
But as Airbnb became huge, with lots of hosts and travelers, it became increasingly common to have to make multiple attempts to nail down a reservation. Meanwhile, Airbnb’s main competitors were no longer other small Internet businesses, but giant hotel corporations such as Hilton, Marriott, and Best Western. And one huge advantage these huge hotel chains offer to travelers is speedy confirmation. Their transactions are fast: by phone or on the Web, you can quickly find out whether rooms are still available and book one for the night you want. That’s because all the rooms in, say, a Hilton are managed by a central computer system, so one call lets you check all the rooms at the same time. Imagine instead if you had to call Hilton to inquire about each room individually. On any given call, the only thing the reservation clerk could tell you was whether, say, room 1226 at the San Francisco Hilton was available for the night you wanted. If not, you had to make another call to find out about room 1227, then another for room 1228. Booking a room with an Airbnb host was a little like that. So Airbnb had to figure out how a market with many hosts offering one room at a time could compete more effectively with hotels. Price was obviously important. But it was the spread of smartphones that helped Airbnb close the speed gap, and that may have mattered even more than price. Today, as hosts manage their reservations on their smartphones, they don’t have to wait until they return home to confirm a booking—they just check their phones. They can also, as soon as the room is booked, immediately update their Airbnb listing to remove its availability. That in turn makes it easier for a traveler searching for a room to find one that’s available, even though he or she still has to query one room at a time. Thus smartphones make the home hosting market work better not just because hosts can respond faster but also because they can update their bookings, which makes them more informative. This, too, reduces congestion (fewer rooms appear to be available, and a room that looks available is more likely to actually be so), and as a result helps travelers search more efficiently, with fewer time-wasting false leads.
Alvin E. Roth (Who Gets What — and Why: The New Economics of Matchmaking and Market Design)
grey, the cold biting. Caroline wore the heather-coloured herringbone wool coat that Florence had found in one of her weekly trawls through the charity shops. It was slightly big on the shoulders, but roomy enough to accommodate her new shape. Around her neck she’d wrapped the cashmere shawl, its softness and warmth a blessing. ‘Be back before you know it,’ Florence said, rubbing condensation from the windscreen with her gloved hand. ‘Three days, two nights. It’ll fly by.’ Caroline doubted that, but she made no reply as they pulled away from the cottage. Outside the station Florence parked in a loading bay, something she did regularly. As far as Caroline knew, she never got a parking ticket. The traffic wardens must recognise the grey van, and decide to leave well enough alone. They walked in. Caroline joined the queue at the ticket desk. ‘Return to Brighton,’ she said to the clerk when her turn came. ‘Change in London,’ he replied, barely glancing at her. Out in the area at the rear, they scanned the parked buses. ‘There’s yours,’ Florence said, pointing. ‘Get on and find a seat before they’re gone.’ They’d exchanged presents the night before, after Caroline’s confession. Florence had given her a jar of hand cream and a pair of fur-lined boots. They’re not new, she’d said of the boots, but they’ll keep you warm. Caroline’s gift to her was a sky blue cashmere wrap that she’d knitted one afternoon when Florence was out at work. Predictably, Florence had tut-tutted at the expense – You have more money than sense – but when Caroline had wrapped
Roisin Meaney (The Reunion)
I loathe, loathe, loathe acting. in studios. In England. I shudder at the thought of going to work with the same horror as a bank clerk must loathe that stinking tube journey every morning and the rush hour madness at night. I loathe it, despise, despise, for Christ's sake, it. Well, that has managed to get a little spleen out of my system.
Richard Burton (The Richard Burton Diaries)
I’m pretty sure that this is the guy I met the night before Easter in 1989. You see these?” He picked out Polaroids depicting a severed penis, a black male’s scalp with a large Jheri curl still attached, and a painted skull. “These belong to him.” This was the first time he kept his victim’s body parts. He met Anthony Sears at closing time in front of a dance club called La Cage. He was with a friend, a white man, and after accepting Dahmer’s offer to come home with him, the friend gave them a ride to 57th and National. They walked the remainder of the way to Grandma’s, and Dahmer gave him the drink mixed with Halcion. He had sex with him before and after death. On Easter Sunday, while Grandma attended church, Dahmer dismembered the body by severing the flesh, keeping the individual’s scalp, genitals, and skull. He wanted to preserve these body parts, so he went to a hardware store and told the clerk he was interested in drying and treating a wild rabbit pelt. They informed him that acetone would do the trick, and he purchased some. After cleaning the body parts, Dahmer treated them with the acetone for preservation. “It actually worked quite well, as you can see from the pictures. When they were dried, I wore his scalp. It helped me to fantasize and remember the night I was with him. I could suck on his penis and masturbate.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
But the poor and indigent who earn scarcely enough to keep themselves alive and who also have to pay tribute to the petty officials, clerks, and soldiers, that they may be allowed to live in peace, sleep not so tranquilly as gentle poets who have perhaps not felt the pinches of want would have us believe. The poor are sad and thoughtful, for on that night, if they have not recited many prayers, yet they have prayed much—with pain in their eyes and tears in their hearts. They have not the novenas, nor do they know the responsories, versicles, and prayers which the friars have composed for those who lack original ideas and feelings, nor do they understand them. They pray in the language of their misery: their souls weep for them and for those dead beings whose love was their wealth. Their lips may proffer the salutations, but their minds cry out complaints, charged with lamentations. Wilt Thou be satisfied, O Thou who blessedst poverty, and you, O suffering souls, with the simple prayers of the poor, offered before a rude picture in the light of a dim wick, or do you perhaps desire wax tapers before bleeding Christs and Virgins with small mouths and crystal eyes, and masses in Latin recited mechanically by priests? And thou, Religion preached for suffering humanity, hast thou forgotten thy mission of consoling the oppressed in their misery and of humiliating the powerful in their pride? Hast thou now promises only for the rich, for those who, can pay thee?
José Rizal (Noli Me Tángere (Touch Me Not).)
As I raced along the shore, stumbling on loose stones, I thought what it was to humiliate a man, to have him fear he might lose his standing in this world. A Lord Justice Clerk in red velvet, setting the law, meting out his punishment.
Bridget Collins (The Winter Spirits: Ghostly Tales for Frosty Nights)