The Lumber Room Quotes

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I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
A man should keep his little brain attic stocked with all the furniture that he is likely to use, and the rest he can put away in the lumber room of his library, where he can get it if he wants it.
Arthur Conan Doyle
I agreed. By this time the drink was beginning to cut the acid and my hallucinations were down to a tolerable level. The room service waiter had a vaguely reptilian cast to his features, but I was no longer seeing huge pterodactyls lumbering around the corridors in pools of fresh blood. The only problem now was a gigantic neon sign outside the window, blocking our view of the mountains -- millions of colored balls running around a very complicated track, strange symbols & filigree, giving off a loud hum.... "Look outside," I said. "Why?" "There's a big ... machine in the sky, ... some kind of electric snake ... coming straight at us." "Shoot it," said my attorney. "Not yet," I said. "I want to study its habits.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Well," he said, "I say, now, as I said then, that a man should keep his little brain-attic stocked with all the furniture that he is likely to use, and the rest he can put away in the lumber-room of this library, where he can get it if he wants it.
Arthur Conan Doyle (The Adventures of Sherlock Holmes (Sherlock Holmes, #3))
I would have stolen it for you, had I known you were interested." His voice was muffled by the door to the lumber room down the hallway, and I heard thumps and a crash. I raised my voice a trifle more than mere volume required. "I'm interested because she was. Both of them, come to that--Damian's art is infused with mystic symbols and traditions." Holmes' voice answered two inches away from my ear, making me jerk and spray a handful of maps across the floor. "Religion can be a dangerous thing, it is true," he remarked darkly, and went out again.
Laurie R. King (The Language of Bees (Mary Russell and Sherlock Holmes, #9))
That any civilized human being in this nineteenth century should not be aware that the earth traveled round the sun appeared to me to be such an extraordinary fact that I could hardly realize it. ‘You appear to be astonished,’ he said, smiling at my expression of surprise. ‘Now that I do know it I shall do my best to forget it.’ ‘To forget it!’ ‘You see,’ he explained, ‘I consider that a man’s brain is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in most perfect order. It is a mistake to think that that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.’ ‘But the Solar System!’ I protested. ‘What the deuce is it to me?’ he interrupted impatiently: ‘you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
The world rides through space on the back of a turtle. This is one of the great ancient world myths, found wherever men and turtles were gathered together; the four elephants were an Indo-European sophistication. The idea has been lying in the lumber rooms of legend for centuries. All I had to do was grab it and run away before the alarms went off. There are no maps. You can't map a sense of humour. Anyway, what is a fantasy map but a space beyond which There Be Dragons? On the Discworld we know There Be Dragons Everywhere. They might not all have scales and forked tongues, but they Be Here all right, grinning and jostling and trying to sell you souvenirs.
Terry Pratchett
Mr. Haverbink bowed deeply, muscles rippling all up and down his back, and lumbered from the room. Miss Hisselpenny sighed and fluttered her fan. "Ah, for the countryside, what scenery there abides..., " quoth she. Miss Tarabotti giggled. "Ivy, what a positively wicked thing to say. Bravo.
Gail Carriger (Soulless (Parasol Protectorate, #1))
He was silent. Well! Now she knew how right she had been. He was not in the least in love with her, and very happy she was to know it. All she wanted was a suitable retreat, such as a lumber-room, or a coal-cellar, in which to enjoy her happiness to the full.
Georgette Heyer (Sylvester or The Wicked Uncle)
And then Holt, the Queen's Guard, placed his maps on the desk, neatly so they would not fall, tipped Thiel over one shoulder, tipped Death over the other, and stood under his load. In the astonished silence that followed, Holt lumbered toward Runnemood, who, understanding, let out a snort and stalked from the room of his own accord. Then Holt carried his outraged burdens away on either shoulder, just as they got their voices back. Bitterblue could hear them screaming their indignation all the way down the stairs.
Kristin Cashore (Bitterblue (Graceling Realm, #3))
What a huge inaccessible lumber-room of thought and experience we amounted to, I thought; how much we are, how little we transmit.
H.G. Wells (The Passionate Friends)
Memory, I must suppose, if it is neglected becomes like a box room, or a lumber room in an old house, the contents jumbled about, maybe not only from neglect but also from too much haphazard searching in them, and things to boot thrown in that don't belong there.
Sebastian Barry (The Secret Scripture (McNulty Family))
Like the librarians of Babel in Borges’s story, who are looking for the book that will provide them with the key to all the others, we oscillate between the illusion of perfection and the vertigo of the unattainable. In the name of completeness, we would like to believe that a unique order exists that would enable us to accede in knowledge all in one go; in the name of the unattainable, we would like to think that order and disorder are in fact the same word, denoting pure chance. It’s possible also that both are decoys, illusions intended to disguise the erosion of both books and systems. It is no bad thing in any case that between the two our bookshelves should serve from time to time as joggers of the memory, as cat-rests and as lumber-rooms.
