The Narrow Corridor Quotes

When we remember our former selves, there is always that little figure with its long shadow stopping like an uncertain belated visitor on a lighted threshold at the far end of some impeccably narrowing corridor.

For my friends, everything; for my enemies, the law.

In our narrow, confined existence, we tend to forget the essence of life ... All of us, whatever our occupation or class, are equally guilty: the employer is lost in the running of his business; the workers, sunk in the abyss of their misery, raise their heads only to cry in protest; we, the politicians, are lost in daily battles and corridor intrigues. All of us forget that before everything else, we are men, ephemeral beings lost in the immense universe, so full of terrors. We are inclined to neglect the search for the real meaning of life, to ignore the real goals - serenity of the spirit and sublimity of the heart ... To reach them - that is the revolution.

When it was proclaimed that the Library contained all books, the first impression was one of extravagant happiness. All men felt themselves to be the masters of an intact and secret treasure. There was no personal or world problem whose eloquent solution did not exist in some hexagon. The universe was justified, the universe suddenly usurped the unlimited dimensions of hope. At that time a great deal was said about the Vindications: books of apology and prophecy which vindicated for all time the acts of every man in the universe and retained prodigious arcana for his future. Thousands of the greedy abandoned their sweet native hexagons and rushed up the stairways, urged on by the vain intention of finding their Vindication. These pilgrims disputed in the narrow corridors, proffered dark curses, strangled each other on the divine stairways, flung the deceptive books into the air shafts, met their death cast down in a similar fashion by the inhabitants of remote regions. Others went mad ... The Vindications exist (I have seen two which refer to persons of the future, to persons who are perhaps not imaginary) but the searchers did not remember that the possibility of a man's finding his Vindication, or some treacherous variation thereof, can be computed as zero.

Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.

It is the way the state and society interact and control each other that determines the capacity of our state, the policies of our government, and our resilience, prosperity, security, and ultimately, liberty.

As long as the eyes of our faith are fixed upon our troubles we will not find joy. Until our minds consciously move the Lord from our peripheral vision into the narrow corridor of our focus, joy will elude us.

Noal nodded to one of the corridors 'These corridors are narrow. Good choke points. A man could stand there and only have to fight one or two at a time. He'd last maybe a few minutes. ... 'Thom, you're in no shape to fight. Mat, you're the one who's luck can find a way out. Neither of you can stay, but I can.

Up until then I’d envisioned a limitless future. Now the lights went out, and two narrow corridors lit up. You can walk down the one where you attempt to forget and move on. Or you walk down the corridor that leads back to him. There is no right choice; both are long and difficult and take indefinite amounts of time. I was still running my hands along the walls looking for a third door, to a corridor where this never happened, where I could continue the life I had planned.

The passageway smelled of smoke: burning wood, a torch, acrid. His head ached. Blood was wet and sticky upon his arm and on his fingers, and the orange glow of torchlight played from behind his back and over the corridor walls, leaping like a bonfire. There was a strange familiarity to it: the narrow walls in around him. And when he came to a wooden door set in the wall, he put his hand upon it and pushed it open. There was a room, and a pallet inside it; a small torch burned low in a socket upon the wall. A man lay upon the cot, his face bruised and battered, his hands curled against his chest bloody: and Laurence knew him; knew him and knew himself. He remembered another door opening, in Bristol, three years before, and a voice asking him to come outside his prison, in a Britain under siege. “Tenzing,” Laurence said, and, as Tharkay opened feverish eyes, went to help him stand.

Crushes are strange things; they narrow rooms to corridors, reduce our senses to just the sound of a deep breath. If this were a movie, the entire warehouse would constrict to show just him and just me, the rest of the crowd dissipating into smoke.

James Potter moved slowly along the narrow aisles of the train, peering as nonchalantly as he could into each compartment. To those inside, he probably looked as if he was searching for someone, some friend or group of confidantes with whom to pass the time during the trip, and this was intentional. The last thing that James wanted anyone to notice was that, despite the bravado he had so recently displayed with his younger brother Albus on the platform, he was nervous. His stomach knotted and churned as if he’d had half a bite of one of Uncles Ron and George’s Puking Pastilles. He opened the folding door at the end of the passenger car and stepped carefully through the passage into the next one. The first compartment was full of girls. They were talking animatedly to one another, already apparently the best of friends despite the fact that, most likely, they had only just met. One of them glanced up and saw him staring. He quickly looked away, pretending to peer out the window behind them, toward the station which still sat bustling with activity. Feeling his cheeks go a little red, he continued down the corridor. If only Rose was a year older she’d be here with him. She was a girl, but she was his cousin and they’d grown up together. It would’ve been nice to have at least one familiar face along with him.

They followed through the double doors and along the narrow corridor beyond, which was lined with more portraits of famous Healers and lit by crystal bubbles full of candles that floated up on the ceiling, looking like giant soapsuds. More witches and wizards in lime-green robes walked in and out of the doors they passed; a foul-smelling yellow gas wafted into the passageway as they passed one door, and every now and then they heard distant wailing. They climbed a flight of stairs and entered the “Creature-Induced Injuries” corridor, where the second door on the right bore the words “DANGEROUS” DAI LLEWELLYN WARD: SERIOUS BITES. Underneath this was a card in a brass holder on which had been handwritten Healer-in-Charge: Hippocrates Smethwyck, Trainee Healer: Augustus Pye.

