The Ink Spots Quotes

It was only then I realized I didn't know the name of Elodin's class. I leafed through the ledger until I spotted Elodin's name, then ran my finger back to where the title of the class was listed in fresh dark ink: "Introduction to Not Being a Stupid Jackass." I sighed and penned my name in the single blank space beneath.

And then she said nothing else, for Henry put his arms around her and kissed her. Kissed her in such a way that she no longer felt plain, or conscious of her hair or the ink spot on her dress or anything but Henry, whom she had always loved. Tears welled up and spilled down her cheeks, and when he drew away, he touched her wet face wonderingly. "Really," he said. "You love me, too, Lottie?

When You Have Forgotten Sunday: The Love Story -- And when you have forgotten the bright bedclothes on a Wednesday and a Saturday, And most especially when you have forgotten Sunday -- When you have forgotten Sunday halves in bed, Or me sitting on the front-room radiator in the limping afternoon Looking off down the long street To nowhere, Hugged by my plain old wrapper of no-expectation And nothing-I-have-to-do and I’m-happy-why? And if-Monday-never-had-to-come— When you have forgotten that, I say, And how you swore, if somebody beeped the bell, And how my heart played hopscotch if the telephone rang; And how we finally went in to Sunday dinner, That is to say, went across the front room floor to the ink-spotted table in the southwest corner To Sunday dinner, which was always chicken and noodles Or chicken and rice And salad and rye bread and tea And chocolate chip cookies -- I say, when you have forgotten that, When you have forgotten my little presentiment That the war would be over before they got to you; And how we finally undressed and whipped out the light and flowed into bed, And lay loose-limbed for a moment in the week-end Bright bedclothes, Then gently folded into each other— When you have, I say, forgotten all that, Then you may tell, Then I may believe You have forgotten me well.

A light white, a disgras, an ink spot, a rosy charm.

Jaz is their drummer. He’s pretty damn good too. Hell, he’s pretty damn good at everything he’s ever tried. Creative little shit.

Summer explodes into Portland. In early June the heat was there but not the color--the green were still pale and tentative, the morning had a biting coolness--but by the last week of school everything is Technicolor and splash, outrageous blue skies and purple thunderstorms and ink-black night skies and red flowers as brights as spots of blood.

Rob opened the door, and a tiny kitten ran out. It stopped to sniff Rob‟s ankle and arched its back, spitting tiny kitty defiance at him. Rob scooped it up. The tiny black bundle barely filled his palm. Dark as ink, the only mark on it was a tiny white spot between its eyes. Rob looked up from the kitten to meet Jamie‟s wide-eyed attempt at innocence. "There was a cat in my closet." "I can explain," Jamie offered. Rob returned to the bed. He dropped the kitten in Jamie‟s lap, causing it to poke unfortunate things with tiny needle claws. "Damn!" Jamie yelped, grabbing the kitten and putting a sheet between his delicate parts and danger. "I took out the trash yesterday, and there she was almost buried in a snow bank shivering." "It was ninety degrees yesterday, and there is no snow." Rob sat down on the edge of the bed. "Aren‟t you supposed to hate cats?" Jamie cuddled the tiny creature in his hands. It wrestled with his fingers. "That‟s dogs. I‟m not a dog, I‟m a wolf. There might not have been a snow bank, but it was dirty and hungry and very sad.

T is sweet to win, no matter how, one's laurels, By blood or ink; 't is sweet to put an end To strife; 't is sometimes sweet to have our quarrels, Particularly with a tiresome friend: Sweet is old wine in bottles, ale in barrels; Dear is the helpless creature we defend Against the world; and dear the schoolboy spot We ne'er forget, though there we are forgot. But sweeter still than this, than these, than all, Is first and passionate Love—it stands alone, Like Adam's recollection of his fall; The Tree of Knowledge has been plucked—all 's known— And Life yields nothing further to recall Worthy of this ambrosial sin, so shown, No doubt in fable, as the unforgiven Fire which Prometheus filched for us from Heaven.

