The Invalid's Story Quotes

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Trauma is personal. It does not disappear if it is not validated. When it is ignored or invalidated the silent screams continue internally heard only by the one held captive. When someone enters the pain and hears the screams healing can begin.
Danielle Bernock (Emerging With Wings: A True Story of Lies, Pain, And The LOVE that Heals)
Trauma is personal. It does not disappear if it is not validated. When it is ignored or invalidated the silent screams continue internally heard only by the one held captive.
Danielle Bernock (Emerging With Wings: A True Story of Lies, Pain, And The LOVE that Heals)
It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listens to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges help, gives credit, says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the lonely, is the whole thing. What is most beautiful is least acknowledged. What is worth dying for is barely noticed.
Laura McBride (We Are Called to Rise)
No denial of the truth will ever invalidate it.
Nikki Rosen (In The Eye Of Deception: A True Story)
It's like roses and thorns, justice and grace. You can recognize the beauty and happy parts of your story while also recognizing the more difficult parts. The two can coexist. The highs aren't automatically erased or invalidated by the lows.
Jill Duggar (Counting the Cost)
It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listens to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges help, gives credit, says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the lonely, is the whole thing. What is most beautiful, is least acknowledged. What is worth dying for is barely noticed.
Laura McBride (We Are Called to Rise)
The Bible was written two thousand years ago. The world is a different place now. Stories that had meaning then are meaningless now. Beliefs that might have been valid then are invalid now. Those books should be looked at in the same way we look at anything of that age with interest with an acknowledgement of the historical importance but they should not be thought of as anything that has any value.
James Frey (The Final Testament of the Holy Bible)
She was one of those invalids who has to lie down a lot, and sometimes can't lift a bread knife, but can shift a mahogany wardrobe if the fancy is upon her to see it in a different place.
Lynne Truss (Tennyson's Gift: Stories from the Lynne Truss Omnibus, Book 2)
A label is a mask life wears. We put labels on life all the time. "Right," "wrong," "success," "failure," "lucky," "unlucky," may be as limiting a way of seeing things as "diabetic," "epileptic," "manic-depressive," or even "invalid." Labeling sets up an expectation of life that is often so compelling we can no longer see things as they really are. This expectation often gives us a false sense of familiarity toward something that is really new and unprecedented. We are in relationship with our expectations and not with life itself.
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
For the only time in my life I would be living with a chain-smoking semi-invalid whose chief point of pride in life was his membership in the Ku Klux Clan.
Katherine Paterson (Stories of My Life)
What do you think? This ought to be the right kind of place for tough guy like you. Garbage cans. Rats galore. Plenty of cat-bums to gang around with. So scram,’ she said, dropping him… '...I told you. We just met by the river one day: that’s all. Independents, both of us. We never made each other any promises. We never -’ she said, and her voice collapsed, a tic, an invalid whiteness seized her face. The car had paused for a traffic light. Then she had the door open, she was running down the street; and I ran after her. ...she shuddered, she had to grip my arm to stand up: ‘Oh, Jesus God. We did belong to each other. He was mine.’ Then I made her a promise, I said I’d come back and find her cat. ‘I’ll take care of him, too. I promise.’ She smiled: that cheerless new pinch of a smile. ‘But what about me?’ she said, whispered, and shivered again. ‘I’m very scared, Buster. Yes, at last. Because it could go on forever. Not knowing what’s yours until you’re thrown it away. The mean reds, they’re nothing...
Truman Capote (Breakfast at Tiffany’s and Three Stories)
When I'm painting, I create a story in my head of what inspired the confession and who it came from. But when I find out that the image I had while painting doesn't fit the actual image standing in front of me, it somehow invalidates the art for me..
Colleen Hoover
They will do their best to invalidate your story. If that doesn’t work, they will tell you not to tell your story.
Amy Hollingsworth (Runaway Radical: A Young Man's Reckless Journey to Save the World)
Human existence is temporary and all the knowledge of the universe we acquire will in time be forgotten because there will be no humans left to benefit from any of the stuff we learned. And yet, this doesn't invalidate scientific exploration to me. We seek to understand the universe because it makes our lives better and more rich. Similarly, we tell stories (and think about why and how to tell stories) because it makes human existence richer. Made-up stories matter. They bring us pleasure and solace and nurture empathy by letting us see the world through others' eyes. They also help us to feel unalone, to understand that our grief and joy is shared not just by those around us but by all those who came before us and all those still yet to come.
John Green
The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.
Cornell Woolrich
There are few things as tragic as when we tacitly agree to the notion that our unchangeable truth is somehow invalid. Less than. Broken. Wrong. That pretending is necessary for professional opportunity or personal acceptance. I’ve done it a million times in ways large and small, and I can tell you this: trying to hide in plain sight is frustrating, disorienting, isolating—an exhausting game of (only possible) short-term gains in exchange for very-certain long-term exclusion. When we agree to play, we not only hide and cast doubt upon our experiences. We’ve willingly participated in the invalidation of ourselves.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
She wanted them to go together to some hopelessly disreputable bar and to console one another in the most maudlin fashion over a lengthy succession of powerful drinks of whiskey, to compare their illnesses, to marry their invalid souls for these few hours of painful communion, and to babble with rapture that they were at last, for a little while, they were no longer alone.
