The New Yorker Quotes

That would be a good thing for them to cut on my tombstone: Wherever she went, including here, it was against her better judgment.

When writers die they become books, which is, after all, not too bad an incarnation." [As attributed by Alastair Reid in Neruda and Borges, The New Yorker, June 24, 1996; as well as in The Talk of the Town, The New Yorker, July 7, 1986]

I don't profess any religion; I don't think it’s possible that there is a God; I have the greatest difficulty in understanding what is meant by the words ‘spiritual’ or ‘spirituality.' [Interview, The New Yorker, Dec. 26, 2005]

The true New Yorker secretly believes that people living anywhere else have to be, in some sense, kidding.

I'm never going to accomplish anything; that's perfectly clear to me. I'm never going to be famous. My name will never be writ large on the roster of Those Who Do Things. I don't do anything. Not one single thing. I used to bite my nails, but I don't even do that any more.

Yet, as only New Yorkers know, if you can get through the twilight, you'll live through the night.

Who am I? Who am I?” “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.” "And who are you?" "I'm Willem Ragnarsson. And I will never let you go.

Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?” And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on the other end. You were always you.

London is satisfied, Paris is resigned, but New York is always hopeful. Always it believes that something good is about to come off, and it must hurry to meet it.

You can do what you like, sir, but I'll tell you this. New York is the true capital of America. Every New Yorker knows it, and by God, we always shall.

Salary is no object: I want only enough to keep body and soul apart.

The distinctions between Virginians, Pennsylvanians, New Yorkers, and New Englanders are no more. I Am Not A Virginian, But An American!

At first, writing for The New Yorker was very scary to me. I couldn't imagine anything that I would write in that typeface.

The dangerous man is the one who has only one idea, because then he'll fight and die for it." [As quoted in The New Yorker, April 25, 2011]

I see it for what is is, now. It is a house built on ashes. Ashes of the life Granddad shared with Gran, ashes of the maple from which the tire swing flew, ashes of the old Victorian house with the porch and the hammock. The new house is built on the grave of all the trophies and symbols of the family: the New Yorker cartoons, the taxidermy, the embroidered pillows, the family portraits.

Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.

...In the summer New York was the only place in which one could escape from New Yorkers...

I remember my own childhood vividly..I knew terrible things. But I knew I mustn't let adults know I knew. It would scare them. (In conversation with Art Spiegelman, The New Yorker, September 27, 1993)

Maybe it's wrong-footed trying to fit people into the world, rather than trying to make the world a better place for people. [as quoted in "Brain Gain" by Margaret Talbot, The New Yorker, 4/27/09 issue]

There isn't going to be any turning point. ... There isn't going to be any next-month-it'll-be-better, next fucking year, next fucking life. You don't have any time to wait for. You just got to look around you and say, "So this is it. This is really all there is to it. This little thing." Everybody needing such little things and they can't get them. Everybody needing just a little ... confidence from somebody else and they can't get it. Everybody, everybody fighting to protect their little feelings. Everybody, you know, like reaching out tentatively but drawing back. It's so shallow and seems so ... fucking ... it seems like such a shame. It's so close to being like really right and good and open and amorphous and giving and everything. But it's not. And it ain't gonna be. September 1969 quoted in "The New Yorker" 9 August 1999

[Raymond Chandler] wrote as if pain hurt and life mattered.

True New Yorkers do not really seek information about the outside world. They feel that if anything is not in New York it is not likely to be interesting.

The more New Yorkers like something, the more disgusted they are. "The kitchen was all Sub-Zero: I want to kill myself. The building has a playroom that makes you want to break your own jaw with a golf club. I can't take it.

Every true New Yorker believes with all his heart that when a New Yorker is tired of New York, he is tired of life.

New Yorkers, I figured, just pretended to be unfriendly.

I believe in New Yorkers. Whether they've ever questioned the dream in which they live, I wouldn't know, because I won't ever dare ask that question.

If humans escape the solar system and outlive the Sun, our descendants may someday live on one of these planets. Atoms from Times Square, cycled through the heart of the Sun, will form our new bodies. One day, either we will all be dead, or we will all be New Yorkers.

