The Middle Drawer Quotes

We've searched our database for all the quotes and captions related to The Middle Drawer. Here they are! All 52 of them:

Never let it be said that Harry Dresden is afraid of a dried, dead bug. Creepy or not, I wasn't going to let it ruin my concentration. So I scooped it up with the corner of the phone book and popped it into the middle drawer of my desk. Out of sight, out of mind. So I have a problem with creepy, dead, poisonous things. So sue me.
Jim Butcher (Storm Front (The Dresden Files, #1))
A BROKEN HEART killed my dad. That's why my mother always said. And as a kid I always figured his heart was forreal broken like an arm or a toy or the middle drawer.
Jason Reynolds (Long Way Down)
When I thought of how I’d been living, how I’d been approaching life, it was all so trite, so miserably pointless. Unimaginative middle-class rubbish, and I wanted to gather it all up and stuff it away in some drawer. Or else light it on fire and watch it go up in smoke (though what kind of smoke it would emit I had no idea).
Haruki Murakami (Men Without Women)
I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel. Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness. Okay. Okay, R. Here it comes.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
I’ll keep it in my bedside drawer, in case I’m woken in the middle of the night and mistake the cat for an intruder. An honest accident.” “You’re not shooting the cat. It would leave a mess.
Kelley Armstrong (Omens (Cainsville, #1))
It's a bummer in some ways, since she never surprises me by making up my sheets anymore, or leaving folded laundry or a new sundress on my bed like she did when I was in middle school. But at least I know she's not rooting through my drawers while I'm at school, looking for drugs or sex toys or whatever.
Lauren Oliver (Before I Fall)
I am going to start with the sock drawer because that is clearly the most important. You can’t really concentrate on anything if your socks aren’t right.
Meg Cabot (Princess in the Middle (The Princess Diaries Book 3))
Okay, dumbass. Perspective time," Gordon muttered as he ripped the greasy bag open. He would force himself to eat. He was not going to become an obsessed basketcase. He wasn't. "First of all," he said, yanking the utensil drawer open." He is capable of murdering a huge juicer in the middle of the street and then disappearing with the body within seconds." He removed one of the cartons and shoved his fork into the mound of noodles. "Two, he is probably a sociopath. Three, he thinks I'm a complete ballsack of a moron.
Santino Hassell (After Midnight)
I am not at all sure that the majority of the human race have not been ugly, and even among those "lords of their kind," the British, squat figures, ill-shapen nostrils, and dingy complexions are not startling exceptions. Yet there is a great deal of family love amongst us. I have a friend or two whose class of features is such that the Apollo curl on the summit of their brows would be decidedly trying; yet to my certain knowledge tender hearts have beaten for them, and their miniatures—flattering, but still not lovely—are kissed in secret by motherly lips. I have seen many an excellent matron, who could have never in her best days have been handsome, and yet she had a packet of yellow love-letters in a private drawer, and sweet children showered kisses on her sallow cheeks. And I believe there have been plenty of young heroes, of middle stature and feeble beards, who have felt quite sure they could never love anything more insignificant than a Diana, and yet have found themselves in middle life happily settled with a wife who waddles. Yes! Thank God; human feeling is like the mighty rivers that bless the earth: it does not wait for beauty—it flows with resistless force and brings beauty with it.
George Eliot (Adam Bede)
Now, I've another errand for you,' said my untiring master; "you must away to my room again. What a mercy you are shod with velvet, Jane!--a clod-hopping messenger would never do at this juncture. You must open the middle drawer of my toilet-table and take out a little phial and a little glass you will find there,--quick!" I flew thither and back, bringing the desired vessels. "That's well! Now, doctor, I shall take the liberty of administering a dose myself, on my own responsibility. I got this cordial at Rome, of an Italian charlatan--a fellow you would have kicked, Carter. It is not a thing to be used indiscriminately, but it is good upon occasion: as now, for instance. Jane, a little water." He held out the tiny glass, and I half filled it from the water-bottle on the washstand. "That will do;--now wet the lip of the phial." I did so; he measured twelve drops of a crimson liquid, and presented it to Mason. "Drink, Richard: it will give you the heart you lack, for an hour or so." "But will it hurt me?--is it inflammatory?" "Drink! drink! drink!" Mr. Mason obeyed, because it was evidently useless to resist. He was dressed now: he still looked pale, but he was no longer gory and sullied. Mr. Rochester let him sit three minutes after he had swallowed the liquid; he then took his arm-- "Now I am sure you can get on your feet," he said--"try." The patient rose. "Carter, take him under the other shoulder. Be of good cheer, Richard; step out--that's it!" "I do feel better," remarked Mr. Mason. "I am sure you do.
Charlotte Brontë (Jane Eyre)
Once, she woke him up in the middle of the night after she came home from some event, and began poking around in the blanket for his boxers like she was looking for batteries in the junk drawer, and when she saw nothing was going on down there, she said, “I guess this is it, then.” He had no idea what she meant. She began crying and screaming at him, telling him how miserable she was.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
It was then that I realized what the three different tiers had been painted to look like. On the top: flowers. In the middle: flames. And on the bottom, widest layer … stars. The same design of the chest of drawers I’d once painted in that dilapidated cottage. One for each of us—each sister. Those stars and moons sent to me, my mind, by my mate, long before we’d ever met.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
I’m not exaggerating. I didn’t want to remember any of it—it was so pathetic. The more I thought about my life up to then, the more I hated myself. It wasn’t that I didn’t have a few good memories—I did. A handful of happy experiences. But if you added them up, the shameful, painful memories far outnumbered the others. When I thought of how I’d been living, how I’d been approaching life, it was all so trite, so miserably pointless. Unimaginative middle-class rubbish, and I wanted to gather it all up and stuff it away in some drawer. Or else light it on fire and watch it go up in smoke (though what kind of smoke it would emit I had no idea). Anyway, I wanted to get rid of it all and start a new life in Tokyo with a clean slate as a brand-new person. Try out the new possibilities of a new me.