Jean Stafford (The Collected Stories of Jean Stafford)
They tell a story, probably not true, about a cap trooper who was sight-seeing in Paris. He visited Les Invalides, looked down at Napoleon's coffin, and said to a French guard there: "Who's he?" The Frenchman was properly scandalized. "Monsieur does not know? This is the tomb of Napoleon! Napoleon Bonaparte! The greatest soldier who ever lived!" The cap trooper thought about it. Then he asked, "So? Where were his drops?
Robert A. Heinlein
He would like to burrow under the earth like a bulb, like a root, to where it is still warm. To hibernate with his thoughts and feelings. To remain silent with a shrivelling mouth. He wishes that all the statements, insults, promises he has uttered would become invalid, forgotten by everyone and he himself forgotten too. But no sooner is he secured in the silence, no sooner does he fancy that he has wrapped himself up like a chrysalis, than he is no longer right. A wet, cold wind blows his absence of expectations around the corner, over a flower-stall filled with evergreens and flowers for the dead. And suddenly he is holding in his hands the snowdrops that he didn't want to buy--he who wanted to go empty-handed! The bells of the snowdrops begin to ring wildly and soundlessly, and he goes to where his ruin awaits him. Filled with expectation as never before, with the expectation and the desire for salvation accumulated through all the years.
Ingeborg Bachmann (The Thirtieth Year: Stories)
That’s the thing about being human, Dare. All our stories are different, all our experiences unique to us. One person’s hardships don’t invalidate another’s.
Riley Hart (The End Zone (Atlanta Lightning, #2))
Human societies have always defined themselves through narration, but nowadays corporations are telling man’s stories for him.
Tom Robbins (Fierce Invalids Home From Hot Climates: A Novel)
So, yes, I am grateful. But I am also realistic. There is much that I can look back on and smile, but I picked up some wounds along the way. It’s like roses and thorns, justice and grace. You can recognize the beauty and happy parts of your story while also recognizing the more difficult parts. The two can coexist. The highs aren’t automatically erased or invalidated by the lows.
Jill Duggar (Counting the Cost)
She was one of those semi-invalids ¬— I believe she had really something wrong with her, but whatever it was she played it for all it was worth. She was capricious, exacting, unreasonable. She complained from morning to night. George was expected to wait on her hand and foot, and every thing he did was always wrong and he got cursed for it. Most men, I'm fully convinced, would have hit her over the head with a hatchet long ago. Eh, Dolly, isn't that so? ‘She was a dreadful woman,’ said Mrs Bantry with conviction. ‘If George Pritchard had brained her with a hatchet, and there had been any woman on the jury, he would have been triumphantly acquitted.
Agatha Christie (The Blue Geranium: A Miss Marple Short Story (Miss Marple))
When I'm painting, I create a story in my head of what inspired the confession and who it came from. But when I find out that the image I had while painting doesn't fit the actual image standing in front of me, it somehow invalidates the art for me.
Colleen Hoover (Confess)
But we do go forward. Inspired, once again, by military service and a war against a racist enemy—this time Nazi Germany—Black Americans press their calls for equality. The Supreme Court invalidates government racial segregation, in public schools and elsewhere.
Kermit Roosevelt III (The Nation That Never Was: Reconstructing America's Story)
When someone tells you who and what they are. Believe them the first time. They know themselves better than you do. They know what they’ve lived. You don’t. You only see an exterior. And whether you choose to invalidate them or not then, is up to the person that ‘you’ are.
Maya Angelou
The gossiper’s unwillingness or inability to confront the target of their gossip becomes a defense mechanism and their cocoon becomes an effective firewall. They will avoid such a confrontation for fear that they and/or their story will be invalidated when and if new facts surface to support the position of the gossip victim.
Amir Fathizadeh (Gossip: The Road to Ruin)
We rarely get the chance to see things anew. I remember a Latin translation that caused me to fail an exam at school because one of the words, translated for us at the bottom of the page and intended to help, was invalid. I read this to mean false, null, illegal. The opposite of valid. But it was meant to be understood as invalid as in a sick person. It torpedoed my entire translation. Instead of tending to the sick, priests were being accused of fraudulence and neglecting their duties. Even though it didn't match up with the grammar, or the story, I kept on returning to that word to check, and every time I saw it only as I had done already—invalid, null, void.
Olivia Sudjic (Sympathy)
We are experiencing a cultural collapse. The very same collapse that was experienced by the Plains Indians when their way of life was destroyed and they were herded onto reservations. The very same collapse that was experiences by aboriginal people overrun by us in Africa, everywhere. For all of us, in just a few decades, shocking realities invalidated our vision of the world and made nonsense of a destiny that had always seemed self evident. The outcome: things fall apart. Order and purpose are replaced by chaos and bewilderment. People lose the will to live, become listless, violent, suicidal, addicted. The frog smiled for ten thousand years, as the water got hotter and hotter and hotter, but eventually when the water began to boil , the frog was dead.
