The Hunting Grounds Quotes

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Women are the bloodthirsty sex," said Ric sadly. "We get the reputation, but it is only because the women stand behind us, and say, 'Kill it. Squish it.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Shakespeare is the happy hunting ground of all minds that have lost their balance.
James Joyce (Ulysses)
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
Cormac McCarthy (The Road)
My mama told me don't trust no white boy, even a pretty one. I'm thinkin' a pretty white boy with wings explodin' up from the ground in a mess of blood and ugly-ass bird things is double trouble." - Kramisha (Ch 5)
P.C. Cast (Hunted (House of Night, #5))
I heard what you said.' Pump, pump, pump went his powerful arms. 'What you waiting to admit until I was almost dead, you fucking coward.' His lightening surged into her, sending her body arcing off the ground as he tried to jump-start her heart. He snarled in her ear, 'Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
My grandfather would have loved to have met you," he told her huskily. "He would have called you 'She Moves Trees Out of His Path.' " She looked lost, but his da laughed. He'd known the old man, too. "He called me 'He Who Must Run into Trees,'" Charles explained, and in a spirit of honesty, a need for his mate to know who he was, he continued, "or sometimes 'Running Eagle.' " " 'Running Eagle'?" Anna puzzled it over, frowning at him. "What's wrong with that?" "Too stupid to fly," murmured his father with a little smile.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
His grandfather had often told him that he tried too hard to move trees when a wiser man would walk around them.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
If it would benefit you, I would kill every wolf here. But there are things that you need to do -- and interfering with that is not protecting, not in my book. The best way for me to protect you is to encourage you to be able to protect yourself.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
To make great art, you had to expose your soul, and some things should be left safely in the dark.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
I would slay dragons for you,” he told her. “I suspect that finding an unoccupied bedroom will be easier.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Your woman tells me you will hunt me down and eat my marrow while I live." "Did she?" Charles looked at her, and she saw the approval in his face. She doubted anyone else would have read anything at all. His voice was a caress, just for her. "Would you like that, love?
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Charles looked at her thoughtfully. "People talk to you," he said. "That could be useful.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
My life is very monotonous," the fox said. "I hunt chickens: men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun came to shine on my life. I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain fields down yonder? [...] The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back to the thought of you. And I shall love to listen to the wheat in the wind...
Antoine de Saint-Exupéry
He loved her beyond all reason and didn't expect her to love him back. He was just waiting for her to wise up.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Charles could care less about shoes - and he suspected he wasn't alone among men in his feelings. Shoe, no shoe, he didn't care. Naked was good, though over the past couple of weeks he was beginning to think that dressed in his clothes was a decent second best.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
It begins, as most things begin, with a song. In the beginning, after all, were the words, and they came with a tune. That was how the world was made, how the void was divided, how the lands and the stars and the dreams and the little gods and the animals, how all of them came into the world. They were sung. The great beasts were sung into existence, after the Singer had done with the planets and the hills and the trees and the oceans and the lesser beasts. The cliffs that bound existence were sung, and the hunting grounds, and the dark. Songs remain. They last. The right song can turn an emperor into a laughingstock, can bring down dynasties. A song can last long after the events and the people in it are dust and dreams and gone. That's the power of songs.
Neil Gaiman (Anansi Boys)
Being a vampire is not a curse. It’s a disease,” Tessa filled in. “But they still can’t enter hallowed ground, then? Does that mean they’re damned?” “That depends on what you believe,” said Jem. “And whether you believe in damnation at all.” “But you hunt demons. You must believe in damnation!” “I believe in good and evil,” said Jem. “And I believe the soul is eternal. I don’t believe in the fiery pit, the pitchforks, or the endless torment. I do not believe you can threaten people into goodness.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I was the vampire Lestat again. I was back in action. New Orleans was once again my hunting ground.
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
She tried to imagine what Charles would do if another man came up to him and said, "You bring me joy.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
I am Bryce Quinlan,' she said to the Gate, to the void, to all of Hel behind it. Her voice was serene—wise and laughing. 'Heir to the Starborn Fae.' The ground slid out from under Hunt as the light between her hands, the Star she'd drawn from her shattered heart, flared bright as the sun.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Zealots are one-trick ponies. They love nothing so much as their own cause. Don’t get in their way without expecting to be hurt.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
The Elders were closer to the Maker of All Things and should be deferred to whenever they made their will known.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
She was on the far side, leaving two cold feet of mattress between them. He knew that she'd fall asleep like that... and then gradually move over until she was plastered against him. Then he could go to sleep, too.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Anna gave Charles a shy kiss on the cheek and strolled out of the room without a backward glance. Until she reached the doorway, and then, in full view of the curious who'd had the courage or discourtesy to linger in the auditorium after he'd dismissed them, she kissed her palm and blew it to him. And despite... or because of their audience, he caught it in one hand, and pulled the hand to his heart. Her smile dropped away, and the expression in her eyes would feed him for a week. And the expressions on the faces of the wolves who knew Charles, or knew his reputation, would make him laugh as soon as no one was watching.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
The best way for me to protect you is to encourage you to be able to protect yourself.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
my grandfather would have loved to have met you," Charles told her huskily. "He would have called you 'She Moves Trees Out of His Path.'" She looked lost, but his da laughed. He'd know the old man, too. "He called me 'He Who Must Run into Trees,'" Charles explained.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Let me give you a word of the philosophy of reform. The whole history of the progress of human liberty shows that all concessions yet made to her august claims, have been born of earnest struggle. The conflict has been exciting, agitating, all-absorbing, and for the time being, putting all other tumults to silence. It must do this or it does nothing. If there is no struggle there is no progress. Those who profess to favor freedom and yet depreciate agitation, are men who want crops without plowing up the ground, they want rain without thunder and lightening. They want the ocean without the awful roar of its many waters." "This struggle may be a moral one, or it may be a physical one, and it may be both moral and physical, but it must be a struggle. Power concedes nothing without a demand. It never did and it never will. Find out just what any people will quietly submit to and you have found out the exact measure of injustice and wrong which will be imposed upon them, and these will continue till they are resisted with either words or blows, or with both. The limits of tyrants are prescribed by the endurance of those whom they oppress. In the light of these ideas, Negroes will be hunted at the North, and held and flogged at the South so long as they submit to those devilish outrages, and make no resistance, either moral or physical. Men may not get all they pay for in this world; but they must certainly pay for all they get. If we ever get free from the oppressions and wrongs heaped upon us, we must pay for their removal. We must do this by labor, by suffering, by sacrifice, and if needs be, by our lives and the lives of others.
