The Midnight Visitor Quotes

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Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Tis some visitor," I muttered, "tapping at my chamber door — Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; — vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore — For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me — filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door; — This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" — Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore; — 'Tis the wind and nothing more." Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door — Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore." Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaning— little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door — Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
Edgar Allan Poe (The Raven)
Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore — While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. “’Tis some visitor,” I muttered, “tapping at my chamber door — Only this and nothing more.
Edgar Allan Poe (The Raven)
I often spend half the night with ghosts, remembering times fifty years past as if they were yesterday. The mystery of a midnight visitor is a welcome diversion.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Midnight Visitors,’ whispered Suzy fearfully. ‘With nightmare-whips and night-gloves.
Garth Nix (Mister Monday (The Keys to the Kingdom, #1))
Suppose that an archaeologist who had visited us from outer space were trying to explain human history to his fellow spacelings. The visitor might illustrate the results of his digs by a twenty-four-hour clock on which one hour of clock-time represents 100,000 years of real past time. If the history of the human race began at midnight, then we would now be almost at the end of our first day. We lived as hunter-gatherers for nearly the whole of that day, from midnight through dawn, noon, and sunset. Finally, at 11:54 pm we adopted agriculture. In retrospect, the decision was inevitable, and there is now no question of turning back. But as our second midnight approaches, will the present plight of African peasants gradually spread to engulf all of us? Or, will we somehow achieve those seductive blessings that we imagine behind agriculture’s glittering facade, and that have so far eluded us except in mixed form?
Jared Diamond (The Rise And Fall Of The Third Chimpanzee: how our animal heritage affects the way we live)
Once upon a midnight dreary, while I pondered weak and weary, Over many a quaint and curious volume of forgotten lore While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping rapping at my chamber door. "'Tis some visitor," I muttered, "tapping at my chamber door Only this and nothing more.
Edgar Allan Poe (The Complete Works of Edgar Allan Poe (Illustrated, Inline Footnotes))
The Chief seemed not to care much about my opinion; he wanted to talk and so I let him continue. The greatest pleasure one can give people is to let them talk all they want. One is respected much more if one lets people talk instead of talking himself. No one has the least interest in hearing somebody else’s opinion. ("Midnight Call")
B. Traven (The Night Visitor and Other Stories)
There - the chandelier, choked with dust and webs. A single rivulet of red had trickled from the ceiling, down the central column, and out along a curving crystal arm. At its lowest point, a new pendant of blood was slowly building. 'It - it can't do that,' I stammered. 'We're inside the iron.' 'Move out of the way!' Lockwood pushed me back just as the drop fell, spattering on the floor in the center of the circle. We were all standing almost atop the iron chains. 'We've made it too big,' he said. 'The power of the iron doesn't extend into the very center. It's weak there, and this Visitor's strong enough to overcome it.' 'Adjust the chains inward-' George began. 'If we make the circle smaller,' Lockwood said, 'we'll be squeezed in a tiny space. It's scarcely midnight; we've seven hours till dawn and this thing's just gotten started. No, we've got to break out
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
It is worth noting here how extraordinary it was for anyone to be homeless in North Korea. This was, after all, the country that had developed the most painstaking systems to keep track of its citizens. Everybody had a fixed address and a work unit and both were tied to food rations—if you left home, you couldn’t get fed. People didn’t dare visit a relative in the next town without a travel permit. Even overnight visitors were supposed to be registered with the inminban, which in turn had to report to the police the name, gender, registration number, travel permit number, and the purpose of the visit. Police conducted regular spot checks around midnight to make sure nobody had unauthorized visitors. One had to carry at all times a “citizen’s certificate,” a twelve-page passport-size booklet that contained a wealth of information about the bearer. It was modeled on the old Soviet ID. All that changed with the famine. Without food distribution, there was no reason to stay at your fixed address. If sitting still meant you starved to death, no threat the regime levied could keep people home. For the first time, North Koreans were wandering around their own country with impunity.