Having spent a long time in open spaces, whether sea or desert, it is a luxury to be able to take refuge in towns with narrow streets which provide a fragile fortress against the assaults of the infinite. There is such a sense of security against the boundless there, even if the murmur of the wave or the silence of the sands still pursue one through tortuous corridors. The winds, despite their subtle spirits, are themselves lost in the vestibules of this labyrinth and, unable to find a way through, whistle and turn in turbulence like demented dervishes. They will not break through the walls of this den in which life still pulsates in the shadows of humanity's black sun.

Things were changing; I was changing. All swelling limbs and sweating brain, suddenly I had more body than I knew what to do with. Arms and legs became the prey of low desktops and narrow corridors, were ambushed by sharp corners. Mr Baxter ignored my plight. Bodies were inimical to mathematics, or so we were led to believe. Bad hair, acrid breath, lumpy skin, all vanished for an hour every Tuesday and Thursday. Young minds in the buff soared into the sphere of pure reason. Pages turned to parallelograms; cities, circumferences; recipes, ratios. Shorn of our bearings, we groped our way around in this rarefied air.

Why would the Russians want Moldova? Because as the Carpathian Mountains curve round south-west to become the Transylvanian Alps, to the south-east is a plain leading down to the Black Sea. That plain can also be thought of as a flat corridor into Russia; and, just as the Russians would prefer to control the North European Plain at its narrow point in Poland, so they would like to control the plain by the Black Sea – also known as Moldova – in the region formerly known as Bessarabia.

they are squeezed into a narrowing corridor between the southernmost American headlands

liberty requires not just the abstract notion that you are free to choose your actions, but also the ability to exercise that freedom.

The corridor narrowed to a fine point far ahead, seeming to stretch to infinity, or maybe just to Fargo. Will wasn't sure which was worse.

The narrow portal opens into a wide corridor that looks like a giant jaw full of thin, sharp teeth. The rocks growing down from the top almost touch the growths from the bottom. Galen hopes that if humans ever do infiltrate this site, they'll feel like a meal.

No one has ever charted the topography of a July night. It remains unrecorded in the geography of one's inner cosmos. A night in July! What can be likened to it? How can one describe it? Shall I compare it to the core of an enormous black rose, covering us with the dreams of hundreds of velvety petals? The night winds blow open its fluffy center, and in its scented depth we can see the stars looking down on us. Shall I compare it to the black firmament under our half-closed eyelids, full of scattered speckles, white poppy seeds, stars, rockets, and meteors? Or perhaps to a night train, long as the world, driving through an endless black tunnel; walking through a July night is like passing precariously from one coach to another, between sleeping passengers, along narrow drafty corridors, past stuffy compartments.

The only way of achieving durable liberty is to . . . forge the balance necessary for building a Shackled Leviathan. True liberty can flourish neither without a state nor under the yoke of a Despotic Leviathan. But there is no universal way of building a Shackled Leviathan . . . Every country’s prospects are molded by its unique history, the types of coalitions and compromises that are possible, and the exact balance of power between state and society.

It was morning in the corridor, the sun had just risen, the fresh, blue shadow of the train ran over the grass, over the shrubs, swept sinuously up the slopes, rippled across the trunks of flickering birches - and an oblong pondlet shone dazzlingly in the middle of a field, then narrowed, dwindled to a silvery slit, and with a rapid clatter a cottage scuttled by, the tail of a road whisked under a crossing gate - and once more the numberless birches dizzied one with their flickering, sun-flecked palisade.

I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.

She opened the door of the room and went into the corridor, and then she began her wanderings. It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There were doors and doors, and there were pictures on the walls. Sometimes they were pictures of dark, curious landscapes, but oftenest they were portraits of men and women in queer, grand costumes made of satin and velvet. She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house. Some were pictures of children—little girls in thick satin frocks which reached to their feet and stood out about them, and boys with puffed sleeves and lace collars and long hair, or with big ruffs around their necks. She always stopped to look at the children, and wonder what their names were, and where they had gone, and why they wore such odd clothes. There was a stiff, plain little girl rather like herself. She wore a green brocade dress and held a green parrot on her finger. Her eyes had a sharp, curious look. "Where do you live now?" said Mary aloud to her. "I wish you were here." Surely no other little girl ever spent such a queer morning. It seemed as if there was no one in all the huge rambling house but her own small self, wandering about up-stairs and down, through narrow passages and wide ones, where it seemed to her that no one but herself had ever walked. Since so many rooms had been built, people must have lived in them, but it all seemed so empty that she could not quite believe it true.

They rode up switchbacks through a lonely aspen wood where the fallen leaves lay like golden disclets in the damp black trail. The leaves shifted in a million spangles down the pale corridors and Glanton took one and turned it like a tiny fan by its stem and held it and let it fall and its perfection was not lost on him. They rode through a narrow draw where the leaves were shingled up in ice and they crossed a high saddle at sunset where wild doves were rocketing down the wind and passing through the gap a few feet off the ground, veering wildly among the ponies and dropping off down into the blue gulf below.

And so it went in Bustleburgh. The city that had set out to destroy stories had been transformed into a haven for books of all kinds. And as the population read more stories, the city itself began to change. At first the changes were small: a few sprites hovering over the dusky river, or a falling star on the horizon. But then more changes came. The Wassail lost its murky darkness and shone clear once more. The eyes of the gargoyles shifted as one passed beneath them. Birds sang in three-part chorus. Mirrors reflected strange visions. Old, neglected wells started granting wishes. More than a few house pets took to uttering prophecies. As the city changed, so did the way people saw it: Old maids became crones, and naughty children became imps; the strongest men were hailed as giants and the fairest ladies called enchantresses. The once-level roads shifted and settled into twisting alleyways full of long shadows and narrow corridors - every one of them eventually leading to a small bookshop in the heart of the town.