Frederick Douglass
He poked his finger into my chest again. “Well, I have something to tell you: don’t let the sun set on you in this county, because…” I grabbed his wrist and yanked him forward, tripping him with my foot. He went down back first and I caught him by his throat, three feet above the ground, lifted him up a bit and bent down to his face. My eyes glowed with murderous red. My voice turned rough with an animal growl. “Listen well, because I won’t be repeating myself, you racist prick. If you make any trouble for me or my people, I’ll hunt you down like the pig you are and carve a second mouth across your gut. They’ll find you hanging by your own intestines. The next time you hear something laugh and howl in the night, hug your family, because you won’t see the sunrise.” I opened my fingers. He crashed on the ground, his face white as a sheet. He scrambled backward, rolled to his feet, and took off. The three shapeshifters stared at me, openmouthed. “That’s how you intimidate people. No witnesses and not a mark on him. Get your asses to the car.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5;World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
She was his and he hers.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Charles sat in lone splendor on a huge couch in the middle of Angus's spacious living room--while the other ten or twelve people present made themselves at home on the other side of the room. Anna surveyed the scene. "Okay," she said. "Who's been being a grouch?
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
You don’t have the courage of a half-bred mongrel.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Charles was most comfortable by himself or, if that wasn't possible, with his pack in the wild. Talking for hours in a crowded auditorium was not on any list of things he enjoyed—or things he was good at. At least no one had died. Yet.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
One thing about flying that he never got used to was that no matter how awful the weather was on the ground, if you flew high enough you could always find the sun.
Tom Clancy (The Hunt for Red October (Jack Ryan, #3))
Hey Atticus, do me a quick favour before we go? its easy. Sure. What is it? Hold Granuailes staff for just a minute. You know, rest it on the ground so that its like a walking stick or something and the top of it is near your right cheek. Granuaile and I traded weapons to humor him and I stood as instructed. Thats perfect! Now say this like Sir Ian McKellen I am Atticus the White, and I come back to you now at the turn of the tide.
Kevin Hearne (Hunted (The Iron Druid Chronicles, #6))
I left it with a warmer,” he said drily. Because war mages ate their fried chicken frozen to the ground and they liked it.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Be careful of the curse that falls on young lovers Starts so soft and sweet and turns them to hunters A man who's pure of heart and says his prayers by night May still become a wolf when the autumn moon is bright If you could only see the beast you've made of me I held it in but now it seems you've set it running free The saints can't help me now, the ropes have been unbound I hunt for you with bloody feet across the hallow'd ground
Florence Welch
Approach him across open ground with a steady unfaltering movement. Let your shape grow in size but do not alter its outline. Never hide yourself unless concealment is complete. Be alone. Shun the furtive oddity of man, cringe from the hostile eyes of farms. Learn to fear. To share fear is the greatest bond of all. The hunter must become the thing he hunts.
J.A. Baker (The Peregrine)
If fourteen people believe they were Cleopatra in a former life, does that mean that Cleopatra had split personality disorder?
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
The thread of the story fell to the ground, so I went down on my hands and knees to hunt for it." –
Iman Mersal
I don’t fool you, do I? Those others”—he waved a vague hand to indicate their missing comrades—“they think I’m all that—but you know better, don’t you.” “Know what?” she’d asked. He leaned forward, smelling of beer and cigarettes. “You know I’m a fraud. I can feel the beast inside me, screaming to get out. And if I loose it, it will pull me up to greatness despite myself.” “So why not let it free?” She hadn’t been a werewolf then. The world had been a gentler place, the monsters safely in their closets, and she had been brave in her ignorance. His eyes were old and weary, his voice slurring a bit. “Because then everyone would see,” he told her. “See what?” “Me.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Reincarnation?” He shrugged. “I’ve never seen any evidence that it’s real. But I’ve never seen anything that disproves it either. I believe the afterlife is better than what we have here—and it would take something extraordinary to make someone willing to come back.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Lucky!" she shouted. The creature pulled up and pranced excitedly before her, front hooves pawing at the ground. Laughing with happiness, Kelley flung her arms around the kelpie and buried her face in his mane. Lucky nuzzled her shoulder and head-butted at her in delight. Besides Sonny, Fennrys gestured with his good arm. "Isn't that...?" "The Roan Horse, Harbinger of the Wild Hunt and Fearsome Bringer of Doom. Yeah" Sonny nodded. "Used to be." "Thought so." Lucky kicked up his back hooves like a frolicking colt, and Fennrys snorted is disgust. "Evil really needs to step up its game.
Lesley Livingston
You are sitting here with us, but you are also out walking in a field at dawn. You are yourself the animal we hunt when you come with us on the hunt. You are in your body like a plant is solid in the ground, yet you are wind. You are the diver's clothes lying empty on the beach. You are the fish. In the ocean are many bright strands and many dark strands like veins that are seen when a wing is lifted up. Your hidden self is blood in those, those veins that are lute strings that make ocean music, not the sad edge of surf, but the sound of no shore.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Essential Rumi)
Lockwood sat up awkwardly, adjusting his Bubble-Wrapped loops of chain. 'We're in good shape,' he said. 'We've lost the heavy duty chains and the stuff in the bags, but we've got our rapiers, iron, and silver seals. And we've found what we wanted now.' I stared at the clean, calm surface of the door. 'Why couldn't it come after us? Ghosts can pass through walls.' Lockwood shrugged. 'In some cases a Visitor is tied so completely to the room where it met its death that it no longer has any conception of there being any adjacent space at all. So...when we left its hunting ground, it was as if we ceased to exist, as if we ceased to be....' I looked at him. 'You haven't really got a clue, have you?' 'No.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Unicorns are immortal. It is their nature to live alone in one place: usually a forest where there is a pool clear enough for them to see themselves-for they are a little vain, knowing themselves to be the most beautiful creatures in all the world, and magic besides. They mate very rarely, and no place is more enchanted than one where a unicorn has been born. The last time she had seen another unicorn the young virgins who still came seeking her now and then had called to her in a different tongue; but then, she had no idea of months and years and centuries, or even of seasons. It was always spring in her forest, because she lived there, and she wandered all day among the great beech trees, keeping watch over the animals that lived in the ground and under bushes, in nests and caves, earths and treetops. Generation after generation, wolves and rabbits alike, they hunted and loved and had children and died, and as the unicorn did none of these things, she never grew tired of watching them.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Higher taxes to bring down public debt would also put to rest the tawdry rhetoric according to which ‘we’ should not live at the expense of ‘our children’ – when the real problem is that the ‘better-off’ live at everyone else’s expense by largely avoiding the social costs involved in the upkeep of their hunting grounds.