Barbara Demick (Nothing to Envy: Real Lives in North Korea)
You did not wake me,” Maester Aemon replied. “I find I need less sleep as I grow older, and I am grown very old. I often spend half the night with ghosts, remembering times fifty years past as if they were yesterday. The mystery of a midnight visitor is a welcome diversion. So tell me, Jon Snow, why have you come calling at this strange hour?
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
plugged in my headphones. In the sermon, King uses the parable of the neighbor who knocks upon his friend’s door at midnight, seeking three loaves to feed a hungry traveler. The man’s need is great, King reminds us, because the loaves of bread he seeks are spiritual loaves. The bread of faith, the bread of hope, the bread of love. The man’s friend refuses him. “Do not bother me; the door is now shut,” his friend says, “and my children are with me in bed, I cannot get up and give you anything.” In his tremendous tenor, his voice rolling with the calm power and depth of the sea, King explains that the man continues to persistently knock; he will not be denied. He urges us to embrace the hope, faith, and love necessary to continue our struggle for justice in midnight’s darkest hour. With faith in his friend’s generosity, and out of a deep need to provide loaves to his visitor, the man knocks. “Midnight is a confusing hour when it is difficult to be faithful.” His voice sonorous, King intones, “The weary traveler by midnight who asks for bread is really seeking the dawn. Our eternal message of hope is that dawn will come.
Brittany K. Barnett (A Knock at Midnight: A Story of Hope, Justice, and Freedom)
The house fostered an easier and more candid exchange of ideas and opinions, encouraged by the simple fact that everyone had left their offices behind and by a wealth of novel opportunities for conversation—climbs up Beacon and Coombe Hills, walks in the rose garden, rounds of croquet, and hands of bezique, further leavened by free-flowing champagne, whiskey, and brandy. The talk typically ranged well past midnight. At Chequers, visitors knew they could speak more freely than in London, and with absolute confidentiality. After one weekend, Churchill’s new commander in chief of Home Forces, Alan Brooke, wrote to thank him for periodically inviting him to Chequers, and “giving me an opportunity of discussing the problems of the defense of this country with you, and of putting some of my difficulties before you. These informal talks are of the very greatest help to me, & I do hope you realize how grateful I am to you for your kindness.” Churchill, too, felt more at ease at Chequers, and understood that here he could behave as he wished, secure in the knowledge that whatever happened within would be kept secret (possibly a misplaced trust, given the memoirs and diaries that emerged after the war, like desert flowers after a first rain). This was, he said, a “cercle sacré.” A sacred circle. General Brooke recalled one night when Churchill, at two-fifteen A.M., suggested that everyone present retire to the great hall for sandwiches, which Brooke, exhausted, hoped was a signal that soon the night would end and he could get to bed. “But, no!” he wrote. What followed was one of those moments often to occur at Chequers that would remain lodged in visitors’ minds forever after. “He had the gramophone turned on,” wrote Brooke, “and, in the many-colored dressing-gown, with a sandwich in one hand and water-cress in the other, he trotted round and round the hall, giving occasional little skips to the tune of the gramophone.” At intervals as he rounded the room he would stop “to release some priceless quotation or thought.” During one such pause, Churchill likened a man’s life to a walk down a passage lined with closed windows. “As you reach each window, an unknown hand opens it and the light it lets in only increases by contrast the darkness of the end of the passage.” He danced on. —
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
