“
And so I went through the looking glass, stepped into the netherworld, where up is down and food is greed, where convex mirrors cover the walls, where death is honor and flesh is weak. It is ever so easy to go. Harder to find your way back.
”
”
Marya Hornbacher (Wasted : A Memoir of Anorexia and Bulimia)
“
Every weakness exposes flesh,” he'd said, “and flesh invites a knife.
”
”
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
“
She had said she didn’t feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn’t imagine it. Breathing someone else’s breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn’t. Ever. Just the thought made her feel small and weak as a child...
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
Everywhere the weak execrate the powerful, before whom they cringe; and the powerful beat them like sheep whose wool and flesh they sell.
”
”
Voltaire (Candide)
“
The spirit was willing but the flesh was weak.
”
”
David Mitchell (Cloud Atlas)
“
Needing me or anyone to look out for you doesn’t mean you’re weak, that you can’t defend yourself, or that you’re afraid. We all need someone to watch over us.
”
”
Jennifer L. Armentrout (A Light in the Flame (Flesh and Fire, #2))
“
Personally, I’m a mess of conflicting impulses—I’m independent and greedy and I also want to belong and share and be a part of the whole. I doubt that I’m the only one who feels this way. It’s the core of monster making, actually. Wanna make a monster? Take the parts of yourself that make you uncomfortable—your weaknesses, bad thoughts, vanities, and hungers—and pretend they’re across the room. It’s too ugly to be human. It’s too ugly to be you. Children are afraid of the dark because they have nothing real to work with. Adults are afraid of themselves.
Oh we’re a mess, poor humans, poor flesh—hybrids of angels and animals, dolls with diamonds stuffed inside them. We’ve been to the moon and we’re still fighting over Jerusalem. Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper.
”
”
Richard Siken
“
Nothing, not even the best and noblest, can go on as it now is. Nothing, not even what is lowest and most bestial, will not be raised again if it submits to death. It is sown a natural body, it is raised a spiritual body. Flesh and blood cannot come to the Mountains [heaven]. Not because they are too rank, but because they are too weak. What is a Lizard compared with a stallion? Lust is a poor, weak, whimpering whispering thing compared with that richness and energy of desire which will arise when lust has been killed.
”
”
C.S. Lewis (The Great Divorce)
“
And so i went through the looking glass, stepped into the nether world, where up is down and food is greed, where convex mirrors cover the walls where death is honour and flesh is weak. It is ever so easy to go.
Harder to find your way back.
”
”
Marya Hornbacher
“
She walked right on past, ignoring him just like she chose to ignore the way nature had tagged her with those outsized badges of femininity, just like she was above him, and sex, and everything else that’s weak and of the flesh.
”
”
Ken Kesey (One Flew Over the Cuckoo's Nest)
“
This was the shocking thing; that the slime of the pit seemed to utter cries and voices; that the amorphous dust gesticulated and sinned; that what was dead, and had no shape, should usurp the offices of life. And this again, that that insurgent horror was knit to him closer than a wife, closer than an eye; lay caged in his flesh, where he heard it mutter and felt it struggle to be born; and at every hour of weakness, and in the confidence of slumber, prevailed against him, and deposed him out of life.
”
”
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
“
Any confrontation between weak, flabby flesh and death seemed to me absurdly inappropriate
”
”
Yukio Mishima (Sun & Steel)
“
As far as me being a liability? I’m just as good with a sword as I am with a bow, and I’m damn good with a bow. Probably better than most here. I am an asset,” I said. “And as far as being a distraction to Casteel, that’s his weakness. Not mine.
”
”
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
“
I could never myself believe in God, if it were not for the cross. The only God I believe in is the One Nietzsche ridiculed as 'God on the cross.' In the real world of pain, how could one worship a God who was immune to it? I have entered many Buddhist temples in different Asian countries and stood respectfully before the statue of the Buddha, his legs crossed, arms folded, eyes closed, the ghost of a smile playing round his mouth, a remote look on his face, detached from the agonies of the world. But each time after a while I have had to turn away. And in imagination I have turned instead to that lonely, twisted, tortured figure on the cross, nails through hands and feet, back lacerated, limbs wrenched, brow bleeding from thorn-pricks, mouth dry and intolerably thirsty, plunged in Godforsaken darkness. That is the God for me! He laid aside his immunity to pain. He entered our world of flesh and blood, tears and death. He suffered for us. Our sufferings become more manageable in the light of his. There is still a question mark against human suffering, but over it we boldly stamp another mark, the cross that symbolizes divine suffering. 'The cross of Christ ... is God’s only self-justification in such a world” as ours....' 'The other gods were strong; but thou wast weak; they rode, but thou didst stumble to a throne; But to our wounds only God’s wounds can speak, And not a god has wounds, but thou alone.
”
”
John R.W. Stott (Cross)
“
...That insurgent horror was knit to him closer than a wife, closer than an eye lay caged in his flesh, where he heard it mutter and felt it struggle to be born; and at every hour of weakness, and in the confidence of slumber, prevailed against him, and deposed him out of life.
”
”
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
“
I would never say, to justify a lapse in principle, "I am only human"--as though that were some kind of justification for weakness, moral weakness. Flesh and blood is much, much stronger than fools believe.
”
”
Jack Henry Abbott (In the Belly of the Beast: Letters From Prison)
“
Everyone had some defect, or body or of mind: he thought of all the people he had known (the whole world was like a sick house and there was no rhyme or reason in it), he saw a long procession, deformed in body, warped in mind, some with illness of the flesh, weak hearts or weak lungs, and some with illness of the spirit, languor of will, or craving for liquor. At that moment he felt a holy compassion for them all. …The words of the dying God crossed his memory: Forgive them, for they know not what they do.
”
”
W. Somerset Maugham (Of Human Bondage)
“
Every weakness exposes flesh, and flesh invites a knife.
”
”
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
“
To keep me from becoming conceited because of these surpassingly great revelations, there was given me a thorn in my flesh, a messenger of Satan, to torment me. Three times I pleaded with the Lord to take it away from me. But he said to me, "My grace is sufficient for you, for my power is made perfect in weakness." Therefore I will boast all the more gladly about my weaknesses, so that Christ's power may rest on me. That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong.
”
”
Anonymous (The Holy Bible: King James Version)
“
I sagged to my knees as the adrenaline wore off and my muscles started to shake, leaving me weak and nearly hyperventilating. I could handle goblins and bogeymen and evil, flesh-eating horses, but giant freaking spiders? That's where I drew the line.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies.
Take care!
Love,
Francis.
Title: Letter to Abigail
Scene: "Death-bed"
Chapter: The Road To Awe
”
”
Huseyn Raza
“
Sublime is the dominion of the mind over the body, that, for a time, can make flesh and nerve impregnable, and string the sinews like steel, so that the weak become so mighty. The
”
”
Harriet Beecher Stowe (Uncle Tom's Cabin)
“
The foolish of God is wiser than men; and the weakness of god is stronger than men. For ye see your calling, brethren, how that may not many wise men after the flesh, not many mighty, not many noble, are called, but God hath chosen the foolish things of the world to confound the wise; and God hath choses the weak things of the world to confound the things which are mighty. And bade things of the world, and things which are despised, hath God chosen, yea, and things which are not, to bring to nought things that are.
”
”
Madeleine L'Engle (A Wrinkle in Time (A Wrinkle in Time Quintet, #1))
“
Then he saw that the normal was the rarest thing in the world. Everyone had some defect, of body or of mind: he thought of all the people he had known (the whole world was like a sick-house, and there was no rhyme or reason in it), he saw a long procession, deformed in body and warped in mind, some with illness of the flesh, weak hearts or weak lungs, and some with illness of the spirit, languor of will, or a craving for liquor. At this moment he could feel a holy compassion for them all. They were the helpless instruments of blind chance. He could pardon Griffiths for his treachery and Mildred for the pain she had caused him. They could not help themselves. The only reasonable thing was to accept the good of men and be patient with their faults. The words of the dying God crossed his memory:
Forgive them, for they know not what they do.
”
”
W. Somerset Maugham (Of Human Bondage)
“
Nothing can kill me."
"Everyone has a weakness."
He stared at her. "I have no weakness of flesh. Only a weakness of you.
”
”
Anne Zoelle (Tender of the Garden)
“
Every weakness exposes flesh,” he’d said, “and flesh invites a knife.
”
”
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
“
He seemed to be lying on the bed. He could not see very well. Her youthful, rapacious face, with blackened eyebrows, leaned over him as he sprawled there.
“‘How about my present?’ she demanded, half wheedling, half menacing.
“Never mind that now. To work! Come here. Not a bad mouth. Come here. Come closer. Ah!