"The wanderer in Manhattan must go forth with a certain innocence, because New York is best seen with innocent eyes. It doesn't matter if you are younger or old. Reading our rich history makes the experience more layered, but it is not a substitute for walking the streets themselves. For old-timer or newcomer, it is essential to absorb the city as it is now in order to shape your own nostalgias. That's why I always urge the newcomer to surrender to the city's magic. Forget the irritations and the occasional rudeness; they bother New Yorkers too. Instead, go down to the North River and the benches that run along the west side of Battery Park City. Watch the tides or the blocks of ice in winter; they have existed since the time when the island was empty of man. Gaze at the boats. Look across the water at the Statue of Liberty or Ellis Island, the place to which so many of the New York tribe came in order to truly live. Learn the tale of our tribe, because it's your tribe too, no matter where you were born. Listen to its music and its legends. Gaze at its ruins and monuments. Walk its sidewalks and run fingers upon the stone and bricks and steel of our right-angled streets. Breathe the air of the river breeze."

I'll show Luke I can fit into the city. I'll show him I can be a true New Yorker. I'll go the gym, and then I'll eat a bagel, and I'll ... shoot someone, maybe? Or maybe just the gym will be enough.

You are a New Yorker when what was there before is more real and solid than what is here now.

A schoolchild should be taught grammar--for the same reason that a medical student should study anatomy. Having learned about the exciting mysteries of an English sentence, the child can then go forth and speak and write any damn way he pleases.

Putting your house in order, if you can do it, is one of the most comforting activities, and the benefits of it are incalculable.” —LEONARD COHEN, THE NEW YORKER

By comparison with other less hectic days, the city is uncomfortable and inconvenient; but New Yorkers temperamentally do not crave comfort and convenience- if they did they would live elsewhere.

[Speaking to a group of wealthy New Yorkers] A million years ago, the cave man, without tools, with small brain, and with nothing but the strength of his body, managed to feed his wife and children, so that through him the race survived. You on the other hand, armed with all the modern means of production, multiplying the productive capacity of the cave man a million times — you are incompetents and muddlers, you are unable to secure to millions even the paltry amount of bread that would sustain their physical life. You have mismanaged the world, and it shall be taken from you. 

Tonstant Weader fwowed up.

Every returning New Yorker asks the question: Is this still my city? I have a ready answer, cloaked in obstinate despair: It is. And if it's not, I will love it all the more. I will love it to the point where it becomes mine again.

I am a music snob, and proud of it. I'm a New Yorker; smugness is my birthright.

From the ruins, lonely and inexplicable as the sphinx, rose the Empire State Building. And just as it had been tradition of mine to climb to the Plaza roof to take leave of the beautiful city extending as far as the eyes could see, so now I went to the roof of that last and most magnificent of towers. Then I understood. Everything was explained. I had discovered the crowning error of the city. Its Pandora's box. Full of vaunting pride, the New Yorker had climbed here, and seen with dismay what he had never suspected. That the city was not the endless sucession of canyons that he had supposed, but that it had limits, fading out into the country on all sides into an expanse of green and blue. That alone was limitless. And with the awful realization that New York was a city after all and not a universe, the whole shining ediface that he had reared in his mind came crashing down. That was the gift of Alfred Smith to the citizens of New York.

If "Sex and the City" taught us anything, it's that Paris is the only city in the world that New Yorkers actually fantasize about.

The House Beautiful is, for me, the play lousy.

Even if I never get out of Clover, even if I never get into Northwestern or write for the New Yorker, even if these are just delusions occupying my time, thank God they are, because a life without meaning, without drive or focus, without dreams or goals, isn't life worth living.

She read to find out what it was like to be French or Russian in the nineteenth century, to be a rich New Yorker then, or a Midwestern pioneer. She read to discover how not to be Charlotte, how to escape the prison of her own mind, how to expand, and experience.

Most New Yorkers spent their lives somewhere between the fruit cart and the fifth floor. To see the city from a few hundred feet above the riffraff was pretty celestial. We gave the moment its due.

His laugh and his voice were both pleasant. He talked the way New Yorkers used to talk before they learned to talk Flatbush.