Wolfgang Streeck (Buying Time: The Delayed Crisis of Democratic Capitalism)
Anna stabbed her with the dagger she'd concealed in Tom's jacket. Under the ribs and through the heart--just like her favorite forensic TV show had taught her.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Rain, rain falling down Down, down on the gound All the birds go in the trees They don't like the rain, you see.
Lynda Mullaly Hunt (Fish in a Tree)
I lift up my voices and shatter the night with my emptiness, my heartlessness. With nothing now to bind me, the world is a hunting ground. - Scylla
Zachary Mason (Metamorphica)
Hunt hissed to Bryce through his gritted teeth, thunder cracking above him, "I heard what you said." Pump, pump, pump went his powerful arms. "What you waited to admit until I was almost dead, you fucking coward." His lightning surged into her, sending her body off the ground as he tried to jump-start her heart. He snarled in her ear, "Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
She gave him a happy look as he followed her out on the water-soaked wooden walk. "This could be fun," she said, then turned, took a running step, and did a couple of back flips—like a middle-school kid at recess. He stopped where he was, lust and love and fear rising up in a surge of emotion he did not, for all his years, have any idea how to deal with. "What?" she asked, a little breathless from her gymnastics. She brushed her wavy hair out of her face and gave him a serious look. "Is there something wrong?" He could hardly tell her that he was afraid because he didn’t know what he’d do if something happened to her. That his sudden, unexpected reaction had brought Brother Wolf to the fore. She threw his balance off; his control—which had become almost effortless over the years—was erratic at best.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
The adult world may seem a cold and empty place, with no fairies and no Father Christmas, no Toyland or Narnia, no Happy Hunting Ground where mourned pets go, and no angels - guardian or garden variety. But there are also no devils, no hellfire, no wicked witches, no ghosts, no haunted houses, no daemonic possession, no bogeymen or ogres. Yes, Teddy and Dolly turn out not to be really alive. But there are warm, live, speaking, thinking, adult bedf ellows to hold, and many of us find it a more rewarding kind of love than the childish affection for stuffed toys, however soft and cuddly they may be.
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
The Law of the Jungle, which never orders anything without a reason, forbids every beast to eat Man except when he is killing to show his children how to kill, and then he must hunt outside the hunting grounds of his pack or tribe. The real reason for this is that man-killing means, sooner or later, the arrival of white men on elephants, with guns, and hundreds of brown men with gongs and rockets and torches. Then everybody in the jungle suffers. The reason the beasts give among themselves is that Man is the weakest and most defenseless of all living things, and it is unsportsmanlike to touch him.
Rudyard Kipling (The Jungle Book)
spent much of my life in Lyme with my eyes fixed to the ground in search of fossils. Such hunting can limit a person’s perspective.
Tracy Chevalier (Remarkable Creatures)
I have traveled so far and loved so much, and yet I am still following the Sun Trail, heading for my new hunting grounds.
Erin Hunter (Path of Stars (Warriors: Dawn of the Clans, #6))
the ferret, hunting, eyes on the ground, never hears footsteps of the hawk
Andrew Vachss (Footsteps of the Hawk (Burke, #8))
The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
Cormac McCarthy (The Road)
Tempting. But you see, I can simply insist on a lifetime contract with none of your silly restrictions, or kill you right now.” “You won’t,” Shane said. That made Morley’s eyes open wide. “Why not? Jacob and Patience were quite specific—they’re concerned for Claire. Not for you, boy.” “Because if you kill me and Eve, you’ll make her your enemy. This girl won’t stop until she sees you all pay.” Claire had no idea whom he was talking about—she didn’t feel like that Claire at all, until she imagined Shane and Eve lying dead on the ground. Then she understood. “I’d hunt you down,” she said quietly. “I’d use every resource I have to do it. And you know I’d win.” Morley seemed impressed. “She is small, but I see your point, boy. Besides, she has the ear of Amelie, Oliver, and Myrnin; not a combination I would care to test.
Rachel Caine (Fade Out (The Morganville Vampires, #7))
As my history teachers drilled into me, the First World War provided the preconditions for the Second World War and thereby the tension of the Cold War. The war of 1914–18 was Ground Zero for modern history, the end of an old order that had held sway for hundreds of years, the fiery forging of a new world.
Tim Butcher (The Trigger: Hunting the Assassin Who Brought the World to War)
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Reading these stories, it's tempting to think that the arts to be learned are those of tracking, hunting, navigating, skills of survival and escape. Even in the everyday world of the present, an anxiety to survive manifests itself in cars and clothes for far more rugged occasions than those at hand, as though to express some sense of the toughness of things and of readiness to face them. But the real difficulties, the real arts of survival, seem to lie in more subtle realms. There, what's called for is a kind of resilience of the psyche, a readiness to deal with what comes next. These captives lay out in a stark and dramatic way what goes on in every life: the transitions whereby you cease to be who you were. Seldom is it as dramatic, but nevertheless, something of this journey between the near and the far goes on in every life. Sometimes an old photograph, an old friend, an old letter will remind you that you are not who you once were, for the person who dwelt among them, valued this, chose that, wrote thus, no longer exists. Without noticing it you have traversed a great distance; the strange has become familiar and the familiar if not strange at least awkward or uncomfortable, an outgrown garment. And some people travel far more than others. There are those who receive as birthright an adequate or at least unquestioned sense of self and those who set out to reinvent themselves, for survival or for satisfaction, and travel far. Some people inherit values and practices as a house they inhabit; some of us have to burn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.
