The Little Grey Cells Quotes

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You should employ your little grey cells
Agatha Christie (The Murder of Roger Ackroyd (Hercule Poirot, #4))
If the little grey cells are not exercised, they grow the rust.
Agatha Christie (The A.B.C. Murders (Hercule Poirot, #13))
The little grey cells, my friend, the little grey cells! They told me.
Agatha Christie (The Murder on the Links (Hercule Poirot, #2))
We all have the little grey cells. And so few of us know how to use them.
Agatha Christie (The Adventure of the Italian Nobleman: a Hercule Poirot Short Story (Hercule Poirot, #SS-17))
... what would Poirot do? Poirot wouldn't flap around in a panic. He'd stay calm and use his little grey cells and recall some tiny, vital detail which would be the clue to everything.
Sophie Kinsella (I've Got Your Number)
It is the brain, the little grey cells” — he topped his forehead — “on which one must rely. The senses mislead.
Agatha Christie (The Early Cases of Hercule Poirot)
He talked a lot about the little grey cells of the brain, and of their functions. His own, he says, are of the first quality.' 'He would say so,' I remarked bitterly. 'Modesty is certainly not his middle name.
Agatha Christie (The Murder of Roger Ackroyd (Hercule Poirot, #4))
Use your little grey cells mon ami" (Hercule Poirot in 'The Mysterious Affair At Styles')
Agatha Christie
Little did they know I wasn’t above backing over nasty reporters. Spoiler: the rest of this story takes place from a jail cell.
R.S. Grey (Scoring Wilder)
...And the good heart, it is worth in the end all the little grey cells. Yes, yes, I who speak to you am in danger of forgetting that sometimes.
Agatha Christie (Hercule Poirot: The Complete Short Stories)
But me, I am old-fashioned. I use the old methods. I work only with the little grey cells.
Agatha Christie (The Murder of Roger Ackroyd (Hercule Poirot, #4))
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind. But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again." The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer. This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building. Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head. It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped. The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm. A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape. And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!" But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!" The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM. She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!" But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work. Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life! Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
Poem: Roses And Rue (To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird's throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair - did I tie it? For it always ran riot - Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face - Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, 'You have only wasted your life.' (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets' hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God's heaven and hell.
Oscar Wilde (Selected Poems)
and endless inconvenience. But have I not heard you say often that to solve a case a man has only to lie back in his chair and think? Do that. Interview the passengers on the train, view the body, examine what clues there are and then—well, I have faith in you! I am assured that it is no idle boast of yours. Lie back and think—use (as I have heard you say so often) the little grey cells of the mind—and you will know!” He leaned forward, looking affectionately at his friend. “Your faith touches me, my friend,” said Poirot emotionally. “As you say, this cannot be a difficult case. I myself, last night—but we will not speak of that now. In truth, this problem intrigues me. I was reflecting, not half an hour ago, that many hours of boredom lay ahead whilst we are stuck here. And now—a problem lies ready to my hand.” “You accept then?” said M. Bouc eagerly. “C’est entendu. You place the matter in my hands.” “Good—we are all at your service.” “To begin with, I should like a plan of the Istanbul-Calais coach, with a note of the people who occupied the several compartments, and I should also like to see their passports and their tickets.” “Michel will get you those.” The Wagon Lit conductor left the compartment. “What other passengers are there on the train?” asked Poirot. “In this coach Dr. Constantine and I
Agatha Christie (Murder on the Orient Express (Hercule Poirot, #10))
Think, Carter. Use the “little grey cells”, as Agatha Christie’s Poirot says in the stories. All the great detectives spent time reflecting on the case. Remember Sherlock Holmes playing his violin far into the night.’ ‘And injecting himself with cocaine?’ interjected Steph. ‘You won’t be doing that, will you, sir?’ she asked cheekily. ‘No,’ replied Oldroyd. ‘The similarities between myself and Conan Doyle’s creation are few, apart from our brilliantly perceptive minds.