A poetess is not as selfish as you assume. After months of agonising over her marriage of words—the bride— and spaces—the groom, she knows that as soon as she has penned the poem, it’s yours to consume. So, without giving it a think, she blows on the ink and the letters fly away like dandelions on a windy day, landing on hands and lips, on hearts and hips. But more often than not, you can easily spot them trodden and forgotten, becoming sodden and rotten. Yet, she will continue to make what’s others to take because selfishness is not the mark of a poetess.

Grabbing my hand he pulls me to him, and grabs my hips, digging his hand in. "I have the perfect spot for your first tattoo." Reaching for the bottom of my dress, he lifts the front so only he can see, and runs his thumb over my hipbone. "Perfect.

It takes a long time to write something that is easy to read.

I’d always believed that the truth of a person was easily spotted, a line drawn in dark ink on white paper. Now, I wonder. Maybe the truth of who we are lies hidden in all those shades of gray that everyone talks about.

On this spot, on the night of 31 October 1981, Lily and James Potter lost their lives. Their son, Harry, remains the only wizard ever to have survived the Killing Curse. This house, invisible to Muggles, has been left in its ruined state as a monument to the Potters and as a reminder of the violence that tore apart their family. And all around these neatly lettered words, scribbles had been added by other witches and wizards who had come to see the place where the Boy Who Lived had escaped. Some had merely signed their names in Everlasting Ink; others had carved their initials into the wood, still others had left messages. The most recent of these, shining brightly over sixteen years’ worth of magical graffiti, all said similar things. Good luck, Harry, wherever you are. If you read this, Harry, we’re all behind you! Long live Harry Potter. “They shouldn’t have written on the sign!” said Hermione, indignant. But Harry beamed at her. “It’s brilliant. I’m glad they did.

To a casual passerby, his appearance would not have inspired much confidence. His overcoat was patched in spots and frayed at the cuffs, he wore an old tweed suit that was missing a button, his white shirt was stained with ink and tobacco, and his tie--this was perhaps the strangest of all--was knotted not once, but twice, as if he'd forgotten whether he'd tied it and, rather than glancing down to check, had simply tied it again for good measure. His white hair poked out from beneath his hat, and his eyebrows rose from his forehead like great snowy horns, curling over a pair of bent and patched tortoiseshell glasses. All in all, he looked like someone who'd gotten dressed in the midst of a whirlwind and, thinking he still looked too presentable, had thrown himself down a flight of stairs. It was when you looked in his eyes that everything changed. Reflecting no light save their own, they shone brightly in the snow-muffled night, and there was in them a look of such uncommon energy and kindness and understanding that you forgot entirely about the tobacco and ink stains on his shirt and the patches on his glasses and that his tie was knotted twice over. You looked in them and knew that you were in the presence of true wisdom.

Property of B. King. He had it inked on the spot that he said was for something special.

The fact has been made clear that your face—the mobile, harmonious type—was a mask too. In short, we are two spots of the same ink. It was not solely my responsibility.

My North Star,” Augustus whispered, bending to brush his lips over the freshly inked spot on my arm and sending shivers down my spine. “So that we may always come back to each other.

is boring to most people. Nothing happens. On the other end of the spectrum is the story that uses characters who are simply buffeted around by the story. Things happen to them, and character and

Jesus had an affinity for prisoners. He had been one, after all. He must have often felt anxiety and isolation in jail, but He identified with the prisoners. He made a point of befriending the worst and most hated, because His message was that no one was beyond reach of divine love, despite society's way of stating the opposite. God, what a nut. Finally we stood outside an inner gate, showed our IDs to the guards, and got our hands stamped with fluorescent ink. "You don't glow, you don't go," said one cheerful, pockmarked guard, which was the best spiritual advice I'd had in a long time.

