The Last Czars Quotes

Me, I always stayed away from him. Where I come from they have a saying: ‘The farther away you keep from the czar, the longer you stay alive.’ 

She drank like a Czar and sang like a broken squeezebox and danced like the Sugarplum Fairy cutting loose at last

What was America in 1492 but a Loose-Fish, in which Columbus struck the Spanish standard by way of wailing it for his royal master and mistress? What was Poland to the Czar? What Greece to the Turk? What India to England? What at last will Mexico be to the United States? All Loose-Fish.

In the last century, when a wicked and unworthy subject annoyed the Sultan of Turkey or the Czar of Russia, he had his head cut of without much ceremony; but when the same happened in England, the monarch declared: ‘We are not amused’; and the whole British nation even now, a century later, is immensely proud of how rude their Queen was.

But if the doctrine of Fast-Fish be pretty generally applicable, the kindred doctrine of Loose-Fish is still more widely so. That is internationally and universally applicable. What was America in 1492 but a Loose-Fish, in which Columbus struck the Spanish standard by way of waifing it for his royal master and mistress? What was Poland to the Czar? What Greece to the Turk? What India to England? What at last will Mexico be to the United States? All Loose-Fish.

Adams's diplomatic victory was Napoleonic in its magnitude and completeness, Even Caulaincourt, whom he overthrew, good-naturedly congratulated him after he had succeeded,against Caulaincourt"s utmost efforts,in saving all American ships."It seems you are great favorites here;you have found powerful protection,"said the defeated ambassador.The American minister felt but one drawback, he could not wholly believe that his victory was sure.Anxious by temperament,with little confidence in his own good fortune,fighting his battles with energy,but rather with that of despair than hope,the younger Adams never allowed himself to enjoy the full relish of a triumph before it staled, while he never failed to taste with the fullest flavor,as though it were a precious wine,every drop in the bitter cup of his defeats. In this, the most brilliant success of his diplomatic career, he could not be blamed for doubting whether such fortune could last. That the czar of Russia should persist in braving almost sure destruction in order to defend American rights which America herself proclaimed to be unassailed, passed the bounds of fiction.

Humphrey Not another czar, please, Prime Minister. In the last three years we’ve appointed an Enterprise Czar, a Youth-Crime Czar, a Welfare Supremo, a Pre-School Supremo, an Unemployment Watchdog, a Banking Regulator, a Science and Technology Supremo and a Community Policing Czar. If you go on like this you won’t need a Cabinet. Jim Perfect! Humphrey Perfect? Prime Minister, we even have a Twitter Czar! Bernard His appointment was announced as a Tweet. Humphrey What’s he supposed to achieve? Jim The same as the others: at least twelve column inches in every paper.

What was America in 1492 but a Loose-fish, in which Columbus struck the spanish standard by way of waifing it for his royal master and mistress? What was Poland to the Czar? What Greece to the Turk? What India to England? What at last will Mexico be to the United States? All Loose-Fish. What are the Rights of Man and the Liberties of the World but Loose-Fish? What all men’s minds and opinions but Loose-Fish? What is the principle of religious belief in them but a Loose-Fish? What to the ostentatious smuggling verbalists are the thoughts of thinkers but Loose-Fish? What is the great globe itself but a Loose-Fish?

Peter the Great was probably the equal, in dedication, power and ruthlessness, of many of the most successful revolutionary or nationalist leaders. Yet he failed in his chief purpose, which was to turn Russia into a Western nation. And the reason he failed was that he did not infuse the Russian masses with some soul-stirring enthusiasm. He either did not think it necessary or did not know how to make of his purpose a holy cause. It is not strange that the Bolshevik revolutionaries who wiped out the last of the Czars and Romanovs should have a sense of kinship with Peter—a Czar and a Romanov. For his purpose is now theirs, and they hope to succeed where he failed. The Bolshevik revolution may figure in history as much an attempt to modernize a sixth of the world’s surface as an attempt to build a Communist economy. The

Moscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years. When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nail—to hang a painting on the landing at the top of the stairs—to mark the end of a long war. The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Cézanne. No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils. Or, as the case may be, the paintings. Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob. And still the painting stayed hanging, the music kept playing, and the party itself seemed to last—echoing out onto the street, fading into the frigid air of the night. The party on the first Friday of February was a fund-raiser—though for what cause or foundation, no one really knew. It didn’t matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below. But one of the partygoers was not, actually, the same. When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscow’s winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window. And jumped. And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.