Haruki Murakami (Men Without Women)
In the end it comes down to two rival versions of the English middle afternoon. Post-Barrett, Pink Floyd kept on in a middle-afternoonish vein, but they fell in love with the idea of portentous storm clouds in the offing somewhere over Grantchester....Barrett's afternoonishness was far more supple and engaging. It superimposed the hippie cult of eternal solstice on the pre-teatime daydreams of one's childhood, occasioned by a slick of sunlight on a chest of drawers....His afternoonishness is lit by an importunate adult intelligence that can't quite get back to the place it longs to be....Barrett created the same precocious longing in adolescents. "I remember 'See Emily Play' drifting across a school corridor in 1967...and I remember the powerful wish to stay suspended indefinitely in that music...I also remember the quasi-adult intimation that this wasn't possible. [from the London Review of Books for January 2, 2003]
Jeremy Harding
I usually enjoy setting up a new kitchen, but this has become a joyless and highly charged task. My mother and I each have our own set of kitchen boxes, which means that if there are two cheese graters between us, only one will make it into a cupboard. The other will be put back in a box or given to Goodwill. Each such little decision has the weight of a Middle East negotiation. While her kitchenware is serviceable, I’m a sucker for the high end: All-Clad saucepans and Emile Henry pie dishes. Before long, I’m shaking my head at pretty much everything my mother removes from her San Diego boxes. She takes each rejected item as a personal slight – which in fact it is. I begrudge her even her lightweight bowls, which she can lift easily with her injured hand. Here she is, a fragile old woman barely able to bend down as she peers into a low cupboard, looking for a place where she can share life with her grown daughter. At such a sight my heart should be big, but it’s small, so small that when I see her start stuffing her serving spoons into the same drawer as my own sturdy pieces, lovingly accumulated over the years, it makes me crazy. Suddenly I’m acting out decades of unvoiced anger about my mother’s parenting, which seems to be materializing in the form of her makeshift collection of kitchenware being unpacked into my drawers. When I became a mother myself, I developed a self-righteous sense of superiority to my mother: I was better than my mother, for having successfully picked myself up and dusted myself off, for never having lain in bed for days on end, too blotto to get my child off to school or even to know if it was a school day. By sheer force of will and strength of character, I believed, I had risen above all that she succumbed to and skirted all that I might have inherited. This, of course, is too obnoxiously smug to say in words. So I say it with flatware.
Katie Hafner (Mother Daughter Me)
You’re not wearing drawers,” he murmured, his hand wandering avidly over her bare limbs. “It’s too hot today,” she said breathlessly, wiggling to evade him, pushing ineffectually at the mound of his hand beneath her dress. “I most certainly did not discard them for your benefit, and… Nick, stop that. The maid is going to come in at any moment.” “Then I’ll have to be fast.” “You’re never fast. Nick… oh…” Her body curled against his as he reached the patch of hair between her thighs, the sweet cleft already rich with moisture as her well-tutored body responded to his touch. “I’m going to do this to you next week at the Markenfields’ ball,” he said softly, running his thumb along the humid seam of her sex. “I’m going to take you to some private corner… and pull up the front of your dress, and stroke and tease you until you come.” “No,” she protested faintly, her eyes closing as she felt his long middle finger slide inside her. “Oh, yes.” Nick withdrew his wet finger and ruthlessly tickled the softly straining crest until he felt her body tensing rhythmically in his lap. “I’ll keep you quiet with my mouth,” he whispered. “And I’ll be kissing you when you climax with my fingers inside you… like this…” He thrust his two middle fingers inside the warm, pulsing channel and covered her lips with his as she moaned and shuddered violently. When he had siphoned the last few shivers of pleasure from her body, Nick lifted his mouth and smiled smugly into her flushed face. “Was that fast enough for you?” -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
when John Lloyd was putting together the Not 1982 calendar, and was stuck for things to put on the bottoms of the pages (and also the tops and quite a few middles). He turned out the drawer, chose a dozen or so of the best new words, and inserted them in the book under the name Oxtail English Dictionary. This quickly turned out to be one of the most popular bits of Not 1982, and the success of the idea in this small scale suggested the possibility of a book devoted to it—and here it is: The Meaning of Liff, the product of a hard lifetime’s work studying and chronicling the behaviour of man. From
Douglas Adams (The Salmon of Doubt (Dirk Gently, #3))
. . . waves of desert heat . . . I must’ve passed out, because when I woke up I was shivering and stars wheeled above a purple horizon. . . . Then the sun came up, casting long shadows. . . . I heard a vehicle coming. Something coming from far away, gradually growing louder. There was the sound of an engine, rocks under tires. . . . Finally it reached me, the door opened, and Dirk Bickle stepped out. . . . But anyway so Bickle said, “Miracles, Luke. Miracles were once the means to convince people to abandon reason for faith. But the miracles stopped during the rise of the neocortex and its industrial revolution. Tell me, if I could show you one miracle, would you come with me and join Mr. Kirkpatrick?” I passed out again, and came to. He was still crouching beside me. He stood up, walked over to the battered refrigerator, and opened the door. Vapor poured out and I saw it was stocked with food. Bickle hunted around a bit, found something wrapped in paper, and took a bottle of beer from the door. Then he closed the fridge, sat down on the old tire, and unwrapped what looked like a turkey sandwich. He said, “You could explain the fridge a few ways. One, there’s some hidden outlet, probably buried in the sand, that leads to a power source far away. I figure there’d have to be at least twenty miles of cable involved before it connected to the grid. That’s a lot of extension cord. Or, this fridge has some kind of secret battery system. If the empirical details didn’t bear this out, if you thoroughly studied the refrigerator and found neither a connection to a distant power source nor a battery, you might still argue that the fridge had some super-insulation capabilities and that the food inside had been able to stay cold since it was dragged out here. But say this explanation didn’t pan out either, and you observed the fridge staying the same temperature week after week while you opened and closed it. Then you’d start to wonder if it was powered by some technology beyond your comprehension. But pretty soon you’d notice something else about this refrigerator. The fact that it never runs out of food. Then you’d start to wonder if somehow it didn’t get restocked while you slept. But you’d realize that it replenished itself all the time, not just while you were sleeping. All this time, you’d keep eating from it. It would keep you alive out here in the middle of nowhere. And because of its mystery you’d begin to hate and fear it, and yet still it would feed you. Even though you couldn’t explain it, you’d still need it. And you’d assume that you simply didn’t understand the technology, rather than ascribe to it some kind of metaphysical power. You wouldn’t place your faith in the hands of some unknowable god. You’d place it in the technology itself. Finally, in frustration, you’d come to realize you’d exhausted your rationality and the only sensible thing to do would be to praise the mystery. You’d worship its bottles of Corona and jars of pickled beets. You’d make up prayers to the meats drawer and sing about its light bulb. And you’d start to accept the mystery as the one undeniable thing about it. That, or you’d grow so frustrated you’d push it off this cliff.” “Is Mr. Kirkpatrick real?” I asked. After a long gulp of beer, Bickle said, “That’s the neocortex talking again.
Ryan Boudinot (Blueprints of the Afterlife)
You look a little glum these days,” he said. “You think so?” I said. “You must be thinking about things too much in the middle of the night,” he said. “I’ve stopped thinking about things at night.” “How’d you manage that?” “When I get depressed, I start to clean. Even if it’s two or three in the morning. I wash the dishes, wipe off the stove, mop the floor, bleach the dish towels, organize my desk drawers, iron every shirt in sight,” he said, stirring his drink with his finger. “I do that till I’m exhausted, then I have a drink and go to sleep. In the morning I get up and by the time I’m putting on my socks I can’t even remember what it was I was thinking about.