“No. No use. Impossible. The will but not the way. The spirit is willing but the flesh is weak. Try again. No. The booze, it must be. See Macbeth. One last try. No, no use. Not this evening, I’m afraid.
“All right, Dora, don’t you worry. You’ll get your two quid all right. We aren’t paying by results.
“He made a clumsy gesture. ‘Here, give us that bottle. That bottle off the dressing-table.’
“Dora brought it. Ah, that’s better. That at least doesn’t fail.
”
”
George Orwell (Keep the Aspidistra Flying)
“
To tell the truth, sir, I believe I had rather sit in the shelter for a while. The cabbage seems to have turned my inward parts to water.’
Nonsense,’ said Stephen, ‘it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr. Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.
”
”
Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
“
With a man like Dominic Dragna, a woman finds her whole existence derailed for him alone and I don’t want that. Okay, I do want that until it’s a taste saturating my senses. But the will is stronger than the weak flesh.
”
”
V. Theia (Manhattan Target (From Manhattan #6))
“
The struggle between God and man breaks out in everyone, together with the longing for reconciliation. Most often this struggle is unconscious and short-lived. A weak soul does not have the endurance to resist the flesh for very long. It grows heavy, becomes flesh itself, and the contest ends. But among responsible men, men who keep their eyes riveted day and night upon the Supreme Duty, the conflict between flesh and spirit breaks out mercilessly and may last until death.
”
”
Nikos Kazantzakis (Report to Greco)
“
Sublime is the dominion of the mind over the body, that, for a time, can make flesh and nerve impregnable, and string the sinews like steel, so that the weak become so mighty.
”
”
Harriet Beecher Stowe (Uncle Tom's Cabin)
“
I needed to embrace the fact that femininity did not equal weakness.
”
”
Harper L. Woods (What Lurks Between the Fates (Of Flesh & Bone, #3))
“
That is but the device of the devil to seduce the faithful more easily. He attacks the strong through the mind, the weak through the flesh.
”
”
Gustave Flaubert (The Temptation of St. Antony)
“
No one has even begun to understand comradeship who does not accept with it a certain hearty eagerness in eating, drinking, or smoking, an uproarious materialism which to many women appears only hoggish. You may call the thing an orgy or a sacrament; it is certainly an essential. It is at root a resistance to the superciliousness of the individual. Nay, its very swaggering and howling are humble. In the heart of its rowdiness there is a sort of mad modesty; a desire to melt the separate soul into the mass of unpretentious masculinity. It is a clamorous confession of the weakness of all flesh. No man must be superior to the things that are common to men. This sort of equality must be bodily and gross and comic. Not only are we all in the same boat, but we are all seasick.
”
”
G.K. Chesterton (What's Wrong with the World)
“
We underestimated human potential, both the strength of man's intellect and the weakness of his flesh, and therefore his receptivity to satanic inspiration -- but ultimately he is our creature, and so what we've really underestimated is our own creativity. What we made has turned out to be more than what we thought we had made. So ultimately in our failure there is a compliment to us: our creativity is greater than ourselves!
”
”
Harry Mulisch (The Discovery of Heaven)
“
On Monday, there was a new boy at Kizzy's school.
"Yum," said Evie weakly.
"Be praised, O Lords of boy flesh. We thank thee for they bounty," whispered Cactus.
"Amen," said Kizzy, staring.
”
”
Laini Taylor (Lips Touch: Three Times)
“
There are many accounts, uniformly incomplete, of what it is like to die slowly. But there is no information at all about what it is like to die suddenly and violently. We are being gentle when we describe such deaths as instant. 'The passengers died instantly.' Did they? It may be that some people can do it, can die instantly. The very old, because the vital powers are weak; the very young, because there is no great accretion of experience needing to be scattered. Muhammad Atta was 33. As for him (and perhaps this is true even in cases of vaporisation; perhaps this was true even for the wall-shadows of Japan), it took much longer than an instant. By the time the last second arrived, the first second seemed as far away as childhood...Even as his flesh fried and his blood boiled, there was life, kissing its fingertips. Then it echoed out, and ended.
”
”
Martin Amis (The Second Plane: September 11, 2001-2007)
“
And this again, that that insurgent horror was knit to him closer than a wife, closer than an eye; lay caged in his flesh, where he heard it mutter and felt it struggle to be born; and at every hour of weakness, and in the confidence of slumber, prevailed against him, and deposed him out of life.
”
”
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde)
“
And then there is the sex, which is worse than he had imagined: he had forgottent just how painful it was, how debasing, how repulsive, how much he disliked it. He hates the postures, the positions it demands, each of them degrading because they leave him so helpless and weak; he hate the taste of it and the smells of it. But mostly, he hates the sounds of it: the meaty smack of flesh hitting flesh, the wounded-animal moans and grunts, the things said to him that were perhaps meant to be arousing but he can only interpret as diminishing.
”
”
Hanya Yanagihara (A Little Life)
“
The difficulty in making sense of even simple speech is well appreciated by computer scientists who struggle to create machines that can respond to natural language. Their frustration is illustrated by a possibly apocryphal story of the early computer that was given the task of translating the homily „The spirit is willing but the flesh is weak.“ into Russian and then back to English. According to the story, it came out: „The vodka is strong but the meat is rotten.
”
”
Leonard Mlodinow (Subliminal: How Your Unconscious Mind Rules Your Behavior)
“
I just think of people," she continued, "whether they seem right where they are and fit into the picture. I don't mind if they don't do anything. I don't see why they should; in fact it always astonishes me when anybody does anything." "You don't want to do anything?" "I want to sleep." -Gloria Gilbert
"Once upon a time all the men of mind and genius in the world became of one belief--that is to say, of no belief. But it wearied them to think that within a few years after their death many cults and systems and prognostications would be ascribed to them which they had never meditated nor intended. So they said to one another: "'Let's join together and make a great book that will last forever to mock the credulity of man. Let's persuade our more erotic poets to write about the delights of the flesh, and induce some of our robust journalists to contribute stories of famous amours. We'll include all the most preposterous old wives' tales now current. We'll choose the keenest satirist alive to compile a deity from all the deities worshipped by mankind, a deity who will be more magnificent than any of them, and yet so weakly human that he'll become a byword for laughter the world over--and we'll ascribe to him all sorts of jokes and vanities and rages, in which he'll be supposed to indulge for his own diversion, so that the people will read our book and ponder it, and there'll be no more nonsense in the world. "'Finally, let us take care that the book possesses all the virtues of style, so that it may last forever as a witness to our profound scepticism and our universal irony.' "So the men did, and they died. "But the book lived always, so beautifully had it been written, and so astounding the quality of imagination with which these men of mind and genius had endowed it. They had neglected to give it a name, but after they were dead it became known as the Bible."
-Maury Noble
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
The human body is merely a sack of flesh, I was just changing the sack, what was the point of making such a fuss? The so-called beauty and ugly are superficially and weak things. If this is Earth, people have no powers and the immortal path is cut, then so be it. But in this world, only eternal life is worth pursuing!
”
”
Gu Zhen Re (Reverend Insanity)
“
The idea here is that we are less wicked than we are weak. As sarx—as mortal animals—we are playthings of the devil, who uses the fear of death to push and pull our survival instincts (our fleshly, sarx-driven passions) to keep us as “slaves to sin.
”
”
Richard Beck (The Slavery of Death)
“
Consider that fact that, being nothing in ourselves, we cannot, without divine assistance, accomplish the smallest good or advance the smallest step toward Heaven.
”
”
Lorenzo Scupoli
“
Unless you put prayer with your fasting, there is no need to fast. If it doesn't mean anything to you, it won't mean anything to God.
I can do without a lot of things, but I cannot do anything without Jesus.
Moses fasted. Elijah fasted forty days. Paul fasted fourteen days. Jesus fasted forty days. If the children of God do not fast, how will we ever fit into the armor of God?
Fasting is not a requirement; it is a choice. It is a vow you choose to make to pursue God on a deeper level. The entire time that you are on a fast you are acknowledging God. When you are feeling hungry, empty, and weak, you connect with God without all the clutter. In that way fasting is a time vow. It is also a discipline vow. Fasting, especially a longer fast, strengthens your character in every area of your life.
If you do not have the power of a made-up mind to honor God with your body, you will be at the mercy of the lust of your flesh.
If failure is not a possibility, then success doesn’t mean anything.
Prayer and fasting were a big part of Jesus’s life. Why should it be such a small part of yours? If Jesus needed to fast, how much greater is our need to fast?
If we are not drawing closer to God, we are drifting farther from Him.
I am not in this for what I can get out of Jesus. I’m in this because He loved me first and gave Himself for me. I have nothing to go back to. I crossed that bridge a long time ago. The enemy, this world, difficult circumstances—it doesn’t matter. I’ll still be in church. I am never going to walk away from God.