J.R. Ellis (The Body in the Dales (Yorkshire Murder Mysteries, #1))
There’s a workaround for encroaching phone stupidity. The first thing I did when I got to my place in Austin – an apartment rented for three days over the internet – was connect the thing to wifi. Just like that, my secondary brain got all its little grey cells back. The next few days were all about scurrying from wifi field to field, trying to keep the thing on life support. It’s a workaround. We live in a workaround culture. You have to jiggle the key in the ignition just right to start the car. You have to hold the TV remote at a certain angle. You know how it goes.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement: the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house—from the grey hollow filled with rayless cells, as it appeared to me—to that sky expanded before me,—a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight-dark in its fathomless depth and measureless distance: and for those trembling stars that followed her course; they made my heart tremble, my veins glow when I viewed them. Little things recall us to earth: the clock struck in the hall; that sufficed; I turned from moon and stars, opened a side-door, and went in.
Charlotte Brontë (Jane Eyre)
I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement; the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house—from the grey hollow filled with rayless cells, as it appeared to me—to that sky expanded before me,—a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill-tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight dark in its fathomless depth and measureless distance; and for those trembling stars that followed her course; they made my heart tremble, my veins glow when I viewed them. Little things recall us to earth; the clock struck in the hall; that sufficed; I turned from moon and stars, opened a side-door, and went in.
Charlotte Brontë (Jane Eyre)
What were you looking for over here?” Jim asked again. “I wonder if you can exorcise hands…hmm? Oh, where on the wall was that place I sent you through before. Do you remember?” Jim shook its head. “Why are you looking for that particular spot? It have fond memories for you or something?” “Hardly. You told me that it was easier to tear the fabric of existence in a spot where it had previously been rent. And I know I sent you through it from this room, but I don’t remember where, exactly.” I glanced at the clock on the mantel, leaping to my feet when I saw the time. “Oh my god. Oh my god! Tell me that clock isn’t right!” “That clock isn’t right.” Relief made me sag a bit as I dug through my purse looking for my cell phone. “Thank god. I was worried there for a minute that I’d missed the wedding.” “You have,” Jim said complacently, snuffling around behind the fainting couch. “What? You just told me the clock was wrong!” “Yuh-uh. And who ordered me to tell her that?” “Gah!” I screamed, punching a speed-dial number into the phone. “Talk about your day from hell…Jim, look around and find the weak spot. I’m not going to let something like a deranged Guardian ruin my day.” “Sooo many things I could say to that,” Jim said, shaking its head. “I’ll confine myself to pointing out that even if I found the spot, it wouldn’t do you any good.” “It wouldn’t? Why not?” Inside my head, a dark, sinuous voice whistled a peppy little tune. I ground my teeth. “Don’t tell me—I’d have to use the dark power in order to push us through.” “Yup.” Smirk. “Bloody he—Drake!” “Aisling?” I held the phone away from my ear at the sound of Drake’s roar. “Hi, sweetie. Um. I guess we’re even on the whole jilting-at-the-altar thing, huh?” “Where are you? Where have you been? Why have you not answered my calls?” Drake growled. “Rene and your uncle said you just disappeared on the street. Have you been harmed?” “I’m fine. Jim’s here with me. I’m in…er…oh, hell.” “Abaddon,” Jim corrected.
Katie MacAlister (Holy Smokes (Aisling Grey, #4))
The little grey cells of the brain,” explained the Belgian. “Oh, of course; well, we all use them, I suppose.” “In a greater or lesser degree,” murmured Poirot. “And there are, too, differences in quality. Then there is the psychology of a crime. One must study that.
Agatha Christie (Agatha Christie Premium Collection)
Most details are insignificant; one or two are vital. It is the brain, the little grey cells”—he tapped his forehead—“on which one must rely. The senses mislead. One must seek the truth within—not without.