Haruki Murakami (Blind Willow, Sleeping Woman)
I don’t do well with being threatened. And I definitely don’t take orders. But you’ll learn all this. Eventually. I get that I know you better than you know yourself, but there’s a few things you should know about me. And I’ll make it easy for you.” Mimicking my pointing to my fingers, he points to his index finger. “Number one, you’ll be here because you want to be here, not because I forced you. Ever.” Pointing to his middle finger, “Number two, this closet is yours, and I expect you to use whatever is in there, down to your drawers.” Pointing back to his index finger, “Number three, you’re so fucking hot when you get worked up that I would really like for you to suck my cock. And when I say I would really like that, I mean suck my cock, Lexi. Now.
Belle Aurora (Raw (RAW Family, #1))
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?” He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.” Confused, Tom stepped past him into the bunk. Then he gawked, too. Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW? Tom began to laugh. “She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.” That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved. He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games. “My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe. Just then, Vik’s new roommate bustled into the bunk. He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory: NAME: Giuseppe Nichols RANK: USIF, Grade IV Middle, Alexander Division ORIGIN: New York, NY ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition IP: 2053:db7:lj71::291:ll3:6e8 SECURITY STATUS: Top Secret LANDLOCK-4 Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.” Tom smothered his laughter. “Wow. He already has your number, man.” Vik shot him a look of death as Tom backed out of the bunk.
S.J. Kincaid
I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.
Sarah Adams (The Cheat Sheet)
God was still smiling when he went into the guest room for his suitcase. He looked in the closet and under the perfectly made bed. He even pulled out the drawers of the one armoire on the far side of the room, but couldn’t find it. He was about to go back downstairs and ask Day when he turned down the long hall and walked into Day’s master bedroom. His suitcase was tucked neatly in the corner. He pulled it out but immediately knew it was empty. He looked in the first dresser but those were Day’s clothes. The second identical dresser was on the other side and God did a double take at his few toiletries that were neatly aligned on top. God rubbed his hand on the smooth surface and felt his heart clench at how domestic this looked. His and his dressers…really. God yanked off his T-shirt and threw it in the hamper along with Day’s items. He washed up quickly and went back to his dresser to put on a clean shirt. His mouth dropped when he pulled out the dresser drawer. His shirts were neatly folded and placed in an organized arrangement. God went through all five drawers. His underwear, socks, shirts, sweats, all arranged neatly and in its own place. He dropped down on the bed and thought for a minute. At first he was joking, but Day really was domesticating him. Was God ready for that? Sure he loved Day, he’d take a bullet for him, but was he ready to play house? He pinched the bridge of his nose with his thumb and middle finger at the slight tension forming behind his eyes. God had been completely on his own since he was eighteen. He’d never shared space with anyone—hell, no one had ever wanted to. Fuck. Just last night Day was getting ready to fuck mini Justin Bieber, now he was cooking and cleaning for him and doing his damn laundry. He tried his best to shake off his anxiety. He never used the word love lightly. He meant what he’d said last night. God had only loved three people his entire life and for the past four years only one of them returned that love. Should he really tuck tail and run just because this was new territory? Hell no. All he did was unpack my suitcase. No big deal. He was just being hospitable. Damn sure is better than that seedy hotel. “My boyfriend’s just trying to make me comfortable.” He smirked and tried the term on his tongue again. “I have a boyfriend.” “Get your ass down here and stop overthinking shit! Dinner is getting cold!” Day yelled from the bottom of the stairs.
A.E. Via
ELEANOR OLSON’S OATMEAL COOKIES Preheat oven to 350 degrees F., rack in the middle position. 1 cup (2 sticks, 8 ounces, ½ pound) salted butter, softened 1 cup brown sugar (pack it down in the cup when you measure it) 1 cup white (granulated) sugar 2 eggs, beaten (just whip them up in a glass with a fork) 1 teaspoon vanilla extract 1 teaspoon salt 1 teaspoon baking soda 1 and ½ cups flour (pack it down in the cup when you measure it) 3 cups quick-cooking oatmeal (I used Quaker Quick 1-Minute) ½ cup chopped nuts (optional) (Eleanor used walnuts) ½ cup raisins or another small, fairly soft sweet treat (optional) Hannah’s 1st Note: The optional fruit or sweet treats are raisins, any dried fruit chopped into pieces, small bites of fruit like pineapple or apple, or small soft candies like M&M’s, Milk Duds, chocolate chips, butterscotch chips, or any other flavored chips. Lisa and I even used Sugar Babies once—they’re chocolate-covered caramel nuggets—and everyone was crazy about them. You can also use larger candies if you push one in the center of each cookie. Here, as in so many recipes, you are only limited by the selection your store has to offer and your own imagination. Hannah’s 2nd Note: These cookies are very quick and easy to make with an electric mixer. Of course you can also mix them by hand. Mix the softened butter, brown sugar, and white sugar in the bowl of an electric mixer. Beat on HIGH speed until they’re light and fluffy. Add the beaten eggs and mix them in on MEDIUM speed. Turn the mixer down to LOW speed and add the vanilla extract, the salt, and the baking soda. Mix well. Add the flour in half-cup increments, beating on MEDIUM speed after each addition. With the mixer on LOW speed, add the oatmeal. Then add the optional nuts, and/or the optional fruit or sweet treat. Scrape down the sides of the bowl, take the bowl out of the mixer, and give the cookie dough a final stir by hand. Let it sit, uncovered, on the counter while you prepare your cookie sheets. Spray your cookie sheets with Pam or another nonstick cooking spray. Alternatively, you can line them with parchment paper and spray that lightly with cooking spray. Get out a tablespoon from your silverware drawer. Wet it under the faucet so that the dough won’t stick to it, and scoop up a rounded Tablespoon of dough. Drop it in mounds on the cookie sheet, 12 mounds to a standard-size sheet. Bake Eleanor Olson’s Oatmeal Cookies at 350 degrees F. for 9 to 11 minutes, or until they’re nice and golden on top. (Mine took 10 minutes.) Yield: Approximately 3 dozen chewy, satisfying oatmeal cookies.