For Allan’s father, the whole thing had acquired a personal dimension since Lenin had forbidden all private ownership of land the very day after Allan’s father had purchased 130 square feet on which to grow Swedish strawberries. “The land didn’t cost more than four rubles, but they won’t get away with nationalizing my strawberry patch,” wrote Allan’s father in his very last letter home, concluding: “Now it’s war!” And war it certainly was—all the time. In just about every part of the world, and it had been going on for several years. It had broken out about a year before little Allan had got his errand-boy job at Nitroglycerin Ltd. While Allan loaded his boxes with dynamite, he listened to the workers’ comments on events. He wondered how they could know so much, but above all he marveled at how much misery grown men could cause. Austria declared war on Serbia. Germany declared war on Russia. Then, Germany conquered Luxembourg a day before declaring war on France and invading Belgium. Great Britain then declared war on Germany, Austria declared war on Russia, and Serbia declared war on Germany. And on it went. The Japanese joined in, as did the Americans. In the months after the Czar abdicated, the British took Baghdad for some reason, and then Jerusalem. The Greeks and Bulgarians started to fight each other while the Arabs continued their revolt against the Ottomans…. So “Now it’s war!” was right.

The tramp steamer entered my field of vision as slowly as a wounded saurian. I could not believe my eyes. With the wondrous splendor of Saint Petersburg in the background, the poor ship intruded on the scene, its sides covered with dirty streaks of rust and refuse that reached all the way to the waterline. The captain's bridge, and the row of cabins on the deck for crew members and occasional passengers, had been painted white a long time before. Now a coat of grime, oil, and urine gave them an indefinite color, the color of misery, of irreparable decadence, of desperate, incessant use. The chimerical freighter slipped through the water to the agonized gasp of its machinery and the irregular rhythm of driving rods that threatened at any moment to fall silent forever. Now it occupied the foreground of the serene, dreamlike spectacle that had held all my attention, and my astonished wonder turned into something extremely difficult to define. This nomadic piece of sea trash bore a kind of witness to our destiny on earth, a pulvis eris that seemed truer and more eloquent in these polished metal waters with the gold and white vision of the capital of the last czars behind them. The sleek outline of the buildings and wharves on the Finnish coast rose at my side. At that moment I felt the stirrings of a warm solidarity for the tramp steamer, as if it were an unfortunate brother, a victim of human neglect and greed to which it responded with a stubborn determination to keep tracing the dreary wake of its miseries on all the world's seas. I watched it move toward the interior of the bay, searching for some discreet dock where it could anchor without too many maneuvers and, perhaps, for as little money as possible. The Honduran flag hung at the stern. The final letters of the name that had almost been erased by the waves were barely visible:... cyon. In what seemed too mocking an irony, the name of this old freighter was probably the Halcyon.

In just a bony fistful of years, classical Russian food culture vanished, almost without a trace. The country's nationalistic euphoria on entering World War I in 1914 collapsed under nonstop disasters presided over by the 'last of the Romanovs': clueless, autocratic czar Nicholas II and Alexandra, his reactionary, hysterical German-born wife. Imperial Russia went lurching toward breakdown and starvation. Golden pies, suckling pigs? In 1917, the insurgent Bolsheviks' banners demanded simply the most basic of staples - khleb (bread) - along with land (beleaguered peasants were 80 percent of Russia's population) and an end to the ruinous war. On the evening of October 25, hours before the coup by Lenin and his tiny cadre, ministers of Kerensky's foundering provisional government, which replaced the czar after the popular revolution of February 1917, dined finely at the Winter Palace: soup, artichokes, and fish. A doomed meal all around.

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after the Meiji Period, which lasted from 1869 to 1912, these persecuted artists led lives of bare subsistence in slums and narrow alleys. Struggling to elude the vigilant eyes of the government, which had outlawed tattooing, they kept their skills alive by creating works of art that could never be shown in public. The names that spring to mind are Horiuno I and II, followed by Horikane, Horikin, Horigoro, Horiyasu, and a couple of others. “Of course, no list of post-Meiji tattoo artists would be complete without the renowned Honcho the First. As you may know, he created a nationwide scandal in Japan in 1900 by committing ‘love suicide’ with a woman who was not his wife. Horicho had already left his mark on posterity, not just in Japan but overseas as well, by tattooing highly publicized dragons on the forearms of the English Duke of York, who became King George V, and the czarevitch of Russia, later Czar Nicholas II. At the time, Horicho’s was the only legal tattoo parlor left open in Yokohama. It was there—attracted, no doubt, by a sign that read ‘For Foreigners Only’—that both George and Nicholas got their dragons.

That is why totalitarian regimes, secular and religious, inevitably are antisemitic. Totalitarian regimes by definition aim to control the totality of their citizens’ lives and can therefore tolerate no uncontrolled religious or national expressions, both of which are part of Judaism. Once the Jewish roots of antisemitism are recognized, the only solutions to the “Jewish Problem,” as far as antisemites are concerned, are obvious. The Jews must either convert, be expelled, or murdered. In the 1880s, the Russian czar’s procurator of the Holy Synod and architect of Russian government policy at the time, Constantine Pobedonostev, is said to have offered precisely this advice: One-third of the Jews living in the Russian Empire should be converted to Christianity, one-third should be expelled, and one-third should be put to death.9 In fact, for the last two thousand years, this has repeatedly been the chronological order of antisemitic acts.