Georges Perec (Species of Spaces and Other Pieces)
a man should keep his little brain-attic stocked with all the furniture that he is likely to use, and the rest he can put away in the lumber-room of his library, where he can get it if he wants it.
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
Fuchsia took three paces forward in the first of the attics and then paused a moment to retie a string above her knee. Over her head vague rafters loomed and while she straightened herself she noticed them and unconsciously loved them. This was the lumber room. Though very long and lofty it looked relatively smaller than it was, for the fantastic piles of every imaginable kind of thing, from the great organ to the lost and painted head of a broken toy lion that must one day have been the plaything of one of Fuchsia's ancestors, spread from every wall until only an avenue was left to the adjacent room.
Mervyn Peake (Titus Groan (Gormenghast, #1))
I told you she had an inconsequent mind. That's putting it much too mildly. When it comes to anything like evidence, she hasn't really got a mind at all - she just dives into a sort of lumber-room and brings out odds and ends.
Patricia Wentworth (The Case of William Smith (Miss Silver, #13))
I say now, as I said then, that a man should keep his little brain-attic stocked with all the furniture that he is likely to use, and the rest he can put away in the lumber-room of his library, where he can get it if he wants it.
Arthur Conan Doyle (The Adventures of Sherlock Holmes (Unabridged Start Publishing LLC))
His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. "You appear to be astonished," he said, smiling at my expression of surprise. "Now that I do know it I shall do my best to forget it." "To forget it!" "You see," he explained, "I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones." "But the Solar System!" I protested. "What the deuce is it to me?" he interrupted impatiently; "you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
PPPS. I hope Butterbur sends this promptly. A worthy man, but his memory is like a lumber-room: thing wanted always buried. If he forgets, I shall roast him. Farewell!
Gandalf the Grey, J.R.R. Tolkien
In the living room, sectional couches lumbered through the vast space like a herd of rhinos, and both coffee tables were the size of double beds.
Anne Tyler (Vinegar Girl)
The weeds of a seemingly learned and brilliant but actually trivial and empty philosophy of Nature which, after having been replaced some 50 years ago by the exact sciences, is now once more dug up by pseudo scientists from the lumber room of human fallacies, and like a trollop, newly attired in elegant dress and make-up, is smuggled into respectable company, to which she does not belong.
Hermann Kolbe
precisely the same way the pastoral novels of George Sand, which she was giving me for my birthday, were regular lumber-rooms of antique furniture, full of expressions that have fallen out of use and returned as imagery, such as one finds now only in country dialects.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
Dorothy lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife. Their house was small, for the lumber to build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar—except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
William seemed to find nothing lacking in those evenings. For him it was enough simply to sit across the room and look at her. It was flattering, she had to admit. The most eligible bachelor in Wethersfield and handsome, actually, in his substantial way. Sometimes, as she sat knitting, aware that William’s eyes were on her face, she felt her breath tightening in a way that was strange and not unpleasant. Then, just as suddenly, rebellion would rise in her. He was so sure! Without even asking, he was reckoning on her as deliberately as he calculated his growing pile of lumber.
Elizabeth George Speare (The Witch of Blackbird Pond)
Fuchsia took three paces forward in the first of the attics and then paused a moment to re-tie a string above her knee. Over her head vague rafters loomed and while she straightened her-self she noticed them and unconsciously loved them. This was the lumber room. Though very long and lofty it looked relatively smaller than it was, for the fantastic piles of every imaginable kind of thing, from the great organ to the lost and painted head of a broken toy lion that must one day have been the plaything of one of Fuchsia's ancestors, spread from every wall until only an avenue was left to the adjacent room. This high, narrow avenue wound down the centre of the first attic before suddenly turning at a sharp angle to the right. The fact that this room was filled with lumber did not mean that she ignored it and used it only as a place of transit. Oh no, for it was here that many long afternoons had been spent as she crawled deep into the recesses and found for herself many a strange cavern among the incongruous relics of the past. She knew of ways through the centre of what appeared to be hills of furniture, boxes, musical instruments and toys, kites, pictures, bamboo armour and helmets, flags and relics of every kind, as an Indian knows his green and secret trail. Within reach of her hand the hide and head of a skinned baboon hung dustily over a broken drum that rose above the dim ranges of this attic medley. Huge and impregnable they looked in the warm still half-light, but Fuchsia, had she wished to, could have disappeared awkwardly but very suddenly into these fantastic mountains, reached their centre and lain down upon an ancient couch with a picture book at her elbow and been entirely lost to view within a few moments.
Mervyn Peake (The Gormenghast Novels (Gormenghast, #1-3))
The golem is for Franz Kafka big headache.." The ache, he confided, grew in Kafka's head, spreading throughout his bones, his joints swelling until there was no longer room in the writer's skin for both himself and the golem; then his skin split at the seams, and the creature burst forth like the Incredible Hulk, thereby expelling Kafka from his own body. What do you have in common with Jews?" Svatopluk was whispering in my ear. "This, Kafka us asked at a crucial point in his life, and replies, 'I have nothing in common with myself, and should sit quietly in corner content that I can breathe.'" Highly suggestible, I saw the monster born from Kafka's brain not as a magical or supernatural creation but a behaimeh member of the community that trafficked in the impossible. I saw the creature lumbering gumby-like behind his plodding master just as I had followed Svat, or poor dead Billy or Aunt Keni Shendeldecker, the only woman I'd ever loved; I saw the citizens of the rabbi's courtyard gossiping, making lame jokes about the golem's marriageability and his alleged prowess in bed.
