The Fog Horn Quotes

That's life for you," said MacDunn. "Someone always waiting for someone who never comes home. Always someone loving some thing more than that thing loves them. And after a while you want to destroy whatever that thing is, so it can't hurt you no more.

One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said, "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice like all of time and all of the fog that ever was; I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life." The Fog Horn blew.

That's life for you," said McDunn. "Someone always waiting for someone who never comes home. Always someone loving some thing more than that thing loves them. And after a while you want to destroy whatever that thing is, so it can't hurt you no more.

Sprinkled across the black waters below were at least a hundred small boats set out to greet the Leviathan, their navigation lights like shifting stars. Among them loomed a glittering cruise liner, her fog horn bellowing in the night. The low groan grew into a chorus as the other great ships in the harbor joined in. Perched on Volger's desk, Bovril attempted to imitate the horns, but wound up sounding like a badly blown tuba. Alek smiled. "But they're already singing our praises!" "They are Americans," Volger said. "They toot their horns for anything.

420 All Day

Mostly he would not speak when spoken to, only look up sudden and fierce and blow through his nose like a fog-horn;

The bay was bright blue today, the hard fierce blue of a gas flame. If there was fog rolling in—and there must be, given the insistence of those horns—she couldn’t see it from here.

It learned you can’t love anything too much in this world.

There was a fierce jam on the road to Gurgaon. Every five minutes the traffic would tremble - we'd move a foot - hope would rise - then the red lights would flash on the cars ahead of me, and we'd be stuck again. Eveyone honked. Every now and then, the various horns, each with its own pitch, blended into one continuous wail that sounded like a calf taken from its mother. Fumes filled the air. Wisps of blue exhaust glowed in front of every headlight; the exhaust grew so fat and thick it could not rise or escape, but spread horizontally, sluggish and glossy, making a kind of fog around us. Matches were continually being struck - the drivers of autorickshaws lit cigarettes, adding tobacco pollution to petrol pollution.

A moment out of time .lights whirling and spinning in a cotton candy universe .down a bottomless funnel roundly sectioned like a goat' s horn .a cornucopia that rose up cuculiform smooth and slick as a worm belly .endless nights that pealed ebony funeral bells .out of fog .out of weightlessness .suddenly total cellular knowledge .memory running backward .gibbering spastic blindness .a soundless owl of frenzy trapped in a cave of prisms .sand endlessly draining down .billows of forever .edges of the world as they splintered .foam rising drowning from inside .the smell of rust .rough green corners that burn .memory the gibbering spastic blind memory .seven rushing vacuums of nothing .yellow .pinpoints cast in amber straining and elongating running like live wax .chill fevers .overhead the odour of stop .this is the stopover before hell or heaven .this is limbo .trapped and doomed alone in a mist-eaten nowhere .a soundless screaming a soundless whirring a soundless spinning spinning spinning .spinning .spinning .spinning .spinning

Two weeks ago my mountain of mail delivered forth a pipsqueak mouse of a letter from a well-known publishing house that wanted to reprint my story “The Fog Horn” in a high school reader. In my story, I had described a lighthouse as hav­ing, late at night, an illumination coming from it that was a “God-Light.” Looking up at it from the view-point of any sea-creature one would have felt that one was in “the Presence.” The editors had deleted “God-Light” and “in the Presence.” Some five years back, the editors of yet another anthology for school readers put together a volume with some 400 (count ‘em) short stories in it. How do you cram 400 short stories by Twain, Irving, Poe, Maupassant and Bierce into one book? Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito—out! Every simile that would have made a sub-moron’s mouth twitch—gone! Any aside that explained the two-bit philosophy of a first-rate writer—lost! Every story, slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read like Shakespeare read like Dostoevsky read like—in the finale—Edgar Guest. Every word of more than three syllables had been ra­zored. Every image that demanded so much as one instant’s attention—shot dead. Do you begin to get the damned and incredible picture? How did I react to all of the above? By “firing” the whole lot. By sending rejection slips to each and every one. By ticketing the assembly of idiots to the far reaches of hell.

The treetops swayed high above the mists along the edge of the forest known as Wynne Holt. Five boys, all in their twelfth year, lay on their stomachs peering through the grasses of the headland near The Point. They watched as the cloaked Creature, the Ge-sceaft, wandered through the shifting fog that intermittently smothered the field ahead of them. Its shadow faded and resurfaced as it roamed through the grasses; and at times, eerie noises-- almost like singing-- drifted to the edge of the cliff from where they watched. Angus, the oldest and brawniest of the lads, began telling tales that terrified and delighted the others. “It has horns, it does. That’s why it wears the hood so far over its face. The horns aren’t at the back; they’re near the front, and it uses them to tear up its food like an animal uses claws and fangs.” “What does it eat?” The other boys turned