He glanced down at her, keeping his expression carefully impassive. “I hate to leave you.” There was a gently mocking edge to his tone. “You need someone to follow you around and keep you safe from mishaps. On the other hand, you also need someone to find a beekeeper.” Realizing he was not going to talk about Leo, Amelia followed his lead. “Will you do that for us? I would consider it a great favor.” “Of course. Although…” His eyes held a wicked glitter. “As I mentioned before, I can’t keep doing favors for you with no reward. A man needs incentive.” “If … if you want money, I’ll be glad to—” “God, no.” Rohan was laughing now. “I don’t want money.” Reaching out, he smoothed back her hair, letting the heel of his hand graze the edge of her cheekbone. The brush of his skin was light and erotic, causing her to swallow hard. “Goodbye, Miss Hathaway. I’ll see myself out.” He flashed a smile at her and advised, “Stay away from the windows.” On the way down the stairs, Rohan passed Merripen, who was ascending at a measured pace. Merripen’s face darkened at the sight of the visitor. “What are you doing here?” “It seems I’m helping with pest eradication.” “Then you can begin by leaving,” Merripen growled. Rohan only grinned nonchalantly, and continued on his way.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
The music still came from the house. It was past midnight. What kind of old lady plays rock music after midnight? One who still plays old vinyl records. One who keeps a weird tombstone in her wooded backyard. One who has strange visitors in a black car with a license plate number engraved on that same weird tombstone. One who told a teenage boy that his dead father was still alive. “What’s this?” Ema asked. I snapped back to the present. “What?” “Behind here.” She was pointing to the back of the tombstone. “There’s something carved into the back.” I walked over slowly, but I knew. I just knew. And when I reached the back of the tombstone and shined the light on it, I was barely surprised. A butterfly with animal eyes on its wings. Ema gasped. The music in the house stopped. Just like that. Like someone had flicked the off switch the moment my eyes found that dang symbol. Ema looked up at my face and saw something troubling. “Mickey?” Nope, there was no surprise. Not anymore. There was rage now. I wanted answers. I was going to get them, no matter what. I wasn’t going to wait for Mr. Shaved Head with the British accent to contact me. I wasn’t going to wait for Bat Lady to fly down and leave me another cryptic clue. Heck, I wasn’t even going to wait until tomorrow. I was going to find out now. “Mickey?
Harlan Coben (Shelter (Micky Bolitar, #1))
Afterwards she felt bad about the exclamation point. It looked girlish. But it had to. Really she meant for her boss to read her note and order an immediate resumption of surveillance. Just in case Scorpio’s incoming visitor proved significant. A no-brainer, surely. Obviously Jimmy from Wisconsin was lying when he said he didn’t tell the guy anything. That claim wasn’t logical. A guy scary enough to warrant a heads-up voice mail was scary enough to elicit the answer to just about any question he wanted to ask. So obviously the guy was already on his way. Time was therefore of the essence. But her boss claimed all executive authority as his own. Nudging was counterproductive. Hence the giggly deflection, to take the sting away. To make the guy think it was his own idea all along.
Lee Child (The Midnight Line (Jack Reacher, #22))
Reacher opened the pawn shop door. He stepped inside. A guy at the register looked up. He was a big bear of a man, scruffy and unkempt. Maybe in his middle thirties, dark, with plenty of fat over a big frame anyway. With some kind of cunning in his eyes. Certainly enough to perfect his response to his sudden six-five two-fifty visitor. Driven purely by instinct. The guy wasn’t afraid. He had a loaded gun under the counter. Unless he was an idiot. Which he didn’t look. All the same, the guy didn’t want to risk sounding aggressive. But he didn’t want to sound obsequious, either. A matter of pride.
Lee Child (The Midnight Line (Jack Reacher, #22))
We found ourselves in a lovers’ arrangement common in cities, when you see each other after midnight, once a week or so, sometimes dinner if he felt up for a date. I wanted more, but he had just gotten free of a long relationship, and I’d never been in one. We dated other people. I gravitated to people who reminded me of him, quiet, reserved, people who moved with diligence and discipline in their art. Masculine, but soft. When I couldn’t bear our arrangement, I cut myself off. But I wanted to smell him. I traced his scent back to the source, the Brooklyn Bangladeshi-owned oil shop Madina on Atlantic Avenue, an institution. Named for one of the two holy cities in Islam, the word al-Madina simply means the city, and the shop’s visitors include Black and Muslim entrepreneurs, fragrance aficionados, folks who want to smell good for cheap, imams who sell the oils to the prison commissary, making perfumes available to inmates. I would purchase five-dollar roll-on bottles of oil to smell him in those periods we were off-again.