”
”
Jentezen Franklin (The Fasting Edge)
“
Inside his copy of The Social Contract he keeps a letter from a young Picard, an enthusiast called Antoine Saint-Just: “I know you, Robespierre, as I know God, by your works.”
When he suffers, as he does increasingly, from a distressing tightness of the chest and shortness of breath, and when his eyes seem too tired to focus on the printed page, the thought of the letter urges the weak flesh to more Works.
”
”
Hilary Mantel (A Place of Greater Safety)
“
Flora was in that state where the spirit may be willing but the flesh is weak and wishes to go on holiday - and where the flesh in most cases wins hands down with a packed suitcase. It did so now. So she did what many a researcher both great and insignificant does when they are stuck. She yawned while contemplating how to catch the Muse by surprising Her. Almost invariably, the Muse has seen it all before - and also yawns.
”
”
Mavis Cheek
“
Your Eminence, it doesn’t matter,” said Dane softly. “What you say doesn’t make you any less my conception of the perfect priest. I think you don’t understand what I mean, that’s all. I don’t mean an inhuman automaton, above the weaknesses of the flesh. I mean that you’ve suffered, and grown. Do I sound presumptuous? I don’t intend to, truly. If I’ve offended you, I beg your pardon. It’s just that it’s so hard to express my thoughts! What I mean is that becoming a perfect priest must take years, terrible pain, and all the time keeping before you an ideal, and Our Lord.
”
”
Colleen McCullough (The Thorn Birds)
“
Not all men are like you,” she said. “Most are not so weak as to require the constant pleasures of the flesh the way you do.” “True. I hope you can bear with me, for I feel that a bout of weakness is coming on. My humble apologies.
”
”
Ariel Atwell (Seven Days (Cavanaugh Trilogy, Book One))
“
my skin prickling from the strange, electric charge in the air. It was a thousand needles piercing my flesh, searching for a weakness. A crack. A doorway, however tiny, through which it could slip and jump-start my long-dead, long-cold heart.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
It is the moral anesthetic of our day to ask God and our friends to only understand our sin from our point of view. This mind-set of seeing sin from a personal point of view has led to, at best, weak Christians crippled by sin and untouched by gospel power, or at worst, wolves in sheep’s clothing who hunker down with offices in the church, teaching feeble sheep a perverted catechism, one that renders sin grace and grace sin, one that confuses doubt with intelligence and skepticism with renewed hope. When we live by the belief that sin is best discerned from our own point of view, we cannot help but to develop a theology of excuse-righteousness. We become anesthetized to the reality of our own sin. One consequence of this moral anesthesia is the belief that you are in good standing with God if you give to him what the desires of your flesh can spare. But sin, biblically rendered, is both a crime and a disease, requiring both the law of God and his grace to apply it for true help.
”
”
Rosaria Champagne Butterfield (Openness Unhindered: Further Thoughts of an Unlikely Convert on Sexual Identity and Union with Christ)
“
Beneath this warm flesh beats the heart of a compassionate man, one who's fought his whole life to fulfill his people's dream. Just because you feel the need to lean on someone, to accept someone else's strength for a little while doesn't make you weak.
”
”
Kylie Griffin (Alliance Forged (The Light Blade, #2))
“
And I— soft, weak, obscene, digesting, juggling with dismal thoughts— I, too, was In the way. Fortunately, I didn’t feel it, although I realized it, but I was uncomfortable because I was afraid of feeling it (even now I am afraid— afraid that it might catch me behind my head and lift me up like a wave). I dreamed vaguely of killing myself to wipe out at least one of these superfluous lives. But even my death would have been In the way. In the way, my corpse, my blood on these stones, between these plants, at the back of this smiling garden. And the decomposed flesh would have been In the way in the earth which would receive my bones, at last, cleaned, stripped, peeled, proper and clean as teeth, it would have been In the way: I was In the way for eternity.
”
”
Jean-Paul Sartre (Nausea)
“
And now I tell you this: do not dwell any more on things in the past that you cannot change. Who made man frail of the flesh? Who made our lusts, our low ways and our high? Did not God? Is not He the author of it all? The appetites we have all come from Him; they have been with us since Eden. If we slip and fall, He understands our weakness. Did not mighty King David lust, and was he not driven through his lust to do great wrong? And yet God loved David, and gave us, through him, the glory of the Psalms. So, too,
”
”
Geraldine Brooks (Year of Wonders)
“
you don’t have to live in community long to realize that lives which are blessed and instructive are still flawed. The grace of the gospel isn’t only that the Word was made flesh in Jesus, but also that the eternal Word is made present in weak and wonderful people.
”
”
Jonathan Wilson-Hartgrove (New Monasticism: What It Has to Say to Today's Church)
“
Open them, weak yet proud man, pitiful ant that struggles to crawl over its
speck of dust! You declare yourself free and great, and for all the wretchedness of
your life you hold yourself in high esteem, celebrating – no doubt in a spirit of
derision – your rotten and transient flesh. And then you imagine that this beautiful
life, lived out between a little pride that you call greatness, and that base selfinterest
which is at the heart of your society, will be rewarded by some form of
immortality. Immortality for you – more lascivious than the monkey, more evil
than the tiger, more crawling than the serpent? Come on! Show me a paradise for
the monkey, the tiger, the snake, a paradise of lust, of cruelty and baseness, a
paradise of selfishness – eternity for this dust, immortality for this nothingness.
You boast of being free and of being able to do what you call good and evil?
Doubtless so that you can be denounced more rapidly, for what good can you
possibly do? Is a single one of your gestures produced by anything other than
pride or self-interest?
”
”
Gustave Flaubert (Memoirs of a Madman)
“
Wooden stakes could render a vampire weak and useless, until the heart began to heal. Sunlight charred their flesh to a flaky, black tissue, but rarely did it kill them completely. But dead blood... one lethal dose of that stuff and it was good riddance. Sayonara, bloodsucker.
”
”
Lindsey Beth Goddard (Respect For The Dead)
“
then surely there is an adversary. There is something opposed to you. Something that desires to defeat you. You want to believe your enemy is the disease. You don’t want to believe even for a minute that the enemy is your own body, this weak tent of flesh that cannot stand up against a speck of contagion, this fragile weave of muscle, bone, and soul that also cannot resist the power of flame nor the pull of the ground
”
”
Susan Meissner (A Fall of Marigolds)
“
Surely you must be possessed by the devil," said Candide.
"He is so deeply concerned in the affairs of this world," answered Martin, "that he may very well be in me, as well as in everybody else; but I own to you that when I cast an eye on this globe, or rather on this little ball, I cannot help thinking that God has abandoned it to some malignant being. I except, always, El Dorado. I scarcely ever knew a city that did not desire the destruction of a neighbouring city, nor a family that did not wish to exterminate some other family. Everywhere the weak execrate the powerful, before whom they cringe; and the powerful beat them like sheep whose wool and flesh they sell. A million regimented assassins, from one extremity of Europe to the other, get their bread by disciplined depredation and murder, for want of more honest employment. Even in those cities which seem to enjoy peace, and[Pg 100] where the arts flourish, the inhabitants are devoured by more envy, care, and uneasiness than are experienced by a besieged town. Secret griefs are more cruel than public calamities. In a word I have seen so much, and experienced so much that I am a Manichean."
"There are, however, some things good," said Candide.
"That may be," said Martin; "but I know them not.
”
”
Voltaire (Candide)
“
Strip by strip the lash carved into Grace's shuddering flesh. My tears were falling by then, heavy drops, joining in the leaf dust with the blood that had begun to trickle from the table. My limbs were so weak that I could not even raise a hand to wipe the mucus that dripped from my nose.
She had been lying with her head faced away from me. She lifted it then, and turned, so that we looked at one another. If an anvil had fallen from the sky at that moment and landed upon me, I could not have felt more crushed.
