The Grind Never Stops Quotes

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Jeevan found himself thinking about how human the city is, how human everything is. We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)
We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt.
Emily St. John Mandel (Station Eleven)
Scott’s crown reached Tad’s prostate but didn’t stop, instead grinding across it as it made its way by. “Unnngh-UH!” The last of Tad’s groan came out on a burst. Licking bliss tore up his channel and straight into his dick. Blood pumped furiously along the veins of his shaft, his sack fighting futilely to lift. But that fucking ball ring wouldn’t yield at all. Tad grimaced, pelvis writhing. Scott growled and gripped his hips tighter. “Fuck, Tad. The way your ass is letting me in… Accepting me… Swallowing me down… I’ve never seen anything so hot.
Kora Knight (Loser Takes All (Up-Ending Tad: A Journey of Erotic Discovery, #1))
When we overthink, we stop acting boldly and hide behind our endless streams of questions, objections, and insecurities. We drive away people and opportunities that are meant to be in our lives by overwhelming them with our expectations, stipulations, and worries. We shut off our hearts and allow our minds to work overtime, essentially turning ourselves into hamsters in wheels—endlessly grinding but going nowhere.
Mandy Hale (I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After)
Why is it you only want to tell me the worst things, and never explain the more helpful things that I could actually put to use?” she grinds out. “Stop sneaking into my house with your Grinch parade,” she adds as she pulls the cloak on and starts to walk out.
Kristy Cunning (Gypsy Blood (All The Pretty Monsters, #1))
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I’ve seen lots of bad love, Pike,” she says. “We both have, haven’t we?” And then she does the barest of grinds on me, awakening my body immediately. “This is the good kind. When you find it, you keep it. Nothing is more important.” I grow hard as she moves against me, and I hold her face, staring up into her eyes. “Do you love me?” she asks. “I’ll never stop loving you.” She dives in, kissing me and hovering her lips over mine. “Then I’m so lucky,” she whispers. “We’re so lucky.
Penelope Douglas (Birthday Girl)
delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)
Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf. Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now? Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean. It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for. To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat? Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space. We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment. But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one. And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?
Peter Watts (Blindsight (Firefall, #1))
but just the very tips of the fingers, here, the most sensitive parts, the parts bathed in warm oil, the whorled pads, I feel them singing with nerves and blood I let them extend… further than the warm silver hip-flask’s cap’s very top down its broadening cone where to where the threads around the upraised little circular mouth lie hidden while with the other warm singing hand I gently grip the leather holster so I can feel the way the whole flask feels as I guide… guide the cap around on its silver threads, hear that? stop that and listen, hear that? the sound of threads moving through well-machined grooves, with great care, a smooth barbershop spiral, my whole hand right through the pads of my fingertips less… less unscrewing, here, than guiding, persuading, reminding the silver cap’s body what it’s built to do, machined to do, the silver cap knows, Jim, I know, you know, we’ve been through this before, leave the book alone, boy, it’s not going anywhere, so the silver cap leaves the flask’s mouth’s warm grooved lips with just a snick, hear that? that faintest snick? not a rasp or a grinding sound or harsh, not a harsh brutal Brando-esque rasp of attempted domination but a snick a… nuance, there, ah, oh, like the once you’ve heard it never mistakable ponk of a true-hit ball, Jim, well pick it up then if you’re afraid of a little dust, Jim, pick the book up if it’s going
David Foster Wallace (Infinite Jest)
We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you." Emma stops chewing. Galen drops his fork. "Uh, I don't think we need to take it that far-" Emma starts. "Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot. "They do, but-" "No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?" "Probably not, but-" "I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand." "Rachel," he says, shaking his head, "this can wait-" "Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around." Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like. Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing." Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss." Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something." Rachel nods. "That should work." "What does that mean? Making out?" Galen says between bites. Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?" He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him. "We'll just have to plan it, that's all. Give you time to prepare," Emma tells him. "Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun." "Yeah, but this isn't for fun, remember?" Emma says. "This is just for show." "You don't think kissing Galen would be fun?" Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes." Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It was so easy to get caught up in the day to day grind. In the little dramas of work, in the trips to the grocery store, in the hours of mindless vegging in front of the television. You could live your life that way, always caught up in the next thing. Always thinking of tomorrow, of your future, of the next paycheck. Never stopping to appreciate the moment you had now. Never stopping to appreciate the friends and family and love and laughter that existed in every single day of your life. Life could just pass you by like that, without you really noticing the good. And it was a shame if it did. It was a sin, if you let it go like that.
Meg Muldoon (Malice in Christmas River (Christmas River #4))
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Almost a year after the start of the corona crisis, how is the mental health of the population? MD: For the time being, there are few figures that show the evolution of possible indicators such as the intake of antidepressants and anxiolytics or the number of suicides. But it is especially important to place mental well-being in the corona crisis in its historical continuity. Mental health had been declining for decades. There has long been a steady increase in the number of depression and anxiety problems and the number of suicides. And in recent years there has been an enormous growth in absenteeism due to psychological suffering and burnouts. The year before the corona outbreak, you could feel this malaise growing exponentially. This gave the impression that society was heading for a tipping point where a psychological 'reorganization' of the social system was imperative. This is happening with corona. Initially, we noticed people with little knowledge of the virus conjure up terrible fears, and a real social panic reaction became manifested. This happens especially if there is already a strong latent fear in a person or population. The psychological dimensions of the current corona crisis are seriously underestimated. A crisis acts as a trauma that takes away an individual's historical sense. The trauma is seen as an isolated event in itself, when in fact it is part of a continuous process. For example, we easily overlook the fact that a significant portion of the population was strangely relieved during the initial lockdown, feeling liberated from stress and anxiety. I regularly heard people say: "Yes these measures are heavy-handed, but at least I can relax a bit." Because the grind of daily life stopped, a calm settled over society. The lockdown often freed people from a psychological rut. This created unconscious support for the lockdown. If the population had not already been exhausted by their life, and especially their jobs, there would never have been support for the lockdown. At least not as a response to a pandemic that is not too bad compared to the major pandemics of the past. You noticed something similar when the first lockdown came to an end. You then regularly heard statements such as "We are not going to start living again like we used to, get stuck in traffic again" and so on. People did not want to go back to the pre-corona normal. If we do not take into account the population's dissatisfaction with its existence, we will not understand this crisis and we will not be able to resolve it. By the way, I now have the impression that the new normal has become a rut again, and I would not be surprised if mental health really starts to deteriorate in the near future. Perhaps especially if it turns out that the vaccine does not provide the magical solution that is expected from it.