Rebecca Solnit (A Field Guide to Getting Lost)
He had soon so thoroughly smelled out the quarter between Saint-Eustache and the Hôtel de Ville that he could find his way around in it by pitch-dark night. And so he expanded his hunting grounds, first westward to the Faubourg Saint-Honoré, then out along the rue Saint-Antoine to the Bastille, and finally across to the other bank of the river into the quarters of the Sorbonne and the Faubourg Saint-Germain where the rich people lived.
Patrick Süskind (Perfume: The Story of a Murderer)
The mad fucker just laughed that insane laugh and pulled his sword out of his ass. Zeus, now afflicted with acute pietism, gasped and asked him to do that again. Jupiter slapped him to to the ground, and yelled for him to get his priorities in order.
Kevin Hearne (Hunted (The Iron Druid Chronicles, #6))
When you stop relying on others or blaming others or waiting on others to go kill something and bring it back for you to eat, you realize you have to go hunt and kill for yourself. You don’t complain about what you lack or let setbacks get in the way of finding a way to make your dreams happen. You just go do it.
T.D. Jakes (Soar!: Build Your Vision from the Ground Up)
He had scooped up another handful of sand and stared at each grain as it fell through his fingers. 'You are like these. Each a trifling speck. A hundred, many hundreds—what matter? Cast them into the air. You cannot even find them when they land upon the ground. But there are more grains than you can count. There is no end to them. You will pour across this land, and we will be smothered. Your stone walls, your dead trees, the hooves of your strange beasts trampling the clam beds. My uncle sees these things, here and now. And in his trance, he sees that worse is coming. You walls will rise everywhere until they shut us out. You will turn the land upside down with your ploughs until all the hunting grounds are gone. This, and more, my uncle sees.
Geraldine Brooks (Caleb's Crossing)
There's one way. Only one. Mine." Balthazar stepped closer, using every inch he had on Lucas, who was tall but not that tall. "Charity is a person. The same as you, the same as me." "You and me aren't the same." Balthazar cocked his head. "Then let's say the same as Bianca. Will that make you listen?" "Bianca's no killer! She didn't have a choice about what she is." "Guys, don't do this," I pleaded, but they paid no attention. "A choice? You think we all get a choice?" Although Balthazar spoke softly, there was a roughness to his voice I'd never heard before. It sent chills down my spine. "Try being hunted down in the night. Try running as far and as fast as you can and finding out their faster. Try coming to in a stable, with your parents' dead bodies on the ground in front of you, your hands roped above your head and a dozen hungry vampires arguing with each other about who gets you next. See how much choice you have then." Lucas just stared at him. Obviously he'd never imagined anything like that; neither had I. Even more quietly, Balthazar continued, "Try watching your baby sister die, and then tell me that you wouldn't spend the rest of eternity trying to make up for it. When you've done all that, Lucas, then you can talk to me about choices. Until that time, tell me what I need to know and then shut your mouth.
Claudia Gray (Stargazer (Evernight, #2))
Do you know what it means to be that beautiful & still hunted & still alive? Who knows this story but the elephants & the trees? Who says the grace of a black man in motion is not perfect as a tusk in the sun or a single leaf taking its sweet time to the ground?
Danez Smith ([insert] boy)
Old stone walls ran into the woods, and now and then there would be an empty barn as a ghostly landmark. The night grew frosty and the ground underfoot was slippery with rime. The bare birches wore the stars on their fingers, and the world rolled seductively, a dark symphony of brooding groves and plains.
E.B. White (One Man's Meat)
Kate faced the crowd. They were just eyes and teeth to her, just spit and voices. It was a moment, even, before they became people: a man with one blind eye, another whose neck was thick with lumps and weeping wounds of scrofula. The poorest of the market. At Kate's feet, Drina. Her scarf and shirt were torn open.
Erin Bow (Plain Kate)
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."... I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle." ... "The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived." ... "The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
Now consider the tortoise and the eagle. The tortoise is a ground-living creature. It is impossible to live nearer the ground without being under it. Its horizons are a few inches away. It has about as good a turn of speed as you need to hunt down a lettuce. It has survived while the rest of evolution flowed past it by being, on the whole, no threat to anyone and too much trouble to eat. And then there is the eagle. A creature of the air and high places, whose horizons go all the way to the edge of the world. Eyesight keen enough to spot the rustle of some small and squeaky creature half a mile away. All power, all control. Lightning death on wings. Talons and claws enough to make a meal of anything smaller than it is and at least take a hurried snack out of anything bigger. And yet the eagle will sit for hours on the crag and survey the kingdoms of the world until it spots a distant movement and then it will focus, focus, focus on the small shell wobbling among the bushes down there on the desert. And it will leap… And a minute later the tortoise finds the world dropping away from it. And it sees the world for the first time, no longer one inch from the ground but five hundred feet above it, and it thinks: what a great friend I have in the eagle. And then the eagle lets go. And almost always the tortoise plunges to its death. Everyone knows why the tortoise does this. Gravity is a habit that is hard to shake off. No one knows why the eagle does this. There’s good eating on a tortoise but, considering the effort involved, there’s much better eating on practically anything else. It’s simply the delight of eagles to torment tortoises. But of course, what the eagle does not realize is that it is participating in a very crude form of natural selection. One day a tortoise will learn how to fly.
Terry Pratchett (Small Gods (Discworld, #13))
There is a tree. At the downhill edge of a long, narrow field in the western foothills of the La Sal Mountains -- southeastern Utah. A particular tree. A juniper. Large for its species -- maybe twenty feet tall and two feet in diameter. For perhaps three hundred years this tree has stood its ground. Flourishing in good seasons, and holding on in bad times. "Beautiful" is not a word that comes to mind when one first sees it. No naturalist would photograph it as exemplary of its kind. Twisted by wind, split and charred by lightning, scarred by brushfires, chewed on by insects, and pecked by birds. Human beings have stripped long strings of bark from its trunk, stapled barbed wire to it in using it as a corner post for a fence line, and nailed signs on it on three sides: NO HUNTING; NO TRESPASSING; PLEASE CLOSE THE GATE. In commandeering this tree as a corner stake for claims of rights and property, miners and ranchers have hacked signs and symbols in its bark, and left Day-Glo orange survey tape tied to its branches. Now it serves as one side of a gate between an alfalfa field and open range. No matter what, in drought, flood heat and cold, it has continued. There is rot and death in it near the ground. But at the greening tips of its upper branches and in its berrylike seed cones, there is yet the outreach of life. I respect this old juniper tree. For its age, yes. And for its steadfastness in taking whatever is thrown at it. That it has been useful in a practical way beyond itself counts for much, as well. Most of all, I admire its capacity for self-healing beyond all accidents and assaults. There is a will in it -- toward continuing to be, come what may.