You know, Micah, that first night, when I saw you on Bridge Street, I wanted to kill you. I wanted to cut your throat and watch your blood soak into the dirt. I wanted to wrap a strangle cord around your neck and throttle you while you kicked and messed yourself." "I'm shaking in my boots," Micah said, looking Han dead in the eyes. Han stood and took a step toward him. "I'm what's hiding in the side street when you walk home from The Four Horses," he said. "I'm the shadow in Greystone Alley when you go out to take a piss. I'm the foot pad in the corridor when you visit the girlie at Grievous Hall." Micah's eyes narrowed, his self-assurance wilting a bit. Han could tell he was going back over a hundred suspicious sights and sounds. "You've been following me?" "I can come and go from your room, any time I want," Han said. "I can tell you what you say when you talk in your sleep. I know what your down low girlie whispers in your ear." He laughed... Michah licked his lips. "Perhaps you take some kind of perverse pleasure in stalking me...

Imagine the upside-down triangle formed by the Anatolian plateau in the west, the Mesopotamian plain in the east, and the Egyptian valley in the south. Squeeze the sides of that triangle between the Mediterranean Sea and the Arabian desert, and there in the Levantine narrows is tiny Israel. It was the hinge of the three then-known continents of Europe, Asia, and Africa. It was the corridor, cockpit, and cauldron of imperial competition. With warring superpowers first to the north and south, then to the west and east, invasion for Israel was inescapable and defeat inevitable—despite Deuteronomy 28. If Israel had spent all of its life on its knees praying, the only change in its history would have been to have died—on its knees praying. It is a crime against both humanity and divinity to tell a people so located that a military defeat is a punishment from God. This holds also, but for different reasons, on disease and drought, famine and even earthquake. No wonder, therefore, that Israel’s Psalter is filled with cries for forgiveness and pleas for mercy. External invasions, internal famines, and any other disasters were not divine punishments for how the people of Israel lived its covenantal life with God, but human consequences of where the nation of Israel lived it.

Southern violence was explored in one of the all-time coolest psychology studies, involving the use of a word rare in science journals, conducted by Nisbett and Cohen. Undergraduate male subjects had a blood sample taken. They then filled out a questionnaire about something and were then supposed to drop it off down the hall. It was in the narrow hallway, filled with file cabinets, that the experiment happened. Half the subjects traversed the corridor uneventfully. But with half, a confederate (get it? ha-ha) of the psychologists, a big beefy guy, approached from the opposite direction. As the subject and the plant squeezed by each other, the latter would jostle the subject and, in an irritated voice, say the magic word—“asshole”—and march on. Subject would continue down the hall to drop off the questionnaire. What was the response to this insult? It depended. Subjects from the South, but not from elsewhere, showed massive increases in levels of testosterone and glucocorticoids—anger, rage, stress. Subjects were then told a scenario where a guy observes a male acquaintance making a pass at his fiancée—what happens next in the story? In control subjects, Southerners were a bit more likely than Northerners to imagine a violent outcome. And after being insulted? No change in Northerners and a massive boost in imagined violence among Southerners.

You’re a talking cat?” Endora asked with a look of disbelief on her face. “My, my, my, aren’t you the bright bulb of the bunch,” he replied with a bit of snarky smugness. “Tell me then, bright-bulb, do you suppose that I need your permission to talk just because I’m a cat?” He raised his paw to his face, admiring his newly gnawed manicure. After he observed the last nail, he slapped his paw down on the floorboards, making a low thud sound. “Because I don’t,” he smirked. Endora was taken by surprise at his rudeness. She stared back at him, speechless and not quite sure how to respond. “Are you a magic cat?” Mila busted in with a question that seemed as silly to her as to the cat. He glared and narrowed his eyes at her. “A magic cat,” he said, standing up to arch his furry back. “Is my talking some sort of magic to you? If it is… then I am.” He stretched his back higher and let out a long purr that turned into, “Purrhaps, you four little witchy girls should clearly refine your meaning of magic so you know what it means before you say the word magic.” “I rather am quite fond of talking cats,” Selena said with a big smile. “Of course, you’re the first one I’ve ever seen.” The cat narrowed its eyes tighter. “Indeed,” he said, letting out a yawn as if the whole conversation were a bore. He leapt off the porch and dash away, mumbling and grumbling his way down the corridor. Selena looked over at Endora. “Rude little snot, isn’t he?” she said.

But my dreaming self refuses to be consoled. It continues to wander, aimless, homeless, alone. It cannot be convinced of its safety by any evidence drawn from my waking life. I know this because I continue to have the same dream, over and over. I’m in the other place, a place that’s very familiar to me, although I’ve never lived in it or even seen it except in this dream. Details vary – the space has many different rooms, mostly bare of furniture, some with only the sub-flooring – but it always contains the steep, narrow stairway of that distant apartment. Somewhere in it, I know – as I open door after door, walk through corridor after corridor – I’ll come upon the gold mirror, and also the green satin bedspread, which has taken on a life of its own and is able to morph into cushions, or sofas, or armchairs, or even – once – a hammock. It’s always dusk, in this place; it’s always a cool dank summer evening. This is where I’ll have to live, I think in the dream. I’ll have to be all by myself, forever. I’ve missed the life that was supposed to be mine. I’ve shut myself off from it. I don’t love anyone. Somewhere, in one of the rooms I haven’t yet entered, a small child is imprisoned. It isn’t crying or wailing, it stays completely silent, but I can feel its presence there. Then I wake up, and retrace the steps of my dream, and try to shake off the sad feeling it’s left me with. Oh yes, the other place, I say to myself. That again. There was quite a lot of space in it, this time. It wasn’t so bad.