"It was hot at the restaurant," I said. "So I rolled up my sleeves." "What?" I pushed my left one up, showing four bruises, dark as ink spots. Simon paled. "My aunt wanted to know what happened. When I wouldn't tell her, she tricked me into admitting it was a boy. She met Derek this morning and he was rude, so she decided it had to be him. I never confirmed it. If he's in trouble, it is not my fault. I had every right to tell someone and I didn't." "Okay, okay." He rubbed his mouth, still staring at my arm. "So he grabbed your arm. That's what it looks like. Right? He just grabbed harder than he thought." "He threw me across the room." Simon's eyes widened, then he lowered his lids to hide his surprise. "But he didn't mean to. If you saw how freaked out he was last night, you'd know that." "So that makes it okay? If I lose my temper and smack you, it's all right, because I didn't mean to, didn't plan to." "You don't understand. He just—" "She's right." Derek's voice preceded him around the corner. I shrank back. I couldn't help it. As I did, a look passed through Derek's eyes. Remorse? Guilt? He blinked it away.

I don’t want to stop. I want to make it better,” he said as she rode harder on his erection. “I want to go down on you. Lap at your clit. Push my tongue inside this juicy spot of yours, eat you from the inside out until you melt in my mouth and beg me to fuck you. Then I’ll spread your legs wide and come deep, deep inside your body. Would you like that, sweetheart?” “Oh God, Cole, oh God. I’m…

At the round table of color, orange sits supreme. Orange is sublime. Orange is ablaze. And seated across from Lady Orange, we have Sir Purple. I ask you, is any color more vulgar? The word alone emerges like something from a lavatory. Purple. Plopple. It’s all prunes, liver spots, and ink stains. If I ever utter a word of praise for that wretched hue, please snatch my pen away and gore me with it.

On this spot, on the night of 31 October 1981, Lily and James Potter lost their lives. Their son, Harry, remains the only wizard ever to have survived the Killing Curse. This house, invisible to Muggles, has been left in its ruined state as a monument to the Potters and as a reminder of the violence that tore apart their family. And all around these neatly lettered words, scribbles had been added by other witches and wizards who had come to see the place where the Boy Who Lived had escaped. Some had merely signed their names in Everlasting Ink; others had carved their initials into the wood, still others had left messages. The most recent of these, shining brightly over sixteen years’ worth of magical graffiti, all said similar things. Good luck, Harry, wherever you are. If you read this, Harry, we’re all behind you! Long live Harry Potter.

St. Bride’s is the journalist’s church on Fleet Street. There have been seven churches on this spot. It’s named for the Irish saint Brigit of Kildare, the virginal head of the old, equal-opportunity Celtic Church. She has, over the years, become the patron of babies, blacksmiths, chickens, bastards, children of abusive fathers, and printing presses. It must have been the combination of bastards and ink that brought her to hacks.

An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep.

If you were to look on him fleetingly, to spare him only a passing glance, you would see only a man. If you looked a moment longer, you might get the feeling that there was something about him, something distinctly different. You might notice something peculiar about his eyes, might spot something strange about the tattoos running the length of his arms. Something out of place, something you cannot quite put your finger on….But to you, he still would be just a man. But a clever eye…a clever eye could see him for what he truly is. A clever eye would notice how his pupils taper at their tops and bottoms. A clever eye would see that his irises are no natural color. A clever eye would see that the patterns coiled on his arms, like blackened tongues of roiling flame, are not sunken into his skin like a tattoo’s Ink, but gently beveled at their edges — a part of his flesh. A clever eye could tell that, no, he is not just a man. Not just a Human. He is a Majiski — one of my people. -The Penitent God

I made a little book, in which I allotted a page for each of the virtues. I rul’d each page with red ink, so as to have seven columns, one for each day of the week, marking each column with a letter for the day. I cross’d these columns with thirteen red lines, marking the beginning of each line with the first letter of one of the virtues, on which line, and in its proper column, I might mark, by a little black spot, every fault I found upon examination to have been committed respecting that virtue upon that day.

The shop was kept by a man called Shackleton who looked exactly as you would wish a bookseller to look. He would never have done for any other sort of shopman – certainly not for a haberdasher or milliner who must be smarter than his customers – but for a bookseller he was perfect. He appeared to be of no particular age. He was thin and dusty and spotted finely all over with ink. He had an air of learning tinged with abstraction. His nose was adorned with spectacles; there was a quill pen stuck behind his ear and a half-unravelled wig upon his head.