Daniel Quinn (The Story of B (Ishmael, #2))
Fifty years in this northern land Living as a machine that speaks Living as a human under a yoke Without talent With a pure indignation Written not with pen and ink But with bones drenched with blood and tears Is this writing of mine Though they be dry as a desert And rough as a grassland Shabby as an invalid And primitive as stone tools Reader! I beg you to read my words. —Bandi
Bandi (The Accusation: Forbidden Stories from Inside North Korea)
Over recent years I had increasingly lost faith in literature. I read and thought, this is something someone has made up. Perhaps it was because we were totally inundated with fiction and stories. It had got out of hand. Wherever you turned you saw fiction. All these millions of paperbacks, hardbacks, DVDs, and TV series, they were all about made-up people in a made-up, though realistic, world. And news in the press, TV news, and radio news had exactly the same format, documentaries had the same format, they were also stories, and it made no difference whether what they told had actually happened or not. It was a crisis, I felt it in every fiber of my body, something saturating was spreading through my consciousness like lard, not the least because the nucleus of all this fiction, whether true or not, was verisimilitude and the distance it held to reality was constant. In other words, it saw the same. This sameness, which was our world, was being mass-produced. The uniqueness, which they all talked about, was thereby invalidated, it didn’t exist, it was a lie. Living like this, with the certainty that everything could equally well have been different, drove you to despair.
Karl Ove Knausgård (A Man in Love)
Uncompensated emancipation suggests not that the Founders’ Constitution is being changed but that it is being repudiated—claims based on slavery are as invalid as claims based on rebel debt. Uncompensated emancipation is of course also a feature of the Emancipation Proclamation—and the Takings Clause issue is one of several reasons to think that the Emancipation Proclamation is unconstitutional under the Founders’ Constitution.
Kermit Roosevelt III (The Nation That Never Was: Reconstructing America's Story)
The Man Who Ploughed the Sea First published in Satellite, June 1957 Collected in Tales from the White Hart This story was written in Miami, in 1954. Despite the lapse of time, many of the themes of this story are surprisingly up-to-date, and a few years ago I was amazed to read a description in a scientific journal of a ship-borne device to extract uranium from sea water! I sent a copy of the story to the inventors, and apologised for invalidating their patent.
Arthur C. Clarke (The Collected Stories of Arthur C. Clarke)
But you just wanted to be loved, cherished, and protected by your parents; to fall in love with someone and be treated with kindness, compassion, and respect; to be treated equitably and respectfully in the workplace; to receive basic empathy. In return for that, you were met with gaslighting, invalidation, rage, contempt, dismissiveness, and cruelty. You did nothing wrong. It’s time to stop crafting the story that you did. Forgiving yourself becomes a key step to working through the grief.
Ramani Durvasula (It's Not You: Identifying and Healing from Narcissistic People)
And what if many-even if most-of the Slothropian stars are proved, some distant day, to refer to sexual fantasies instead of real events? This would hardly invalidate our approach, any more than it did young Sigmund Freud's, back there in old Vienna, facing a similar violation of probability-all those Papi-has-raped-me stories, which might have been lies evidentially, but were certainly the truth clinically. You must realize: we are concerned, at PISCES, with a rather strictly defined, clinical version of truth. We seek no wider agency in this.
Thomas Pynchon (Gravity’s Rainbow)
Cutting. Starving. Compulsive exercising. Drinking. Drugs. Hair pulling. Skin picking. These are not attention-grabbing strategies, or else why would we, who employ them, work so very hard to keep our behaviors secret? They are evidence of poor coping skills. Of terrible anxiety. Of invalidation and loneliness—and shame. Manifestations of anxiety and cognitive rigidity to the point of epidemic levels. Why? It’s all about relief. About trying to escape from your own feelings and experiences of the world that those of us on the spectrum are constantly told are wrong.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
Actually, some asexual people celebrate sex—up to and including engaging in it themselves despite lack of sexual attraction. Some asexual people write stories or produce art depicting sexual situations and/or nudity. Some asexual people have no problem with consuming media that contains sexual content. They do not have to be attracted to other people to appreciate or create positive portrayals of these relationships. This can be especially difficult to explain if an asexual artist does create sexually explicit material, because people want to know whether they’re creating this because they secretly desire it. Or they might reverse the issue and suggest asexual people have no business creating this media—or that they can’t be good at it—if they don’t have personal experience. What artists choose to make art about has absolutely no bearing on what they’re attracted to or what they might want to experience themselves. Art can be used to express personal desires, but no one should assume someone must be doing so if that person depicts experiences or images contrary to personally expressed desires, and no one should use a person’s artwork or subject matter to invalidate claims. Asexual artists cannot be restricted to creating media that is devoid of sex. Asexual artists know and accept that most people are attracted sexually to others, so if they want to write realistic books or movies, they generally have to create at least some of their subjects with that dimension attached to them.