Steve Stern (The Angel of Forgetfulness)
I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.
Arthur Conan Doyle (Sherlock Holmes, Volume 1: A Study in Scarlet / The Sign of the Four / The Adventures of Sherlock Holmes / The Memoirs of Sherlock Holmes)
Not without a slight shudder at the danger, I often perceive how near I had come to admitting into my mind the details of some trivial affair- the news of the street; and I am astonished to observe how willing men are to lumber their minds with such rubbish- to permit idle rumors and incidents of the most insignificant kind to intrude on ground which should be sacred to thought. Shall the mind be a public arena, where the affairs of the street and the gossip of the tea-table chiefly are discussed? Or shall it be a quarter of heaven itself- an hypaethral temple, consecrated to the service of the gods? I find it so difficult to dispose of the few facts which to me are significant, that I hesitate to burden my attention with those which are insignificant, which only a divine mind could illustrate. Such is, for the most part, the news in newspapers and conversation. It is important to preserve the mind's chastity in this respect. Think of admitting the details of a single case of the criminal court into our thoughts, to stalk profanely through their very sanctum sanctorum for an hour, ay, for many hours! to make a very bar-room of the mind's inmost apartment, as if for so long the dust of the street had occupied us- the very street itself, with all its travel, its bustle, and filth, had passed through our thoughts' shrine! Would it not be an intellectual and moral suicide?
Henry David Thoreau (Life Without Principle)
I was no longer lonely but I was. I had Dominic, my sister’s diabetic foxhound, who followed me from room to room, lumbering onto my lap, unaware of his bulk. I liked the smell of his meaty breath, which he didn’t know was rancid. I liked the warmth of his fat belly, the primal way he crouched when he took a shit. It felt so intimate scooping his gigantic shits, the big hot bags of them. I thought, This is the proper use of my love, this is the man for me, this is the way.
Melissa Broder (The Pisces)
For all the unpleasant suggestion that it conjured, it was the one room in the inn that had vitality, and was not morne and drear. The other rooms appeared neglected or unused; even the parlor by the entrance-porch had a solitary air, as though it were many months since an honest traveler had stepped upon the threshold and warmed his back before a glowing fire. The guest-rooms upstairs were in an even worse state of repair. One was used for lumber, with boxes piled against the wall, and old horse-blankets chewed and torn by families of rats or mice.
Daphne du Maurier (Jamaica Inn)
Among these heavy yeomen a feminine figure glided, the single one of her sex that the room contained. She was prettily and even daintily dressed. She moved between them as a chaise between carts, was heard after them as a romance after sermons, was felt among them like a breeze among furnaces. It had required a little determination—far more than she had at first imagined—to take up a position here, for at her first entry the lumbering dialogues had ceased, nearly every face had been turned towards her, and those that were already turned rigidly fixed there.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
In precisely the same way the pastoral novels of George Sand, which she was giving me for my birthday, were regular lumber-rooms of antique furniture, full of expressions that have fallen out of use and returned as imagery, such as one finds now only in country dialects. And my grandmother had bought them in preference to other books, just as she would have preferred to take a house that had a gothic dovecot, or some other such piece of antiquity as would have a pleasant effect on the mind, filling it with a nostalgic longing for impossible journeys through the realms of time.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.
Arthur Conan Doyle (The Complete Sherlock Holmes Collection: 221B (Illustrated))
You see,” he explained, “I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.
Arthur Conan Doyle (The Complete Sherlock Holmes Collection with the original illustrations)
originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.” “But the Solar System!” I protested. “What the deuce is it to me?” he interrupted impatiently: “you
Arthur Conan Doyle (Sherlock Holmes: The Complete Collection (Book House))
You appear to be astonished," he said, smiling at my expression of surprise. "Now that I do know it I shall do my best to forget it." "To forget it!" "You see," he explained, "I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.