...there are pleasures to be had from books beyond being lightly entertained. There is the pleasure of being challenged; the pleasure of feeling one’s range and capacities expanding; the pleasure of entering into an unfamiliar world, and being led into empathy with a consciousness very different from one’s own; the pleasure of knowing what others have already thought it worth knowing, and entering a larger conversation. (The New Yorker, 13 Aug 2014)

As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book.

What, indeed, is a New Yorker? Is he Jew or Irish? Is he English or German? Is he Russian or Polish? He may be something of all these, and yet he is wholly none of them. Something has been added to him which he had not had before. he is endowed with a briskness and an invention often alien to his blood. He is quicker in his movement, less trammeled in his judgement...The change he undergoes is unmistakeable, New York, indeed, resembles a magic cauldron. Those who are cast into it are born again.

A community of seriously hip observers is a scary and depressing thing.

The brevity of our lives breeds a kind of temporal parochialism—an ignorance of or an indifference to those planetary gears which turn more slowly than our own.

On the internet, nobody knows you're a dog...

But I have to channel my inner New Yorker--cool and nonchalant.

We named the bar The Bar. "People will think we're ironic instead of creatively bankrupt," my sister reasoned. Yes, we thought we were being clever New Yorkers - that the name was a joke no one else would really get, like we did. Not meta-get ... But our first customer, a gray-haired woman in bifocals and a pink jogging suit, said, "I like the name. Like in Breakfast at Tiffany's and Audrey Hepburn's cat was named Cat.

Sometimes I feel like New Yorkers do New York wrong. Where are the people swinging from subway poles and dancing on fire escapes and kissing in Times Square? The post office flash mob proposal was a start, but when’s the next big number? I pictured New York like West Side Story plus In the Heights plus Avenue Q—but really, it’s just construction and traffic and iPhones and humidity.

Sixth-grade sweethearts. Wow. New Yorkers only commit to that type of monogamy with the Yankees or Giants

Maybe we become New Yorkers the day we realize that New York will go on without us.

The so-called science of poll-taking is not a science at all but mere necromancy. People are unpredictable by nature, and although you can take a nation's pulse, you can't be sure that the nation hasn't just run up a flight of stairs, and although you can take a nation's blood pressure, you can't be sure that if you came back in twenty minutes you'd get the same reading. This is a damn fine thing.

Obscenity is a notable enhancer of life and is suppressed at grave peril to the arts.

New York - The city where the people from Oshkosh look at the people from Dubuque in the next theater seats and say "These New Yorkers don't dress any better than we do.

I have come to believe that kindness is repaid in unexpected ways and that if you are lonely or bone-tired or blue, you need only come down from your perch and step outside. New York—which is to say, New Yorkers—will take care of you.

I'm an urban New Yorker to the last molecule.

To be a New Yorker is to be away from the city and feel like you are missing something

It is best to have a strong curiosity, weak affiliations.

Dillinger is an epicure, serenely removed from such soft and bourgeois considerations as loyalty and disloyalty, and her only anxiety in life is to better herself aesthetically.

He and I had an office so tiny, that an inch smaller and it would have been adultery.

But what Dakota most enjoyed about the beginning of winter was the crispness of the air (that practically demanded the wearing of knits) and the way that tough New Yorkers - on the street, in elevators, in subways - were suddenly willing to risk a smile. To make a connection with a stranger. To finally see one another after strenuously avoiding eye contact all year.

ANDRÉ: . . . And when I was at Findhorn I met this extraordinary English tree expert who had devoted himself to saving trees, and he’d just got back from Washington lobbying to save the Redwoods. And he was eighty-four years old, and he always travels with a backpack because he never knows where he’s going to be tomorrow. And when I met him at Findhorn he said to me, “Where are you from?” And I said, “New York.” And he said, “Ah, New York, yes, that’s a very interesting place. Do you know a lot of New Yorkers who keep talking about the fact that they want to leave, but never do?” And I said, “Oh, yes.” And he said, “Why do you think they don’t leave?” And I gave him different banal theories. And he said, “Oh, I don’t think it’s that way at all.” He said, “I think that New York is the new model for the new concentration camp, where the camp has been built by the inmates themselves, and the inmates are the guards, and they have this pride in this thing that they’ve built—they’ve built their own prison—and so they exist in a state of schizophrenia where they are both guards and prisoners. And as a result they no longer have—having been lobotomized—the capacity to leave the prison they’ve made or even to see it as a prison.” And then he went into his pocket, and he took out a seed for a tree, and he said, “This is a pine tree.” And he put it in my hand. And he said, “Escape before it’s too late.