Joanne Fluke (Cinnamon Roll Murder (Hannah Swensen, #15))
It’s true I sometimes imagine my life is different. That I’m somebody else. Maybe more than sometimes. But I’m not the only one around who makes stuff up. Adults are always telling you you can be whatever you want when you grow up, but they don’t mean it. They don’t believe it. They just want you to believe it. It’s a fairy tale. Like the tooth fairy. Something they tell you that gets you excited about something not so fantastic. If you think about it, it’s pretty gross—your teeth just falling out of your head, leaving bloody sockets for your tongue to poke through. But the story makes it better and the dollar makes it worth it. Then one afternoon you sneak into their bedroom and open the drawer of their nightstand, looking for the DS that they confiscated as punishment for your jumping on the roof of the car again, and you find the little Tupperware full of a dozen jagged pearls, caked brown with your own dried blood, your name written in black Sharpie across a piece of Scotch tape, and you stare at them for a moment in disbelief, wondering if maybe they aren’t what you think they are. Maybe they are somebody else’s teeth. They can’t be yours, because your teeth are in Neverland. Or Toothtopia. Or outer space. Or wherever kleptomaniac fairies live. So you confront them, your lying, scheming parents. Over breakfast, you ask your mom about the tooth fairy: where she lives, what she does during the day, how she manages to collect so many teeth each night, and how come some kids’ teeth (like Robbie Dinkler’s) are worth five bucks when yours only fetch a dollar apiece. And you see her search for some explanation that is at once both magical and believable, but you know she’s just making it up as she goes. It’s the same with all grown-ups. They tell you what they think you want to hear and let life tell you the truth later. You can be an astronaut or the president of the United States or second baseman for the White Sox, but you can’t really because you hate math, aren’t rich, and can’t even hit the ball. It’s just another fairy tale. So when your next tooth falls out, you figure you’ll just ask them if they’d like to keep it or throw it away, because you’re not buying it anymore. Or maybe not. Maybe you won’t tell them. Maybe you’ll still put your teeth under your pillow. Because sometimes it’s better to believe in the impossible. To believe you are a secret agent or a private detective or a superhero and not just a kid with freckled cheeks and gangly arms who is too clumsy to leap a tipped-over garbage can in a single bound. Until you are lying in the middle of the sidewalk, with a throbbing ankle and bloody chin, wishing you hadn’t even tried.
John David Anderson (Ms. Bixby's Last Day)
DOC’S BRAN-OATMEAL-RAISIN COOKIES Preheat oven to 350 degrees F., rack in the middle position. ¾ cup raisins (either regular or golden, your choice) ¾ cup boiling water 1 cup white (granulated) sugar ½ cup brown sugar (pack it down when you measure it) ¾ cup (1 and ½ sticks, 6 ounces) salted butter, softened to room temperature 2 large eggs ½ teaspoon salt 1 teaspoon baking soda 1 teaspoon ground cinnamon ¼ teaspoon grated nutmeg (freshly grated is best) 1 teaspoon vanilla extract 2 cups all-purpose flour (pack it down in the cup when you measure it) 1 and ½ cups dry quick oatmeal (I used Quaker Quick 1-Minute) 2 cups bran flake cereal Place ¾ cup of raisins in a 2-cup Pyrex measuring cup or a small bowl that can tolerate boiling water without cracking. Pour the ¾ cup boiling water over the raisins in the cup. Stir a bit with a fork so they don’t stick together, and then leave them, uncovered, on the counter to plump up. Prepare your cookie sheets by spraying them with Pam or another nonstick cooking spray, or lining them with parchment paper that you also spray with Pam or another nonstick cooking spray. Hannah’s 1st Note: This cookie dough is a lot easier to make if you use an electric mixer. Place the cup of white sugar in the bottom of a mixing bowl. Add the half-cup of brown sugar. Mix them together until they’re a uniform color. Place the softened butter in the mixer bowl and beat it together with the sugars until the mixture is nice and fluffy. Mix in the eggs, one at a time, beating after each addition. Add the salt, baking soda, cinnamon, nutmeg and vanilla extract. Beat until the mixture is smooth and well incorporated. On LOW speed, add the flour, one-half cup at a time, beating after each addition. Continue to beat until everything is well blended. Drain the raisins by dumping them in a strainer. Throw away any liquid that remains, then gently pat the raisins dry with a paper towel. With the mixer running on LOW speed, add the raisins to the cookie dough. With the mixer remaining on LOW speed, add the dry oatmeal in half-cup increments, mixing after each increment. Turn the mixer OFF, and let the dough rest while you prepare the bran flakes. Measure 2 cups of bran flake cereal and place them in a 1-quart freezer bag. Roll the bag up from the bottom, getting out as much air as possible, and then seal it with the bran flakes inside. Squeeze the bran flakes with your fingers, crushing them inside the bag. Place the bag on the counter and squash the bran flakes with your hands. Once they’re in fairly small pieces, take the bag over to the mixer. Turn the mixer on LOW speed. Open the bag and add the crushed bran flakes to your cookie dough, mixing until they’re well incorporated. Turn off the mixer, scrape down the sides of the bowl with a rubber spatula, and give the bowl a final stir by hand. Drop the dough by rounded Tablespoonfuls (use a Tablespoon from your silverware drawer, not one you’d use for measuring ingredients) onto your prepared cookie sheet. There should be 12 cookie dough mounds on every standard-size cookie sheet. Hannah’s 2nd Note: Lisa and I use a level 2-Tablespoon scooper to form these cookies down at The Cookie Jar. Bake Doc’s Bran-Oatmeal-Raisin Cookies at 350 degrees F. for 13 to 15 minutes, or until golden brown on top. Remove the cookies from the oven, and let them cool on the cookie sheets for 2 minutes. Then remove them to a wire rack to cool completely. Yield: 2 to 3 dozen delicious cookies, depending on cookie size. Hannah’s 3rd Note: Doc had to warn the Lake Eden Memorial Hospital cooks not to let the patients have more than two cookies. Since they contain bran and bran is an aid to the digestive system, patients who eat a lot of these cookies could be spending a lot of time in the little room with the porcelain fixtures.