Agatha Christie (Agatha Christie Premium Collection)
impressions barrage, Lee could no longer grasp the meaning of Vivian's voice as it went on and on explaining things like "crystal cells," "selenoid cells," "grey matter pyramidal cells," powered somehow by atomic fission, "nerve loops" and "synthesis gates" which were not to be confused with "analysis gates" while they looked exactly the same…. Apart from this at least one half of his mental and physical energy had to be expanded in suppressing nausea and bracing himself against the gyrations which still jerked his feet from under him and made friction disks of his shoulders as his body swayed from side to side. All of a sudden he felt that he was being derailed. There was an opening in the plastics wall of the cylinder; a curved metal shield like the blade of a bulldozer jumped into his path, caught him, slowed down his momentum and delivered him safely at a door marked "Apperception-Center 24." It opened and within its frame there stood an angel neatly dressed in the uniform of a registered nurse. "There," said the angel, "at last. How did you like your little Odyssey through The Brain, Dr. Lee?" Lee pushed a hand through the mane of his hair; it felt moist and much tangled up. "Thanks," he said. "It was quite an experience. I enjoyed it; Ulysses, too, probably enjoyed his trip between Scylla and Charybdis—after it was over! It's Miss Leahy, I presume." The reception room where he
Alexander Blade (The Brain)
The corridor has twenty doors on the left-hand side and eighteen doors on the right-hand side. Also it has a door at either end. One door is painted red, and it leads to the classroom–so Melanie thinks of that as the classroom end of the corridor. The door at the other end is bare grey steel and it’s really, really thick. Where it leads to is a bit harder to say. Once when Melanie was being taken back to her cell, the door was off its hinges, with some men working on it, and she could see how it had all these bolts and sticking-out bits around the edges of it, so when it’s closed it would be really hard to open. Past the door, there was a long flight of concrete steps going up and up. She wasn’t supposed to see any of that stuff, and Sergeant said, “Little bitch has got way too many eyes on her” as he shoved her chair into her cell and slammed the door shut. But she saw, and she remembers. She
M.R. Carey (The Girl With All the Gifts)
And the good heart, it is in the end worth all the little grey cells. Yes, yes. I who speak to you am in danger of forgetting that sometimes.
Agatha Christie (AGATHA CHRISTIE Collection : The Mysterious Affair at Styles, Poirot Investigates, The Murder on the Links, The Secret Adversary, The Man in the Brown Suit)
…And the good heart, it is in the end worth all the little grey cells. Yes, yes, I who speak to you am in danger of forgetting that sometimes.
Agatha Christie (Hercule Poirot: The Complete Short Stories)
P3 - ten minutes of that movie, or indeed of any movie whose message is similarly dystopian about a post-aging world (Blade Runner), you will see that they set it up by insinuating, with exactly no justification and also no attempt at discussion (which is how they get away with not justifying it), that the defeat of aging will self-evidently bring about some new problem that we will be unable to solve without doing more harm than good. The most common such problem, of course, is overpopulation - and I refer you to literally about 1000 interviews and hundreds of talks I have given on stage and camera over the past 20 years, of which several dozen are online, for why such a concern is misplaced. The reason there are 1000, of course, is that most people WANT to believe that aging is a blessing in disguise - they find it expedient to put aging out of their minds and get on with their miserably short lives, however irrational must be the rationalizations by which they achieve that. Aubrey has been asked on numerous occasions whether humans should use future tech to extend their lifespans. Aubrey opines, "I believe that humans should (and will) use (and, as a prerequisite, develop) future technologies to extend their healthspan, i.e. their healthy lifespan. But before fearing that I have lost my mind, let me stress that that is no more nor less than I have always believed. The reason people call me an “immortalist” and such like is only that I recognize, and am not scared to say, two other things: one, that extended lifespan is a totally certain side-effect of extended healthspan, and