Julie Sondra Decker (The Invisible Orientation: An Introduction to Asexuality)
Gratitude is not a psychological or political panacea, like a secular prosperity gospel, one that denies pain or overlooks injustice, because being grateful does not “fix” anything. Pain, suffering, and injustice—these things are all real. They do not go away. Gratitude, however, invalidates the false narrative that these things are the sum total of human existence, that despair is the last word. Gratitude gives us a new story. It opens our eyes to see that every life is, in unique and dignified ways, graced: the lives of the poor, the castoffs, the sick, the jailed, the exiles, the abused, the forgotten as well as those in more comfortable physical circumstances. Your life. My life. We all share in the ultimate gift—life itself. Together. Right now.
Diana Butler Bass (Grateful: The Transformative Power of Giving Thanks)
In September 1841 the journey from Torquay was actually achieved, and Miss Barrett returned to her father’s house in London, from which she was never to be absent for more than a few hours at a time until the day, five years later, when she finally left it to join her husband, Robert Browning. Her life was that of an invalid, confined to her room for the greater part of each year, and unable to see any but a few intimate friends. Still, she regained some sort of strength, especially during the warmth of the summer months, and was able to throw herself with real interest into literary work. In a life such as this there are few outward events to record, and its story is best told in Miss Barrett’s own letters, which, for the most part, need little comment.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.
Margaret Irwin (Bloodstock and Other Stories)
This, of course, gives rise to the argument of the invalidation of the Old Testament with the coming of the New, the idea being that the actions of Jesus were so antithesis to the “laws” prescribed in Exodus and Leviticus that the modern Christian should base the standards of his doctrine on the teaching of the son of their god instead. There are several large flaws with this reasoning, my favorite being the most obvious: no one does it, and if they did, what would be the point of keeping the Old Testament? How many Christian sermons have been arched around Old Testament verses, or signs waved at protests and marches bearing Leviticus 18:22, etc? Where stands the basis for the need to splash the Decalogue of Exodus in public parks and in school rooms, or the continuous reference of original sin and the holiness of the sabbath (which actually has two distinctly different definitions in the Old Testament)? A group of people as large as the Christian nation cannot possibly hope to avoid the negative reaction of Old Testament nightmares (e.g. genocide, rape, and infanticide, amongst others) by claiming it shares no part of their modern doctrine when, in actuality, it overflows with it. Secondly, one must always remember that the New Testament is in constant coherence with proving the prophecy of the Old Testament, continuously referring to: “in accordance with the prophet”, etc., etc., ad nauseum—the most important of which coming from the words of Jesus himself: “Do not think I have come to abolish the law or the prophets. I have not come to abolish but to fulfill. Amen, I say to you, until heaven and earth pass away, not the smallest part or the smallest part of a letter will pass from the law, until all things have taken place.” (Matthew 5:17) And even this is hypocritical, considering how many times Jesus himself stood in the way of Mosaic law, most notably against the stoning of the woman taken by the Pharisees for adultery, the punishment of which should have resulted in her death by prophetic mandate of the Old Testament despite the guilt that Jesus inflicted upon her attackers (a story of which decent evidence has been discovered by Bart Ehrman and others suggesting that it wasn’t originally in the Gospel of John in the first place [7]). All of this, of course, is without taking into account the overwhelming pile of discrepancies that is the New Testament in whole, including the motivation for the holy family to have been in Bethlehem versus Nazareth in the first place (the census that put them there or the dream that came to Joseph urging him to flee); the first three Gospels claim that the Eucharist was invented during Passover, but the Fourth says it was well before, and his divinity is only seriously discussed in the Fourth; the fact that Herod died four years before the Current Era; the genealogy of Jesus in the line of David differs in two Gospels as does the minutiae of the Resurrection, Crucifixion, and the Anointment—on top of the fact that the Gospels were written decades after the historical Jesus died, if he lived at all.
Joshua Kelly (Oh, Your god!: The Evil Idea That is Religion)
From the story he told me, I pictured him among those bands of vagrants that in the years that followed I saw more and more often roaming about Europe: false monks, charlatans, swindlers, cheats, tramps and tatterdemalions, lepers and cripples, jugglers, invalid mercenaries, wandering Jews escaped from the infidels with their spirit broken, lunatics, fugitives under banishment, malefactors with an ear cut off, sodomites, and along with them ambulant artisans, weavers, tinkers, chair-menders, knife-grinders, basket-weavers, masons, and also rogues of every stripe, forgers, scoundrels, cardsharps, rascals, bullies, reprobates, recreants, frauds, hooligans, simoniacal and embezzling canons and priests, people who lived on the credulity of others, counterfeiters of bulls and papal seals, peddlers of indulgences, false paralytics who lay at church doors, vagrants fleeing from convents, relic-sellers, pardoners, soothsayers and fortunetellers, necromancers, healers, bogus alms-seekers, fornicators of every sort, corruptors of nuns and maidens by deception and violence, simulators of dropsy, epilepsy, hemorrhoids, gout, and sores, as well as melancholy madness. There were those who put plasters on their bodies to imitate incurable ulcerations, others who filled their mouths with a blood-colored substance to feign accesses of consumption, rascals who pretended to be weak in one of their limbs, carrying unnecessary crutches and imitating the falling sickness, scabies, buboes, swellings, while applying bandages, tincture of saffron, carrying irons on their hands, their heads swathed, slipping into the churches stinking, and suddenly fainting in the squares, spitting saliva and popping their eyes, making the nostrils spurt blood concocted of blackberry juice and vermilion, to wrest food or money from the frightened people who recalled the church fathers’ exhortations to give alms: Share your bread with the hungry, take the homeless to your hearth, we visit Christ, we house Christ, we clothe Christ, because as water purges fire so charity purges our sins.