Mattias Desmet
A proof represents a logical process which has come to a definitive conclusion in a finite number of stages. However, a logical machine following definite rules need never come to a conclusion. It may go on grinding through different stages without ever coming to a stop, either by describing a pattern of activity of continually increasing complexity, or by going into a repetitive process like the end of a chess game in which there is a continuing cycle of perpetual check. This occurs in the case of some of the paradoxes of Cantor and Russell. Let us consider the class of all classes which are not members of themselves. Is this class a member of itself? If it is, it is certainly not a member of itself; and if it is not, it is equally certainly a member of itself. A machine to answer this question would give the successive temporary answers: “yes,” “no,” “yes,” “no,” and so on, and would never come to equilibrium. Bertrand Russell’s solution of his own paradoxes was to affix to every statement a quantity, the so-called type, which serves to distinguish between what seems to be formally the same statement, according to the character of the objects with which it concerns itself—whether these are “things,” in the simplest sense, classes of “things,” classes of classes of “things,” etc. The method by which we resolve the paradoxes is also to attach a parameter to each statement, this parameter being the time at which it is asserted. In both cases, we introduce what we may call a parameter of uniformization, to resolve an ambiguity which is simply due to its neglect.
Norbert Wiener (Cybernetics: or the Control and Communication in the Animal and the Machine)
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Don’t think, muñeca. Everything will work itself out.” “But--” “No buts. Trust me.” My mouth closes over hers. The smell of rain and cookies eases my nerves. My hand braces the small of her back. Her hands grip my soaked shoulders, urging me on. My hands slide under her shirt, and my fingers trace her belly button. “Come to me,” I say, then lift her until she’s straddling me over my bike. I can’t stop kissing her. I whisper how good she feels to me, mixing Spanish and English with every sentence. I move my lips down her neck and linger there until she leans back and lets me take her shirt off. I can make her forget about the bad stuff. When we’re together like this, hell, I can’t think of anything else but her. “I’m losing control,” she admits, biting her lower lip. I love those lips. “Mamacita, I’ve already lost it,” I say, grinding against her so she knows exactly how much control I’ve lost. She moves her hips in a slow rhythm against me, an invitation I don’t deserve. My fingertips graze her mouth. She kisses them before I slowly slide my hand down her chin to her neck and in between her breasts. She catches my hand. “I don’t want to stop, Alex.” I cover her body with mine. I can easily take her. Hell, she’s asking for it. But God help me if I don’t grow a conscience. It’s that loco bet I made with Lucky. And what my mom said about how easy it is to get a girl pregnant. When I made the bet, I had no feelings for this complex white girl. But now…shit, I don’t want to think about my feelings. I hate feelings; they’re only good for screwing up someone’s life. And may God strike me down right now because I want to make love to Brittany, not fuck her on my motorcycle like some cheap whore. I move my hands away from her cuerpo perfecto, the first sane thing I’ve done tonight. “I can’t take you like this. Not here,” I say, my voice hoarse from emotion overload. This girl was going to gift me with her body, even though she knows who I am and what I’m about to do. The reality is hard to swallow. I expect her to be embarrassed, maybe even mad. But she curls into my chest and hugs me. Don’t do this to me, I want to say. Instead I wrap my arms around her and hold on tight. “I love you,” I hear her say so softly it might have been her thoughts. Don’t, I’m tempted to say. ¡Noǃ ¡Noǃ My gut twists and I hold her tighter. Dios mío, if things were different I’d never give her up. I burrow my face in her hair and fantasize about stealing her away from Fairfield. We stay that way for a long time, long after the rain stops and reality sets in.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
She had a big, beautiful man at her mercy, and she wasn't going to relinquish control. Oh, she was under no illusions that she had him physically overpowered. He could have flipped their places at any instant. She hadn't taken the reins. He'd given her the reins. And that made it all the better. She decided how to begin, when to stop. Whether to tease them both with grazing friction or grind her hips. She set the pace. It was hers to grant or deny him mercy when he pleaded in a whisper. "Faster." With every motion- slow or quick, form or gentle- her pleasure spiraled higher. Her breathing grew uneven, and she flushed with heat. She fell forward to kiss him, searching his mouth. Exploring. As their tongues tangled, his whiskers scraped her lips and chin. Her nipples puckered to knots, exquisitely sensitive. With every movement, they kissed the hard planes of his chest. Bliss rushed at her from all sides, propelling her toward that distant promise of satisfaction. Her rhythm lost all elegance. Her hips jerked and bounced as her urgency grew. "Yes." His voice was strained. "Hold nothing back. I want to feel you come against me. I want to hear the sounds you make." His words of encouragement had the opposite effect. For the first time, she felt a moment's trepidation. She'd never climaxed with another person. It had taken her years to feel comfortable with herself, let alone a man. When the pleasure broke, she would be bared to him. More naked than naked.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
The bitterest tragic element in life to be derived from an intellectual source is the belief in a brute Fate or Destiny; the belief that the order of nature and events is controlled by a law not adapted to man, nor man to that, but which holds on its way to the end, serving him if his wishes chance to lie in the same course, — crushing him if his wishes lie contrary to it, — and heedless whether it serves or crushes him. This is the terrible idea that lies at the foundation of the old Greek tragedy, and makes the; Oedipus and Antigone and Orestes objects of such hopeless commiseration. They must perish, and there is no over-god to stop or to mollify this hideous enginery that grinds and thunders, and takes them up into its terrific system. (...) But this terror of contravening an unascertained and unascertainable will, cannot coexist with reflection: it disappears with civilization, and can no more be reproduced than the fear of ghosts after childhood. It is discriminated from the doctrine of Philosophical Necessity herein: that the last is an Optimism, and therefore the suffering individual finds his good consulted in the good of all, of which he is a part. But in Destiny, it is not the good of the whole or the best will that is enacted, but only one particular will. Destiny properly is not a will at all, but an immense whim; and this is the only ground of terror and despair in the rational mind, and of tragedy in literature. Hence the antique tragedy, which was founded on this faith, can never be reproduced.