Situation awareness means possessing an explorer mentality A general never knows anything with certainty, never sees his enemy clearly, and never knows positively where he is. When armies are face to face, the least accident in the ground, the smallest wood, may conceal part of the enemy army. The most experienced eye cannot be sure whether it sees the whole of the enemy’s army or only three-fourths. It is by the mind’s eye, by the integration of all reasoning, by a kind of inspiration that the general sees, knows, and judges. ~Napoleon 5   In order to effectively gather the appropriate information as it’s unfolding we must possess the explorer mentality.  We must be able to recognize patterns of behavior. Then we must recognize that which is outside that normal pattern. Then, you take the initiative so we maintain control. Every call, every incident we respond to possesses novelty. Car stops, domestic violence calls, robberies, suspicious persons etc.  These individual types of incidents show similar patterns in many ways. For example, a car stopped normally pulls over to the side of the road when signaled to do so.  The officer when ready, approaches the operator, a conversation ensues, paperwork exchanges, and the pulled over car drives away. A domestic violence call has its own normal patterns; police arrive, separate involved parties, take statements and arrest aggressor and advise the victim of abuse prevention rights. We could go on like this for all the types of calls we handle as each type of incident on its own merits, does possess very similar patterns. Yet they always, and I mean always possess something different be it the location, the time of day, the person you are dealing with. Even if it’s the same person, location, time and day, the person you’re dealing who may now be in a different emotional state and his/her motives and intent may be very different. This breaks that normal expected pattern.  Hence, there is a need to always be open-minded, alert and aware, exploring for the signs and signals of positive or negative change in conditions. In his Small Wars journal article “Thinking and Acting like an Early Explorer” Brigadier General Huba Wass de Czege (US Army Ret.) describes the explorer mentality:   While tactical and strategic thinking are fundamentally different, both kinds of thinking must take place in the explorer’s brain, but in separate compartments. To appreciate this, think of the metaphor of an early American explorer trying to cross a large expanse of unknown terrain long before the days of the modern conveniences. The explorer knows that somewhere to the west lies an ocean he wants to reach. He has only a sketch-map of a narrow corridor drawn by a previously unsuccessful explorer. He also knows that highly variable weather and frequent geologic activity can block mountain passes, flood rivers, and dry up desert water sources. He also knows that some native tribes are hostile to all strangers, some are friendly and others are fickle, but that warring and peace-making among them makes estimating their whereabouts and attitudes difficult.6

5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.

They'd followed him up and had seen him open the door of a room not far from the head of the stairs. He hadn't so much as glanced their way but had gone in and shut the door. She'd walked on with Martha, past that door, down the corridor and around a corner to their chamber. Drawing in a tight-faintly excited-breath, she set out, quietly creeping back to the corner, her evening slippers allowing her to tiptoe along with barely a sound. Nearing the corner, she paused and glanced back along the corridor. Still empty. Reassured, she started to turn, intending to peek around the corner- A hard body swung around the corner and plowed into her. She stumbled back. Hard hands grabbed her, holding her upright. Her heart leapt to her throat. She looked up,saw only darkness. She opened her mouth- A palm slapped over her lips. A steely arm locked around her-locked her against a large, adamantine male body; she couldn't even squirm. Her senses scrambled. Strength, male heat, muscled hardness engulfed her. Then a virulent curse singed her ears. And she realized who'd captured her. Panic and sheer fright had tensed her every muscle; relief washed both away and she felt limp. The temptation to sag in his arms, to sink gratefully against him, was so nearly overwhelming that it shocked her into tensing again. He lowered his head so he could look into her face. Through clenched teeth, he hissed, "What the hell are you doing?" His tone very effectively dragged her wits to the fore. He hadn't removed his hand from her lips. She nipped it. With a muted oath, he pulled the hand away. She moistened her lips and angrily whispered back, "Coming to see you, of course. What are you doing here?" "Coming to fetch you-of course." "You ridiculous man." Her hands had come to rest on his chest. She snatched them back, waved them. "I'm hardly likely to come to grief over the space of a few yards!" Even to her ears they sounded like squabbling children. He didn't reply. Through the dark, he looked at her. She couldn't see his eyes, but his gaze was so intent, so intense that she could feel... her heart started thudding, beating heavier, deeper. Her senses expanded, alert in a wholly unfamiliar way. he looked at her...looked at her. Primitive instinct riffled the delicate hairs at her nape. Abruptly he raised his head, straightened, stepped back. "Come on." Grabbing her elbow, he bundled her unceremoniously around the corner and on up the corridor before him. Her temper-always close to the surface when he was near-started to simmer. If they hadn't needed to be quiet, she would have told him what she thought of such cavalier treatment. Breckenridge halted her outside the door to his bedchamber; he would have preferred any other meeting place, but there was no safer place, and regardless of all and everything else, he needed to keep her safe. Reaching around her, he raised the latch and set the door swinging. "In here." He'd left the lamp burning low. As he followed her in, then reached back and shut the door, he took in what she was wearing. He bit back another curse. She glanced around, but there was nowhere to sit but on the bed. Quickly he strode past her, stripped off the coverlet, then autocratically pointed at the sheet. "Sit there." With a narrow-eyed glare, she did, with the haughty grace of a reigning monarch. Immediately she'd sat, he flicked out the coverlet and swathed her in it. She cast him a faintly puzzled glance but obligingly held the enveloping drape close about her. He said nothing; if she wanted to think he was concerned about her catching a chill, so be it. At least the coverlet was long enough to screen her distracting angles and calves. Which really was ridiculous. Considering how many naked women he'd seen in his life, why the sight of her stockinged ankles and calves should so affect him was beyond his ability to explain.