Umberto Eco (The Name Of The Rose)
write animal stories. This one was called Dialogues Between a Cow and a Filly; a meditation on ethics, you might say; it had been inspired by a short business trip to Brittany. Here’s a key passage from it: ‘Let us first consider the Breton cow: all year round she thinks of nothing but grazing, her glossy muzzle ascends and descends with impressive regularity, and no shudder of anguish comes to trouble the wistful gaze of her light-brown eyes. All that is as it ought to be, and even appears to indicate a profound existential oneness, a decidedly enviable identity between her being-in-the-world and her being-in-itself. Alas, in this instance the philosopher is found wanting, and his conclusions, while based on a correct and profound intuition, will be rendered invalid if he has not previously taken the trouble of gathering documentary evidence from the naturalist. In fact the Breton cow’s nature is duplicitous. At certain times of the year (precisely determined by the inexorable functioning of genetic programming) an astonishing revolution takes place in her being. Her mooing becomes more strident, prolonged, its very harmonic texture modified to the point of recalling at times, and astonishingly so, certain groans which escape the sons of men. Her movements become more rapid, more nervous, from time to time she breaks into a trot. It is not simply her muzzle, though it seems, in its glossy regularity, conceived for reflecting the abiding presence of a mineral passivity, which contracts and twitches under the painful effect of an assuredly powerful desire. ‘The key to the riddle is extremely simple, and it is that what the Breton cow desires (thus demonstrating, and she must be given credit here, her life’s one desire) is, as the breeders say in their cynical parlance, “to get stuffed”. And stuff her they do, more or less directly; the artificial insemination syringe can in effect, whatever the cost in certain emotional complications, take the place of the bull’s penis in performing this function. In both cases the cow calms down and returns to her original state of earnest meditation, except that a few months later she will give birth to an adorable little calf. Which, let it be said in passing, means profit for the breeder.’ * The breeder, of course, symbolized God. Moved by an irrational sympathy for the filly, he promised her, starting from the next chapter, the everlasting delight of numerous stallions, while the cow, guilty of the sin of pride, was to be gradually condemned to the dismal pleasures of artificial fertilization. The pathetic mooing of the ruminant would prove incapable of swaying the judgment of the Great Architect. A delegation of sheep, formed in solidarity, had no better luck. The God presented in this short story was not, one observes, a merciful God.
Michel Houellebecq (Whatever)
In February 1982, Uli Hoeness was the sole survivor of a plane crash that killed three of his best friends. ‘That day, the sunny boy in me died,’ Hoeness later said, but people who know him well claim it was rather the egotist in him that died. Under his guidance, Bayern slowly and often secretly would now also become what the writer Dietrich Schulze-Marmeling has called a ‘welfare organisation’. No German club played more benefits and did more to raise money for those in need than Bayern. And when Markus Babbel left the club for Liverpool under less than amicable circumstances in 2000, he always let it be known he would never speak badly of Hoeness. ‘Among the top clubs in Europe, Bayern are the most humane,’ Babbel said. ‘They have always shown generosity when there were problems. Take Alan McInally, who became an invalid and didn’t have any insurance. The club said: we’ll give you severance pay. They practically gifted him the money. Our business manager is somebody you can talk to about such things.
Ulrich Hesse-Lichtenberger (Tor!: The Story Of German Football)
Do you see?” asked Renee. “I’ve just disproved most of mathematics: it’s all meaningless now.” She was getting agitated, almost distraught; Carl chose his words carefully. “How can you say that? Math still works. The scientific and economic worlds aren’t suddenly going to collapse from this realization.” “That’s because the mathematics they’re using is just a gimmick. It’s a mnemonic trick, like counting on your knuckles to figure out which months have thirty-one days.” “That’s not the same.” “Why isn’t it? Now mathematics has absolutely nothing to do with reality. Never mind concepts like imaginaries or infinitesimals. Now goddamn integer addition has nothing to do with counting on your fingers. One and one will always get you two on your fingers, but on paper I can give you an infinite number of answers, and they’re all equally valid, which means they’re all equally invalid. I can write the most elegant theorem you’ve ever seen, and it won’t mean any more than a nonsense equation.” She gave a bitter laugh. “The positivists used to say all mathematics is a tautology. They had it all wrong: it’s a contradiction.” Carl tried a different approach. “Hold on. You just mentioned imaginary numbers. Why is this any worse than what went on with those? Mathematicians once believed they were meaningless, but now they’re accepted as basic. This is the same situation.” “It’s not the same. The solution there was to simply expand the context, and that won’t do any good here. Imaginary numbers added something new to mathematics, but my formalism is redefining what’s already there.” “But if you change the context, put it in a different light—” She rolled her eyes. “No! This follows from the axioms as surely as addition does; there’s no way around it. You can take my word for it.” 7
Ted Chiang (Stories of Your Life and Others)
The Communist Thoughts’ propounded & practiced in ‘Democratic Countries’ is actually invalid in Communist Countries.