Robert Fulghum (Uh-oh: Some Observations from Both Sides of the Refrigerator Door)
The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' We sailed away from Hallasholm, we had to be real quick, For Kloof had eaten Erak's ax and chewed his walking stick. We sailed across the Stormwite and we struck a mighty storm. We had to wear our woolly caps to keep us nice and warm. We sailed around Cape Shelter and then south to Araluen. We called upon the people there to find out what was doin'. We chased an evil slaver to the market of Socorro. "We can't rescue them tonight," said Hal. "We'll get them out tomorrow." Lydia and the Ranger burned the market to the ground. The rest of us, we freed the slaves then headed out of town. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' The slave master named Mahmel was a nasty kind of thug, So Stiggy dropped a rock and crushed him like a bug. We sailed back to Cresthaven and we set the captives free. King Duncan said, "Well done, my lads, you're just the boys for me. My Ranger Gilan has to go hunt down some assassins So go along with him and give these wicked types a thrashin'." A pirate galley barred our way. We quickly overtook 'em. And Ingvar led the charge aboard to stab and chop and hook 'em. We beat the Tualaghi and the Scorpions as well. The Ranger stuck his saxe into the leader, the Shurmel. When all the assassins threw a fit of wild hysterics, Hal grabbed up the Shurmel's staff and brought it back for Erak. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin
John Flanagan
So–in short–color is consciousness itself, color is feeling, and shape is the distance color goes securely, as in our life we extend ourselves through neighborhoods and hunting grounds; while form in its turn is the relation of these inhabited spaces, in or out or up or down, and thrives on the difference between kitchen and pantry. This difference, with all its sameness, is yet another quality, alive in time like the stickiness of honey or the gently rough lap of a cat, for color is connection.
William H. Gass (On Being Blue)
I'm up for a Shadow hunt." She tries to let us out, but the lock's stuck. "That's weird." "Is this like an omen?" Daisy asks. Jazz unzips her boot and takes it off so she can slam it at the lock. "It's not an omen." Slam. "Tonight." Slam. "Is going to be great." Slam. "I've got a feeling." Slam. She puts her book back on and looks at us. "Okay, we'll have to climb out of here." She stands on the toilet seat and from there to the toilet-roll holder and then heaves herself over the wall. "Impresive," I say, and then we hear her slam to the ground. "Less impressive," Daisy says. "It doesn't mean anything," Jazz calls. "Trust me. I'm a psychic.
Cath Crowley (Graffiti Moon)
It was an old hunter in camp and the hunter shared tobacco with him and told him of the buffalo and the stands he'd made against them, laid up in a sag on some rise with the dead animals scattered over the grounds and the herd beginning to mill and the riflebarrel so hot the wiping patches sizzled in the bore and the animals by the thousands and the tens of thousands and the hides pegged out over actual square miles of ground the teams of skinners spelling one another around the clock and the shooting and shooting weeks and months till the bore shot slick and the stock shot loose at the tang and their shoulders were yellow and blue to the elbow and the tandem wagons groaned away over the prairie twenty and twenty-two ox teams and the flint hides by the hundred ton and the meat rotting on the ground and the air whining with flies and the buzzards and ravens and the night a horror of snarling and feeding with the wolves half-crazed and wallowing in the carrion. I seen Studebaker wagons with six and eight ox teams headed out for the grounds not hauling a thing but lead. Just pure galena. Tons of it. On this ground alone between the Arkansas River and the Concho there were eight million carcasses for that's how many hides reached the railhead. Two years ago we pulled out from Griffin for a last hunt. We ransacked the country. Six weeks. Finally found a herd of eight animals and we killed them and come in. They're gone. Ever one of them that God ever made is gone as if they'd never been at all. The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
Before, as I walked about, either on my hunting, or for viewing the country, the anguish of my soul at my condition would break out upon me on a sudden, and my very heart would die within me, to think of the woods, the mountains, the desarts I was in; and how I was a prisoner, locked up with the eternal bars and bolts of the ocean, in an uninhabited wilderness, without redemption. In the midst of the greatest composures of my mind, this would break out upon me like a storm, and make me wring my hands and weep like a child. Sometimes it would take me in the middle of my work, and I would immediately sit down and sigh, and look upon the ground for an hour or two together; and this was still worse to me; for if I could burst out into tears, or vent my self by words, it would go off, and the grief having exhausted it self would abate.
Daniel Defoe (Robinson Crusoe)
And it is I, Raksha [The Demon], who answers. The man's cub is mine, Lungri—mine to me! He shall not be killed. He shall live to run with the Pack and to hunt with the Pack; and in the end, look you, hunter of little naked cubs—frog-eater—fish-killer—he shall hunt thee! Now get hence, or by the Sambhur that I killed (I eat no starved cattle), back thou goest to thy mother, burned beast of the jungle, lamer than ever thou camest into the world! Go!" Father Wolf looked on amazed. He had almost forgotten the days when he won Mother Wolf in fair fight from five other wolves, when she ran in the Pack and was not called The Demon for compliment's sake. Shere Khan might have faced Father Wolf, but he could not stand up against Mother Wolf, for he knew that where he was she had all the advantage of the ground, and would fight to the death. So he backed out of the
Rudyard Kipling (The Jungle Book)
Our Revolution commenced on more favorable ground. It presented us an album on which we were free to write what we pleased. We had no occasion to search into musty records, to hunt up royal parchments, or to investigate the laws and institutions of a semi-barbarous ancestry. We appealed to those of nature, and found them engraved on our hearts. Yet we did not avail ourselves of all the advantages of our position. We had never been permitted to exercise self-government. When forced to assume it, we were novices in its science. Its principles and forms had entered little into our former education. We established however some, although not all its important principles. The constitutions of most of our States assert, that all power is inherent in the people; that they may exercise it by themselves, in all cases to which they think themselves competent, (as in electing their functionaries executive and legislative, and deciding by a jury of themselves, in all judiciary cases in which any fact is involved,) or they may act by representatives, freely and equally chosen; that it is their right and duty to be at all times armed; that they are entitled to freedom of person, freedom of religion, freedom of property, and freedom of the press.