Tanaïs (In Sensorium: Notes for My People)
Go beyond tourist zones for the fun midnight eating adventure. Cruise along streets via Tuk Tuk to visit Bangkokian’s favorite places to eat and to discover the side of Bangkok wholly unknown to visitors.
Bangkok Food Tours
Mid-June 2012 …Do you remember the arrogant male model who came to the Bahriji School to give a grooming course to us students when we were there? An evening after my return to London, while staying at Uncle James’ home, I visited one of the London sex clubs. Uncle James was in Hong Kong and I had his town house to myself before I moved to my own lodgings in Ladbroke Grove, recommended by the Nottinghill Methodist Church housing project. I was terribly lonely and needed company desperately. I ventured to “Heavens” located Under the Arches on Villiers Street, Charing Cross, a little before midnight. In 1972, this establishment was located in a large warehouse. For the uninitiated, the entrance was nondescript. It was dimly lit from the outside, and when a patron wished to gain entry, he pressed an obscure doorbell by the side of a huge aluminum sliding door. A pair of eyes would look through a peephole, checking to make sure that it was neither a police raid nor an underage client. If the patron was handsome and dressed like a macho gay man, he’d be asked for identification. Once approved, the green door would slide open to allow entry. Inside “Heavens” was a different world. Throngs of leather and denim-clad patrons checked their belongings in the tiny cloakroom next to the cashier’s booth. A small safety deposit box was then allocated upon request for each visitor to deposit his wallet or important documents for safekeeping. The safety deposit box key, attached to an elastic band together with the clothing claim tag, would then be handed to the patron to wear around his wrist or ankle. Most patrons were shirtless except for their jeans and leather pants. The uninhibited would strip down to their jock straps or sports undergarments. Their naked buttocks were ready to be in service for a night of unbridled debauchery.
Young (Unbridled (A Harem Boy's Saga, #2))
Another visitor described them as “midget hells, where one lies awake and sweats the first half of the night, and frequently between midnight and dawn undergoes a fierce siege of heat-provoking nightmares.” They seemed to be “designed by Detroit architects who probably couldn’t envision a land without snow.”19 Ford managers, said the priest, “never really figured out what country they were in.
Greg Grandin (Fordlandia: The Rise and Fall of Henry Ford's Forgotten Jungle City)
six-five two-fifty visitor.
Lee Child (The Midnight Line (Jack Reacher, #22))
And romantic," she added, smiling at the man whose deep-set blue eyes now saw everything so clearly, "but I never dreamed it would turn out so wonderfully for all of us.
Margaret Sutton (The Midnight Visitor (Judy Bolton Mysteries, #12))
Police conducted regular spot checks around midnight to make sure nobody had unauthorized visitors. One had to carry at all times a “citizen’s certificate,” a twelve-page passport-size booklet that contained a wealth of information about the bearer. It was modeled on the old Soviet ID. All that changed with the famine. Without food distribution, there was no reason to stay at your fixed address. If sitting still meant you starved to death, no threat the regime levied could keep people home. For the first time, North Koreans were wandering around their own country with impunity.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
Police conducted regular spot checks around midnight to make sure nobody had unauthorized visitors. One had to carry at all times a “citizen’s certificate,” a twelve-page passport-size booklet that contained a wealth of information about the bearer. It was modeled on the old Soviet ID. All that changed with the famine. Without food distribution, there was no reason to stay at your fixed address. If sitting still meant you starved to death, no threat the regime levied could keep people home. For the first time, North Koreans were wandering around their own country with impunity. Among the homeless population, a disproportionate number were children or teenagers. In some cases, their parents had gone off in search of jobs or food. But there was another, even stranger, explanation. Facing a food shortage, many North Korean families conducted a brutal triage of their own households—they denied themselves and often elderly grandparents food in order to keep the younger generation alive. That strategy produced an unusual number of orphans, as the children were often the last ones left of entire families that had perished. The kochebi, the wandering swallows
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
They were not the faith I chose. Like mom’s ghostly visitors when she was five, my cousins chose me, knocking on my midnight door, portentous at my bedside. After all my god denying and god shopping. After all my hours in Quaker pews, reading Yoruba books, studying Lukumí prayers. Just so the universe could be cute a decade later and pass me a note in class. You were born into the church, Qui Qui.