Ralph Waldo Emerson
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
Did she imagine the fire that suddenly sparked in Lucien’s mismatched eyes? Did she imagine the way his nostrils flared in awareness? Now or never. Licking her lips, never removing her gaze from him, she eased into a sensual bump and grind and made her way toward his table. Halfway, she stopped and motioned for him to join her with a crook of her finger. He stood in front of her a moment later, as if he’d been pulled by an invisible chain, unable to resist. Up close, he was six-feet-six of muscle and danger. Pure temptation. Her lips edged into a slow smile. “We meet at last, Flowers.
Gena Showalter (The Darkest Kiss (Lords of the Underworld, #2))
Worst of all to be’s forms is the past perfect tense. You can recognize it by the word had—a red flag of danger in your story every time. For had describes not just a static state, but a static state in the past: “He had traveled far that day.” “I never had realized how much I loved her.” Each had makes your story jerk, because it jars your reader out of present action and throws him back into past history. Perhaps the jerk is only momentary, as when a lazy writer sticks in a bit of exposition: “John stared at her. He had always wondered why she took the attitude she did. Now, she left him no choice but to force the issue.” Here the jerk, the shift backward, is hardly noticeable. But throw in enough such, enough hads, and your story grinds to an aching, quaking halt. Forward movement stops. Your reader finds himself bogged down in history.
Dwight V. Swain (Techniques of the Selling Writer)
Everything you dream is more than possible. Never stop dreaming.
Sharfaraz Ahmed
Excuse me,” I call to his retreating back. I sound like I swallowed Kermit, so I clear my throat. “Excuse me,” I call again. I run to catch up with him and tug on his backpack. He looks back over his shoulder, but then he keeps right on walking. “Wait!” I say, trying to keep up. “Damn it, would you stop?” He stops very quickly and I slam into his back. He rocks forward and I grab onto his pack to stay upright, feeling like I have two left feet. I am usually more graceful than this. My mother would kill me if she saw me right now, making a public spectacle of myself in the quad. He turns, grabs me by the shoulders and steadies me, then he bends down to look into my eyes. His are bright blue and full of questions. “Are you all right?” he asks, his voice gruff. I’ve never heard him do more than grunt in class, so hearing him make a full sentence, albeit a short one, is startling. “I’m fine,” I gasp, a little winded from chasing him. “You’re really fast.” He grins. “Sweetheart, you haven’t seen fast.” My heart skips a beat. I am in such big trouble. I don’t know why I thought I could approach a man like this, but I did, and now I don’t know how to ask for what I want. “Cat got your tongue?” he asks. A grin tips one corner of his lips. He’s pretty enough to take my breath away. His blond hair flops across his forehead and he shakes his head to swing it back from his eyes. I open my mouth to speak, but only a squeak comes out. He looks around the quad, looking behind me like he’s trying to figure out where the hell I came from. When he sees that no one is chasing me, he takes my shoulders in his hands and gives me a gentle squeeze, bending so he can stare into my eyes. “Hey,” he says softly, like I’m a stray dog he’s trying to trap. “Are you okay?” I thrust out my hand. “Madison Wentworth,” I say. “I just wanted to introduce myself.” His eyes narrow and he stares at me, but he doesn’t stick his hand out to shake mine. I let mine hang there in the air between us until it becomes so heavy with disappointment that I have to tuck it into the pocket of my jeans. “Guess not.” I sigh. “I’m very sorry for taking up your time.” “Which one of those fuckers put you up to this?” he asks. He grinds his teeth as he waits for my response. “What?” “Those frat boys you hang out with, the ones with more money than sense. Which one put you up to this?” He glares at me. “No one put me up to this,” I say. “Listen, sweetheart,” he says, his face very close to mine. I can smell the cigarette he just smoked and the coffee he must have had before it. “You don’t want to mess with a man like me.” “Okay,” I whisper. I clear my throat. “Fine. Have a nice day.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
Trev, there’s—” “Hang on.” Metal grinding on metal screeched in the cold air. Then, “Motherfuckin’ piece of shit.” Chassie glanced at Edgard who’d gone completely still. “That’s not the way to talk in front of company, hon.” “Who’s here?” Trevor spun around and froze. A beat passed. Then Edgard said softly, “Hello, Trevor.” No one spoke; no one moved. Trevor roared, “You motherfuckin’ piece of shit.” He threw the wrench and bulled toward Edgard. Crap. Maybe they weren’t friends after all. Instead of tackling the man and pounding him into the ground, Trevor slapped Edgard on the back. Clasping him in a bear hug, lifting him in the air, practically swinging him in a circle. Whoa. She’d never seen her husband so…exuberant. From seeing an old friend she’d never even heard of? Chassie’s eyes met Trevor’s in confusion and he hastily set Edgard down. “Ah. Sorry, man. It’s just…” Trevor turned away. As he composed himself, Chassie fired a sardonic look at Edgard. “Well, I reckon he’s happy to see you after all.” For Christsake, Edgard was here. Standing in his goddamn front yard. Next to his wife. How was he supposed to deal with this situation? At least he’d stopped himself from laying a big, wet kiss on him. Kissing another man. In front of his wife. Fuck.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