Tis sweet to win, no matter how, one’s laurels By blood or ink; ’tis sweet to put an end To strife; ’tis sometimes sweet to have our quarrels, Particularly with a tiresome friend; Sweet is old wine in bottles, ale in barrels; Dear is the helpless creature we defend Against the world; and dear the schoolboy spot We ne’er forget, though there we are forgot. But sweeter still than this, than these, than all, Is first and passionate love— it stands alone, Like Adam’s recollection of his fall; The tree of knowledge has been pluck’d— all’s known— And life yields nothing further to recall Worthy of this ambrosial sin, so shown, No doubt in fable, as the unforgiven Fire which Prometheus filch’d for us from heaven.

Not every change is so subtle. There are chefs in Rome taking the same types of risks other young cooks around the world are using to bend the boundaries of the dining world. At Metamorfosi, among the gilded streets of Parioli, the Columbian-born chef Roy Caceres and his crew turn ink-stained bodies into ravioli skins and sous-vide egg and cheese foam into new-age carbonara and apply the tools of the modernist kitchen to create a broad and abstract interpretation of Italian cuisine. Alba Esteve Ruiz trained at El Celler de Can Roca in Spain, one of the world's most inventive restaurants, before, in 2013, opening Marzapane Roma, where frisky diners line up for a taste of prawn tartare with smoked eggplant cream and linguine cooked in chamomile tea spotted with microdrops of lemon gelée.

I stepped from the desert doorway with nothing except the clothes on my back and a shoulder bag filled with notebooks—blue-lined paper pads bound together with rubber bands and stained with my sweat, with camel shit, by smears of my own blood. The pages crazed with jottings about devastating heat. The bearings for remote wells. Inked maps of pilgrim roads. The divinations of Bedouin fire cures. Mile upon mile of sentences from an austere kingdom still largely closed to the world. I walked along the concrete highway and spotted the first alcoholic artifacts I had seen in seven months (bottles, cans), past a large potash mine, and up the wrinkled coast to a tourist town. I saw women in colorful sarongs. Some drove cars. Nobody watched me. I floated out of a desert wadi like windblown trash. I found an ATM. I asked directions to a posh hotel with knockoff Mies van der Rohe tubular furniture in the lobby. Men gave camel rides to tourists outside. “And where”—asked the clerk, without the least curiosity, as I signed the paperwork—”are you coming from, Mr. Salopek?

His dark room now seemed cool and restfully confining. You could imagine maps in the wallpaper. The roses had faded into vague shells of pink. Only a few silver lines along the vanished stems and in the veins of leaves, indistinct patches of the palest green remained—the faint suggestion of mysterious geography. A grease spot was a marsh, a mountain or a treasure. Irabestis went boating down a crack on cool days, under the tree boughs, bending his head. He fished in a chip of plaster. The perch rose to the bait and were golden in the sunwater. Specks stood for cities; pencil marks were bridges; stains and shutter patterns laid out fields of wheat and oats and corn. In the shadow of a corner the crack issued into a great sea. There was a tear in the paper that looked exactly like a railway and another that signified a range of hills. Some tiny drops of ink formed a chain of lakes. A darker decorative strip of Grecian pediments and interlacing ivy at the ceiling’s edge kept the tribes of Gog and Magog from invasion. Once he had passed through it to the ceiling but it made him dizzy and afraid. Shadows moved quixotically over the whole wall, usually from left to right in tall thin bands, and sank behind the bureau or below the bed or disappeared suddenly in a corner.

I spotted Elodin’s name, then ran my finger back to where the title of the class was listed in fresh dark ink: “Introduction to Not Being a Stupid Jackass.

I let my eyes rest again on the craggy spot, dark as spilled ink and barely out of my reach, where the ice had given way and the hungry lake had swallowed my mother whole.

For future reference, ink discussions involve showing. Mine are in spots that require lack of clothes.