New York is Babylon : Brooklyn is the truly Holy City. New York is the city of envy, office work, and hustle; Brooklyn is the region of homes and happiness…. There is no hope for New Yorkers, for their glory in Their skyscraping sins; but in Brooklyn there is the wisdom of the lowly.

Thank God for immigrants. They're the only ones who have any personality left. They still allow themselves emotions, judgments, and all those qualities that we are "evolving" past. I don't know what they're saying, but I can tell they're speaking honestly.

Therapists instead prefer to take on YAVIS—Young, Attractive, Verbal, Intelligent, and Successful clients.[3] They love an amenable type, someone who is curious about their internal workings and eager to plumb them, someone who’s already read articles in The New Yorker about psychology to familiarize them with the language of metacognition and congruence. Good luck if you’re a regular-ass Joe who’d rather watch It’s Always Sunny in Philadelphia.

the view that people in the future matter just as much as us has deep practical implications. We have a long way to go if we are to understand these and integrate them fully into our moral thinking.

She adapted herself to the split-second rhythm of the New Yorker going to and from work. Getting to the office was a nervous ordeal. If she arrived one minute before nine, she was a free person. If she arrived one minute after, she worried because that made her the logical scapegoat of the boss if he happened to be in a bad mood that day.

New Yorkers love the bigness -- the skyscrapers, the freedom, the lights. But they also love it when they can carve out some smallness for themselves. When the guy at the corner store knows which newspaper you want. When the barista has your order ready before you open your mouth. When you start to recognize the people in your orbit, and you know that, say, if you're waiting for the subway at eight fifteen on the dot, odds are the redhead with the red umbrella is going to be there too.

The New York of the plays, the movies, the books; the New York of The New Yorker and Vanity Fair and Vogue. It was a beacon, a spire, a beacon on top of a spire. A light, always glowing from afar, visible even from the cornfields of Iowa, the foothills of the Dakotas, the deserts of California. The swamps of Louisiana. Beckoning, always beckoning. Summoning the discontented, seducing the dreamers. Those whose blood ran too hot, and too quickly, causing them to look about at their placid families, their staid neighbors, the graves of their slumbering ancestors and say— I’m different. I’m special. I’m more. They all came to New York.

The sudden approximation of my dull, provincial life to a New Yorker cartoon was exhilarating.

That's the trouble with cookbooks. Like sex education and nuclear physics, they are founded on an illusion. They bespeak order, but they end in tears.

New Jersey. If there’s anyone more purely foolish than a New Yorker, it’s a fellow from New Jersey.

have so many merry little pots bubbling away in the fire of my enthusiasm: Myron, future trips, modern poetry, Yeats, Sitwell, T. S. Eliot, W. H. Auden, villanelles, maybe Mlle, maybe The New Yorker or The Atlantic (poems sent out make blind hope spring eternal—even if rejections are immanent), spring: biking, breathing, sunning, tanning. All so lovely and potential.

In a subway car, my skin would typically fall in the middle of the color spectrum. On street corners, tourists would ask me for directions. I was, in four and a half years, never an American; I was immediately a New Yorker.

Malcolm Gladwell, the author and New Yorker writer, has suggested that as a society we value natural, effortless accomplishment over achievement through effort. We endow our heroes with superhuman abilities that led them inevitably toward their greatness.