was someone with her to hold her hand. The master of the house in which she had been forced to take refuge because her younger brothers and sister had the measles or would have soon and she was too young to be left in the London house alone. It was a little humiliating. “Thank you,” she said to the butler. And then she leaned forward to speak to her host and hostess. “I must have taken a wrong turning. I found myself in a maze of narrow and winding corridors. I felt as if there were someone around each corner, but there

shelves; hundreds of narrow rows. Hermione took out a list of subjects and titles she had decided to search while Ron strode off down a row of books and started pulling them off the shelves at random. Harry wandered over to the Restricted Section. He had been wondering for a while if Flamel wasn’t somewhere in there. Unfortunately, you needed a specially signed note from one of the teachers to look in any of the restricted books, and he knew he’d never get one. These were the books containing powerful Dark Magic never taught at Hogwarts, and only read by older students studying advanced Defense Against the Dark Arts. “What are you looking for, boy?” “Nothing,” said Harry. Madam Pince the librarian brandished a feather duster at him. “You’d better get out, then. Go on — out!” Wishing he’d been a bit quicker at thinking up some story, Harry left the library. He, Ron, and Hermione had already agreed they’d better not ask Madam Pince where they could find Flamel. They were sure she’d be able to tell them, but they couldn’t risk Snape hearing what they were up to. Harry waited outside in the corridor to see if the other two had found anything, but he wasn’t very hopeful. They had been looking for two weeks, after all, but as they only had odd moments between lessons it wasn’t surprising they’d found nothing. What they really needed was a nice long search without Madam Pince breathing down their necks. Five minutes later, Ron and Hermione joined him, shaking their heads. They went off to lunch. “You will keep looking while I’m away, won’t you?” said Hermione. “And send me an owl if you find anything.” “And you could ask your parents if they know who Flamel is,” said Ron. “It’d be safe to ask them.” “Very safe, as they’re both dentists,” said Hermione. Once the holidays had started, Ron and Harry were having too good a time to think much about Flamel. They had the dormitory to themselves and the common room was far emptier than usual, so they were able to get the good armchairs by the fire. They sat by the hour eating anything they could spear on a toasting fork — bread, English muffins, marshmallows — and plotting ways of getting Malfoy expelled, which were fun to talk about even if they wouldn’t work. Ron also started teaching Harry wizard chess. This was exactly like Muggle chess except that the figures were alive, which made it a lot like directing troops in battle. Ron’s set was very old and battered. Like everything else he owned, it had once belonged to someone else in his family — in this case, his grandfather. However, old chessmen weren’t a drawback at all. Ron knew them so well he never had trouble getting them to do what he wanted. Harry played with chessmen Seamus Finnigan had lent him, and they didn’t

I had crawled out from the roots of an enormous oak tree, through a rabbit hole scarcely large enough for the rabbit. Käthe and I had wandered the endless corridors for what had seemed like days on end. The tunnels had grown narrower and narrower, the finishes rougher and rougher, the niceties of civilization gradually disappearing until we crawled on our hands and knees. I

How else could I get shut in there?” I ask, cross now. “You saw that I was locked in! I had to put my hair clip into the doorjamb and lift the latch to get myself out!” “No,” he says infuriatingly. “I get ,you out. I come down the corridor and I see movement on the door to the passage, very strange. Why is it moving like that? I ask myself. Is there a ghost? So I go up and I see the serratura--” “Latch?” “Latch--it is going up and down--” “Just up! I was lifting it up!” “And so I unlock it and open the door and an English girl falls into my arms.” He shrugs. “It is a surprise, but a nice one.” “I unlocked it!” I protest. “No,” he says firmly. “I unlock it. I save you.” “I didn’t need you!” I snap. “I was doing it by myself--I didn’t need you to come along!” “Bene,” he says, taking my hand and lifting it to his lips, a gesture so unexpected that I goggle at him, wide-eyed, my mouth gaping very unattractively as he kisses my fingertips. “You are very modern. You save yourself. We agree this story.” “Because it’s true!” Narrowing my eyes, I snatch my hand back from him. “Don’t make fun of me!” “But--” Luca stops, and looks as if he’s thinking something over. His face is too close for me to be comfortable looking directly at him, so I drop my gaze down his body, to the hand he dropped to his lap when I pulled mine away.

Okay, Jack—let 'er rip!" They were able to watch the operation on a screen, from sensors left on site. The fuel-cell-powered ripper hummed, and there was a sudden screeching noise audible all the way down the corridor as the lever arms inserted themselves forcibly into the narrow crack between the door valves. The humming abruptly dropped in pitch and became louder as it began to force the doors open. A.J.

Insularity, like empire-building, requires superb self-confidence, a conviction of one's moral superiority. An English caricature of an Indian - possessive towards people with power, arrogant to those with none. Through a narrow Moghul arch into a dark stone corridor - the kind in which you feel the weight of India: a heavy darkness which is a protection from glare and heat but reminiscent of tombs and dungeons.