His thumb smoothed over the tiny red marks the pins had made on her palm, and he brought her hand to his face to kiss the little sore spots. His voice curled hotly inside her palm. "Your hand smells like lemons." She opened her eyes and stared at him gravely. "I scrub my hands with lemon juice to remove the ink stains." The information seemed to amuse him, and lights of humor mixed with the heat in his gaze.

Harry had crept downstairs, picked the lock on the cupboard under the stairs, grabbed some of his books, and hidden them in his bedroom. As long as he didn’t leave spots of ink on the sheets, the Dursleys need never know that he was studying magic by night.

A few drops of rain splashed down on his feet, and spread like ink on blotting paper. No two fell in the same spot.

The Fountain Pen inks my spot in the line of silver Stars.

...she went to the usual spot on her finger and poked with the sharp tip until a drop of blood welled obediently to the surface. It was the brightest colour in the room, more alive than even the body it had just quit.

And everywhere you looked there were throngs of book characters, dressed in clothes from every era imaginable: a man in a toga surrounded by a gaggle of girls in dresses with enormous crinolines and ruffs, soldiers marching past them with laser guns, magicians in colorful hats, businesswomen in court shoes and trouser suits, orcs with grotesque misshapen faces. Fairies with dragonfly wings buzzed in and out of the crowd. A goose with a tiny boy riding on its back pecked at the instant happy endings, and was shooed away loudly by the fat lady. Then I spotted a tomcat wearing a pair of riding boots and walking on its hind legs, and followed it through the crowd until it disappeared into a pub called the Inkpot. Not really fancying the "ink cocktail" being advertised on a board outside, I decided to keep walking.

Vibram FiveFingers,” Ted said. “Aren’t they great? I’m their first sponsored athlete!” Yes, it was true; Ted had become America’s first professional barefoot runner of the modern era. FiveFingers were designed as a deck shoe for yacht racers; the idea was to give better grip on slippery surfaces while maintaining the feeling of shoelessness. You had to look closely just to spot them; they conformed so perfectly around his soles and each toe, it looked as if Ted had dipped the bottoms of his feet in greenish ink.

It was only then I realized I didn’t know the name of Elodin’s class. I leafed through the ledger until I spotted Elodin’s name, then ran my finger back to where the title of the class was listed in fresh dark ink: “Introduction to Not Being a Stupid Jackass.” I sighed and penned my name in the single blank space beneath.

It was only then I realized I didn’t know the name of Elodin’s class. I leafed through the ledger until I spotted Elodin’s name, then ran my finger back to where the title of the class was listed in fresh dark ink: “Introduction to Not Being a Stupid Jackass.” I

I want a tattoo that looks like this butterfly.” I show him the picture, and he grins. “Damn, she’s good,” he says. He keeps smiling. “Where do you want it?” “That spot on my chest.” I rub the place over my heart, which I know is bare. He looks at me like I’ve lost my mind. “The one you’ve been saving?” “Yeah.” I scratch my head and wish he’d stop prying. “Sure. I’ll draw it up tonight.” He sends the picture to himself. “Can you ink it tomorrow?” He nods. “You’re sure, aren’t you?” He grins. A smile tips the corners of my lips. “Yes.

Since we’re on the topic of stains, here’s the absolute best thing you’re going to learn from me: with the exception of mud and ink, almost every single stain will benefit from being flushed with cold water. Hold the stained area taut under a running faucet and let the water pressure do a lot of the work for you. If you have a sponge or towel nearby, that’s even better: use it to help push the stain out even more while under the running water. A small amount of soap—dish soap, hand soap, laundry detergent, whatever is close by—will also really help matters. If the stained garment is dry-clean-only and you don’t want to risk making things worse, you should point out the stain when you drop the item off with your cleaner so they can spot treat it.