Sandeep Sahajpal (The Twelfth Preamble: To all the authors to be! (Short Stories Book 1))
So what does it mean, that Peyton Place by Grace Metalious sold more copies than Sanctuary by William Faulkner? It means that reading has as many functions as the human body, and that not all of them are cerebral. One is mere entertainment, the pleasurable whiling away of time; another is more important, not intellectual but serious just the same. "She had learned something comforting," Roald Dahl wrote in Matilda of his ever-reading protagonist, "that we are not alone." And if readers use words and stories as much, or more, to lessen human isolation as to expand human knowledge, is that somehow unworthy, invalid, and unimportant?
Anna Quindlen (How Reading Changed My Life)
it is argued, the religions of the world each have a grasp on part of the truth about spiritual reality, but none can see the whole elephant or claim to have a comprehensive vision of the truth. This illustration backfires on its users. The story is told from the point of view of someone who is not blind. How could you know that each blind man only sees part of the elephant unless you claim to be able to see the whole elephant? There is an appearance of humility in the protestation that the truth is much greater than any one of us can grasp, but if this is used to invalidate all claims to discern the truth it is in fact an arrogant claim to a kind of knowledge which is superior to [all others] . . . We have to ask: ‘What is the [absolute] vantage ground from which you claim to be able to relativize all the absolute claims these different scriptures make?’8 How could you possibly know that no religion can see the whole truth unless you yourself have the superior, comprehensive knowledge of spiritual reality you just claimed that none of the religions have?
Timothy J. Keller (The Reason for God: Belief in an Age of Skepticism)
You can recognize the beauty and happy parts of your story while also recognizing the more difficult parts. The two can coexist. The highs aren’t automatically erased or invalidated by the lows.
Jill Duggar (Counting the Cost)
In a world where some will seek to invalidate your feelings, question your history, and challenge your story, learn to master the art of self-validation. Be good at it to the point where you do not rely on any human being for validation.
Gift Gugu Mona (365 Motivational Life Lessons)
There is much that I can look back on and smile, but I picked up some wounds along the way. It’s like roses and thorns, justice and grace. You can recognize the beauty and happy parts of your story while also recognizing the more difficult parts. The two can coexist. The highs aren’t automatically erased or invalidated by the lows.
Jill Duggar (Counting the Cost)
It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listed to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges helo, gives credit says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the loney, is a whole thing. What is most beautiful is least acknowledged. What is worth dying for is barely noticed.
Laura McBride (We Are Called to Rise)
It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listened to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges help, gives credit, says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the lonely, is a whole thing. What is most beautiful is least acknowledged. What is worth dying for is barely noticed.
Laura McBride (We Are Called to Rise)
It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listens to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges help, gives credit, says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the lonely, is a whole thing. What is most beautiful is least acknowledged. What is worth dying for is barely noticed.
Laura McBride (We Are Called to Rise)
From the story he told me, I pictured him among those bands of vagrants that in the years that followed I saw more and more often roaming about Europe: false monks, charlatans, swindlers, cheats, tramps and tatterdemalions, lepers and cripples, jugglers, invalid mercenaries, wandering Jews escaped from the infidels with their spirit broken, lunatics, fugitives under banishment, malefactors with an ear cut off, sodomites, and along with them ambulant artisans, weavers, tinkers, chair-menders, knife-grinders, basket-weavers, masons, and also rogues of every stripe, forgers, scoundrels, cardsharps, rascals, bullies, reprobates, recreants, frauds, hooligans, simoniacal and embezzling canons and priests, people who lived on the credulity of others, counterfeiters of bulls and papal seals, peddlers of indulgences, false paralytics who lay at church doors, vagrants fleeing from convents, relic-sellers, soothsayers and fortunetellers, necromancers, healers, bogus alms-seekers, fornicators of every sort, corruptors of nuns and maidens by deception and violence, simulators of dropsy, epilepsy, hemorrhoids, gout, and sores, as well as melancholy madness. There were those who put plasters on their bodies to imitate incurable ulcerations, others who filled their mouths with a blood-colored substance to feign accesses of consumption, rascals who pretended to be weak in one of their limbs, carrying unnecessary crutches and imitating the falling sickness, scabies, buboes, swellings, while applying bandages, tincture of saffron, carrying irons on their hands, their heads swathed, slipping into the churches stinking, and suddenly fainting in the squares, spitting saliva and popping their eyes, making the nostrils spurt blood concocted of blackberry juice and vermilion, to wrest food or money from the frightened people who recalled the church fathers’ exhortations to give alms: Share your bread with the hungry, take the homeless to your hearth, we visit Christ, we house Christ, we clothe Christ, because as water purges fire so charity purges our sins.