What I say is my business. How you react to it is your business To ascertain someone’s true character, don't listen to what they say, look at what they do The more intelligent you are, the more of an individual you are (same with creativity). Memory is the prison and imagination the key that frees us from our prejudice and preconceptions Attention addiction is the most pernicious of addictions. People will destroy themselves and the lives of others around them, just to get or keep attention focused on them and their need for its drug like dependency Sensitive people are more present than the insensitive, which is why the former jump at the sound of a pin dropping and the latter, not even to a ton weight falling beside them What you admire you mourn the passing of. What you despise, you are glad to see the back of Memory and perception depends upon silence and stillness as forgetting depends upon noise and motion (concentration / dispersal of energy and attention) Reality is not open to discussion. It is not something that changes with your opinion. It works how it works because that is how it works. The laws of reality are the laws of reality and that is it. If seeing is believing, is hearing deceiving (Being told the Emperor has got new clothes, versus seeing he hasn’t)? Stillness and silence is about staying present in the present. Noise and motion is abandonment (moving away from your position in time and space). Discovery is live, that is of the present. Memory is of the dead past (a recording). The first is always a surprise to you, the second is not. People mistake where consciousness is directed as being consciousness itself, which it isn’t If we think that we can't solve a problem, we want to eradicate it instead (stop it dead). If we can find a solution, we want to pat ourselves on the back for our creativity or understanding (keeping life / existence moving on, instead of it grinding to a halt). Culture, habit is that which reinforces our sense of identity Concentration is control because you are being present Thinking is an individual task, it is not a discussion with others, which is an exchange of ideas (other people’s thoughts) You will never understand a problem and resolve it, without exploring it and in depth. To some, yesterday is the nightmare and tomorrow the dream, to others it is the reverse Everything seems crazy until you understand it, when it instantly makes sense, even if you you still don’t think it’s sensible
Tony Sandy
I think Misrost will always have those willing to give their lives for the welfare of their nation. They don’t think much of politics and its debates, and they surely don’t want anything in return. Their highest hope is to achieve freedom for the countries in our region, and then return to live normal lives: work to earn a living, find love, and raise good families. They want to live, but as free honourable men, not slaves. This is why they postpone their personal dreams and accept living like strangers and outcasts. Regardless of all debates, opinions, political analysis, and empty talks, those persons will always form the cornerstone upon which all traitors break. They are the stone that shall grind the reasons behind your fears and concerns to dust. That’s because such persons never stop until they make what’s right prevail or die trying. Unlike what their enemies think, their death is never the end, but it’s always the beginning of something bigger, something stronger. Their legacy is like a candlewick, it dies, but the candle’s light remains. Otherwise, why do you think we are all here at this moment?
Ehab Shawky (The Lost Way To Misrost)
...Jeevan found himself thinking about how human the city is, how human everything is. We bemoaned the impersonality of the modern world, but that was a lie, it seeed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of person, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt.
Emily St John Mandel
machismo. The mentality to never show weakness, grind it out, play through the pain. Our vocabulary is telling. We tell our sons and daughters to “man up” or, in much cruder terms that are heard on playing fields across the country, “stop being a pussy.” Or as the famous line from the movie A League of Their Own summarized expectations in sport, “There’s no crying in baseball!” Masculinity is so ingrained in our concept of toughness that if you ask a sampling of individuals about
Steve Magness (Do Hard Things: Why We Get Resilience Wrong and the Surprising Science of Real Toughness)
It is a long time,' repeated his wife; 'and when is it not a long time? Vengeance and retribution require a long time; it is the rule. 'It does not take a long time to strike a man with lightning,' said Defarge. 'How long,' demanded madame, composedly, 'does it take to make and store the lightning? Tell me?' Defarge raised his forehead thoughtfully, as if there were something in that, too. 'It does not take a long time,' said madame, 'for an earthquake to swallow a town. Eh well! Tell me how long it takes to prepare the earthquake?' 'A long time, I suppose,' said Defarge. 'But when it is ready, it takes place, and grinds to pieces everything before it. In the mean time, it is always preparing, thought it is not seen or heard. That is your consolation. Keep it.' She tied a knot with flashing eyes, as if it throttled a foe. 'I tell thee,' said madame, extending her right hand, for emphasis, 'that although it is a long time on the road, it is on the road and coming. I tell thee it never retreats, and never stops. I tell thee it is always advancing. Look around and consider the lives of all the world that we know, consider the faces of all the world that we know, consider the rage and discontent to which the Jacquerie addresses itself with more and more of certainty every hour. Can such things last? Bah! I mock you.' 'My brave wife,' returned Defarge, standing before her with his head a little bent, and his hands clasped at his back, like a docile and attentive pupil before his catechist, 'I do not question all this. But it has lasted a long time, and it is possible - you now well, my wife, it is possible - that is may not come, during out lives,' 'Eh well! How then? demanded madame, tying another knot, as if there were another enemy strangled. 'Well' said Defarge, with a half complaining and half apologetic shrug. 'We shall not see the triumph.' 'We shall have helped it,' returned madame, with her extended hand in strong action. "Nothing that we do, is done in vain. I believe, with all my soul, that we shall see the triumph. But even if not, even if I knew certainly not, show me the neck of an aristocrat and tyrant, and still I would -' There madame, with her teeth set, tied a very terrible knot indeed. 'Hold!' cried Defarge, reddening a little as if he felt charged with cowardice; 'I too, my dear, will stop at nothing.' 'Yes! But it is your weakness that you sometimes need to see your victims and your opportunity, to sustain you. Sustain yourself without that. When the time comes, let loose a tiger and a devil; but wait for the time with the tiger and the devil chained - not shown -yet always ready.