Quiara Alegría Hudes (My Broken Language)
One warm June morning, during rush hour, a man appeared at the entrance to the rag picker's shack. 'I am intruding,' the mysterious man said, startling the rag picker. The first thing Sam noticed was the green tie. Sam had seen green ties before certainly, it was just that Sam wasn't sure that he had ever seen that particular shade of green. It made him think of the green in a rainbow he had once seen, sparkling and brilliant, or a flash of green he once saw in a botanical garden. Sam wasn't sure, but the essence of the color resonated deep inside Sam. The tie was paired with shoes the shade and shine of the was red lips children sometimes wear at Halloween. With the conservative black suit and shirt, the outfit should have looked ridiculous. On this man it did not. Sam tried to collect his wits. 'O my soul. Who are you?' he asked more in wonder at the visitor than in fear. Sam was no longer used to people. He didn't give many people the time of day. Nevertheless, there was something about this one that was fascinating. It was as if he exuded life from every pore in his body. 'My name is Mr. Khadir. I am from the Middle East.' Sam thought the stranger was referring to the East End of Long Island. He figured the man was a commuter whose car had probably overheated on the Expressway. 'I am a stranger,' Mr Khadir continued, 'and so are you; come with me in these deserts so that you may seek God.
Laurence Galian (The Sun at Midnight: The Revealed Mysteries of the Ahlul Bayt Sufis)
Sam scrutinized Mr. Khadir’s face. It expressed kindliness and gentleness, as well as mischievousness and fierceness. He stood about five feet ten inches with a pale-skinned complexion. His long softly curly hair, slightly graying at the temples, was parted in the middle, and went to the bottom of his neck. He had a hooked nose over which rose a prominent brow ridge. His eyes wee penetrating like an eagle’s. He held a sing rose in his hand. Although, Sam couldn’t se it, a drop of green blood lay on his hand where one of the thorns had pierced his skin. A hint of a smile was on his face and he seemed restless. He said nothing but looked at Sam expectantly. ‘I’m tired of seeking. My life is empty, and that’s just fine with me,’ Sam declared emphatically. ‘If you feel with all your being that you are empty, then I advise you to try once more,’ Mr. Khadir gently replied. ‘Mr. Khadir wore a jewel around his neck, a large emerald. It was remarkably similar to a jewel Sam’s mother used to wear. Something about the sight of the emerald touched Sam deeply within his soul. Sam took it as a sign that he should take Mr. Khadir up on his invitation. Sam knew there was no such thing as coincidence. Finally, the homeless man answered his enigmatic visitor, ‘I will follow you if you will teach me the Right Way.’ ‘You will not be able to bear patiently with me, for how can you experience true patience concerning events about which you lack full knowledge?’ Mr. Khadir answered turning away. The panic Sam felt that the stranger might leave him behind surprised him. He was already following Khadir toward the service road as he replied, ‘You will find me, if God wills, patient and obedient to your mystic teaching.’ Mr. Khadir said softly, ‘Then yes, I will teach you. When your poverty is complete, you will be God. But I must warn you: even if you see me doing strange things, acting foolishly, childishly – you must bear with me and attend to it all. Woe to you if you turn away.’ ‘Where are we going?’ Same wanted to know. ‘Allah knows best,’ Mr. Khadir replied.