Thomas Jefferson
A Swedish minister having assembled the chiefs of the Susquehanna Indians, made a sermon to them, acquainting them with the principal historical facts on which our religion is founded — such as the fall of our first parents by eating an apple, the coming of Christ to repair the mischief, his miracles and suffering, etc. When he had finished an Indian orator stood up to thank him. ‘What you have told us,’ says he, ‘is all very good. It is indeed bad to eat apples. It is better to make them all into cider. We are much obliged by your kindness in coming so far to tell us those things which you have heard from your mothers. In return, I will tell you some of those we have heard from ours. ‘In the beginning, our fathers had only the flesh of animals to subsist on, and if their hunting was unsuccessful they were starving. Two of our young hunters, having killed a deer, made a fire in the woods to boil some parts of it. When they were about to satisfy their hunger, they beheld a beautiful young woman descend from the clouds and seat herself on that hill which you see yonder among the Blue Mountains. ‘They said to each other, “It is a spirit that perhaps has smelt our broiling venison and wishes to eat of it; let us offer some to her.” They presented her with the tongue; she was pleased with the taste of it and said: “Your kindness shall be rewarded; come to this place after thirteen moons, and you will find something that will be of great benefit in nourishing you and your children to the latest generations.” They did so, and to their surprise found plants they had never seen before, but which from that ancient time have been constantly cultivated among us to our great advantage. Where her right hand had touched the ground they found maize; where her left had touched it they found kidney-beans; and where her backside had sat on it they found tobacco.’ The good missionary, disgusted with this idle tale, said: ‘What I delivered to you were sacred truths; but what you tell me is mere fable, fiction, and falsehood.’ The Indian, offended, replied: ‘My brother, it seems your friends have not done you justice in your education; they have not well instructed you in the rules of common civility. You saw that we, who understand and practise those rules, believed all your stories; why do you refuse to believe ours?
Benjamin Franklin (Remarks Concerning the Savages)
The white man comes, pale as the dawn, with a load of thought, with a slumbering intelligence as a fire raked up, knowing well what he knows, not guessing but calculating; strong in community, yielding obedience to authority; of experienced race; of wonderful, wonderful common sense; dull but capable, slow but persevering, severe but just, of little humor but genuine; a laboring man, despising game and sport; building a house that endures, a framed house. He buys the Indian's moccasins and baskets, then buys his hunting-grounds, and at length forgets where he is buried and plows up his bones.
Henry David Thoreau (A Week on the Concord and Merrimack Rivers (Writings of Henry D. Thoreau))
home, it’s different. I mean yes, you want money and a job, but there’s a hundred other things you do for getting by, especially older people and farmers with the crops, tomato gardens and such. Hunting and fishing, plus all the woman things, making quilts and clothes. Whether big or small, you’ve always got the place you’re living on. I’ve known people to raise a beef in the yard behind their rented trailer. I was getting the picture now on why June’s doom castle had freaked me out. Having some ground to stand on, that’s our whole basis. It’s the bags of summer squash and shelly beans everybody gives you from their gardens, and on from there. The porch rockers where the mammaws get together and knit baby clothes for the pregnant high school girls. Sandwiches the church ladies pack for the hungrier kids to take home on weekends.
Barbara Kingsolver (Demon Copperhead)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
Last night I dreamed of the "happy hunting ground." I passed through a place of bones that looked human, but weren't--the skulls were wrong. Then I came to a place where the days were the best of every season, the sweetest air and water in spring, then the dry heat where deer make dust in the road, the fog of fall with good leaves. And you could shoot without a gun, never kill, but the rabbits would do a little dance, all as if it were a game, and they were playing it too. Then winter came with heavy powder-snow, and big deer, horses, goats and buffaloes--all white--snorted, tossed their heads, and I lay down with my Army blanket, made my bed in the snow, then dreamed within the dream. I dreamed I was at Fleety's, and she told me the bones were poor people killed by bandits, and she took me back to the place, and under a huge rock where no light should have shown, a cave almost, was a dogwood tree. It glowed the kind of red those trees get at sundown, the buds were purple in that weird light, and a madman came out with an axe and chopped at the skulls, trying to make them human-looking. Then I went back to the other side of both dreams. --from a letter to his mother, Helen Pancake, where he describes a dream that seems to encapsulate the play between violence and gentleness in his life.
Breece D'J Pancake
What kind of soldier are you that you’re going to just sit in a cell while the world is thrown into chaos? Do you not understand what could happen if those weapons fall into the wrong hands? How could you be so selfish? (Syd) I’m selfish? Look, Agent Westbrook, your daddy’s a Boston stockbroker. I’m a death broker. I’m sure you don’t lecture Daddy on finance, so don’t even try to lecture me on assassination politics. I know all about them. Some bureaucratic ass-wipe sitting in a pristine office that’s totally isolated from the rest of the world decides the son of King Oomp-Loomp is a threat. He then hands down orders to people like me to go off King Oomp-Loompa’s son. Like an idiot, I do what he says without question. I hunt my target down, using information that is mostly bullshit and unreliable, gathered by someone like you who assured me it was correct as the time. But hey, if it changes minute by minute, and God forbid we pass that along to you. So me and my spotter lie in the grass, sand, or snow for days on end, cramped and hungry, never able to move more than a millimeter an hour until I have that one perfect shot I’ve been waiting for days. I take it, and then we lie there like pieces of dirt until we can inch our way back to safety, where hopefully the helicopter team will remember that they were supposed to retrieve us. Have you any idea of the nerves it takes to do what I do? To lie there on the ground while other armed men search for you? Have them step on you and not be able to even breathe or wince because if you do, it’s not only your life, but the life of your spotter? Do you know what it’s like to have the brains of your best friend spayed into your face and not be able to render aid to him because you know he’s dead and if you do, you’ll be killed too? I have been into the bowels of hell and back, Miz Westbrook. I have stared down the devil and made him sweat. So don’t tell me I don’t take this seriously. (Steele)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
It was one of those red-gold early October days, the air crisp and tart as heady as applejack, and even at dawn the sky was the clear, purplish blue that only the finest of autumn days brings. There are maybe three such days in a year. I sang as I lifted my traps, and my voice bounced off the misty banks of the Loire like a challenge. It was the mushroom season, so after I had brought my catch back to the farm and cleaned it out, I took some bread and cheese for breakfast and set out into the woods to hunt for mushrooms. I was always good at that. Still am, to tell the truth, but in those days I had a nose like a truffle pig's. I could smell those mushrooms out, the gray chanterelle and the orange, with its apricot scent, the bolet and the petit rose and the edible puffball and the brown-cap and the blue-cap. Mother always told us to take our mushrooms to the pharmacy to ensure we had not gathered anything poisonous, but I never made a mistake. I knew the meaty scent of the bolet and the dry, earthy smell of the brown-cap mushroom. I knew their haunts and breeding grounds. I was a patient collector.
