The Borrowers Mary Norton Quotes

We've searched our database for all the quotes and captions related to The Borrowers Mary Norton. Here they are! All 26 of them:

Misfortunes make us wise
Mary Norton (The Borrowers Afield (The Borrowers #2))
Arrietty used to make her 'e's' like little half-moons with a stroke in the middle-" "Well?" said Kate Mrs. May laughed and took up her work again. "My brother did too," she said.
Mary Norton (The Borrowers (The Borrowers, #1))
I don't think human beans are all that bad-" "They're bad and they're good," said Pod; "they're honest and they're artful- it's just as it takes them at the moment".
Mary Norton (The Borrowers (The Borrowers, #1))
would flower; and where birds came—and pecked
Mary Norton (The Borrowers (The Borrowers, #1))
It's so awful and sad,” she once admitted to Tom Goodenough, “to belong to a race that no sane person believes in.
Mary Norton (The Borrowers Afield (The Borrowers #2))
¡Que mundo! Kilómetros y kilómetros, cosas y más cosas, un cúmulo de riquezas inimaginables..., ¡y ella podía haberse quedado sin conocerlo!
Mary Norton (The Borrowers 2-in-1)
Human beans are for Borrowers—like bread’s for butter!
Mary Norton (The Borrowers (The Borrowers, #1))
The child is right," she announced firmly. Arrietty's eyes grew big. "Oh, no-" she began. It shocked her to be right. Parents were right, not children. Children could say anything, Arrietty knew, and enjoy saying it-knowing always they were safe and wrong.
Mary Norton (The Borrowers (The Borrowers, #1))
In this life,” he went on, “you got to see what is, as you might say, and then face up to what you wish there wasn’t.
Mary Norton (The Borrowers Afield (The Borrowers, #2))
And what if it were only a story?” said Mrs. May quickly, “so long as it was a good story? Keep your sense of wonder, child, and don’t be so literal. Anything we haven’t experienced for ourselves sounds like a story. All we can ever do is sift the evidence.
Mary Norton (The Borrowers (The Borrowers, #1))
The Past is Experience, Thats All You Got to Learn From.
Mary Norton (The Borrowers Afield (The Borrowers #2))
Un último impulso, y su cabeza y sus hombros estuvieron fuera del seto; el sol caliente le cayó sobre el cabello y, deslumbrada por el resplandor, entornó los ojos para mirar en derredor.
Mary Norton (The Borrowers 2-in-1)
She learned a lot and some of the things she learned were hard to accept. She was made to realize once and for all that this earth on which they lived turning about in space did not revolve, as she had believed, for the sake of little people. “Nor for big people either,” she reminded the boy when she saw his secret smile.
Mary Norton (The Borrowers (The Borrowers, #1))
...Borrower's don't steal." "Except from human beings," said the boy. Arrietty burst out laughing; she laughed so much that she had to hide her face in the primrose. "Oh dear," she gasped with tears in her eyes, "you are funny!" She stared upward at his puzzled face. "Human beans are for Borrowers - like bread's for butter!
Mary Norton (The Borrowers (The Borrowers, #1))
head
Mary Norton (The Borrowers Collection: Complete Editions of All 5 Books in 1 Volume: A Classic Fantasy Adventure About a Tiny World for Children (Ages 8-12))
joyous
Mary Norton (The Borrowers Aloft: Plus the short tale Poor Stainless)
Stories never really end. They can go on and on and on. It's just that sometimes, at a certain point, one stops telling them.
Mary Norton (The Borrowers)
Here she was on the other side of the grating—here she was at last, on the outside—looking in!
Mary Norton (The Borrowers (The Borrowers, #1))
The Fine Old Pale Madeira,
Mary Norton (The Borrowers (The Borrowers, #1))
Homily would renew it at intervals when it became available upstairs, but since Aunt Sophy
Mary Norton (The Borrowers 2-in-1)
An inn, of course, was a place you came to at night (not at three o'clock in the afternoon), preferably a rainy night—wind, too, if it could be managed; and it should be situated on a moor (“bleak,” Kate knew, was the adjective here). And there should be scullions; mine host should be gravy-stained and broad in the beam with a tousled apron pulled across his stomach; and there should be a tall, dark stranger—the one who speaks to nobody—warming thin hands before the fire. And the fire should be a fire—crackling and blazing, laid with an impossible size log and roaring its great heart out up the chimney. And there should be some sort of cauldron, Kate felt, somewhere about—and, perhaps, a couple of mastiffs thrown in for good measure.