”
”
Geraldine Brooks (March)
“
Now what we call "bourgeois," when regarded as an element always to be found in human
life, is nothing else than the search for a balance. It is the striving after a mean between the
countless extremes and opposites that arise in human conduct. If we take any one of these
coupled opposites, such as piety and profligacy, the analogy is immediately comprehensible. It is
open to a man to give himself up wholly to spiritual views, to seeking after God, to the ideal of saintliness. On the other hand, he can equally give himself up entirely to the life of instinct, to
the lusts of the flesh, and so direct all his efforts to the attainment of momentary pleasures. The
one path leads to the saint, to the martyrdom of the spirit and surrender to God. The other path
leads to the profligate, to the martyrdom of the flesh, the surrender to corruption. Now it is
between the two, in the middle of the road, that the bourgeois seeks to walk. He will never
surrender himself either to lust or to asceticism. He will never be a martyr or agree to his own
destruction. On the contrary, his ideal is not to give up but to maintain his own identity. He
strives neither for the saintly nor its opposite. The absolute is his abhorrence. He may be ready to
serve God, but not by giving up the fleshpots. He is ready to be virtuous, but likes to be easy and
comfortable in this world as well. In short, his aim is to make a home for himself between two
extremes in a temperate zone without violent storms and tempests; and in this he succeeds
though it be at the cost of that intensity of life and feeling which an extreme life affords. A man
cannot live intensely except at the cost of the self. Now the bourgeois treasures nothing more
highly than the self (rudimentary as his may be). And so at the cost of intensity he achieves his
own preservation and security. His harvest is a quiet mind which he prefers to being possessed
by God, as he does comfort to pleasure, convenience to liberty, and a pleasant temperature to that
deathly inner consuming fire. The bourgeois is consequently by nature a creature of weak
impulses, anxious, fearful of giving himself away and easy to rule. Therefore, he has substituted
majority for power, law for force, and the polling booth for responsibility.
”
”
Hermann Hesse (Steppenwolf)
“
His weakness shall o'ercome Satanic strength, And all the world, and mass of sinful flesh; That all the Angels and aethereal Powers— They now, and men hereafter—may discern From what consummate virtue I have chose This perfet man, by merit called my Son, To earn salvation for the sons of men." So spake the Eternal Father, and all Heaven Admiring stood a space;
”
”
John Milton (Paradise Regained (Paradise series Book 2))
“
Water was not my element. It dragged at my clothes as I swam. A little farther, I told myself. I could hear him coming, his arms stronger than mine from a lifetime of lifting marble. I felt the water shiver near my foot where he had grabbed and almost caught me. I looked back, and saw how close he was and how far the shore behind. Then his hand seized my ankle and yanked, pulling me to him like a rope, hand over hand, and then he had me up and by the throat, his face pressed to mine.
I think he expected me to fight and claw. I didn’t fight. I seized him close around the ribs, holding my wrists so he could not get free. The sudden weight pulled us both under. He kicked and flailed back to the surface, but I was heavier than he had thought, and the waves slopped at our mouths. Let it be now, I prayed.
At first I thought it was just the cold of the water. It crept up my fingers and my arms, which stiffed around him. He struggled and fought, but my hands were fused together and nothing he tried could break them. Then it was in my legs too, and my belly and my chest, and no matter how he kicked, he could not haul us back up to the air. He hit at me, but it was watery and weak and I felt nothing, just the solid circle of my arms, and the inexorable drag of my body.
He had no chance, really. He was only flesh. We fell through the darkness, and the coolness slid up my neck and bled the color from my lips and cheeks. I thought of Paphos and how clever she was. I thought of her stone sister, peaceful on her couch. We fell through the currents and I thought of how the crabs would come for him, climbing over my pale shoulders. The ocean floor was sandy and soft as pillows. I settled into it and slept.
”
”
Madeline Miller (Galatea)
“
The avoidance of little evils, little sins, little inconsistencies, little weaknesses, little follies, little indiscretions and imprudences, little foibles, little indulgences of self and of the flesh, little acts of indolence or indecision, or slovenliness or cowardice, little equivocations or aberrations from high integrity, little touches of shabbiness or meanness...little indifferences to the feelings or wishes of others, little outbreaks of temper, or crossness, or selfishness, or vanity - the avoidance of such little things as these goes far to make up at least the negative beauty of a holy life.
”
”
Horatius Bonar (God's Way of Holiness)
“
A man, at least, is free; he can explore each passion and every kingdom, conquer obstacles, feast upon the most exotic pleasures. But a woman is continually thwarted. Both inert and yielding, against her are ranged the weakness of the flesh and the inequity of the law. Her will, like the veil strung to her bonnet, flutters in every breeze; always there is the desire urging, always the convention restraining.
”
”
Gustave Flaubert (Madame Bovary)
“
She had said she didn't feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn't imagine it. Breathing someone else's breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn't. Ever. Just the thought made her feel small and weak as a child - and Liraz did not like to feel small and weak. Her memories of childhood were not kind.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live — I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest — "
"Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness — to glory?
”
”
Charlotte Brontë (Jane Eyre)
“
[Patience] fortifies faith; is the pilot of peace; assists charity; establishes humility; waits long for repentance; sets her seal on confession; rules the flesh; preserves the spirit; bridles the tongue; restrains the hand; tramples temptations under foot; drives away scandals; . . . consoles the poor; teaches the rich moderation; overstrains not the weak; exhausts not the strong; is the delight of the believer. Tertullian, Of Patience
”
”
C. Christopher Smith (Slow Church: Cultivating Community in the Patient Way of Jesus)
“
Monsters are real. Maybe they’re not supernatural or satanic beings, maybe they don’t take unnatural forms, and maybe they don’t feed on human flesh or blood, but they do exist, and humanity is powerless against them.
Humans are inherently lazy, fragile, weak, cowardly, pathetic, self-centered, self-indulgent, and self-destructive. Very few have what it takes to overcome these flaws.
The only thing that can kill a monster is a bigger monster.
”
”
Robert Chad Canter (The Shadow Angel: Genesis)
“
Then under the indifferent sky his spirit left the body with its ripped flesh, its infections, its weak and damaged nature. While the rain fell on his arms and legs, the part of him that still lived was unreachable. It was not his mind, but some other essence that was longing now for peace on a quiet, shadowed road where no guns sounded. The deep paths of darkness opened up for it, as they opened up for other men along the lines of dug earth, barely fifty yards apart. Then, as the fever in his abandoned body reached its height and he moved toward the welcome of oblivion, he heard a voice, not human, but clear and urgent. It was the sound of his life leaving him. Its tone was mocking. It offered him, instead of the peace he longed for, the possibility of return. At this late stage he could go back to his body and to the brutal perversion of life that was lived in the turned soil and torn flesh of the war; he could, if he made the effort of courage and will, come back to the awkward, compromised, and unconquerable existence that made up human life on earth. The voice was calling him; it appealed to his sense of shame and of curiosity unfulfilled: but if he did not heed it he would surely die.
”
”
Sebastian Faulks (Birdsong)
“
But does it mean that everything-everything-that is in us can go on to the Mountains? Nothing, not even the best and noblest, can go on as it now is. Nothing, not even what is lowest and most bestial, will not be raised again if it submits to death. It is sown a natural body, it is raised a spiritual body. Flesh and blood cannot come to the Mountains. Not because they are too rank, but because they are too weak. What is a Lizard coma red with a stallion? Lust is poor, weak, whimpering, whispering thing compared with that richness and energy of desire which will arise when list has been killed….Excess of love, did ye say? There was no excess, there was defect. She loved her son too little, not too much. If she had loved him more there'd be no difficulty. I do not know how her affair will end. But it may well be that at this moment she's demanding to have him down with her in Hell. That kind is sometimes perfectly ready to plunge the soul they say they love in endless misery if only they can still in some fashion possess it. No, no. Ye must draw another lesson. Ye must ask, if the risen body even of appetite is as a grand a horse as ye saw, what would the risen body of maternal love or friendship be?
”
”
C.S. Lewis (The Great Divorce)
“
I missed those voices. I missed the minds behind them. I wanted to be seen. That need dug into the heart of me. It felt good. I’m not certain how to compare this to something you would know, but, imagine a person melded to a Thing, an artificial god the size of mountains, built for making war in the far corners of the cosmos. Imagine that great weight of metal all around her, pressing her down, giving her strength, its hoses melding with her flesh. Imagine she shears the hoses off, steps out: frail, sapped, weak, free.
”
”
Amal El-Mohtar (This is How You Lose the Time War)
“
Once upon a time all the men of mind and genius in the world became of one belief—that is to say, of no belief. But it wearied them to think that within a few years after their death many cults and systems and prognostications would be ascribed to them which they had never meditated nor intended. So they said to one another: "'Let's join together and make a great book that will last forever to mock the credulity of man. Let's persuade our more erotic poets to write about the delights of the flesh, and induce some of our robust journalists to contribute stories of famous amours. We'll include all the most preposterous old wives' tales now current. We'll choose the keenest satirist alive to compile a deity from all the deities worshipped by mankind, a deity who will be more magnificent than any of them, and yet so weakly human that he'll become a byword for laughter the world over—and we'll ascribe to him all sorts of jokes and vanities and rages, in which he'll be supposed to indulge for his own diversion, so that the people will read our book and ponder it, and there'll be no more nonsense in the world. "'Finally, let us take care that the book possesses all the virtues of style, so that it may last forever as a witness to our profound scepticism and our universal irony.' "So the men did, and they died. "But the book lived always, so beautifully had it been written, and so astounding the quality of imagination with which these men of mind and genius had endowed it. They had neglected to give it a name, but after they were dead it became known as the Bible.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Laura opened her eyes, feeling like a stranger in her own garden. But if she was a stranger here, where was home? And who was she herself now? The real panic was a loss of identity, for she seemed inextricably woven into her body's weakness and discomfort, into her struggling sick lungs. What essence was there to be separated from her hand, her flesh, her bones. Laura lifted her hand, so thin it had become transparent. Is this I? This leaflike thing, falling away, falling away, this universe of molecules disintegrating, this miracle about to be transformed into nothingness.