Joanne Fluke (Cinnamon Roll Murder (Hannah Swensen, #15))
JAMBOREE MUFFINS   Preheat oven to 400 degrees F., rack in the middle position. 1 large egg, beaten ¾ cup whole milk ½ cup vegetable oil cup white (granulated) sugar 2 cups all-purpose flour (pack it down when you measure it) 3 teaspoons (one Tablespoon) baking powder 1 teaspoon salt Approximately 1/4 cup jam of your choice Hannah’s 1st Note: This is a great recipe for using up all those jars of jam with little dibs and dabs in the bottom that are taking up too much room on your refrigerator shelf! Grease or spray the bottoms of 12 muffin cups with Pam or another nonstick cooking spray. Alternatively, you can use paper cupcake liners. Use a muffin pan or a cupcake pan that has cups approximately 2 and ½ inches across the top and are 1 and ¼ inches deep. (That’s a standard size.) Hannah’s 2nd Note: Don’t use an electric mixer to mix up these muffins. Just stir everything up by hand. The muffin batter should be a little lumpy, like brownie batter, and not over-mixed. In a medium-sized bowl, beat the egg with the milk until they are well combined. Stir in the vegetable oil and the white sugar. Measure out the flour in another bowl. Stir in the baking powder and the salt with a fork. Add the flour mixture to the egg mixture in half-cup increments, stirring after each increment, but only until the flour is moistened. The resulting muffin batter will be lumpy. That’s okay. It’s supposed to be. Fill the muffin cups half-full with batter. Get out your jam jars. You can use all one kind, or several different kinds of jam. It’s totally up to you. Use a teaspoon measure or a small-sized spoon from your silverware drawer to drop 1 teaspoon of jam into the center of each muffin. Hannah’s 3rd Note: I hope Mother never reads this recipe because I use one of the antique silver collector’s spoons she gave me to dish out the jam and drop it into the center of the muffin batter. Cover the jam with muffin batter until the muffin cups are ¾ full.   Bake at 400 degrees F. for approximately 20 minutes, or until the muffins are golden brown. Let the Jamboree Muffins cool in the pan for 10 minutes and then serve them with plenty of butter. They’re good warm and they’re good cold. They also reheat well in the microwave. Yield: 12 yummy muffins
Joanne Fluke (Red Velvet Cupcake Murder (Hannah Swensen, #16))
As we’ve seen, there are only two tasks involved—discarding and deciding where to keep things. Just two, but discarding must come first. Be sure to completely finish the first task before starting the next. Do not even think of putting your things away until you have finished the process of discarding. Failure to follow this order is one reason many people never make permanent progress. In the middle of discarding, they start thinking about where to put things. As soon as they think, “I wonder if it will fit in this drawer,” the work of discarding comes to a halt. You can think about where to put things when you’ve finished getting rid of everything you don’t need.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Before he knew it, he’d reached his destination, and without bothering to kick off his shoes, he jumped into the large stone fountain that was situated halfway between the house and the cliffs that led to the sea. Splashing his way through the water, he reached the waterfall that had been built in the very middle of the fountain and stuck Thaddeus right into it. Shrieking with clear delight, Thaddeus began to wiggle, the paste that still covered him making him remarkably slippery. Afraid of dropping him, Everett set him down and then straightened, discovering that while he’d been busy with Thaddeus, Elizabeth had joined them in the fountain. Without so much as a by-your-leave, she sent water flying his way. And when Rose suddenly appeared in the fountain as well, he found himself splashed from all sides as the children went about the business of being children. Stumbling his way to the side of the fountain, he was just about to announce his surrender when a wave of water smacked him in the face, leaving him sputtering. When he finally caught his breath and pushed his hair out of his eyes, he found Millie grinning back at him, even as she scooped more water up into a bucket she’d somehow managed to procure. War was immediate, and one he knew he couldn’t win. The children continued splashing him as Millie threw bucketful after bucketful of water his way. When Millie slipped and fell, he saw an opportunity he couldn’t resist. Grabbing the bucket, which was floating beside her, he scooped up water and aimed it at Thaddeus, who’d abandoned his purple frock and was splashing around in nothing but his drawers. Drawing the bucket back, he let the water fly, but Thaddeus ducked out of the way—which had the water winging out of the fountain to land directly on . . . his mother. Even the peacocks that had been screeching just as loudly as the children had been shrieking seemed to realize the gravity of the situation. They stopped screeching, the children stopped shrieking, but Millie pushed soggy curls out of her eyes and simply smiled at his mother. “You’re more than welcome to join us, Mrs. Mulberry, now that you’re all wet.” For the briefest of seconds, Everett thought he caught a glimpse of longing in his mother’s eyes, but then she lifted her chin. “It would hardly be proper for me to frolic in a fountain, Miss Longfellow, nor is it proper for you to be in there, either.” She lifted her chin another notch as she glanced his way. “You’ve ruined my hat as well as soaked me to the skin.” With amusement tickling his throat, he looked his mother up and down. “I’ll buy you a new hat, Mother, but all I can suggest about you being soaked to the skin is to perhaps recommend you either search out a towel or, as Millie suggested, join us. It’s rather fun to frolic about in a fountain, even if society wouldn’t approve.” Dorothy
Jen Turano (In Good Company (A Class of Their Own Book #2))
sexual partners, she was either lying, or she’d had it for over a year. But Oliver’s chart didn’t show any symptoms and he hadn’t been prescribed.  Jamie mulled it over in her head then acted on a hunch, pulling open the top right-hand drawer. Inside was a wholesale box of condoms. She stared at it for a second. At least they were using protection. She wondered how many Mary gave out a week. Maybe there had been a third person in their relationship. A scorned ex-boyfriend who didn’t like Oliver? He obviously didn’t know about the rash — or hadn’t noticed. Grace was keeping it from him. Had he found out, confronted Grace’s other boyfriend? Or maybe the other way around. Surprised by the guy? Taken? Tied up and threatened? She had a feeling that the person hadn’t meant to kill him. If you’re going to kill someone, you don’t take their shoes and then dump them in a river. He’d either fallen in accidentally, or he’d jumped. Either way, if there wasn’t an ex — or not ex boyfriend — he was going to be someone Jamie wanted to speak to.  She held Grace’s picture up, looking past the matted hair and sunken eyes. She was young, pretty. She’d have a lot of attention out there on the streets.  Jamie closed the drawer and looked at the file again, searching for a name. She wanted to speak to the doctor. The signature just looked like a wavy line. She’d ask Mary. The chair squeaked as she pushed back from the desk and stood up, keeping the files in hand. Her watch told her it was nearly nine-thirty. Her stomach told her it was time for breakfast. Back in the main room, some of the people had cleared out, venturing back into the city. Looking for some way to get by.  Roper was still talking to Mary, who appeared to be in the middle of a speech about how these people needed more help than anyone was prepared to give, and that Oliver wouldn’t been the last. Jamie stepped around her, piqued. ‘Why do you say that?’ ‘Oh,’ she said, seeing Jamie. ‘Because people don’t want to help them and they let them hurt themselves and each other without paying them any mind.’ She narrowed her eyes. ‘Each other? Did someone have a problem with Oliver?’ ‘What?’ Mary looked sheepish all of a sudden, as if she’d dropped someone in something. ‘No, no — nothing like that. Not as far as I know, anyway,’ she added quickly. ‘Look, I just want you to find who did this — but for you to know that things are different with them. They don’t act the same — don’t believe in the same things, you know?’ She kept her voice low now. Jamie nodded. She’d worked the streets long enough to know what Mary meant. She’d seen more than she could have ever imagined. Seen people do crazy things. Things that people with something to lose would never think to do.  ‘Mrs Cartwright,’ she said after a second. ‘Grace Melver. She was friends with Oliver?’ ‘Grace?’ Mary’s eyes lit up a little and then tilted down in sadness. ‘What a sweet girl. She’ll be devastated. She’s been back every day to check whether Oliver has turned up. She’s been going out of her mind. Poor girl.’ ‘What was the nature of their relationship?’ Roper held his phone a little higher so the microphone could pick them up more easily. Mary thought for a second, aware of the recording. She chose her words carefully. ‘They were together, I suppose. As much as two people in their situation could be. They looked out for each other. Loved each other.’ ‘Did Grace have any other boyfriends?’ ‘No, no. She was sweet. She loved Oliver.’ ‘She was a heroin user, right?’ Mary looked like her face was about to droop and slip right off her head. ‘Horrible stuff. Though they
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
a report would surface from the Pentagon or Langley, recommending that U.S. policy pay more attention to human rights and governance issues when dealing with our Middle East partners. But then the Saudis would deliver a vital tip that kept an explosive device from being loaded onto U.S.-bound cargo planes or our naval base in Bahrain would prove critical in managing a flare-up with Iran in the Strait of Hormuz, and those reports would be relegated to the bottom of a drawer.