Joanne Harris (Five Quarters of the Orange)
was at playtime. Big Joe came up to school to see Charlie and me. He just stood and watched us from outside the school gate. He did that often when Charlie and I first went off to school together — I think he was finding it lonely at home without us. I ran over to him. He was breathless, bright-eyed with excitement. He had something to show me. He opened his cupped hands just enough for me to be able to see. There was a slowworm curled up inside. I knew where he’d got it from — the churchyard, his favorite hunting ground. Whenever we went up to put flowers on Father’s grave, Big Joe would go off on his own, hunting for more creatures to add to his collection; that’s when he wasn’t just standing there gazing up at the tower and singing Oranges and Lemons at the top of his voice and watching the swifts screaming around the church tower. Nothing seemed to make him happier than that. I knew Big Joe would put his slowworm in with all his other creatures. He kept them in boxes at the back of the woodshed at home — lizards, hedgehogs, all sorts. I stroked his slowworm with my finger, and said it was lovely, which it was. Then he wandered off, walking down the lane humming his Oranges and Lemons
Michael Morpurgo (Private Peaceful)
Today an estimated 13 percent of birds are threatened, according to the International Union for Conservation of Nature. So are 25 percent of mammals and 41 percent of amphibians, in large part because of human activity. Hydropower and road construction imperil China’s giant pandas. The northern bald ibis, once abundant in the Middle East, has been driven almost to extinction by hunting, habitat loss, and the difficulties of doing conservation work in war-torn Syria. Hunting and the destruction of wetlands for agriculture drove the population of North America’s tallest bird, the whooping crane, into the teens before stringent protections along the birds’ migratory route and wintering grounds helped the wild flock build back to a few hundred. Little brown bats are dying off in the United States and Canada from a fungus that might have been imported from Europe by travelers. Of some 300 species of freshwater mussels in North America, fully 70 percent are extinct, imperiled, or vulnerable, thanks to the impacts of water pollution from logging, dams, farm runoff, and shoreline development.
Rebecca Skloot (The Best American Science and Nature Writing 2015 (The Best American Series))
A choking dry-ice smog of disappointment, pooling in the drops and troughs of suddenly uncertain ground. Mudyards, wit here and there the smoking wrecks of ideologies, their wheels and radios gone. River of litter rustling in a swollen course below the sky's black drag and in the ditches mustard gas, a mulch of sodden colouring books, imploded television sets. These are the fretful margins of twentieth century, the boomtowns ragged edge, out past the sink estates, the human landfill, where the wheelchair access paving quakes, gives way like sphagnum moss beneath our feet. It’s 1999, less like date than like a number we restore to in emergencies. pre-packaged in its national front hunting. It’s millennial mummy-wraps. The zeitgeist yawns, as echoing and hollow as the Greenwich dome. It’s April 10th; we find ourselves in red lion square....caught in the crosshairs of geography and time like sitting ducks, held always by surface tension of the instant, by the sensory dazzle. Constant play of light on neural ripples. Fluttering attention pinned to where and when and who we are. The honey-trap of our personal circumstance, of our familiar bodies restless in these chairs.
Alan Moore (Snakes and Ladders)
Horklump M.O.M. Classification: X The Horklump comes from Scandinavia but is now widespread throughout northern Europe. It resembles a fleshy, pinkish mushroom covered in sparse, wiry black bristles. A prodigious breeder, the Horklump will cover an average garden in a matter of days. It spreads sinewy tentacles rather than roots into the ground to search for its preferred food of earthworms. The Horklump is a favourite delicacy of gnomes but otherwise has no discernible use. Horned Serpent M.O.M. Classification: XXXXX Several species of Horned Serpents exist globally: large specimens have been caught in the Far East, while ancient bestiaries suggest that they were once native to Western Europe, where they have been hunted to extinction by wizards in search of potion ingredients. The largest and most diverse group of Horned Serpents still in existence is to be found in North America, of which the most famous and highly prized has a jewel in its forehead, which is reputed to give the power of invisibility and flight. A legend exists concerning the founder of Ilvermorny School of Witchcraft and Wizardry, Isolt Sayre, and a Horned Serpent. Sayre was reputed to be able to understand the serpent, which offered her shavings from its horn as the core of the first ever American-made wand. The Horned Serpent gives its name to one of the houses of Ilvermorny.