Where were you on the night of March 7?" Typical detective stuff you hear on television all the time. It's so phony. I hate it. Most people can't remember where they were three nights ago much less on a particular date. I know I can't. The times you remember are the ones you're supposed to: Christmas Day, the Fourth of July, your birthday. As you get older and occasionally look back, even those days drift together into one small blob of memories. But you always remember the first time and the last. You remember your first day of school and the last. You remember the first time you went to the show by yourself and the last time you saw your grandfather. The first time you made love. Most of the nights of my life have passed by barely noticed, like the black squares of rosary beads slipping through the wrinkled fingers in the last pew. But later, when I've looked back, I've realized that a few ink colored seeds have taken root in my mind and have grown into oaken strength. My dreams drift back and nestle in their branches. If those nights were suddenly not to be, I, who had come to lean on them, to relish those few surviving leaves of a young autumn that has passed and will not come again, would not know where I'd been. And I'd wonder, even more so, if there was anywhere to go. Every Chicago winter delivers four gray weeks, with rare spots of sunshine that are apparently the flipside of hell. Teeth bared, the wind comes snarling off the lake with every intention of shredding the skin off your face. Numb since November, hands can no longer tell or care if they are wearing gloves. Snowmen, offsprings of childhood enthusiasm, are rarely born during these weeks. Along with the human spirit, the temperature continues to plummet. The ground is smothered by aging layers of ice and snow. Looking at a magazine ad, you see a vaguely familiar blanket of green. Squinting back through months of brown snow, salt-marked shoes, running noses, icy railings, slippery sidewalks, and smoking sewers, you try to recall the feeling of grass. February is four weeks of hanging onto the ropes, waiting to be saved from a knockout by the bell of spring. One year, I was invited to Engrim University's President's Ball, which was to be held on the first Saturday in February. I don't know why I was invited. Most of the students who received invitations were involved in a number of extracurricular activities; they participated in student government, belonged to various clubs, were presidents of fraternities or sororities, were doing extremely well academically or were, in some other way, pleasing the gods. I was never late with my tuition payments. Maybe that was it. Regardless, the President's Ball was to be held in the main ballroom of one of Chicago's swankiest hotels. I thought it was an excellent opportunity to impress Sarah with my importance. A light snowfall was dotting the night air when

I leafed through the ledger until I spotted Elodin’s name, then ran my finger back to where the title of the class was listed in fresh dark ink: “Introduction to Not Being a Stupid Jackass.

I smile, but it falters when I reach his pectoral muscle and find a new tattoo in the spot he left blank on purpose. My hands freeze as I study the artistic patterns of the lotus flower and make out the elegant font beneath it that reads Property of B. King. He had it inked on the spot that he said was for something special.

Sinclair spots my gesture. "What's up with your tattoo, anyway, Fergus? Why are you always rubbing it like it's a freaking security blanket?" He grabs my arm and inspects the ink. "What's DFF stand for?" I rip my arm back from him and stick my face about an inch from his. "Right now it stands for 'Don't Fuck with Fergus," I growl. "Holy crap, can we bring the man rage down a level?" Cata says, pushing us apart and stepping between us.

The spotted Pen has drawn the attention in a flow of Ink.

Cousin Murphy was responsible for Blanche’s becoming Night Girl, when Cousin Murphy found eight-year-old Blanche crying because some kids had teased her about being so black. “Course they tease you!” Cousin Murphy had told Blanche. She’d leaned over the crouching child as she spoke. Blanche could still smell her Midnight Blue perfume and see her breasts hanging long and lean from her tall, thin frame. “Them kids is just as jealous of you as they can be! That’s why they tease you,” Cousin Murphy had told her. “They jealous ’cause you got the night in you. Some people got night in ’em, some got morning, others, like me and your mama, got dusk. But it’s only them that’s got night can become invisible. People what got night in ’em can step into the dark and poof—disappear! Go any old where they want. Do anything. Ride them stars up there, like as not. Shoot, girl, no wonder them kids teasing you. I’m a grown woman and I’m jealous, too!” Cousin Murphy’s explanation hadn’t stopped kids from calling her Ink Spot and Tar Baby. But Cousin Murphy and Night Girl gave Blanche a sense of herself as special, as wondrous, and as powerful, all because of the part of her so many people despised, a part of her that she’d always known was directly connected to the heart of who she was.