Barack Obama (A Promised Land)
She awakened with a start to find Macon standing at the foot of the bed, watching her with a grin stretched across his face. His finger and thumb still lingered on her big toe. Stunned, she scooted toward the headboard, as if it could lend her some protection, her eyes wide. Steven’s .45 was in the drawer of the nightstand on his side of the bed. She inched in that direction. “What are you doing here?” she croaked. Macon dragged his eyes over her lush figure, her sleep-rumpled underthings made of the thinnest lawn, and smiled. “You might say I’ve come to admire the spoils. It won’t be long now, Emma, dear. Things are going very badly for Steven. Soon you’ll be giving me fine, redheaded sons. Of course, I won’t be able to keep you here at Fairhaven—that would be indiscreet. We’ll have to get you a place in town.” Emma tried to shield her breasts with one arm as she moved nearer and nearer the side of the bed. “You’re vile, Macon Fairfax, and I’d sooner die than let you touch me. Now, get out of here before I scream!” “You can scream all you want,” he chuckled, spreading his hands wide of his lithe body. “There’s nobody here but the servants, and they wouldn’t dream of interfering, believe me.” Emma swallowed hard. She couldn’t be sure whether he was bluffing; after all, this was Macon’s house as well as Cyrus’s. If he gave instructions, they were probably obeyed. “Get out,” she said again. Her hand was on the knob of the nightstand drawer, but she knew she wasn’t going to have time to get the pistol out and aim it before Macon was on her. He was too close, and his eyes showed that he knew exactly what she meant to do. “It won’t be so bad, Emma,” he coaxed, his voice a syrupy croon by then. “I know how to make you happy, and you’re in just the right place for me to prove it.” “Don’t touch me,” Emma breathed, shrinking back against the headboard, her eyes wide with horror. “Steven will kill you if you touch me!” “You wouldn’t tell him.” Macon was standing over her by then, looking down into her face. She could see a vein pulsing at his right temple as he set his jaw for a moment. “You’d keep it to yourself because he wouldn’t have a chance in hell of winning this case if he assaulted me in a fit of rage—would he?” Emma’s heart was thundering against her ribs and she was sure she was going to throw up. She tried to move away from Macon, but he reached out and grasped her hard by the hair. “Please,” she whispered. He indulged in a small, tight smile. “Don’t humiliate yourself by begging, darling. It won’t save you. Keep your pleas for those last delicious moments before pleasure overtakes you.” Bile rushed into the back of Emma’s throat. “Let me go.” He pressed her flat against the mattress, his hand still entangled in her hair. She gazed up at him in terror, unable to speak at all. The crash of the door against the inside wall startled them both. Emma’s eyes swung to the doorway, and so did Macon’s. Nathaniel was standing there, still dressed in the suit he’d worn to Steven’s trial, his tie loose, his Fairfax eyes riveted on his cousin’s face. In his shaking hand was a derringer, aimed directly at Macon’s middle. “Let her go,” he said furiously. Macon released Emma, but only to shrug out of his coat and hang it casually over the bedpost. “Get out of here, Nathaniel,” he said, sounding as unconcerned as if he were about to open a book or pour himself a drink. “This is business for a man, not a boy.” Emma was breathing hard, her eyes fixed on Nathaniel, pleading with him. With everything in her, she longed to dive for the other side of the bed and run for her life, but she knew she wouldn’t escape Macon. Not without Nathaniel’s help. “I won’t let you hurt her,” the boy said with quiet determination. The derringer, wavering before, was steady now. Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
She stepped back into the house. “I want to show you something.” Trying to get his legs back, his head wobbly, and his internal referee still giving him the eight count, Myron followed her silently up the stairway. She led him down a darkened corridor lined with modern lithographs. She stopped, opened a door, and flipped on the lights. The room was teenage-cluttered, as if someone had put all the belongings in the center of the room and dropped a hand grenade on them. The posters on the walls—Michael Jordan, Keith Van Horn, Greg Downing, Austin Powers, the words YEAH, BABY! across his middle in pink tie-dye lettering—had been hung askew, all tattered corners and missing pushpins. There was a Nerf basketball hoop on the closet door. There was a computer on the desk and a baseball cap dangling from a desk lamp. The corkboard had a mix of family snapshots and construction-paper crayons signed by Jeremy’s sister, all held up by oversized pushpins. There were footballs and autographed baseballs and cheap trophies and a couple of blue ribbons and three basketballs, one with no air in it. There were stacks of computer-game CD-ROMs and a Game Boy on the unmade bed and a surprising amount of books, several opened and facedown. Clothes littered the floor like war wounded; the drawers were half open, shirts and underwear hanging out like they’d been shot mid-escape. The room had the slight, oddly comforting smell of kids’ socks.
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
When I am gone Karly- I think back on it my great x4 Grandmother Hope went to school on black and wood 1919 Ford Model T Ford, I don’t get that, there were not even windows in the piece of crap. And then I can get my car. My dad was telling me this unbelievable story. About this old car like a red 28 ford coupe or so he thought. My dad was showing me the roof from it, somewhere down the line someone thought it was okay to cut up this cute little car just to be a d*ick about it, it must have been my great x4 granddad baby that someone was jealous of, saying he wanted to pass it down yet never to Neveah, so he junked it out for parts, and that explains why someone wanted the rooftop. Maybe someone thought it was going to go to her and the sisters’ family cut it up, really- I think that is how I got these parts. Emallie- I feel that my little nine-year-old sisters are in her room as I am at school, however since that day she’s never once stepped foot in my room. It’s a bummer she more freaked up than me in some ways is it not? Like- since she never surprises me by fixing up my sheets anymore, she leaves all that should be folded laundry or a new sundress on my bed like she did when I was in middle school, yet all messy and crap, but at least I know she’s not rooting through my drawers while I’m at school, looking for my sex toys or thongs. ‘If you want to come out here, why do you drag me? I’ll get the thermometer, and crap and say I'm sick,’ she says, she is- very- hyperactive and more! She needs to be on Methylphenidate or (Ritalin) as they call it. She does something that I don’t like yet that what they say is needed. Her name is Judcël. Yet we just call her Judie, she hates that just say I am the boy she said, she not yet she might want to be on this crap. ‘I don’t think I have a temperature.’ There’s a yell kicking and screaming my mom hitting my mom in the face, pushed in the wall, and punched off is how I lost my hearing that to this little brat… I was fine until she was impetus out of my mother. She should have had a d*ick it would have been a lot easier, than putting up with this… and get this mom is single, and on her own now with her. I think sex before marriage is not a sin. I think the big deal should be about SEX BEFORE LOVE. If you have been with somebody for a long time and you can easily see yourself growing old with them, getting married, maybe having children, then sure, I think it would be fine to make love. Sex is a natural desire found in all animals. Why should we deny Mother Nature's ways? (Of course, I respect all religions and beliefs, and I mean no offense if you believe in abstinence until marriage.) Well... uh, for one thing, you can get diseases. And then if you’re not married before having sex, what's keeping the guy from leaving you? Nothing... He'll use you then leave. I think it's pretty dumb that you think it's no big deal...