Charles Dickens
I grind my teeth together in frustration, “Get up in the tree Creed. What can you possibly do right now? Use your good looks to stop them?” “I’m not completely useless Em and I am not going to leave you” he snaps. “I never said you were, but these guys have guns. If they take you or shoot you, I don’t know what I’ll do. I can heal you can’t.” I whisper loudly. “Emmy, I can get shot in a tree too, you know.” He says smugly...
Christine Woo (Feathers of Fire (Phoenix Feathers, #1))
Kane, how are you so fucking tight…" Avery pistoned his hips, driving Kane into the edge of the vanity with each snap of his hips. The moment was perfect, too perfect. Kane reared back, arching his body, and met Avery thrust for thrust. "You've been…ah…bottoming the last few times," Kane groaned. Avery closed his eyes and gritted his teeth. His husband always did that when he concentrated on holding his load. Kane kept his eyes open, looking at their reflection in the mirror. He loved watching Avery make love to him. "Keep going." Kane lifted his dress shirt up and over his head. He tossed it across the top of the toilet and began stroking himself. He was close, very close, and Avery never stopped pounding away at his ass. He tightened his grip, desperately wanting to come, but trying hard to keep it at bay. "Feel good?" Avery's voice was deep, breathy. "Yeah," was the only thing he could manage at the moment. "So good. Fuck, Kane, I could do this all night." "Avery…yes." Kane strained to hold back his orgasm. He rolled his hips then pushed back, grinding against Avery, taking him deep inside. Avery responded just like Kane imagined he would—his lover's eyes opened, and shot straight to their reflection in the mirror, meeting his. Avery's heated gaze pierced Kane to the core. "Come for me," Kane whispered. "You're so beautiful. You're mine. You're always mine." Avery's eyes stayed locked on his. Avery gripped Kane's hips tightly and bucked harder, nailing his spot over and over. Fire surged through Kane's veins. "Come with me!" "Now!" Kane loosened his tight grip on the sink to stroke himself faster, dropping his head down on to the counter as his body tensed and his ass contracted hard around Avery. His release jetted from his body, painting the cabinet and floor with ribbons of white, taking his breath, and buckling his knees with pleasure. He was barely conscious of missing the slacks pooled around his shoes. He closed his eyes as loud moans escaped his lips. He savored every second of Avery's pulsing cock filling him with liquid heat from the inside out.
Kindle Alexander (Always (Always & Forever #1))
Children were to be seen but not heard in adult company in those days, but I never felt left out. For example, my father belonged to a singing group that often met in our house. My brother and I had to stay upstairs and amuse ourselves while my mother played the piano and the men sang. As soon as the music stopped below, Bob and I would drop whatever game we were playing and rush back to the sewing room, which was right above the kitchen. I would pull the warm-air grate out of the floor (that was before we had central heating, and floor registers were used to let heated air rise to the upper rooms). My mother would put a dish of whatever refreshments she was serving on a tray that my father had affixed to an old broom handle, then she would hoist it up to us. It was a delightful feeling of adventure, because my mother pretended to be sneaking the food away without letting the other adults know. I
Ray Kroc (Grinding It Out: The Making of McDonald's)
Brute force outraged her, I think, because it was outside her beloved realm of language, and in response to it she really had nothing to say. Despite her revolutionary stylings I don't think my mother would have been very useful in a real revolution, not once the talking and the meetings were over and the actual violence began. There was a sense in which she couldn't quite believe in violence, as if it were, in her view, too stupid to be real. I knew--from Lambert only--that her own childhood had been full of violence, emotional and physical, but she rarely referred to it other than calling it "that nonsense," or sometimes "those ridiculous people," because when she ascended to the life of the mind everything that was not the life of the mind stopped existing for her. Louie as a sociological phenomenon or a political symptom or a historical example or simply a person raised in the same grinding rural poverty she'd known herself--a person whom she recognized, and I believe intimately understood--that Louie my mother could deal with. But the look of utter forsakenness on her face as the firemen led her to a far corner of the shed to show her the spot where the fire had been started, by someone who she knew personally, had tried to reason with, but who, despite this, had chosen to violently destroy what she'd lovingly created--this look is something I've never forgotten.