There are Californians who waiver in their allegiance to the climate of California. Sometimes the climate of San Francisco has made me cross. Sometimes I have thought that the winds in summer were too cold, that the fogs in summer were too thick. But whenever I have crossed the continent—when I have emerged from New York at ninety-five degrees, and entered Chicago at one hundred degrees—when I have been breathing the dust of alkali deserts and the fiery air of sagebrush plains—these are the times when I have always been buoyed up by the anticipation of inhaling the salt air of San Francisco Bay. If ever a summer wanderer is glad to get back to his native land, it is I, returning to my native fog. Like the prodigal youth who returned to his home and filled himself with husks, so I always yearn in summer to return to mine, and fill myself up with fog. Not a thin, insignificant mist, but a fog—a thick fog—one of those rich pea-soup August fogs that blow in from the Pacific Ocean over San Francisco. When I leave the heated capitals of other lands and get back to California uncooked, I always offer up a thank-offering to Santa Niebla, Our Lady of the Fogs. Out near the Presidio, where Don Joaquin de Arillaga, the old comandante, revisits the glimpses of the moon, clad in rusty armor, with his Spanish spindle-shanks thrust into tall leathern boots—there some day I shall erect a chapel to Santa Niebla. And I have vowed to her as an ex-voto a silver fog-horn, which horn will be wound by the winds of the broad Pacific, and will ceaselessly sound through the centuries the litany of Our Lady of the Fogs. Every Californian has good reason to be loyal to his native land. If even the Swiss villagers, born in the high Alps, long to return to their birthplace, how much more does the exiled Californian yearn to return to the land which bore him. There are other, richer, and more populous lands, but to the Californian born, California is the only place in which to live. And to the returning Californian, particularly if he be native-born, the love of his birthplace is only intensified by visits to other lands. Why do men so love their native soil? It is perhaps a phase of human love for the mother. For we are compact of the soil. Out of the crumbling granite eroded from the ribs of California’s Sierras by California’s mountain streams—out of earth washed into California’s great valleys by her mighty rivers—out of this the sons of California are made, brain, and muscle, and bone. Why then should they not love their mother, even as the mountaineers of Montenegro, of Switzerland, of Savoy, lover their mountain birth-place? Why should not exiled Californians yearn to return? And we sons of California always do return; we are always brought back by the potent charm of our native land—back to the soil which gave us birth—and at the last back to Earth, the great mother, from whom we sprung, and on whose bosom we repose our tired bodies when our work is done.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

Mack Gaffey, resident veterinarian and owner of Oak Falls Kennel for the Canine Challenged came to greet him. He was a tall, painfully thin man with a tuft of wiry gray hair sticking out in horns on his head and a pair of thick-rimmed glasses. “Sheriff, glad you could make it.” They shook hands. “Alright Mack,” Al said. “So you’ve had yourself some vandalism, huh?” Mack nodded and lead him around his white GMC. On hood of the van was a fogged-up ZipLock bag. “Some sicko took a dump on my van.” Mack held up the bag so Al could see the giant, steaming turd inside. “It’s human shit, Al. I did the tests this morning.” The sheriff frowned and started wiping the hand he shook Mack’s with against his pants. “Well, this stinks.” “You should smell it out of the bag, Sheriff.

That's what you get for pretending to be asleep." "How is trying to touch my brain with your hair a suitable punishment for fake sleeping after being woken up by your bed-shaking snores?" Her eyes narrowed and she shoved at my shoulder. "I don't snore." "You're totally right. The fog horn must have been all in my head.

mine… it’s somewhere between a fog horn and a longhorn bull. The curtains pulled back and she stood there almost in tears. Then

It took shape and stood up, an enormous creature of vaguely human shape made all of earth and root and bough, twin points of brilliant emerald-green light burning in its vine-writhing, leaf-strewn head. It had to have been nine or ten feet tall, and nearly that far across. Its legs were thicker than me, and branches spread out above its head like vast horns against the background of luminous mind fog. The creature lifted its head

One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said, 'We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice like all of time and all of the fog that ever was; I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life.

An indistinct cacophony blanketed the area like fog: people shouting into mobile phones, street-stall hawkers exhorting potential customers, cars and horns and jackhammers. A couple of pigeons soared from one rooftop to another, flapping their wings in seeming laughter at the seething mass below.