In one hallway, the floor gleaming parquet and the ceiling festooned with golden cherubs, there was a boy in a grumpy cat mask and biker boots, not involved in any sexual activity, legs crossed and leaning against the wall. As a bevy of faeries passed the boy, giggling and groping, the boy scooted away. Alec remembered being younger, and how overwhelming large groups of people had seemed. He came over and leaned against the wall beside the boy. He saw the boy texting, PARTIES WERE INVENTED TO ANNOY ME. THEY FEATURE MY LEAST FAVORITE THING: PEOPLE, ALL INTENT ON MY LEAST FAVORITE ACTIVITY: SOCIAL INTERACTION. “I don’t really like parties either,” Alec said sympathetically. “No hablo italiano,” the boy mumbled without looking up. “Er,” said Alec. “This conversation is happening in English.” “No hablo ingles,” he said without missing a beat. “Oh, come on. Really?” “Worth a shot,” said the boy. Alec considered going away. The boy wrote another text to a contact he had saved as RF. Alec could not help but notice that the conversation was entirely one-sided, the boy sending text after text with no response. The last text read VENICE SMELLS LIKE A TOILET. AS A NEW YORKER, I DO NOT SAY THIS LIGHTLY. The weird coincidence emboldened Alec to try again. “I get shy when there are strangers too,” Alec told the kid. “I’m not shy,” the boy sneered. “I just hate everyone around me and everything that is happening.” “Well.” Alec shrugged. “Those feel like similar things sometimes.” The boy lifted his curly head, pushing the grumpy cat mask off his face, and froze. Alec froze too, at the twin shock of fangs and familiarity. This was a vampire, and Alec knew him. “Raphael?” he asked. “Raphael Santiago?” He wondered what the second-in-command of the New York clan was doing here. Downworlders might be flooding in from all over the world, but Raphael had never struck Alec as a party animal. Of course, he was not exactly coming off as a party animal now. “Oh no, it’s you,” said Raphael. “The twelve-year-old idiot.” Alec was not keen on vampires. They were, after all, people who had died. Alec had seen too much death to want reminders of it. He understood that they were immortal, but there was no need to show off about it. “We just fought a war together. I was with you in the graveyard when Simon came back as a vampire. You’ve seen me multiple times since I was twelve.” “The thought of you at twelve haunts me,” Raphael said darkly. “Okay,” Alec said, humoring him. “So have you seen a guy called Mori Shu anywhere around here?” “I am trying not to make eye contact with anyone here,” said Raphael. “And I’m not a snitch for Shadowhunters. Or a fan of talking to people, of any kind, in any place.” Alec rolled his eyes.

As James Surowiecki noted in a New Yorker article, given a choice between developing antibiotics that people will take every day for two weeks and antidepressants that people will take every day for ever, drug companies not surprisingly opt for the latter. Although a few antibiotics have been toughened up a bit, the pharmaceutical industry hasn’t given us an entirely new antibiotic since the 1970s.

A person only gets to move to New York City for the first time in her life once, Angela, and it’s a pretty big deal. Perhaps this idea doesn’t hold any romance for you, since you are a born New Yorker. Maybe you take this splendid city of ours for granted. Or maybe you love it more than I do, in your own unimaginably intimate way. Without a doubt, you were lucky to be raised here. But you never got to move here—and for that, I am sorry for you. You missed one of life’s great experiences. New York City in 1940! There will never be another New York like that one. I’m not defaming all the New Yorks that came before 1940, or all the New Yorks that came after 1940. They all have their importance. But this is a city that gets born anew in the fresh eyes of every young person who arrives here for the first time. So that city, that place—newly created for my eyes only—will never exist again. It is preserved forever in my memory like an orchid trapped in a paperweight. That city will always be my perfect New York.

I'm not an American any more, nor a New Yorker, and even less a European, or a Parisian. I haven't any allegiance, any responsibilities, any hatreds, any worries, any prejudices, any passion. I'm neither for nor against. I'm a neutral.