”
”
May Sarton (A Reckoning)
“
White Fang received the nursing. Judge Scott's suggestion of a trained nurse was indignantly clamoured down by the girls, who themselves undertook the task. And White Fang won out on the one chance in ten thousand denied him by the surgeon. The latter was not to be censured for his misjudgement. All his life he had tended and operated on the soft humans of civilization, who live sheltered lives and had descended out of many sheltered generations. Compared with White Fang, they were frail and flabby, and clutched life without any strength in their grip. White Fang had come straight from the Wild, where the weak perish early and shelter is vouchsafed to none. In neither his father nor his mother was there any weakness, nor in the generations before them. A constitution of iron and vitality of the Wild were White Fang's inheritance, and he clung to life, the whole of him and every part of him, in spirit and in flesh, with the tenacity that of old belonged to all creatures.
”
”
Jack London (White Fang)
“
In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.
In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.
Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.
”
”
T.S. Eliot (Four Quartets)
“
God is alive; Magic is afoot
God is alive; Magic is afoot
God is afoot; Magic is alive
Alive is afoot.....
Magic never died.
God never sickened;
Many poor men lied
Many sick men lied
Magic never weakened
Magic never hid
Magic always ruled
God is afoot
God never died.
God was ruler
Though his funeral lengthened
Though his mourners thickened
Magic never fled
Though his shrouds were hoisted
The naked God did live
Though his words were twisted
The naked Magic thrived
Though his death was published
Round and round the world
The heart did not believe
Many hurt men wondered
Many struck men bled
Magic never faltered
Magic always led.
Many stones were rolled
But God would not lie down
Many wild men lied
Many fat men listened
Though they offered stones
Magic still was fed
Though they locked their coffers
God was always served.
Magic is afoot. God rules.
Alive is afoot. Alive is in command.
Many weak men hungered
Many strong men thrived
Though they boasted solitude
God was at their side
Nor the dreamer in his cell
Nor the captain on the hill
Magic is alive
Though his death was pardoned
Round and round the world
The heart did not believe.
Though laws were carved in marble
They could not shelter men
Though altars built in parliaments
They could not order men
Police arrested Magic
And Magic went with them,
For Magic loves the hungry.
But Magic would not tarry
It moves from arm to arm
It would not stay with them
Magic is afoot
It cannot come to harm
It rests in an empty palm
It spawns in an empty mind
But Magic is no instrument
Magic is the end.
Many men drove Magic
But Magic stayed behind
Many strong men lied
They only passed through Magic
And out the other side
Many weak men lied
They came to God in secret
And though they left him nourished
They would not say who healed
Though mountains danced before them
They said that God was dead
Though his shrouds were hoisted
The naked God did live
This I mean to whisper to my mind
This I mean to laugh with in my mind
This I mean my mind to serve 'til
Service is but Magic
Moving through the world
And mind itself is Magic
Coursing through the flesh
And flesh itself is Magic
Dancing on a clock
And time itself the magic length of God.
”
”
Leonard Cohen
“
Specifically, I cherished a romantic impulse towards death, yet at the same time I
required a strictly classical body as its vehicle; a peculiar sense of destiny made me
believe that the reason why my romantic impulse towards death remained unfulfilled
in reality was the immensely simple fact that I lacked the necessary physical qualifications.
A powerful, tragic frame and sculpturesque muscles were indispensable in
a romantically noble death. Any confrontation between weak, flabby flesh and death
seemed to me absurdly inappropriate. Longing at eighteen for an early demise, I felt
myself unfitted for it. I lacked, in short, the muscles suitable for a dramatic death.
And it deeply offended my romantic pride that it should be this unsuitability that
had permitted me to survive the war.
”
”
Yukio Mishima (Sun & Steel)
“
I might have told him, in those hours, stories of my own. Scylla and Glaucos, Aeëtes, the Minotaur. The stone wall cutting into my back. The floor of my hall wet with blood, reflecting the moon. The bodies I had dragged one by one down the hill, and burned with their ship. The sound flesh makes when it tears and re-forms and how, when you change a man, you may stop the transformation partway through, and then that monstrous, half-beast thing will die.
His face would be intent as he listened, his relentless mind examining, weighing and cataloguing. However I pretended I could conceal my thoughts as well as he, I knew it was not true. He would see down to my bones. He would gather my weaknesses up and set them with the rest of his collection, alongside Achilles’ and Ajax’s. He kept them on his person as other men keep their knives.
”
”
Madeline Miller (Circe)
“
Surely you must be possessed by the devil," said Candide.
"He is so deeply concerned in the affairs of this world," answered Martin, "that he may very well be in me, as well as in everybody else; but I own to you that when I cast an eye on this globe, or rather on this little ball, I cannot help thinking that God has abandoned it to some malignant being. I except, always, El Dorado. I scarcely ever knew a city that did not desire the destruction of a neighbouring city, nor a family that did not wish to exterminate some other family. Everywhere the weak execrate the powerful, before whom they cringe; and the powerful beat them like sheep whose wool and flesh they sell. A million regimented assassins, from one extremity of Europe to the other, get their bread by disciplined depredation and murder, for want of more honest employment. Even in those cities which seem to enjoy peace, and where the arts flourish, the inhabitants are devoured by more envy, care, and uneasiness than are experienced by a besieged town. Secret griefs are more cruel than public calamities. In a word I have seen so much, and experienced so much that I am a Manichean."
"There are, however, some things good," said Candide.
"That may be," said Martin; "but I know them not.
”
”
Voltaire (Candide)
“
Then he saw that the normal was the rarest thing in the world. Everyone had some defect, of body or of mind: he thought of all the people he had known (the whole world was like a sick-house, and there was no rhyme or reason in it), he saw a long procession, deformed in body and warped in mind, some with illness of the flesh, weak hearts or weak lungs, and some with illness of the spirit, languor of will, or a craving for liquor. At this moment he could feel a holy compassion for them all. They were the helpless instruments of blind chance. He could pardon Griffiths for his treachery and Mildred for the pain she had caused him. They could not help themselves. The only reasonable thing was to accept the good of men and be patient with their faults. The words of the dying God crossed his memory: Forgive them, for they know not what they do.
”
”
W. Somerset Maugham (Collected Works of W. Somerset Maugham)
“
An economically devastated Bengal became too weak to fight back the famine of 1769–70; it is estimated that 10 million, out of a population of 30 million, died. ‘In fact, British control of India started with a famine in Bengal in 1770 and ended in a famine – again in Bengal – in 1943. Working in the midst of the terrible 1877 famine that he estimated had cost another 10 million lives, Cornelius Walford calculated that in the 120 years of British rule there had been thirty-four famines in India, compared with only seventeen recorded famines in the entire previous two millennia,’ writes Robins. The Mughal response to famine had been good governance: embargo on food export, anti-speculation regulation, tax relief and free kitchens. If any merchant short-changed a peasant during a famine, the punishment was an equivalent weight in flesh from his body. That kept hoarding down.
”
”
M.J. Akbar (Tinderbox: The Past and Future of Pakistan)
“
And if the child feels loved, the body is relaxed, the eyes are bright, there is a smile on the face; in some way the flesh becomes “transparent.” A child that is loved is beautiful. But what happens when children feel they are not loved? There is tension, fear, loneliness and terrible anguish, which we can call “inner pain,” the opposite of “inner peace.” Children are too small and weak to be able to fend for themselves; they have no defense mechanisms. If a child feels unloved and unwanted, he or she will develop a broken self-image. I have never heard any of the men or women whom we have welcomed into our community criticize their parents, even though many of them have suffered a great deal from rejection or abandonment in their families. Rather than blaming their parents, they blame themselves. “If I am not loved, it is because I am not lovable, I am no good. I am evil.