XVII. Thinking, Tangling Shadows" Thinking, tangling shadows in the deep solitude. You are far away too, oh farther than anyone. Thinking, freeing birds, dissolving images, burying lamps. Belfry of fogs, how far away, up there! Stifling laments, milling shadowy hopes, taciturn miller, night falls on you face downward, far from the city. You presence is foreign, as strange to me as a thing. I think, I explore great tracts of my life before you. My life before anyone, my harsh life. The shout facing the sea, among the rocks, running free, mad, in the sea-spray. The sad rage, the shout, the solitude of the sea. Headlong, violent, stretched towards the sky. You, woman, what were you there, what ray, what vane of that immense fan? You were as far as you are now. Fire in the forest! Burn in blue crosses. Burn, burn, flame up, sparkle in trees of light. It collapses, crackling. Fire. Fire. And my soul dances, seared with curls of fire. Who calls? What silence peopled with echoes? Hour of nostalgia, hour of happiness, hour of solitude, hour that is mine from among them all! Hunting horn through which the wind passes singing. Such a passion of weeping tied to my bedy. Shaking of all the roots, attack of all the waves! My soul wandered, happy, sad, unending. Thinking, burying lamps in the deep solitude. Who are you, who are you?

I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like the trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life.

Half an hour passed with only a few whispers between us. When we grew tired waiting, McDunn began describing some of his ideas to me. He had some theories about the Fog Horn itself. "One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like the trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life."" The Fog Horn blew. "I made up that story," said McDunn quietly, "to try to explain why this thing keeps coming back to the lighthouse every year. The fog horn calls, I think, it comes...

I mounted the stairs to my pavilion and sank onto Hlidskjalf, the magic throne from which I can peer into the Nine Worlds. The seat cradled my posterior with its ermine-lined softness. I took a few deep breaths to focus my concentration, then turned to the worlds beyond. I usually begin with a cursory look-see of my own realm, Asgard, then circle through the remaining eight: Midgard, realm of the humans; the elf kingdom of Alfheim; Vanaheim, the Vanir gods’ domain; Jotunheim, land of the giants; Niflheim, the world of ice, fog, and mist; Helheim, realm of the dishonorable dead; Nidavellir, the gloomy world of the dwarves; and Muspellheim, home of the fire giants. This time, I didn’t make it past Asgard. Because goats. Specifically, Thor’s goats, Marvin and Otis. They were on the Bifrost, the radioactive Rainbow Bridge that connects Asgard to Midgard, wearing footy pajamas. But there was no sign of Thor, which was odd. He usually kept Marvin and Otis close. He killed and ate them every day, and they came back to life the next morning. More disturbing was Heimdall, guardian of the Bifrost. He was hopping around on all fours like a deranged lunatic. “So here’s what I want you guys to do,” he said to Otis and Marvin between hops. “Cavort. Frolic. Frisk about. Okay?” I parted the clouds. “Heimdall! What the Helheim is going on down there?” “Oh, hey, Odin!” Heimdall’s helium-squeaky voice set my teeth on edge. He waved his phablet at me. “I’m making a cute baby goat video as my Snapchat story. Cute baby goat videos are huge in Midgard. Huge!” He spread his hands out wide to demonstrate. “I’m not a baby!” Marvin snapped. “I’m cute?” Otis wondered. “Put that phablet away and return to your duties at once!” According to prophecy, giants will one day storm across the Bifrost, a signal that Ragnarok is upon us. Heimdall’s job is to sound the alarm on his horn, Gjallar—a job he would not be able to perform if he were making Snapchat stories. “Can I finish my cute baby goat video first?” Heimdall pleaded. “No.” “Aw.” He turned to Otis and Marvin. “I guess that’s a wrap, guys.” “Finally,” Marvin said. “I’m going for a graze.” He hopped off the bridge and plummeted to almost certain death and next-day resurrection. Otis sighed something about the grass being greener on the other side, then jumped after him. “Heimdall,” I said tightly, “need I remind you what could happen if even one jotun snuck into Asgard?” Heimdall hung his head. “Apologetic face emoji.” I sighed. “Yes, all right.

The haunting bellow of the sentry horns sounded across the Greenland Fjords as the night mists settled between the jagged, rocky, half-frozen shores. Ifar the Shepherd hurried from his flock. Beyond the coast skirted by his grazing land he could see the shadowy shape of the incoming knarr as it pushed through the deepening fog. Slowly the masts emerged above it. Ifar turned toward the hilltop. There stood the magnificent earthen Mead Hall of King Lief, son of Eirik the Red. Though the karls who worked the lands already came running from the fishing houses and the farms and the lumber sites, Ifar could not pass up the opportunity. He gathered his horn from hip and blew with all his might.

A hum in the air signalled the approaching wave. Sleep was coming for me. I knew the sound of it by now, the fog horn of dead space that put me on autopilot while my conscious self roamed like a goldfish.

When Juliet woke she sensed something had changed. She could hear a milk float clanking along the street and the noises off of bus engines and car horns, and the usual passing footfall, but everything sounded deadened and muffled. Snow?, she wondered. But when she looked out of the window it was to find not snow but an unseasonable fog that had descended in the night. That's all I need, Juliet thought. Atmosphere.