Umberto Eco (The Name of the Rose)
So what’s your alternative?’ people say, as if that’s logic. We don’t have to have an alternative, that’s not how critique works. We may do, and if we do, you’re welcome, but if we don’t that no more invalidates our hate for this, for what is, than does that of a serf for her lord, her flail-backed insistence that this must end, whether or not she accompanies it with a blueprint for free wage labour.
China Miéville (Three Moments of an Explosion: Stories)
George Alfred Henty (1832–1902), who began his writing career in the 1860s. Henty – educated at Westminster and Caius, Cambridge, the son of a wealthy stockbroker – had been commissioned in the Purveyor’s Department of the army, and gone to the Crimea during the war. There he had drifted into journalism, sending back reports for the Morning Advertiser and the Morning Post before catching fever and being invalided home. He continued to work in the Purveyor’s Department until the mid-Sixties, when the life of the war correspondent and the writer of boys’ adventure stories seemed overwhelmingly more interesting and better paid. Four generations of British children grew up with Henry’s irresistible stories, beautifully produced, bound and edited, on their shelves. The Henty phenomenon – over seventy titles celebrating imperialistic derring-do – really belongs to the 1880s, but deserves a mention here not only because of his radical and political views, but because of the direction taken by his career as a writer. The Henty story, by the time he had got into his stride, followed the formula that a young English lad in his early teens, freed from the shackles of public school or home upbringing by the convenient accident of orphanhood, finds himself caught up in some thrilling historical episode. The temporal sweep is impressive, ranging from Beric at Agincourt to The Briton: a story of the Roman Invasion; but the huge majority are exercises in British imperialist myth-building: By Conduct and Courage, A Story of the Days of Nelson, By Pike and Dyke, By Sheer Pluck, A Tale of the Ashanti War, Condemned as a Nihilist, The Dash for Khartoum, For Name and Fame: or through the Afghan Passes, Jack Archer, A Tale of the Crimea, Through the Sikh War. A Tale of the Punjaub (sic); The Tiger of Mysore, With Buller in Natal, With Kitchener in the Soudan, and so on.
A.N. Wilson (The Victorians)
An underlying question for many people is "what kind of person do you want to be" in their new expression of gender. There is a need for more diverse expressions of "manhood" and "womanhood," "girlhood" and "boyhood" for everyone in culture. Right now there is a story that to become a man or a woman you must act, talk, walk, and dress a certain way. The belief that people of certain genders have to behave in specific ways invalidates people as a whole, trans and non-trans alike. This becomes a call for healthy gender expressions to be modeled for all children. Parents as well as other adults need to model and encourage everyone to be their best, healthiest, self. We get to move beyond our current culture that belittles girls for pursuing intellectual passions, or boys for expressing emotions; a culture that conflates masculinity with abusive behavior, and femininity with victimhood. Examining these issues creates an opportunity to craft a world where people of any gender expression to explore everything they are passionate about, engage with their emotions, and express themselves fully; a world transformed for our children to live without abuse, regardless of our path in life.
Lee Harrington (Traversing Gender: Understanding Transgender Realities)
June, Congress drew up and quickly passed the Fourteenth Amendment that would, once ratified by three-fourths of the states, safeguard the equal-citizenship provisions of the new Civil Rights Act by enshrining them in the Constitution. The amendment would protect the Civil Rights Act from the Supreme Court by invalidating the Dred Scott ruling that African-Americans were not citizens. Since the Constitution assigns the president no role in the amendment
Daniel Brook (The Accident of Color: A Story of Race in Reconstruction)
Henry VIII was a temperamental, fat, semi-invalid with a pus filled leg and a chequered history as a husband.
Roland Hui (The Turbulent Crown: The Story of the Tudor Queens)
For the first time in her life she was aware of the man ’s potential strength; and it came as a shock to her, for, so far, she had merely been concerned with his physical weakness; and though she was flattered by this display of passion she couldn’t quite persuadeherself that it was seemly, or be sure that incidents of this kind wouldn’t interfere with his music. She could never really think of him as anything but the white-faced invalid whom she had rescued from the cinema. So, con- scientiously, and in spite of his irritation, she restrained these ardours. She couldn’t see that the man had been suddenly smitten with beauty, that the thawed blood was beginning to move in his veins, that love was a necessity.
Francis Brett Young (Cage Bird, And Other Stories)
But Catherine — or rather the Catherine of happy memory — had so much more. Even in her present invalid state, she enforced her hard, brilliant personality with a definiteness that reduced little Daphne to the pallor of a still-life pastel beside a strongly-coloured portrait in oils.