”
”
Jean Vanier (From Brokenness to Community)
“
In result of that weird interview, the numbness of my soul was for a moment resolved. And no wonder! I had actually seen the agent of fate. I had palpated the very flesh of fate--and its padded shoulder. A brilliant and monstrous mutation had suddenly taken place, and here was the instrument. Within the intricacies of the pattern (hurrying housewife, slippery pavement, a pest of a dog, steep grade, big car, baboon at its wheel), I could dimly distinguish my own vile contribution. Had I not been such a fool--or such an intuitive genius--to preserve that journal, fluids produced by vindictive anger and hot shame would not have blinded Charlotte in her dash to the mailbox. But even had they blinded her, still nothing might have happened, had not precise fate, that synchronizing phantom, mixed within its alembic the car and the dog and the sun and the shade and the wet and the weak and the strong and the stone.
”
”
Vladimir Nabokov (Lolita)
“
Disease has no intent. It doesn't want anything. It has no malevolent desire to kill. If it could talk it would not say "I want to make you ill. I want to bring you to the brink of death. I want to kill." It would say only "I make people ill. I bring them to the brink of death. I can kill."
The disease is like machine that does what it does, but has no cognizance of self. When a machine stops working, it does not care, and it doesn't celebrate when it starts working again.
To those that have it, and to their loved ones, the disease seems heinous, deliberate,and personal. And of course I know why they feel this way... when you are in a fight for your life, then surely there is an adversary. There is something opposed to you. Something that desires to defeat you. You want to believe the enemy is the disease. You don't want to believe, even for a minute, that the enemy is your own body. This weak tent of flesh, that cannot stand up against a speck of contagion. This fragile weave of muscle, bone, and soul, that also cannot resist the power of flame, nor the pull of the ground below it.
”
”
Susan Meissner (A Fall of Marigolds)
“
Astarte has come again, more powerful than before. She possesses me. She lies in wait for me.
December 97
My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself.
Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect.
Afterwards, I was ashamed.
I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish.
Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love.
Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird!
Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and...
It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!
”
”
Jean Lorrain (Monsieur de Phocas)
“
Now what we call "bourgeois," when regarded as an element always to be found in human
life, is nothing else than the search for a balance. It is the striving after a mean between the
countless extremes and opposites that arise in human conduct. If we take any one of these
coupled opposites, such as piety and profligacy, the analogy is immediately comprehensible. It is
open to a man to give himself up wholly to spiritual views, to seeking after God, to the ideal of saintliness. On the other hand, he can equally give himself up entirely to the life of instinct, to
the lusts of the flesh, and so direct all his efforts to the attainment of momentary pleasures. The
one path leads to the saint, to the martyrdom of the spirit and surrender to God. The other path
leads to the profligate, to the martyrdom of the flesh, the surrender to corruption. Now it is
between the two, in the middle of the road, that the bourgeois seeks to walk. He will never
surrender himself either to lust or to asceticism. He will never be a martyr or agree to his own
destruction. On the contrary, his ideal is not to give up but to maintain his own identity. He
strives neither for the saintly nor its opposite. The absolute is his abhorrence. He may be ready to serve God, but not by giving up the fleshpots. He is ready to be virtuous, but likes to be easy and comfortable in this world as well. In short, his aim is to make a home for himself between two extremes in a temperate zone without violent storms and tempests; and in this he succeeds though it be at the cost of that intensity of life and feeling which an extreme life affords. A man cannot live intensely except at the cost of the self. Now the bourgeois treasures nothing more highly than the self (rudimentary as his may be). And so at the cost of intensity he achieves his own preservation and security. His harvest is a quiet mind which he prefers to being possessed by God, as he does comfort to pleasure, convenience to liberty, and a pleasant temperature to that deathly inner consuming fire. The bourgeois is consequently by nature a creature of weak impulses, anxious, fearful of giving himself away and easy to rule. Therefore, he has substituted majority for power, law for force, and the polling booth for responsibility.
”
”
Hermann Hesse (Steppenwolf)
“
If the body is no longer a site of otherness but of identification, then we have urgently to become reconciled with it, repair it, perfect it, turn it into an ideal object. Everyone treats their bodies the way men treat women in projective identification: they invest them as a fetish, making an autistic cult of them, subjecting them to a quasi-incestuous manipulation. And it is the body's resemblance to its model which becomes a source of eroticism and 'white' seduction -- in the sense that it effects a kind of white magic of identity, as opposed to the black magic of otherness.
This is how it is with body-building: you get into your body as you would into a suit of nerve and muscle. The body is not muscular, but muscled. It is the same with the brain and with social relations or exchanges: body-building, brainstorming, word-processing. Madonna is the ideal specimen of this, our muscled Immaculate Conception, our muscular angel who delivers us from the weaknesses of the body (pity the poor shade of Marilyn!).
The sheath of muscles is the equivalent of character armour. In the past, women merely wrapped themselves in their image and their finery -- Freud speaks of those people who live with a kind of inner mirror, in a fleshly, happy self-reference. That narcissistic ideal is past and gone; body-building has wiped it out and replaced it with a gymnastic Ego-Ideal -- cold, hard, stressed, artificial self-reference. The construction of a double, of a physical and mental identity shell. Thus, in `body simulation', where you can animate your body remotely at any moment, the phantasy of being present in more than one body becomes an operational reality. An extension of the human being. And not a metaphorical or poetic extension, as in Pessoa's heteronyms, but quite simply a technical one.
”
”
Jean Baudrillard (The Perfect Crime)
“
Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness.
Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.
”
”
Jack London (The Cruise of the Snark)
“
The savage knows nothing of 'the law of Christ.' He will bear no other's burden. The sick must die; the wounded must perish; the feeble must go to the wall. Only the mightiest and most muscular survive and produce another generation. 'The law of Christ' ends all that. The luggage of life must be distributed. The sick must be nursed; the wounded must be tended; the frail must be cherished. These, too, must be permitted to play their part in the shaping of human destiny. They also may love and wed, and become fathers and mothers. The weaknesses of each are taken back into the blood of the race. The frailty of each becomes part of the common heritage. And, in the last result, if our men are not all Apollos, and if our women do not all resemble Venus de Medici, it is largely because we have millions with us who, but for 'the law of Christ/ operating on rational ideals, would have had no existence at all. In a Christian land, under Christian laws, we bear each other's burdens, we carry each other's luggage. It is the law of Christ, the law of the cross, a sacrificial law. The difference between savagery and civilization is simply this, that we have learned, in our very flesh and blood, to bear each other's burdens and so fulfil the law of Christ.
”
”
F.W. Boreham (The Luggage of Life......Plus .....George Augustus Selwyn, Bishop of New Zealand (Illustrated))
“
Go back. Open the bedroom door and send young Aster down the stairs. Place the groom on his feet and draw him away from the bed. Wipe the sheet clean of the bride’s blood. Shake it straight and flatten its wrinkles. Slide off that necklace and return it to the girl as she races to her mother. Fix what has been broken in her, mend it shut again. Clothe him in his wedding finery. Let there be no light. Allow only shadows into this kingdom of man’s making. See him alone in the room. See him free of a father’s attention. See him step beyond the reach of elders and all who advise growing boys on the perils of weakness. Here is Kidane, shaking loose of unseen bindings. Here he is, gifting himself the freedom to tremble. All advice has been taken back and he is no longer the groom instructed to break flesh and draw blood and bring a girl to earthy cries.
See this man in the tender moment before he takes his wife. See him wrestle with the first blooms of untapped emotion. Let the minutes stretch. Remove the expectations of a father. Remove the admonishments to stand tall and stay strong. Eliminate the birthright, the privilege of nobility, the weight of ancestors and blood. Erase his father’s name and that of his grandfather’s father and that of the long line of men before them. Let him stand in the middle of that empty bedroom in his wedding tunic and trousers, in his gilded cape and gold ring, and then disappear his name, too. Make of him nothing and see what emerges willingly, without taint of duty or fear.
”
”
Maaza Mengiste (The Shadow King)
“
And God himself will have his servants, and his graces, tried and exercised by difficulties. He never intended us the reward for sitting still; nor the crown of victory, without a fight; nor a fight, without an enemy and opposition. Innocent Adam was unfit for his state of confirmation and reward, till he had been tried by temptation. therefore the martyrs have the most glorious crown, as having undergone the greatest trial. and shall we presume to murmur at the method of God?
And Satan, having liberty to tempt and try us, will quickly raise up storms and waves before us, as soon as we are set to sea: which make young beginners often fear, that they shall never live to reach the haven. He will show thee the greatness of thy former sins, to persuade thee that they shall not be pardoned. he will show thee the strength of thy passions and corruption, to make thee think they will never be overcome. he will show thee the greatness of the opposition and suffering which thou art like to undergo, to make thee think thou shall never persevere. He will do his worst to poverty, losses , crosses, injuries, vexations, and cruelties, yea , and unkind dearest friends, as he did by Job, to ill of God, or of His service.
