The Carries Diaries Quotes

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It's really a wonder that I haven't dropped all my ideals, because they seem so absurd and impossible to carry out. Yet I keep them, because in spite of everything, I still believe that people are really good at heart.
Anne Frank (The Diary of a Young Girl)
Memory is the diary we all carry about with us.
Oscar Wilde
What if I'm a princess on another planet? And no one on this planet knows it?
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
This evening I spied her in the back orchard. I decided to sacrifice one of my better old shirts and carried it out to her. The weather’s been warm of late. Buds on the apple trees are ready to burst. Usually by this time of the year, at that time of day, the back orchard is full of screaming children. Damut’s boys were the only two. They were on the terrace below her, running through the slanted sunlight, chasing each other around tree trunks. She stood above them, like a merlin watching rabbits play.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
In life,there are only four kinds of girls: The girl who played with fire. The girl who opened Pandora's Box. The girl who gave Adam the apple. And the girl whose best friend stole her boyfriend.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Sometimes I think all the trouble in the world is caused by men. If there were no men, women would always be happy. ~Carrie
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Funny always makes the bad things go away.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
If you smile, even if you’re feeling bad, the action of the muscles will trick your brain into thinking you’re happy
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I could have become a mass murderer after I hacked my governor module, but then I realized I could access the combined feed of entertainment channels carried on the company satellites. It had been well over 35,000 hours or so since then, with still not much murdering, but probably, I don't know, a little under 35,000 hours of movies, serials, books, plays, and music consumed. As a heartless killing machine, I was a terrible failure.
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
Guys are like dogs: they never notice if you've changed your hair, but they can sense when there's another guy sniffing around their territory
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Just because something doesn't last forever, it doesn't mean it wasn't meaningful while it did last. It doesn't mean it wasn't important.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
sometimes the best thing to do is to pretend it didn't happen
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Whoever we are here, we might be princesses somewhere else. Or writers. Or scientists. Or presidents. Or whatever the hell we want to be that everyone else says we can't.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I'm not ashamed of anything I've done. Shame is a useless emotion.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
The heart wants what the heart wants
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
maybe he's falling in love with the idea of falling in love with me. Maybe he wants to be in love with someone and I've ended up in the right place at the right time.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
You can get used to anything, I guess, if you've been there enough.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
It was scary how a girl couldn't live without friends.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
- I don't want to be a writer so I can write about my life. I want to be a writer to escape from it. + Then you shouldn't be a writer.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I'm looking for love. Real love. Ridiculous, inconvenient, consuming, can't-live-without-each-other love.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
All men are a disappointment. No matter what anyone says.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Who am I supposed to be again? Just be yourself. But who am I?
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
When it comes to people -- don't write about who you know; but what you know of human nature.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I'm certainly not going to put my life on hold for him.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Love is the bee that carries the pollen from one heart to another.
Slash Coleman (Bohemian Love Diaries: A Memoir)
The world is full of people who all want the same thing, and you have to do a little something extra to make them remember you.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I've always thought there are two ways of getting what you wanted in life.Forcing people to give it to you,or making them want to give it to you.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Should, is the worst word in the English language. People always think things "should" be a certain way, and when they're not, they're disappointed.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
I have this theory: If you forgive someone, they can't hurt you anymore.
Candace Bushnell
It's hard to be careful, though, when you feel indestructible.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
If a woman could take care of herself, would she still need a man? Would she even want one? And if she didn't want a man, what kind of woman would she be? Would she even be a woman? Because it seemed if you were a woman, the only thing you were really supposed to want was a man.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
You choose the end of the summer to fall in love with this guy because secretly, you don’t want it to last.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Rule number three: Best friends always think you deserve the best guy even if the best guy barely knows you exist.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Love is spiritual. It's about self-sacrifice and commitment. And discipline. You cannot have true love without discipline and respect. When you lose the respect of your spouse, you've lost everything.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I can't wait to get out of the house. I can't wait to get out of here. I've been telling myself this all week. The 'getting out of here' part is unspecified, though. Maybe I simply want to get away from life
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I wish I was Rapunzel Letting down her hair But at the bottom of my tower There's nobody stood there. No prince to carry me off to the sunset... The reason why of course, I don't look like his princess, I look like his horse.