Francis Brett Young (Cage Bird, And Other Stories)
Because while I might've been convinced as a child that my life as a black woman somehow invalidated me as a human being, I'm grateful to say that that was some straight-up, country-fried bullshit! Black women gave birth to the planet. Every human being, regardless of race or creed, originated from the womb of a black woman. That's just science! Not only are we the crust and core of civilization, we are innovative. Brilliant. Beautiful... And yes, MAGIC, among many other adjectives. Black women happen to be the most educated group in America (so far), and every day, there are more and more of us being told we can't and defiantly showing the world that we can and we will. It took a while for me to unlearn the bad lessons my parents taught me about my existence by accident, as well as the bad lessons the media has been teaching me on purpose (that's another story entirely), but I'm glad I have learned. I'm even grateful for the bad lessons I was taught in the first place. As it turns out, I'm pretty stubborn, so teaching me that my life will be bad, fueled my ambition to have the best life possible. -- "Gal: A Hard Row to How" by Gadbourey Sidibe
Glory Edim (Well-Read Black Girl: Finding Our Stories, Discovering Ourselves)
There are few things as tragic as when we tacitly agree to the notion that our unchangeable truth is somehow invalid. Less than. Broken. Wrong. That pretending is necessary for professional opportunity or personal acceptance. I’ve done it a million times in ways large and small, and I can tell you this: trying to hide in plain sight is frustrating, disorienting, isolating—an exhausting game of (only possible) short-term gains in exchange for very-certain long-term exclusion. When we agree to play, we not only hide and cast doubt upon our experiences. We’ve willingly participated in the invalidation of ourselves. And when you have invalidated yourself, there is no limit to what you will allow others to do.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
Masking is an unsustainable response to trauma that over a long period of time can lead to an inability to know who you are and what you need without it. Lost, we often find ourselves doing things that do not align with who really are in an effort to find belonging.
Becca Lory Hector (Always Bring Your Sunglasses: And Other Stories from a Life of Sensory and Social Invalidation)
Portable digital devices are more than just a distraction or entertainment to us; they are essential tools that help us manage sensory overload, emotional stress, and mental exhaustion, often providing a very necessary refuge in a world that can extremely be demanding.
Becca Lory Hector (Always Bring Your Sunglasses: And Other Stories from a Life of Sensory and Social Invalidation)
To begin with, though being sensory sensitive can often be painful and overwhelming, it can also come with a unique set of advantages. Autistics like me with heightened sensory awareness tend to experience the world in a deeply enriched way which allows us to notice subtleties that others usually miss. This can lead to a greater appreciation of art, music, and nature, as we can perceive nuances in color, texture, sound, and flavor that are less apparent to others. Sensory-sensitive people also often exhibit heightened emotional empathy, as our keen perception enables us to pick up on smaller emotional cues. This makes many of us excellent listeners, as well as compassionate friends and partners. Moreover, our sensitivities can foster creativity and innovation, as we have rich sensory experiences to draw from for inspiration. So, while sensory sensitivity definitely has its challenges, it also opens the door to a world rich in detail and depth of experience and can even be a regular source of Autistic joy.
Becca Lory Hector (Always Bring Your Sunglasses: And Other Stories from a Life of Sensory and Social Invalidation)
Instead of being taught to tweak my life according to my needs and make my environment work with me, my childhood experiences taught me to tweak myself instead, that I was the one who was broken, didn’t fit, and needed to be someone else to be valued.
Becca Lory Hector (Always Bring Your Sunglasses: And Other Stories from a Life of Sensory and Social Invalidation)
The importance of experiencing true belonging and having safe spaces to be one's authentic self cannot be overstated, especially for those who routinely feel the need to engage in masking, like Autistics. The act of concealing – minimizing, or changing yourself to conform to societal norms and expectations that do not come naturally to you – demands immense effort and energy. It involves constant monitoring and adjusting your actions, speech, body language, facial expressions, and more which can be both mentally and emotionally draining. This continuous effort can lead to increased stress, anxiety, and an overarching sense of isolation. In contrast, having a safe space where one can be unapologetically authentic allows for a significant reduction in this mental burden.
Becca Lory Hector (Always Bring Your Sunglasses: And Other Stories from a Life of Sensory and Social Invalidation)
Our directness is seen as rude, our passion is seen as "too much," and our honesty is seen as a weakness. But what makes us feel the most gaslit is when our clarifying queries are misinterpreted as "questioning authority.” And it happens all the time.
Becca Lory Hector (Always Bring Your Sunglasses: And Other Stories from a Life of Sensory and Social Invalidation)
Books, and later music and movies, became the best and most reliable way for me to stay regulated. I didn’t understand back then but I spent my first three decades on this planet feeling overwhelmed and seeking approval for the calm alone time that so many Autistics seem to require. What my mom didn’t understand, and what others were judging, was my response to the instinct to protect my overwhelmed brain was to shut down and read. It was the only way I knew to regulate myself. There were no stim toys and fidgets. Nobody was encouraging me to get up and take a walk. And one can only escape to the bathroom so many times.
Becca Lory Hector (Always Bring Your Sunglasses: And Other Stories from a Life of Sensory and Social Invalidation)