Zadie Smith (Swing Time)
At first David squealed in annoyance, but Dan grabbed him and brought him onto his lap. “Hey now,” he said, holding him with a firm arm around his waist, bouncing him on his thigh. “Take it easy. Only in a town of six hundred would it be considered normal to have a kid your age right up at the bar. Count your blessings.” Jack shook out some Goldfish crackers into a bowl. “His favorite,” he explained. “Perfect,” Dan said. He turned his attention on David. “So, little man, you want one?” He maneuvered the small cracker into David’s mouth. “Now. Give one to me? Please?” David thought about it a second, then slowly pushed one toward Dan’s open mouth. “Mmm,” Dan said. “Your turn.” And he plucked one out of the bowl and directed it toward David’s mouth, but pulled it back, making the kid laugh. “Oh, you want that? Can you say please?” David shook his head obstinately, stiffening his back, grinding his fists into his eyes, pushing out his lower lip. Dan took the Goldfish for himself and laughed. “Let’s try that again,” he said, picking up another. “Please?” he coached. “Pease,” David said in a pout. “Wonderful,” Dan approved, popping a Goldfish into his mouth. “You’re gifted,” Jack observed. “He’s been a real asshole lately.” “Jack! We were going to try to stop swearing!” “Yeah, I know. I think I’m doing better at that than you are, by the way. But hasn’t he been?” “He can’t help it—he’s at the asshole age. He’ll come around.” “See?” Jack said, grinning at her. “You have a rotten mouth and you can’t help yourself.” She grinned back at him. “I never uttered a single curse until I met you.” Dan focused on David. “Your parents are flirting with each other. You better have another fish. You could be on my lap a long time.” Jack
Robyn Carr (Paradise Valley)
You are carrying Luis Philippe's child," he stated without preamble. The name did not sound strange on this man's tongue, but it took Lily a moment to respond to it. She merely nodded her head in reply. She had a feeling she would need to save her voice for what would follow. "I had hoped my grandson would find a wife among his own people." Antonio took a bedroom chair but continued to hold himself stiffly upright. Lily lifted an inquiring brow. His own people? Had the man forgotten that Cade was equally Indian? Antonio scowled at her response. "Among my people. It would be easier to show that he is a de Suela if he had married appropriately." This man had come here with an axe to grind, and nothing she could say would stop him. Why waste her voice in trying? She reached for the shawl on her bedside stand and wrapped it around her. Her silence forced de Suela to realize he left her no room for comment. "He tells me you are a wealthy lady in your own right. I should not complain. I apologize. I am an old man and have come to realize that many of my dreams will never come true. For many years I have wished for a child to carry on my name, but I thought it was not to be. Now that I have found my grandson, I wish him to be everything that I would have made of him. I forget that he is already a man of his own." "Very much so," Lily whispered, finally hearing something with which she could agree. Antonio nodded. "I think you are a good woman. We will make the family see that you are one of us, as they must come to see that Luis is mine. It is good that he takes my name. The child you carry will be a de Suela. Luis has done the right thing by bringing you here. I am not so old that there is not time to see my destiny passed on to my grandson and his child." Lily felt a flicker of alarm, but the old man was already rising, and the shakiness of his hand on the stick prevented her from protesting aloud.
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
As the years trickled away and the thorns filled with dog roses, her soul grew easier. There were stones inside her heart that would never stop grinding together, but they did not weigh so heavily when no princes came.
T. Kingfisher (Thornhedge)
Sit down," Thad whispered. When she did, he pulled her to the edge of the mattress and lifted both her legs, placing her thighs on his shoulders. Then he dipped his head and read her open with his tongue. She gasped, and sound sent a jolt of sensation straight to his dick. Fuck! He knew she would taste good, but this was so much better than good. He stroked her with his tongue, dragging slow, firm licks from her clit on down, and then back up again. Ashanti lifted her hips, grinding against his mouth as he continued to lap at her. Her cries filled the room, hesitant as they were. Thad wanted her to tell her to let go, to just give in and not hold back. But he didn't want to stop what he was doing long enough to speak. He caught her by the waist and held her down while he wedged his tongue inside her, driving in and out. Her legs moved restlessly against his shoulders, as if she didn't know what to do with herself. He tried to make out what she was saying between her breathy pants and realized it was his name. She was calling his name over and over again. Thad had never heard anything sexier in his entire life. It drove him to keep going until he felt her legs shake and tense. She came against his tongue. But instead of stopping, he ramped up the intensity, closing his mouth over her clit and sucking until she came again and again and again. Her body was limp by the time he lifted her legs and set them back on the bed. He stood. As he stared down at Ashanti completely spent on his mattress, Thad realized his ego would never need stroking again. "Are you okay?" he asked her. "I'm a puddle," she said. "Don't ask me to move, because I can't." Nope. No ego stroking necessary for the newly crowned king of cunnilingus.
Farrah Rochon (Pardon My Frenchie)
Is you is or is you ain't my baby? That's the question I've been thinking about lately But currently, that's not on my mind. It was a grind trying to get to you, but it was worth it to hear those words “Baby, I am yours.” Some days you drive me crazy, but most days it's all love and happiness. Like Al Green says, “It’s something that'll make you do wrong and right.” But with you, I try with all my might to do the latter. All the others before you don't matter because it's all about us. When we started, I thought about trust because I've been burned so many times and I burned my fair share. When you saw my imperfections, you didn't stop and stare in disgust. You brought me close and whispered in my ear “I don't care.” You stared into my eyes lovingly and said I got you. It was that moment I knew I wanted to wrap my arms around you and hold you tight forever. Will you be mine in that way? Will you never get tired of me and always stay? I said all this just to say, “Will you marry me?