I glanced at Darius as we were left alone together. Apparently my attempts to avoid this particular Heir were doomed to fail tonight. Darius looked over my shoulder and his face dipped into a scowl. I followed his gaze and spotted his fiancé Mildred barrelling through the crowd towards us with a frown on her face which melded her eyebrows into one bushy line. “Come on then,” Darius said hastily, leading the way to the door Xavier had taken out of the room. “Where to?” I asked in confusion. The party was in full swing and I was fairly sure we weren’t supposed to be leaving it. Not that I’d ever cared much for rules but it seemed odd that he’d gone to so much trouble to get me here just to sneak me away again. Plus it was probably a good idea for me to get the hell away from him before his toothy bride arrived and tried to snap me in half with her brawny arms. “Xavier said you want some real food,” Darius said suggestively, heading on out without bothering to make sure I was following. I hesitated. I didn’t really want to go anywhere with him but I couldn’t deny the draw I felt to him either. The champagne probably isn’t helping with that. My stomach growled impatiently and I sighed as I gave in to its demands. I snatched another glass of champagne on my way out, quickly drinking it in one gulp before hurrying after him. If alcohol was going to make this decision for me then the least I could do was make sure I consumed plenty of it. I glanced back at Darcy as I left but she was laughing at something Hamish had said and didn’t notice me. Mildred on the other hand looked like she was primed for murder and I hurried out of the room as she began to battle her way across the dance floor with me locked in her sights. Darius led me down corridors with gilded decorations at every turn. Dragons really liked their gold and it was obvious they had plenty of it to spare. “Thank you for cheering Xavier up,” Darius said as he opened the door onto a narrow corridor and led me inside. Thankfully there was no sign of Mildred catching up and I had to hope we’d lost her. A few serving staff squeezed past us carrying trays as we walked, bowing their heads as they spotted the infamous Acrux Heir. “Why did he need cheering up?” I asked curiously. “No reason.” I rolled my eyes at his back. (Tory)

But dominance doesn’t just originate from brute force or threats of violence. Any relation of unequal power, whether enforced by threats or by other social means, such as customs, will create a form of dominance, because it amounts to being

Thomas Hobbes saw things in the 1640s, as the English Civil War was raging, when he argued that people should “submit their Wills” to an all-powerful state, a Leviathan, which would then provide security and prosperity.

The lights flickered and went out, one by one, but still he could see. See what was coming at him down the corridor that was now as narrow and inescapable as a coffin buried six feet below. It was not the drifting ghost he expected or the shambling corpse, but both and neither. A jerking, spasmodic marionette, deranged and surreal, backlit by a dirty yellow illumination. A stark, ghastly figure in fast motion, head whipping from side to side, limbs twitching…like an image sped up on film with every second or third frame removed so that its locomotion was disconnected and intermittent, a strobing and insane animation.

Every time I am shown to an old, dimly lit, and, I would add, impeccably clean toilet in a Nara or Kyoto temple, I am impressed with the singular virtues of Japanese architecture. The parlor may have its charms, but the Japanese toilet is truly a place of spiritual repose. It always stands apart from the main building, at the end of a corridor, in a grove fragrant with leaves and moss. No words can describe that sensation as one sits in the dim light, basking in the faint glow reflected from the shoji, lost in meditation or gazing out at the garden. The novelist Natsume Sōseki counted his morning trips to the toilet a great pleasure, “a physiological delight” he called it. And surely there could be no better place to savor this pleasure than a Japanese toilet where, surrounded by tranquil walls and finely grained wood, one looks out upon blue skies and green leaves. As I have said there are certain prerequisites: a degree of dimness, absolute cleanliness, and quiet so complete one can hear the hum of a mosquito. I love to listen from such a toilet to the sound of softly falling rain, especially if it is a toilet of the Kantō region, with its long, narrow windows at floor level; there one can listen with such a sense of intimacy to the raindrops falling from the eaves and the trees, seeping into the earth as they wash over the base of a stone lantern and freshen the moss about the stepping stones. And the toilet is the perfect place to listen to the chirping of insects or the song of the birds, to view the moon, or to enjoy any of those poignant moments that mark the change of the seasons. Here, I suspect, is where haiku poets over the ages have come by a great many of their ideas. Indeed one could with some justice claim that of all the elements of Japanese architecture, the toilet is the most aesthetic. Our forebears, making poetry of everything in their lives, transformed what by rights should be the most unsanitary room in the house into a place of unsurpassed elegance, replete with fond associations with the beauties of nature.

In his book Republicanism: A Theory of Freedom and Government, Pettit argues that the fundamental tenet of a fulfilling, decent life is non-dominance—freedom from dominance, fear, and extreme insecurity. It is unacceptable, according to Pettit, when one has to live at the mercy of another, having to live in a manner that leaves you vulnerable to some ill that the other is in a position arbitrarily to impose.

In the end it decided that power was the opportunity to acquire riches and prestige, to be in a position to hand out benefits in the form of jobs, contracts, gifts of money etc. to relations and political allies.

The dream I have when I go to sleep involves me crawling through a very narrow wooden corridor for a very long time.

The Death House back then was a self-contained unit, with its own hospital, kitchen, exercise yard and visiting room. The cells were inadequate, dark, and did not have proper sanitary facilities or ventilation. One window and skylight furnished the ventilation and light of the entire unit. Twelve cells were on the lower tier, six on each side, facing each other, with a narrow corridor between them. Five cells were located in an upper tier. There was an area the prisoners called the Dance Hall that housed a prisoner to be executed on his last day. The narrow corridor connected the Dance Hall to the execution room, where the Electric Chair resided. The prisoners named this corridor the Last Mile or the Green Mile, because this was the last walk a prisoner would take all the way to the small green riveted door at the end of the corridor, on his way to the execution room.

Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.

lifetime in the service was like rushing down a narrow corridor, eyes fixed firmly to the front. There was all kinds of enticing stuff off to the sides, which you rushed past and ignored. Now he wanted to take the side trips. He wanted a crazy zigzag, any direction he felt like, any old time he wanted. And returning to the same

Far down the corridor a slim figure in white approaches, dwarfed by the smoky distance; her nun-like cap floating, her scarlet cape, the "cape of pride," slipped round her narrow shoulders. How intent and silent They are! I watched this one pass with a look half reverence, half envy. One should never aspire to know a Sister intimately. They are disappointing people; without candour, without imagination. Yet what a look of personality hangs about them....

Many of the people I write about were deliberately left out of the history books that we were forced to read in school. For me, that history was "written wrong" and needed to be corrected. My intention was to make them visible so they could be role models for others. To show how each, in his or her own way, dribbled gracefully around that obstacle in the narrow corridor.

Stand aside.” Jorgen pushed past Mathis. “What do you think you are—?” Mathis halted his objection as Jorgen threw back the sheet and slid his arms under her. He lifted her easily and carried her past Mathis and Rutger, who stood with their mouths open. He carried her through the narrow corridor of their house and through the front door. He knelt beside the litter attached to Mathis’s horse and laid her down so tenderly, something inside her chest seemed to break. She

My life was a tiny narrow corridor with no doors leading off it, a tunnel so narrow it bruised my elbows, with only one way to go. That or the void, I told myself. That or leave.

The Idiot, Dostoevsky. Part 2 Ch.5 The doorway was dark and gloomy at any time; but just at this moment it was rendered doubly so by the fact that the thunder-storm had just broken, and the rain was coming down in torrents. And in the semi-darkness the prince distinguished a man standing close to the stairs, apparently waiting. There was nothing particularly significant in the fact that a man was standing back in the doorway, waiting to come out or go upstairs; but the prince felt an irresistible conviction that he knew this man, and that it was Rogojin. The man moved on up the stairs; a moment later the prince passed up them, too. His heart froze within him. “In a minute or two I shall know all,” he thought. The staircase led to the first and second corridors of the hotel, along which lay the guests’ bedrooms. As is often the case in Petersburg houses, it was narrow and very dark, and turned around a massive stone column. On the first landing, which was as small as the necessary turn of the stairs allowed, there was a niche in the column, about half a yard wide, and in this niche the prince felt convinced that a man stood concealed. He thought he could distinguish a figure standing there. He would pass by quickly and not look. He took a step forward, but could bear the uncertainty no longer and turned his head. The eyes—the same two eyes—met his! The man concealed in the niche had also taken a step forward. For one second they stood face to face. Suddenly the prince caught the man by the shoulder and twisted him round towards the light, so that he might see his face more clearly. Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it. The prince did not think of trying to stop it. All he could remember afterwards was that he seemed to have called out: “Parfen! I won’t believe it.” Next moment something appeared to burst open before him: a wonderful inner light illuminated his soul. This lasted perhaps half a second, yet he distinctly remembered hearing the beginning of the wail, the strange, dreadful wail, which burst from his lips of its own accord, and which no effort of will on his part could suppress. Next moment he was absolutely unconscious; black darkness blotted out everything. He had fallen in an epileptic fit. As is well known, these fits occur instantaneously. The face, especially the eyes, become terribly disfigured, convulsions seize the limbs, a terrible cry breaks from the sufferer, a wail from which everything human seems to be blotted out, so that it is impossible to believe that the man who has just fallen is the same who emitted the dreadful cry. It seems more as though some other being, inside the stricken one, had cried. Many people have borne witness to this impression; and many cannot behold an epileptic fit without a feeling of mysterious terror and dread. Such a feeling, we must suppose, overtook Rogojin at this moment, and saved the prince’s life. Not knowing that it was a fit, and seeing his victim disappear head foremost into the darkness, hearing his head strike the stone steps below with a crash, Rogojin rushed downstairs, skirting the body, and flung himself headlong out of the hotel, like a raving madman. The prince’s body slipped convulsively down the steps till it rested at the bottom.

The first place in the world to grant female suffrage was Wyoming in 1869, earning it the nickname the Equality State.

The decline of labor coercion is not the only factor transforming the corridor. Another important economic trend, but with more complex, multifaceted implications for liberty, is globalization.

The interior spaces aboard the Norego were as dilapidated as her outside. The floors were chipped linoleum, the walls bare metal with large swatches of peeled paint, and the fluorescent lights mounted to the ceilings buzzed loudly. Several of them flickered at erratic intervals, casting the narrow corridor in stark shadow. Esteban led Ghami and Khatahani up a tight companionway with a loose railing and onto another short corridor. He opened the door to his office and gestured for the men to enter. The captain’s cabin could be seen through an open door on the opposite side of the office. The bed was unmade, and the sheets that spilled onto the floor were stained. A single dresser stood bolted to the wall, and the mirror above it had a jagged crack running from corner to corner. The office was a rectangular room with a single porthole so rimed with salt that only murky light came through. The walls were adorned with paintings of sad-eyed clowns done in garish colors on black velvet. Another door led to a tiny bathroom that was filthier than a public washroom in a Tehran slum. So many cigarettes had been smoked in the office that the stale smell seemed to coat everything, including the back of Ghami’s mouth. A lifelong smoker himself, even the Iranian naval officer was disgusted.