Marcel Ray Duriez (Nevaeh They Call Out)
Every so often, a report would surface from the Pentagon or Langley, recommending that U.S. policy pay more attention to human rights and governance issues when dealing with our Middle East partners. But then the Saudis would deliver a vital tip that kept an explosive device from being loaded onto U.S.-bound cargo planes or our naval base in Bahrain would prove critical in managing a flare-up with Iran in the Strait of Hormuz, and those reports would be relegated to the bottom of a drawer.
Barack Obama (A Promised Land)
It was then that I realized what the three different tiers had been painted to look like. On the top: flowers. In the middle: flames. And on the bottom, widest layer … stars. The same design of the chest of drawers I’d once painted in that dilapidated cottage.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
[Hand Watches] I opened the drawer Where I keep old things and tokens I glanced over some hand watches With dead batteries and frozen times… Watches that were gifted to me over time By teachers or friends To commend my accomplishments and respect for time… It never occurred to them or to me then That Time would die in a heart attack And will cease to be important The day my homeland was occupied and destroyed… The day the occupying thieves In collaboration with the thieves within Would burn and destroy everything beautiful in it… And since then, I refuse to wear hand watches And will never wear one Until my people get back their Time and dignity… And when that happens, Time will remain unimportant For then, I will turn into a butterfly A sparrow A daffodil or an orange blossom, Or perhaps an apricot blossom on a branch An unstoppable sprig of water That flows beyond time and timing … In that same drawer I found Pens that have run out of ink Looking like mummified corpses.. At a moment of despair, A strong feeling struck me like a lightning Leaving me with a frightening question: What if this is a wound that all time can’t cure A cause that all the ink of the world can’t solve? [Original poem published in Arabic on February 5, 2023 at ahewar.org]
Louis Yako
My smile reaches higher, deeper. I’ll stick to throttling your cock in one of our two beds. Speaking of cocks, shall we go retrieve yours, mo khrà? Retrieve my cock, he mutters right before popping my ass cheek. Did you just spank me? Well, you did just call me dickless. He spins me around, his hands kneading the skin he tapped, and then he tilts my hips, and I flail forward, my fingers locking around the edge of the chest of drawers that sits like an island in the middle of his dressing chamber. My cock may not be made of flesh, Fallon, but it can fill you up just the same. Allow me to demonstrate. When he slams home, I wheeze. Can you feel me, my love? I can feel nothing else. To punish me once again for having alluded to his missing manhood, he rubs my ass, then gives it a brisk smack. A dizzying current whizzes through my body, zapping a throaty mewl from my lungs. Oh, Gods, Lore. Oh—I choke as Lore pounds into me, stretching me with his shadows—Gods—my climax roars through my body, jostling both my skin and marrow—Lore! He keeps rocking his shadow-hips. Reassured? I didn’t mean to make you feel like less of a man. He doesn’t respond, merely recalls his shadows. When a translucent trail of wetness dribbles down my inner thighs, he rips a fresh tunic off a hanger and cleans my skin. I hook up an eyebrow. Was any of that yours? His gaze remains locked on the fabric absorbing my pleasure. No. Because he cannot come in this form . . . If I need to come, I’ll penetrate your mind before I penetrate your body. Now get dressed and meet me in the war room. His gruff timbre makes me glance over my shoulder at where he stands, delineated in dark wisps. How do I reach the war room? Use the door beside my fireplace. It’ll lead to a sitting room, which will lead you to the war room. His tone is laced with so much frost that it ices my heart. “Lore, I’m sorry. I . . .” He leaves before I can finish speaking.
Olivia Wildenstein (House of Striking Oaths (The Kingdom of Crows, #3))
Ophelia Clark," James breathed. "I've been head over heels for you since the moment I laid my eyes on you. The very second I saw your blonde hair, your chunky Converse, and your oversized sweater that you were wearing in the middle of summer. I knew that I was wrapped around your finger, whether I liked it or not. It was like coming up for air. I love you senselessly. I'm in love with you. I saw this ring six months ago. It’s been stuffed in my nightstand drawer ever since. It was beautiful, and I knew that you deserved to have it on your finger. So, pretty girl, will you marry me?" -- Page 304-205
Cassidy Hudspeth (Red Summer)
Ophelia Clark," James breathed. "I've been head over heels for you since the moment I laid my eyes on you. The very second I saw your blonde hair, your chunky Converse, and your oversized sweater that you were wearing in the middle of summer. I knew that I was wrapped around your finger, whether I liked it or not. It was like coming up for air. I love you senselessly. I'm in love with you. I saw this ring six months ago. It’s been stuffed in my nightstand drawer ever since. It was beautiful, and I knew that you deserved to have it on your finger. So, pretty girl, will you marry me?" -- Page 304-305
Cassidy Hudspeth (Red Summer)
Leaning down, I open the bottom drawer, rifling through the random things Hunter left behind until I find what I’m looking for. I knew he had one. Quickly, I pull it out, along with its long black cord. As I plug it in, she watches me curiously. Checking the settings, I set them to something in the middle—not too short. Then, I quickly flip it on and run the clippers along the middle of my head.
Sara Cate (Give Me More (Salacious Players Club, #3))
He grinned at me over the giant tiered cake in his arms- over the twenty-one sparkling candles lighting up his face. Cassian clapped me on the shoulder. 'You thought you could sneak it past us, didn't you?' I groaned. 'You're all insufferable.' Elain floated to my side. 'Happy birthday, Feyre.' My friends- my family- echoed the words as Rhys set the cake on the low-lying table before the fire. I glanced toward my sister. 'Did you...?' A nod from Elain. 'Nuala did the decorating, though.' It was then that I realised what the three different tiers had been painted to look like. On the top: flowers. In the middle: flames. And on the bottom, widest layer... stars. The same design of the chest of drawers I'd once painted in that dilapidated cottage. One for each of us- each sister. Those stars and moons sent to me, my mind, by my mate, long before we'd ever met. 'I asked Nuala to do it in that order,' Elain said as the others gathered round. 'Because you're the foundation, the one who lifts us. You always have been.' My throat tightened unbearably, and I squeezed her hand in answer. Mor, Cauldron bless her, shouted, 'Make a wish and let us get to the presents!