Jeremy Allen (Twelve Midnight)
Find them? That I did,’ cried Riose. His lips were stiff as he spoke. It seemed to require effort to refrain from grinding molars. ‘Patrician, they are not magicians; they are devils. It is as far from belief as the outer nebulae from here. Conceive it! It is a world the size of a handkerchief, of a fingernail; with resources so petty, power so minute, a population so microscopic as would never suffice the most backward worlds of the dusty prefects of the Dark Stars. Yet with that, a people so proud and ambitious as to dream quietly and methodically of Galactic rule. ‘Why, they are so sure of themselves that they do not even hurry. They move slowly, phlegmatically; they speak of necessary centuries. They swallow worlds at leisure; creep through systems with dawdling complacence. ‘And they succeed. There is no one to stop them. They have built up a filthy trading community that curls its tentacles about the systems further than their toy ships dare reach. For parsecs, their Traders – which is what their agents call themselves
Isaac Asimov (Foundation and Empire (The Foundation Trilogy #2))
Never stop grinding, no matter what
Gavin Reeder
People who’ve spent time on high country trails know the heartbreak of a false summit. When all you want is for the incline to stop kicking your ass, it tricks you into thinking you’ve made it, only to reveal that you aren’t even close! But you don’t have to be a trail rat to know that feeling. In life, there are plenty of false summits. Maybe you think you’ve rocked an assignment at work or school, only to have your teacher or supervisor rip it to pieces or tell you to start over again. False summits can come in the gym when you’re doing a hard circuit workout and think you’ve hit the last set, only to hear from your coach or trainer—or from a quick glance at your own notes—that you have to go back through the entire circuit one last time. We all take a punch like that every once in a while, but those who tend to crane their necks looking for the crest of the mountain as they beg for their suffering to end are the ones who get smashed the most by any false summit. We have to learn to stop looking for a sign that the hard time will end. When the distance is unknown, it is even more critical that you stay locked in so the unknown factor doesn’t steal your focus. The end will come when it comes, and anticipation will only distract you from completing the task in front of you to the best of your ability. Remember, the struggle is the whole journey. That’s why you’re out there. It’s why you signed up for this race, or that class, or took the damn job. There is great beauty when you are involved in something that is so hard most people want it to end. When Hell Week ended, most of the guys who survived cheered, wept tears of joy, high-fived, or hugged one another. I got the Hell Week blues because I’d been immersed in the beauty of grinding through it and the personal growth that came with it.
David Goggins (Never Finished)
We have to learn to stop looking for a sign that the hard time will end. When the distance is unknown, it is even more critical that you stay locked in so the unknown factor doesn't steal your focus. The end will come when it comes, and anticipation will only distract you from completing the task in front of you to the best of your ability. Remember, the struggle is the whole journey. That's why you're out there. It's why you signed up for this race, or that class, or took the damn job. There is great beauty when you are involved in something that is so hard most people want it to end. When Hell Week ended, most of the guys who survived cheered, wept tears of joy, high-fived, or hugged one another. I got the Hell Week blues because I'd been immersed in the beauty of grinding through it and the personal growth that came with it. p101
David Goggins (Never Finished)
The director said wonderful things about you, that you're very talented," I say, and then smell the cardamom Garrance had given me, and I'm instantly put into a trance from green, earthy, and perfumed aromas. It's like all my troubles are gone. I'm in India, envisioning dances and beautiful saris and delicious naan bread baked on hot coals. Charles taps me on the shoulder. "Kate, where did you go?" I wobble. "I think I was in Mumbai for a second. Maybe Chennai? I don't know. I've never been to India. I've just seen pictures in magazines." He places his hands on my shoulders. "Spices transport you?" "Yes," I say, still a little bit out of it. "Hers do." He grips my shoulders, pulls me in closer. I smell his vanilla scent, and my knees turn to butter. "And I now know why my mother likes you. It makes perfect sense. She was right." "About what?" I ask, breathing him. "Working together and letting go of the bad energy. I know we can do this." His eyes spark with a passionate fire, and he smiles, his dimple puckering. I might melt like fondue. "Let's create a meal for her---the best one she's ever had." He leans against the stove, his sexy, smoldering hazel eyes meeting mine. My neck goes hot. I race over to the prep station and pick up the bag of cardamom, breathe it in---earthy, sweet, smoky, and nutty. Big mistake. Because I'm now licking his muscled chest in one of my deranged fantasies, which is so wrong. I throw the bag down, and the grains scatter on the countertop. Charles saunters over and places a hand on my shoulder. "Kate, everything okay?" "Cool, cool, cool," I say. I shrug off his touch, dip around his shoulder, noticing how V-shaped he is. "I was thinking we add this into the peanut sauce for the satay." "Good idea," he says. "Grind it. Nice and fine." Stop. Stop talking with your lilting English accent. Stop smiling. I'm staring at his hands, his lips, his eyelashes. My mind, my thoughts, and my body are about to explode. "Kate, can you pass me the chilis? My mother likes things spicy." "So do I," I say, reaching for it. Our hands touch as I hand him the spice. I shiver. "Me too," he says with a teasing growl. "And I know you added more pepper into my dish the other day. Good thing I can handle the heat." I can't. It's getting way too hot in here.