Rae Earl (My Fat, Mad Teenage Diary (Rae Earl, #1))
A guy who is crazily, madly in love with you. A guy who sees how incredible and amazing you are, even though you’re not the cheerleader or even close to the prettiest girl in the school. A guy who thinks you’re beautiful, just the way you are.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Why do magazines do this to women? It's all about creating insecurity. Trying to make women feel like they're not good enough. And when women don't feel like they're good enough, guess what? Men win. That's how they keep us down.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Everyone keeps looking on their defects. It's not like everyone's perfect, we all are are ugly and at the same time beautiful. It's just how we should carry and believe in ourselves. Nasa attitude yan, wala sa hitsura
HaveYouSeenThisGirL
I want to run out and kiss her fantastic beauty, kiss it and say, "You carry away with you a reflection of me, a part of me. I dreamed you, I wished for your existence. You will always be part of my life. If I love you, it must be because we have shared at some time the same imaginings, the same madness, the same stage.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Oh I don't plan on getting married. It's a legalized form of prostitution.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
At first, being with Sebastian was like being in the middle of the best dream I'd ever had - but now it mostly feels exhausting. I'm up one minute and down the next; questioning what I say and do. Even questioning my sanity.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I don't consider my work a job. I consider it a career. And you don't quit a career.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
MISS PRISM Memory, my dear Cecily, is the diary that we all carry about with us.
Oscar Wilde (The Importance of Being Earnest)
I don't like to think of myself as a 'virgin'. I prefer to think of myself as 'sexually incomplete'. You know. Like I haven't finished the course yet.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I know I have to do the right thing. And the sooner you do the right thing, the better. You get it over with, and you don't have to worry about it anymore. But who does that in real life? Instead, you procrastinate and think about it and put it off and think about it some more until that one little pebble grows into a giant block inside your head.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Like me, he has a searing belief that books are sacred. They might not be to other people, but when you have a passion, you hold on to it. You defend it. You dont pretend it isn't important at the risk of offending others." -Carrie.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
You don't want to peak in high school. If you do, the rest of your life is a disaster.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
What a vast fertility of pleasure books hold for me! I went in and found the table laden with books. I looked in and sniffed them all. I could not resist carrying this one off and broaching it. I think I could happily live here and read forever.
Virginia Woolf (A Writer's Diary)
In life, there are only four kinds of girls: The girl who played with fire. The girl who opened Pandora's Box. The girl who gave Adam the apple. And the girl whose best friend stole her boyfriend.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I can only hope he's an Aries and not a Scorpio.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
The heart wants what the heart wants," she says, somewhat cryptically. I purse my lips in disapproval. "You'd think the heart would know better.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Have I ever been in love? Really in love? And why is it that with each new guy I think I'm more in love with him than the last?
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Men do suck.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
June, you have killed my sincerity too. I will never again know who I am, what I am, what I love, what I want. Your beauty has drowned me, the core of me. You carry away with you a part of me reflected in you. When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existence. You are the woman I want to be. I see in you that part of me which is you. I feel compassion for your childish pride, for your trembling unsureness, your dramatization of events, your enhancing of the loves given to you. I surrender my sincerity because if I love you it means we share the same fantasies, the same madness.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
A writer must be fearless. A writer has to be like a clawed animal." -The Carrie Diaries pg. 337
Candace Bushnell
The only way to look at men is like they're electrons. They have all these charges sticking out, and they're always looking for a hole where they can put those charges.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I have this theory: You can get away with anything as long as you act like you're not doing anything wrong.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I always had the deepest affection for people who carried sublime tears in their silences.
Virginia Woolf (The Diary of Virginia Woolf, Volume Three: 1925-1930)
And the sooner you do the right thing, the better. You get it over with, and you don’t have to worry about it anymore. But who does that in real life?
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I will not listen to you, or anybody else. Because you know what? Everyone think they know so goddamned much about everything and no one knows fuck all about anything.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Everything I need is in my head, and no one can take that away.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Why do I keep evading my work? Is it because I’m afraid of being confronted by my lack of abilities?
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Sebastian (Se-bastard) is a Scorpio..
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
He leans over and kisses me. And suddenly, my life splits in two: before and after.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I’ve never understood sexy lingerie. I mean, what’s the point? The guy’s only going to take it off.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
I keep a diary in order to enter the wonderful secrets of my life. If I didn't write them down, I should probably forget all about them.' 'Memory, my dear Cecily, is the diary that we all carry about with us.
Oscar Wilde (The Importance of Being Earnest)
Have I become the girl who waits by the phone, hoping it will ring, who asks a friend to dial her number to make sure the phone is working?