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Night had fallen, and I was in the kitchen making a yummy peanut butter and jelly sandwich when I heard the doorbell. I jumped and my heart gave a little kick. This was so a horror-movie scene--bad weather, and a girl cut off from the outside world. Only killers didn’t usually ring the doorbell. Still, I opened a drawer and took out the meat cleaver Mom used for cutting chicken. The doorbell rang again and kept ringing. “All right already,” I muttered as I hurried down the hallway. I hesitated when I saw a large shadowy form behind the etched-glass window of the door. I’d turned on the porch light, and whoever was there blocked most of it. “Ashleigh!” The figure banged on the door and I nearly dropped the cleaver. Josh. My beating heart should have returned to a normal speed, but it didn’t. I wasn’t ready to face him yet. I jerked open the door. “What?” Covered in frost and snow, he edged past me. “Geez, it’s cold out there.” “And you just brought the cold inside.” I shut the door. “What are you doing here?” “My dad called and--what the hell is that?” He pointed to the cleaver. I angled my chin. “I was in the middle of cutting my peanut butter and jelly sandwich.” “With a meat cleaver?” “It’s quick and makes a perfectly straight cut.” He grinned. “Yeah, right. You’ve obviously watched too many movies. Who’d you think I was? Freddy Krueger?” “What are you doing here?” I repeated, not in the mood for his sarcasm or teasing. Plus I was feeling a little silly holding my weapon of choice.
Rachel Hawthorne (Snowed In)
Fingers steepled in front of him, Delaroche stared at the note. The card itself was useless. Delaroche had an entire drawer full of nothing but cream-coloured cards bearing the Gentian’s distinctive purple stamp. He had long ago traced the cards to a very exclusive stationer in London which boasted a wide clientele among the ton. If Delaroche were to go on the make of the paper alone, he could easily accuse anyone from the Prince of Wales to Lady Mary Wortley Montague. Inside – Delaroche did not need to release the card from the letter opener to look; he recalled the contents in painful detail – inside, that rogue had inscribed a bill for the accommodations. One shilling for stale bread, one shilling for rank water, two shillings for rats, three shillings for amusing insults from the guards, and so on, before signing it with the customary small purple flower. On top of the note had been a small pile of English coins, as per the reckoning. Damn him! The list was in Falconstone’s hand – Delaroche knew the hand-writing of every man whose correspondence he had ever intercepted. Delaroche could picture the Gentian standing there, dictating, in the middle of the most carefully guarded prison in Paris. The man’s cheek was unbelievable.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
He bumped the door open with his hip and spun through, sweeping the rifle's barrel across what did indeed prove to be a small but well-appointed kitchen. He debated opening the drawers to ensure they weren't some sort of façade concealing a hiding place but decided against it; it was clearly just a d*** kitchen, and he didn't have Kelsier pegged as the sort of man who was paranoid enough to build a bolt-hole into a kitchen located in a secret network of tunnels in the middle of a lonely asteroid. You had to draw the line somewhere.
Mike Brooks (Dark Run (Keiko, #1))
reached into the closet, his broad shoulders framed in the doorway. "I have plenty. But, the thing is, I don't know anything about this deposit in his bank account. What do you make of that?" "No idea." Jo opened the middle drawer in the stand next to the bed. There
L.A. Dobbs (Keeping Secrets (Sam Mason Mysteries, #2))
briefly how she had managed to unlock the back door and why she should have seemed so resentful of him. She had, he decided, been musing and had made her way to this particular room for that purpose. Her pose over there by the window had betrayed as much and his sudden appearance breaking into her reflections, had startled her, so that, in a sense, her anger had been counterfeit. He remained standing where she had stood, wondering if she would circle the west wing and appear at the crest of the drive, but when he heard or saw something of her he fell to thinking about women in general and his relations with them in the past. His experience with women had been limited but although technically still a virgin he was not altogether innocent. There had been a very forward fourteen-year-old called Cherry, who had lived in an adjoining house in Croydon, when he came home for school holidays and Cherry had succeeded in bewitching but ultimately terrifying him, for one day when they were larking about in the stable behind her house, she had hinted at the mysterious differences between the sexes and when, blushing, he had encouraged her to elaborate, she had promptly hoisted her skirt and pulled down her long cotton drawers, whereupon he had fled as though the Devil was after him and had never sought her company again, although he watched her closely in church on successive Sundays, expecting any moment to see forked lightning descend on her in the middle of ‘For all the Saints’. Then there had been a little clumsy cuddling at Christmas parties, and after that a flaxen-haired girl called Daphne whom he had mooned over as an adolescent and had thought of a good deal in the Transvaal but now he had almost forgotten what Daphne looked like and had not recalled her name until now. Finally there had been an abortive foray
R.F. Delderfield (A Horseman Riding By: The Complete Series)
The floor was of warm, old oak planks, many of the individual planks extraordinarily long, as if sawn from the mast of a tall ship. There were two working tables in the middle of the room, and around the walls were located a binder’s press, with its tall screw; a camera stand; an industrial sewing machine; a gluing cabinet with exhaust hood; a guillotine table and cutting board; a TRS-80 computer and dot matrix printer on a narrow mahogany desk that might have come from a boat; a partner’s table topped in green leather and gilt edging on which resided no fewer than six typewriters, ranging from a 1920s Underwood to a very recent all-plastic Brother machine; a mid-eighteenth-century highly polished flame mahogany map cabinet of twelve drawers;
Garth Nix (The Left-Handed Booksellers of London (Left-Handed Booksellers of London #1))
Her momma finds her stray hair still left in the bathroom sink. Where she combed out her ratty do for what seemed like forever. Staring at herself in the mirror and pulling and teasing and shaping all that her stingy god would give her and nothing ever more. She’d contemplate her face there. Her flat wide nose and dark eyes and the combinations. She’d test her looks to see how she looked when she kissed. She'd extend her tongue as far out of her mouth as she could to check out how long it was and if she had anything extra special to offer. And what she'd have to do to serve it up. Momma grabs a kleenex and cleans around the deep rust stains in the sink. Does she throw away the old dry hairs crumbled in her hand under the tissue or keep such sad memories. Does she store them in a drawer or is she just being silly. Should she cherish this precious angel manna or try and just fucking get over it. Not give into it. Could she even possibly throw them away into the garbage without bawling uncontrollably. Can she possibly change the urge over from utter despair. When she sees her child getting brutally raped and hammered into, her baby's baby fingers digging into the rocks and dirt she can pass by daily. A dilapidated pit that crumbles in the middle of all their continuing lives and remains standing out of sheer old bull-headed promise and well organized planning. The forefathers of this neighborhood didn't count on the incredibly heavy weight of the public’s filthy laziness. My poor baby. My poor baby. She has to seek help. This nameless faceless mother. She can’t deal with this all alone. She can’t quit these imaginings from her old yellowed eyes and ears and off her cleaning washing working fingertips and the very constant edges of her smaller brain. The sickness that slipped thick repetitive blobs of useless male sperm and thin streams of rust washed metal stripping toxins bleeding down her daughter’s black throat may or may not be only one in a great number of difficult dreams and attempts but she just can’t find a polite perspective anymore. She can’t live like this any longer. She should have offered her child more than a dirty smudged mirror in a peeling and running bathroom when she got home from a dirty hot school every damn day. Where were the cops? And the doctors who were supposed to save her? And the fucking psychiatrists who could have done some trepanning into that evil dog's motherfucking bursting crack head before he was let out on the streets with his glass dick and his screaming pussy hunting cock. Dogs don't need help. They need to be put down.
Peter Sotos (Tick)