Arthur Conan Doyle (Sherlock Holmes)
His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. “You appear to be astonished,” he said, smiling at my expression of surprise. “Now that I do know it I shall do my best to forget it.” “To forget it!” “You see,” he explained, “I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.” “But the Solar System!” I protested. “What the deuce is it to me?” he interrupted impatiently; “you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.” I was on the point of asking him what that work might be, but something in his manner showed me that the question would be an unwelcome one. I pondered over our short conversation, however, and endeavoured to draw my deductions from it. He said that he would acquire no knowledge which did not bear upon his object. Therefore all the knowledge which he possessed was such as would be useful to him. I enumerated in my own mind all the various points upon which he had shown me that he was exceptionally well-informed. I even took a pencil and jotted them down. I could not help smiling at the document when I had completed it. It ran in this way— SHERLOCK HOLMES—his limits. 1. Knowledge of Literature.—Nil. 2. Philosophy.—Nil. 3. Astronomy.—Nil. 4. Politics.—Feeble. 5. Botany.—Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening. 6. Geology.—Practical, but limited. Tells at a glance different soils from each other. After walks has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them. 7. Chemistry.—Profound. 8. Anatomy.—Accurate, but unsystematic. 9. Sensational Literature.—Immense. He appears to know every detail of every horror perpetrated in the century. 10. Plays the violin well. 11. Is an expert singlestick player, boxer, and swordsman. 12. Has a good practical knowledge of British law.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
That's what we do. Embellish. Decorate. Unvarnished truth has only limited appeal. Some events are a joy to recall, but others are best modified, even forgotten. They live in some lumber-room of the mind, housed somewhere you wouldn't want to go alone and never after dark. If I make a mistake in my work or if I change my mind, I can unpick. Undo what I've done. I can make good my errors and no one is the wiser. If they looked, even through a magnifying glass, all observers would see would be the tiny holes where my needle had travelled. I can erase even that evidence by scratching carefully at the weave of the lining with my needle, until the holes are no longer visible. But life isn't like that. Mistakes once made are rarely reversible. The holes they leave in the fabric of life aren't tiny and they can't be scratched away. You have to live with them as best you can. Work round them. That's why you have to come to terms with memory. You can't obliterate the past or eradicate it from the mind, even when, for our own good, memory enfolds us in a blanket of forgetfulness. There are always traces left, marks where time gripped us and left its telltale fingerprint.
Linda Gillard (Untying the Knot)
they felt like they were informed. It was a fine line--too much information led to more interrogation and too little information leads to major snooping. Thrace believed that I had developed the rare ability to express something while revealing nothing. However, I couldn’t shake the feeling that a sorcerer with laughing hazel eyes might have the ability to see beyond all my fine lines. I smiled at that whimsical thought as I finished my pot roast and parental interrogation.   Chapter 2: Mortal Combat   I woke up groggy because I set my alarm for a half hour earlier than usual to get ready to work out. I don’t know why I did that. Ok. I might know why I did that, but 6:00am was too early for rational thought. I kept my outfit simple with black yoga pants and a retro Offspring tee. It was much more difficult to get my thick auburn hair to calm down after a night of restless sleep. Luckily, I didn’t get any zits overnight which would have been just my luck. After some leave-in conditioner and some shine spray, I hoped my hair no longer looked like a bird’s nest. I headed downstairs just in time to see my dad coming from the kitchen with his coffee, my Mt. Dew, and Zone bar. Hello, my name is Calliope, and I am an addict. My drug is caffeine. I like my caffeine cold usually in the fountain pop variety—Mt. Dew in the morning and Diet Dr. Pepper in the afternoon. I like the ice and carbonation, but in the morning on the way to work out, I’ll take what I can get. I thanked my dad for my version of breakfast as we walked to the car. He only grunted his reply. We slid into the white Taurus and headed to the YMCA. I actually started to get nervous, as we got closer. We were at the Y before I was mentally prepared. I sighed and lumbered out of the car. As we walked in and headed toward opposite locker rooms, dad announced, “Meet you back here in an hour, Calli.
Stacey Rychener (Intrigue (Night Muse #1))
I don’t know how much time passed while we danced, spinning power between us like it was just another game. He tossed the ball of ice my way and I shattered it. “What were you thinking when you broke that?” he asked. Even though I saw him across the room, I could feel his voice at my ear, low and burning. “You.” He laughed and continued to conjure things out of the air and throw them to me. Amar’s movements were graceful, spinning. All his power seemed concentrated and sinewy as the muscle that corded his arms and shoulders. Mine felt strange. Lumbering. But instinctual all the same. I’d never felt this way before, as if there was an unexplored dimension in my body full of silver light, ready to be devastating. The power in my veins terrified me. Not just because I knew it was real, but because I wanted it. I reveled in it even as I glared at Amar across the room. He must have known because he grinned each time we sparred. He flung a chakra of flames in my direction and I turned it to a great wave of water to rush at him. Without blinking, he flattened the whole wave to a plane of ice and slid forward, graceful and serpentine. “You enjoy it, don’t you?” “You know the answer.” “I want to hear it from your lips.” “We don’t always get what we want,” I said. “Tell me, this