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
No matter what you think you can be, when you’re forced to stop and look at where you actually are, it’s pretty depressing. Sometimes, there is no escaping the truth
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
A turtle doesn't have to decide every morning whether to keep on bothering, it just carries on. Maybe that's why man kills everything: envy.
Russell Hoban (Turtle Diary)
If a man doesn’t ask you to marry him -- or at least live with him -- after two years, he never will. It means he’s only interested in having a good time.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Don’t you think it’s weird when someone has photographs of themselves all over the place? It’s like they’re trying to prove they exist.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Maybe you can’t have it both ways. His life and your life. How do you put two lives together, anyway?
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Just because someone is a girl doesn't mean she can't be tough and practical and have adventures. That's the way most girls are-until they get around guys. Then guys make them act all stupid.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
To sit in this awful mess and maybe smoke some dope and watch some innocuous shit on a dumb glass tube and feel fine about it and know there's really nothing you have to do, ever, but feel your warm friend's silent content. You don't feel guilty about not fighting a war or carrying signs to protest it either. We've just mastered the life of doing nothing, which when you think about it, may be the hardest thing of all to do.
Jim Carroll (The Basketball Diaries)
Rule number one: Why is it that the one time a cute guy talks to you, you have a friend who’s in crisis?
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Didn't the old man know how words carry colors and sounds into the flesh
Anaïs Nin (The Diary of Anaïs Nin, Vol. 3: 1939-1944)
When it comes to people--don't write about who you know, but what you know of human nature.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Should," I suddenly recal myself saying to Samantha and Miranda, "is the worst word in the English language. People always thing thing 'should' be a certain way, and when they're not, they're disappointed.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
I stare up the stars, intensely aware of his body a few inches from mine. If this isn't romance, I don't know what is.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
I take his hand in mine, running my fingers over the palm. His hands are lovely and lean, and I can't help thinking about those hands on my body. The sexiest part of a man is his hands.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
A man looks down at the red paint on his hands and wonders for a moment if he’s killed his wife and this is her blood or maybe he’s just painted the garden bench red, that’s all. He thinks it is a strange thought and carries on digging the hole he’s digging in the back garden. He whistles. He writes this all down in his moleskin diary, later that evening. His wife should be back from work by now but she isn’t.
pleasefindthis (Intentional Dissonance)
Am I going to spend the rest of my life trying to get some kind of approval from him that he's never going to give?
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
...we are the product of this universe and I think it can be argued that the entire cosmic code is imprinted in us. Just as our genes carry the memory of our biological ancestors, our logic carries the memory of our cosmological ancestry. We are not just imposing human-centric notions on a cosmos independent of us. We are progeny of this cosmos and our ability to understand it is an inheritance.
Janna Levin (How the Universe Got Its Spots: Diary of a Finite Time in a Finite Space)
I’ve had boyfriends before, and frankly, each one was a disappointment. There was nothing horribly wrong with these boys. It was my fault. I’m kind of a snob when it comes to guys. So far, the biggest problem with the boys I’ve dated is that they weren’t too smart. And eventually I ended up hating myself for being with them. It scared me, trying to pretend I was something I wasn’t. I could see how easily it could be done, and it made me realize that was what most of the other girls were doing as well—pretending. If you were a girl, you could start pretending in high school and go on pretending your whole life, until, I suppose, you imploded and had a nervous breakdown, which is something that’s happened to a few of the mothers around here. All of a sudden, one day something snaps and they don’t get out of bed for three years.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
It's really a wonder that I haven't dropped all my ideals, because they seem so absurd and impossible to carry out. Yet I keep them, because inspite of everything I still believe that people are really good at heart. I simply can't build up my hopes on a foundation consisting of confusion, misery, and death. I see the world gradually being turned into a wilderness, I hear the ever approaching thunder, which will distroy us too, I can feel the sufferings of millions and yet, if i look up into the heavans, I think that it will all come right, that this cruelty too will end, and that peace and tranquility will return again. In the mean time, I must uphold my ideals, for perhaps the day will come when I shall be able to carry them out." ~Anne Frank
Anne Frank (The Diary of a Young Girl)
Sex. It’s the biggest sham of all. I mean, your whole life, all you ever hear is how you’re supposed to save yourself for marriage. And how it’s so special. And then you finally do it. And you’re like, that’s it? This is what everyone’s been raving about?