If he can , he will make them thy enemies that are of thine own household. He will stir up thy own father, or mother, or husband, or wife, or brother, or sister, or children, against thee, to persuade or persecute thee from Christ: therefore Christ tells us, that if we hate not all these that is cannot forsake them, and use them as men do hated things; when they would turn us from him, we cannot be his disciples". Look for the worst that the devil can do against thee, if thou hast once lifted thyself against him, in the army of Christ, and resolvest, whatever it cost thee, to be saved. Read heb.xi. But How little cause you have to be discouraged, though earth and hell should do their worst , you may perceive by these few considerations.
God is on your side, who hath all your enemies in his hand, and can rebuke them, or destroy them in a moment. O what is the breath or fury of dust or devils, against the Lord Almighty? "If God be for us, who can be against us?" read often that chapter, Rom. viii. In the day when thou didst enter into covenant with God, and he with thee, thou didst enter into the most impregnable rock and fortress, and house thyself in that castle of defense, where thought mayst (modestly)defy all adverse powers of earth or hell. If God cannot save thee, he is not God. And if he will not save thee, he must break his covenant. Indeed, he may resolve to save thee, not from affliction and persecution, but in it, and by it. But in all these sufferings you will "be more than conquerors, through Christ that loveth you;" that is, it is far more desirable and excellent, to conquer by patience, in suffering for Christ, than to conquer our persecutors in the field, by force arms. O think on the saints triumphant boastings in their God:" God is our refuge and strength, a very present help in trouble: therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea". when his " enemies were many" and "wrested his words daily," and "fought against him, and all their thoughts were against him, " yet he saith, "What time I am afraid, I will trust in thee. in God I will praise his word; in God I have put my trust: I will not fear what flesh can do unto me". Remember Christ's charge, " Be not afraid of them that kill the body, and after that have no more that they can do. But I will forewarn you whom ye shall fear: fear him, which after he hath killed, hath power to cast into hell; yea, I say unto you , Fear him" if all the world were on they side, thou might yet have cause to fear; but to have God on thy side, is infinitely more.
Practical works of Richard Baxter,Ch 2 Directions to Weak Christians for Their Establishment and Growth, page 43.
”
”
Richard Baxter
“
Floating"
Our canoe idles in the idling current
Of the tree and vine and rush enclosed
Backwater of a torpid midwestern stream;
Revolves slowly, and lodges in the glutted
Waterlilies. We are tired of paddling.
All afternoon we have climbed the weak current,
Up dim meanders, through woods and pastures,
Past muddy fords where the strong smell of cattle
Lay thick across the water; singing the songs
Of perfect, habitual motion; ski songs,
Nightherding songs, songs of the capstan walk,
The levee, and the roll of the voyageurs.
Tired of motion, of the rhythms of motion,
Tired of the sweet play of our interwoven strength,
We lie in each other's arms and let the palps
Of waterlily leaf and petal hold back
All motion in the heat thickened, drowsing air.
Sing to me softly, Westron Wynde, Ah the Syghes,
Mon coeur se recommend à vous, Phoebi Claro;
Sing the wandering erotic melodies
Of men and women gone seven hundred years,
Softly, your mouth close to my cheek.
Let our thighs lie entangled on the cushions,
Let your breasts in their thin cover
Hang pendant against my naked arms and throat;
Let your odorous hair fall across our eyes;
Kiss me with those subtle, melodic lips.
As I undress you, your pupils are black, wet,
Immense, and your skin ivory and humid.
Move softly, move hardly at all, part your thighs,
Take me slowly while our gnawing lips
Fumble against the humming blood in our throats.
Move softly, do not move at all, but hold me,
Deep, still, deep within you, while time slides away,
As the river slides beyond this lily bed,
And the thieving moments fuse and disappear
In our mortal, timeless flesh.
”
”
Kenneth Rexroth (The Complete Poems)
“
His tousled hair glittered like pagan gold as he pressed her to her back and dragged his open mouth over her flat stomach. Evie shook her head with groggy denial even as he bent her knees and pushed them upward. "Too tired," she said thickly, "I---wait, Sebastian---"
His tongue searched her salty-damp flesh with assuaging licks, persisting until her protests died away. The gentle ministrations of his mouth lulled her into peace, her heartbeat slowing to measured beats. After long, patient minutes, he drew the swollen bud of her clitoris in his mouth and began to suckle and nibble. She jerked at the delicate aggression of his mouth. He drove her higher, his tongue flicking and swirling in a deliberate pattern, his arms clamping around her thighs. It seemed her body was no longer her own, that she existed only to receive this torment of pleasure. Sebastian... she could not voice his name, and yet he seemed to hear her silent plea, and in response he did something with his mouth that launched her into a series of incandescent climaxes. Every time she thought it was over, another ripple of sensation went through her until she was so exhausted that she begged him to stop.
Sebastian rose over her, his eyes glittering in his shadowed face. She moved to welcome him, opening her legs, sliding her arms around the powerful length of his back. He nudged inside her swollen flesh, filling her completely. As his mouth came to her ear, she could hardly hear his whisper over the thumping of her heart.
"Evie," came his dark voice, "I want something from you... I want you to come one more time."
"No," she said weakly.
"Yes. I need to feel you come around me."
Her head rolled in a slow, negative shake across the pillow. "I can't... I can't..."
"Yes, you can. I'll help you." His hand drifted along her body to the place where they were joined. "Let me deeper inside you... deeper..."
She moaned helplessly as she felt his fingertips on her sex, skillfully manipulating her spent nerves. Suddenly she felt him sliding even farther as her excited body opened to accept him. "Mmm..." he crooned. "Yes, that's it... ah, love, you're so sweet..."
He settled between her bent knees, into the cradle of her hips, driving hard and sure inside her. She encompassed him with her arms and legs, and buried her face in his hot throat, and cried out one last time, her flesh pulsing and tightening to bring him to shattering fulfillment. He shook in her arms, and clenched his hands into the warm spill of her hair as he gave himself over to her completely, worshipping her with every part of his body and spirit.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Kaz had never been able to dodge the horror of that night in the Ketterdam harbor, the memory of his brother’s corpse clutched tight in his arms as he told himself to kick a little harder, to take one more breath, stay afloat, stay alive. He’d found his way to shore, devoted himself to the vengeance he and his brother were owed. But the nightmare refused to fade. Kaz had been sure it would get easier. He would stop having to think twice before he shook a hand or was forced into close quarters. Instead, things got so bad he could barely brush up against someone on the street without finding himself once more in the harbor. He was on the Reaper’s Barge and death was all around him. He was kicking through the water, clinging to the slippery bloat of Jordie’s flesh, too frightened of drowning to let go.
The situation had gotten dangerous. When Gorka once got too drunk to stand at the Blue Paradise, Kaz and Teapot had to carry him home. Six blocks they hauled him, Gorka’s weight shifting back and forth, slumping against Kaz in a sickening press of skin and stink, then flopping onto Teapot, freeing Kaz briefly—though he could still feel the rub of the man’s hairy arm against the back of his neck.
Later, Teapot had found Kaz huddled in a lavatory, shaking and covered in sweat. He’d pleaded food poisoning, teeth chattering as he jammed his foot against the door to keep Teapot out. He could not be touched again or he would lose his mind completely.
The next day he’d bought his first pair of gloves—cheap black things that bled dye whenever they got wet. Weakness was lethal in the Barrel. People could smell it on you like blood, and if Kaz was going to bring Pekka Rollins to his knees, he couldn’t afford any more nights trembling on a bathroom floor.
Kaz never answered questions about the gloves, never responded to taunts. He just wore them, day in and day out, peeling them off only when he was alone. He told himself it was a temporary measure. But that didn’t stop him from remastering every bit of sleight of hand wearing them, learning to shuffle and work a deck even more deftly than he could barehanded. The gloves held back the waters, kept him from drowning when memories of that night threatened to drag him under. When he pulled them on, it felt like he was arming himself, and they were better than a knife or a gun.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
If men brought their hearts together beyond a certain degree, if they were intent upon making their hearts one, did not a reaction set in after that brief fantasy had passed, a reaction that was more than simply alienation? Did it not inevitably provoke a betrayal that led to complete dissolution?
Perhaps there was some unwritten law of human nature that clearly proscribed covenants among men. Had he impudently violated such a proscription? In ordinary human relationships, good and evil, trust and mistrust appear in impure form, mixed together in small portions. But when men gather together to form a group devoted to a purity not of this world, their evil may remain, purged from each member but coalesced to form a single pure crystal. Thus in the midst of a collection of pure white gems, perhaps it was inevitable that one gem black as pitch could also be found.