All my other current friends were "intellectuals"––Chad the Nietzschean anthropologist, Carlo Marx and his nutty surrealist low-voiced serious staring talk, Old Bull Lee and his critical anti-everything drawl––or else they were slinking criminals like Elmer Hassel, with that hip sneer; Jane Lee the same, sprawled on the Oriental cover of her couch, sniffing at the New Yorker. But Dean's intelligence was every bit as formal and shining and complete, without the tedious intellectualness. And his "criminality" was not something that sulked and sneered; it was a wild yea-saying overburst of American joy; it was Western, the west wind, an ode from the Plains, something new, long prophesied, long a-coming. Besides, all my New York friends were in the negative, nightmare position of putting down society and giving their tired bookish or political or psychoanalytical reasons, but Dean just raced in society, eager for bread and love; he didn't care one way or the other.

When I’m with friends now, as an adult, I don’t want to have polite adult tea and talk about our jobs. I don’t want to sit in dress pants while we talk about a New Yorker article. Not really. I want to lie on the couch, cozy in blankets, watching movies, feeling safe enough to pass out and stay the night if we want to. I want to turn English muffins into foundations for pizza bagels at ten p.m., even though they’re not as good as bagels and we know it. I want to tell each other things we can’t talk about online, or we can’t tell our coworkers, and to cry and still be lovable, even if we’re in pain sometimes. To break in front of each other, and pick up the pieces together, before making some dumb joke and telling each other we love each other and knowing we’re safe to be all of it.

He was defiantly narrow-minded, barely educated, and at least close to functionally illiterate. His beliefs were powerful but consistently dubious, and made him seem, in the words of The New Yorker, “mildly unbalanced.” He did not like bankers, doctors, liquor, tobacco, idleness of any sort, pasteurized milk, Wall Street, overweight people, war, books or reading, J. P. Morgan and Co., capital punishment, tall buildings, college graduates, Roman Catholics, or Jews. Especially he didn’t like Jews. Once he hired a Hebraic scholar to translate the Talmud in a manner designed to make Jewish people appear shifty and avaricious.

So if we drop the baton, succumbing to an existential catastrophe, we would fail our ancestors in a multitude of ways. We would fail to achieve the dreams they hoped for; we would betray the trust they placed in us, their heirs; and we would fail in any duty we had to pay forward the work they did for us. To neglect existential risk might thus be to wrong not only the people of the future, but the people of the past.

. . . New York doesn't leave a lot of time for pondering forks in the road. People who have paused to gather their wits often find themselves suddenly waking up in a cookie-cutter beige apartment in Hoboken. I will not ever leave New York. I don't know how long it takes to become a true New Yorker, but I assume that if I die here ... that would qualify me.

Our grief is not a cry for war. "That's how New Yorkers feel," the driver said. "They know what bombing looks like, and they know the hell it is. But outside New York, people will feel guilty because they weren't here. They'll be yelling for revenge out of guilt and ignorance. Sure, we all want to catch the criminals, but only people who weren't in New York will want to bomb another country and repeat what happened here.

Surely the Board knows what democracy is. It is the line that forms on the right. It is the don’t in Don’t Shove. It is the hole in the stuffed shirt through which the sawdust slowly trickles; it is the dent in the high hat. Democracy is the recurrent suspicion that more than half the people are right more than half the time. It is the feeling of privacy in the voting booths, the feeling of communion in the libraries, the feeling of vitality everywhere. Democracy is the score at the beginning of the ninth. It is an idea which hasn’t been disproved yet, a song the words of which have not gone bad. It’s the mustard on the hot dog and the cream in the rationed coffee. Democracy is a request from a War Board, in the middle of a morning in the middle of a war, wanting to know what democracy is.

When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris. I fledged in San Francisco, climbed its hills, slept in its parks, worked on its docks, marched and shouted in its revolts. In a way I felt I owned the City as much as it owned me. San Francisco put on a show for me. I saw her across the bay, from the great road that bypasses Sausalito and enters the Golden Gate Bridge. The afternoon sun painted her white and gold---rising on her hills like a noble city in a happy dream. A city on hills has it over flat-land places. New York makes its own hills with craning buildings, but this gold and white acropolis rising wave on wave against the blue of the Pacific sky was a stunning thing, a painted thing like a picture of a medieval Italian city which can never have existed. I stopped in a parking place to look at her and the necklace bridge over the entrance from the sea that led to her. Over the green higher hills to the south, the evening fog rolled like herds of sheep coming to cote in the golden city. I’ve never seen her more lovely. When I was a child and we were going to the City, I couldn’t sleep for several nights before, out of busting excitement. She leaves a mark.