Laurence Galian (The Sun at Midnight: The Revealed Mysteries of the Ahlul Bayt Sufis)
Briar Patch women would face, lives were at risk, and the pursuit of justice would have to come first. She finished her drink and glanced at the clock. ‘God! Is that the time? I must get home. Thanks for the drink, and thanks for helping me, Spooks. I appreciate it. Now I have to go. Don’t forget to put your candle back in the window.’ CHAPTER TWENTY-ONE With a showman’s flourish, Rory burst into the office and deposited a pile of folders and reports on Nikki’s desk. ‘Results, Nikki! Incontrovertible. Listen to this. Millicent Cartwright’s dental records match those of Ellen McDonald from Dunedin, South Island. Same woman. And your nice new detective, Ben, is it, has a fairly recent photograph of her, sent by the New Zealand police. Same face as the cadaver in my mortuary.’ Rory took the coffee Joseph handed him. ‘Now, how she died.’ He paused. ‘In exactly the same manner as Louise Lawson. There’s a head injury, not enough to kill her, but enough to knock her out, and she had almost identical lacerations on her arms, wrists, neck and thighs. There is no doubt that she died from a massive loss of blood.’ ‘And as Millicent Cartwright is connected to the Hammond case and Louise to the Prospero case, we have our connection!’ Nikki felt a surge of elation. It was a single killer. ‘Ah, now hold on, dear Detective Inspector, the good professor has yet to finish.’ Nikki looked at Rory. ‘Go on, and don’t make it bad news, please.’ ‘Far from it. Listen to this. I was having a brief discussion with one of my colleagues who conducted the PM on your suicide case, George Ackroyd. We were just admiring the excellent job he did on crushing the hyoid bone in his throat, when I noticed something.’ He took a slow sip of coffee. ‘It’s fortuitous that I have such a good eye for colour because there it was, Midnight Orchid! On his left cheek! Just the tiniest dab, but I got a match!’ Nikki stared at him. ‘So Louise’s last visitor also kissed George?’ ‘Well, that brand of lipstick is not exactly rare. But it would seem so.’ ‘Then did he actually kill himself? Or was it made to look that way?’ ‘It was suicide, without a doubt. Everything about the crime scene indicates that he was alone when he died, and my findings discount any outside interference. It’s what, or who, drove him to it that you need to prove.’ ‘Avril Hammond.
Joy Ellis (Buried on the Fens (DI Nikki Galena, #7))
Encyclopedia wished there were a yoga exercise Caswell could do with his mouth—such as shut it.
Donald J. Sobol (Encyclopedia Brown and the Case of the Midnight Visitor (Encyclopedia Brown, #13))
wooden visitor chair polished to a high shine by a thousand pairs of pants.
Lee Child (The Midnight Line (Jack Reacher, #22))
During my early youth I carried all my earthly goods in my pants and coat pockets, that is when I had a coat, because I had to be ready to travel at any hour no matter where I happened to be, mostly on account of merciless truant officers. Since then, having become in the meantime well-to-do, I carried all my earthly riches in that shaky cardboard box. It makes you wonderfully independent. Even had these good men not asked for it, even had they not so highly solicited my medical knowledge, I would still have taken the medicine box along with me. This I did entirely instinctively and out of long and often very bitter experience. For it had often happened to me in the past that, when I thought of leaving my residence for only one hour, upon regaining full consciousness I discovered that I had landed on a different continent. Through such experiences one learns to become careful, so that toothbrush, shaving kit and a little pocket compass were constantly buttoned up inside my back pants pocket. How would I know where I might land if I flew away with these three nightbirds? ("Midnight Call")
B. Traven (The Night Visitor and Other Stories)
They were “galvanized iron bake ovens,” said Carl LaRue, commenting on Fordlandia’s foibles years later. “It is incredible that anyone should build a house like that in the tropics.” Another visitor described them as “midget hells, where one lies awake and sweats the first half of the night, and frequently between midnight and dawn undergoes a fierce siege of heat-provoking nightmares.” They seemed to be “designed by Detroit architects who probably couldn’t envision a land without snow.”19 Ford managers, said the priest, “never really
Greg Grandin (Fordlandia: The Rise and Fall of Henry Ford's Forgotten Jungle City)