ability of mine was not something the moon prevented you from revealing, was it?” This time, he had the grace to look guilty. “No. But such things need a foundation before they can be known. I thought it was best for you. It was a protective measure too. Untested power is a dangerous thing.” Another flash of fury shot through me. I thought it was best for you. The light in our room clung to him in silver wisps. Amar pushed his hands through the curls of his hair and in that moment, he looked so…lost. In spite of myself, I wanted to ease that pain from his face. To make him smile. I was weak before him. “This is why you couldn’t move the thread,” he said. “You need to believe in it. Believe in you.” Amar twisted his fingers and the silk of my sari changed…from yellow to deepest blue, flecked with stars. “My star-touched queen,” he said softly, as if he was remembering something from long ago. “I would break the world to give you what you want.” I touched my sari and the stars faded. “I want you to leave,” I said, not looking at him. When I looked up, he was gone.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
In his excellent book on classical music practice, The Perfect Wrong Note, pianist and teacher William Westney describes the need for privacy like this: The reason so many of us lose our bearings about practising early in life is that we practice in living rooms with other family members in earshot—and healthy practice would simply sound too obnoxious, intrusive, repetitious and unmusical for others to hear without annoyance.[1] There are two kinds of privacy that a practice room of your own will give you: one is inward, and the other is outward. The inward privacy is the knowledge that nobody can hear you, allowing you the freedom to experiment with any sound you want without fear of being judged. But it’s the long hours and the repetition that gets to others. In a private space, you can repeat something over and over and over again without fear of annoying anybody. Don’t assume the need for practice privacy will go away the better you get. Consider what the great composer Igor Stravinsky wrote in his autobiography: My family and I were quartered in a hotel in which it was impossible for me to compose. I was anxious, therefore, to find a piano some place where I could work in peace. I have never been able to compose unless sure that no one could hear me. A music dealer...provided me with a sort of lumber room full of empty Chocolat Suchard packing cases, which opened on to a chicken run.[2] That practice room wasn’t quite what Stravinsky was looking for, and he soon found another that suited him. Keep looking for a practice space that works for you.
Jonathan Harnum (The Practice of Practice)
We’re all subject to the condom talk. He brought one to me in bed one time when he realized he didn’t see me go to the drawer.” “And thank God for that,” Paul bites out. “Because if you’d gotten April pregnant, where would you be now?” Matt sobers. “I’d be a fucking father. Which is something I’ll never be.” He lumbers to his feet. “I’m going to bed now,” he says. I can feel the weight of his heavy sigh as it settles around the room. “Damn, now you make me wish I’d let you get her pregnant,” Paul says.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
PPPS. I hope Butterbur sends this promptly. A worthy man, but his memory is like a lumber-room: thing wanted always buried. If he forgets, I shall roast him.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Dear Frodo, Bad news has reached me here. I must go off at once. You had better leave Bag End soon, and get out of the Shire before the end of July at latest. I will return as soon as I can; and I will follow you, if I find that you are gone. Leave a message for me here, if you pass through Bree. You can trust the landlord (Butterbur). You may meet a friend of mine on the Road: a Man, lean, dark, tall, by some called Strider. He knows our business and will help you. Make for Rivendell. There I hope we may meet again. If I do not come, Elrond will advise you. Yours in haste GANDALF. PS. Do NOT use It again, not for any reason whatever! Do not travel by night! PPS. Make sure that it is the real Strider. There are many strange men on the roads. His true name is Aragorn. All that is gold does not glitter, Not all those who wander are lost; The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king. PPPS. I hope Butterbur sends this promptly. A worthy man, but his memory is like a lumber-room: thing wanted always buried. If he forgets, I shall roast him. Fare Well!
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Migration is the story of America. It is foundational. From Pilgrims fleeing oppression in Europe, to the millions who took advantage of the Homestead Act to “go West,” to the erection of the Statue of Liberty in New York’s harbor, all the way up to the U.S. Congress tying Most Favored Nation status to the human right of Soviet Jews to emigrate, the movement of people fleeing tyranny, violence, and withered opportunities is sacrosanct to Americans. In fact, “freedom of movement” is a treasured right in the nation’s political lexicon. Yet, when more than 1.5 million African Americans left the land below the Mason-Dixon Line, white Southern elites raged with cool, calculated efficiency. This was no lynch mob seeking vengeance; rather, these were mayors, governors, legislators, business leaders, and police chiefs who bristled at “the first step … the nation’s servant class ever took without asking.”12 In the wood-paneled rooms of city halls, in the chambers of city councils, in the marbled state legislatures, and in sheriffs’ offices, white government officials, working hand in hand with plantation, lumber mill, and mine owners, devised an array of obstacles and laws to stop African Americans, as U.S. citizens, from exercising the right to find better jobs, to search for good schools, indeed simply to escape the ever-present terror of lynch mobs. In short, the powerful, respectable elements of the white South rose up, in the words of then-secretary of labor William B. Wilson, to stop the Great Migration and interfere with “the natural right of workers to move from place to place at their own discretion.
Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
Ortega 12th April, 2014 I am writing this as fast as I can. The doors on the Phaedra don’t lock, and Mom could walk in any moment. I have no privacy. I am the only twelve-year-old girl I know who has to share a room with her mom. I have pointed out how unfair it is, the way the jellyfish equipment takes up the whole front of the boat, but Mom won’t listen. Typical – the jellyfish get their own room and I don’t. I’m not trying to make excuses for my handwriting or anything, but if it is all scrawly that’s because my arm’s so trembly I can hardly hold the pen. I think it’s from gripping on to the tractor for so long. The entire way home I had to cling to the wheel arch, sitting up there behind Annie like a parrot perched on a pirate’s shoulder. The way she drove along those rutted jungle tracks, I was petrified I was going to lose hold and fall beneath the wheels. By the time we reached the bay and I could see the Phaedra, my body had been shaken up like a can of fizzy drink. There was no sign of Mom as the tractor lumbered over the dunes and down the beach towards the sea. I was kind of relieved, to tell the truth. The whole time at Annie’s house I had been desperate to get back to the boat, but now that I was home I felt sick at the thought of facing Mom. She would be furious with me. I had been gone for two whole days…
Stacy Gregg (The Island of Lost Horses)
The Waiting Room by Stewart Stafford The waiting room lay empty, Gloom-prowled, leather-studded seats, A ceiling fan spun lonely circles above, Keeping no one in particular cool at all. Portrait of a rose in a shadowy alcove, A pair of empty street scenes framed, Mirroring the deserted room where they hung, Creating the vacuum of an infinity void. A wreath of hope on the door, The first patient of the day lumbers in, Where there's one, there'll be others, Smiles from all at the start of the day. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
So the young married couples crowded in with their parents, or they fixed up a shed, if they could find some scrap lumber, or they lived in a trailer, or in one room in a lodging house, cooking on a gas burner. That wasn’t very happy, and moralists were shocked by the increase in the divorce rate.
Upton Sinclair (O Shepherd, Speak! (The Lanny Budd Novels #10))
The Christian's calling, in part, is to proclaim God's dominion in every corner of the world—in every corner of our hearts, too. It isn't that we're fighting a battle in which we must win ground from the forces of evil; the ground is already won. Satan is just an outlaw. And we have the pleasure of declaring God's Kingdom with love, service, and peace in our homes and communities. When you pray, dedicate your home, your yard, your bonus room and dishwasher and bicycle and garden to the King. As surely as you dedicate your heart to him, dedicate your front porch. Daily pledge every atom of every tool at your disposal to his good pleasure. It's all sacred anyway if old Wendell is right (and I think he is). I wonder if the Holy Spirit is rambling around in the temple of my heart, scribbling promises on every exposed bit of lumber, declaring my sacredness so that I will remember that I belong to him.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
We specialize in high end bunk beds designed for use by kids and adults. The big sky bunk bed is built from premium timbers and lumber from around the pacific northwest. We built these premium adult bunk beds to furnish the high end vacation homes, vacation rentals and bunk rooms around the country. Although we designed these high end bunk beds for adults, they are great for kids as well due to the excellent construction and safety.
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A man should keep his little brain attic stocked with all the furniture that he is likely to use, and the rest he can put away in the lumber-room of his library, where he can get it if he wants it.
Daniel Smith (How to Think Like Sherlock: Improve Your Powers of Observation, Memory and Deduction)
Dudley gently released himself from his mother’s clutches and walked towards Harry, who had to repress an urge to threaten him with magic. Then Dudley held out his large, pink hand. ‘Blimey, Dudley,’ said Harry, over Aunt Petunia’s renewed sobs, ‘did the Dementors blow a different personality into you?’ ‘Dunno,’ muttered Dudley. ‘See you, Harry.’ ‘Yeah …’ said Harry, taking Dudley’s hand and shaking it. ‘Maybe. Take care, Big D.’ Dudley nearly smiled, then lumbered from the room. Harry heard his heavy footfalls on the gravelled drive, and then a car door slammed.
J.K. Rowling (Harry Potter and the Deathly Hallows)
I need to find out who she is,” he told Javier as he entered the shower room with the rest of the team. “If they had to take her out on a stretcher, then chances are someone knows her name.” “Good for you, my friend, for not giving up in the face of obvious adversity. And because I am such a good friend, I shall come with you when you visit her so I might laugh when the female retaliates against you for messing up her face.” Javier flew backward with the force of the punch Ethan laid on him. Rubbing his jaw, his friend glared up at him. “That wasn’t very nice.” Ethan snarled. “Maybe if you hadn’t thrown the ball so damned hard, I wouldn’t be in this position in the first place. I’m glad you find my situation so g**damned funny.” Jumping to his feet, Javier raised his fists. “Alright, my friend. Let’s go. You obviously need to work off some tension, might as well do it now. Think of your coming beating as a courting favor because I’m going to give you some black eyes to match those of your mate.” “I’d like to see you try.” With a feral grin, Ethan lumbered at his friend, paws swinging as the other players in the shower room scattered. Old habits died hard, and when it came to working out frustration, the easiest route still involved violence. Ethan refused to view it as stalling out of fear. Kodiak bears feared nothing, especially not one fated female. But just in case, perhaps once he de-stressed, he would pick up flowers, or buy a whole damned floral shop for her.