J. D. Salinger's Holden Caulfield is a literary descendant of Huck Finn: more educated and sophisticated, the son of affluent New Yorkers, but like Huck a youthful runaway from a world of adult hypocrisy, venality and, to use one of his own favourite words, phoniness. What particularly appals Holden is the eagerness of his peers to adopt that corrupt grownup behaviour.

Why, I've seen Kentuckians who hated whiskey, Virginians who weren't descended from Pocahontas, Indianians who hadn't written a novel, Mexicans who didn't wear velvet trousers with silver dollars sewed along the seams, funny Englishmen, spendthrift Yankees, cold-blooded Southerners, narrow- minded Westerners, and New Yorkers who were too busy to stop for an hour on the street to watch a one-armed grocer's clerk do up cranberries in paper bags. Let a man be a man and don't handicap him with the label of any section.

I placed some of the DNA on the ends of my fingers and rubbed them together. The stuff was sticky. It began to dissolve on my skin. 'It's melting -- like cotton candy.' 'Sure. That's the sugar in the DNA,' Smith said. 'Would it taste sweet?' 'No. DNA is an acid, and it's got salts in it. Actually, I've never tasted it.' Later, I got some dried calf DNA. I placed a bit of the fluff on my tongue. It melted into a gluey ooze that stuck to the roof of my mouth in a blob. The blob felt slippery on my tongue, and the taste of pure DNA appeared. It had a soft taste, unsweet, rather bland, with a touch of acid and a hint of salt. Perhaps like the earth's primordial sea. It faded away. Page 67, in Richard Preston's biographical essay on Craig Venter, "The Genome Warrior" (originally published in The New Yorker in 2000).

I have said that there is no "average" American. That is due to the circumstance that the people of the United States differ from each as widely as the parts they live in. The New Yorker is a different specimen of man from the Westerner; the latter is entirely different again from the people of Texas. The Middle West, such States for instance as Kansas, Colorado, Nebraska or Iowa, have an entirely different psychology from that of Florida or Lower California. Their habits of life, their modes of thought, even their language is different. Still further, it must also be considered that millions of foreigners and descendants of foreign born people live in the United States and are part of the entire population that is known as "American". Add to this more than 10 million negroes, not to mention the score of different Indian (red-skin) tribes, who are the real, indigenous Americans. In this conglomeration of races it is impossible to speak of the "average" American, nor can any adequate estimate of American psychology be made on such a basis.

It's like my throat's caving in on itself. But I have to channel my inner New Yorker - cool and nonchalant. I shoot him a tentative grin. Deep Breath. "That's a big package." And... shit. The words tumblr out. "I don't mean package. Just. Your box. Is big." I hold my hands apart to demonstrate. Because apparently that's the way to prove it's not an innuendo. By spreading my hands out dick-measuringly. Box Boy furrows his brow. "Sorry. I don't... I swear I don't usually comment on the size of other guys' boxes." He meets my eyes and smiles, just a little. "Nice tie," he says.

Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?” And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on the other end. You were always you.” ― Hanya Yanagihara, A Little Life

There have been extensive human rights violations by American psychiatrists over the last 70 years. These doctors were pad by the American taxpayer through CIA and military contracts. It is past time for these abuses to stop, it is past time for a reckoning, and it is past time for individual doctors to be held accountable. The Manchurian Candidate Programs are of much more than "historical" interest. ARTICHOKE, BLUEBIRD, MKULTRA and MKSEARCH are precursors of mind control programs that are operational in the twenty first century. Human rights violations by psychiatrists must be ongoing in programs like COPPER GREEN, the interrogation program at Abu Ghraib prison in Iraq. Such programs must be carried out within CIA units like Task Force 121 (The Dallas Morning News, December 1, 2004, p. 1A). Information pointing to ongoing human rights violations by psychiatrists is available in publications like The New Yorker (see article by Seymour M. Hersh, May 24, 2004). Yes the indifference, silence, denial, and disinformation of organized medicine and psychiatry continue. One purpose of The CIA Doctors: Human Rights Violations By American Psychiatrists is to break that silence.