Once I went into another Bulgarian village. And one old brute who'd spotted me - he was a village elder - told the others and they surrounded the house I was lodging in. I slipped out onto the balcony and crept from one roof to the next; the moon was up and I jumped from balcony to balcony like a cat. But they saw my shadow, climbed up onto the roofs and started shooting. So what do I do? I dropped down into the yard, and there I found a Bulgarian woman in bed. She stood up in her nightdress, saw me and opened her mouth to shout, but I held out my arms and whispered: "Mercy! Mercy! Don't shout!" and seized her breasts. She went pale and half swooned.' "Come inside," she said in a low voice. "Come in so that we can't be seen ..." 'I went inside, she gripped my hand: "Are you a Greek?" she said. "Yes, Greek. Don't betray me." I took her by the waist. She said not a word. I went to bed with her, and my heart trembled with pleasure. "There, Zorba, you dog," I said to myself, "there's a woman for you; that's what humanity means! What is she? Bulgar? Greek? That's the last thing that matters! She's human, and a human being with a mouth, and breasts, and she can love. Aren't you ashamed of killing? Bah! Swine!" 'That's the way I thought while I was with her, sharing her warmth. BUT DID THAT MAD BITCH, MY COUNTRY, LEAVE ME IN PEACE FOR THAT, DO YOU THINK? I disappeared next morning in the clothes the Bulgar woman gave me. She was a widow. She took her late husband's clothes out of a chest, gave them to me, and she hugged my knees and begged me to come back to her.' 'Yes, yes, I did go back ... the following night. I was a patriot then, of course - a wild beast; I went back with a can of paraffin and set fire to the village. She must have been burnt along with the others, poor wretch. Her name was Ludmilla.' Zorba sighed. He lit a cigarette, took one or two puffs and then threw it away. 'My country, you say? ... You believe all the rubbish your books tell you ... ? Well, I'm the one you should believe. So long as there are countries, man will stay like an animal, a ferocious animal... But I am delivered from all that, God be praised! It's finished for me! What about you?' I didn't answer. I was envious of the man. He had lived with his flesh and blood - fighting, killing, kissing - all that I had tried to learn through pen and ink alone. All the problems I was trying to solve point by point in my solitude and glued to my chair, this man had solved up in the pure air of the mountains with his sword. I closed my eyes, inconsolable.

Only a dozen or so of the Fae who had been gathered in the Court when she arrived waited on the green. Most held the reins of creatures so incredible that even Delphine, subsumed with sick fear about Emily, was momentarily transfixed. The Fae man with the golden eyes stood next to a salamander on legs like tree trunks, its ink-black body spotted with brilliant yellow. It opened its maw for a treat from the man, revealing a row of terrifying gilded teeth. A woman with dark blue eyes and a faint blue tinge to her complexion absently stroked the head of a white chicken whose comb bloomed with crystalline roses and whose dark red talons raked the earth. A dark-haired Fae woman with sinewy arms and strong shoulders bare had turned a black-and-white goat into a unicorn by twining its horns into a single ivory-hued spiral, as well as giving it a generous increase in size. Emily clapped her hands in delight. "Would you like to pet one, love?" the Fae woman asked, guiding her toward a bronze-furred creature that Delphine slowly appreciated had once been a squirrel, its size now outstripping a large dog. "That one cannot be ridden, but he is as good a scent hound as any earthbound canine." "Where did they come from?" Delphine gaped. She didn't expect a reply, but the man with the salamander laughed. "The same place you do. They wander in, rarely. When the door is opened, whether we mean it to be or not. Occasionally, they are bargained. But mostly they are just strays." She opened her mouth to ask how, and he cut her off with an abrupt wave of his hand. "We do not know how it works or why the doors open of their own accord any better than you, and we wish they would not." "Why, when they become wonders like these?" She reached tentatively toward the squirrel, who butted her hand with his enormous velvet head.