Perhaps the most important was that Latin American society had been created on a premise of political hierarchy and inequality

Swelter’s eyes meet those of his enemy, and never was there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl’s door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred – broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and re-entrenched themselves in startled sockets.

They were like mice in a maze, scurrying through narrow corridors within boundaries both physical and mental, set by the men in their lives, their journey often becoming a futile attempt to find an exit to happiness.

All her life, she had felt like an embarrassment. Her presence disturbed Jacques, her laughter woke the children Louise was looking after. Her fat thighs, her heavy figure pressed against the wall in the narrow corridor to let the others pass. She feared blocking the passage, being bumped into, sitting on a chair that someone else wanted. When she spoke, she expressed herself poorly. She laughed and she offended people, no matter how innocent her laughter. She had ended up developing a gift for invisibility, and logically, without fanfare, without warning, as if that had been her manifest destiny all along, she had disappeared. On Monday morning Louise leaves

We stick to the stones, stepping from one to the other, as does everyone else drawn along this thread of stone through the boglands. Isn't this the way humanity should approach everything we do on this precious planet? Keeping ourselves to a narrow corridor of use, treading on this one earth lightly and with care.

There are some poignant passages where he discusses different animals but dwells especially on the mole: a stunted monstrosity that dwells in damp narrow corridors, rarely sees the light of day and whose offspring look like gelatinous worms – but who still does everything in its power to survive and perpetuate itself. We’re just like them and just as pitiful: we are driven frantically to push ourselves forward, get good jobs to impress prospective partners, wonder endlessly about finding The One (imagining they’ll make us happy), and are eventually briefly seduced by someone long enough to produce a child, and then have to spend the next 40 years in misery to atone for our error.

Industrialists and professionals can flourish in the corridor both economically and politically, because they have assets (in the form of their expertise, knowledge, and skills) that remain valuable even as the economy transforms, and because their urban existence gives them new opportunities to organize and remain politically relevant in the midst of the Red Queen dynamics. Not so for landowners, who fear losing their lands, which are much more easily taken away from them than the factories of industrialists and the skills of professionals. Indeed, societal mobilization often comes with demands for loss of economic, political, and social privileges for landowners, and the situation in the Weimar Republic was no different (even if such attempts were stymied by President Hindenburg, who was himself from the Prussian landed aristocracy and sympathetic to their concerns). Landowners also feared, again rightly, becoming marginalized as the political center of gravity shifted away from them as a result of democratic politics. All of this made them skeptical of the burgeoning Shackled Leviathan.

Liberty needs the state and the laws. But it is not given by the state or the elites controlling it. It is taken by regular people, by society. Society needs to control the state so that it protects and promotes people’s liberty rather than quashing it like Assad did in Syria before 2011. Liberty needs a mobilized society that participates in politics, protests when it’s necessary, and votes the government out of power when it can.

A common factor in the history of the demise of Italian communes and the overthrow of the Weimar and Chilean democracies is the power and opposition of landed interests, which made the corridor narrower and led to an increasingly polarized society. The Red Queen effect, in turn, became much more of a zero-sum, existential fight rather than a race between state and society that advanced the capacities of both. This is visible in the Italian case from the fact that the elites started fighting not just to increase their standing against the communes but to destroy them, and the communes came to view coexistence with the elites as impossible, preferring autocracy to the elites' creeping influence. Machiavelli summed this up well in The Prince when he observed that 'the people do not wish to be commanded or oppressed by the nobles, while the nobles do desire to command and to oppress the people. From these two opposed appetites, there arises in cities one of three effects: a principality, liberty, or licence. A principality is brought about either by the common people or by the nobility, depending on which of the two parties has the opportunity. When the nobles see that they cannot resist the populace, they begin to support someone from among themselves, and make him prince in order to be able to satisfy their appetites under his protection. The common people as well, seeing that they cannot resist the nobility, give their support to one man so as to be defended by his authority.' Macchiavelli is in fact identifying a force propelling many modern-day movements sometimes labeled 'populist.' Though the term originates with the late nineteenth-century U.S. Populist movement, exemplified by the People's Party, its recent specimens, even if diverse, disparate, and lacking a generally agreed definition, do have some common hallmarks. They include a rhetoric that pits the 'people' against a scheming elite, an emphasis on the need to overhaul the system and its institutions (because they are not working for the people), a trust in a leader who (supposedly) represents the people's true wishes and interests, and a repudiation of all sorts of constraints and attempts to compromise because they will stand in the way of the movement and its leader. Contemporary populist movements, including the National Front in France, the Freedom Party in the Netherlands, the Partido Socialista Unido de Venezuela (United Socialist Party of Venezuela) started by Hugo Chávez, and the Republican Party refashioned by Donald J. Trump in the United States, all have these features, as did the earlier fascist movements (though they augmented them with a stronger militarism and fanatical anticommunism). As in the case of the Italian communes, the elite may in fact be scheming and against the common people, but the idea that a populist movement and its all-powerful leader will protect the people's interests is just wishful thinking.

Rather than a corridor, which implies a clear direction of travel, I imagine containment as a narrow and treacherous path, wreathed in fog, a plunging precipice on either side, catastrophe or dystopia just a small slip away; you can’t see far ahead, and as you tread, the path twists and turns, throws up unexpected obstacles.