..I began speaking.. First, I took issue with the media's characterization of the post-Katrina New Orleans as resembling the third world as its poor citizens clamored for a way out. I suggested that my experience in New Orleans working with the city's poorest people in the years before the storm had reflected the reality of third-world conditions in New Orleans, and that Katrina had not turned New Orleans into a third-world city but had only revealed it to the world as such. I explained that my work, running Reprieve, a charity that brought lawyers and volunteers to the Deep South from abroad to work on death penalty issues, had made it clear to me that much of the world had perceived this third-world reality, even if it was unnoticed by our own citizens. To try answer Ryan's question, I attempted to use my own experience to explain that for many people in New Orleans, and in poor communities across the country, the government was merely an antagonist, a terrible landlord, a jailer, and a prosecutor. As a lawyer assigned to indigent people under sentence of death and paid with tax dollars, I explained the difficulty of working with clients who stand to be executed and who are provided my services by the state, not because they deserve them, but because the Constitution requires that certain appeals to be filed before these people can be killed. The state is providing my clients with my assistance, maybe the first real assistance they have ever received from the state, so that the state can kill them. I explained my view that the country had grown complacent before Hurricane Katrina, believing that the civil rights struggle had been fought and won, as though having a national holiday for Martin Luther King, or an annual march by politicians over the bridge in Selma, Alabama, or a prosecution - forty years too late - of Edgar Ray Killen for the murder of civil rights workers in Philadelphia, Mississippi, were any more than gestures. Even though President Bush celebrates his birthday, wouldn't Dr. King cry if he could see how little things have changed since his death? If politicians or journalists went to Selma any other day of the year, they would see that it is a crumbling city suffering from all of the woes of the era before civil rights were won as well as new woes that have come about since. And does anyone really think that the Mississippi criminal justice system could possibly be a vessel of social change when it incarcerates a greater percentage of its population than almost any place in the world, other than Louisiana and Texas, and then compels these prisoners, most of whom are black, to work prison farms that their ancestors worked as chattel of other men? ... I hoped, out loud, that the post-Katrina experience could be a similar moment [to the Triangle Shirtwaist factory fiasco], in which the American people could act like the children in the story and declare that the emperor has no clothes, and hasn't for a long time. That, in light of Katrina, we could be visionary and bold about what people deserve. We could say straight out that there are people in this country who are racist, that minorities are still not getting a fair shake, and that Republican policies heartlessly disregard the needs of individual citizens and betray the common good. As I stood there, exhausted, in front of the thinning audience of New Yorkers, it seemed possible that New Orleans's destruction and the suffering of its citizens hadn't been in vain.

Sometimes he wakes so far from himself that he can't even remember who he is. 'Where am I?' he asks, desperate, and then, 'Who am I? Who am I?' And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem's whispered incantation. 'You're Jude St. Francis. You are my oldest, dearest friend. You're the son of Harold Stein and Julia Altman. You're the friend of Malcolm Irvine, Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You're a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You're a swimmer. You're a baker. You're a cook. You're a reader. You have a beautiful voice, though you never sing anymore. You're an excellent pianist. You're an art collector. You write me lovely messages when I'm away. You're patient. You're generous. You're the best listener I know. You're the smartest person I know, in every way. You're the bravest person I know, in every way. You're a lawyer. You're the chair of the litigation department at Rosen Pritchard and Klein. You love your job, you work hard at it. You're a mathematician. You're a logician. You've tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you. On and on Willem talks, chanting him back to himself, and in the daytime - sometimes days later - he remembers pieces of what Willem has said and holds them close to him, as much as for what he said as for what he didn't, for how he hadn't defined him. But in the nighttime he is too terrified, he is too lost to recognize this. His panic is too real, too consuming. 'And who are you?' he asks, looking at the man who is holding him, who is describing someone he doesn't recognize, someone who seems to have so much, someone who seems like such an enviable, beloved person. 'Who are you?' The man has an answer to this question as well. 'I'm Willem Ragnarsson,' he says. 'And I will never let you go.