Then I notice a girl set apart from the group. Unlike the rest, she's sitting almost casually, long legs folded to the side. Her draped skirt and blouse are tailored from a velvety ink-black fabric shimmering with intricate embroidery, like a star-dusted night. Wavy hair cascades to her waist. Even the maids have been openly staring since I came in, but this girl is still facing away, gazing over her shoulder with a bored expression. A slight pout puckers her darkly glossed lips. Just when I'm about to turn away, she looks round. Our eyes catch. At least, that's what it feels like - a physical hold. She returns my gaze with a look so intense it roots me to the spot before her curved, catlike eyes flick away.

Write it down. Write it. With ordinary ink on ordinary paper: they weren’t given any food, they all died of hunger. All. How many? It’s a large meadow. How much grass per head? Write down: I don’t know. History rounds off skeletons to zero. A thousand and one is still only a thousand. That one seems never to have existed: a fictitious fetus, an empty cradle, a primer opened for no one, air that laughs, cries and grows, stairs for a void bounding out to the garden, no one’s spot in the ranks. It became flesh right here, on this meadow. But the meadow’s silent, like a witness who’s been bought. Sunny. Green. A forest close at hand, with wood to chew on, drops beneath the bark to drink – a view served round the clock, until you go blind. Above, a bird whose shadow flicked its nourishing wings across their lips. Jaws dropped, teeth clattered. At night a sickle glistened in the sky and reaped the dark for dreamed-of loaves. Hands came flying from blackened icons, each holding an empty chalice. A man swayed on a grill of barbed wire. Some sang, with dirt in their mouths. That lovely song about war hitting you straight in the heart. Write how quiet it is. Yes.

The pages were all right—neither good nor bad, neither fish nor fowl. As I read them I seemed to hear the original lines from which they were abstracted, saw the wavering handwriting, and the curious childlike drawings, the mistakes, the bad spelling, the ink spots, the greasy finger-prints, the cheap paper (which is so touching in itself—the cheapest for genius always!). I rebelled

I wish that, the way secret manuscripts ought to, the thing arrived on our laps bound in Moroccan leather, dusty and smelling of Muscilin and old fly-tying capes. That it was penned in permanent ink, calligraphied almost, in a neat and precise hand, filled with hand-drawn maps dotted with X spots and question marks, and with watercolour sketches instead of snapshots. Alas, no, it came in a much more contemporary and prosaic fashion, by email and as a spreadsheet file. Nevertheless, it had Gazza and me drooling with anticipation, because what it contained was priceless, so never mind the banal form and packaging.

- Now we can go. Let me to navigate you. They really didn't find it? - No, I've spent thousands of years coming here from time to time. People never found it. Only humans. The next morning, I feel much better - I got enough sleep and I recovered. Not fully but I can see that it works. - Remember where you were? I was expecting this question. Unfortunately, or luckyli for me, I remember almost nothing. It certainly wasn't Wales. - Not much, people I didn't know, never seen before. And some concrete platform, probably in the garage? - The color of the sky, have you noticed it? - White with what seemed to be spilled spots of red ink. I saw the sky from the garage, my gosh! - Sorry, I had to, you were rambling something about Wales but I don't understand, why. So, this was the Dragon's sky. Yes, you were sleeping on a part of the security system there, fortification. What's your deal with that Wales?

I called my hairstylist to book an emergency cut and color. Okay, maybe, it's vain, but if I have to drive all the way out to Macon's place by myself and somehow convince him not to press charges, I need to look as good as possible. So here I am, hair beautifully styled and angled just so around my face with pretty caramel and golden highlights designed to make my nut-brown hair look sun kissed. I went full out at the salon and had my brows shaped and a mani-pedi as well. Yes, I am guilty of primping, but it's not vanity; it's war paint. One does not go into battle without armor. To that end, I put on my favorite short-sleeve cream knit top that clings in all the good places but flows around my less desirable spots and an ink-blue skirt that hugs my hips and gently flares around my knees. Maybe it's overkill, but at least I look put together yet no nonsense. Unflappable. Professional.