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
To know us is to run alongside us, like someone trying to shout through the window of a moving train.’ ‘The closer they get to their destination, the harder it is to imagine that they’ll ever actually arrive.’ ‘I feel like both her confidante and her baby and that I could stay here for ever, or at least until lunch.’ ‘A Black Rabbit hour lasts twice as long as a London one, but you don’t get a quarter of the things done. ’ ‘The wardrobe’s giant mahogany paw feet look like they might start lumbering across the room at any moment.’ ‘The temperature drops, the sea changes from clear blue to murky dark green, like a glass of paintbrush water.
Eve Chase
Paul,” I say quietly. “What?” he whispers back. “Are you going to break my heart?” I look into his eyes because I think I might find the truth there, if there is such a thing. “No,” he says. His voice is strong and clear. I hear a voice through the crack in the door say, “Ask him if he promises!” “What the fuck?” Paul says, tossing his head back. He opens the door, and Pete and Sam fall into the room. They land on top of one another. “Don’t you have better things to do?” Paul asks, staring down at the two of them in a heap. They look at one another. “Not really.” They start to lumber to their feet, and Paul walks out of the room. Sam wraps his arm around my shoulders. “Ask him if he promises,” he says. “What does that even mean?” “When Mom died, we asked Paul if it would all be all right and he promised it would. It was,” Sam says. Pete goes on to say, “And when Dad left, we asked again if it was going to be all right, if we’d make it by ourselves. And we did…because Paul promised we could.” Fuck. My gut clenches. “I wouldn’t want him to waste a promise on me.” I try to laugh it off, but they don’t think it’s funny. “Sometimes, all you need is a promise so you can keep going,” Sam says. “If you need a promise, ask for it. He’ll say yes or no.” “I don’t need a promise.” “Yes, you do.” Sam stares at me.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
I visited McBeth’s eleventh and twelfth grade classes, which were both working on prototypes for projects they had approached through design thinking. One was a revitalization scheme for Toronto’s waterfront, and the other was creating an indoor agriculture system. The students were producing all sorts of creative solutions, from elaborate models of their waterfront developments to fish farms where the fish’s own waste would fertilize the plants that cleaned the water. It was loud, messy work. At one point, three girls were hand-sawing a piece of lumber balanced between two desks, and sawdust quickly coated their preppy uniforms and hair. With a few exceptions, all the students said they preferred to work without computers on this type of project. They felt they had more creative freedom, were less distracted, could be more accurate to their vision, and gained a better understanding of the scale and materials involved. It also seemed more fun. The groups building models and contraptions around the room were laughing and joking as they glued and taped and cut and broke things. The only ones working on computers were two girls who gave up on a model and decided to make an app instead. They sat side by side, quietly checking out the pricing options on various app-building websites, flipping over to Facebook whenever McBeth was out
David Sax (The Revenge of Analog: Real Things and Why They Matter)
of both rayon and wool, draped around a papier-mâché replica in miniature of the Palais Rose. She wished that she could wear such sexily clinging clothes for—instinctively her mind had entertained Rostov, out of habit, and she forced him to leave to make the considerable room necessary for Doyle—well, for the man who would marry her. Unfortunately, she did not have the necessary figure now, nor had she possessed such a figure when she was younger. The Maker gave every human being one advantage, no more. She would have to settle for brains, which were neither sexy nor the right filling for clinging knits. How odd of God, she thought, in dispensing His favors, not to have made all females feminine. But then, He was a male, and males never understood how women really felt. She withdrew her attention from the depressing window display and pivoted on a heel to resume her watch of the Élysée. And there was Jay Doyle, like Jumbo except for the lack of a trunk, lumbering toward her. “Well?” she asked quickly, even before he had reached her. He wheezed noisily, and after an unnecessarily theatrical glance around to be sure they could not be overheard, he said, “Rostov’s in there all right. I didn’t see him, of course, but some of the other correspondents saw him arrive at four. The ministers are still locked up in the Murat Salon, in the section called the Foreign Sovereigns’ Apartment.” “When do they break?” asked Hazel anxiously
Irving Wallace (The Plot)
ship built by English settlers in the New World. In 1607, at the mouth of the Kennebec River in Maine, the Plymouth Company erected a short-lived fishing settlement. A London shipwright named Digby organized some settlers to construct a small vessel with which to return them home to England, as they were homesick and disenchanted with the New England winters. The small craft was named, characteristically, the Virginia. She was evidently a two-master and weighed about thirty tons, and she transported furs, salted cod, and tobacco for twenty years between various ports along the Maine coast, Plymouth, Jamestown, and England. She is believed to have wrecked somewhere along the coast of Ireland.6 By the middle of the seventeenth century, shipbuilding was firmly established as an independent industry in New England. Maine, with its long coastline and abundant forests, eventually overtook even Massachusetts as the shipbuilding capital of North America. Its most western town, Kittery, hovered above the Piscataqua. For many years the towns of Kittery and Portsmouth, and upriver enclaves like Exeter, Newmarket, Durham, Dover, and South Berwick, rivaled Bath and Brunswick, Maine, as shipbuilding centers, with numerous shipyards, blacksmith shops, sawmills, and wharves. Portsmouth's deep harbor, proximity to upriver lumber, scarcity of fog, and seven feet of tide made it an ideal location for building large vessels. During colonial times, the master carpenters of England were so concerned about competition they eventually petitioned Parliament to discourage shipbuilding in Portsmouth.7 One of the early Piscataqua shipwrights was Robert Cutts, who used African American slaves to build fishing smacks at Crooked Lane in Kittery in the 1650s. Another was William Pepperell, who moved from the Isle of Shoals to Kittery in 1680, where he amassed a fortune in the shipbuilding, fishing, and lumber trades. John Bray built ships in front of