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Henry's recollections of the past, in contrast to Proust, are done while in movement. He may remember his first wife while making love to a whore, or he may remember his very first love while walking the streets, traveling to see a friend; and life does not stop while he remembers. Analysis in movement. No static vivisection. Henry's daily and continuous flow of life, his sexual activity, his talks with everyone, his cafe life, his conversations with people in the street, which I once considered an interruption to writing, I now believe to be a quality which distinguishes him from other writers. He never writes in cold blood: he is always writing in white heat. It is what I do with the journal, carrying it everywhere, writing on cafe tables while waiting for a friend, on the train, on the bus, in waiting rooms at the station, while my hair is washed, at the Sorbonne when the lectures get tedious, on journeys, trips, almost while people are talking. It is while cooking, gardening, walking, or love-making that I remember my childhood, and not while reading Freud's 'Preface to a Little Girl's Journal.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
Charlie dear, it is I who have to be proud of you. And I am very, very proud of you. You have called me pretty; and as long as I am pretty in your eyes, I am happy. You, dear old Charlie, are not handsome, but you are good, which is far more noble.
George Grossmith (The Diary of a Nobody)
You must not fear, hold back, count or be a miser with your thoughts and feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing. Permit yourself to flow and overflow, allow for the rise in temperature, all the expansions and intensifications. Something is always born of excess: great art was born of great terrors, great loneliness, great inhibitions, instabilities, and it always balances them. If it seems to you that I move in a world of certitudes, you, par contre, must benefit from the great privilege of youth, which is that you move in a world of mysteries. But both must be ruled by faith.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 4: 1944-1947)
When we think of the past we tend to assume that people were simpler in their functions, and shaped by forces that were primary and irreducible. We take for granted that our forbears were imbued with a deeper purity of purpose than we possess nowadays, and a more singular set of mind, believing, for example, that early scientists pursued their ends with unbroken „dedication“ and that artists worked in the flame of some perpetual „inspiration“. But none of this is true. Those who went before us were every bit as wayward and unaccountable and unsteady in their longings as people are today. The least breeze, whether it be sexual or psychological – or even a real breeze, carrying with it the refreshment of oxygene and energy – has the power to turn us from our path.
Carol Shields (The Stone Diaries)
He was discomfited to see how easily men (and women as well) stepped from the train to station platform, from platform to train – with ease, with levity, laughing and talking and greeting each other as though oblivious to the abrupt geographical shifts they were making, and disrespectful of the distance and differences they entered. Many were hatless, their clothes brightly colored. The cases they carried appeared, from the way they handled them, to be feather-light.
Carol Shields (The Stone Diaries)
Why do magazines do this to women?” Miranda complains now, glaring at Vogue. “It’s all about creating insecurity. Trying to make women feel like they’re not good enough. And when women don’t feel like they’re good enough, guess what?” “What?” I ask, picking up the grocery bag. “Men win. That’s how they keep us down,” she concludes. “Except the problem with women’s magazines is that they’re written by women,” I point out. “That only shows you how deep this thing goes. Men have made women coconspirators in their own oppression. I mean, if you spend all your time worrying about leg hair, how can you possibly have time to take over the world?
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
It seems so dreadful to be a bachelor, to become an old man struggling to keep one's dignity while begging for an invitation whenever one wants to spend an evening in company, having to carry one's meal home in one's hand, unable to expect anyone with a lazy sense of calm confidence, able only with difficulty and vexation to give a gift to someone, having to say good night at the front door, never being able to run up a stairway beside one's wife, to lie ill and have only the solace of the view from one's window when one can sit up, to have only side doors in one's room leading into other people's living rooms, to feel estranged from one’s family, with whom one can keep on close terms only by marriage, first by the marriage of one's parents, then, when the effect of that has worn off, by one's own, having to admire other people's children and not even being allowed to go on saying: “I have none myself,” never to feel oneself grow older since there is no family growing up around one, modeling oneself in appearance and behavior on one or two bachelors remembered from our youth.