Newt Scamander (Fantastic Beasts and Where to Find Them)
Think for a moment about the Agricultural Revolution from the viewpoint of wheat. Ten thousand years ago wheat was just a wild grass, one of many, confined to a small range in the Middle East. Suddenly, within just a few short millennia, it was growing all over the world. According to the basic evolutionary criteria of survival and reproduction, wheat has become one of the most successful plants in the history of the earth. In areas such as the Great Plains of North America, where not a single wheat stalk grew 10,000 years ago, you can today walk for hundreds upon hundreds of miles without encountering any other plant. Worldwide, wheat covers about 870,000 square miles of the globe’s surface, almost ten times the size of Britain. How did this grass turn from insignificant to ubiquitous? Wheat did it by manipulating Homo sapiens to its advantage. This ape had been living a fairly comfortable life hunting and gathering until about 10,000 years ago, but then began to invest more and more effort in cultivating wheat. Within a couple of millennia, humans in many parts of the world were doing little from dawn to dusk other than taking care of wheat plants. It wasn’t easy. Wheat demanded a lot of them. Wheat didn’t like rocks and pebbles, so Sapiens broke their backs clearing fields. Wheat didn’t like sharing its space, water and nutrients with other plants, so men and women laboured long days weeding under the scorching sun. Wheat got sick, so Sapiens had to keep a watch out for worms and blight. Wheat was attacked by rabbits and locust swarms, so the farmers built fences and stood guard over the fields. Wheat was thirsty, so humans dug irrigation canals or lugged heavy buckets from the well to water it. Sapiens even collected animal faeces to nourish the ground in which wheat grew.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.
Colson Whitehead (Apex Hides the Hurt)
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
I’ll tell you this, if he gives me one more order with that W word again, I’m going to divorce him before we can even finish the wedding.” “The W . . . Okay, Bella, as usual you have lost me. W word?” “Yeah. W, . . . as in Wife. Ugh! He’s always saying or thinking things in this high and mighty way and tacking the word ‘wife’ onto the end like it’s some kind of password that lets him order me around.” Bella noted her friend’s still perplexed expression, so she screwed up her face, attitude, and voice into an uncanny approximation of Jacob. “‘I do not want you hunting in your condition, wife. It is too dangerous for you and the babe to accompany me, wife. I have told Elijah that there are to be no more training lessons until after the birth, and do not argue with me about this, wife, because my mind is set.” Isabella sagged back with a frustrated sigh. “Oy! It’s just so obnoxious and so . . . high-handed! You know the honeymoon is over when you go from ‘my love,’ ‘my little flower,’ and ‘my heart’ and become simply ‘wife.’” Legna smothered the urge to chuckle. Her little friend’s famous sarcasm always tickled her, and it was meant to tickle. Bella had a way of hiding behind her wit and humor. She was stating things that clearly disturbed her, but she mocked them in such a way that anyone who did not know her would treat it as little more than a comedy routine. Legna knew better. “Now, Bella, you know Jacob adores you. He naturally wants to protect you. He literally worships the ground you walk on.” “Ha ha,” Bella said dryly. “Earth Demon. Worship the ground. Cute. Really cute.” “Well, come on now. Seriously. As a Demon of the Earth, Jacob has an affinity with nature.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
At the edge of Saint-Michel is the Wildwood. The wolves who live there come out at night. They prowl fields and farms, hungry for hens and tender young lambs. But there is another sort of wolf, one that's far more treacherous. This is the wolf the old ones speak of. "Run if you see him," they tell their granddaughters. "His tongue is silver, but his teeth are sharp. If he gets hold of you, he'll eat you alive." Most of the village girls do what they're told, but occasionally one does not. She stands her ground, looks the wolf in the eye, and falls in love with him. People see her run to the woods at night. They see her the next morning with leaves in her hair and blood on her lips. This is not proper, they say. A girl should not love a wolf. So they decide to intervene. They come after the wolf with guns and swords. They hunt him down in the Wildwood. But the girl is with him and sees them coming. The people raise their rifles and take aim. The girl opens her mouth to scream, and as she does, the wolf jumps inside it. Quickly the girl swallows him whole, teeth and claws and fur. He curls up under her heart. The villagers lower their weapons and go home. The girl heaves a sigh of relief. She believes this arrangement will work. She thinks she can be satisfied with memories of the wolf’s golden eyes. She thinks the wolf will be happy with a warm place to sleep. But the girl soon realized she’s made a terrible mistake, for the wolf is a wild thing and wild things cannot be caged. He wants to get out, but the girl is all darkness inside and he cannot find his way. So he howls in her blood. He tears at her heart. The howling and gnawing –it drives the girl mad. She tries to cut him out, slicing lines in her flesh with a razor. She tries to burn him out, holding a candle flame to her skin. She tries to starve him out, refusing to eat until she’s nothing but skin over bones. Before long, the grave takes them both. A wolf lives in Isabelle. She tries hard to keep him down, but his hunger grows. He cracks her spine and devours her heart. Run home. Slam the door. Throw the bolt. It won’t help. The wolves in the woods have sharp teeth and long claws, but it’s the wolf inside who will tear you apart.
Jennifer Donnelly
In agricultural communities, male leadership in the hunt ceased to be of much importance. As the discipline of the hunting band decayed, the political institutions of the earliest village settlements perhaps approximated the anarchism which has remained ever since the ideal of peaceful peasantries all round the earth. Probably religious functionaries, mediators between helpless mankind and the uncertain fertility of the earth, provided an important form of social leadership. The strong hunter and man of prowess, his occupation gone or relegated to the margins of social life, lost the umambiguous primacy which had once been his; while the comparatively tight personal subordination to a leader necessary to the success of a hunting party could be relaxed in proportion as grain fields became the center around which life revolved. Among predominantly pastoral peoples, however, religious-political institutions took a quite different turn. To protect the flocks from animal predators required the same courage and social discipline which hunters had always needed. Among pastoralists, likewise, the principal economic activity- focused, as among the earliest hunters, on a parasitic relation to animals- continued to be the special preserve of menfolk. Hence a system of patrilineal families, united into kinship groups under the authority of a chieftain responsible for daily decisions as to where to seek pasture, best fitted the conditions of pastoral life. In addition, pastoralists were likely to accord importance to the practices and discipline of war. After all, violent seizure of someone else’s animals or pasture grounds was the easiest and speediest way to wealth and might be the only means of survival in a year of scant vegetation. Such warlikeness was entirely alien to communities tilling the soil. Archeological remains from early Neolithic villages suggest remarkably peaceful societies. As long as cultivable land was plentiful, and as long as the labor of a single household could not produce a significant surplus, there can have been little incentive to war. Traditions of violence and hunting-party organization presumably withered in such societies, to be revived only when pastoral conquest superimposed upon peaceable villagers the elements of warlike organization from which civilized political institutions without exception descend.
William H. McNeill
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))