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
George could dig and pour the concrete basement for a house. He could saw the lumber and nail the frame. He could wire the rooms and fit the plumbing. He could hang the drywall. He could lay the floors and shingle the roof. He could build the brick steps. He could point the windows and paint the sashes. But he could not throw a ball or walk a mile; he hated exercise, and once he took early retirement at sixty he never had his heart rate up again if he could help it, and even then only if it were to whack through some heavy brush to get to a good trout pool. Lack of exercise might have been the reason that, when he had his first radiation treatment for the cancer in his groin, his legs swelled up like two dead seals on a beach and then turned as hard as lumber. Before he was bedridden, he walked as if he were an amputee from a war that predated modern prosthetics; he tottered as if two hardwood legs hinged with iron pins were buckled to his waist. When his wife touched his legs at night in bed, through his pajamas, she thought of oak or maple and had to make herself think of something else in order not to imagine going down to his workshop in the basement and getting sandpaper and stain and sanding his legs and staining them with a brush, as if they belonged to a piece of furniture. Once, she snorted out loud, trying to stifle a laugh, when she thought, My husband, the table. She felt so bad afterward that she wept.
Paul Harding (Tinkers)
Few records exist to establish a definitive date as to when the first ships were built in the Piscataqua region. Fishing vessels were probably constructed as early as 1623, when the first fishermen settled in the area. Many undoubtedly boasted a skilled shipwright who taught the fishermen how to build “great shallops”as well as lesser craft. In 1631 a man named Edward Godfrie directed the fisheries at Pannaway. His operation included six large shallops, five fishing boats, and thirteen skiffs, the shallops essentially open boats that included several pairs of oars, a mast, and lug sail, and which later sported enclosed decks.5 Records do survive of the very first ship built by English settlers in the New World. In 1607, at the mouth of the Kennebec River in Maine, the Plymouth Company erected a short-lived fishing settlement. A London shipwright named Digby organized some settlers to construct a small vessel with which to return them home to England, as they were homesick and disenchanted with the New England winters. The small craft was named, characteristically, the Virginia. She was evidently a two-master and weighed about thirty tons, and she transported furs, salted cod, and tobacco for twenty years between various ports along the Maine coast, Plymouth, Jamestown, and England. She is believed to have wrecked somewhere along the coast of Ireland.6 By the middle of the seventeenth century, shipbuilding was firmly established as an independent industry in New England. Maine, with its long coastline and abundant forests, eventually overtook even Massachusetts as the shipbuilding capital of North America. Its most western town, Kittery, hovered above the Piscataqua. For many years the towns of Kittery and Portsmouth, and upriver enclaves like Exeter, Newmarket, Durham, Dover, and South Berwick, rivaled Bath and Brunswick, Maine, as shipbuilding centers, with numerous shipyards, blacksmith shops, sawmills, and wharves. Portsmouth's deep harbor, proximity to upriver lumber, scarcity of fog, and seven feet of tide made it an ideal location for building large vessels. During colonial times, the master carpenters of England were so concerned about competition they eventually petitioned Parliament to discourage shipbuilding in Portsmouth.7 One of the early Piscataqua shipwrights was Robert Cutts, who used African American slaves to build fishing smacks at Crooked Lane in Kittery in the 1650s. Another was William Pepperell, who moved from the Isle of Shoals to Kittery in 1680, where he amassed a fortune in the shipbuilding, fishing, and lumber trades. John Bray built ships in front of the Pepperell mansion as early as 1660, and Samuel Winkley owned a yard that lasted for three generations.8 In 1690, the first warship in America was launched from a small island in the Piscataqua River, situated halfway between Kittery and Portsmouth. The island's name was Rising Castle, and it was the launching pad for a 637-ton frigate called the Falkland. The Falkland bore fifty-four guns, and she sailed until 1768 as a regular line-of-battle ship. The selection of Piscataqua as the site of English naval ship construction may have been instigated by the Earl of Bellomont, who wrote that the harbor would grow wealthy if it supplemented its export of ship masts with “the building of great ships for H.M. Navy.”9 The earl's words underscore the fact that, prior to the American Revolution, Piscataqua's largest source of maritime revenue came from the masts and spars it supplied to Her Majesty's ships. The white oak and white pine used for these building blocks grew to heights of two hundred feet and weighed upward of twenty tons. England depended on this lumber during the Dutch Wars of the
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)