Samantha Verant (The Spice Master at Bistro Exotique)
I'm a bartender. How can I stop when surrounded by smoke and smokers at every turn?" I recall attempts where I hoped smoking friends would be supportive in not smoking around me, and not leave their packs lying around to tempt me. While most tried, it usually wasn't long before they forgot. I recall thinking them insensitive and uncaring. I recall grinding disappointment and intense brain chatter, that more than once seized upon frustrated support expectations as this addict's excuse for relapse. Instead of expecting them to change their world for me, the smart move would have been for me to want to extinguish my brain's subconscious feeding cues related to being around them and their addiction. The smart move would have been to take back my world, or as much of it as I wanted. As I sit here typing in this room, around me are a number of packs of cigarettes: Camel, Salem, Marlboro Lights and Virginia Slims. I use them during presentations and have had cigarettes within arms reach for years. Don't misconstrue this. It is not a smart move for someone struggling in early recovery to keep cigarettes on hand. But if a family member or best friend smokes or uses tobacco, or our place of employment sells tobacco or allows smoking around us, we have no choice but to work toward extinguishing tobacco product, smoke and smoker cues almost immediately. And we can do it! Millions of comfortable ex-users handle and sell tobacco products as part of their job. You may find this difficult to believe, but I've never craved or wanted to smoke any of the cigarettes that surround me, even when holding packs or handling individual cigarettes during presentations. Worldwide, millions of ex-smokers successfully navigated recovery while working in smoke filled nightclubs, restaurants, bowling alleys, casinos, convenience stores and other businesses historically linked to smoking. And millions broke free while their spouse, partner or best friend smoked like a chimney. Instead of fighting or hiding from the world, take it back. Why allow our circumstances to wear us down? Small steps, just one moment at a time, embrace challenge. Extinguish use cues and claim your prize once you do, another slice of a nicotine-free life. Recovery is about taking back life. Why fear it? Instead, savor and relish reclaiming it. Maybe I'll have a crave tomorrow. But it's been so many years (since 2001) that I'm not sure I'd recognize it. Why fear our circumstances when we can embrace them? They cannot
John R. Polito (Freedom from Nicotine - The Journey Home)
One: the grind never stops Other: facts. But imagine if it did. One: then there'd be more time to be in love.
Kenning Jean-Paul Garcia (Dawn)
Yet another reason Jamie was willing to pay out for expensive, hard-capped boots. You never knew where you’d be stepping. Right in the centre of the settlement a side-path led down a narrow little alley between the backs of two squats made out of shipping pallets, and opened into a little square where three tents all opened towards each other. Two of them looked ancient, propped up by sticks and other rigid objects, tied off and hanging from the bridge overhead with their support strings.  But the third tent looked pretty new.  It was a modest green and orange striped thing — big enough to fit no more than two people. But it matched the description that Reggie had given. He said that it looked too nice to be there, and this one did.  ‘Grace?’ Jamie called softly. Roper was right at her shoulder. She could smell the cigarettes on his breath. There was no answer. She stepped forward a little. ‘Grace? Are you in there? Can you hear me?’ There was an equal chance that the tent was empty, or that Grace was strung out and unresponsive. Either way, she needed to take a look. Jamie glanced at Roper, whose face she couldn’t read. His nose was wrinkled in disgust, but his flushed cheeks told her that he was as nervous as she was.  As much as she hated to generalise — confronting homeless people was never an easy thing to do. They could be unpredictable at best, and it was always smart to tread lightly. She steadied her heart, took a breath and then clenched her hand to stop it from shaking. The zipper toggle hung at the top of the entrance, shimmering gently in the half-light. Jamie couldn’t tell if it was from movement inside, or from vibrations coming through the other squats around them.  She swallowed and reached for it, taking it lightly between her fingers, not wanting to startle whoever was inside. Roper’s breath was short and sharp in her ear. ‘Grace?’ she tried again, but there was no response. She tugged left and the zipper began to unfurl, grinding its way along the teeth. Roper exhaled behind her, filling the already ripe gap with hot air.  Jamie craned her neck to look through the widening gap as the flap began to fold down, but inside was shaded and dark. The smell of urine wafted out and stung her nostrils. She was aware of her boots in the mud, aware of the sounds around her, of the closeness of Roper as he looked over her head.  Everything was still, the zipper not seeming to move at all.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Some people think they can have “down time” for protracted periods. But you can’t take your foot off the pedal. Winners don’t “chillax”. They work all the time. They win precisely because they can keep going when others have tired and given up. If you get into the habit of relaxing, freewheeling and treating yourself, you will definitely lose when you come up against someone who does none of those things. A theory states that winners have higher natural levels of pain-killing chemicals in their systems. They can keep going because they are more pain resistant. They don’t need to take time off, to recuperate, to recharge their batteries. They just keep going, and that gives them an unbeatable competitive advantage. If you want to be a winner, you should train yourself to keep going even when you’re desperate to stop. If you master that skill, you will definitely succeed. Never let up. Keep grinding out work day in and day out. Eventually it will be second nature to you, and you will be able to produce good work in all circumstances. Of course, you must be engaged in an activity you love. You can’t keep putting in excessive effort if every moment is like torture, if you hate what you’re doing.
Mark Romel (The Wasteland: America's Search for Redemption)
Meanwhile, in the realm of Something Lower, where books are but numbers in a series, the hacks grind out and the presses print the sf equivalent of Silhouette Romances. The sheer mass of Perry Rhodan lookalikes and fantasy-gaming disguised as books is awesome in much the same way that Niagara Falls is awesome: there is so much of it and it never stops.
Thomas M. Disch
Resistance in our Rest Is Resistance framework means we rest no matter what the systems say. We reimagine rest for ourselves. We craft spaces of physical, spiritual, and psychological rest to disrupt and push back against white supremacy and capitalism. It is a lifelong deprogramming. A mind shift and an ethos that engages with rest as a tool for liberation. The body has information. The trauma response is to keep going and to never stop. Grinding keeps us in a cycle of trauma; rest disturbs and disrupts this cycle. Rest is an ethos of reclaiming your body as your own.
Tricia Hersey (Rest Is Resistance: A Manifesto)