Franz Kafka (Diaries, 1910-1923)
To-day all our novels and newspapers will be found to be swarming with numberless allusions to the popular character called a Cave-Man. He seems to be quite familiar to us, not only as a public character but as a private character. His psychology is seriously taken into account in psychological fiction and psychological medicine. So far as I can understand, his chief occupation in life was knocking his wife about, or treating women in general with what is, I believe, known in the world of the film as 'rough stuff.' I have never happeend to come upon the evidence for this idea; and I do not know on what primitive diaries or prehistoric divorce-reports it is founded. Nor, as I have explained elsewhere, have I ever been able to see the probability of it, even considered a priori. We are always told without any explanation or authority that primitive man waved a club and knocked the woman down before he carried her off. But on every animal analogy, it would seem an almost morbid modesty and reluctance, on the part of the lady, always to insist on being knocked down before consenting to be carried off. And I repeat that I can never comprehend why, when the male was so very rude, the female should have been so very refined. The cave-man may have been a brute, but there is no reason why he should have been more brutal than the brutes. And the loves of the giraffes and the river romances of the hippopotami are affected without any of this preliminary fracas or shindy.
G.K. Chesterton (The Everlasting Man)
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget …But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night. The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities. Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing. I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told You were nothing more than a speck of dust, good-looking dust, but dust all the same Some people needed saving She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move? At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
Alice Hoffman (Blue Diary)
The one universal balm for the trauma of war was tea. It was the thing that helped people cope. People made tea during air raids and after air raids, and on breaks between retrieving bodies from shattered buildings. Tea bolstered the network of thirty thousand observers who watched for German aircraft over England, operating from one thousand observation posts, all stocked with tea and kettles. Mobile canteens dispensed gallons of it, steaming, from spigots. In propaganda films, the making of tea became a visual metaphor for carrying on. “Tea acquired almost a magical importance in London life,” according to one study of London during the war. “And the reassuring cup of tea actually did seem to help cheer people up in a crisis.” Tea ran through Mass-Observation diaries like a river. “That’s one trouble about the raids,” a female diarist complained. “People do nothing but make tea and expect you to drink it.” Tea anchored the day—though at teatime, Churchill himself did not actually drink it, despite reputedly having said that tea was more important than ammunition. He preferred whiskey and water. Tea was comfort and history; above all, it was English. As long as there was tea, there was England. But now the war and the strict rationing that came with it threatened to shake even this most prosaic of pillars.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
My diary. Little Ginny’s been writing in it for months and months, telling me all her pitiful worries and woes — how her brothers tease her, how she had to come to school with secondhand robes and books, how” — Riddle’s eyes glinted — “how she didn’t think famous, good, great Harry Potter would ever like her. . . .” All the time he spoke, Riddle’s eyes never left Harry’s face. There was an almost hungry look in them. “It’s very boring, having to listen to the silly little troubles of an eleven-year-old girl,” he went on. “But I was patient. I wrote back. I was sympathetic, I was kind. Ginny simply loved me. No one’s ever understood me like you, Tom. . . . I’m so glad I’ve got this diary to confide in. . . . It’s like having a friend I can carry around in my pocket. . . .” Riddle laughed, a high, cold laugh that didn’t suit him. It made the hairs stand up on the back of Harry’s neck. “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted. . . . I grew stronger and stronger on a diet of her deepest fears, her darkest secrets. I grew powerful, far more powerful than little Miss Weasley. Powerful enough to start feeding Miss Weasley a few of my secrets, to start pouring a little of my soul back into her . . .
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
First: breakdown, impossible to sleep, impossible to stay awake, impossible to endure life, or, more exactly, the course of life. The clocks are not in unison; the inner one runs crazily on at a devilish or demoniac or in any case inhuman pace, the outer one limps along at its usual speed. What else can happen but that the two worlds split apart, and they do split apart, or at least clash in a fearful manner. There are doubtless several reasons for the wild tempo of the inner process; the most obvious one is introspection, which will suffer no idea to sink tranquilly to rest but must pursue each one into consciousness, only itself to become an idea, in turn to be pursued by renewed introspection. Secondly: this pursuit, originating in the midst of men, carries one in a direction away from them. The solitude that for the most part has been forced on me, in part voluntarily sought by me –but what was this if not compulsion too? –is now losing all its ambiguity and approaches its dénouement. Where is it leading? The strongest likelihood is, that it may lead to madness; there is nothing more to say, the pursuit goes right through me and rends me asunder. Or I can –can I? –manage to keep my feet somewhat and be carried along in the wild pursuit. Where, then, shall I be brought? ‘Pursuit,’ indeed, is only a metaphor. I can also say, ‘assault on the last earthly frontier’, an assault, moreover, launched from below, from mankind, and since this too is a metaphor, I can replace it by the metaphor of an assault from above, aimed at me from above.
Franz Kafka (Diaries, 1910-1923)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)