If one took this concept a bit further, one encountered an extremely pessimistic line of thought: the substance of evil was to be found more in blood brotherhoods by their very nature than in betrayal. Betrayal was something that was derived from this evil, but the evil was rooted in the blood brotherhood itself. The purest evil that human efforts could attain, in other words, was probably achieved by those men who made their wills the same and who made their eyes see the world in the same way, men who went against the pattern of life’s diversity, men whose spirit shattered the natural wall of the individual body, making nothing of this barrier set up to guard against mutual corrosion, men whose spirit accomplished what flesh could never accomplish. Collaboration and cooperation were weak terms bound up with anthropology. But blood brotherhood . . . that was a matter of eagerly joining one’s spirit to the spirit of another. This in itself showed a bright scorn for the futile, laborious human process in which ontogeny was eternally recapitulating phylogeny, in which man forever tried to draw a bit closer to truth only to draw a bit closer to truth only to be frustrated by death, a process that had ever to begin again in the sleep within the amniotic fluid. By betraying this human condition the blood brotherhood tried to gain its purity, and thus it was perhaps but to be expected that it, in turn, should of its very nature incur its own betrayal. Such men had never respected humanity.
”
”
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
“
The first movie star I met was Norma Shearer. I was eight years old at the time and going to school with Irving Thalberg Jr. His father, the longtime production chief at Metro-Goldwyn-Mayer, devoted a large part of his creative life to making Norma a star, and he succeeded splendidly. Unfortunately, Thalberg had died suddenly in 1936, and his wife's career had begun to slowly deflate. Just like kids everywhere else, Hollywood kids had playdates at each other's houses, and one day I went to the Thalberg house in Santa Monica, where Irving Sr. had died eighteen months before. Norma was in bed, where, I was given to understand, she spent quite a bit of time so that on those occasions when she worked or went out in public she would look as rested as possible. She was making Marie Antoinette at the time, and to see her in the flesh was overwhelming. She very kindly autographed a picture for me, which I still have: "To Cadet Wagner, with my very best wishes. Norma Shearer." Years later I would be with her and Martin Arrouge, her second husband, at Sun Valley. No matter who the nominal hostess was, Norma was always the queen, and no matter what time the party was to begin, Norma was always late, because she would sit for hours—hours!—to do her makeup, then make the grand entrance. She was always and forever the star. She had to be that way, really, because she became a star by force of will—hers and Thalberg's. Better-looking on the screen than in life, Norma Shearer was certainly not a beauty on the level of Paulette Goddard, who didn't need makeup, didn't need anything. Paulette could simply toss her hair and walk out the front door, and strong men grew weak in the knees. Norma found the perfect husband in Martin. He was a lovely man, a really fine athlete—Martin was a superb skier—and totally devoted to her. In the circles they moved in, there were always backbiting comments when a woman married a younger man—" the stud ski instructor," that sort of thing. But Martin, who was twelve years younger than Norma and was indeed a ski instructor, never acknowledged any of that and was a thorough gentleman all his life. He had a superficial facial resemblance to Irving Thalberg, but Thalberg had a rheumatic heart and was a thin, nonathletic kind of man—intellectually vital, but physically weak. Martin was just the opposite—strong and virile, with a high energy level. Coming after years of being married to Thalberg and having to worry about his health, Martin must have been a delicious change for Norma.
”
”
Robert J. Wagner (Pieces of My Heart: A Life)
“
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.”
Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.”
Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady.
“My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly.
The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.”
Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally.
“Anything, my dear,” he said huskily.
“I would like to-to rest before supper.”
He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.”
Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.”
“Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.”
“We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.”
“The butler stared at my bosom,” Berta complained. “I saw him!”
Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Elizabeth, we’re going to have to stop.”
Elizabeth’s swirling senses began to return to reality, slowly at first, and then with a sickening plummet. Passion gave way to fear and then to anguished shame as she realized she was lying in a man’s arms, her shirt unfastened, her flesh exposed to his gaze and touch. Closing her eyes, she fought back the sting of tears and shoved his hand away, lurching into an upright position. “Let me rise, please,” she whispered, her voice strangled with self-revulsion. Her skin flinched as he began to fasten her shirt, but in order to do it he had to release his hold on her, and the moment he did, she scrambled to her feet.
Turning her back to him, she fastened her shirt with shaking hands and snatched her jacket from the peg beside the fire. He moved so silently that she had no idea he’d stood until his hands settled on her stiff shoulders. “Don’t be frightened of what is between us. I’ll be able to provide for you-“
All of Elizabeth’s confusion and anguish exploded in a burst of tempestuous, sobbing fury that was directed at herself, but which she hurtled at him. Tearing free of his grasp, she whirled around. “Provide for me,” she cried. “Provide what? A-a hovel in Scotland where I’ll stay while you dress the part of an English gentleman so you can gamble away everything-“
“If things go on as I expect,” he interrupted her in a voice of taut calm, “I’ll be one of the richest men in England within a year-two at the most. If they don’t, you’ll still be well provided for.”
Elizabeth snatched her bonnet and backed away from him in a fear that was partly of him and partly of her own weakness. “This is madness. Utter madness.” Turning, she headed for the door.
“I know,” he said gently. She reached for the door handle and jerked the door open. Behind her, his voice stopped her in midstep. “If you change your mind after we leave in the morning, you can reach me at Hammund’s town house in Upper Brook Street until Wednesday. After that I’d intended to leave for India. I’ll be gone until winter.”
“I-I hope you have a safe voyage,” she said, too overwrought to wonder about the sharp tug of loss she felt at the realization he was leaving.
“If you change your mind in time,” he teased, “I’ll take you with me.”
Elizabeth fled in sheer terror from the gentle confidence she’d heard in his smiling voice. As she galloped through the thick fog and wet underbrush she was no longer the sensible, confident young lady she’d been before; instead she was a terrified, bewildered girl with a mountain of responsibilities and an upbringing that convinced her the wild attraction she felt for Ian Thornton was sordid and unforgivable.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Chatting to the gossip of flames
waking from the slumber of
our flesh-drunk night together—
it’s only when I step out
to pee do I notice—
how far, burgundy-dark,
the moon has risen….
On four paws the shepherd-
dogs bound, lightly
though the trees they
hardly touch on earth—
we saw it from far
sunk here
in an always-ache….
Dyeing paling twilight woods—
a pair of wasps, spiraling, writhe….
Wetted lips of hers
and mine, just-parted,
move over each other
with tongues just-coming
but refuse—
like mists of evening
they've no place to settle….
Just-here though she's singing
she’s in some song from long ago—
poised on the brink
of twilight longing
three thousand miles
rush through my heart….
Under undulating curtains—
I hover above her
the tips of me brushing
the tips of her—
breathing back and forth
a column of air
we share our breath
slowly asphyxiating….
From burning wood campfire sparks dart off
extinguishing in the wet blue dark…
how you blow your long wind
across my embers,
through my soul, she pleads me,
take away the pain—
I dip a branch in blue water
and plunge it into coals….
***
In pre-dawn dark, against
a leaping inferno of flames
black monolith of wood
in the cast iron compartment
softens, and—gradually— fractures
to cells, warping upward,
until from the top a shard splinters:
pearls of flame string a fiber
and leap in little tongues
while the log, glowing, engulfed,
is consumed by the inferno contained….
A shadow daunts me, haunts and taunts me
now reaching far, now recoiling, now growing bold….
I once sang eruptions and the wind—
then appeared you
it took my whole life
singing only the songs of you
and still I sing for you
what other refuge
can stay me from this torment?
So— my doppelganger has arrived
no one said it would happen this way
but the way his hands
fold like mine, the style
of his humor, broadness of his smile—
even the way he walks….
Licking and lapping these lashings
of grasses are in tongues at my feet
smoldering's the fury within me—
I have seen my fields of daylight warp
to noxious-air infernos
but still to the clean blue of the flame
I take rest in her breast….
His songs I mouth, and in my head
is his voice— I cannot hear my own….
in my mind I see myself— thin,
stupid— my arms too weak,
my own chest too frail— and besides
I prefer him more….
Along spiral lines, seed-heads decay— swept away
they whirl and writhe in the hot blue fire of evening….
Stuck in a mural of sticky flesh— the family…
I am locked-in-arms with brothers
and sisters, drooping at the thighs
with nieces and nephews,
grafted to parents at the scalp, and
pasted with toddlers all over…
hived, sapped, black I sit, subject
to the flavors and aromas of your abuse….
Then— be wrapped in his presence…
crescendo to his warmth
the cascade of your laughter
search in his wrinkles
for the boy inside him…
I’m just biding here, bragless,
trying to admit these
rival-streams that flow
in one latticework of blood….
Halves of flesh and bosomy hips, lips
like dark ripe fruits they're chasing—
I chased them…
full-feathered was their hair
like floss in the sunshine
fine-fingered was their style
like laces cut to curves:
and then there was you,
returning one, just there
like the midnight moon
in my sky at noontime….
”
”
Mark Kaplon