Mary Norton (The Borrowers Afield (The Borrowers #2))
As people, other people, living in a house who . . . borrow things?" Mrs. May laid down her work. "What do you think?" she asked. "I don't know," Kate said, pulling hard at her shoe button. "There can't be. And yet"-she raised her head-"and yet sometimes I think there must be." "Why do you think there must be?" asked Mrs. May. "Because of all the things that disappear. Safety pins, for instance. Factories go on making safety pins, and every day people go on buying safety pins and yet, somehow, there never is a safety pin just when you want one. Where are they all? Now, at this minute? Where do they go to? Take needles," she went on. "All the needles my mother ever bought-there must be hundreds-can't just be lying about this house." "Not lying about the house, no," agreed Mrs. May. "And all the other things we keep on buying. Again and again and again. Like pencils and match boxes and sealing-wax and hairpins and drawing pins and thimbles-
Mary Norton (The Borrowers (The Borrowers, #1))
Oh, I know Papa is a wonderful borrower. I know we’ve managed to stay when all the others have gone. But what has it done for us, in the end? I don’t think it’s so clever to live on alone, for ever and ever, in a great, big, half-empty house; under the floor, with no one to talk to, no one to play with, nothing to see but dust and passages, no light but candlelight and firelight and what comes through the cracks.
Mary Norton (The Borrowers (The Borrowers, #1))
Can you read?" the boy said at last. "Of course," said Arrietty. "Can't you?" "No," he stammered. "I mean--yes. I mean I've just come from India." "What's that got to do with it?" asked Arrietty. "Well, if you're born in India, you're bilingual. And if you're bilingual, you can't read. Not so well." Arrietty stared up at him: what a monster, she thought, dark against the sky. "Do you grow out of it?" she asked. He moved a little and she felt the cold flick of his shadow. "Oh yes," head said, "it wears off. My sisters were bilingual; now they aren't a bit. They could read any of those books upstairs in the schoolroom." "So could I," said Arrietty quickly, "if someone could hold them, and turn the pages. I'm not a bit bilingual. I can read anything.
Mary Norton (Borrowers)
Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?" "No," said Arrietty, "I'd say it was my father." "Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?" "Not on his best trousers. He does on his borrowing ones." 'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?" "No," said Arrietty. "None. We're all different." "I mean as small as you?" Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?" "There are more my size than yours," he retorted. "Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff." "Don't you eat soup?" asked the boy. "Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-" "What do you mean," asked the boy, " 'to keep us'?
Mary Norton (The Borrowers (The Borrowers, #1))
The Books Lucia’s birthday gifts for September 1st: The Very Hungry Caterpillar by Eric Carle and Peter Pan and Wendy by J. M. Barrie 2nd: Burglar Bill by Janet and Allan Ahlberg 3rd: Dogger by Shirley Hughes 4th: Alice’s Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll 5th: Pollyanna by Eleanor H. Porter 6th: The Wind in the Willows by Kenneth Grahame 7th: The Borrowers by Mary Norton 8th: A Little Princess by Frances Hodgson Burnett 9th: Black Beauty by Anna Sewell 10th: Matilda by Roald Dahl 11th: Little Women by Louisa M. Alcott 12th: To Kill a Mockingbird by Harper Lee 13th: Jane Eyre by Charlotte Brontë 14th: Noughts and Crosses by Malorie Blackman 15th: Fingersmith by Sarah Waters 16th: Northanger Abbey by Jane Austen 17th: Behind the Scenes at the Museum by Kate Atkinson 18th: The Yellow Wallpaper by Charlotte Perkins Gilman 19th: Interpreter of Maladies by Jhumpa Lahiri 20th: Passing by Nella Larsen 21st: Wuthering Heights by Emily Brontë 22nd: The Handmaid’s Tale by Margaret Atwood 23rd: The Vanishing Act of Esme Lennox by Maggie O’Farrell 24th: The Murder of Roger Ackroyd by Agatha Christie 25th: The Other Side of the Story by Marian Keyes 26th: Atonement by Ian McEwan 27th: Small Island by Andrea Levy 28th: Vanity Fair by William Makepeace Thackeray 29th: Why Be Happy When You Could Be Normal? by Jeanette Winterson 30th: Harvest by Jim Crace 31st: A Secret Garden by Katie Fforde 32nd: Beyond Black by Hilary Mantel From Lucia’s life Bird at My Window by Rosa Guy Of Love and Dust by Ernest J. Gaines Ring of Bright Water by Gavin Maxwell A Wrinkle in Time by Madeleine L’Engle The Owl Service by Alan Garner The L-Shaped Room by Lynne Reid Banks I Know Why the Caged Bird Sings by Maya Angelou Fire from Heaven by Mary Renault Story of O by Pauline Réage Illustrated Peter Pan by Arthur Rackham Peter Pan in Kensington Gardens by J. M. Barrie Marina’s recommendation Little House on the Prairie by Laura Ingalls Wilder The book club at September’s house The Color Purple by Alice Walker Rebecca by Daphne du Maurier Silas Marner by George Eliot (The Mill on the Floss also mentioned) Oliver Twist by Charles Dickens The Prime of Miss Jean Brodie by Muriel Spark A Thousand Splendid Suns by Khaled Hosseini Ethan Frome by Edith Wharton A Tree Grows in Brooklyn by Betty Smith The book club’s birthday books for September’s 34th birthday Tipping the Velvet by Sarah Waters We Are Displaced by Malala Yousafzai To Sir, With Love by E. R. Braithwaite Boy Swallows Universe by Trent Dalton Ready Player One by Ernest Cline Treasure Island by Robert Louis Stevenson
Stephanie Butland (The Book of Kindness)