two, that the desire (and the legitimacy of the desire) to further extend healthspan will not suddenly cease once we achieve such-and-such a number of years." On what people can do to advance longevity research, my answer to this question has radically changed in the past year. For the previous 20 years, my answer would have been “make a lot of money and give it to the best research”, as it was indisputable that the most important research could go at least 2 or 3x times faster if not funding-limited. But in the past year, with the influx of at least a few $B, much of it non-profit (and much of it coming from tech types who did exactly the above), the calculus has changed: the rate-limiter now is personnel. It’s more or less the case now that money is no longer the main rate-limiter, talent is: we desperately need more young scientists to see longevity as the best career choice. As for how much current cryopreservation technology will advance in the next 10-20 years, and whether it enough for future reanimation? No question about the timeframe for a given amount of progress in any pioneering tech can be answered other than probabilistically. Or, to put it more simply, I don’t know - but I think there's a very good chance that within five years we will have cryo technology that inflicts only very little damage on biological tissue, such that yes, other advances in rejuvenation medicine that will repair the damage that caused the cryonaut to be pronounced dead in the first place will not be overwhelmed by cryopreservation damage, hence reanimation will indeed be possible. As of now, the people who have been cryopreserved(frozen) the best (i.e. w/ vitrification, starting very shortly immediately after cardiac arrest) may, just possibly, be capable of revival by rewarming and repair of damage - but only just possibly. Thus, the priority needs to be to improve the quality of cryopreservation - in terms of the reliability of getting people the best preservation that is technologically possible, which means all manner of things like getting hospitals more comfortable with cryonics practice and getting people to wear alarms that will alert people if they undergo cardiac arrest when alone, but even more importantly in terms of the tech itself, to reduce (greatly) the damage that is done to cells and tissues by the cryopreservation process.
Aubrey de Grey
Mona rushed through the shower and selected her best dress, a slinky black wraparound number that she ordered on a whim, online. She piled her hair into a messy up do and lined her eyes in black liner with grey eye shadow for a smoky effect. Berry lip stick, dangly silver earrings and a spritz of perfume completed the look. Just as she was slipping on a pair of strappy heels, her cell phone buzzed. It was her Aunt Bee calling. “Darling! The BOGO sale is a great success. Alana says you almost brought the Frugalicious server down!” “I did!” “Blackberry ginger jam is a knock out!” “Well, it may have been knocked off too.” “Whatdya mean?” Aunt Bee asked. “Lacey MacInroy got hold of my recipes, and I understand she’s preparing my jam for the As You Slice It gala reception tonight.” “Why that little rat!” Aunt Bee said. “Are you going to the reception?” Mona asked. “No way! Alexander has never honored, not one of the Coupon Clipper’s requests for a sale. Are you going?” Aunt Bee asked. “Yup. On my way now. Wish me luck,” and as Mona hung up, she heard Aunt Bee squeak out, “Luck with what?” Mona admired her reflection in the mirror and declared herself ready for action. Grabbing her car keys and purse, she nearly stumbled, racing down the front steps. Driving into town, she felt a feeling she had not experienced in a long time, bravery. This new-found liberation from caring about what anyone thought about her was freeing. She felt like her old self once more, that girl she used to be the
Diana Orgain (Murder as Sticky as Jam (A Gluten Free Mystery, #1))
Use your little grey cells mon ami” Hercule Poiro
Agatha Christie
Mon ami, I want to open your brain flap and tickle your little grey cells.
Et Imperatrix Noctem
The true work, it is done from within. The little grey cells—remember always the little grey cells, mon ami.” -- Hercule Poirot
Agatha Christie (The Murder on the Links (Hercule Poirot, #2))
And his mistake?’ I asked, although I suspected the answer. ‘Mon ami, he overlooked the little grey cells of Hercule Poirot.’ Poirot has his virtues, but modesty is not one of them.
Agatha Christie (The Big Four (Hercule Poirot, #5))